Podcasts about maria schneider orchestra

Pritesh Walia is a virtuoso jazz guitarist, accomplished composer, and dedicated educator hailing from the vibrant city of New Delhi, India. His musical journey began at the age of 13 when he immersed himself in the rich traditions of Indian Classical Music. Fueling his insatiable curiosity for music, Pritesh sought Western influences, pursuing a lifelong mastery of diverse musical styles. Armed with an Associate of Arts Degree from the Musicians Institute College of Contemporary Music, a Bachelor's Degree from Berklee College of Music in Contemporary Jazz Performance and Jazz Composition, and a Master's Degree in Jazz Performance from the New England Conservatory, Pritesh has honed his craft alongside some of the finest jazz musicians in the United States. Not only has Pritesh showcased his exceptional talent on global stages, but he has also formed collaborative partnerships with prestigious brands. During his tours of India from 2015 to 2017, he proudly represented leading musical instrument retailers. Sponsored by these industry giants, Pritesh conducted master classes and clinics across India, South America, and the United States, including two appearances at the esteemed Panama Jazz Festival. Pritesh's instructional prowess is further exemplified by his lessons and packages featured on renowned guitar instructional platforms such as Licklibrary. Currently endorsed by elite brands like Gruvgear, Chicken Picks, Collings Guitars, and Antelope Audio, Pritesh continues pushing his musical exploration's boundaries. His passion for education is evident in his role as a Jazz educator at institutions such as Bunker Hill Community College, Brookline Music School, and Excelsia College Sydney, where he guides master's students in the art of jazz. Pritesh is poised to make significant waves in the music scene with the upcoming release of his debut album, "Hope Town," scheduled for a fall 2023 release on all streaming platforms. This album, meticulously mixed and mastered by multi-Grammy winner engineer Dave Darlington, promises to be a testament to Pritesh's artistic vision. Additionally, Pritesh is set to unveil his organ trio, "PSA," in mid-2024, followed by a Big Band record featuring the Henry Godfrey Jazz Big Band and a modern Brazilian project with strings, both slated for release in late 2024. Recognizing his contributions to the jazz genre, Pritesh has been nominated for "Best Jazz Artist of the Year" at the Boston Music Awards alongside luminaries like Terry Lynn Carrington and Grace Kelly. Pritesh has had the privilege of studying under the mentorship of illustrious figures such as Scott Henderson, Russel Ferrante, David Fuze, Tomo Fujita, Tim Miller, Donny McCaslin, Jason Moran, Miguel Zenon, and esteemed composers like Frank Carlberg, Ben Scwendenner, and John Heiss. His collaborations include performances with the New England Jazz Orchestra, the Maria Schneider Orchestra at the New England Conservatory, and renowned jazz figures like Donny McCaslin, Bob Sheppard, and many others. Pritesh Walia's journey is a testament to his unwavering dedication to jazz, a genre that encapsulates not only his love for performance and composition but also his commitment to understanding its intricate harmony, theory, language, history, and voice. As he continues to evolve as a musician, educator, and collaborator, Pritesh's impact on the jazz world is poised to reach new heights.

Send us your thoughts! Jon Irabagon is a Filipino-American saxophonist, composer, and founder of Irabbagast Records.[1]Winner of the 2008 Thelonious Monk Jazz Competition[1] and one of Time Out's "25 essential New York City jazz icons",[2] Irabagon is known for the breadth of his work on a jazz continuum ranging "from postbop to free improvisation, avant country to doom metal".[3] His "extraordinary eclecticism"[4] has led to performances with such diverse artists as Wynton Marsalis,[5] Lou Reed, Evan Parker, Billy Joel, the Maria Schneider Orchestra, Bertha Hope, Herbie Hancock, Conor Oberst,[6] Christian McBride,[7] Mike Pride,[8] Kenny Barron, Darcy James Argue's Secret Society, Bill Laswell, Peter Evans,[9] Tyshawn Sorey, Ingrid Laubrock,[10] Ava Mendoza,[11] Mick Barr, and Tom Rainey.Irabagon's many projects as bandleader include a quartet with Luis Perdomo, Yasushi Nakamura, and Rudy Royston,[12] as well as a trio with Mark Helias and Barry Altschul.[13] He is also a member of the Mary Halvorson Quintet, Septet,[14] and Octet;[15] the Dave Douglas Quintet;Support the show

Grammy-winning composer and NEA Jazz Master Maria Schneider on 30 years of the Maria Schneider Orchestra, her life and career, from her small-town Minnesota roots to her groundbreaking collaboration with David Bowie and her fight for artists' rights.  Here she talks about how her music channels the wonder, mystery, and tension of her life experiences, her poetic creative process, her acclaimed album Data Lords, and her reflections on what's next as she looks back on a remarkable journey. www.third-story.com www.leosidran.substack.com

This time on the podcast, a very talented jazz trumpet player, author, and teacher joins us. He has performed with legendary ensembles such as Harry Connick, Jr. and the Maria Schneider Orchestra. His latest album, *Augie Haas +8 Live at the Speakeasy*, showcases his incredible skill and we are excited to share some of that music with you today. Be sure to tune in for a fantastic conversation with Augie Haas and enjoy a sample of his remarkable work! Augie Haas is Someone You Should Know.Tip Jar:Click here to buy the Rik Anthony a cold one.Show Links:Click here to go to Augie's websiteClick here to go to Augie's InstagramClick here to go to Augie's YouTube Click here to stream Augie's music on Sportify Click here to purchase Augie's music and booksAll music used by permission from the artistSomeone You Should Know 2024 // CatGotYourTongueStudios 2024Send us a textHow to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.

M

Schweezy attempts to cancel himself by talking about a captivating performance by the Maria Schneider Orchestra. We then delve into the world of Pokemon, exploring the latest announcements that pleasantly surprised fans. Shifting gears, we discuss recent headlines, including controversies involving Brian Houston and a hardcore singer giving his bandmate estrogen. We also ponder the enigmatic world of John Wick, contemplating his character and future in the film series. Switching to advice, we address a listener's struggle with chronic pain and its impact on their relationship. We also explore the challenges of pursuing a non-traditional path after high school and provide insights into supporting a friend facing addiction. . . . Follow Schweezy: linktr.ee/TheSchweezy . . Sponsors: Novilla: https://www.novilla.net/?rfsn=5637876... FNX Fitness: fnx.grsm.io/schwegcast​​​​​​​ CashApp: https://cash.app/app/VFPZ69S Drizly: drizly.com/i/rkqax​​​​​ Honey: joinhoney.com/ref/odmta0f

