Podcasts about Detour

It started with just a select few, then it grew in popularity to become a trend, and these days, guys like our very own George "the Tech" Whittam are installing home studios at a rate of knots while others create their own acoustically treated paradise in the basement. So what's next? What does the future hold, and can we ever recoup the costs by charging our clients to use them?? A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite   If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson In this episode of the Pro Audio Suite, the team delves into the upcoming Nexus from Source Elements, a plugin that effectively routes audio, virtual audio interfaces in and out of Pro Tools. The team also discusses novel features such as the Dim operation and incorporates talkback functionalities. The emerging future of voice-over artists working directly from one room, rather than traditional booths was examined, suggesting industry shifts. There is discussion on the need for talent to show their value in order to increase pricing, given the significant investments made in equipment and learning audio engineering. Other elements discussed included the limitations of the iPad in a pro audio production workflow, the strategic placement of preamps, and the anticipation of the passport and Nexus release. The episode rounds off with a nod towards their future plans to incorporate higher levels of control. #ProAudioSuite #SourceElementsNexus #VoiceoverTech   Timestamps [00:00:00] Intro - Meet the Pro Audio Suite Hosts [00:00:52] Discussing Nexus: The Innovation in Audio Routing [00:08:38] Efficiency of Nexus on Channels [00:09:13] The Future of Voice Over Workstations [00:12:05] Charging Reality in Voiceover Industry [00:15:19] Value of Remote Studios and its Impact on Pricing [00:22:18] Investment Expectations in Preamps, compressors and Microphones [00:28:04] Nexus Router's Flexibility in Sound Production [00:32:40] The Role of iPads in Pro Audio Production [00:37:16] The Controversy of the Preamp's Location [00:42:02] A Light-hearted Detour from Nexus Talks [00:42:20] Anticipating the Launch of Passport & Nexus [00:44:40] Pro Audio Suite's Collaboration with Tribut & Austrian audio, and a Mention of George Wittam's Tech Support Services.   Transcript Speaker A: Y'all ready? Be history. Speaker B: Get started. Speaker C: Welcome. Speaker B: Hi. Hi. Hello, everyone, to the Pro Audio Suite. These guys are professional. Speaker C: They're motivated with tech. To the Vo stars George Wittam, founder of Source Elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo, Austrian audio making passion heard. Source elements. George the tech. Wittam and robbo and AP's. International demo. To find out more about us, check thepro audiosuite.com line up. Speaker B: Learner. Here we go. Speaker C: Welcome to another Pro audio suite. Don't forget, if you do want to buy a Tribooth, the code is tripap 200 to get $200 off your purchase. If you'd like to leave a comment, by the way, on your favorite platform, please do so. It's good for our analytics, and we might drive a bit more traffic, which is always handy. Now, something that may be out as we speak or maybe about to be released, is the new Nexus from Source Elements. You've definitely had a look at it, George. I think you've had a look at it, Robert. And Robert knows all about it because it's his baby. Speaker A: How much do you know, Robert? : Let's be honest, I'm clueless. Yeah. Speaker C: No, that's me. That's my Robert. : I know it all, but really, don't I'm just like yeah. Speaker A: Can I just say, before you dive into it, it's a very sexy beast. Seriously, it's very clever. Speaker C: You've had a look around the whole thing, haven't you? Speaker A: I have. I've sort of had a play with it. But, I mean, Robert's going to explain it the best, so we should leave it to him to run through the list of features. : I like hearing what kind of mess other people make out of it. Speaker A: Well, you know, what inspires me the most, and I think is going to be the most useful for our listeners, I think, is simple things like the Dim operation, the fact that it actually just drops your mic level. : Drops the levels. Yep. Speaker A: And all that sort of stuff. : A lot simpler than a Dugan mixer. Speaker A: The gateway from a studio point of view, from me looking at that gateway, everything's all in the box. I've got video, I've got everything there. But, I mean, you should explain it all. : Yeah. So basically, Nexus started out, oh, God, how many years ago? 2007? I don't know. But I was like, wouldn't it be nice if you could route audio, virtual audio interfaces in and out of Pro Tools? And it was like, we made that, and it was kind of a hit. And what it was primarily used for was to interface the client side of a remote voiceover session, or just a remote client side. So think of it as Source Connect was the remote connection for voice talent into an engineer setup, who then also has remote clients. And Nexus was used to empower things like zoom and hangouts. But we all know that all of those have their various issues for instance, one of them is if you're broadcasting and you've got talkback going over zoom, there's very different goals of the talkback versus the broadcast that you want to have your clients listen to, so the talkback can have echo cancellation on it. And actually that helps because many times your clients don't have headphones, but your broadcast, you don't want it to be impeded by the echo cancellation and things like this. So what Nexus is, is it still represents to me that sort of client side connection. But now we're completing more of it. Instead of saying, oh, just like throw Nexus at Zoom, or throw Nexus at whatever it is that your clients are using Microsoft teams, here's a gateway for it that does what you need as a professional audio and video person for collaborating with your clients. Instead of trying to pound Zoom into a hole. Speaker B: Here's how it was described ten years ago, you sent an email out sourcenexis is an audio application router. Record remote voiceover from Source Connect directly into Final Cut or Media Composer playback itunes to Pro Tools, even patch Pro Tools to and from Nuendo all at the same time. Route any audio application in and out of Pro Tools, even if that application does not have any plugin support. Speaker A: There you go. Speaker B: That was December 2013. : So that's like a very broad, broad strike explanation. Sort of like it's round and so it rolls, but this is a wheel for a car. So yeah, the rolling part of it is well, it pretty much is a router that was put in the Daw so that you could route external interfaces in and out and do things like that. And the primary thing that it got used a lot for was those client side connections. Speaker C: So how would it work for someone like me? What benefit would I get out of Nexus? Speaker B: So the talent side, what do they say? : I think the same thing. So just like you've got Source Connect and you're running with studios and engineers and it has that rock solid queued up connection that's going to pick up every bit. Even if the internet does its thing, as you know, voice talent are being forced to take up much more and more of the burden and you have the situation where, hey, can I get playback? So one of the things that Nexus has is it's now a suite, by the way. It's not just the plugin. So there's the original Nexus IO, which is sort of like just the raw plugin. You have to know what you want to do with it. You have to build your own template for it. Nexus Review is a Nexus plugin that now has several ins and outs going into it and out of it. So it brings your talk back over to the gateway, which is our web meeting room. It gets the gateway back into your connection so that you hear it in your headphones and it plays your playback to the connection and everybody. And it does all that without you having to even think about what the word Mix Minus is or if it even exists. Because it's done all in one plugin. So what used to need two, three Nexus plugins and a talkback plugin is now Nexus Review. Okay, straight, just drop that plugin on your master fader, your setup is complete. Speaker C: So when you do playback, it actually mutes everything else. So you don't get obviously well, it. : Doesn'T in this iteration, but there's going to be all kinds of stuff that starts to happen within the suite, within its sort of capabilities. And I think that right now, the first thing you would say is it just makes playback easy. Your question specifically, Andrew, which is like, why would a voice talent want this? It makes playback easy because really, in that sense, you're just like the engineer at that point. You're recording stuff and you're playing it back. That's kind of like what? So this just makes that setup way less daunting because all you really have to do is and also we're going to probably come out with that as a standalone app as well. So if you're using something like Twisted Wave, you can just route Twisted Wave into the Nexus review app and same thing, you don't have to be on a daw. It doesn't have to be a plugin, but it does your Mix Minus and your talkback Twisted Wave. Actually, here's a question about twisted wave. Do you have the option to monitor live through it? Speaker B: It does have a monitor mode that you can turn on, of course with a little bit of latency, but it does have that capability, right? : So you might want to do that. And funny enough, if it does create a latency with yourself, there's a handy mute button so you can mute it and you don't have to listen to it, but at least your clients can hear you monitoring through Twisted Wave. So there's little individual situations that might come. Speaker B: What would be the benefit though? Like if you don't have to monitor yourself in Twisted Wave, what would be the benefit of turning that on? : Well, the reason why is that you're either going to direct your microphone live into Nexus Review, but then if you want playback, you're going to route your Daw into Nexus Review. And if you call Twisted Wave a Daw, then you want to route Twisted Wave into it. Speaker B: Okay, so you set the output in your Twisted Wave output setting to the Nexus review plugin input. : Yes. Not the input of well, in this case it would be the input of the application, not the gotcha gotcha, because in the Daw sense, the input is taken care of. It's like whatever channel you throw it on, the input is implicit. Speaker B: Right. : And then that same ability for all you video editors out there and things like that, the review set up and integrating my talkback with a talkback button if I want all of that is just like done, whatever, I have to set up a template in Pro Tools or I have to have a mixer. All the different things that people do. Speaker B: To be able to passport vo. Speaker C: Yes. Nicely sliding there. Speaker B: Right. So just to get a little bit deeper. So I'm in Twisted Wave. I'm the actor. I've recorded myself. I hit stop, I hit play to hear playback. I want to hear the playback and I want it to also send to Nexus. If I set the output of Twisted Wave to Nexus, will I myself on the local side hear the playback also or will it be shunting the audio. : To you would hear the playback and so there is a fader for you. Speaker B: Oh, Nexus handles that for you. : Nexus has a fader with the mute on it that you could mute that if you want. Speaker B: Nice. So that solves that problem. Beautiful. Right. Speaker C: The question I've got though is it seems that we as voice over people are going to end up sitting in one room with microphones and screens and computers in there with us. So the booth is pretty well fast becoming redundant. : Well, it might be that radio style booth. Speaker A: Yeah. Do you just have it in your booth? That's right, that would be my yes. Speaker C: What I mean but it's become like a radio. Speaker A: I think that's going to happen anyway. I kind of think that for me, this thing's sort of ahead of the game because I can see that coming, I really can. The more and more I even had two sessions in the last couple of weeks canceled because the creative guys just jumped online with the voice and did it themselves. They didn't need an engineer. : We do see a lot of that. It's like the phone patch may have gone away, but the direct to client session and where it comes up and it's really funny because clients don't really save time when they do this. They think they do, but they don't. So they say, hey, let's not book a studio to record the talent. Let's pay the talent the same amount of money and make them record it and complain at them if it didn't work out the way we wanted, by the way. So now we have the talent recording everything and inevitably, no one keeps good notes. And even if someone does keep good notes, you don't know how well the talent is cutting up the files. And it's very easy if you've ever been in a session sometimes to get your take numbering off from what you're writing down and what's actually happening in a computer, especially if you as the talent, you're busy trying to do other things, like read the script and not look at the computer screen. On what file number Twisted Wave is on. And so inevitably, someone has to put humpty Dumpty back together again after the talent has recorded everything. And that's going to take just as much time as just recording the session with an engineer online who can cut everything up and do it for you. And that way the talent only reads what they need to. They're not reading a bunch of speculative takes because no one knows if A is going to edit back to take 65 or whatever. You can just hear it. You got it. Great. And it fits because we timed it out. Speaker A: You just touched exactly on the problem that came from one of these sessions the other day. And this was a well known agency, a global agency, that they did one of these sessions where they just recorded it with whoever it was locally and they were on the phone, but the creative rings me and goes, yeah, kind of. I'm really happy with this. But we did some takes. I asked the talent to do this, but of course, with no labels, no notes, no nothing, I've got to go through every single take and go to him. Is it this one? No, that's not it. What about this? No, that's not it. No, it's more like this. Oh, hang on. Okay, well, is it this one? No, it's not that. It's like if I was doing the session in Pro Tools, it would be labeled. I'd have a page full of notes as well. This edits to this, blah, blah, blah, and it's done. But it took, like half an hour to find one take for this guy. Speaker B: The pennywise found it is pennywise pound foolish. : But the other problem is that what happens is that they're all working off of flat bids, right? 