Podcast appearances and mentions of Maria Schneider

Menschenkenntnis für Unternehmer:innen - Im Gespräch mit Anna-Maria Schneider Podcast Nr. 98 Aus dem Gesicht und dem Körper des Gegenübers kann man jede Menge Informationen über Charakter und Persönlichkeit der Person ablesen. Was man mit Physiognomie alles machen kann und wo sie uns helfen kann, erörtere ich in dieser Ausgabe meines Podcasts mit meinem Gast Anna-Maria Schneider. Alles zu Anna-Maria Schneider: https://anna-maria-schneider.de/ Erfahre alles zu meinen Trainings auf www.zimmermann-strategie.de.

Entrevistas com Anamaria Vartolomei e Edgar Ferreira

-Durch ihre Rolle in "Der letzte Tango in Paris" (1972) von Bernardo Bertolucci wurde Maria Schneider mit 19 Jahren über Nacht zum Weltstar. An der Seite von Marlon Brando spielte sie eine junge Frau, die in einem Pariser Appartement animalischen Sex mit einem älteren Mann hat. "Der letzte Tango in Paris" wurde zum Skandalfilm. Doch die improvisierten Vergewaltigungsszenen prägten Maria Schneiders gesamtes Leben. Eigentlich wollte sie ihre Geschichte zusammen mit ihrer Cousine, der Journalistin Vanessa Schneider, erzählen. Nach Maria Schneiders Tod hat Vanessa Schneider das Buch nun allein geschrieben - unsere Literaturkritikerin Katharina Döbler hat es gelesen.

Was sie anfasst, wird zu Gold. Seit der Gründung ihrer eigenen Big Band 1992 schreibt Maria Schneider eine kühne Musik: stets nah am eigenen Welterleben, an geliebten Landschaften. Spotify & Co boykottiert sie konsequent und finanziert ihre Musik ausschließlich durch Crowdfunding. Und das seit über zwanzig Jahren. Erfolgreich, wie die bisher sieben gewonnenen Grammy-Awards beweisen. Ein Porträt der Komponistin, die im Oktober 2024 ihr Werk “Data Lords“ nach Frankfurt a.M. zur hr-Bigband gebracht hat. (Sendung vom 17.3.)

Gay homosexuals Nick and Joseph discuss Last Tango in Paris - a 1972 erotic drama film directed by Bernardo Bertolucci, starring Marlon Brando, Maria Schneider and Jean-Pierre Léaud. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Additional topics include:North Macedonia nightclub fireWendy WilliamsJames and Randy DeBargeDawn Robinson living in her carBlack filmmakers who are not Tyler Perry: Euzhan Palcy, Adamma Ebo, Jerrod Carmichael, Cauleen Smith, and Hype WilliamsJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

The Blockbuster Babes reunite with Breakfast host Pam Boland for the latest edition of Movie Squad, discussing a couple of films about… couples! First up, Tristan Fidler leads a review of Bong Joon-ho's long-awaited Mickey 17, starring Robert Pattinson as a regularly-reprinted ‘expendable' clone who survives his '17th death' on a remote ice planet and accidentally meets his successor, Mickey 18, also played by Pattinson. Mark Ruffalo and Toni Collette star alongside the double Roberts in the latest from the South Korean director of Parasite. Then, Simon Miraudo reviews the second Steven Soderbergh film of 2025 (after last month's Presence): the slinky espionage thriller Black Bag, in which Michael Fassbender's married MI5 agent begins investigating his spy wife, played by Cate Blanchett, of a suspected betrayal. Black Bag also features Marisa Abela, Regé-Jean Page and Naomie Harris. Both films are now in Australian cinemas. Stay tuned for a pod-exclusive review of Grand Theft Hamlet, the hilarious new documentary about out-of-work actors attempting to stage a production by William Shakespeare entirely within the open world video game GTA. Then, hear Simon's chat with Jessica Palud, director of Being Maria, which stars Anamaria Vartolomei as actress Maria Schneider and follows Maria as a 19-year-old on the set of Last Tango in Paris, and how her life was altered by a shocking and unprompted on-camera violation by her co-star Marlon Brando and director Bernardo Bertolucci. Being Maria makes its Australian Premiere at the Alliance Francaise French Film Festival. Check out its showtimes here. Be sure to tune in to RTRFM every Friday at 7:30am to hear Movie Squad live on Breakfast with Pam! And find out more about Movie Squad's curation of Throwback Thursdays at Joondalup Festival in March!

Send us your thoughts! An oft-repeated Chinese proverb states, “A journey of a thousand miles begins with a single step.” Looking back from a vantage point several steps along her own proverbial journey, British composer and pianist Claire Cope came to discover that no matter how daunting a venture may become, it's always taking that first step that requires the most courage. That realization provided the inspiration behind Every Journey, the gorgeous second album by Cope's Ensemble C.Every Journey will be released on March 7, 2025, to coincide with International Women's Day on March 8. The occasion is significant given the fount of inspiration that Cope found in the stories of intrepid women pioneers who undertook their own daring journeys. The books of writer and explorer Jacki Hill-Murphy were key resources – specifically Adventuresses, a compendium of stories of 18th and 19th-century female explorers, and The Extraordinary Tale of Kate Marsden, about a Victorian nurse who trekked across pre-Revolutionary Russia to find a possible cure for leprosy. Musically, the groundbreaking compositions of Maria Schneider provided a luminous north star for Cope's own writing.Arriving five years after Ensemble C's acclaimed debut, Small World, Cope's follow-up represents significant evolutions in both the composer's life and her musical vision. Where Small World offered Cope's introductory statement as a composer, a path she arrived at onlygradually, Every Journey is a remarkably assured expansion of that mindset. Significantly, Ensemble C has bloomed from a septet to an 11-piece group, allowing for a wealth of new colors and possibilities, of which Cope takes bold and vibrant advantage. The intricate music she's devised for the ensemble reflects her existence in both the jazz and contemporary classical music realms. Closer to home, Cope became a mother in the interval between albums, a development that can't help but deepen one's insight and empathy.Support the show

durée : 00:07:22 - Nouvelles têtes - par : Mathilde Serrell - L'actrice Marilou Aussilloux est l'invitée de Nouvelles Têtes pour la reprise du spectacle qu'elle a écrit et mis en scène avec Théo Askolovitch "Seule comme Maria" à L'Athénée Théâtre Louis Jouvet du 5 au 23 mars. Et elle est toujours à l'affiche du film « La Pie voleuse » de Robert Guédiguian.