In this episode: Listen to a conversation between your host Nadje Noordhuis as they explore the many facets of Nadje her endeavours: from writing music for herself and others, to playing her own work and in the many famous bigbands, to teaching at Berklee College of Music About Nadje Noordhuis Described as "one of the most compelling voices to emerge on her instrument in recent years" (Dan Bilawksy, All about Jazz), Australian-born based trumpeter/composer Nadje Noordhuis possesses one of the most unforgettably lyrical voices in modern music. Her deeply-felt, clarion tone and evocative compositional gift meld classical rigor, jazz expression, and world music accents into a sound that is distinctively her own.Noordhuis was one of ten semi-finalists in the 2007 Thelonious Monk International Jazz Trumpet Competition and was selected as a Carnegie Hall Young Artist in 2010. Based in New York since 2003, she is a member of the multiple Grammy-winning Maria Schneider Orchestra, Grammy-nominated Darcy James Argue's Secret Society, and the Grammy-nominated Anat Cohen Tentet. Her eponymous debut jazz quintet album featuring Grammy nominees Sara Caswell and Geoffrey Keezer was released to critical acclaim in 2012. Her 2015 contemplative duo album of miniatures with pianist Luke Howard, Ten Sails, has garnered much international attention, with around ten million streams on Spotify and YouTube. Her 2017 album, Indigo, with vibraphonist/synthesist James Shipp was premiered at the Wangaratta Jazz Festival in Australia.Noordhuis' latest album, Gullfoss, features Maeve Gilchrist (harp), Jesse Lewis (guitar), Ike Sturm (bass), and James Shipp (synthesizers and percussion). They came together in Switzerland over three nights of live performance to record an album originally released on vinyl for Newvelle Records, and now available digitally on Little Mystery Records. ⁠Instagram⁠ / ⁠Facebook⁠ / ⁠YouTube⁠ About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. ⁠⁠ Stream⁠⁠ the Album or ⁠⁠Buy it on Bandcamp⁠⁠ and get the chocolate! ⁠⁠More about Vivienne here. --- Send in a voice message: https://podcasters.spotify.com/pod/show/vivienne-aerts/message

Trumpeter/composer/arranger/bandleader/educator Tony Kadleck is one of the most sought-after trumpet players on the New York City scene, and has been for some time. He moved to NYC in 1986, following his studies at the New England Conservatory–and a stint in the trumpet section of The Buddy Rich Big Band–and his phone has been ringing ever since. For good reason; at every turn, Kadleck puts the music first, and more than takes care of business. He graduated from the Manhattan School of Music in 1989 and quickly hit the road with the likes of Frank Sinatra, Barbara Streisand, Blood Sweat & Tears, and others. Eventually, Kadleck was in such high demand locally, for studio and stage work, that touring took a back seat. He played on countless jingles, scores for TV and film, and worked with the cream of the crop, including Luther Vandross, Michael Jackson, Elton John, Celine Dion, Stevie Wonder, Ella Fitzgerald, Issac Hayes, and most recently Steely Dan, Tony Bennett/Lady Gaga, Santana, Weezer, Steve Tyrell, and many, many others. In addition to an on-going abundance of freelance sideman work with NYC's A-list artists, Kadleck is currently a member of many organizations, including the New York Pops, John Pizzarelli's “Swing Seven”, the Maria Schneider Orchestra, John Fedchock's NY Big Band, and can currently be heard on Broadway in the band for “MJ”.     To say that Kadleck is a rare bird is a major understatement. Possessing the expertise, musical acumen, phrasing, range, chops, and the desire to handle gigs as diverse as the New York Pops and The Who (for example) with straight-ahead professionalism and excellence is not common. His prowess now bears fruit on his own project, Sides (to be released on Marshall Gilkes' Alternate Side Records on February 10, 2023), which follows up his previous big band album, Around The Horn, and his debut as a leader, Extended Outlook. 

Schneider's album "The Thompson Fields" will be showcased. Also on the show, selections by Milt Kleeb Dectet, Scenes, Primo Kim and more.

This episode is sponsored by the TD James Moody Jazz Festival at the New Jersey Performing Arts Center. The festival runs from November 8 through 20 and features a who's who of talent from the jazz world and beyond. Performers include Fantasia with Jazzmeia Horn; Dee Dee Bridgewater singing with tap dancer Savion Glover; the Jon Faddis Quartet; Yellowjackets; Terence Blanchard with E-Collective and the Turtle Island Quartet; a recreation by Trouble No More and Dumpstaphunk of the Allman Brothers classic live album Eat A Peach; the Maria Schneider Orchestra; the Vanessa Rubin Trio; the Sarah Vaughan International Vocal Competition; and much more. Tickets and a full schedule of performances are available at https://www.njpac.org/series/james-moody-jazz-festival/. On this episode you'll hear interviews with four performers from the TD James Moody Jazz Festival: Bob Mintzer of Yellowjackets; Dee Dee Bridgewater; Lamar Williams Jr. of Trouble No More; and Terence Blanchard. CREDITS Theme Music: The Respect Sextet (respectsextet.com) Logo: Sarah Walter Intro Voice: Chuck Ingersoll (hearchucknow.com) PATREON Become a Patreon supporter for $5 a month to get a monthly bonus show called This I Dig Of You, on which that month's guest talks about something non-musical that's bringing them joy. You'll also get early access to every episode, a thank you on an episode, and behind-the-scenes news. Join today at thejazzsession.com/join.

Welcome to a new edition of the Neon Jazz interview series with Grammy-Nominated Jazz Trombonist & Composer Marshall Gilkes on the 2022 CD Cyclic Journey .. He gets into this album, an upcoming tour in Japan, modern life and more .. This album features Marshall on Trombone and doing both compositions and production featuring some impressive cats like Aaron Parks on piano, Linda May Han Oh on bass, Johnathan Blake on drums and many others .. From playing lead trombone with The Vanguard Orchestra, to performing with The Maria Schneider Orchestra, the Slide Monsters Trombone Quartet, and leading his own projects, he is always putting the listener on a solid ride .. Enjoy this overview .. Click to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the YouTube Neon Jazz  Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends ..

Michael Rodriguez is by far one of the most working jazz trumpet players in the world.  He has played in bands led by Chick Corea, Kenny Barron, Gonzalo Rubalcaba, and Charlie Haden among others. He is also a first-call soloist and section player in virtually every big band in New York including the Maria Schneider Orchestra, the Vanguard Jazz Orchestra and many more. Listen as he shares what he's learned from playing with the masters, what he's worked on over the years to become rock-solid on the instrument, and his advice for how to be a great section trumpet player. Visit Michael Rodriguez: www.mikerodriguezmusic.comVisit John Raymond: www.john-raymond.comMusic: “North” (IU Jazz Studies Faculty) + "Joy Ride" (John Raymond & Real Feels)Interview Edited by Tom PieciakProduced & Edited by John Raymond

Scott Robinson is well known as a saxophonist playing the entire family of saxes from contrabass to sopranino. Recently it's his baritone sax with Maria Schneider Orchestra as well as Bob Brookmeyer, Toshiko Akiyoshi and others that attracted attention.