1 hour for the talent. They know what their residuals are. They bid these things out. And it's really hard to get these agencies to necessarily do just, hey, we want to be creative and throw paint on the wall and pay by the hour to throw paint on the wall. Instead, they do I don't know if you've seen that. It's that thing where the guy says, like, hi, we'd like to do an advert and we want to research sound effects and do all this stuff and try two different music takes and this and that. So 1 hour. And the person in the studio is like, I think it's going to take longer than that. And then the person at the agency is like, no, we know our stuff. We know exactly what we want. We're not indecisive at all. We only need 1 hour. And then you're like, okay, now you're stuck making a commercial in 1 hour that you know is going to take longer. So even though the agency basically saddles the talent with recording the takes, they never actually face the consequences of their actions because the bid happens. Then they audition, and it's like they've already at that point with the bid, taking out the voice record. We'll just give you takes. Speaker C: Yeah. You get what you pay for. And if you don't pay him, you. Speaker B: Don'T get much, and you're going to pay later. Speaker A: It's pay now, pay later. Sooner or later, you're going to pay for it. : I really think this was that moment when the voiceover industry, they all decided that they were going to try to eat each other's lunch. And at some point, it became like, my booth doesn't cost a thing. My setup and knowledge of my booth and what to do through blood and sweat and tears, paying me figured out and literal money that is free too. Speaker B: Right? : And all that stuff never should have been free. It should have been, okay, I'm whatever. $400 an hour, and, oh, you want to use my studio even if it's $50 an hour? Speaker B: Yeah, there should be a rate attached. I totally agree. As voice actors who wanted to be providing a service and I can name names, but I don't need to who are very early on in the home studio timeline. Right. Like literally FedExing Dat tapes. Right. They wanted to be a service provider. They wanted to be ahead of the curve and create a business niche for themselves. In the meantime, they were creating a problem for the fact that home studios would eventually become the norm, and nobody was getting compensated for operating a studio and engineering a session. : It's like when you have something unique, you charge more for it. So if you're a voice talent and because you're available at home, you are available, like, instantaneously, you don't need to have a limo drive you around La. That's a perk. And it might be a perk for you, but it's also a perk for your clients. But it became part of the add in, like, a long time ago. This was in the early 2000s. This was in the days of ISDN that this happened. Speaker B: It was literally when I got into the business. Yeah. I was just being told, people need this help. And I didn't know anything about the business model. I didn't know Jack squad about who got paid what, how, what you didn't get paid for. I just was there to solve problems. So I had no idea that this was going on till much later. : Yeah, but here we are. Talent put a lot of time, effort, money, emotion into building their setup and learning this basically some aspect of the craft of audio engineering, essentially. Maybe not the whole thing, but there's. Speaker B: Like I mean, tell me this. Would there be a value I know this is off topic, but would there be a value when a talent or an agent invoices that even if the bottom line is identical, that you literally add in a line that's engineering services, so it literally shows up and they see, oh, we're paying for this. Would there be some efficacy to this? It's kind of like restaurants starting to charge a service fee or a kitchen love fee or whatever. There's been a lot of blowback to this because some people really just raise your prices and other people are like, I like the transparency. So it's kind of confusing. : I think that if you want to, you effectively want to raise your price. And the only way you're going to be able to raise your price is by showing your value. And so in that sense, you almost need to because to the point that it happens on the flip side. So not just our like there's three layers to it. It used to be that the talent went to the studio and so there's two studios and there was a lot of meat on the bone for a whole industry. Right? There was an engineer in a studio in La. There was an engineer in a studio in New York. There was a voice talent in La. Yeah, there was five creatives over in New York. It was all happening real time. And At T was like just digging into the pie, too. And now it's like the first thing that happens is voice talent or the auditions come in and they know must have ISDN or source connect, essentially, and read between the lines. And what's happening over on the bid side is there's no money for a remote studio. Only talent with home studio need apply. And George, how many times have you seen talent that have done the Voice Tracks West? Or I know a place that knows what pay out of pocket. Speaker B: I tell people do it all the time. : Voice tracks west is I'm like, if. Speaker B: You don't do these sessions that often, spending $10,000 on a soundproof booth is a massive waste of money. : Yeah. And Voice Tracks has got a tight operation. It's not like decked out in oak panels, like all the big working facility. Boom. It's like, here's a room, here's a setup. You need an engineer to set you up. We don't have staff to sit there and babysit you the whole time, but what are you going to do? That's all you need. I don't know what they charge, but I have a feeling it's pretty affordable enough. Speaker B: They do what we call talent friendly rates, right? : And it's a great idea. So you get those auditions that are basically like, bring your own studio iOS. And then the next level is like, you know what, we're not even going to hire an engineer to record it like we just talked about, right? Speaker B: It's a weird position. I've always felt weird being in the position of enabling, essentially because I'm enabling the talent buyers to charge low rates for engineering or not budget for it. And I'm enabling the talent to meet that need. At the same time, there's the plus. : That you have your talent that can go live where they want to. And there's many talent that would if charging for their studio would be a deterrent to them having the lifestyle that they want. They want all their sessions to be in house. The reason to give it away is not just because they're trying to get an edge over some other talent, but also because they're trying to direct their life the way they want it to be. And being called into a freaking city every other day for an hour session and you got to drive 2 hours is crazy. And so it makes sense. Speaker B: And let's face it, as a voice actor, you can't live the lifestyle that you would like to live and be in. Those days are mostly gone. That you can live that lifestyle and have a nice home and have all this space and blah, blah, blah and live in the city, like live in Los Angeles or Lake. Like that's unbelievably expensive. : Right. And you don't have to anymore. Speaker C: Anyways, getting back to the rate thing, though, there is a way of doing it because on my invoices I show, studio and edit and then whatever the fee is and it's usually zero zero, but you can actually put in there. Voiceover blah, blah, blah. That rate goes in studio, edit X dollars and then you can give them a discount, which actually is equivalent to the studio rate. That way the client sees that there is a fee involved in that, but you've just done them a favor and not charged them for it. Speaker B: I think that's very smart. I will invoice people for a $0 item just so they know they're getting it. The problem with like a flat rate. : Or just write the real price down and say the discount that you're getting. Speaker B: Yeah. I'll say this is $100 thing, I'm throwing it in at $0. But you need to know that it has a value attached. Speaker A: Yeah, everything we do has a value attached because it's our time. Speaker B: Right? Yeah. But it needs to be literally spelled out for them on black and black and white, I think. Speaker A: Agreed. Speaker C: But the stupid thing is I was talking to in fact, Robbo and I were talking yesterday about equipment and stuff in the studio and believe that's the stupid thing. Well, it's the stupid thing in my case because it's ridiculous. I mean, I don't need any of this stuff, really. But I was sitting here the other day, like, adding up how much the dollar value of the stuff I've got in here in preamps compressors and microphones is just completely insane. : It's ridiculous. It is, yes. Speaker C: It's fun though. : Okay. It is. People putting wings on their back of their Honda Civic. Speaker C: Yeah, thanks. : I hate to say it, but it's like we are kind of doing some. Speaker B: Of that even does that you can buy a Civic with three exhaust type tips coming on the back. Speaker C: Exactly. Yeah. Get yourself the type r boom. Look out. : Yeah, but sometimes we're just like, OOH, that thing's going to make us faster and improve my zero to 60 time that neve preamp or whatever, and I think that we get caught up. I mean, God knows I've spent a lot of money on audio gear. Speaker C: Oh, you have? You're worse than me, actually. : I need, like, the nose spray that breaks the addiction, whatever. Speaker B: But Robert's business model is a different one. His service is his studio and his skill with his know. So I feel like a service provider that's providing that type of a studio service. There's an expectation of a certain investment in that equipment and keeping it up. Speaker A: To date and keeping it serviced and. Speaker C: Keeping it's funny, though, because I did send a file off to one of the audio production guys in one of the radio networks here because he was looking at buying Austrian audio microphones for their studios, which he did. Speaker A: Salesmen. Speaker C: But he said, oh, can you send me something? You got a sample of the eight one eight? And I went, yeah, sure. So I sent him just a cold read, eight one eight through the neve. He just come back going I said, what do you think? He goes, oh, my God, I'm buying one. Speaker A: Nice. : It's so funny. The subtle stuff is really there, but it's great when either someone is completely doing the same drugs that you're doing or actually is truly hearing the same thing that you're hearing. There is this like, wow, that really is better. And at the same time, someone walks in who doesn't understand much about audio and goes like, what's the difference? Speaker B: You really get me. You really see me. Speaker C: It was really funny. It's like a guy that both Robbo and I know is also an audio guy. This is years and years and years ago. He got a voice track sent. It was a cold read from a studio in Melbourne. And he called me up and he said, do you know what microphones or what microphone they use down at this studio? And I said, no, I don't, actually. He said, man, you got to find out. It sounds unbelievable. So I went down there and I was in there doing a job, and before I got in there, I said, what mics are you using, by the way? He goes, oh, what was the session? I told him, it's like, oh, yeah, we've just bought a new U 47, the Telefunkin U 47. When they first reissued the thing, I'm like, okay, so I think they were selling for close to 20,000 Australian dollars at the time. So 15 14,000 us. I'm guessing. Sounded very nice. Speaker A: You would want to I didn't know. Speaker B: They reissued that mic. Speaker C: Yeah, the telephone U 47. Speaker B: Yeah. I never knew there was a reissue of that mic. : Yeah, that thing's been, like, homages to. Speaker B: No, I know, but I mean, it's literally in Neumann. Like, they did just the U 67. : Like, five years ago. It's telefunken, but telefunken is not the Telefunkin that Telefunken was, right? Speaker C: Correct. Yeah. : Telefunkin is like some company in Connecticut. Telefunk is really a European funky funkin. Speaker C: It was kind of weird though, because a lot of the Neumans that were re badged for America, so like Frank Sinatra's U 47 was actually badged, I think, as a Telefunken. : Right. So they were really U 47s. They were really Neumanns. Right. And then they were rebadged as Telefunken. And then the same thing happens with the AKG C Twelve because Telefunken was an importing company. They would commission things to be made or they would just say, hey, I'll buy a bunch of those. Speaker C: And there were tons of companies doing that, particularly in America, where they rebadged microphones under different brands that were made primarily by AKG or Neumann. : It's kind of like rebadging Chinese stuff in a way, happens. It's like happening again. You see the same product and it's like, oh, they just put a different name on it and called it their amplifier. Speaker C: So you're going to white label Nexus and set it off under different brands. : There's all kinds of discussions and things that pop up and then sometimes just like fizzle out. But one thing for sure, I think, is that at least on some version of the Gateway, one of the talked about features is to customize it so you can make it like Andrew's Shopahor. Speaker A: Well, one thing I wanted to touch on and something that's not in the demo though, but something you were showing me after we finished recording a couple of weeks ago is the router. Can you tell us about that? Because that's a game changer, right? : It's not going to release on the first. It might actually I don't know, but right now it's a little bit behind. It would be one of those things that certainly would take. It would be one of the things that takes longer to get out, but it's pretty much done. And it's just a desktop router. So you can set up a lot of this stuff or the rest of the stuff that you want to customize on your desktop routing, for example, if you wanted just to have something that routed. One of the things that happens with Pro Tools in particular is once you close your session, you lose all your routing. So if you're not putting all your work into one session or working on one thing and you have to open up different files while you have a group of people online and connected, when you close Pro Tools, you lose communication and possibly even different parts of those connections, depending on what platforms are on. They might lose their connections too, because some of those connections go through you. So router gives you the opportunity to be able to set up sort of like a desktop route. Similar in a way, George, to what a lot of people that you have do with the Apollo Mixer. Speaker B: Yeah, I was going. To mention that. Right, exactly. But being on a not you're now hardware agnostic, you can be on anything. Speaker A: Because the killer for that, for me, is that is exactly what you're saying, is that whole thing of, like, you're halfway through a session and the creative goes, hey, last time we did this, we did blah, blah. Can you go to the old Pro Tools