Hi everybody, my truly special Talk Music guest for this episode is ESTONIAN PIANIST KRISTJAN RANDALU, who exists among the most sought-after piano players of his generation, carrying the torch in both the improvised world of jazz and the traditional realm of classical music. Between creating his own original blend of contemporary jazz as a leader and collaborating with several generations of respected musicians, Randalu has brought his music to some of the world's most renowned jazz festivals and concert halls. The prestigious magazine Jazz Times describes Kristjan's playing as an “open invitation to an unnameable exotic land." At the same time, he is viewed as an esteemed interpreter of a broad spectrum of contemporary and classical music, performing alongside internationally acclaimed orchestras and conductors. We chat about how Kristjan was born in Estonia's capital Tallinn and how his family escaped Communist rule by relocating to Germany where he graduated from the Stuttgart Music University. Kristjan then went on to study at The Royal Academy of Music in London, followed by the Manhattan School of Music where he attained an additional master´s degree. We also delve into some of his most recent recordings including Sisu (awarded Jazz Album of the Year at the 2023 Estonian Music Awards) and Schumann's Dichterliebe (Berlin Classics, 2024) whereby Randalu has not only deepened his musical ties to the classical world, but presented a truly original recasting of one of the Romantic repertoire's cornerstones. We discuss his recordings with saxophonist Dave Liebman (Mussorgsky Pictures Revisited), Bodek Janke (Double Standard) and his album “Absence,” produced by Legendary owner of the ECM label, Manfred Eicher. Coming soon, his collaboration with Martin Kuuskmann (Schubert Voyage, release in March 2025 on Berlin Classics). Kristjan's list of musical partners include: Eivind Aarset, Mark Guiliana, Dieter llg, Marilyn Mazur, Nils Petter Molvaer, Claudio Puntin, Nguyen Le, Trygve Seim, Mathias Eick, Petros Klampanis, Dhafer Youssef, the Stuttgart Chamber Orchestra, the New Chamber Orchestra of Berlin, the Tallinn Chamber Orchestra, the London Symphony, Dennis Russell Davies, Paavo Järvi, Kristjan Järvi and Maria Schneider.With a discography of over 50 albums under his belt (including a Grammy-nominated recording) and numerous awards to his name (including “Jazz Artist of the Year” and “Jazz Composer of the year” in Estonia), Randalu's prolific body of work continues to grow in breadth and quality. His unique voice is becoming internationally more and more important. This was for me a most interesting deep dive into an amazing musician and fellow Estonian! Whenever I can attend a performance you will always find me in the front row! Enjoy! Hosted on Acast. See acast.com/privacy for more information.

 Even the girls know that these bad guys are not good for them, still, they are attracted to them.1.) Nice guys are too boring.2.) Bad guys are arrogant. Females hate arrogant guys, still, the girls love them. 3.) Women love to be treated specially.4.) Nice guys think that women are so fragile. And women don't like that. Women like to dance in the rain without worrying about the consequents. Or to drink without thinking of a blackout… To make crazy things without worrying. Because it is more fun.   5.) Bad guys don't care for safety or to be nice. And that is more appealing to women.Bad boys use a combination of fear and fun and that is so attractive for females. See the movie: Last Tango in Paris (starring Marlon Brando and Maria Schneider) 6.) Bad boys have to be the coolest without being handsome. Even their ugliness is attractive. 7.) Life is short and precious. Bad boys are very selfish and know what they want.8.) Dating or hooking up. Bad boys are hard to predict and so special … 9.) Girls can experience their wild side with the bad boys. And that is so exciting… 10) Bad boys are open-minded and they are extraordinary in their sex life outside of the social norms. 11) Bad boy challenges the girls and that is so attractive. And so the girls can rethink their life choices.12.) Bad boys will be brutally honest with you and that will not be always the best and girls love that. 13.) Bad guys share their feelings also honesty instead to make this fancy shows. Their confidence is authentic. 15.) Nice guys are too good for life. They are not authentic, they fake their good feelings and confidence.16.) Nice guys play save. They want to always impress their women with their shows. 17.) Women have fantasies that they are too shy to share. They want that we explore them. Nice guys don't do so.18.) Bad guys are trying out new things that come in their head without knowing if it is right or not. These guys have sex with their girl in an extraordinary matter. They explore the body of their chosen one, instead to be boring. And so the women will crave for them.19.)Bad boys show their affection in public places and they don't care for others.20.) Bad boys lead the girls and that is so attractive… and they don't play the victim. 21.) Bad boys seemed to have everything under their control. They can turn around any abusing comment to a joke. 22.) Bad boys don't fear rejection. My Video: Why are girls love bad boys? https://youtu.be/gMy_irXGdIAMy Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.B/Why-are-girls-love-bad-boys.mp3

Maria Schneider - hr-Bigband spielt Data Lords | hr-Bigband cond. by Maria Schneider, Hessischer Rundfunk, hr-Sendesaal, Frankfurt, Oktober 2024, Teil 2 | Eine der größten Jazz-Komponistinnen der Gegenwart kommt nach Frankfurt: Maria Schneiders Musik bewegt nicht nur, sie berührt. Geschickt kombiniert sie Unkonventionelles mit Bekanntem und kreiert in ihrer Musik damit unvergessliche Momente. Mit der hr-Bigband wird Maria Schneider ihr grammyprämiertes Erfolgsalbum "Data Lords“ neu inszenieren. (Sendung vom 12.1.)