Nadje Noordhuis has one of the most beautiful trumpet sounds on the planet. Besides releasing four albums of her own unique music, she has been a top-call sidewoman with many bands including the Maria Schneider Orchestra, Darcy James Argue's Secret Society, and the Anat Cohen Tentet. She's also one of the most well respected private teachers in the world. Listen as she shares about finding her own voice, how Carmine Caruso and Laurie Frink have informed her own teaching, and about her experiences as a woman instrumentalist in jazz.Visit Nadje Noordhuis: www.nadjenoordhuis.comVisit John Raymond: www.john-raymond.comMusic: “North” (IU Jazz Studies Faculty) + "Joy Ride" (John Raymond & Real Feels)Interview Edited by Tom PieciakProduced & Edited by John Raymond

Today, we revisit a conversation with 2019 NEA Jazz Master composer, conductor, and arranger Maria Schneider who creates highly original and evocative compositions for her jazz orchestra. A New York Thanksgiving tradition was a week-long series of performances by the Maria Schneider Orchestra at the Jazz Standard. As we know the pandemic put the performance of live music on hold for over a year, there was no residency in 2020 and sadly, the Jazz Standard has shuttered its location. But happily the Maria Schneider Orchestra has recently returned to the stage performing in late November at New Jersey Performing Arts Center. Much of Schneider's music is autobiographical, evoking the Minnesota plains where she was born and raised. She returns to the theme of her childhood in a prairie town again and again; in fact, she's come to realize that the foundation of her music is her hometown. She finds parts of it magical, and we certainly hear it in her music. Although she's composed classical work and collaborated with David Bowie, Maria's musical center remains in jazz. In this podcast, we talk about her connection to jazz (especially to the music of NEA Jazz Master Gil Evans), the ways in which she and the musicians in her band inspire one another, her collaboration with Bowie, and how her deep ties to Windom, Minnesota, translates into mesmerizing music. Follow us on:  Apple Podcasts   Google Podcasts

Today, we revisit a conversation with 2019 NEA Jazz Master composer, conductor, and arranger Maria Schneider who creates highly original and evocative compositions for her jazz orchestra. A New York Thanksgiving tradition was a week-long series of performances by the Maria Schneider Orchestra at the Jazz Standard. As we know the pandemic put the performance of live music on hold for over a year, there was no residency in 2020 and sadly, the Jazz Standard has shuttered its location. But happily the Maria Schneider Orchestra has recently returned to the stage performing in late November at New Jersey Performing Arts Center. Much of Schneider's music is autobiographical, evoking the Minnesota plains where she was born and raised. She returns to the theme of her childhood in a prairie town again and again; in fact, she's come to realize that the foundation of her music is her hometown. She finds parts of it magical, and we certainly hear it in her music. Although she's composed classical work and collaborated with David Bowie, Maria's musical center remains in jazz. In this podcast, we talk about her connection to jazz (especially to the music of NEA Jazz Master Gil Evans), the ways in which she and the musicians in her band inspire one another, her collaboration with Bowie, and how her deep ties to Windom, Minnesota, translates into mesmerizing music.

Algunas de las grandes canciones de David Bowie grabadas por Pat Metheny Group -con Bowie- ('This is not America'), Eric Legnini ('Space Oddity'), Paolo Fresu ('Starman', 'Where are we now?', 'Heroes', 'Life on mars?', 'Rebel rebel', 'Let´s dance'), Seu Jorge ('Changes', 'Sufragette city') y Maria Schneider Orchestra -con Bowie- ('Sue or in a season of crime'). Escuchar audio

Described as "one of the most compelling voices to emerge on her instrument in recent years", Australian-born-based trumpeter/composer Nadje Noordhuis possesses one of the most unforgettably lyrical voices in modern music. Her deeply-felt, clarion tone and evocative compositional gift meld classical rigor, jazz expression, and world music accents into a sound that is distinctively her own. Noordhuis was one of ten semi-finalists in the 2007 Thelonious Monk International Jazz Trumpet Competition and was selected as a Carnegie Hall Young Artist in 2012. Based in New York since 2003, she is a member of the multiple Grammy-winning Maria Schneider Orchestra, Grammy-nominated Darcy James Argue's Secret Society, and the Grammy-nominated Anat Cohen Tentet. In this episode, Nadje shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcasts, Google Podcasts, etc. Connect with us on all social media platforms and at www.improvexchange.com

El guitarrista Fabiano Chagas ('Tributum', 'Momentum', 'Choranat' -con la clarinetista Anat Cohen-), la cantante Gabi Buarque ('Samba rezadeiro', 'A voz do vento', 'Luzia Luzia'), Emilio Solla Tango Jazz Orchestra ('Chacafrik', 'La novena'), la cantante Kenia ('Shangri-la', 'Hit or miss', 'Distant horizon') y Maria Schneider Orchestra ('Bluebird'). Escuchar audio

Marcus Tardelli ('Dichavado', 'Cheio de dedos', 'Igreja da Penha'), Guinga & Gabriele Mirabassi ('Choro pro Zé', 'Baião de Lacan'), Guinga ('Catavento e girassol'), Leila Pinheiro ('Catavento e girassol'), Lionel Loueke ('Hang up your hang ups', 'Tell me a bedtime story', 'Butterfly'), Blick Bassy ('Ngui yi', 'Poché') y Maria Schneider Orchestra ('The sun waited for me'). Escuchar audio

M

M

A jazz club is not just a commercial enterprise, or an entertainment spot, it's a cultural hub. When a venue like the Jazz Standard closes the loss should not be seen only in terms of a measurable disappearance of revenues but especially in terms of an unmeasurable loss of artistic opportunities. This week we focus on the artistic opportunities that the Jazz Standard made possible over the years, through some of the best concerts that were recorded live at its celebrated location on East 27th Street. The playlist features The Michael Leonhart Orchestra [pictured]; Steven Bernstein's Millennial Territory Orchestra; Mingus Big Band; The Michael Blake Euplion Orchestra; Maria Schneider Orchestra; Travis Sullivan's Bjorkestra; SFJAZZ Collective; Wolfgang Muthspiel, Mick Goodrick; Ben Sidran feat. David "Fathead" Newman; Antonio Sanchez. Detailed playlist available at: https://spinitron.com/RFB/pl/12172805/Mondo-Jazz (up to Antonio Sanchez). Photo credit: Nathan West.

To round out the year, we round up the best jazz of the year. We've done this every year for at least the last seven years. Here are our 2020 picks: "Kurinji" by Jen Allen featuring Kris Allen, Marty Jaffe, and Kush Abadey, from Sifting Grace "The Sidewinder" by Artemis, from Artemis "Dream Without Me" by Noah Baerman & Friends, from Love Right "Inner Child" by Chris Dingman featuring Linda May Han Oh and Tim Keiper, from Embrace "The Well" by Endless Field, from Alive in the Wilderness "AKA Reggie" by Wayne Escoffery, from The Humble Warrior "I Can't Remember Love" by Anna Hauss, Robert Wienröder & William Horberg, from Music from the Netflix Limited Series The Queen's Gambit "La Mesha" by Jimmy Heath featuring Wynton Marsalis, from Love Letter "Spiral" by Dan Liparini, from Tessellations "Data Lords" by Maria Schneider Orchestra, from Data Lords "More?" by Joel Ross, from Who Are You? "Piggy Bank for Charity" by Sax & Taps, from Intersplosion! (Live at Dizzy’s Club) GUESTS: Jen Allen - A pianist, composer, arranger, and educator; her new album is Sifting Grace Noah Baerman - A pianist, composer, and educator; his new album is Love Right Gene Seymour - A film, television, and music critic Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Zaterdag 5 december presenteert scheidend directeur van museum De Lakenhal, Meta Knol, Een goedemorgen met ... Muziek: Levine, Ari & Mars, Bruno; Locked out of Heaven; Wesseltoft, Bugge Clemens non Papa, Jacobus; Ave Maria; Egidius Kwartet Bach, Johann Sebastian; Cantate BWV.82, "Ich habe genug" ; aria, "Ich habe genug"; Kammerorchester Basel; Schröder, Julia; Scholl, Andreas [countertenor] Bach, Johann Sebastian; Matthäuspassion BWV.244 ; Deel II - nr.39, aria, "Erbarme dich"; Wiener Philharmoniker; Gillesberger, Hans; Heynis, Aafje Cummings, E.E.; That Melancholy Wolf, Hugo; Gedichte von Eduard Mörike - nr.23, "Auf ein altes Bild"; Ferrier, Kathleen & Spurr, Phyllis Sjostakovitsj, Dmitri; Concert voor cello en orkest nr.1, op.107 in Es gr.t. - deel III, "Cadenza"; Philadelphia Orchestr; Ormandy, Eugene; Rostropovich, Mstislav Dylan, Bob; Who Knows Where the Time Goes; Simone, Nina Strauss, Richard; Liederen voor zangstem en orkest (4), op.27 nr.4, "Morgen"; Radio Filharmonisch Orkest; Waart, Edo de; Margiono, Charlotte [sopraan] Piazzolla, Astor; Histoire du tango - deel II, "Café 1930" (Arr.); Huijnen, Cécile [viool];Grotenhuis, Marieke [accordeon] Davis, Miles; Flamenco Sketches – Studio Sequence1 Bach, Johann Sebastian; Suite voor klavecimbel BWV.813 in c kl.t., "Franse suite nr.2" - deel I, "Allemande"; Pires, Maria Joao [piano] Bach, Johann Sebastian; Das wohltemperierte Klavier boek 1, BWV.846-869 - "Prelude en fuga nr.10 BWV.855 in e kl.t."; Gould, Glenn [piano] Schwitters, Kurt; Ursonate (1921-31) exerpt # 3 Glass, Philip; Concert voor viool en orkest nr.2, "The American Four Seasons" - "Lied nr.1"; McDuffie, Robert Glazoenov, Aleksandr; De seizoenen, op.67 - deel I, "Winter"; Philharmonia Orchestra; Svetlanov, Yevgeni Schneider, Maria; Walking by Flashlight (the Thompson Fields Version); Maria Schneider Orchestra Schönberg, Arnold; Verklärte Nacht, op.4 - deel III; Chicago Symphony Orchestra; Barenboim, Daniel Honing, Yuri & Brederode, Wolfert; Black is the Colour

Zaterdag 5 december presenteert scheidend directeur van museum De Lakenhal, Meta Knol, Een goedemorgen met ... Muziek: Levine, Ari & Mars, Bruno; Locked out of Heaven; Wesseltoft, Bugge Clemens non Papa, Jacobus; Ave Maria; Egidius Kwartet Bach, Johann Sebastian; Cantate BWV.82, "Ich habe genug" ; aria, "Ich habe genug"; Kammerorchester Basel; Schröder, Julia; Scholl, Andreas [countertenor] Bach, Johann Sebastian; Matthäuspassion BWV.244 ; Deel II - nr.39, aria, "Erbarme dich"; Wiener Philharmoniker; Gillesberger, Hans; Heynis, Aafje Cummings, E.E.; That Melancholy Wolf, Hugo; Gedichte von Eduard Mörike - nr.23, "Auf ein altes Bild"; Ferrier, Kathleen & Spurr, Phyllis Sjostakovitsj, Dmitri; Concert voor cello en orkest nr.1, op.107 in Es gr.t. - deel III, "Cadenza"; Philadelphia Orchestr; Ormandy, Eugene; Rostropovich, Mstislav Dylan, Bob; Who Knows Where the Time Goes; Simone, Nina Strauss, Richard; Liederen voor zangstem en orkest (4), op.27 nr.4, "Morgen"; Radio Filharmonisch Orkest; Waart, Edo de; Margiono, Charlotte [sopraan] Piazzolla, Astor; Histoire du tango - deel II, "Café 1930" (Arr.); Huijnen, Cécile [viool];Grotenhuis, Marieke [accordeon] Davis, Miles; Flamenco Sketches – Studio Sequence1 Bach, Johann Sebastian; Suite voor klavecimbel BWV.813 in c kl.t., "Franse suite nr.2" - deel I, "Allemande"; Pires, Maria Joao [piano] Bach, Johann Sebastian; Das wohltemperierte Klavier boek 1, BWV.846-869 - "Prelude en fuga nr.10 BWV.855 in e kl.t."; Gould, Glenn [piano] Schwitters, Kurt; Ursonate (1921-31) exerpt # 3 Glass, Philip; Concert voor viool en orkest nr.2, "The American Four Seasons" - "Lied nr.1"; McDuffie, Robert Glazoenov, Aleksandr; De seizoenen, op.67 - deel I, "Winter"; Philharmonia Orchestra; Svetlanov, Yevgeni Schneider, Maria; Walking by Flashlight (the Thompson Fields Version); Maria Schneider Orchestra Schönberg, Arnold; Verklärte Nacht, op.4 - deel III; Chicago Symphony Orchestra; Barenboim, Daniel Honing, Yuri & Brederode, Wolfert; Black is the Colour

The pandemic has claimed its first major New York City jazz club. Jazz Standard, which opened in 1997, has shut its doors. Recordings of many artists were made there, among them the Maria Schneider Orchestra, the Mingus Big Band, trumpeter Dave Douglas, and pianist Fred Hersch. Artistic director Seth Abramson says the reaction from the jazz community has been overwhelming. “The overarching sentiment is one of great loss and then one of great gratitude,” he said, “for having had the opportunity to be a part of the room and for the opportunity to play in and (be) given the freedom to express themselves.” It’s not all bad news though for Jazz Standard. The club’s owners say they hope to resurrect it somewhere at some point in the future. Abramson says the club had a unique vibe. “The club was a home and a venue for the artists and the fans to congregate,” he said. “It gave the artists a stage to do what they wanted to do and have their fans be able to be there and enjoy the entire

Welcome to another episode of SOMETHING came from Baltimore.  My name is Tom Gouker and I will be your host for the evening. If you have listened to past episodes of Something came from Baltimore, you know that I have a “thing for Big Bands”.   You heard me a “thing” Recently I interviewed “Swingadelic” from NYC, Njet Njet Nine from Sweden, the Maria Schneider Orchestra, The Dirty River Jazz Band from San Antonio Texas, Derrick Garner and the Big dig! Band for Winnipeg. In my opinion, Big Bands are sexy, expensive, and they knock on the door of our rich jazz past with respect and take it to the next level.  These bands were common in the 40’s through the 60’s and now, when at great one comes around you have to take notice,  like this one BT ALC Big Band. BT ALC Big Band is based out of Boston, Mass BT stands for trombonist Brian Thomas, and the ALC stands for trumpeter Alex Lee-Clark and jointly they hold down this musical unit.   Formed in 2011, and there latest recording was released in 2019 on the Ropeadope Records called, “The Search for Peace”. This group brings the big band…but they also bring the FUNK. I recently learned about the BT ALC Big Band through a Spotify playlist that was “created especially for me” and here it was…a song called, “The Iguana” a wonderful single that blew me away. The Iguana was released on August 27, 2020 and I cannot turn enough people onto this song.  It is the BT ALC Big Band with a little help form Erik Krasno and Alan Evans (from Soulive) and Karl Denson (from Slightly Stoopid, the Tiny Universe and basically everywhere) In this interview we will chat with Brian Thomas and Alex Lee Clark about the band, there 2019 release called, “the Search for Peace” and “The Iguana” Brian Thomas and Alex Lee Clark welcome to Something came from Baltimore. LISTEN TO THE STATION:  "TheBocX.com Remember to subscribe to SOMETHING came from Baltimore!  Listen and share with your friends. Youtube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA Facebook:  https://www.facebook.com/tomfunproductions Itunes: https://podcasts.apple.com/us/podcast/something-came-from-baltimore/id1400504427 Anchor: https://anchor.fm/somethingcame-from-baltim Check out my "best of" songs from last decade 2010-2019 on Spotify...I think you will be surprised. https://open.spotify.com/playlist/3HW55xTnilg2m73Vb5l7Jn?si=NSQ6fm8FRJOAiiZB1y_O6g&fbclid=IwAR3D3pu-FhoumTMm_qvOlg4WDXVz41N0lafmuR675fGJj2txW1ylYusrXZ0 --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

Augie Haas currently lives in New York City where he is a professional trumpeter, composer, and teacher. As one of the most in-demand trumpet players in New York, Augie has worked with artists including Harry Connick, Jr., The Maria Schneider Orchestra, The Vanguard Jazz Orchestra, The Gil Evans Project, Birdland Big Band, various Broadway shows, and The Radio City Orchestra. Augie is currently a regular member of the orchestra for Aladdin on Broadway. Born and raised in Milwaukee, Augie earned his Bachelor of Music in Jazz Studies at Roosevelt University’s Chicago College of the Performing Arts. After Chicago, he attended The University of Miami’s Frost School of Music Conservatory for a Masters in Studio Music in Jazz, and a Doctorate in Musical Arts. Augie has released five albums under his co-founded label Playtime Music: The Llama, Doing it Augie Style, Baby Jazz, Endless, and his most recent album, Have We Met? He also authored and self-published his book Build Your Range for both trumpet and trombone which has been sold worldwide. http://augiehaas.com (augiehaas.com) http://trumpetdynamics.com (trumpetdynamics.com)

Il disco di Thelonious Monk inedito e il nuovo di Maria Schneider Orchestra, una bella sorpresa, il disco di Dario Doronzo, il ricordo di Gary Peacock e poi tanto... rock! Ma sempre con un filo logico, portante!

17e et dernière de la 47e session... Cette semaine, jazz « engagé » et jazz orchestral! En musique: Sonny Rollins sur l'album Freedom Suite  (Riverside, 1958); Max Roach sur l'album We Insist! Max Roach's Freedom Now Suite  (Candid, 1961); Immanuel Wilkins sur l'album Omega  (Blue Note, 2020); Maria Schneider Orchestra sur l'album Data Lords  (Artist Share, 2020)...

17e et dernière de la 47e session... Cette semaine, jazz « engagé » et jazz orchestral! En musique: Sonny Rollins sur l'album Freedom Suite  (Riverside, 1958); Max Roach sur l'album We Insist! Max Roach's Freedom Now Suite  (Candid, 1961); Immanuel Wilkins sur l'album Omega  (Blue Note, 2020); Maria Schneider Orchestra sur l'album Data Lords  (Artist Share, 2020)...

DATA LORDS - A Story of Two Worlds - One Clutters the Mind, the Other Clears It - One Seduces and Exploits, the Other Nurtures - One Ultimately Isolates, the Other Truly Connects - One Clamors for Our Attention, the Other Simply Awaits It - One Force-Feeds Answers, the Other Inspires Questions - One Manipulates Our Thoughts, the Other Grants Freedom of Thought To Purchase : DATA LORDS https://www.mariaschneider.com/ https://www.artistshare.com/Projects/Experience/1/510/1/Maria-Schneider-Data-Lords?v=2 Remember to subscribe to SOMETHING came from Baltimore! Listen and share with your friends. Youtube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA Facebook: https://www.facebook.com/tomfunproductions Itunes: https://podcasts.apple.com/us/podcast/something-came-from-baltimore/id1400504427 Anchor: https://anchor.fm/somethingcame-from-baltim Tom Gouker's Little Bio: I am nothing more than a big music fan. As a child I was the "one with the records" and I would DJ all the school "sock hops". In college, I was the radio programmer, and wrote a music column. Fast forward, I worked at 88.9 FM WXPN, Philadelphia PA, home of the NPR Radio Show called, "Live@the World Cafe" for 14 years. I also worked in the Broadcasting Department at "QVC" for 5 years. I DJ under the name DJ Normal in the bar circuit in Baltimore, MD for 4 years. I had radio show at Morgan State Radio 88.1 FM, Baltimore MD, called, "Jazz 101". "Jazz 101" had interviews with musicians to explain why jazz is so special. The "Cool Jazz" format of the station changed and I lost my show and I continued with interviews with musicians on my on podcast called, "SOMETHING came from Baltimore". SCFB is now over 150 episodes strong with interviews with John Doe, Swingadelic, Gerald Albright, Samite, Bokante, Kat Edmonson, Al Di Meola, Auntie Hammy, The Beatle Guru, Bodega, The Homeless Gospel Choir, Orrin Evans, GoGo Penguin, Warren Wolf, Joey Alexander, and so much more! The podcast keeps growing as "SOMETHING came from Baltimore" gets over 250-500 spins a day and for some reason we are popular in France! Thank you France! If you listen to the interviews you can hear that I am struggling grouping sentences and stringing thoughts together. I have dyslexia all my life, and in my 20's I thought it would define me and I placed limitations on what I could do. I always wanted to be a school teacher, but I was afraid that I would be found out. Through the years, I have worked through the limitations, and I love music and this podcast so much that I can't be stopped! Future Projects: Film - Script for "I'm Falling to Pieces". Podcast, "Why Is It Good?" and a limited episode podcast "Beatles Come to America" with co-host The Beatles Guru Brooke Halpin. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

Dave Pietro’s curiosity and workmanship have been the foundation of his decade’s long career as an internationally touring musician. He explains the value of truly listening— even if what you’re hearing confuses or frightens you at first. We touch on his gigging history starting in New York, his new album New Road: Iowa Memoirs, and how immersing oneself in a culture can fundamentally change your understanding of pretty much everything.   Here’s an external link to every Musical Mention in this episode: 0:10 Mariachi 1:00 Maria Schneider Orchestra 1:00 Gil Evan’s Project 1:00 Darcy James Argues Secret Society 1:15 Toshiko Akiyoshi Jazz Orchestra 1:20 Woody Herman 1:20 Lionel Hampton 1:20 Maynard Ferguson 1:20 Sandip Burman 1:20 The Village Vanguard Jazz Orchestra 1:30 Pete McGuinness 1:30 David Bowie 1:30 Paul Anka 1:30 Blood Sweat and Tears 1:30 Ray Charles 1:30 Rosemary Clooney 1:30 Harry Connick Jr. 1:30 Chaka Khan 2:53 The Rainbow Room 3:11 Liza Minnelli 3:30 Jeff Coffin 3:30 Tabla 3:35 Bela Fleck and the Flecktones 8:25 Charlie Parker 8:33 The Carpenters 8:41 Bebop 9:02 Bela Bartok 9:04 Igor Stravinsky 9:33 Bartok Violin Concerto 10:15 Hermeto Pascoal 10:25 Nikhil Banerjee 10:32 Bhimsen Joshi 13:40 American Songbook 13:43 Hindustani music 15:30 Blues 16:00 Jewish music 18:28 Klezmer 18:39 Bulgarian wedding music 19:04 Yuri Yunakov 19:20 Bulgarian Women’s Choir 20:25 Steve Armour 21:18 Kora 21:20 Djembe 21:30 Saxophone 21:55 Mouthpiece 21:55 Clarinet 21:55 Trumpet 21:55 Trombone 22:00 Adolphe Sax 24:23 Big band music 33:05 Sitar 33:05 Conga 33:05 Shakuhachi 34:05 The New Road: Iowas Memoirs 34:39 Traffic: the soundtrack of NYC 36:14 Bossa Nova 36:20 Baiao 36:35 Zabumba 36:35 Triangle 36:52 Carnatic 37:00 Mridangam 37:00 Tabla 37:15 Bluegrass 37:15 Jazz 37:15 New Orleans Jazz 37:15 Country and Western 37:50 Bud Powell 38:07 Duke Ellington 40:10 Greek music 40:10 Zeibekiko 40:41 Taal/Tala 42:38 Tabla 47:20 Mariachi

April 15, 2016. Composer Maria Schneider discusses her Library of Congress commission, "Data Lords," with Larry Appelbaum of the Music Division. "Data Lords," made possible by the Reva and David Logan Foundation, was premiered at the Library by the Maria Schneider Orchestra on April 15, 2016. Speaker Biography: Maria Schneider is an award-winning jazz composer and big band leader. She has received multiple Grammy awards, including the 2016 award for Best Large Jazz Ensemble Album (for "The Thompson Fields," a collaboration with David Bowie). Schneider has received commissions from the Library of Congress, Jazz at Lincoln Center and the Saint Paul Chamber Orchestra, among others. Her album, "Concert in the Garden" (2004), was the first recording to receive a Grammy after being released solely online. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7401

Sexto capítulo de 'Clásicos del Siglo XXI', producción de 'Club de Jazz' para Radio Vitoria (EiTB), en el que escuchamos algunos trabajos publicados en este comienzo de siglo y que, en opinión del programa, son ya clásicos de nuestro tiempo. En este sexto programa suenan: "The Thompson Fields" de Maria Schneider Orchestra; "Imaginary Cities" de Chris Potter & Underground Orchestra; "The Unity Sessions" de Pat Metheny y "10 years solo live" de Brad Mehldau. Toda la información y derechos: http://www.elclubdejazz.com

Sexto capítulo de 'Clásicos del Siglo XXI', producción de 'Club de Jazz' para Radio Vitoria (EiTB), en el que escuchamos algunos trabajos publicados en este comienzo de siglo y que, en opinión del programa, son ya clásicos de nuestro tiempo. En este sexto programa suenan: "The Thompson Fields" de Maria Schneider Orchestra; "Imaginary Cities" de Chris Potter & Underground Orchestra; "The Unity Sessions" de Pat Metheny y "10 years solo live" de Brad Mehldau. Toda la información y derechos: http://www.elclubdejazz.com

By Curtis Killian | February 10, 2016 When Donny McCasslin '88 and his jazz quartet were enlisted by David Bowie H'99 to record as the backing band for what became his 25th and final album Blackstar, stylized as ★, the Grammy-nominated saxophonist, composer and bandleader was ready for the moment. "David encouraged us to try anything and everything that we heard," McCaslin says on the three weeks he spent working with Bowie and his longtime producer Tony Visconti early last year, recordingmostly live with his group (keyboardist Jason Lindner, drummer Mark Guiliana and bassist Tim Lefebvre). "He said something to me in the beginning like, Donny, I don’t know what’s gonna happen with this but let’s just have some fun." A fixture of the New York Jazz scene for nearly thirty years, McCaslin has worked as bandleader and as sideman for the likes of Steps Ahead, Maria Schneider Orchestra and professor fellow alumnus Gary Burton '62, who he began touring with his senior year. "Being at Berklee and thrust into this world where the boundaries of music or styles were pretty fluid, that was really a great experience to help me to broaden my musical language," McCaslin says, a dexterity clearly displayed through his various contributions on Blackstar as musician, bandleader and orchestrator. "I’m grateful to have been able to be in that space for a prolonged amount of time in relation to the jazz world," McCaslin says. "The joy on David’s face when we would have that take and felt it, everybody was feeling that it was the take and seeing the joy on his face was very moving to me. It was beautiful." In this episode of Life After Berklee, just weeks after the album's release and shock of Bowie's death, McCaslin shares insight into the recording process and how he and his jazz quartet from New York City became David Bowie’s final backing band. https://www.berklee.edu/news/podcast-donny-mccaslin-88-david-bowie

This collection isn't necessarily a "best of 2015" , it's just some of my favorite jazz tunes from the past year. It begins with one of my favorite albums of the year in any genre - The Thompson fields by The Maria Schneider Orchestra. The title track is remarkable.  The Jaga Jazzist album was a big surprise for me.  I've listen to them on and off for years but had lost interest for some reason.  The track in this mix is strange, futuristic electronic/jazz cut that I have listened to a ton this year.  The other two great discoveries were albums from Kamasi Washington and Kendrick Scott Oracle, definitely worth checking out. Is there any jazz out there that really engaged you in 2015?  I'd love to hear about it in the comments. Enjoy T R A C K L I S T : 00:00 Maria Schneider Orchestra - The Thompson Fields 09:50 Jaga Jazzist - Oban 15:12 Kamasi Washington - The Magnificent 7 20:57 Andy Sheppard - Tipping Point 26:37 Kendrick Scott Oracle - we are the drum 32:00 food - this is not a miracle 36:00 Hidden Orchestra - the Revival 39:50 Chris Potter Underground Orchestra - Imaginary Cities(part 2) 48:12 Jakob Bro - Copenhagen 52:24 Giovanni Guidi Trio - The might it rained forever 59:10 Vijay Iyer Trio - Geese 63:45 Ben Monder - Zythum 70:10 Maria Schneider Orchestra - Walking by Flashlight 75:10 end

Maria Schneider (Komposition, Leitung) | Dave Pietro, Rich Perry, Donny McCaslin, Scott Robinson (Saxophone, Klarinetten, Flöten) | Tony Kadleck, Greg Gisbert, Augie Haas, Mike Rodriguez (Trompeten, Flügelhörner) | Keith O`Quinn, Ryan Keberle, Marschall Gilkes, George Flynn (Posaunen) | Gary Versace (Akkordeon) | Lage Lund (Gitarre) | Frank Kimbrough (Piano) | Jay Anderson (Bass) | Clarence Penn (Schlagzeug)

El otoño. Los meses de octubre y noviembre. Fechas de festivales en España por antonomasia. En varios de esos conciertos los grupos protagonistas van a presentar, en 2015, sus nuevas grabaciones. Verbigracia, Marc Ribot and the Young Philadelphians y su estreno discográfico, inmersión en el Philly Sound, titulado Live In Tokyo (JazzMadrid 2015 el día 13 de noviembre; Donostia – San Sebastián, 15 de noviembre; 47 Voll-Damm Festival Internacional de Jazz de Barcelona, 17 de noviembre); Kurt Elling y Passion World (JazzMadrid 2015, 14 de noviembre); Maria Schneider Orchestra y el sublime The Thompson Fields, que ya disfrutamos en HDO (Barcelona, 11 de noviembre; Sevilla, 13 de noviembre; JazzMadrid 2015, 15 de noviembre). Ya pasaron (agotando las localidades varias semanas antes para la cita madrileña del 9 de noviembre), pero es difícil resistirse al irresistible Past Present de John Scofield, a quien acompañan el tremendo Joe Lovano, y la rítmica impecable formada por Larry Grenadier y Bill Stewart. Finalizamos este breve repaso, aunque se extiende más de hora y media, con un homenaje al gran Pedro Ruy Blas, que el 16 de noviembre presentará en el Festival Internacional de Jazz de Madrid su última grabación El americano, en un concierto que servirá para conmemorar su 50º aniversario en el mundo de la música: ¡enhorabuena! Como suele ser habitual, la voz de Pachi Tapiz ocupa los quince primeros minutos. El resto, música sin interrupciones. © Pachi Tapiz, 2015 HDO (Hablando de oídas) es un audioblog presentado, editado y producido por Pachi Tapiz Toda la información de la entrega en http://www.tomajazz.com/web/?p=20773. Toda la información sobre HDO en http://www.tomajazz.com/web/?cat=13298

3e émission de la 31e session... Cette semaine, jazz guitare, le retour de Marie-Eve Boulanger et pas mal de nouveautés en jazz d'ici! En musique: James Moody sur l'album Another Bag (Argo, 1962); James Moody sur l'album Cookin' the Blues (Argo, 1965); John Scofield sur l'album Past Present (Impulse!, 2015); Joel Harrison 5 sur l'album Spirit House (Whirlwind, 2015); Maria Schneider Orchestra sur l'album The Thompson Fields ‎(ArtistShare, 2015); Myriam Alter sur l'album Crossways (Justin Time, 2015); Yannick Rieu sur l'album Da Li (Song Records, 2015); Sylvain Picard sur l'album Gloria (Elixirmusiques, 2015)...    

3e émission de la 31e session... Cette semaine, jazz guitare, le retour de Marie-Eve Boulanger et pas mal de nouveautés en jazz d'ici! En musique: James Moody sur l'album Another Bag (Argo, 1962); James Moody sur l'album Cookin' the Blues (Argo, 1965); John Scofield sur l'album Past Present (Impulse!, 2015); Joel Harrison 5 sur l'album Spirit House (Whirlwind, 2015); Maria Schneider Orchestra sur l'album The Thompson Fields ‎(ArtistShare, 2015); Myriam Alter sur l'album Crossways (Justin Time, 2015); Yannick Rieu sur l'album Da Li (Song Records, 2015); Sylvain Picard sur l'album Gloria (Elixirmusiques, 2015)...    

As usual with these mixes there is one song in particular that gets the ball rolling and in this case it's the title track from the album The Thompson Fields by the Maria Schneider Orchestra.  The whole album is wonderful collection open, airy jazz tracks and the title song is just stunning.  Definitely one of the most beautiful songs released this year, second only to Sufjan Stevens - Carrie & Lowell. The rest of the mix is your standard Sunday morning mix.  Maybe a bit more jazz in this one.  Other than the Davis Sylvian tune most of the cuts are fairly new. Enjoy T R A C K L I S T : 00:00 David Sylvian - September 01:11 Maria Schneider Orchestra - The Thompson Fields 08:00 Bosques De Mi Mente - El amanecer reflejado en tus ojos 10:38 AXX - Interstellar Ambient 14:10       Patrick Watson - Love Songs for Robots 17:11       Kenny Reichert Band - Cascades 22:20 Bill Seaman - A Dark Thought 26:40 Ben Lukas Boysen - Sleeps Beat Theme 30:31 Anouar Brahem - Tunis at Dawn 37:03 Cliff Martinez - Placental Repair 39:11 Hidden Rivers - September Sun Memory 42:52 Olan Mill - Tallole 46:33 Maria Schneider Orchestra - Walking by Flashlight 51:33 end

By Rob Hochschild April 2, 2012 Photo provided by the artist Canadian trumpeter Ingrid Jensen '89 has been a part of several recordings nominated for Grammy or Juno awards, including her debut album as a leader, Vernal Fields, which earned her a Juno in 1995. She's in several notable bands, including the Maria Schneider Orchestra and the IJQ with Geoffrey Keezer. Her name appears annually near the top of the Downbeat Critic polls in the Talent Deserving Wider Recognition category. And she's performed with a diverse number of artists, including Terence Blanchard, Eddie Henderson, Corrine Bailey Rae, and Madeleine Peyroux. She also appears on drummer Terri Lyne Carrington's The Mosaic Project, which won a Grammy Award this year. On April 12, 2012, Jensen will perform with her trio in the evening and give an afternoon clinic for students. The concert, part of NPR's The Checkout–Live at Berklee series, will be broadcast live via the web and WBGO-FM. This episode of Sounds of Berklee features "At Sea," the title track from Jensen's 2005 release.

A special edition of the Spanish Jazz radio show Club de Jazz where we conducted an interview with Maria Schneider. The Maria Schneider Orchestra is back with a new recording, The Thompson Fields. In this interview Maria reflects on her musical evolution since Evanescence (released in 1994) up to this day. Maria covers many topics during this conversation, such as her love of bird watching and natural preservation; tradition and evolution in music; and her stance on intellectual property, among others. The interview was originally broadcasted on June, 26th 2015. All rights reserved: http://www.elclubdejazz.com

A special edition of the Spanish Jazz radio show Club de Jazz where we conducted an interview with Maria Schneider. The Maria Schneider Orchestra is back with a new recording, The Thompson Fields. In this interview Maria reflects on her musical evolution since Evanescence (released in 1994) up to this day. Maria covers many topics during this conversation, such as her love of bird watching and natural preservation; tradition and evolution in music; and her stance on intellectual property, among others. The interview was originally broadcasted on June, 26th 2015. All rights reserved: http://www.elclubdejazz.com

A special edition of the Spanish Jazz radio show "Club de Jazz" where we conducted an interview with Marshall Gilkes. Marshall Gilkes was born September 30th, 1978 in Camp Springs, Maryland. Now he lives in Brooklyn, New York. Gilkes has three releases as quartet/quintet leader: "Edenderry" (2004), "Lost Words" (2008), and "Sound Stories" (2012); and "Köln" (2015) along with the WDR Big Band. He is member of the Maria Schneider Orchestra and the Edmar Castañeda Trio, among others. The interview was originally broadcasted on March, 1th 2015. All rights reserved: http://www.elclubdejazz.com

A special edition of the Spanish Jazz radio show "Club de Jazz" where we conducted an interview with Marshall Gilkes. Marshall Gilkes was born September 30th, 1978 in Camp Springs, Maryland. Now he lives in Brooklyn, New York. Gilkes has three releases as quartet/quintet leader: "Edenderry" (2004), "Lost Words" (2008), and "Sound Stories" (2012); and "Köln" (2015) along with the WDR Big Band. He is member of the Maria Schneider Orchestra and the Edmar Castañeda Trio, among others. The interview was originally broadcasted on March, 1th 2015. All rights reserved: http://www.elclubdejazz.com

This Feature is a tribute to National Woman's Day and this Orchestra led by Maria Schneider is one of the leading Jazz organizations of today. Maria's music reflects her creativity and her influences which include the great master Gil Evans. Her orchestra is full of all-star players like trumpeter Ingrid Jenson,Steve Wilson on alto and soprano saxophones, tenor saxophonist Rich Perry, guitarist Ben Monder, Frank Kimbrough, piano, Clarence Penn on drums and so many others. Her music is evocative, moody and always full of wonderful colours and textures and this award winning album called "Sky Blue" is her best at this point. We'll hear four compositions as our Feature.....the music of The Maria Schneider Orchestra.....The Jazz Show's tribute to International Woman's Day.

Sixième de la treizième session... Cette semaine, deux grands orchestres...un post-moderne et un free ! Retour de Marie-Ève Boulanger avec la présentation du Maria Schneider Orchestra ! En musique: Maria Schneider Orchestra... Sam Rivers avec des extraits de l'album Crystals (Impulse!, 1974); Kenny Garrett avec des extraits de l'album Sketches of MD (Mack Avenue, 2008).      

Sixième de la treizième session... Cette semaine, deux grands orchestres...un post-moderne et un free ! Retour de Marie-Ève Boulanger avec la présentation du Maria Schneider Orchestra ! En musique: Maria Schneider Orchestra... Sam Rivers avec des extraits de l'album Crystals (Impulse!, 1974); Kenny Garrett avec des extraits de l'album Sketches of MD (Mack Avenue, 2008).      

Sixième de la douzième session... Cette semaine retour sur le FIJM 2009 avec mes comptes-rendus des spectalces suivants : Maria Schneider Orchestra, Erik Truffaz, Lee Konitz, Branford Marsalis, Kind of Blue @ 50 avec Jimmy Cobb, Joshua Redman, Ornette Coleman, Rudresh Mahanthappa et Greg Osby ! En musique... Branford Marsalis : Random Abstract (Columbia, 1987); Leo Parker : Rollin' with Leo (Blue Note, 1961); Lee Konitz : Satori (Milestone/OJC, 1974); Bojan Z : Xenophonia (Label Bleu, 2006); The Bell Orchestre : As seen trough windows (Arts & Crafts, 2009).

Sixième de la douzième session... Cette semaine retour sur le FIJM 2009 avec mes comptes-rendus des spectalces suivants : Maria Schneider Orchestra, Erik Truffaz, Lee Konitz, Branford Marsalis, Kind of Blue @ 50 avec Jimmy Cobb, Joshua Redman, Ornette Coleman, Rudresh Mahanthappa et Greg Osby ! En musique... Branford Marsalis : Random Abstract (Columbia, 1987); Leo Parker : Rollin' with Leo (Blue Note, 1961); Lee Konitz : Satori (Milestone/OJC, 1974); Bojan Z : Xenophonia (Label Bleu, 2006); The Bell Orchestre : As seen trough windows (Arts & Crafts, 2009).