Podcasts about winter morning walks

In this episode, we offer close readings of poems from Ted Kooser's_ Winter Morning Walks: 100 Postcards to Jim Harrison_. Kooser's poems allow us to think about the poem as a social act, as a form of healing, and as a kind of meditation. To learn more about Ted Kooser, visit his website (https://www.tedkooser.net/). If you like these poems that we discussed in this episode, please read Ted Kooser's Winter Morning Walks: 100 Postcards to Jim Harrison (https://press.uchicago.edu/ucp/books/book/distributed/W/bo43505466.html) (Carnegie Mellon University Press, 2001). Thanks to Carnegie Mellon Press for granting us permission to read these poems aloud.

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SynopsisOn today's date in 2008, at the University of Minnesota in Minneapolis, soprano Dawn Upshaw and the St. Paul Chamber Orchestra gave the first performance of a new song cycle, Carlos Drummond de Andrade Stories. Its composer, Maria Schneider, conducted the premiere.Drummond was one of Brazil's greatest poets, and Schneider came to know his work through English translations by Mark Strand. “Drummond's poetry struck me as deeply Brazilian, and Brazil is a country for which I've long felt an affinity,” she said.The Minneapolis premiere was something of a homecoming for Schneider, who was born in Minnesota and studied composition at its university before heading off to the Eastman School and after graduation being hired by the great jazz orchestrator Gil Evans as his assistant. In 1992, she formed her own jazz orchestra and won a Grammy with it in 2004.Upshaw is a big fan of Schneider's work, and in 2011 they collaborated on the premiere of a second song cycle, Winter Morning Walks, based on poems of Ted Kooser."I knew that no matter what she was going to write,” Upshaw said, “it was going to be a joyful experience."Music Played in Today's ProgramMaria Schneider (b. 1960) Carlos Drummond de Andrade Stories - Dawn Upshaw, soprano; St. Paul Chamber Orchestra; Maria Schneider, conductor ArtistShare AS-0121

Ali Kian Yazdanfar poursuit une carrière active à la fois comme contrebassiste solo de l'OSM, soliste, chambriste et pédagogue. Après un diplôme en physique de la Johns Hopkins University, il a été membre du Houston Symphony, du National Symphony à Washington, le San Francisco Symphony et l'Orchestre symphonique de Montréal, où il joue actuellement. Agissant à titre de professeur adjoint à l'École de musique Schulich de l'Université McGill, il est souvent invité à donner des cours de maître dans le monde entier. Ali peut également être entendu sur de nombreux enregistrements de l'OSM, dont plusieurs ont reçu des prix Juno et Opus. Avec le Australian Chamber Orchestra, il a été contrebasse solo invité sur l'enregistrement des Winter Morning Walks de Maria Schneider, qui a remporté trois prix GRAMMY. Notre politique de confidentialité GDPR a été mise à jour le 8 août 2022. Visitez acast.com/privacy pour plus d'informations.

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Maria Schneider is a multiple Grammy Award winner and a recent Pulitzer Prize finalist in Music for her 2020 double album “Data Lords.” She was last a guest on The Jazz Session a decade ago and to think that she hadn't yet released her 2013 collaborative album with soprano Dawn Upshaw and the Australian Chamber Orchestra, “Winter Morning Walks”, OR her shimmering, somewhat biographical record  2015's “The Thompson Fields”. Anyone who is lucky to work with or know Maria, knows that her attention to detail is meticulous, her musicianship second to none, and her warmth and generosity immense. We talked about her towering new double album, her collaboration with David Bowie, and what award recognition means to her. Here is our conversation-a privilege and delight for a fangirl like me. Show Notes: Tracks played: - Braided Together - Walking By Flashlight - Sue - A World Lost - Sanzenin - Look Up Maria talks about streaming services with JazzTimes at the Newport Jazz Festival, 2017 Data Lords is available now on ArtistShare Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

Maria Schneider is a multiple Grammy Award winner and a recent Pulitzer Prize finalist in Music for her 2020 double album “Data Lords.” She was last a guest on The Jazz Session a decade ago and to think that she hadn't yet released her 2013 collaborative album with soprano Dawn Upshaw and the Australian Chamber Orchestra, “Winter Morning Walks”, OR her shimmering, somewhat biographical record  2015's “The Thompson Fields”. Anyone who is lucky to work with or know Maria, knows that her attention to detail is meticulous, her musicianship second to none, and her warmth and generosity immense. We talked about her towering new double album, her collaboration with David Bowie, and what award recognition means to her. Here is our conversation-a privilege and delight for a fangirl like me. Show Notes: Tracks played: - Braided Together - Walking By Flashlight - Sue - A World Lost - Sanzenin - Look Up Maria talks about streaming services with JazzTimes at the Newport Jazz Festival, 2017 Data Lords is available now on ArtistShare Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

In recent years, Didonato, Racette, and Upshaw have all released jazz albums, such as Songplay, Diva on Detour, and Winter Morning Walks. Sometimes we think that singers are either categorized as opera singers, or as singers of popular music, including jazz. However, these two genres are actually very closely linked together and share a lot of similarities. I’m your host, Stuart Holt, and on today’s episode of the Metropolitan Opera Guild podcast, lecturer Diedre Bird will discuss how aspects of jazz, such as improvisation, have also had a long-standing history in other forms of vocal music. This podcast also features Matt Herskowitz https://www.mattherskowitzpiano.com/

On today’s date in 2008 at the University of Minnesota in Minneapolis soprano Dawn Upshaw and the Saint Paul Chamber Orchestra gave the first performance of a new song-cycle titled “Carlos Drummond de Andrade Stories.” Its composer, Maria Schneider, conducted the premiere. Drummond was one of Brazil’s greatest poets, and Schneider came to know his work though English translations by Mark Strand. “Drummond’s poetry struck me as deeply Brazilian, and Brazil is a country for which I’ve long felt an affinity.” The Minneapolis premiere was something of a homecoming for Schneider, who was born in Minnesota and studied composition at its University before heading off to the Eastman School and after graduation being hired by the great jazz orchestrator Gil Evans as his assistant. In 1992 she formed her own jazz orchestra and won a Grammy Award with them in 2004. Soprano Dawn Upshaw is a big fan of Schneider’s work, and in 2011 they collaborated on a second song-cycle premiere, titled “Winter Morning Walks,” based on poems of Ted Kooser. "I knew that no matter what she was going to write,” said Upshaw, “it was going to be a joyful experience."

On today’s date in 2008 at the University of Minnesota in Minneapolis soprano Dawn Upshaw and the Saint Paul Chamber Orchestra gave the first performance of a new song-cycle titled “Carlos Drummond de Andrade Stories.” Its composer, Maria Schneider, conducted the premiere. Drummond was one of Brazil’s greatest poets, and Schneider came to know his work though English translations by Mark Strand. “Drummond’s poetry struck me as deeply Brazilian, and Brazil is a country for which I’ve long felt an affinity.” The Minneapolis premiere was something of a homecoming for Schneider, who was born in Minnesota and studied composition at its University before heading off to the Eastman School and after graduation being hired by the great jazz orchestrator Gil Evans as his assistant. In 1992 she formed her own jazz orchestra and won a Grammy Award with them in 2004. Soprano Dawn Upshaw is a big fan of Schneider’s work, and in 2011 they collaborated on a second song-cycle premiere, titled “Winter Morning Walks,” based on poems of Ted Kooser. "I knew that no matter what she was going to write,” said Upshaw, “it was going to be a joyful experience."

In this video I explore the way song composers respond not just to the meanings of words but also to their sounds. Using a song from Maria Schneider’s 2013 song cycle Winter Morning Walks as a case study, I consider how a particular performance of a song and a particular performance of a poem can heighten our awareness of the connections between music and the materiality of poetry.

Winter Morning Walks

Winter Morning Walks

In this episode, composer Maria Schneider reads "Walking by Flashlight" by Ted Kooser and discusses the process of setting poems to music. Schneider’s 2016 album, The Thompson Fields, won the Grammy for Best Large Ensemble Jazz Album and includes a musical setting of "Walking by Flashlight." "Walking by Flashlight," by Ted Kooser, appears in the book, Winter Morning Walks: 100 Postcards to Jim Harrison, published by Carnegie Mellon. Keep up with Maria Schneider at mariaschneider.com. As always, the Haiku Hotline (612-440-0643) is open for your short poems and poetic musings. Follow us on Twitter, Facebook, and Instagram. Subscribe on RadioPublic, iTunes, Spotify, or Stitcher.

Classical 101's Jennifer Hambrick talks with composer Maria Schneider about her work, which blurs the line between classical music and jazz, and her Grammy Award-winning "Winter Morning Walks."