There's a not so polite saying about teaching music and music teachers that goes like this: If you can, play. If you can't, teach. That is what jazz legend Ellis Marsalis once said to a Detroit drummer who was considering becoming a music teacher. I'm talking about drummer, educator, producer and band leader Clarence Penn. Fortunately, Clarence did not take it to heart, eventually acquiring a master's in music education from Rutgers University. It was also to the benefit of future musicians who became Clarence's students.  In this episode, Clarence Penn and I engage in deep reflection on jazz and jazz music instruction. He started playing music with the drum set influenced by his drummer neighbor Ricky Hudson around eight years old. In 1986, while still in high school, he attended the Interlochen Arts Academy where Clarence focused on classical percussion aiming to be a timpanist, but later eventually committed to jazz in high school after meeting NEA Jazz Master, trumpeter, and Jazz at Lincoln Center Orchestra Music Director, Wynton Marsalis. He started studying at the University of Miami in Florida in 1986 but transferred to Virginia Commonwealth University which is when he began working with the great Ellis Marsalis. The conversation navigates his brief stint with trumpet, his preference for jazz over classical due to its broader voice and creativity and reflects on the evolving definition of jazz. The discussion also delves into his teaching philosophy, emphasizing individualized attention, deliberate practice, and the importance of being a well-rounded person. What Ellis Marsalis said about teaching, he later retracted when Clarence told him he was pursuing a master's at Rutgers in music education. He said, according to Clarence, “…that those who can play, teach,” thus giving Clarence his blessing. Clarence Penn also talks about various influences and collaborations, his views on the business of being a musician, and his expressive performance style. He mentions his project with the 2025 Grammy nominated American Patchwork Quartet, its diverse cultural influences, and explains his latest album 'Behind the Voice', which pays homage to drummers who have significantly impacted music. His resume more so lays out his career as a jazz musician than a teacher of percussion instruments, performing with Ellis and Wynton Marsalis, Maria Schneider, Stanley Clark, Betty Carter, Christian Sands, Lakecia Benjamin, Dee Dee Bridgewater, and Kurt Elling, among many other highly accomplished musicians. He concludes by discussing the importance of teaching as therapy and the rewarding relationships with students. In this episode, we'll listen to three tracks of music, thanks to Origin Records. Two will come from Clarence Penn's latest project, Behind the Voice, released in 2024, more so a R&B/soul sound that has enormously brilliant drumming and keyboards by Clarence. The third track comes from his 2014 recording, Monk: The Lost Files, a highly acclaimed release that revisits some of the most memorable compositions by jazz legend Thelonious Monk.   You will hear the first song just prior to the conversation opening. 1. “Send One Your Love” (Steve Wonder)-Behind the Voice-3:15; Clarence Penn-drums, percussion, keyboards, vocoder; Aaron Marcellus-vocals; The second track will play at about 31 minutes into the program. 2. “Hackensack”: Monk: The Lost Files; Chad Lefkowitz-Brown - Saxes; Donald Vega-Piano; Yasushi Nakamura - Acoustic & Electric Bass; Clarence Penn - Drums, producer-arranger. The third song will close the conversation. 3. “You Are” (Clarence Penn, Tyrone Corbett), Behind the Voice -3:52; Clarence Penn—drums, percussion, keyboards, vocoder; Chelsea Jackson-vocals; Yasushi Nakamura-bass Thank you for listening. I know there are many podcasts for you to enjoy so it means a great deal to me that you are spending time with this conversation.

In light of Janis Stockhouse's unexpected death at the tail end of 2024, we're re-posting Kirk's 2019 interview with her for anyone who might want to listen to it.Janis started teaching at North high school in Bloomington, Indiana, in the early 1980s. It was a time when "jazz education" as a concept was still a relatively new thing. She retired 38 years later, having grown the North band program into a well-known Midwest institution, winning countless awards at festivals around the world and regularly turning out graduates who would go on to become professional musicians, as well as many others who would simply have a lifelong love of music.On this episode she tells the story of starting out at North and developing the program, along with her thoughts on how to get students to practice, which composers she prefers for student groups, women in jazz, funding for the arts, and some good old-fashioned album recommendations.REFERENCED ON THIS EPISODE:Janis's 2004 book Jazzwomen: Conversations With Twenty-One Musicians, which she co-wrote with Wayne Enstice - there are used copies on Amazon, and you should really track down a copy and read itThe late great jazz legend David Baker, whose NYT obituary captured at least some of his legacy: https://www.nytimes.com/2016/03/30/arts/music/david-baker-who-helped-bring-jazz-studies-into-the-academy-dies-at-84.htmlMUSIC ON THIS EPISODE:"IU Swing Machine" by David Baker as played by the 2016 IU Celebration Big Band"Don't Get Sassy" by the Thad Jones/Mel Lewis big band"Hang Gliding" by Maria Schneider from Alegresse"Bright Eyes" as played by the Bill Holman big band"Take the 'A' Train" by Billy Strayhorn as performed by the Duke Ellington orchestra"Vol. 6: All 'Bird' - Now's The Time" Play-A-Long by Jamey Aebersold (featuring Kenny Barron and Ron Carter(!!))"Laugh, Clown, Laugh" by Abbey Lincoln from Abbey Is Blue, 1959"Song Patrol" by Jane Ira Bloom from Early Americans, 2016"Lingala" by the SF Jazz Collective from their 2005 self-titled album"So What" and "Flamenco Sketches" by Miles Davis from Kind of Blue, 1959"My Favorite Things" as performed by John Coltrane on My Favorite Things, 1966"Mercy Mercy Mercy" by Josef Zawinul as performed by the Cannonball Adderley quintet on Mercy, Mercy, Mercy, 1966OUTRO SOLOIST: BJ CORDThis episode's outro soloist is BJ Cord, a fellow Bloomington North graduate and fantastic trumpet player based in Portland. BJ works at Monette trumpets making some of the most beautiful horns in the world, and is a regular presence on their Instagram: https://www.instagram.com/monettetrumpets

Eine der größten Jazz-Komponistinnen der Gegenwart kommt nach Frankfurt: Maria Schneiders Musik bewegt nicht nur, sie berührt. Geschickt kombiniert sie Unkonventionelles mit Bekanntem und kreiert in ihrer Musik damit unvergessliche Momente. Mit der hr-Bigband wird Maria Schneider ihr grammyprämiertes Erfolgsalbum "Data Lords“ neu inszenieren. (Hessischer Rundfunk, hr-Sendesaal, Frankfurt, Oktober 2024, Teil 1 - Sendung vom 5.1.25)

Grand reporter au journal Le Monde, essayiste et romancière, Vanessa Schneider est la nouvelle invitée du podcast de Lili Barbery. Dans ce nouvel épisode, elle nous raconte ce qui l'a poussée à naviguer du journalisme à la littérature et comment elle cultive sa créativité avec ses enquêtes au long cours, l'écriture de ses romans et les essais politiques. Comment écrire sur sa propre famille sans blesser les vivants ni déshonorer la mémoire des disparus? Comment faire d'un récit personnel une histoire universelle dans laquelle nous sommes si nombreux à nous reconnaitre. De son premier roman au deuxième volet de Successions qu'elle vient de co-signer avec la journaliste Raphaëlle Bacqué, Vanessa Schneider montre, dans cet épisode, son intérêt pour les héritages émotionnels que nous portons tous et qui ont tant besoin d'être identifiés pour libérer une lignée.La rencontre est précédée d'une courte méditation. Une production Les PodcasteursSuivez Vanessa Schneider sur Instagram Les ouvrages de Vanessa Schneider cités dans cet épisode : La mère de ma mère de Vanessa Schneider (Points)Tâche de ne pas devenir folle de Vanessa Schneider (Points)Le mauvais génie de Nicolas Sarkozy d'Ariane Chemin et Vanessa Schneider (Pluriel)L'homme qui voulait être aimé de Georges Kiejman et Vanessa Schneider (Poche)Tu t'appelais Maria Schneider de Vanessa Schneider (Poche)Successions de Raphaëlle Bacqué et Vanessa Schneider (Poche)Successions Saison 2 par Raphaëlle Bacqué et Vanessa Schneider (Albin Michel)Abonnez vous à la newsletter de Lili Barbery Suivez Lili Barbery sur InstagramAbonnez-vous à sa plateforme de cours en ligne Lili Barbery TV Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Jazz88 connected with Windom, Minnesota's own Maria Schneider on her birthday to celebrate her Grammy-laden career and her continued connection to Minnesota but Schneider wanted to talk about was the new anthem she's written for her hometown team, the Vikings. Supported by her orchestra's trombone section and the beefiest baritones Julliard has to offer, Schneider's tune is bound to secure the Vikes the top slot in the NFC North. Check out the conversation and the tune here and SKOL VIKINGS.