session? And you got to do that whole embarrassing listen, yeah, I can do that, but you're going to lose me for a second here, guys. Okay, I'll be back in a minute. And you hear the way you go. : That whole thing changed the way I work. I have Pro Tool sessions with hundreds and possibly, I don't know, thousands of spots. Whole years of campaigns, just boom, one after the you do them all on one timeline thing of like, oh yeah, one big ass timeline. Really? Speaker B: They're not just clips in the clip viewer? : No, it's basically what ProTools lacks is any sort of like have you ever worked in Media Composer? Speaker B: A little bit. : Okay, so Media Composer, you can have sessions well, you have a bin. Yeah. Pro Tools user have been wanting folders within their bin for the last 20 years, and they still have yet to get them. Different issue, but even more so, the edit and the mixer in Pro Tools are joined at the hip. But there's many aspects of your mixer that are not part of your edit. They're just part of your studio. Speaker B: Sort of like there's a utility mixer. : This is a utility, this is your external. What used to be in a lot of early setups were like people that would have like a Mackie mixer off to the side and then they'd add Pro Tools. And what was going in and out of the Mackie mixer was like microphones and headphone feeds and connection to the tape dock probably back. Um, and so the mixer still had routing capability and some of that's daunting. And really what you need is just like a couple straight ahead patches and maybe a volume control. And that's really what Nexus router lets you do. It has an advanced mode where you can just sort of draw whatever you want from A to B and then that way you can even have different setups that you can load and save and close and open up a different setup, or you can make one massive. Speaker B: Setup forward to it. Because I'm looking forward to being more hardware agnostic and less attached to something like the Apollo in general and kind of endorsing that kind of mentality of being a little bit less attached to that system. So this will be something that'll be nice to set up for more people who do want that extra level of sophistication absolutely. : Yeah, it'll make it like if they have little special things that they need to do, even something like a talkback mic when they're outside or playback from some other device if they want to plug their phone in or have some other app. Speaker B: Let me ask you this. This is definitely going down a rabit hole in terms of features, but can you imagine that ever being on a touch screen interface like an iPad or having a controller? : I could definitely imagine. We've already got other levels of control that we're planning on, which are, I think, pretty exciting. Speaker B: You guys were talking earlier about things are moving towards the actor having to have really a full production suite in their booth, right? Speaker C: Yeah. Speaker B: It sucks, though. I mean, people don't want the day. : That someone asks an actor to not only record for them, but can you please play back picture while you record? When that happens, then it's like you're really throwing a lot at Cipriano. Speaker B: I mean, he does stuff when he. : Has to, but some people can do that. It wouldn't be that hard. Speaker B: He paid me to set up Pro Tools to do it. : Right. Speaker B: Yeah. So it would be lovely for someone who really still wants to have a feeling of I have a mic, I have a headphone, I have my script. But not having to have keyboard, monitor, mouse, that whole rig in there too and just have somewhat innocuous iPad or even if you're reading off the iPad, you can just do the four finger swipe and switch over to the mix. : The hardest thing becomes, I still think the iPad is a tough environment. There's been a lot of actors have been like, can I just do this all on the iPad? Speaker B: Yeah. No, there's a bit of a stay in your lane. The iPad has a lane to stay in. To me, it still has no place in a Pro audio production workflow except as a controller or a script reader. : Yeah, it works well as a controller. Speaker B: I've got my V controller controller and a script reader. That's what it's for. To me. It's not a pro audio. Despite the power of the thing, the hardware, the fact that it's got Thunderbolt now in the Pro model, iPad Pro, it's still just not the tool for the job. So use it what it's for, and that's what it's good for. So I would endorse having that in there just to control the Nexus monitoring and the other stuff. : Do a lot of talent. Really avoid and not want some really. Speaker B: Do avoid it as long as they can. They really despise doing that. Speaker C: I'm one. Speaker B: Yeah. It's because of the distraction. Because this is the right brain, left brain, actor, engineer, conundrum. You can't do both at the same time. I don't care who the hell you are, you can't do them both equally well. One is always suffering at the hands of the other. So the actor that really but what. : Does an actor need in the booth? Truly? They need to be able to record takes, and they need to be able to play back. Speaker B: Mean, some people like, I'll call you out, Bo Weaver, I've known you so long. He hits record, he walks into the booth. He records all of his sessions. He walks out of the booth and he sits down and he edits all the sessions. Like done. That's his workflow. Now. How often is he directed? Very rarely. Record and send. But yeah, that's what he likes. He likes to have the two separate church and state. Speaker C: Well, I'm exactly the same. I have the same workflow as Bo because a lot of my stuff is not directed. So I do exactly the same thing. I go in there, record, come back and come out of here and edit and send. : Yeah, but how many times you go back and forth? Speaker C: I save each file separately. So if I'm doing like 430 2nd spots for somebody, then I'll record a couple of takes or two or three takes. : How do you know you're in time? Are you timing yourself? Speaker C: I do a timer first. I will sit there and I'll time one with the stopwatch first read. So I know ballpark where I'm at. By the time you deep breath, you lose a couple of seconds. So if I'm doing like one, that's got to be 27 seconds and I come in at 27, then I know I've got 2 seconds up my sleeve so I can take more time with it. Once you've been doing this for that's the thing. : You guys have like atomic clocks built in. I can't tell you how many times I've had a talent and I'm like, can you take half a second off that? And they take half a second off that. Speaker B: It's like, wow, bo had an iPad one for years. He may still have it just to run the timer period. He's like, It's a great timer. It doesn't make a click. : I have an iPad one that I use for my eight faders approach. Yeah. So there's some minimal amount of control that's necessary. They at least need a door handle, probably. Do they want a mic mute? Speaker B: Yeah, I'm sure they would. Most people would like to have that, I would think. Yeah, it's pretty embarrassing when you got. Speaker C: A horrible client down the line and mic mute's. Very handy. Speaker B: Horrible client or bad cheese. Speaker C: Yeah. : How do you find the foot switches. Speaker C: For I reckon a foot switch would be great. Speaker A: You need one of those AP. You need a foot switch. Speaker C: Yes, I need a foot switch. Foot switch is great. I love it. Trouble is, I probably tread on it by accident. Speaker B: Well, the Whirlwind PPD or whatever, they have a foot switch on off switch. : The ones that don't break phantom power so that they don't pop, they just sort of short out. Speaker C: And it's also like I wouldn't want I mean, the idea is fantastic. I think it's fun, but I hate too much stuff between the microphone and the preamp. Speaker B: Yeah. Speaker C: Well, there's that one more thing that can go wobbly on you. Speaker B: Not to go completely off base here again, but I was talking earlier about what I saw podcast movement, and I saw the boss answer to the RODECaster pro because Roland's had and Roland too. Boss is like their musician wing of Roland or like the guitar pedal. : I don't know about that. Speaker B: Right. : So they had boss is the guitar wing and Roland and Roland is the keyboard wing, but they've crossed areas. Like mainly Roland has made guitar synths and the other view is that Roland is the high end and then Boss is the middle. Speaker B: Right? So I'm looking at their things and going, okay, here's another RODECaster. What's on the back? A foot pedals plug. I was like, Whoa, that's cool. What can you do with that? He's like, whatever you want. For the gamers, you can do anything you want. I was like, Well, I can see that being cool because the mixer is outside on your desk and you run a foot pedal in your booth and now you have a way to cut your mic, or it could be a way to hit record and then punch a marker when you click it again. There's a lot you could do with. : That, so whatever you want. The foot pedal can send like USB. Speaker B: Messages, as far as I can tell. I don't know how flexible it is, but it's pretty flexible. There's also air tools or AirTurn I think that's called AirTurn. And now other companies are getting into it where you can get Bluetooth pedals that go in your booth to control certain functions. So there's more you can do with foot pedals, which is kind of neat, but if I'm not wearing headphones and I don't know, my mic is truly off, I would never trust anything wireless. : So what about the preamp? I mean, the preamp should be in the booth or not, because even if you wanted to be really theoretical about it, your best signal would be by running the shortest mic line and getting it up to the preamp right line. Speaker B: If you're running, then sending it 20 foot runs, that's different, it's negligible. : But having the preamp in the booth to be able to set it is a different thing, right? Isn't that necessary? Speaker B: Yes and no. I mean, some people do. I'd say most people that have a booth that don't have the equipment in the booth don't have the preamp in the booth, but it's less convenient. : And so they're just recording conservatively and going like, I'll just hit minus twelve, I got plenty of bits, I put. Speaker B: Plenty of Avalon 737s in booth. And I just told people, like, this thing's a radiator, so it's going to get nice and toasty in here. If you really need to have this in here, I get it, but be my last choice. What, to put in the booth? Speaker C: Well, that's what I'm thinking. The more gear I was going to say about that exactly that most people's home studio booths are quite small, and you start piling gear in there, it's going to be like a furnace. Speaker B: Yeah. Gets hot in there quick. So the less the better. Even modern computer monitors are pretty low power, but they still make heat. They still radiate heat. Everything makes heat. So the less in there, the better. Yeah. It's going to be interesting when the passport Vo comes out, how people choose to use it. Whether they're going to have it in booth or outside of the booth, you can go either place. And the thing you're going to miss out on it not being in booth is that mic switch. Mic mute. That's why I think the majority are going to use it in the booth. So what we'll be testing I think so, too, how far we can run it on USB to the computer. So we'll be doing some testing around that whole workflow as well. Speaker C: Yeah, I can see the value in having the Passport Vo in the booth for sure. Maybe you're doing a zoom session or whatever. You can use that second interface to run either your phone or iPad or whatever, that you can run the zoom session. Speaker B: That's where I could see it being really useful, having the iPad in the booth for phone patch, zoom, blah, blah, blah, communications. Speaker C: Absolutely. Speaker B: And having that run into it and just that would be a really easy way to facilitate those sessions. Boy. : Well, in a way, you can have it. Sorry, you can cut all that out. Speaker B: We're really off topic now. Speaker C: This was about Nexus and I don't know where the hell we've gone. Speaker A: Oh, man, we've gone all over the place, let me tell you. This is tangent. Speaker C: I'm just waiting to see the Mad. Speaker A: Hatter pop out from behind the door somewhere. Editing nightmare. That is the Pro audio suite. Speaker B: Yeah. Wrap this one up. : I'll bring it together. What comes out first, the passport or Nexus? Speaker B: Nexus. Speaker C: Nexus. Speaker A: Nexus. : Probably. Speaker A: Right? Speaker B: Well, we'll see, because these are both but we don't know. Neither of them want to divulge a release date until it's certain because people don't. We've all learned that produced product to under Promise Over Deliver is really the best policy. : You can't give a product a C section. Speaker B: Right. Speaker A: What we can promise about the passport, though, is that when it does come out, it's going to be killer. Speaker B: It's going to be killer. We're going to make sure of it, because by the time anybody receives one in the mailbox, we have already hammered on it and proven without a shadow of a doubt that it will do what we said it's going to do. When you get one, it's going to be fully tested and vetted before that. : Yeah, I'm excited because I think you see all these USB interfaces coming out constantly and no one has one that does these. Speaker B: They're all playing out of a different playbook. Like, I got into a whole conversation on Facebook about this one person's. POV is clearly the future is firmware, software, everything. And I said, I don't think it's that clear. I said, Because we're developing the exact opposite. And his response was, I think that's not a good idea. And my response was, I think it's a very good idea because look at all the products that have come and gone and what products you can still plug into your Mac or your PC that still work 15 years later. And the Micport Pro First Gen is one of those products. You just plug it in and it works. So that's the philosophy. We're just carrying that forward. Speaker A: My old trusty two rack sitting here right next to me. How old is that now? Jesus. Speaker C: 15 years. Speaker A: Have to be something like that. Still keeps going. : A two, not even an three two rack. Speaker A: Yes, exactly. Speaker B: Yeah. Wow. : I have some ones in my garage. Speaker A: No, I don't need the double o one. Speaker C: What are they doing in the garage? Speaker A: Yes, exactly. Why are you using them, Robert? Speaker B: Unlike you, he's using his ramps to hold up his Porsche 920. Speaker C: The Pro audio suite with thanks to Tribut and Austrian audio recorded using Source Connect, edited by Andrew Peters and mixed by Robo Got your own audio issues? Just askrobo.com tech support from George, the tech Wittam. Don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, end, suggest a topic, or just say good day. Drop us a note at our website proaudiosuite.com

In this episode, host Dr. Sabeen Dhand interviews vascular surgeon Dr. Sean Lyden about percutaneous transarterial bypass (PTAB) with DETOUR, a new therapy for treating occlusive / stenotic superficial femoral artery (SFA) disease. --- CHECK OUT OUR SPONSOR Endologix https://endologix.com/ --- SHOW NOTES Dr. Sean Lyden serves as the Chairman of Vascular Surgery at Cleveland Clinic. Sean starts off the discussion by conveying the severity of SFA chronic total occlusion (CTO) and walks us through what PTAB therapy is. We then cover the steps and general principles of using the DETOUR technology. Throughout the episode, Sean and Sabeen discuss the structure and key takeaways of both the DETOUR 1 and DETOUR 2 trials, held in Europe and the United States respectively. They also cover major questions, such as DVT and PE risk, patency of femoral vein following DETOUR intervention, and overall device cost. We conclude the episode with future directions of the now FDA-approved DETOUR device, and when and how vascular and interventional physicians can incorporate the new technology into their practice. Sean and Sabeen also contrast prior treatment options with the recent DETOUR trials to highlight how longer calcified / occluded SFA lesions now have a viable, effective, and safe endovascular treatment option. --- RESOURCES PTAB with DETOUR System: https://endologix.com/ptab/detour/ DETOUR 1 Trial: https://pubmed.ncbi.nlm.nih.gov/29327570/ DETOUR 1 Trial, 1 year follow-up results: https://pubmed.ncbi.nlm.nih.gov/32276015/ DETOUR 2 Trial, 12 month results: https://www.jvascsurg.org/article/S0741-5214(22)01274-5/fulltext DETOUR 2 Trial, 24 month results from Vascular Annual Conference Presentation: https://www.dicardiology.com/content/endologix-announces-24-month-results-detour-2-study-2023-vascular-annual-meeting Voyager Trial: https://www.nejm.org/doi/full/10.1056/nejmoa2000052 Compass Trial: https://www.nejm.org/doi/full/10.1056/nejmoa1709118

Personal Development --- Support this podcast: https://podcasters.spotify.com/pod/show/kjamal-jones/support

Margaret Bodde is the executive director of The Film Foundation, the non-profit organization created by Martin Scorsese in 1990 dedicated to the preservation and protection of motion pictures. Working in partnership with the archives and studios, TFF has preserved and restored over 925 films, including 49 restorations from 28 countries as part of the World Cinema Project.TFF educates young people about the visual language of film through its cinema literacy program, The Story of Movies. In addition, Bodde is the award-winning producer of several of Scorsese's documentaries."Our American artistic heritage has to be preserved and shared by all of us. Just as we've learned to take pride in our poets and writers, in jazz and the blues, we need to take pride in our cinema, our great American art form.” - Martin Scorsese, Founder and Chair The Film Foundation, the non-profit organization created by Martin Scorsese to preserve cinema, invites you to come together for a series of beautifully restored films in the Restoration Screening Room, our new virtual theater, available through any web browser.Presentations will take place within a 24-hour window on the second Monday of each month, along with Special Features about the films and their restoration process. Monthly programming will encompass a broad array of restorations, including classic and independent films, documentaries, and silent films from around the world.The next free screening is August 8th. They will be playing an amazing Film Noir double feature.Arthur Ripley's 1946 classic The Chase and Edgar G. Ulmer's 1945 masterpiece Detour. Margaret is also a producer, known for Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), The 50 Year Argument (2014), Public Speaking (2010), George Harrison: Living in the Material World (2011), No Direction Home: Bob Dylan (2005), and the PBS 7-part series The Blues (2003).Please enjoy my conversation with Margaret Bodde.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

"Dare to Detour is an exploration of who we are beneath it all — who we are when we invite possibility, embrace our own strength, and lean wholeheartedly into the untamed openness of our own souls.” Sheryl Wright, is the Founder of Dare to Detour. Drawing from her life experiences and the supportive guidance of experts, she helps women find genuine community and connect with who they are now — through retreats, workshops, and transformative experiences. Highlights from this conversation with Sheryl include: SIGNS and SIGNALS it may be time for you to take a detour.  ie. the desire to spend more time in nature.  familiar sense of identity shift, etc.  The importance of beginning with SMALL + EASY detours to build SAFETY for more.  Start to QUESTION and the answers will come.  How detours can help navigate SHIFTS in your IDENTITY .  FIVE transformative TRIPS you should experience in your lifetime. The Solo Trip The Sisterhood Journey The One-Way Ticket The Trailblazing Expedition The Journey Within Links + Contact Information Mentioned in this Episode ⬇️:  Connect with Sheryl Instagram: @sherylwright_ Website: https://www.daretodetour.com/ Links from this episode: 5 Transformative Trips You Need to Take as a Woman Upcoming Retreats Compassionate Comedown   Connect with Tisha Instagram : @beautifullyunwinding Website: www.beautifullyunwinding.com You can support this podcast by: sharing this episode with a friend sharing feedback on how this conversation added value to your life using code UNWIND for a 10% discount when purchasing grounding products from the Earthing Company https://www.earthing.com/?rfsn=6910104.aaacb4. using code UNWIND for $25 off a Gabb Wireless purchases. visiting https://www.beautifullyunwindingme.com/unwind to view other companies we are affiliated with. leaving us a 5 star review subscribing to the BEautifully Unwinding Podcast so you never miss one of these powerful and impactful conversations *By listening to this podcast, you agree not to use this podcast as medical advice to treat any medical condition in either yourself or others, including but not limited to patients that you are treating. Consult your own physician for any medical issues that you may be having.  With gratitude...

A We're Not Leaving Until There's Dancing Actual Play Adventure Co-Created by: Alpha Comics & Games:  From vintage comics & games to new releases, find your Adventure at Alpha! | Conveniently located in Willow Lawn, Richmond VA. Goblins and Growlers:  Creating Inclusive Community Through Tabletop Gaming. Creating all-original TTRPG content, and fostering nerdy spaces for everyone both digitally and in-person! SIGN UP FOR OUR MONTHLY NEWSLETTER https://goblinsandgrowlers.beehiiv.com/subscribe JOIN 800+ GOBLINS ON OUR DISCORD http://bit.ly/goblindiscord TELEPHONE, TELEGRAPH, TELL A FRIEND If you like the show, please tell a friend about it. And if you want to tell more people, then please leave us a review on Apple Podcasts or your listening platform of choice. Also, give a listen to our sister podcast, The Goblins and Growlers Podcast, https://goblinsandgrowlers.podbean.com, for TTRPG news, interviews, and discussion.

Pastor Tristan Madden

In this first of two parts of a revealing episode of "Life, Lemons & LemonDrops," Greer and Whitnie delve deep into a topic we all grapple with – distinguishing between the consequences of a hectic life and signs of a deeper health concern. With Greer's recent unexpected diagnosis of Waldenström macroglobulinemia, a rare bone marrow and blood cancer, the duo sheds light on the importance of listening to our bodies. Dive in as they unpack the nuances of our "busyness" culture, the critical nature of self-care, and the dire need to prioritize health. Remember to subscribe, share, and leave a review for "Life, Lemons & LemonDrops" on ApplePodcasts or whatever platform you listen to! Your support helps us continue to bring enlightening content to the forefront. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lifelemonslemondrops/message Support this podcast: https://podcasters.spotify.com/pod/show/lifelemonslemondrops/support

2023 Fantasy Football - If your league drafts on Yahoo Fantasy Football, this is the video for you. We go through our favorite values and draft strategy for each round. Use this as fantasy football draft advice, and subscribe to Underdog Fantasy Timestamps! 0:00 Yahoo Fantasy Football Strategy 1:11 Hero RB 2:42 Second Round WR Values 4:31 Round 3 Detour, Get A Quarterback 7:10 WR Sweet Spot 9:02 SLAM The Rookie WRs 10:28 The Tight End Question 12:21 Favorite Late Round Sleepers 13:30 Let's Review 14:25 Win With Us This Season

In which Harry follows Draco down a dark evil alley just because he's curious. Email us at restrictedsectionpod@gmail.com to tell us what you thought of Draco's Detour or even what you think of us! We'd love to read your email on the show. Be sure to subscribe to know right away about new episodes, and rate and review! SUPPORT US ON OUR PATREON: https://www.patreon.com/therestrictedsection THANK YOU LOVE YOU BUY OUR MERCH: https://www.teepublic.com/user/restricted-section-podcast THANK YOU LOVE YOU IG: https://www.instagram.com/restrictedsectionpod/ TW: https://twitter.com/restrictedpod FB: https://www.facebook.com/groups/rspoddetentioncrew/   Check out our other amazing Deus Ex Media podcasts! www.deusexmedia.org   This episode featured: Special guest Kara Badalamenti https://www.karabadalamenti.com/ Pre-order her upcoming book, Cursed Coven! https://bookshop.org/a/82745/9781957833064 Kara plugged Fourth Wing by Rebecca Yarros https://bookshop.org/a/82745/9781649374042 She also plugged One Dark Window by Rachel Gillig https://bookshop.org/a/82745/9780316312486 Also Divine Rivals by Rebecca Ross https://bookshop.org/a/82745/9781250323798 Also Link Click https://www.crunchyroll.com/series/GP5HJ8E81/link-click Christina Kann https://linktr.ee/christinakann Christina plugged Barbie (duh) https://www.imdb.com/title/tt1517268/ Haley Simpkiss Haley plugged Visser by KA Applegate https://www.amazon.com/Visser-Animorphs-K-Applegate/dp/0439087643

Detour with Pastor Drew Super www.betheljanesville.org

Paul hits pause on what he was going to say to continue to speak directly to the Gentiles in Ephesus.

Message from Tim Miller on August 20, 2023

Josh Link wasn't able to join us this time aroud, so instead of continuing without him, we decided to do something a little different!    Russ and Anne talk about a wide variety of topics, from Cincinnati Chili instituions to Mortal Kombat to Godzilla. It's a ton of fun! Hope you enjoy it!   NOTE: This was recorded before the Reptile trailer was shown for MK1

Proverbs 4:25 NIVLet your eyes look straight ahead; fix your gaze directly before you. Key #1 - Don't take a DetourGal 5:7-8 MSGYou were running superbly! Who cut in on you, deflecting you from the true course of obedience? This detour doesn't come from the One who called you into the race in the first place. Key #2 - Don't get TiredGalatians 6:9 NLTSo let's not get tired of doing what is good. At just the right time we will reap a harvest of blessing if we don't give up.Matthew 11:28 NLTThen Jesus said, “Come to me, all of you who are weary and carry heavy burdens, and I will give you rest. Key #3 - Don't let down your Guard1 Peter 5:8 NLTStay alert! Watch out for your great enemy, the devil. He prowls around like a roaring lion, looking for someone to devour.Psalm 4:4 NLTDon't sin by letting anger control you. Think about it overnight and remain silent. Key #4 - Don't lose your Head2 Kings 6:5-7 NLT5 But as one of them was cutting a tree, his ax head fell into the river. “Oh, sir!” he cried. “It was a borrowed ax!” 6 “Where did it fall?” the man of God asked. When he showed him the place, Elisha cut a stick and threw it into the water at that spot. Then the ax head floated to the surface. 7 “Grab it,” Elisha said. And the man reached out and grabbed it.

Proverbs 4:25 NIVLet your eyes look straight ahead; fix your gaze directly before you. Key #1 - Don't take a DetourGal 5:7-8 MSGYou were running superbly! Who cut in on you, deflecting you from the true course of obedience? This detour doesn't come from the One who called you into the race in the first place. Key #2 - Don't get TiredGalatians 6:9 NLTSo let's not get tired of doing what is good. At just the right time we will reap a harvest of blessing if we don't give up.Matthew 11:28 NLTThen Jesus said, “Come to me, all of you who are weary and carry heavy burdens, and I will give you rest. Key #3 - Don't let down your Guard1 Peter 5:8 NLTStay alert! Watch out for your great enemy, the devil. He prowls around like a roaring lion, looking for someone to devour.Psalm 4:4 NLTDon't sin by letting anger control you. Think about it overnight and remain silent. Key #4 - Don't lose your Head2 Kings 6:5-7 NLT5 But as one of them was cutting a tree, his ax head fell into the river. “Oh, sir!” he cried. “It was a borrowed ax!” 6 “Where did it fall?” the man of God asked. When he showed him the place, Elisha cut a stick and threw it into the water at that spot. Then the ax head floated to the surface. 7 “Grab it,” Elisha said. And the man reached out and grabbed it.

Compliment anyone who hates your guts, as we are back for our second season of old Amazing Race recaps - Amazing Race Australia 2! Over these twelve weeks, three people who are flattered by your hostility - Logan, Michael & Michelle - have been recapping a season that has an insane reputation amongst fans (which is completely justified), concluding with the final episode and reveal of Shane & Andrew as our winners. In this episode - Michelle's been chatting to the cast, someone else gets undermined, the editors may have gone back and changed some things, the reason that Michelle & Jo lost is revealed, the teachers pick a Detour, Michael tries to defend Shane & Andrew, Logan talks about how he teaches, we wonder if it's frowned upon to swear in front of children, Paul may be an only child, NetMol is brought up (hopefully unnecessarily), Stealth Mode is entered, we try and game theory the challenge at the jail, Jo ventilates, there's the final instalment of Rashie Watch, Pirate Master gets a look-in, Grant has an unfair reputation, Michael delves into the logistics of the treasure chests, we exclusively reveal an unaired incident at the Finish Line, we perform a New Year's (Eve [Eve]) Miracle and Logan tries to spoil next year's Amazing Race Historians. Thank you for listening - we will see you very soon for more episodes! Please note: This episode is intended on being spoiler-free - however, as with our other historical recaps, this episode may contain references to episodes that we have already covered - namely from Seasons 3; 23-32; Australia 3; Canada 2-5 and Asia 5. This episode also contains references to the winners of Amazing Race Asia 1 and US Seasons 17 & 18. Additional note: Thanks for listening to our episodes all season! We'll be back soon for Hunted 7 (if they ever bother!), Episode #500 and Wie is de Mol: El Salvador & Nicaragua!   Social Media: Facebook Twitter Michael Logan Michelle Instagram YouTube Patreon  

Welcome to It's A Wonderful Podcast!! We apologise for the lack of a main show last week, but Morgan and Jeannine back here with one of their favourite kinds of movies, talking the brilliantly bleak tale of a victim of circumstance in Edgar G. Ulmer's vicious, malicious, and misery-filled B-movie Noir, DETOUR (1945) starring Tom Neal & Ann Savage! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

On this episode, ⁠⁠⁠⁠⁠⁠⁠⁠Demian⁠⁠⁠⁠⁠⁠⁠⁠ chats with ⁠⁠⁠⁠Vanessa⁠, and we get into what it was like being full-time Rootless since 2015 and raising a child on the road for that long … but like always before I say too much let's get into the episode Well another good episode and a big thank you to Vanessa for coming on the show don't forget to connect with them at www.instagram.com/theadventuredetour/ or www.theadveturedetour.com Don't forget to grab your digital or print subscription to the Rootless Living magazine at ⁠⁠⁠⁠⁠⁠⁠⁠RootlessLiving.com⁠⁠⁠⁠⁠⁠⁠⁠ How you can support the podcast! 1) Leave us a review on Apple, Spotify, or wherever it is you listen to podcasts. 2) Tell a friend or family member to tune in! 3) If you like what you hear, consider supporting us with a small monthly contribution. 4) If you think you might make a great podcast guest, send us an email. --- Support this podcast: https://podcasters.spotify.com/pod/show/rootlessliving/support

I've taken some time off from podcasting this summer, but as the 20th anniversary of my brain injury approached I found myself wanting to do another episode! Hence episode 162 with Pam Prewett and the Victoria Brain Injury Society (VBIS), Victoria, B.C., Canada. It is where I was doing my Masters in Public Administration (MPA) when I was in a nasty bike crash that put me in a coma for two weeks and resulted in a severe brain injury - as discussed in episode 100 and in my ebook, Detour.I encourage everyone, whether you're in B.C. or not, to check out the VBIS website and, if you're around Victoria, to drop in and hear about all of the incredible services they provide for brain injury survivors and caregivers. It is very impressive!We also talked about the importance of funding for brain injury associations! The difficulty of garnering funding and resources without awareness in order to raise awareness! As brain injury is an invisible and, dare I say, silent injury, raising awareness is made that much harder!Please subscribe, rate, and review this podcast everywhere, including YouTube!Check out the podcast sponsors HeadCheck Health !Please help support this podcast by checking out the advertisers at www.concussiontalk.comConcussion Talk t-shirts, hoodies, etc., are found at the Store tab on www.concussiontalk.comThank you! Get bonus content on PatreonSupport this show http://supporter.acast.com/concussion-talk-podcast. Hosted on Acast. See acast.com/privacy for more information.

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Huw caught up with winner Joe and the lads at the finish line of the MaesGwm Detour British Champs.

Detours, delays, dead ends - they all serve a purpose. When you are willing to welcome Jesus in the uncertainty, you will experience a supernatural acceleration to your destination. God sees you on your journey. Adam continues our Acts series - a series about ordinary men and women who experienced the power of God. Your last breakthrough wasn't your final breakthrough. God isn't finished with you yet! Discover more at: https://www.exchangechurchbelfast.com/ Subscribe to our channel to be notified of our future uploads & livestreams!

Paul's Letter to the Romans, Chapter 8, verses 31-39I know, this weekend is the Feast of the Transfiguration and the above reading is nowhere to be seen (or heard) within the readings we will hear this weekend. But we've been working up to the above reading for the past 7-8 weeks and it's simply too good to pass by. So we take a detour this weekend and focus on what may be one of the greatest texts within all of Scripture. What can separate us from the love of God? The answer is almost too simple to believe...Special thanks to Bridget Zenk for her composition and performance of our intake and outtake music. And thank you for opening God's Word alongside of me. Have questions or comments? Send them my way at pdjoezenk@gmail.com.

We discuss the made-for-tv movie and OJ Simpson's Tour de Force performance.

Join us in New York and Pennsylvania as we explore the Trail Towns of the Appalachian Trail and a bit of a weather detour for this episode. Links for this episode: 1. Trail Towns we explored in New York: Pawling, Hopewell Junction, and Wingdale. 2. Promised Land State Park: https://www.dcnr.pa.gov/StateParks/FindAPark/PromisedLandStatePark/Pages/default.aspx 3. The Rex: https://staytherex.com/ 4. Scranton Lake Trail: https://www.visitnepa.org/listing/lake-scranton-trail/4063/ 5. Groove Brewing: https://www.groovebrewing.com/ 6. Sylvan Lake Beach Park: https://www.dutchesscountycampground.com/ 7. Tacos and Cones Pawling NY: https://www.tacosandconespawling.com/ 8. Harlem AT Train Station: https://en.wikipedia.org/wiki/Appalachian_Trail_station 9. AT Conservancy: https://appalachiantrail.org/ 10. https://www.ptny.org/explore/empire-state-trail 11. Roseanne's Kitchen: https://www.facebook.com/profile.php?id=100040295779827 Subscribe and leave us a review if you like the podcast and thanks for listening! Learn more about us at www.Hashtag59.com for all our blogs, past podcast episodes, and trash cleanup events. Because Adventure Feeds the Soul! Mike R

Story: Maybe next time Author: Sarie_Fairy Rating: MA Site link: https://archiveofourown.org/works/27140866 Read by: Annie Summary: FICTOBER Day 21 - Prompt: “are you kidding me?” Set during Detour. Scully is ready to let loose after being cancer free. Used by the author's permission. The characters in these works are not the property of the Audio Fanfic Podcast or the author and are not being posted for profit.

With Teamsters-UPS contract negotiations deadline of end of July approaching, the Writers-Sag-Aftra unions' strike continuing, and Auto workers about to begin bargaining to reverse past concessions, is union Labor about to rise again? Dr. Rasmus describes the various forces behind US labor's ‘Great Detour' that began in the late 1970s and continuing now for more than four decades: offshoring of jobs, free trade deals, deregulation of transport and communications, shift to services, substitution of precariate jobs (part time, temp, gig), ‘WalMart Effect', pro-company NRLB & court shift, atrophy of minimum wage and wage guarantees, top union leadership dependency on the Democrat party, expanding of open shop and anti-labor legal offensives, etc. What happened with last year's Railroad Union negotiations. Will new leadership of Teamsters and Auto workers unions and new worker militancy mean the beginning of the end of the ‘Great Detour' of union labor in America? The show then describes why Biden's current tour promoting his economic policies are not what they seem. Rasmus describes the truth about jobs, wages, inflation, and GDP today.

Laurens, Stefan en Thomas gaan verder. Thomas is gelukkig weer aangeschoven voor de laatste etappe van deze Tour: mét shirt. Meeus wint de legendarische rit op de Champs-Elysees. Als Philipsen net zo'n goede jump als Meeus had, had hij ‘m gewonnen, aldus Laurens. Verder gaat het over het leven van een profrenner, de timing van Groenewegen, de dramatische Tour voor Team DSM, en de beste Nederlander van deze Tour. Conclusie: wij Nederlanders willen ook een Pogacar. En niet te vergeten: ook de Tour voor de voruwen is gestart. Die wordt vanaf maandag de 24e elke dag gevolgd en geanalyseerd door Laurens en Stefan. Wie gaan de mannen inbellen? En om af te sluiten, de hamvraag: was dit dan de zwaarste en beste Tour ooit? En hoe zat het nou met de combi Laurens en Annemiek, en Thomas en Marianne? Je hoort het allemaal in de Live Slow Ride Fast podcast.

De Belg Meeus wint vanavond in het regenachtige Parijs de eenentwintigste etappe van de Tour. Jonas Vingegaard wint, zoals verwacht, de Tour van 2023! Daarmee zit de Tour de France voor de mannen erop. De leden van De Kopgroep blikken terug op de Tour van 2023. Ook blikken we terug op de eerste etappe van de Tour de France Femmes en vooruit op de komende ritten. Tijdens de Tour de France Femmes verschijnen er op de woensdag en de zondag afleveringen van De Kopgroep in je favoriete podcast app!

Please join chart-topping jazz and R&B sax player Boney James in The Locher Room. Boney will be here to tell us about his 18th studio album, Detour via Concord Records. Detour was just released on September 23rd. Featuring the breezy current hit single “Coastin” with five-time Grammy winner Lalah Hathway on vocals, the new 10-song collection is a subtle stylistic turn that builds on the commercial success of 2020's Solid, James' highest charting release ever on the pop charts. Other standouts on Detour include the track “Bring It Back”, which features critically acclaimed composer, conductor, orchestrator, arranger, and trumpeter, Dontae Winslow; and the album's title track “Detour,” a winding, playful duet between sax and piano that features some of Boney's most adventurous playing to date.During his 30-year career, Boney James has released a staggering 18 studio albums – including a pair of Christmas records -with 1995's Seduction, 1997's Sweet Thing and 1999's Body Language all RIAA certified gold. In 2015, Boney's futuresoul spent 11 weeks atop the Billboard Contemporary Jazz Chart and was the best-selling Contemporary Jazz Record of 2015. Boney has earned four Grammy nominations, two NAACP Image Award nominations and a Soul Train Award, while a dozen of his albums have landed at #1 on Billboard's Contemporary Jazz Album chart.James will continue on the road for select dates across the U.S. which will take him well into 2023. Promising to bring James' iconic 30-year career to the live stage, including selections from Detour, the multi-city trek will hit a number of major markets including New York, NY, Detroit, MI, Jacksonville, FL, Alexandria, VA, and Annapolis, MD. For further information on the tour, dates, and on-sale info please visit https://boneyjames.com/.Don't miss the chance to hear from this Jazz great in The Locher Room.Original Airdate: 10/7/2022

Nog maar twee dagen geleden was het verschil nog maar 10 seconde. Alles was mogelijk, niemand liep over van het zelfvertrouwen en de vorm van de dag zou bepalen wie er met het geel aan de haal ging in Parijs. What a difference a day makes. Twee dagen in dit geval. Vingegaard liet in deze twee dagen zien wie de absolute baas is deze Tour. Het verschil is 7 minuten en 35 seconde. Wat een verschil...De Rode Lantaarn wordt mede mogelijk maakt door onze sponsors: Nederlandse Loterij, fiets van de show Ridley en AGU. En natuurlijk: onze heimat hetiskoers.nl.

Wielerfans beleven hoogdagen, want de Ronde van Frankrijk van dit jaar is een editie om duimen en vingers af te likken. De twee tenoren Jonas Vingegaard en Tadej Pogacar overstijgen de verwachtingen als nooit tevoren, en zelfs de overgangsetappes zijn razend boeiend. Wat maakt deze Tour zo aantrekkelijk? En hoe is het om het grootste wielerevenement ter wereld van binnenuit te beleven? See omnystudio.com/listener for privacy information.

Laurens, Stefan en Thomas gaan verder. De dag na de rustdag. Het is lastig opstarten, iedereen aan tafel is er weer een beetje uit na een dag zonder ritme. Tijd voor etappe 16, tijd voor de klimtijdrit. De discussie die nog heerst is of de renners van fiets gaan wisselen of niet. LtD heeft met Team Jumbo-Visma het parcours verkend en kwam tot de conclusie dat de renners het complete parcours afleggen op de tijdritfiets, zeker omdat die specifieke fiets vandaag de dag een enorme vooruitgang heeft geboekt. Daar denkt ene T. Dumoulin anders over. Over twee dingen zijn de heren het eens: de Tour kan vandaag beslist worden, en het wordt een spannend gevecht tussen Jonas en Tadej. Zal het weer om secondes gaan?En hoe zat het nou met Jos van Emden die Thomas als kanshebber op heeft geschreven? Je hoort het allemaal in de Live Slow Ride Fast podcast.

In this special two-part episode of the podcast, Tina reads a letter she received from an estranged adult child whose estrangement story began with childhood enmeshment. You'll learn about enmeshment's impacts on children, and why those impacts are sometimes invisible to even loving, conscientious parents. Listeners may gain clarity about their own situations through understanding that estrangement is not necessarily a failure of forgiveness. Estranged adult children are not necessarily stuck in the past or holding a grudge. The message of hope is that even though the past can't be changed, the future of your relationship depends on what you do today in order to heal, learn and grow. Tina wants to acknowledge and thank the person whose letter made this informative special episode possible: May you and your mother be happy, peaceful, and joyfully connected. For ideas on how to repair your parent-adult child relationship, read Tina's book, Reconnecting With Your Estranged Adult Child. Reconnection Club members can log in and discuss this and every episode in the General Discussion forum inside the Reconnection Club. Not a member yet? Learn more and join. EPISODE LINKS: Personal Healing: More Than a Detour for Rejected Parents

Laurens, Stefan en Thomas gaan verder. De derde podcast van de dag. In Huize Villa Tour werd zoals elke dag gefietst, waarbij Col de Joux Plane werd verkend, en Thomas eigenlijk geen zin had, Stefan de sterren van de hemel reed en Lau een Duitser naar zijn campingplaats duwde. Geen idee waar dit over gaat? Zij ook niet.De etappe van vandaag. Een nieuw stuk Frankrijk, waarbij Izagirre er na een ontregelende rit met de winst vandoor ging. Wat opviel: Fabio out, de kwetsbare kant van Team Jumbo-Visma kwam aan het daglicht, UAE leek de boot af te houden, en Wout zakte er doorheen. Verder werd er gesproken over Stuyven en zijn wijnkelder en kon een belletje met Pascalito niet ontbreken. Of was het toch Florian? En hoe zat het nou met Jonas die geïntimideerd leek door Pogi? Je hoort het allemaal in de Live Slow Ride Fast podcast.

Jay is at the beach and that means we get our annual check in with Michael Weddington! This year we have three topics to cover with Michael:-The Florida wood cockroach, or palmetto bug, is a large cockroach species found in the South and can grow between 30-40mm. Jay really dislikes them.-Louisiana blues artist Michael Juan Nunez blew Michael away at this year's New Orleans Jazz Fest. While the Louisiana Music Factory is currently out of stock (still the greatest record shop on the East Coast, in Michael's opinion), he found his music online and brings it to us today.-In most of Jay's memories, Michael is wearing a Grateful Dead tee shirt, so Jay was extremely excited to catch up with him at beach week this year and talk about his own new obsession. While he wore the tee shirts, and obtained them at Dead shows, Michael's love for the Dead stops there. He just liked the scene… but as far as the music, he's on the record as being “casually enthusiastic”.Songs:Michael Juan Nunez - “Lemonade” Michael Juan Nunez - “Rouxsta”Greg brings us a brand new Three For Thursday. Alex G is an eclectic indie artist that's been picking up steam this past year (thanks for the recommendation Zoya!). Aphex Twin has a new album coming out at the end of July and his single is worthy of a listen. Last up, Alan Holdsworth is one of Greg's favorites and bookends the segment quite nicely. Songs:Alex G - “Gretel” & “Runner”Aphex Twin - “Blackbox Life Recorder 21F/in a room F760”Alan Holdsworth - “Zarabeth”It was a busy week for Nick & a slow week for music news (plus Nick is still pumped about his new theme song), so this week we get “News With Nick: De-Tour” It's a new game with similar rules to most of the other games… Contestants are presented with a true story from the life of an artist on tour this week and they must choose the right artist from the options provided.Song: Raffy Bushman - “Silver Lines”

Laurens, Stefan en Thomas gaan verder. Na een stormachtige nacht in de Alpen schuiven de heren weer bij elkaar aan tafel voor een nieuwe dag in de Tour: etappe 11, opnieuw een voor de snelle mannen.Het is iets van alle tijden: struggelende sprinters in de Tour. Het type sprinter lijkt door de jaren heen te zijn veranderd - de parcoursen in de Tour worden pittiger en heftiger, dus als sprinter ben je soms beter af met een figuur dat meer op dat van een klimmer lijkt. Die struggle ziet Laurens vooral bij Jakobsen - renners als Groenewegen en Cavendish lijken de switch al te hebben gemaakt en hebben bewezen een Tour aan te kunnen. Maar ook de sprinttreinen zijn niet meer wat ze waren. Enfin, de mannen bespreken het allemaal in deze 15 minuten durende ochtendpodcast en zijn benieuwd wat er vandaag op het toneel gaat gebeuren. Het wordt heerlijk weer, en er wordt ingezet op Jakobsen en Philipsen. Het wordt hoe dan ook een mooie dag. En hoe zit het nou met Fabio die nog niet in het wiel van Mørkøv is gezien? Je hoort het allemaal in de Live Slow Ride Fast podcast.Ga naar klak.af/liveslowridefast en neem je klak af voor exclusieve Live Slow Ride Fast content!

AI-computers kunnen van alles en heel ons leven lijkt erdoor te veranderen. Maar wist je dat ook de koers, snowboarden en voetbal erdoor zal veranderen? In 't beste geval: eerlijker, veiliger, sneller. Of... ook saaier? Amateur-wielrenner en computerwetenschapper Steven Verstockt (UGent) gaat voor "veiliger", "sneller" en alleen maar leuker om naar te kijken! Deze videopodcast is gemaakt met de hulp van Vaia, de Vlaamse AI Academie. Meer leren over artificiële intelligentie? Neem een kijkje op www.vaia.be!

Instead of solving crises, leaders are content with taking detours. Cocaine found in the White House. The ‘unBelievable' virtue signaling of Ben & Jerry's. The UFO's are coming here first … or second. 

Laurens, Stefan en Thomas gaan verder. De hamvraag van de ochtend: Hoe zou Fabio wakker geworden zijn? Maar dan nu eerst: de eerste echte bergetappe! ‘Als iemand deze etappe heeft aangekruist, is het Poggi.' De renners komen de kant van Villa Tour op, ze gaan de Pyreneeën in. De Tour start voor de 66e keer in Pau, waarbij Laurens moet denken aan de Tour met Rasmussen, en Thomas aan baco's, clubs en hotelbarretjes. Het contrast tussen de twee wordt weer eens heerlijk uitvergroot. De mannen bespreken twee scenario's, waarbij de 'all over the place' aanwezigheid van Poggi niet bespaard blijft. Eén ding is duidelijk: Parijs is nog ver, en de aanwezigheid van Tadej kan hem wel eens opbreken.En hoe zit het nou met Danny van Poppel die de award van beste stem van het peloton krijgt? Je hoort het allemaal in de Live Slow Ride Fast podcast.

Bobby Wonder and Grabstack are lost in a swamp when two old friends surprise them and lead them into a mystery involving mermaids, snow-cones, and bells.

Join us this summer for "Father Abraham" as we study the unwavering faithfulness of God to Abraham and his future generations. We will glean from the ups and downs of Abraham's journey and experience together how God's faithfulness never wavers. Even when we are faithless, God is Faithful. Let's discover together God's unwavering love as we strive to learn from a life from the past to inform a blessed future.

In this episode we answer emails from Thurston Howell VI, MyContactInfo and Keith.  We discuss DBMF and managed futures funds generally, my family's rapture with the sport of rowing and how to make basic asset location decisions to minimize taxes.And THEN we our go through our weekly portfolio reviews of the seven sample portfolios you can find at Portfolios | Risk Parity Radio.Additional links:Barry Ritholtz Interview of Andrew Beer (DBMF) (2021):  Andrew Beer on the Hedge Fund Industry (Podcast) - Masters in Business - Omny.fmDBMF Web Page:  iMGP DBi Managed Futures Strategy ETF | iMGP FundsDBMF Current Holdings Link (download):  https://partnerselectfunds.com/wp-content/uploads/Holdings/DBMF-Holdings.xlsxTaxation of Gold -- CNBC Article with links:  Gold, silver ETF owners face 28% top tax rate on capital gains (cnbc.com)Asset Swap Tutorial from Justin/Risk Parity Chronicles:  How to Do an Asset Swap - YouTubeSupport the show

It's Friday and we're talking about the big local stories this week. Casa Bonita continues to dominate the news cycle but this time it isn't all roses and sopaipillas — the company changed its tipping policy last minute and many servers and bartenders are not ok with it. All this comes as a new study ranks Denverites among the highest tippers in the country. Producer Paul Karolyi and host Bree Davies are joined by podcast host and multimedia producer Graffiti to talk wins and fails: Will RTD's zero fare summer mean better working conditions for drivers? What happened to BCycle, the Mile High's OG bike share? And why oh why do the Rockies have to suck so bad? Plus, newsletter editor Peyton Garcia shares her list of fun stuff to do and the City Cast Denver crew picks our official “Maybe” event rec for the weekend, as in maybe you'll see us there.  Here are links to the events Peyton recommended: FanExpo Denver 2023 (Downtown) Cherry Creek Arts Festival (Cherry Creek) Goat Head Weed Removal with Goathead Greg (Windsor) Mo'Betta Green Marketplace (Five Points) Plus, Graffiti is co-hosting Drake Night this Saturday at Ophelia's if you want to go ‘Into the Aubrey-Verse.” Paul mentioned Albert Edwin “Pinky” Roadhs and his cousin Riley's barber school graduation. If you're looking for a good haircut, check out queer.clips on Instagram. Bree talked about RTD's woes and the possible renaming of the Ross-Barnum Library. Graffiti talked about the Rockies and Detour's amazing Nuggets mural.  For even more weekend event recs and local stories that matter, subscribe to our weekday morning newsletter Hey Denver by texting “Denver” to 66866. Follow our weather guy for all your weekend weather needs: Rain or Shine, it's Andy Stein! Follow us on Twitter: @citycastdenver Or Instagram: @citycastdenver Chat with other listeners on Reddit: r/CityCastDenver Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices

Eric Garcia, creator of WE BUILD HOUSES HERE and co-director of San Francisco's Detour devised dance company is interviewed by Parker Sela about the immersive dance production that explores the idea of queer sanctuaries by combining shipwrecks and San Francisco's iconic OASIS drag nightclub.Then stick around for the missing part of last week's show.SHOW NOTESDETOUR DANCEWE BUILD HOUSES HERENoPro's 10 Most Anticipated New Works of 2023 (Part II)Stoking Vegas' Immersive Flame: Lost Spirits Distillery (Review)Denver Fringe 2023 Immersive SuperlativesReview Rundown: The One With Magic & Multiverses Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Tune into this week's Packernet After Dark where your host, Pack Daddy takes you on a thrilling ride through the intricacies of the Green Bay Packers roster and dives headfirst into an engaging conversation with the Packer Nation. Call us at (608) 501-0718‬ and join the fun! In this episode, we take you through an array of emotions, from questioning Green Bay's "underdog" status to our fans' latest movie recommendations. Hear it straight from a die-hard fan as he channels his inner 'truth-teller' and talks about the widely circulated rumor regarding Joe the Janitor.

The party runs from a Will-O-Wispy while trying to find safe haven in Krezek. Hecktor loses faith in the one place he still held hope while everyone is concerned about Pip's mental well-being. Want ad-free and even more bonus content? Just check out the Imagination Adventures show page on Apple podcasts! Music by the ever wonderful Lepidora, you can check out her music here. And head to peddlerspress.store to peruse our D&D themed merch store and help support the show! Hosted on Acast. See acast.com/privacy for more information.

Tune into this week's Packernet After Dark where your host, Pack Daddy takes you on a thrilling ride through the intricacies of the Green Bay Packers roster and dives headfirst into an engaging conversation with the Packer Nation. Call us at (608) 501-0718‬ and join the fun! In this episode, we take you through an array of emotions, from questioning Green Bay's "underdog" status to our fans' latest movie recommendations. Hear it straight from a die-hard fan as he channels his inner 'truth-teller' and talks about the widely circulated rumor regarding Joe the Janitor.

It's Friday and we're talking about all the the stories that mattered this week. The big Pride weekend is finally here, but what is the state of our LGBTQ community in Denver right now? Some residents in Douglas County are (again) clamoring for libraries to ban queer books; meanwhile, the state legislature has seen major strides in LGBTQ representation. Host Bree Davies is joined by returning fave Ann Marie Awad and City Cast first-timer Demi Harvey, who hosts Indie 102.3's “Serve It!” The trio also discuss the Red Rocks hail disaster, Detour's epic new Nuggets mural, and of course, Casa Bonita. Then, newsletter editor Peyton Garcia joins to share the best bets for your weekend plans.  In addition to the many PrideFest weekend activities, here are all the weekend events Peyton recommended: Health and Fitness Expo (Barr Lake) Plant Swap and Giveaway (Sun Valley) Beer and Ice Cream Pairing (Various) Larimer Square Summer Market Series (Downtown) For even more weekend event recs and local stories that matter, subscribe to our weekday morning newsletter Hey Denver by texting “Denver” to 66866. Follow our weather guy for all your weekend weather needs: Rain or Shine, it's Andy Stein! Follow us on Twitter: @citycastdenver Or instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Learn more about the sponsors of this episode: Levitt Pavilion Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices