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Simon Milner, Vice President of Public Policy for Asia Pacific at Meta, joins us to explore how Meta's deliberate commitment to open source AI is reshaping innovation across the world's most diverse and dynamic region. He shares his journey from the BBC to nearly 14 years at Meta, where he built policy teams from the ground up to lead Meta's Asia Pacific strategy. Simon unpacks Meta's open source philosophy behind the Llama models, explaining how openness accelerates innovation through community scrutiny, provides governments greater control over sensitive data, and enables local developers to fine-tune models for languages like Korean, Vietnamese, and Bahasa Indonesia. He highlights compelling use cases across the region in Japan and Korea. Looking ahead, Simon reveals why the future of AI is not on our phones but in wearables like AI-enabled glasses that create always-on assistants seeing what we see and hearing what we hear, enabling us to be more present in the world while Meta supercharges its family of apps serving billions globally. Last but not least he shares what great looks like for Meta in the Asia Pacific on open source AI."We believe that openness is actually a really key feature of accelerating innovation because it fosters inclusion, it builds trust, and it ensures that the benefits of AI are more evenly distributed around the world.The openness of models allows other people to, as they were, push and pull and prod at the models at a fundamental level in order to see where might the problems be. And so that kind of community, the developer community scrutiny around open source is fundamental to spotting issues and addressing them quickly.Actually, the story of AI is about yes... that is important. The investments that companies like Meta and others are making is important, but actually, it's really about local ownership and local innovation." - Simon MilnerEpisode Highlights: [00:00] Quote of the Day by Simon Milner from Meta[01:37] Simon's journey: BBC, BT, Meta's 14-year evolution[03:12] Navigating diverse regulatory landscapes across global markets[05:24] Career advice: Take risks, embrace unexpected opportunities[07:54] Open source AI democratizes access and innovation[10:21] Meta sparked open model trend, others followed[14:49] Open models enable faster innovation through community[16:21] Government control and data sovereignty with open[19:13] Governance mechanisms: transparency, red teaming, community engagement[22:49] Meta learned responsible AI through 20 years experience[25:49] Singapore, Japan, Korea developers using Lama locally[28:26] AI isn't just big companies and includes local innovation[31:15] Keeping AI open prevents fragmented national bubbles[34:01] Governments balancing open innovation with national interests[37:00] Future AI: wearables and glasses, not phones[38:19] Always-on AI assistants seeing and hearing you[41:35] Supercharging Meta apps and building new products[42:00] ClosingPodcast Information: Bernard Leong hosts and produces the show. Proper credits for the intro and end music: Energetic Sports Drive and the episode is mixed and edited in both video and audio format by G. Thomas Craig. Visit our Analyse main site: https://analyse.asia

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Despite living in Australia, Indonesian student M. Hafidz Al-Furqan (known as “dagucoklat” online) remains firmly connected to his heritage. The Bahasa Indonesia continues to be a source of comfort in his social life, while his local language dialects are essential for maintaining his core identity. - Hidup di Australia tidak membuat M. Hafidz Al-Furqan, atau yang dikenal dengan akun media sosial “dagucoklat”, lepas dari akarnya. Bagi mahasiswa asal Indonesia ini, bahasa Indonesia tetap jadi ruang nyaman lintas pertemanan, sementara bahasa daerah terus dihidupkan sebagai penanda identitas.

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Send us a textAnkita Raturi basked under the Playwright's Spotlight for the World Premiere of her play Neha & Neel. In this discussion we break down the concept of applied theatre and being a teaching artist, how it effects character, exercises that extrude character and whether or not the practice makes it into a piece. We unpack earning a monologue, the first steps of playwriting, writing bi-lingually, dramaturgical playwriting, and the audience's experience. We also discuss finding directors for foreign language pieces, writing multiple characters for one actor, discovering "magic" in grad school, self producing, keeping notes, ego, and good ideas, and clear guidelines and the ethics of paying fees to have one's work read. Ankita is a force to be reckoned with that every playwright can learn from. Enjoy!For tickets to Neha and Neel at LATC in Los Angeles through November 16th, visit - https://www.latinotheaterco.org/nehaandneelAnkita Raturi is a currently Queens-based writer and teaching artist. She writes hyper-theatrical works in English, Hindi/Urdu, and sometimes Bahasa Indonesia about living between cultural identities and contending with the ongoing legacies of colonization. She is the 2024 Winner of the Los Angeles New Play Project Award, and 2022 Winner of the Bret Adams and Paul Reisch Foundation's Ollie Award. New play developments include Theater Mu, Playwrights' Center, New York Theatre Workshop, Roundabout, Ma-Yi Theater Company, South Coast Repertory, Ensemble Studio Theatre, Playwrights Realm, and Berkshire Theatre Group, just to name a few. She is currently practicing applied theatre as an actor-teacher with CUNY's Creative Arts Team. B.F.A. in Drama: NYU/Tisch. M.F.A. in Playwriting at UC San Diego.To watch the video format of this episode, visit - https://youtu.be/T19LZUw4vC4Links to sites and resources mentioned in this episode - New Play Project - https://lanpp.orgBret Adams and Paul Reisch Foundation - https://www.bretnpaulfoundation.org/Theater Mu - https://www.theatermu.orgPlaywrights' Center - https://pwcenter.orgNew York Theatre Workshop - https://www.nytw.org/Roundabout Theatre Company - https://www.roundabouttheatre.orgMa-Yi Theater Company - https://ma-yitheatre.org/South Coast Rep - https://www.scr.orgEnsemble Studio Theatre - https://www.ensemblestudiotheatre.org/Playwrights Realm - https://www.playwrightsrealm.org/Berkshire Theatre Group - https://www.berkshiretheatregroup.org/Clubbed Thumb - https://www.clubbedthumb.org/New Play Exchange - https://newplayexchange.orgSocials for Ankita Raturi - IG - @ankitawritesWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show