Grammy-winning composer and NEA Jazz Master Maria Schneider on 30 years of the Maria Schneider Orchestra, her life and career, from her small-town Minnesota roots to her groundbreaking collaboration with David Bowie and her fight for artists' rights.  Here she talks about how her music channels the wonder, mystery, and tension of her life experiences, her poetic creative process, her acclaimed album Data Lords, and her reflections on what's next as she looks back on a remarkable journey. www.third-story.com www.leosidran.substack.com

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Alexandre e Fred convidam o músico Willian de Andrade para conversar sobre três excelentes filmes do cineasta Michelangelo Antonioni.  No episódio #64 do PFC já havíamos tratado da chamada “trilogia da Incomunicabilidade”, mas neste áudio retornamos com três outros grandes filmes da fase colorida do italiano: “O Deserto Vermelho” (Il deserto rosso, 1964), com a musa Monica Vitti no papel principal, “Blow-Up, Depois Daquele Beijo” (Blow-Up, 1966), produção da MGM filmada em Londres e “O Passageiro – Profissão: Repórter” (Professione: reporter, 1975) o último grande clássico de Antonioni, que foi estrelado por Jack Nicholson e Maria Schneider. Crédito da Foto: John Springer Collection/CORBIS/Corbis via Getty Images ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

The jazz life is not an easy one and the life skills learned along the path can be relevant to anyone, in any field of endeavor. Season 4 ends with profound statements from Charles McPherson, Stefon Harris, Karolina Strassmayer, Maria Schneider, Denis DiBlasio, Joe Williams, Harold Ousley and Gregory Caputo.

We examine local real estate markets and the unique mix of property and economic development components at the local level here at the ‘Are We Here Yet?' podcast so our listeners can find inspiration for their own local efforts back home.  This episode host Scott Graves sat down with Ed Bove, Executive Director of the Rutland Redevelopment Authority in Scott's adoptive hometown of Rutland, VT.  Scott found resonance with Ed in their shared interest in incremental development and generally a ‘Strong Towns' approach to neighborhood building.    Listen to our interview with Strong Towns founder Charles Marohn from 2021. The discussion centered on how Rutland and the RRA are working to assist private developers to realize current Mayor Mike Doenges goal of 1000 units of housing in 5 years.   Given Vermont's past as an often development-resistant region, this may seem like a tall order.  There is little consensus on whether we need more housing at the broadest level, though municipal and state leadership understand there is a housing crisis affecting all of us, particularly working-class people in Vermont. Additional housing needs range from the state's number of 36,000 units, Vermont Futures Project estimate a bit higher and to those estimates by Knowledge Towns of 75,000 or more.   Listen to our interview with Kevin Chu, Vermont Futures Project  Listen to our interview with Dominic Endicott, co-author of Knowledge Towns There is even more difference of opinion when it comes to what kind of housing and for whom it might be built for.  Far from a complaint session, our discussion centered on the solutions being implemented through Ed and the RRA's efforts along with other municipal players.   Our conversation gave us an opportunity to discuss the efforts of Breaking Housing Matters, a national housing initiative working on a pilot in Rutland, VT.    Listen to our interview with BHM founder Peter de Krassel Ed's thoughts immediately went to the innovative parts of BHM in creating new streams of development capital, an essential part of creating more interest in Rutland and the state of Vermont from emerging developers both local and from afar.  And in the Jazz Room…We met with Orchestra Leader/Composer Maria Schneider at the Newport Jazz Festival. This show is a bit different as per Maria's request she asked I play 30 seconds of music and one full composition from her project "Data Lords". As you listen to this interview she talks not only about creating her music, but defending the copyrights of her work in this world of free music streaming and music distributors charging artist exorbitant fees for their use digitally. Click to learn more about Maria

Alex Venguer is an engineer who is comfortable with recording and mixing as small or large a project as can come and who has had great experience working with the top names in styles as varied as jazz, rock, folk, classical, pop, hip hop, broadway, R&B, electronic, film scores and many others. Some examples of the artists he's worked with include: Sting, John Legend, Maria Schneider, Marcus Miller, Aretha Frankiln, Wynton Marsalis, Yo-Yo Ma, Renee Fleming, Juan Luis Guerra, Herbie Hancock, Lady Gaga, Woody Allen, Philip Glass, Christian McBride, Cassandra Wilson, Sufjan Stevens, Regina Spektor, Train, Punch Brothers, My Brightest Diamond, Loudon, Martha and Rufus Wainwright, John Patitucci, Hildur Guonadottir, Ryuichi Sakamoto, Mark Ronson, Carter Burwell and many others.  In 2009 he was awarded a Grammy for recording and mixing Loudon Wainwright III's record "High Wide & Handsome: The Charlie Pool Project" ("Best Traditional Folk"), then, in 2010 he won his second Grammy for John Legend & The Roots album "Wake Up" ("Best R&B") and in 2018 he won his first Latin Grammy for Pedro Giraudo's “Vigor Tanguero” (Best Tango Album) which he produced, recorded and mixed. Two years later, in 2020 he won his second Latin Grammy for Gustavo Casenave's album “Fuelle y Cuerda” (Best Tango Album) and his third Grammy for his work on the score for the film “Joker” (Best Score Soundtrack for Visual Media). He's also been involved in various other Grammy winning and nominated albums such as “Barbie” with Mark Ronson, Andrew Wyatt, Billie Eilish and Dua Lipa, Maria Schneider's "Sky Blue", John Legend's "Evolver" and the song "Shine," Punch Brother's "The Phosphorescent Blues" as well as the cast albums for the Broadway productions of "Shrek" and "9 to 5" and Yo-Yo Ma's Silk Road Ensemble “Sing Me Home” which he helped produce and record. Besides working on records and Broadway cast albums, he's also been very involved in various movies and tv shows such as “Joker,” “Barbie”, “A Dog's Purpose,” “Mother,” “The Revenant,” “The Tragedy of Macbeth,” “Fosse/Verdon,” “Little Voice" and “The Marvelous Mrs. Maisel.” IN THIS EPISODE, YOU'LL LEARN ABOUT: Studying the techniques of other productions The role of a producer vs engineer in the modern-day Making organic-sounding mixes Not overdoing your processing Hearing small mix details in an untreated toom How to optimize your home studio on a budget Focusing on frequency balance, rather than on the instruments Getting the groove of a song right in a mix Setting up ambiance to make your audience feel like they're in a specific environment with the artist Determining what effects to use Should you use pre-delay on reverb? How to approach room micing for size and frequency balance To learn more about Alex Venguer, visit: https://alexvenguer.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download Waves Plugins here: https://waves.alzt.net/EK3G2K Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books: The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Subscribe to the show: Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781 Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej Have your questions answered on the show. Send them to questions@masteryourmix.com

Guitarist Akira Ishiguro studied Jazz performance and composition at Berklee College of Music. Since graduating in 2006, he has been entrenched in the New York City jazz scene.     Tour life has taken him to Japan, Chile, Coasta Rica, Canada, and much of Europe. He has six albums as a leader or co-leader and has appears in over 20 records.   He has shared the stage with Myron Walden, Nate Smith, Ari Hoenig, Mark Guiliana, Takuya Kuroda, Maria Schneider, Dayna Stephens, Jason Lindner, Henry Hey, Will Vinson, John Zorn, George Garzone, Christian McBride, Joe Martin, Matt Penman, Seamus Blake and many more.     Ishiguro's accolades include grand prize in the 2013 Wilson Center Guitar Festival and Competition, and first prize “Public's Choice” as well as overall second place in the 2009 Gibson guitar competition as part of the Montreux Jazz Festival.    His latest album “BON” was released in August 2024. 

A band leader sampler. Veteran sidemen Eddie Bert, Peter Erskine, Don Menza and Marshall Allen provide inside stories about Glenn Miller, Stan Kenton, Buddy Rich, Sun Ra and Joe Zawinul. Maria Schneider weighs in on the role and responsibility of a leader.

Early August is usually something of a lull in the film calendar, but this year, at least in New York City, it's proved to be a goldmine—particularly for repertory programming. We had planned to record a single episode of our Rep Report series this week, but there was so much good stuff out there that we ended up recording three different conversations about three different programs, which we'll be sharing over the next few days. Stay tuned!  On today's episode, Jed Rapfogel, film programmer at Anthology Film Archives, joins Film Comment editors Devika Girish and Clinton Krute to discuss Verbatim, a new film series he's put together at the famed New York City theater. Verbatim features an exciting and wide-ranging lineup of titles, spanning features, shorts, experimental films, and made-for-TV titles that are all united by one theme: each of them makes verbatim use of a real-life transcript—be it a court document, a journalistic interview, a letter, or something else. Jed, Clint, and Devika share some of the highlights of the series, including James N. Kienitz Wilkins's Public Hearing (2012), which uses the transcript of a municipal town-hall about the expansion of a Walmart, James Benning's Landscape Suicide (1986), which recreates interviews with a pair of killers, and Elisabeth Subrin's short film, Maria Schneider, 1983 (2022), which offers three different riffs on an archival television interview with the titular actress. Verbatim runs at Anthology Film Archives through August 13. For interested viewers outside of New York City, check out filmcomment.com for streaming links to some of the featured films.

When you subscribe for only $10 a month, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway through YouTube videos, podcasts, and articles on what you need to know. We also have merchandise! https://merchandise.broadwaydrumming101.comIn this episode of Broadway Drumming 101, we are thrilled to welcome the incredibly talented Bill Hayes. With an illustrious career that has spanned decades, Bill shares his journey from a young music enthusiast to a celebrated Broadway musician. Tune in as we delve into:* Broadway Career: Bill Hayes discusses his extensive Broadway career, maintaining a balance while working with renowned artists like Liza Minnelli, Barbra Streisand, and Frank Sinatra.* Early Music Interests: Starting with piano lessons in kindergarten, Bill's passion for music grew as he got interested in drums during junior high. He formed his first band, "Barcelona Brass," inspired by Herb Alpert and the Tijuana Brass.* High School and Beyond: Bill studied under Alan Dawson in Boston during high school and later attended Hart School of Music, where he learned from notable musicians like Gary Burton and Al Lipak.* Transition to Broadway: Bill describes his move to New York, initially facing uncertainty but soon finding opportunities to sub in Broadway pits, eventually leading to his own chairs.* Challenges and Adaptations: Hear about Bill's experiences adapting to technological changes in Broadway pits, from acoustic settings to using in-ear monitors and flat screens.* Diverse Musical Styles: Bill emphasizes the importance of versatility in Broadway, switching between various musical styles quickly, and how this skill is valuable when playing with different artists.* Networking and Subbing: Bill advises aspiring Broadway musicians to start by subbing, meeting established players, and building a network as crucial steps for getting and maintaining work on Broadway.* Maintaining Musicianship: Learn about the importance of staying in shape, both musically and physically, to avoid injuries and maintain high performance levels throughout a long career.* Career Longevity and Flexibility: Bill reflects on the unpredictability of Broadway careers, the importance of staying flexible, taking opportunities as they come, and continuously learning and adapting.Bill Hayes' career has taken him around the globe, performing with legends like Barbra Streisand, Liza Minnelli, Frank Sinatra, and Audra McDonald. His international tours have included destinations from Paris to Uruguay to Tokyo. Bill has recorded three albums with Streisand, six with Minnelli, and collaborated on projects with Sinatra, Rufus Wainwright, Brian Stokes Mitchell, Meredith Monk, Maria Schneider, Gerry Niewood, and Lea DeLaria.His musical versatility is a hallmark of his career, demonstrated by his diverse collaborations. From sharing the stage with KORN on MTV Unplugged to performing with Spiritualized at Radio City Music Hall, Bill has worked with musical icons like Aretha Franklin, Kenny Rogers, Ray Charles, Marvin Hamlisch, and Art Garfunkel. Bill's Broadway contributions are equally impressive, with chairs in over 60 Broadway shows and recordings of numerous cast albums. His television appearances span five continents, showcasing his global influence.Bill Hayes proudly endorses Innovative Percussion and Paiste Cymbals.Don't miss this insightful conversation with one of Broadway's finest musicians!Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK! Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

durée : 01:05:58 - Club Jazzafip - Les trois premiers mercredis de juillet on vous offre les ingrédients indispensables pour des vacances réussies : "Sea, Sax And Sun". Notre premier RDV invite Helen Merill, Nduduzo Makhathini, Danilo Perez, Bobby Darrin, Mal Waldron, Maria Schneider, Claude Bolling à vous faire rêver.

durée : 00:06:05 - Le Masque et la Plume - La cinéaste adapte le livre de la journaliste Vanessa Schneider, cousine de la comédienne Maria Schneider dont la vie a basculé sur le tournage de "Dernier Tango à Paris" de Bernardo Bertolucci, durant lequel elle avait été victime d'un abus sexuel lors d'une scène avec Marlon Brando.

Le 19 juin 2024 est sorti au cinéma le film "Maria", le biopic de l'actrice Maria Schneider devenue célèbre en tournant dans le film 'Dernier Tango à Paris. L'occasion pour Florian Gazan de vous expliquer pourquoi ce film a fait deux fois scandale à 45 ans d'écart... Les Grosses Têtes vous proposent de découvrir ou redécouvrir le podcast de Florian Gazan. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.

Le 19 juin 2024 sort au cinéma le film "Maria", le biopic de l'actrice Maria Schneider devenue célèbre en tournant dans le film 'Dernier Tango à Paris. L'occasion pour Florian Gazan de vous expliquer pourquoi ce film a fait deux fois scandale à 45 ans d'écart... Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête.

"Maria" retrace la destinée de l'actrice Maria Schneider, révélée par le film choc "Le Dernier Tango à Paris". Anamaria Vartolomei en est la tête d'affiche. Nous l'avons rencontrée avec la réalisatrice et scénariste du film, Jessica Palud.Maria raconte les périodes charnières de la vie de cette femme : son adolescence et ses rapports chaotiques avec ses parents, ses débuts fracassants au cinéma avec le tournage du Dernier tango à Paris, sa descente aux enfers, puis sa rencontre avec Noor, une jeune femme qui posera un nouveau regard sur elle.Le film est mis en scène par Jessica Palud. Il s'agit de son second long métrage, après Revenir, avec Adèle Exarchopoulos et Niels Schneider, sorti début 2020.L'histoire : Maria n'est plus une enfant et pas encore une adulte lorsqu'elle enflamme la pellicule d'un film sulfureux devenu culte : Le Dernier tango à Paris. Elle accède rapidement à la célébrité et devient une actrice iconique sans être préparée ni à la gloire ni au scandale.Le film est sorti ce mercredi 19 juin 2024.Crédits :Journaliste : Brigitte BaronnetRéalisation : Alexandre EarMontage : Kellian SarrazinPropos recueillis le mardi 21 mai 2024, au Festival de Cannes

Shuchi Talati's first feature-length film, "Girls Will Be Girls", tells the story of 16-year-old Mira, a model student at an elite Himalayan boarding school who gets swept up in a budding romance with a new male student. Things get complicated when Mira's mother inserts herself into their relationship. Talati says she wanted to tell a story about sexual awakening without the shame she experienced in her own adolescence. While the film's dynamic has been described as a love triangle, she says it's really about two generations of women trying to push back against societal boundaries. Plus, film critic Lisa Nesselson tells us about Jessica Palud's "Being Maria", which explores how French actress Maria Schneider was traumatised by a now-infamous sex scene in the 1972 film "Last Tango in Paris".

durée : 00:07:49 - Nouvelles têtes - par : Mathilde Serrell - Alors que le mouvement #MeToo secoue le monde du cinéma, "Maria" de Jessica Palud, revient sur le tournage éprouvant pour Maria Schneider du "Dernier tango à Paris". Le film scandaleux du maître Bernardo Bertolucci, la révèlera au grand public autant qu'il brisera sa carrière. - réalisé par : Lucie Lemarchand

Az utolsó előtti adásban beszélgetünk Madzin Emivel, aki a két évvel ezelőtti cannes-i podcastsorozatunk hallgatása közben döntötte el, hogy muszáj kijönnie Cannes-ba, és ezt most meg is tette a Three Days in Cannes program segítségével, ami 18 és 28 év közötti fiataloknak biztosít lehetőséget, hogy három napot eltölthessenek a fesztiválon. Szó esik továbbá Jorgosz Lantimosz felesége, Ariane Labed rendezői bemutatkozásáról, egy varázslatos portugál versenyfilmről, Sorrentino sajnálatos mellélövéséről, illetve a Maria Schneider életéről szóló filmről, ami annyira rossz, hogy alig találtunk rá szavakat. Filmek, amiket szerdán láttunk: Maria, September Says, Marcello Mio, Grand Tour, Parthenope Összekötő zene: Chanel Beads: Police Scanner A műsort készíti: Onozó Róbert és Varga Ferenc Jó szórakozást az adáshoz, és ha tetszik, kérlek ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség.

Barbara Bruckmüller is a composer and jazz pianist born in Vienna. She was influenced by the sounds of Hollywood Jazz, from the 1930s, 40s, and 50s. She studied piano early on for seven years, but it took time for her to discover her passion for jazz. She studied jazz piano with Paul Urbanek at the Gustav Mahler Conservatory in Vienna, in 2004. Barbara's inspiration and role models lie in the great Big Band leaders and composers Duke Ellington, Count Basie, Oliver Nelson, Thad Jones/Mel Lewis, Gil Evans, Joe Henderson, and Maria Schneider. In 2009, she founded her Big Band to capture the sound and dynamic energy of the swing bands and dance orchestras of the past that fascinated her since childhood and served as the foundation for her own musical vision. Her debut album Barbara Bruckmüller Big Band released in 2013, with original compositions, was awarded the Preis der deutschen Schallplattenkritik. Two years later, she released her second album, in tribute to her late mother and her hometown of Vienna, in which she arranged traditional Viennese songs for the Big Band and infused them with a fresh swing. Barbara is currently working on her next album project, THREE VIEWS OF A MUSICAL PIECE: A Chain of Moments – Suite in Five Movement with Cuban pianist and composer Aruán Ortiz, scheduled for Fall 2024. http://barbarabruckmueller.com http://wijsf.org    

Celebramos el Día Internacional del Jazz con ocho grabaciones recientes de big bands americanas y europeas: Maria Schneider, Bill Frisell & Umbria Jazz Orchestra, Marshall Gilkes WDR Big Band, Winnipeg Jazz Orchestra, The Composers Collective Big Band, Balimaya Project, Tijn Wybenga & Amsterdams Modern Orkest y la Big Band Dubadú de Zaragoza.Temas que suenan en el programa:01 2020 Maria Schneider - Data Lords I (Digital World) 04 Sputnik (8' 03'')02 2024 Bill Frisell & Umbria Jazz Orchestra 03 Strange Meeting - Thomas Morgan Rudy Royston (6' 20'')03 2022 Marshall Gilkes & WDR Big Band - LifeSongs 11 Taconic Turns (5' 27'')04 2024 Winnipeg Jazz Orchestra - Tidal Currents: East Meets West 03 Tidal Currents - Jill Townsend Christine Jensen (7' 30'')05 2023 The Composers Collective Big Band - The Toronto Project 05 Non-Sequitur (5' 25'')06 2023 Balimaya Project - When The Dust Settles 10 Seasons of Baraka (6' 31'')07 2021 Tijn Wybenga & Amsterdams Modern Orkest - Brainteaser 01 Aplauso (6' 22'')08 2022 Big Band Dubadú - Live Parque del Barrio Oliver 05 Jive At Five (2' 34'')Y os recomiendo, como siempre, la web jazzaragon para estar al día del jazz en Aragón.  

MARIA SCHNEIDER ORCHESTRA ALLEGRESSE New York, January 26 & 27, 2000Hang gliding.Solos: Greg Gisbert (flgl), Rick Margitza (st) Maria Schneider (comp,cond) DEXTER GORDON / HARRY “SWEETS” EDISON / NAT KING COLE “HITTIN' THE RAMP” Los Angeles, 1943Sweet Lorraine, I blowed and gone, I've found a new baby, RosettaHarry “Sweets” Edison (tp) Dexter Gordon (ts) Nat King Cole (p) Johnny Miller (b) poss. Continue reading Puro Jazz 09 abril 2024 at PuroJazz.

Episode 5: A conversation with composer, Maria Schneider.►Maria Schneider website: http://www.mariaschneider.comIn this episode with Multi-Grammy Winner, NEA Jazz Master, composer and musician advocate, Maria Schneider, we discuss her new “Decades” project, Bob Brookmeyer's “tough love”, a mystical dream with Gil Evans, balancing preparation with letting go, and much more…“When you do what you love, it telegraphs”.~Maria Schneider►Key Moments:0:00 - Introductions2:58 – “Life Stuff”…Taking care of the aging. 6:40 – The vinyl experience, Maria's retrospective  “Decades” project, and life pivot points14:33 – Bob Brookmeyer ‘s “tough love”16:29 – Balancing preparation and letting go, musical risk taking, and some astrology stuff.27:00 – How do you know when a piece is finished?28:38 – Doing what you love30:55 –The insignificance and significance of a human being.34:30 –Alchemy through music.35:24 – How do you help someone to discover their greatness?40:25 – Ivan Lins story41:24 – Looking back at your musicand its evolution…44:35: Visions and intuition51:22: Following that “gut” feeling57:40: A dream with Gil Evans1:01:11: Fear of death1:06:41: A lesson from David Bowie►Follow John Daversa Online:Instagram: https://www.instagram.com/johndaversa/Facebook: https://www.facebook.com/JohnDaversaMusic/YouTube:  https://www.youtube.com/johndaversamusicWebsite: http://www.johndaversa.com  ►CreditsHost and Producer: John DaversaVideo Editing: Max NierlichVideo and Audio Capture: Dudley MerriamGraphic Design: Marcus SassevilleAdditional Graphic Design: Izzi GuzmanRecorded in Miami, FL, April 19, 2023►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon"All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)#mariaschneider #mariaschneiderjazzorchestra #jazzcomposer #thejohndaversapodcast "johndaversaSupport the show►CreditsHost and Producer: John DaversaVideo: Max NierlichAudio: Dudley MerriamMarcus Sasseville: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon" All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)

durée : 00:58:58 - Maria Schneider, émission spéciale - par : Alex Dutilh - Maria Schneider édite “Decades”, pour l'anniversaire des 30 ans de sa formation. Une rétrospective en un coffret de 3 LP chez ArtistShare. - réalisé par : Antoine Courtin

BETTY CARTER IT'S NOT ABOUT THE MELODY New York, 1992In the still of the night (1,4,8)Betty Carter (vcl) acc by Craig Handy (ts-10) Cyrus Chestnut (p-1) Mulgrew Miller (p-2) John Hicks (p-3) Ari Rowland (b-4) Christian McBride (b-5) Walter Booker (b-6) Clarence Penn (d-7) Lewis Nash (d-8) Jeff “Tain” Watts (d-9) JANE IRA BLOOM MIGHTY LIGHTS New York, November 17-18, 1982I got rhythm but no melodyJane Ira Bloom (sop) Fred Hersch (p-1) Charlie Haden (b) Ed Blackwell (d) GERI ALLEN IN THE YEAR OF THE DRAGON New York, March, 1989Oblivion, The InvisibleGeri Allen (p) Charlie Haden (b) Paul Motian (d) Juan Lazaro Mendolas (bamboo-fl-1) REGINA CARTER MOTOR CITY MOMENTS New York, April 19, 20, 21 & 25, 2000Don't git sassyMarcus Belgrave (tp) James Carter (b-cl,ts) Werner “Vana” Gierig (p) Regina Carter (vln) Darryl Hall (b) Alvester Garnett (d) ALICE COLTRANE PTAH, THE EL DAOUD Dix Hills, New York, January 26, 1970Mantra (1)Pharoah Sanders (ts-1,alto fl-2,bells) Joe Henderson (ts,fl) Alice Coltrane (p,harp-3) Ron Carter (b) Ben Riley (d) Chuck Stewart (bells) CARLA BLEY THE LOST CHORDS Live, Europe, October, 2003Tropical depressionAndy Sheppard (sop,ts) Carla Bley (p) Steve Swallow (el-b) Billy Drummond (d) MARIA SCHNEIDER CONCERT IN THE GARDEN New York, March 8-11, 2004Danca illusoria (1,2)Tony Kadleck, Greg Gisbert, Laurie Frink, Ingrid Jensen (tp,flhrn) Keith O'Quinn, Rock Ciccarone, Larry Farrell (tb) Pete McGuinness (tb-1) George Flynn (b-tb,contrabass-tb) Tim Ries (as,sop,cl,fl,alto-fl,b-fl) Charles Pillow (as,sop,cl,fl,alto-fl,oboe,eng-hrn) Rich Perry (ts,fl) Donny McCaslin (ts,sop,cl,fl) Andy Middleton (ts-2) Scott Robinson (bar,fl,cl,b-cl,contrabass-cl) Gary Versace (accor-3) Frank Kimbrough (p) Ben Monder (g) Jay Anderson (b) Clarence Penn (d) Jeff Ballard, Gonzalo Grau (cajon-4) Luciana Souza (vcl,pandeiro-5) Maria Schneider (comp,arr,dir) Continue reading Puro Jazz 07 marzo 2024 at PuroJazz.

The first ever host-meetup happened last week at NAMM and it just may be our best episode yet! Joined by special guest Trent Austin we discussed who NAMM is really for, if there's still room in this industry for new players, and tips and insights into the music retail industry — we even included a brand new podcast-only segment at the end!!! This is THE episode to catch if you've ever been curious about NAMM, the music trade show world, or the behind the scenes of the music retail business. Don't know much about Trent? Let's catch you up: “Renowned trumpet artist and educator, who has received many accolades and international acclaim for his stellar performances and recordings in jazz and classical music. As an in-demand pro, Trent has performed with a lengthy list of music's Who's Who, including Tony Bennett, Natalie Cole, Joe Williams, Clark Terry, Jack Jones, Bob Brookmeyer, Maria Schneider, Peter Erskine, Arturo Sandoval, Hal Galper, Dick Oatts, Marvin Stamm, Red Holloway, Jesse Davis, Dick Johnson, Kenny Werner, and Bob Wilber. For eleven years, Austin was also a featured trumpet soloist with the famed Artie Shaw Orchestra. He is currently a first-call performer in the Boston Metro and Southern New England areas as well as throughout the Midwest. Fiercely dedicated to the cause and development of music and jazz education, Trent was a trumpet professor at the University of Southern Maine for nine years and regularly provides clinics and Master Classes nationwide at various trumpet and brass conferences, including at the International Trumpet Guild Conference and other trumpet/brass conferences. Austin also maintains an active teaching studio in Kansas City, MO and worldwide online via Skype, providing trumpet and jazz improvisation lessons.” For more insights and updates, be sure to follow us on Instagram: ⁠Austin Custom Brass' Instagram ⁠Virtuosity Musical Instruments' Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠J. Landress Brass' Instagram⁠⁠⁠⁠ You can also explore more about our businesses on our websites: ⁠⁠⁠⁠Austin Custom Brass' Website Virtuosity Musical Instruments' Website⁠⁠⁠⁠ ⁠⁠⁠⁠J. Landress Brass' Website⁠⁠⁠⁠ Happy listening, friends!

durée : 00:54:35 - Affaires sensibles - par : Fabrice Drouelle - Interdit, coupé et détruit, à la fois un succès et un film pestiféré. Maria Schneider, Marlon Brando et Jean-Pierre Léaud se partagent l'affiche. Invitée Vanessa Schneider qui vient de publier un livre à la mémoire de sa cousine actrice chez Grasset. - invités : Vanessa Schneider - Vanessa Schneider : Journaliste - réalisé par : Helene Bizieau

SynopsisOn today's date in 2008, at the University of Minnesota in Minneapolis, soprano Dawn Upshaw and the St. Paul Chamber Orchestra gave the first performance of a new song cycle, Carlos Drummond de Andrade Stories. Its composer, Maria Schneider, conducted the premiere.Drummond was one of Brazil's greatest poets, and Schneider came to know his work through English translations by Mark Strand. “Drummond's poetry struck me as deeply Brazilian, and Brazil is a country for which I've long felt an affinity,” she said.The Minneapolis premiere was something of a homecoming for Schneider, who was born in Minnesota and studied composition at its university before heading off to the Eastman School and after graduation being hired by the great jazz orchestrator Gil Evans as his assistant. In 1992, she formed her own jazz orchestra and won a Grammy with it in 2004.Upshaw is a big fan of Schneider's work, and in 2011 they collaborated on the premiere of a second song cycle, Winter Morning Walks, based on poems of Ted Kooser."I knew that no matter what she was going to write,” Upshaw said, “it was going to be a joyful experience."Music Played in Today's ProgramMaria Schneider (b. 1960) Carlos Drummond de Andrade Stories - Dawn Upshaw, soprano; St. Paul Chamber Orchestra; Maria Schneider, conductor ArtistShare AS-0121

Gary Versace is one of my favorite contemporary Jazz pianists. He's equally adept at playing organ and accordion, and he's a composer. Gary has taken over the piano chair in Maria Schneider's Orchestra, after the sad and sudden passing of our mutual friend, Frank Kimbrough. It's hard to imagine anyone else filling those huge shoes. Gary has played with so many of the current Jazz greats. I had the opportunity to hear him and meet him when he performed at Furman University with Dave Pietro's quintet. And Gary and I have another mutual friend and influence, the master, Art Lande. Art speaks very highly of him! This is a fascinating and wide ranging talk, about Gary's growth and development and what he's currently into. Gary also teaches at Eastman School of Music. I'm sure you will dig this conversation with Gary Versace. Gary VersaceI am available for online or in person study. Reach out to me at: keith@keithdavismusic.com Keith Davis Music

Saturday on PBS News Weekend, we learn about a new kind of morning-after pill now being used to prevent sexually transmitted infections. Then, the complicated life of French actor Maria Schneider, whose role in the notorious film "Last Tango in Paris" brought her fame, but haunted her life. Plus, graduating high school seniors give their Brief But Spectacular take on the future. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

At 19, French actor Maria Schneider was launched into the spotlight for her role in the erotic drama "Last Tango in Paris." The notorious film made her famous, but haunted the rest of her life. But she was more than that to her cousin Vanessa, whose memoir "My Cousin Maria Schneider" tells her story. John Yang speaks to Vanessa Schneider and actor, writer and translator Molly Ringwald for more. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

This week, guest-host Nate Chinen talks to Maria Schneider, winner of multiple Grammy Awards for her big band jazz compositions, including the song “Sue (Or in a Season of Crime),” which she composed with David Bowie. In the interview, Maria discusses her two mentors Gil Evans and Bob Brookmeyer and the wisdom that helped her find her voice as an artist. She also talks about her tools for composing, what it means to “trust your enthusiasm,” and her unforgettable collaboration with David Bowie.  After the interview, Nate and co-host Isaac Butler explain how to respect the inner logic of your work. They also talk about how artists can borrow wisdom from other art forms. In the exclusive Slate Plus segment, Maria explains why most of her music isn't available on streaming services.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, guest-host Nate Chinen talks to Maria Schneider, winner of multiple Grammy Awards for her big band jazz compositions, including the song “Sue (Or in a Season of Crime),” which she composed with David Bowie. In the interview, Maria discusses her two mentors Gil Evans and Bob Brookmeyer and the wisdom that helped her find her voice as an artist. She also talks about her tools for composing, what it means to “trust your enthusiasm,” and her unforgettable collaboration with David Bowie.  After the interview, Nate and co-host Isaac Butler explain how to respect the inner logic of your work. They also talk about how artists can borrow wisdom from other art forms. In the exclusive Slate Plus segment, Maria explains why most of her music isn't available on streaming services.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, guest-host Nate Chinen talks to Maria Schneider, winner of multiple Grammy Awards for her big band jazz compositions, including the song “Sue (Or in a Season of Crime),” which she composed with David Bowie. In the interview, Maria discusses her two mentors Gil Evans and Bob Brookmeyer and the wisdom that helped her find her voice as an artist. She also talks about her tools for composing, what it means to “trust your enthusiasm,” and her unforgettable collaboration with David Bowie.  After the interview, Nate and co-host Isaac Butler explain how to respect the inner logic of your work. They also talk about how artists can borrow wisdom from other art forms. In the exclusive Slate Plus segment, Maria explains why most of her music isn't available on streaming services.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices