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Imagine a world...a world without New Order. Or Mariah Carey. Or Wu-Tang Clan. Or Iron Maiden. Or P!nk. or (big gasp!) INXS. THE HORROR. Well, all of these phenomenal artists, AND MORE, are either finally or once again nominated for music's highest career honor...the Rock and Roll Hall of Fame. And, as is the Sherman and Ski custom, we've got some capital O-pinions. When the nominations dropped this week, quite literally so did our jaws as this grouping is one of the most diverse and PACKED set of artists they've ever thrown together. Neither of us think there's any complete shoo-ins, and neither of us had ever realized that Angry Man legend PHIL COLLINS wasn't already inducted as a solo artist. (Billy, they Lost His Number?). So sit back, pour yourself a tall one and a short one, and listen as Sherman and Ski debate the new nominees. Also, hear Sherman enter the all time INXS rant, out of the sheer joy of his favorite band finally receiving industry recognition. It's What You Need. Also, people said we'd never get over our Phil Collins obsession, but take a look at us now. ENJOY and remember, the two of us are usually right about things, so it's past time for Billy Idol to make it in...Staaaaaart agaaaaaain! Ow.
Have you ever been curious about kink? If so, this is the perfect conversation for you! Certified Sex and Relationships Psychotherapist, Sex Educator, and Author Gigi Engle joins me to offer a guide to exploring kink and erotic sensation. We discuss popular kinks, power dynamics, impact play and more. Expand your sexual menu with ideas and suggestions to amplify your senses through kinky play.Find Gigi Engle and Kink CuriousMentioned in this episode:Temperature playToys, fantasy and play in the bedroomUntangling sexual shameDesire discrepancies When one partner's vanilla and the other is 31 flavorsWhen a partner wants to try something newORDER my Book Permission for Pleasure: Tending Your Sexual GardenJOIN my Newsletter: Good Education for Good SexFOLLOW on Instagram @cindyscharkeyVISIT my website and blog
"Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. Our guest today is Angie Hart, Angie first came to international attention in the early '90s as the voice behind Frente!'s off-beat, tender alt-pop — including their beloved cover of Bizarre Love Triangle, which introduced a whole new audience to the song originally by New Order. Since then, she's built a rich and varied career spanning solo records, collaborations, theatre work, and deeply personal songwriting that's resonated with listeners for decades. In this conversation, Angie shares her recent autism/ADHD diagnosis and what it takes to reclaim your artistic voice over time. Angie also shares stories from the early Frente! years, reflects on navigating the music industry, and opens up about how identity an d self-understanding shapethe way she makes art. Angie'swebsite Frente's website Music Credits: "Star of Lisa" and "Lascalere" by Blue Dot Sessions If you like the podcast, please subscribe and maybe leave a tip at Buy Me A Coffee! I'd really appreciate your support! Be sure to look for my books, "Lived Through That" and "80s Redux" where ever you buy your books. You can find out more about my work at my website here. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of the XS Noize Podcast, Mark Millar sits down with Dave Pen of Archive to talk about Glass Minds — the band's 13th studio album and a bold new chapter in a 30-year journey defined by reinvention, collaboration and creative risk. Formed in Croydon, South London in 1994, Archive have evolved from trip-hop pioneers into one of Europe's most respected alternative collectives. Glass Minds, released Friday 27th February 2026 via Dangervisit through [PIAS], follows the ambitious 2022 triple-album Call to Arms & Angels, which charted Top 10 across Europe and culminated in their biggest headline show to date at Paris' Accor Arena. Produced by Archive alongside long-time collaborator Jerome Devoise, and recorded in Brighton, London and Paris, Glass Minds marks a shift toward a more minimal, down-tempo sound — built on space and emotional weight. New textures emerge through Essex rapper Jimmy Collins on "Heads Are Gonna Roll," while Lisa Mottram shines on the title track and "The Love The Light." At its core is the eight-minute "So Far From Losing You," one of the band's most personal and expansive pieces to date. In this conversation, Dave Pen reflects on joining Archive and becoming part of a true creative collective. He discusses the trust and experimentation that shape the band's process, the evolution of their sound over three decades, embracing AI in the album's visual identity, and why live performance remains the ultimate space where Archive's songs continue to grow and transform. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.
Listen to the top News of 21/02/2026 from Australia in Hindi.
Black Rebel Motorcycle Club's third album Howl was a risk — one that nearly broke the band. In this episode of the XS Noize Podcast, Mark Millar sits down with Robert Levon Been to revisit the record that stripped away the noise and reshaped their identity. Originally released in 2005, Howl arrived as an unexpected curveball. The reverb-drenched guitars and white noise that defined the band's early records were stripped back, replaced with folk, blues and gospel-inspired arrangements built around space, restraint and raw emotion. It was a risk — one that confused some at the time, but has since come to feel essential within the band's catalogue. In this conversation, Robert Levon Been reflects on the creative decisions that shaped the album, the deliberate use of silence and atmosphere, and how stepping away from distortion opened up a deeper emotional register in the songwriting. He discusses the impact of critical reception, the perspective that comes with revisiting the record years later, and what it feels like to bring that material back to life on tour. Robert also shares insights into the band's current creative landscape, highlights key entry points for new listeners, and speaks about protecting the spirit of music in an era driven by speed and algorithms. A thoughtful and reflective conversation about evolution, instinct, and trusting your creative compass — even when it takes you somewhere unexpected. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.
Check out Armunn's channels: http://www.youtube.com/@armunnrigh / https://odysee.com/@armunnrighCheck out Armunn's books:Repentant Magdalene:(paperback) - https://www.lulu.com/shop/armunn-righ/repentant-magadalene/paperback/product-q6n4p9z.html(ebook + audiobook bundle): https://ko-fi.com/s/0e6a926e5bMan's Psyche: the two worlds - https://ko-fi.com/s/6f1bfcdfbaJoin Silas' channel to get access to perks: https://www.youtube.com/channel/UCKgU6CTpvc2ZjWtJDj51VXA/joinTo help cover the costs and time taken on these videos and research:Consider supporting Silas on Patreon - https://www.patreon.com/SilasSpeaksYou can donate via PayPal at silasspeaks@gmail.comGrab Silas' Books Here:Rise and Fall - https://www.lulu.com/shop/silas-gauthier/rise-and-fall-a-discourse-upon-the-phenomena-of-civilisation-and-decline/paperback/product-rqwqy7.html?page=1&pageSize=4Blood on the Sand: The Origins of the Abrahamic Conspiracy - https://www.lulu.com/shop/silas-gauthier/blood-on-the-sand/paperback/product-655vzg7.html?page=1&pageSize=4The Hidden Empire: On the Origins of the Merchant Elite - https://www.lulu.com/shop/silas-gauthier/the-hidden-empire/hardcover/product-kv8k57r.html?page=1&pageSize=4Yahweh is Satan: The Genesis of a New Order of the Ages - https://www.lulu.com/shop/silas-gauthier/yahweh-is-satan/ebook/product-q6nkq7r.html?page=1&pageSize=4Leave the World Behind: An Esoteric Analysis: https://www.lulu.com/shop/silas-gauthier/leave-the-world-behind/paperback/product-m2w79en.html?page=1&pageSize=4The Golden Age of Saturn's America - https://www.lulu.com/shop/silas-gauthier/the-golden-age-of-saturns-america/paperback/product-2mwq47n.html?page=1&pageSize=4Check out my Ko-fi Store for Audiobooks and Articles: https://ko-fi.com/silasspeaksBuy me a Coffee!: https://coff.ee/silasspeaksBitchute – https://www.bitchute.com/channel/TqUZalAmCkDC/Rumble – https://rumble.com/account/content?type=allOdysee – https://odysee.com/@Silasspeaks:a
"Happy Birthday, Peter Hook" There's nothing about Peter Hook that I can tell you you don't already know, so let's just do a refresher run through his musical CV. In the late '70s Hook formed Joy Division with childhood pal Bernard Sumner after the two friends saw the Sex Pistols play in Manchester. The band only put out two albums and one of those albums, the legendary Closer was put out two months after the band had ceased to b,e due to the suicide of singer Ian Curtis on the eve of Joy Division's debut US/Canada tour. Rechristened New Order and consisting of the remaining members of Joy Division plus keyboardist Gillian Gilbert, New Order blended jittery post-punk rhythms with dance music. The result? Well, you know the result. They were one of the biggest bands of the '80s, spawning hits like True Faith, The Perfect Kiss, Subculture and Blue Monday, which was the biggest selling 12-inch of all time. It might still be. New Order dominated the '80s, but the '90s weren't too shabby—they had a #1 UK hit with World In Motion in 1990 and they had their biggest US hit with “Regret” in 1993. They kept crushing it, putting out Get Ready in 2001 and collaborating with Billy Corgan and Bobby Gillespie of Primal Scream. They were given the Godlike Genius award at the 2005 NME awards and got nominated for a Grammy in 2006 for Guilt Is a Useless Emotion. Then things got a bit sour, with Hook leaving the band in 2007 and forming his own outfit Peter Hook and the Light, a band that featured his son Jack and much to his fans delight, revisited the Joy Division and New Order songbooks. Over the course of his career Hook has worked with The Stone Roses, and Perry Farrell, he toured with the Durutti Column, put out albums with Revenge and Monaco and wrote one of the best music books ever: Substance; Inside New Order. This is a partial list, btw. Almost a partial partial list because when it comes to Peter Hook, there's a lot of ground to cover. But these are the basics. Do a deeper dive after you hear the show—the guy is a titan. As for his split with New Order and his boyhood pal Bernard, we don't have time to go over the legal end of that dissolution, so let's just say this. If you're hoping for a reunion you're wasting your good hope energy. Not going to happen. As a bassist, he plays with an authoritative blend of prowl and sting and not only is he one of the all time greats, he also happens to be a nice guy. This chat covers his fractured friendship with Sumner, why the New Order/Joy Division songbooks appeal to fans across generations and what Hooky has learned from his old material. www.peterhookandthelight.live www.bombshellradio.com www.embersarts.com www.stereoembersmagazine.com www.alexgreenbooks.com Stereo Embers The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com
Sarah Jae is back in the booth after a few busy months and she has not held back. HF310 is stacked with disco sparkle, chunky house drums and a few cheeky reworks that will have you clocking every vocal from the first bar. From Crazy P and Cerrone through to Todd Terry and ATFC, this one glides between feel good nostalgia and proper dancefloor punch. There are nods to Donna Summer, New Order and Depeche Mode via fresh edits, plus some slick modern heat from Prospa and Disclosure. It is a welcome return and she sounds locked in. Turn it up. Send it to your mates. Let's go. TRACK LISTING Crazy P - Stop Space Return Massiande - Dancing Stuff (I Love The Way) Todd Terry - Somethings Going On Joshwa - Lost In Music Jackers Revenge, Martina Budde - Upside Down Cerrone & Christine and the Queens - Supernature MMXXV (Purple Disco Machine Remix) Sean Finn - I Feel Love (Discotron Extended Remix) ATFC, Lisa Millett - Sleep Talk (Dr Packer Extended Remix) Block and Crown, Chelsea Singh - Enjoy The Silence De Soffer - Blue Monday (Extended Mix) Prospa - Love Songs Ft. Kosmo Kint (Extended Mix) Disclosure, Chris Lake, Levan Kali - one2three (Extended Mix) Dazz Band - Let It Whip Find out more at https://housefinesse.pinecast.co This podcast is powered by Pinecast.
Check out Armunn's channels: http://www.youtube.com/@armunnrigh / https://odysee.com/@armunnrighCheck out Armunn's books:Repentant Magdalene:(paperback) - https://www.lulu.com/shop/armunn-righ/repentant-magadalene/paperback/product-q6n4p9z.html(ebook + audiobook bundle): https://ko-fi.com/s/0e6a926e5bMan's Psyche: the two worlds - https://ko-fi.com/s/6f1bfcdfbaJoin Silas' channel to get access to perks: https://www.youtube.com/channel/UCKgU6CTpvc2ZjWtJDj51VXA/joinTo help cover the costs and time taken on these videos and research:Consider supporting Silas on Patreon - https://www.patreon.com/SilasSpeaksYou can donate via PayPal at silasspeaks@gmail.comGrab Silas' Books Here:Rise and Fall - https://www.lulu.com/shop/silas-gauthier/rise-and-fall-a-discourse-upon-the-phenomena-of-civilisation-and-decline/paperback/product-rqwqy7.html?page=1&pageSize=4Blood on the Sand: The Origins of the Abrahamic Conspiracy - https://www.lulu.com/shop/silas-gauthier/blood-on-the-sand/paperback/product-655vzg7.html?page=1&pageSize=4The Hidden Empire: On the Origins of the Merchant Elite - https://www.lulu.com/shop/silas-gauthier/the-hidden-empire/hardcover/product-kv8k57r.html?page=1&pageSize=4Yahweh is Satan: The Genesis of a New Order of the Ages - https://www.lulu.com/shop/silas-gauthier/yahweh-is-satan/ebook/product-q6nkq7r.html?page=1&pageSize=4Leave the World Behind: An Esoteric Analysis: https://www.lulu.com/shop/silas-gauthier/leave-the-world-behind/paperback/product-m2w79en.html?page=1&pageSize=4The Golden Age of Saturn's America - https://www.lulu.com/shop/silas-gauthier/the-golden-age-of-saturns-america/paperback/product-2mwq47n.html?page=1&pageSize=4Check out my Ko-fi Store for Audiobooks and Articles: https://ko-fi.com/silasspeaksBuy me a Coffee!: https://coff.ee/silasspeaksBitchute – https://www.bitchute.com/channel/TqUZalAmCkDC/Rumble – https://rumble.com/account/content?type=allOdysee – https://odysee.com/@Silasspeaks:a
In this episode of the XS Noize Podcast, Mark Millar sits down with Mark Shaw of Then Jerico to talk about The Return — a moment that reconnects legacy, live energy, and purpose as the band bring their full show to Ireland for the first time. Watch the full XS Noize Podcast conversation below. Then Jerico are currently touring the UK and Europe, with debut full-band Irish headline shows at Belfast's Limelight 2 on Thursday 19 February and Dublin's Whelan's Main Room on Friday 20 February 2026. The tour features a 90-minute set spanning the band's classic first two albums — First (The Sound of Music) and The Big Area (Outside) — alongside material from Mark Shaw's 1990s solo releases. In this conversation, Mark Shaw reflects on a four-decade journey through success, setbacks, and survival. He talks about the importance of audience connection, shaping setlists that balance momentum with meaning, and the breakthrough impact of Big Area. Shaw also opens up about carrying the legacy of Then Jerico as the sole founder, revisiting early recordings and B-sides with fresh perspective, and why he's still driven to write songs that speak directly to the present moment. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.
In this episode of the XS Noize Podcast, Mark Millar sits down with Kula Shaker frontman Crispian Mills to talk about Wormslayer — a record that captures the band feeling revitalised, confident, and creatively fearless. Watch the full video conversation. Released on 30 January 2026, Wormslayer is Kula Shaker's eighth studio album and sees the original line-up distil their explosive live energy into something cinematic, playful, and expansive. Often described as a natural companion to Natural Magic, the album allows songs to stretch and evolve, blending tight pop instincts with longer, more exploratory moments. In this conversation, Crispian Mills reflects on trust, chemistry, and why the band feels more alive now than at any point in their history. He talks about symbolism and synchronicity, the meaning behind key tracks including Lucky Number, Charge of the Light Brigade, and Broke as Folk, and the idea of creativity as an ongoing quest rather than a destination. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.
In this episode of the XS Noize Podcast, Mark Millar sits down with Dani Larkin to talk about Next Of Kin — a deeply emotive record shaped by time, patience, and a renewed sense of creative clarity. Released on 23 January 2026, Next Of Kin marks a bold progression in Larkin's sound and vision. Co-produced with Ruth O'Mahony Brady, the album expands her acclaimed storytelling into a cinematic, emotionally rich landscape that explores life's most universal milestones — from birth and coming of age to love, loss, and acceptance. Structured as a trilogy, the record moves through distinct phases. Part I traces a journey from darkness toward revelation and youth. Part II sits in the complexity of adulthood, weaving love, fear, doubt, courage, and hope through expansive orchestral arrangements and intimate songwriting. Part III closes with a sense of resolution and homecoming, culminating in the poignant farewell Danny Boy. In this conversation, Larkin reflects on how releasing her debut Notes For A Maiden Warrior during the COVID era shaped her outlook, and why Next Of Kin feels like a true arrival moment. She talks about patience, self-acceptance, and the importance of creating space — both personally and creatively — between records. She also discusses the album's lead single End Of It All, a striking and urgent track that blends industrial drum beats, raw guitar, and a haunting reimagining of Row, Row, Row Your Boat — capturing the contradictions, anxiety, and fragile hope of modern life. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here.
This week on The Metro, Rev. Jeff Ivins brings you the following artists to enjoy: ArcAdiA, New Order, The Flying Pickets, World Party, Tommy Tutone, The Police, Adam And The Ants, Peter Gabriel, Centerfold, Erasure, Midge Ure, The Smiths, Roky Erickson, and finishing off with Nick Straker.
This playlist is 72% vinyl friendly. Not bad. The SL-1300G in 2025. Technics keeping it simple with the design, if not with the spec trying to convince punters they need one. ‘Coreless Direct Drive Motor Achieving Stable Rotation The use of a coreless direct-drive motor with no iron core eliminates uneven rotation of the turntable known as cogging. Also, the twin-rotor construction reduces the bearing load while maintaining high torque and reduces minute vibrations during rotation. Furthermore, the SL-1300G's motor was redesigned to eliminate subtle vibrations that could affect sound quality. To improve rigidity, the same reinforcement pattern as the Reference Class SL-1000R/SP-10R was used for the coil mounting base‘. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. NB: THIS PLAYLIST INCLUDES EXPLETIVES. Lyric of Playlist 148 For the reality… Courtesy of Crooked Man, Jarvis’ by a country mile, but… For the idyll…John Sebastian. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Turn – Waiting For The Sirens’ Call, 2LP – London – 2005 With Barney’s lilting, slightly forlorn vocal, a little gem nearly lost on one of the band’s least successful albums. 05.02 LITTLE NEMO – A Day Out Of Time – Past And Future, LP – Domestica – 2013 Though the track originally surfaced in 1987 on the 500 run, cassette-only format of the (debut) album. Even back then it could have been seen as yet another ‘sound’ out of Europe that seemed to echo the UK alternative/new wave scene of a few years earlier. 08.48 KIM GORDON – Not Today – Play Me, LP – Matador – 2026 Get past the intro – where it very momentarily sounds (to my ears anyway) like the batteries ran out – and Kim Gordon drifts nicely across the wash of sound. 12.03 THE COMSAT ANGELS – The Eye Dance – Sleep No More, LP – Polydor – 1981 Judging by a known set list for late Nov ’81 and the fact the band were then promoting the recently released, above album, this track was likely in the set list for my Bedford Corn Exchange gig promotion earlier that month. Big smiles when I hear them… though I’ve sadly never heard a tape of the Bedford night. 15.40 BUNNYDRUMS – Holy Moly – Holy Moly, LP – Fundamental – 1984 The short-lived, mid ’80s Philadelphian band with a quirky mix of ‘new wave’ vocal and a belting soul vocal bv in the backdrop of a low slung, punk country’ish workout. Maybe it’s the ‘yippee-ki-yay’ and pseudo peddle steel guitar? The band have been here before – and will be again. 21.30 COSTUME – Once I Loved (Original Mix) – Download only – 2021 Claudia Placanica’s slightly disconcerting delivery is always the thing for me! 23.54 THE IRONSIDES – The Web – Changing Light, LP – Colemine – 2023 Cinematically soundtracking the ’70s like a good’un! The Streets of San Francisco and its like… which is apt… as that’s where The Ironsides are from. 28.57 BABY ROSE – Go – Through and Through, LP – Secretly Canadian – 2023 My fave 21st century track of the show, Jasmine Rose Wilson (to her mum and dad) with a quivering indie soul vocal – on this tune anyway – that Anonhi/Antony and the Johnsons could have penned and rolled out, albeit with a slightly different sound, no doubt. And that really is the sleeve, honest. I could be wrong but I reckon it’s a photographer’s dud that someone subsequently had a weird liking for. I struggle to actually look at it! 31.56 THE DRIFTERS – Like Sister and Brother – 7″ – Bell – 1973 I had this single in the mid ’70s but with the years since maybe ‘softening’ the senses, this made-to-measure ballad (with lead vocalist, Bill Fredericks sounding more like Johnny Mathis than I’d have remembered) sounds better now than it did back then but in the world we now live in there will be few if any songs written like this again. I had to run the idea past one of my teenage years mates but I reckon that, along with Jimmy Ruffin’s What Becomes Of The Brokenhearted (and others, no doubt), this was a last-dance-of-the-night/grab-a-girl-type tune at Bedford Rugby Club’s Saturday night ‘discos’. I’m making this actually sound like the ’40s but it was the era and I was in my late teens… and until I find my membership card, this’ll have to do. ‘Swing to Boomerang’ indeed. I don’t think they came back. 34.52 EYELESS IN GAZA – Flight Of Swallows – Back From The Rains, LP – Cherry Red – 1986 The intro to my 1984 Rorschach Testing article below sums up my thinking on Flight back then – and though the track was being played live at the time it was a couple of years before it surfaced on the above album. EIG article, Rorschach Testing, 1984 39.22 JONI MITCHELL – Eastern Rain – Archives – Volume 1: The Early Years 1963-1967, 5CD – Rhino – 2020 Truly a legend, such is the quality of the lady’s songwriting this beaut – from a Folklore Radio broadcast, of March 19, 1967 – never even made it to an official album and though it was covered by others and turned up in Joni live appearances of the time it took until the above retrospective to be released officially. And she’ll be back here quicker than you might be expecting. 43.13 SÓLEY – I Will Find You (Live, at the KEX Hostel in Reykjavik: 30.10.13) – Stream only – 2013 With a whole different tone to Liam Neeson’s ‘I Will Find You’ :), a production from the classy KEXP and a song only found on Sóley’s 5 track, 10″ EP, Don’t Ever Listen. This take however is a far more endearing version. 45.54 NORMA TANEGA – Walkin’ My Cat Named Dog – 7″ – Stateside – 1966 Was Norma ‘indie’ before there was such a thing? Sadly, she died in 2019 but search out a short Youtube interview and snippets piece (and the comments that followed) from a decade or so earlier. It was meant to be included in a proposed documentary that never then got going. 48.06 THE ELECTRIC FLAG – Look Into My Eyes – A Long Time Comin’, CD only – Columbia – 2003 From a handful of tracks that possibly didn’t make the cut for the initial 1968 release of the Chicago soul rock band’s second album, this is one of two that were first added to the above reissue. 50.52 LOVIN’ SPOONFUL – Summer In The City – 7″ – Kama Sutra – 1966 Maybe the best known tune on the show, with a forceful sounding John Sebastian and his/their ‘city’ being New York and its Greenwich Village hub back then. 53.13 THE FORTUNES – Here It Comes Again – 7″ – Decca – 1965 Innocent ’60s ‘pop’ with a classy arrangement, and another the likes of which will never be made again… and certainly not by anybody aiming for the charts. 56.09 THE MINDBENDERS – Groovy Kind Of Love – 7″ – Fontana – 1965 Wayne Fontana at the helm (and co-written by a pre-Sager Carol Bayer, I’ve just noted) I think this might have subconsciously stuck with me enough in its chart days (I was 8), to then make it to my record collection in the early ’70s. It felt then like a great many happily got rid of their records (certainly singles) after just a few years coz every second hand record shop had loads of chart stuff from just the 5-10 years prior. I was too young to have been buying the height of ’60s ‘pop’ during its time but picking it up a decade later was dead easy. Bet this cost me 10p or thereabouts. 58.05 SPUDDHA – Ton – Unreleased demo – 2014 ‘Recorded in a single take with a pair of £100 analog groove boxes (Korg Volcas) and there's no multi tracking, effects or post processing. One of the boxes is a three voice paraphonic synth and the other is an analogue drum machine. ‘At the time I was interested in making big, immersive music with an organic quality with sparse loops and a minimal setup. There's a lot of live tweaking and you will notice that the limitations of the synth mean that 1) only 3 notes can sound simultaneously and 2) the voices interrupt each other. Also presets couldn't be saved… if I didn't record what I was doing I couldn't move onto making something else without losing it all‘. – Spuddha. ‘Spud’ to me. 01.04.46 LONELADY – Hinterland – Hinterland, LP – Warp – 2015 Julie Lonelady groovin’ a tune and lyric that should have been here before now. c/w Julie ‘helping out’… 01.09.32 JONI MITCHELL – River (acapella) 01.13.30 ATRIC & FRIDA DARKO – Hide & Seek – Download only – 2023 ‘Always trying to combine genre fluid compositions, qualitative mixing and to take the whole process with a good sense of humor‘. – Them, via Bandcamp 01.17.26 A CERTAIN RATIO – Knife Slits Water (Peel session, June ’81) – Sextet, 2LP reissue – Factory Benelux – 2013 Yep, with Martha ‘Tilly’ Tilson’s oh-so-right vocal, the slightly epic Knife Slits Water. Very coincidentally, the day ACR recorded the above Peel session (according to the Keeping It Peel site) I saw them live supporting Cabaret Voltaire at Leicester Uni and the day the session was broadcast my diary says I had a long phone chat with Rob Gretton – no idea about what, other than re what New Order were up to at that point. 01.25.11 EARL16 – Changing World (Remix) – , LP – Merge Records – 2001 I caught this on a late night KISS FM radio show. His conscious sounds here taken up a few BPM. 01.30.05 COURTNEY BUCHANAN – R U Conscious (Album version) – 12″ – Conscious – 1993 And speaking of ‘conscious’… ‘Courtney has one of the most soulful, spiritual voices to come out of the UK. His music here combines jazzy acoustic sounds with delicate use of technology on a rhythmic, down-paced head nodder. I various mixes, the track’s ‘conscious’ lyrics and impressive vocals are a fine showcase for this British talent.‘ – Ralph Tee, Record Mirror (Music Week), 3.7.93 01.34.42 DELTA HOUSE OF FUNK – Lovers & Losers – 12″ EP – Go! Discs – 1996 Decided to playlist this before I remembered it was another of Ashley Beedle’s works. So, this is with a big nod to a top lad who’s been going through the health ringer in the last few years. 01.39.38 DRAX – Middle Earth – Drax Two, 12″EP – Trope – 1993 Clear vinyl gentle German techno. 01.44.51 CROOKED MAN – Cunts – Crooked Stile, 2LP – Viscous Charm – 2026 The reimagining here courtesy of Richard ‘Parrot’ Barratt. ‘Jarvis Cocker released Running The World in 2006The line ‘cunts are still running the world' is more relevant than ever… 20 years on and Crooked Man thought it needed to be said againHis razor-sharp reimagining is a call to arms with added electronic biteHe's skipped the niceties and titled it CUNTS.Out today on Vicious Charm today. The track is accompanied by an Agit-Prop video directed by British contemporary artist Dominic McGill, who, armed with a photocopier and a scalpel, has cut & pasted a perfect accompaniment to the song – breathless and furious. They are still running the world. It’s a work of “northern genius”, Jarvis’ words, not ours‘. – Bandcamp. 01.47.21 DESPERATE JOURNALIST – 7 – No Hero, LP – Fierce Panda – 2024 Driving indie rockers ever present on Simon Williams’ Fierce Panda label, with a nod to Jo Bevan’s confident vocals. 01.50.22 GANZHEIT – Motions – ‘Summer Of ’84’ demos cassette, unreleased – 1984 With a couple of this cassette’s tracks now playlisted on 41 Rooms, there are more to come from this lost Bedford-based band. Show 149 will be here March 1. Dec x The post Post Punk Plus Podcast Playlist 148 – Original upload 1.2.26 appeared first on 41Rooms.
This weeks podcast looks at the New World Order, as envisaged by Mark Carney and the WEF - including Konstantin Kisin; Mark Carney; Euthanasia for the Disabled in Canada; Banning the Bible in Canada; Rod Dreher; Davos; the Collapse of the Climate Change Bank; Iran and Davos; Country of the Week - Switzerland; Feedback; Cleanliness throughout the World; Trump's ignorance on Allied Soldiers; Hate Crimes Law in Australia; Shabana's Pantopticon; Abortion growth in the UK; The Covid Vaccine not a Vaccine; Betting on the Second Coming; and the Final Word - Psalm 100. With music from Tom Macdonald and Adam Colhoun; New Order; Megadeath; Yodelling Slim Clark; Deep Purple; Stephanie Martin; Van Morrison; and Larry Norman
Ce jeudi 29 janvier, RTL2 Pop-Rock Station déroule deux heures de rock allant de Beck à Soundgarden, en passant par Gojira, Queens Of The Stone Age et New Order. La programmation met en avant l'actualité avec Kim Gordon et "Not Today", annonciateur de l'album "Play Me", ainsi qu'un rappel historique autour des Beatles enregistrant en allemand à Paris en 1964 avec "Sie Liebt Dich". Le parcours musical s'enrichit de U2, Visage, Editors, Sly And The Family Stone et d'un détour par le rock français avec FFF. L'album de la semaine revient avec Poppy et "Empty Hands", un disque naviguant entre metalcore abrasif et moments plus mélodiques, illustré ici par "The Wait". La soirée se poursuit avec Editors, Beck, Sleaford Mods accompagnés d'Aldous Harding, puis la cover du jour consacrée à "Enter Sandman" de Metallica revisité par Weezer. La fin d'émission alterne annonces live et découvertes avec Empire Of The Sun, "Miles Of Nothing" recommandé par Francis Zégut, Archive, Dead Kennedys et un live marquant de Gojira. La nouveauté Fresh Fresh Fresh met en lumière le jeune Irlandais Dove Ellis avec "Pale Song". New Order - Blue Monday Kim Gordon - Not Today The Beatles - Sie Liebt Dich Soundgarden - Fell On Black Days U2 - Get On Your Boots Sly And The Family Stone - Dance To The Music Fff - Morphee (Vivants-Live) Poppy - The Wait Visage - Fade To Grey Editors - Papillon Beck - Sexx Laws Sleaford Mods & Aldous Harding - Elitest G.O.A.T Weezer - Enter Sandman Empire Of The Sun - Walking On A Dream Eileen Noise - Miles Of Nothing The Kinks - All Day And All Of The Night Franz Ferdinand - Do You Want To Archive - Look At Us Dead Kennedys - California Uber Alles Gojira - Mea Culpa (Ah! Ça Ira!) (Live J.O. 2024) Dove Ellis - Pale Song Van Morrison - Brown Eyed Girl Elvis Presley - A Little Less Conversation (Jxl Remix) Sly & Robbie & Shinehead - Boops (Here To Go) Queens Of The Stone Age - Little Sister Dynamite Shakers - Nightclub Stevie Wonder - Living For The CityHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
In this episode of the XS Noize Podcast, Mark Millar sits down with Paul Draper to talk about Mansun Retold — a project shaped by distance, perspective, and the strange experience of meeting your younger self through song. Watch the full video conversation. Releasing on 20 February, Mansun Retold sees Draper revisit and reimagine key songs from the Mansun catalogue, rebuilding them from the ground up as full-band, acoustic unplugged recordings. Rather than revisiting the past for nostalgia's sake, the album is about clarity — hearing familiar songs anew, stripped of urgency, ego, and expectation. Recorded at The Loft Studios in Surrey, the album was co-produced by Paul Draper alongside Paul "PDub" Walton (The Cure, U2, Björk, Massive Attack, Oasis). The sessions feature a string quartet arranged and led by Audrey Riley (Muse, Coldplay, Nick Cave), with drums performed by Julian Fenton — Mansun's original early-era drummer. Draper performs acoustic bass, acoustic lead and rhythm guitar, and piano throughout the record. In this conversation, Draper reflects on the emotional weight of returning to songs so closely tied to his own life, how he decided which tracks felt ready to be retold, and the responsibility he feels toward fans who have lived with this music for decades. He also talks about life beyond music, creative fulfilment, and how Mansun Retold is intended to be experienced — not as a retrospective, but as a living record, rooted firmly in the present. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.
Check out Armunn's channels: http://www.youtube.com/@armunnrigh / https://odysee.com/@armunnrighCheck out Armunn's books:Repentant Magdalene:(paperback) - https://www.lulu.com/shop/armunn-righ/repentant-magadalene/paperback/product-q6n4p9z.html(ebook + audiobook bundle): https://ko-fi.com/s/0e6a926e5bMan's Psyche: the two worlds - https://ko-fi.com/s/6f1bfcdfbaJoin Silas' channel to get access to perks: https://www.youtube.com/channel/UCKgU6CTpvc2ZjWtJDj51VXA/joinTo help cover the costs and time taken on these videos and research:Consider supporting Silas on Patreon - https://www.patreon.com/SilasSpeaksYou can donate via PayPal at silasspeaks@gmail.comGrab Silas' Books Here:Rise and Fall - https://www.lulu.com/shop/silas-gauthier/rise-and-fall-a-discourse-upon-the-phenomena-of-civilisation-and-decline/paperback/product-rqwqy7.html?page=1&pageSize=4Blood on the Sand: The Origins of the Abrahamic Conspiracy - https://www.lulu.com/shop/silas-gauthier/blood-on-the-sand/paperback/product-655vzg7.html?page=1&pageSize=4The Hidden Empire: On the Origins of the Merchant Elite - https://www.lulu.com/shop/silas-gauthier/the-hidden-empire/hardcover/product-kv8k57r.html?page=1&pageSize=4Yahweh is Satan: The Genesis of a New Order of the Ages - https://www.lulu.com/shop/silas-gauthier/yahweh-is-satan/ebook/product-q6nkq7r.html?page=1&pageSize=4Leave the World Behind: An Esoteric Analysis: https://www.lulu.com/shop/silas-gauthier/leave-the-world-behind/paperback/product-m2w79en.html?page=1&pageSize=4The Golden Age of Saturn's America - https://www.lulu.com/shop/silas-gauthier/the-golden-age-of-saturns-america/paperback/product-2mwq47n.html?page=1&pageSize=4Check out my Ko-fi Store for Audiobooks and Articles: https://ko-fi.com/silasspeaksBuy me a Coffee!: https://coff.ee/silasspeaksBitchute – https://www.bitchute.com/channel/TqUZalAmCkDC/Rumble – https://rumble.com/account/content?type=allOdysee – https://odysee.com/@Silasspeaks:a
Bandcamp announced on Reddit Tuesday that AI-generated music would not be allowed on their platform. Will other platforms like Spotify or Apple Music follow suit? And Apple has officially teamed up with Google to use Gemini to power Apple Intelligence. Plus Substack introduced a beta app for Apple TV and Google TV, letting subscribers watch creator videos and livestreams on a television. Is this a sign that Substack feels the future is video? Starring Sarah Lane, Tom Merritt, Robb Dunewood, Nica Montford, Len Peralta, Roger Chang Joe. To read the show notes click here! Support the show on Patreon by becoming a supporter!
Hey, it's the first episode of the Planet LP Podcast for 2026! Host Ted Asregadoo kicks off the new year by looking back at the memorable music-related experiences from 2025 with special guest Jeff Giles, co-host of The Record Player Podcast and author of Jefitoblog. While best-of lists may feel less relevant in today's era of personalized music consumption, Ted and Jeff take a different approach—reflecting on the moments, albums, books, concerts, and documentaries that made 2025 memorable for them personally. Jeff shares an update on his work-in-progress novel, "Largo's Dream," inspired by the 1998 album, Largo, produced by Rick Chertoff and Rob Hyman, which drew inspiration from Dvořák's New World Symphony. Ted dives into his reading highlights, particularly Eric M. Shade's "It's All Over the Place: The Rise of the Bangles from the LA Underground," a detailed chronicle that gave him newfound respect for the band's musicianship and their struggles navigating the music industry's challenges. The guys also talk about that nine-part documentary about The Beatles on Disney+ -- which gets mixed reviews, but was still memorable. The episode also covers Ted's impressive concert year, including the all-day Cruel World festival in Pasadena featuring Midge Ure, a 'Til Tuesday reunion, DEVO, The Go-Go's, She Wants Revenge, Garbage, New Order, and a standout performance from Nation of Language. Ted also recounts seeing Wolf Alice at the Fox Theater in Oakland—a show that turned him into an even bigger fan—and experiencing Belly perform their album "King" in its entirety at the Great American Music Hall in San Francisco. Plus, he shares his thoughts on the prolific and experimental Steven Wilson, whom he saw live at The Masonic Theater in San Francisco. Jeff reflects on Ted's dedication to Rush, noting the $300+ tickets Ted purchased to see them in LA and San Jose—a level of commitment that Jeff admits he can't match, even for his own favorites, such as The Doobie Brothers and Billy Joel. Join Ted and Jeff for an engaging conversation about what made 2025 a memorable year for them. Maybe it'll get you to reflect on your own music experiences, too. Steve Fox's Old School sponsors the Planet LP podcast! Steve Fox's Old School. It's the first place to go to stream R&B dance hits from the 1970s to the 1990s.
Night of the Living Podcast: Horror, Sci-Fi and Fantasy Film Discussion
It's Amy's turn this week, and she tasked us with watching Point Break. Then we start chatting about what we've been watching lately like New Order, The Vast of Night, and 28 Years Later: The Bone Temple. Support us on Patreon! Patrons have access to the NOTLP Discord Server, weekly virtual meetups with the hosts, ad free episodes and tons of other great content. This podcast is brought to you by the Legion of Demons at patreon.com/notlp. Our Beelzebub tier producers are: Ernest Perez Shayna Spalla Branan & Emily Intravia-Whitehead Bill Chandler Blayne Turner Monica Martinson Bill Fahrner Brian Krause Dave Siebert Joe Juvland Matt Funke "Monster Movies (with My Friends)" was written and performed by Kelley Kombrinck. It was recorded and mixed by Freddy Morris. Night of the Living Podcast Social Media: facebook.com/notlp instagram.com/nightofthelivingpodcast youtube.com/notlpcrew https://www.tiktok.com/@nightofthelivingpodcast
In this episode of the XS Noize Podcast, Mark Millar sits down with Alexander Wolfe to talk about his deeply personal new album Everythinglessness. Watch the full video conversation. Written after a period of intense personal reckoning — including time spent in a mental health rehabilitation facility in 2023 — Everythinglessness explores masculinity, mental health, and emotional survival. Drawing on experiences of depression, anxiety, and ADHD, Wolfe turns vulnerability into something raw, intimate, and quietly powerful. Raised in 1990s Woolwich, Wolfe blends observational grit with cinematic songwriting, using analogue textures, layered harmonies, and stark piano lines to create a record that unfolds like a coming-of-age story — moving through grief, identity, and acceptance. In this conversation, Wolfe reflects on the mindset behind the album, the challenge of expressing softness in a culture shaped by silence and stoicism, and how music became a form of recovery rather than escape. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.
This week on The Metro, Rev. Jeff Ivins brings you more sounds of the 1980s with: Any Trouble, New Order, Pixies, O.M.D., Laura Branigan, Go West, The Sisters Of Mercy, Boomtown Rats, G.B.H., Huey Lewis And The News, Gary Myrick, Level 42, Midnight Oil, and finishes up with Ultravox.
This week we've got a really fascinating chat with Stewart Home. Originally a punk in London in the early days of the movement, he's since forged a career as a musician, author and visual artist. In this interview we talk at length about his early days as a punk in London in the late 70s and early 80s, and dig into how his own perception of the genre has helped to inform his outlook on music ever since. We dig into his 1994 treatise on punk rock, Cranked Up Really High, discussing his rather unique take on the genre and its legacy—including his controversial argument that punk rock wasn't actually influenced by Situationism. Naturally, conversation drifts into how right-wing oi! music grew out from the genre, touching on figures like Ian Stuart, Skrewdriver, and the uncomfortable middle-class origins of many prominent fascist punk bands. From there, we tie things into his latest book, Fascist Yoga: Grifters, Occultists, White Supremacists, and the New Order in Wellness, which takes a close look at the origins of modern yoga, uncovering the grifters and white supremacists who sat at the heart of the movement as it grew throughout the mid to late 20th century. In it, he argues that yoga served as a blueprint for the tactics and ideology that permeate the modern wellness movement—and traces the pipeline from 1960s counterculture libertarianism to today's anti-government conspiracism. Which, once again, leads into the far-right. Because, y'know, that's what we do. We thoroughly recommend both books: Cranked Up Really High is available to read fully on his website. Fascist Yoga: Grifters, Occultists, White Supremacists, and the New Order In Wellness currently available at all good booksellers, published by Pluto Press. Highlights: 00:20 Welcome to the Show 02:36 Stuart's Journey and Punk Rock Insights 12:05 The Evolution of Punk Rock 17:40 Fascism and Music: A Complex Relationship 20:53 David Bowie and the National Front 31:38 The Intersection of Esotericism and Fascism 34:28 The Evolution of Link Records and Skrewdriver's Iconography 36:17 Boyd Rice and the Punk Scene 39:01 Tony Wakeford and the Controversies of Sol Invictus 42:17 The Working Class Roots of Metal and Neo-Folk 46:18 The Rise of Neo-Nazi and Fascist Music 50:55 The Intersection of Wellness Culture and Alt-Right Ideologies 56:34 The Role of Doubt and Disinformation in Modern Politics 01:00:58 The Punk Rock Influence on Chan Culture 01:06:48 Conclusion and Final Thoughts Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's January, so that means it's time for our “Uncannuary” series! Where we cover movies that feature superheroes or vigilantes, either adapted from comics or created specifically for the big screen! In this week's episode, Alex, Tim, and returning guest Matt Naughton discuss the 1998 action-horror hybrid that kicked off the Marvel Cinematic Universe, Blade!The iconic Blood Rave! Intense late 90s vibes, including an influential and memorable techno soundtrack! Hong Kong-style action! Dramatic sunglass catching! Abundant black trench coats! Questionable blood tasting! Whimsical vampire souls! A sunrise execution! A melting body! Flirtatious sunscreen application! Vampire profiling! Good but somewhat-dated special effects! A surprisingly committed DJ! Dangerous autonomous trains! Late 90s computer graphics! reckless refueling! Solid horror moments, including a jump scare that saves someone from an awkward conversation! One of the only movies directed by Stephen Norrington before his early retirement! A cast that includes a bullied Donal Logue, Kris Kristofferson, Udo Kier, N'Bushe Wright, Traci Lords, AVP's Sanaa Lathan, Stephen Dorff as a slimy Vampire Supremacist, and of course, Wesley Snipes at his edgiest - delivering catchy one-liners while posing for countless aura-farming shots in a role he was born to play!In addition, Matt Naughton reminds everyone how great John Woo's Face/Off is, while Alex fully gives in to his love of James Cameron and gushes about Avatar: Fire and Ash!As an added bonus, Alex shares that he was in a Holidanger movie himself, 2013's You Better Watch Out!, which can be found on YouTube here!You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. This episode's guest, Matt Naughton, can be found on Instagram @mnaughty85. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod.Theme song is “We Got it Goin On” by Cobra Man.
SNG! - evo nas (konačno) po prvi put u 2026., sa kratkom retrospektivom 2025. - prisećanje na ono malo dobrih momenata i ostalog čemera. Pripreme samoupravne organizacije udruženog rada, fascinantni #niz od 7 poraza u EL, teško je pričati o JSD danas a pretpostavljam i slušati, enjoy! Studio Hrizantema: Gazza, Gogec, Lemzi, crk Trajanje: 127 minuta ---------------------------------- Pokrenuli smo PATREON, pa ko želi sada može da časti za neko pivo, dodatne sadržaje i/ili tehničke popravke na podcastu: www.patreon.com/pfchisterical A ima i opcija za direktne donacije: paypal.me/partizanhisterical ---------------------------------- HISTI RADIO MIX br. 91 https://youtube.com/playlist?list=PLwhKCZrlUHqiSDPTo8rsi7d56RY6B-er5&si=rMeOUpDJXzURfhwA Twitter: www.twitter.com/pfchisterical Instagram: www.instagram.com/pfchisterical/ Youtube: www.youtube.com/c/PartizanHistericalPodcast podcast.rs/show/histerical/ NAPRED PARTIZAN! NAPOMENA: Ovo je "uradi sam" podkast u kome navijači Partizana razgovaraju o zbivanjima u svom voljenom klubu. Izneta mišljenja i stavovi su lični, kafanski, i ne predstavljaju stavove bilo koje navijačke grupe, frakcije, dela uprave, radne ili druge organizacije. Nismo insajderi, eksperti, sportski radnici. Apsolutna vernost, ne apsolutna istina. Trudimo se da jezik koji koristimo bude fin književni - možete ga čuti na svakom stadionu i u svakoj sportskoj hali. Cover foto: FK Partizan Majstor zvuka: crk Realizacija: Slavko Tatić, gajtan, štap, kanap, New Order & Histi
Foreigner : Girl On The Moon La Reprise L'originale Filter : A Sort Of Homecoming U2 : A Sort Of Homecoming Will Swinton : Find A Way Pink Floyd : Sorrow Karnivool : Aozora Marillion : The King Of The Sunset Town (1997 Remaster) Metallica : Fade To Black Tsar : Para Bellum New Order : True Faith La Reprise L'original Breaking Benjamin : Enjoy The Silence Depeche Mode : Enjoy The Silence Public Service Broadcasting : I Was Always Dreaming (Late Night Final Remix) Best Albums 1992 Alice In Chains : Down In A Hole Tori Amos : Crucify Rage Against The Machine : Freedom The Cure : From The Edge Of The Deep Green Sea Big Brother And The Holding Company : Ball And Chain Jessie Lee & The Alchemists : Show Me Your Love Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Welcome to the Video Game Book Club where three of the gaming industry's best consultants (to never consult on a game) get together to talk about a specific video game in book club fashion. This week we finish The New Order. Next week we will start playing Metal Gear Rising playing until we finish the 3rd mission/chapter. Don't forget to send comments and questions to testingroompod@gmail.com, comment down below or message us on instagram. Also don't forget to follow us on Twitch @ twitch.tv/testingroomlive andwatch on YouTube @ youtube.com/@thetestingroom
Joseph Kamel et Daysy étaient les invités du Double Expresso RTL2 ce vendredi 16 janvier. Les deux artistes sont venus présenter leur single commun "Par cœur", un titre fédérateur autour de l'amitié, qu'ils ont interprété en direct des studios de la station Pop-Rock, ainsi que "Beau" interprété cette fois en solo par Joseph Kamel. Daysy a évoqué la sortie de son EP "Joli rêve" en décembre dernier et sa tournée "Fraîche Pop", tandis que Joseph Kamel est revenu sur le succès de son premier album "Miroirs", ainsi que sur les grandes dates de sa tournée à venir, dont l'Olympia à Paris. L'info du matin - Grégory Ascher et Erika Moulet ont expliqué pourquoi votre chien comprend plus de choses que vous ne le pensez. Le winner du jour - Une école de 112 enfants est évacuée en urgence à cause d'une odeur de gaz suspecte. - Harry Styles annonce la sortie de son quatrième album, "Kiss All the Time. Disco, Occasionally". Le flashback du jour - Mai 1983 : sortie du deuxième album de New Order, "Power, Corruption and Lies", porté par l'immense tube "Blue Monday". - En France comme dans le monde, "Billie Jean" de Michael Jackson est numéro 1 des ventes. Les savoirs inutiles - Le kangourou serait le seul animal capable de contribuer à sauver la planète grâce à ses flatulences. La chanson du jour - Seal "Kiss from a Rose". Le jeu surprise (1 2 3 4) - Camille de Besançon repart avec un pack 900care. La Banque RTL2 - Jade d'Angers gagne un séjour pour quatre personnes au Puy du Fou. - Sébastien de Pommiers, vers Lyon, repart avec un pack 900care. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
New year, NEW ORDER! That's the name of our new study in the book of John. Special guest “El Guapo” joins regulars Suzie Lind, Kevin Dixon and Mike Erre to relive 80s electronic pop and answer questions from the Journey community.TIMESTAMPS00:49 Blue Tuesday: Are we recording this?05:30 Touched By The Voice of God: (Or at least, Joel Osteen).11:58 True Faith: John content begins.15:42 Word To Your Mother: John content really starts now. - - - - -Have a question or comment for the NOW team? Join the conversation by texting us at +1 615 861 9503.
Check out Armunn's channels: http://www.youtube.com/@armunnrigh / https://odysee.com/@armunnrighCheck out Armunn's books:Repentant Magdalene:(paperback) - https://www.lulu.com/shop/armunn-righ/repentant-magadalene/paperback/product-q6n4p9z.html(ebook + audiobook bundle): https://ko-fi.com/s/0e6a926e5bMan's Psyche: the two worlds - https://ko-fi.com/s/6f1bfcdfbaJoin Silas' channel to get access to perks: https://www.youtube.com/channel/UCKgU6CTpvc2ZjWtJDj51VXA/joinTo help cover the costs and time taken on these videos and research:Consider supporting Silas on Patreon - https://www.patreon.com/SilasSpeaksYou can donate via PayPal at silasspeaks@gmail.comGrab Silas' Books Here:Rise and Fall - https://www.lulu.com/shop/silas-gauthier/rise-and-fall-a-discourse-upon-the-phenomena-of-civilisation-and-decline/paperback/product-rqwqy7.html?page=1&pageSize=4Blood on the Sand: The Origins of the Abrahamic Conspiracy - https://www.lulu.com/shop/silas-gauthier/blood-on-the-sand/paperback/product-655vzg7.html?page=1&pageSize=4The Hidden Empire: On the Origins of the Merchant Elite - https://www.lulu.com/shop/silas-gauthier/the-hidden-empire/hardcover/product-kv8k57r.html?page=1&pageSize=4Yahweh is Satan: The Genesis of a New Order of the Ages - https://www.lulu.com/shop/silas-gauthier/yahweh-is-satan/ebook/product-q6nkq7r.html?page=1&pageSize=4Leave the World Behind: An Esoteric Analysis: https://www.lulu.com/shop/silas-gauthier/leave-the-world-behind/paperback/product-m2w79en.html?page=1&pageSize=4The Golden Age of Saturn's America - https://www.lulu.com/shop/silas-gauthier/the-golden-age-of-saturns-america/paperback/product-2mwq47n.html?page=1&pageSize=4Check out my Ko-fi Store for Audiobooks and Articles: https://ko-fi.com/silasspeaksBuy me a Coffee!: https://coff.ee/silasspeaksBitchute – https://www.bitchute.com/channel/TqUZalAmCkDC/Rumble – https://rumble.com/account/content?type=allOdysee – https://odysee.com/@Silasspeaks:a
Texas - Summer Son Taylor Swift - Opalite Cutting Crew - I Just Died In Your Arms The Kinks - Sunny Afternoon Bon Jovi - You Give Love A Bad Name Smash Mouth - Walkin' On The Sun The Human League - Don't You Want Me Gorillaz - Dare Cyndi Lauper - Girls Just Want To Have Fun Two Door Cinema Club - Something Good Can Work Toploader - Dancing In The Moonlight New Order - Bizarre Love Triangle Sophie Ellis Bextor - Murder On The Dancefloor Evanescence - Bring Me To Life Joan Jett And The Blackhearts - I Love Rock'N'Roll The Warning - Hell You Call A Dream Weezer - Beverly Hills Radiohead - Creep Lilly Allen - Smile Ed Sheeran - Shape Of You Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
For founding member (and lead singer) Bernard Sumner’s 70th, let’s listen to some New Order covers, as well as some Electronic and Joy Division for good measure! (66 minutes) Check out https://www.squarespace.com/COVERVILLE to save 10% off your first purchase of a website or domain using code COVERVILLE!
For founding member (and lead singer) Bernard Sumner’s 70th, let’s listen to some New Order covers, as well as some Electronic and Joy Division for good measure! (66 minutes) Check out https://www.squarespace.com/COVERVILLE to save 10% off your first purchase of a website or domain using code COVERVILLE!
https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]
A decade after lighting up the UK post-dubstep landscape with his own brand of sadness-tinted bright-focus electronic pop, Orlando Higginbottom returns with a new shape and a sharper edge. Dropping the Totally Enourmous Extinct Dinosaurs nom de plume, now as TEED, he opens up about rebuilding a creative life, dropping that Dadaist moniker that became a barrier, and writing Always With Me as a front-to-back album designed for deep listening. We dig into the real cost of momentum, the strange mix of pride and embarrassment that comes with releasing art, and why the only way to find magic is to run through the cringe instead of hiding from it.Moving from Britain to LA, Orlando speaks honestly about confronting British attitudes to success, learning from American civil rights conversations, and the humility that comes from realising how much you don't know until you leave home.Fans of Junior Boys, Metronomy, and New Order will hear familiar emotional colours in Always With Me: bright, economical production carrying bittersweet lyrics and synth lines that linger. Orlando shares the turning points that kept him going, from burnout after Trouble and industry targets that narrowed his world to a liberating SoundCloud drop that kickstarted a new season of work. Along the way, he offers grounded advice for artists: decide whether you're chasing quick wins or a lasting identity, share work early, set your rules, and avoid outrage-for-clicks traps because relationships outlast algorithms.If you enjoy Lost and Sound and want to help keep it thriving, the best way to support is simple: subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps others find the show. You can do that here on Apple Podcasts or wherever you like to listen.Huge thanks to Audio-Technica – makers of beautifully engineered audio gear and sponsors of Lost and Sound. Check them out here: Audio-TechnicaTEED on Instagram:https://www.instagram.com/teed/?hl=enTEED on Bandcamp:https://t-e-e-d.bandcamp.com/album/always-with-meMy book Coming To Berlin is a journey through the city's creative underground, and is available via Velocity Press.You can also follow me on Instagram at @paulhanford for behind-the-scenes bits, guest updates, and whatever else is bubbling up.
Check out Armunn's channels: http://www.youtube.com/@armunnrigh / https://odysee.com/@armunnrighCheck out Armunn's books:Repentant Magdalene:(paperback) - https://www.lulu.com/shop/armunn-righ/repentant-magadalene/paperback/product-q6n4p9z.html(ebook + audiobook bundle): https://ko-fi.com/s/0e6a926e5bMan's Psyche: the two worlds - https://ko-fi.com/s/6f1bfcdfbaJoin Silas' channel to get access to perks: https://www.youtube.com/channel/UCKgU6CTpvc2ZjWtJDj51VXA/joinTo help cover the costs and time taken on these videos and research:Consider supporting Silas on Patreon - https://www.patreon.com/SilasSpeaksYou can donate via PayPal at silasspeaks@gmail.comGrab Silas' Books Here:Rise and Fall - https://www.lulu.com/shop/silas-gauthier/rise-and-fall-a-discourse-upon-the-phenomena-of-civilisation-and-decline/paperback/product-rqwqy7.html?page=1&pageSize=4Blood on the Sand: The Origins of the Abrahamic Conspiracy - https://www.lulu.com/shop/silas-gauthier/blood-on-the-sand/paperback/product-655vzg7.html?page=1&pageSize=4The Hidden Empire: On the Origins of the Merchant Elite - https://www.lulu.com/shop/silas-gauthier/the-hidden-empire/hardcover/product-kv8k57r.html?page=1&pageSize=4Yahweh is Satan: The Genesis of a New Order of the Ages - https://www.lulu.com/shop/silas-gauthier/yahweh-is-satan/ebook/product-q6nkq7r.html?page=1&pageSize=4Leave the World Behind: An Esoteric Analysis: https://www.lulu.com/shop/silas-gauthier/leave-the-world-behind/paperback/product-m2w79en.html?page=1&pageSize=4The Golden Age of Saturn's America - https://www.lulu.com/shop/silas-gauthier/the-golden-age-of-saturns-america/paperback/product-2mwq47n.html?page=1&pageSize=4Check out my Ko-fi Store for Audiobooks and Articles: https://ko-fi.com/silasspeaksBuy me a Coffee!: https://coff.ee/silasspeaksBitchute – https://www.bitchute.com/channel/TqUZalAmCkDC/Rumble – https://rumble.com/account/content?type=allOdysee – https://odysee.com/@Silasspeaks:a
Accusation doesn't get the final word—Jesus does. This message reminds us that God cleanses us before we're ready, rebukes the enemy on our behalf, and sets us apart through Jesus—not because we're worthy, but because He is faithful.Are you ready to step into all God has called you to be through our Christ-Like Leader Pathway? There are so many ways to start, and we're here to walk with you every step of the way.-CLICK HERE TO SERVE: https://shorelinecity....-CLICK HERE TO GET IN COMMUNITY: https://shorelinecity....-CLICK HERE TO LIVE GENEROUSLY: https://shorelinecity....JESUS FIRST: We've been praying for you! If you made the decision to put Jesus first, text “JESUS” to 73000.PRAYER: We believe there isn't anything too small or too big to bring to God. It would be our honor to pray with you. Text “PRAYER” to 73000STAY CONNECTEDWebsite: http://shorelinecity.c...Instagram: http://instagarm.com/s...Facebook: / shorelinecity Pastor Earl: / earlmcclellan Pastor Oneka: / onekamcclellan #ShorelineCity
Enjoy this week's episode with Argentinian Dj & producer LUCERO. His love for music began at a very young age. At the age of 14 he was mixing with vinyl influenced by the New Wave, Electronic, Synthpopy and Jazz-Funk genres and developing a special interest in artists such as Pink Floyd, Depeche Mode, New Order, among others. During the time he lived in Argentina he was a resident at Voodoo Lounge. In 2015 he decided to work internationally, choosing to live in the city of Playa Del Carmen, a place where he currently continues to grow in his career as a resident of On Heaven and Speakeasy, sharing the scene and collaborating with local artists such as Jay Perlestein, Galgo, Cesar Lombardi, Nacho Kahn , Corcuera, Negrinm, among others. In 2022 he releases his first single called Matafiyi on the KMT record label, records with such acceptance that it will be re-released on the prestigious REDOLENT record label in January 2024. LUCERO - Fever Dance (Vocal Mix) [REDOLENT] LANDSMAN - Steal My Soul Ninetoes - See Thru You (Extended Mix) Kashovski - Burn Original La Santa - Mamba [REDOLENT] Andrea Oliva, Tim Engelhardt - No Tears (Extended Mix) Super Flu - Nos Crub Shermanology - Don't You Leave (Extended Mix) ID ID - Believe AMacowicz - Woho'oho (Extended Mix) Monkey Safari - Tcha Tom Zeta - Es Torrent This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
On 10 November 2025, Indonesia's President Prabowo Subianto made a controversial decision that reignited divisions in Indonesian society: he posthumously designated former President Suharto as a pahlawan nasional or a ‘national hero.' Suharto seized power in 1965 during a period of violent upheaval and ruled Indonesia for over three decades until 1998, presiding over what he called the "New Order" regime. His rule brought rapid economic development, lifting millions out of poverty and transforming Indonesia into a regional power. But it was also marked by systematic human rights violations, including the mass killings of alleged communists in 1965-66, as well as brutal crackdowns in East Timor, Aceh, and West Papua. His regime was characterized by media censorship, restrictions on freedom, and widespread corruption. The decision to honour Suharto came despite protests from over 500 civil society members, academics, and activists who argue the designation whitewashes history and betrays the victims of his regime. But defenders point to his role in Indonesia's economic transformation and his contributions during the independence era. In this episode Elisabeth Kramer is joined by historian Dr. Ken Setiawan and Lailly Prihatiningtyas, a PhD student representing Sydney group Aliansi Gusar, to explore what this designation means for Indonesia's democracy, its memory politics, and its ongoing struggle with accountability for past atrocities. We also ask, how have young people reacted to this, and what does it mean to them? Dr Setiawan has written a highly relevant article on historical revisionism under the Prabowo presidency, which you can find at https://indonesiaatmelbourne.unimelb.edu.au/of-heroes-and-villains-prabowos-playbook-for-power-and-historical-revisionism/. Dr Ken Setiawan is a Senior Lecturer in Indonesian Studies and a Deputy Director (Diversity and Inclusion) at the Asia Institute, Faculty of Arts. She is also an Associate at the Centre for Indonesian Law, Islam and Society (CILIS) at the Melbourne Law School. Ken's research interests include globalisation and human rights, historical violence and transitional justice, as well as gender and civil society. She has widely published on the politics of human rights in Indonesia, and teaches in the areas of Indonesian Studies, including language, and Asian Studies, with a particular focus on politics and human rights. Lailly Prihatiningtyas is a PhD candidate and research consultant at the Institute for Sustainable Futures, University of Technology Sydney. Her work focuses on the governance of just energy transitions, green jobs, and labour market institutions, especially in Southeast Asia. She has more than a decade of diverse professional experience in Indonesia, working with government, development organisations, the private sector, and NGOs. She is part of Aliansi GUSAR (Gerakan untuk Sydney Bersuara), a grassroots collective of Indonesian diasporas in Sydney concerned with justice and equality in Indonesia, and joins Talking Indonesia to share a civic engagement perspective on social justice, state accountability, and the impacts of political decisions on ordinary Indonesian citizens.
We talk Blue Monday, FinDoming on amazon, we give out a spanking of the week. We can't stop watching shows, we hurt our fingernails cleanring the dishes, my daughter hops into a road race. Then we listen to an album that has at least one banger and mostly talk about how much we want the flag draft.
Deep Cuts: Lost & Found goes out with a BANG on this mid-season finale for season 4, focusing on drums and drummers. Check out acclaimed rhythmatists like Stewart Copeland and Ringo Starr, as well as some lesser-known thumpers like George Hurley and James Gadson. Featuring The Police, New Order, Can, Simple Minds, the Beatles and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
Iconic producer Arthur Baker talks JoE Silva through his collaboration with New Order for this 1983 single "Confusion." Plus we check out new tracks from EGGY, Yuuf and Dry Cleaning
This playlist is 65% vinyl friendly. Very poor. Scorchio! ‘1960/1970 Vintage Stereo Design Record Player, in bright orange, the emblematic colour of the 1960 and an example of Mod Ultra Space Age Pop Art Raymond Loewy? France French Designer Museum-worthy‘ says the Etsy seller, adding ‘It has a few cracks, one of the speakers has a small tear in the cloth and may need an overhaul, a full check up to see how and if it works and if it is complete… WE HAVE NEVER TRIED TO USE IT AND I DO NOT KNOW IF IT WORKS OR PLAYS.‘ Thank flip it’s down to €4600, from €7100. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. And a bit of a croak in my voice here and there. A temporary glitch, hopefully. Lyric of Playlist 146 Trickery involved but it has to be The Bots! 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Ruined In A Day (Reading Festival, 1993) – In Concert – 577, CD – BBC Transcription – 1993 I and my four-year-old, Alice were there, on what was a triumphant return, with the wonderful ‘Ruined’ in amongst new numbers from the band’s then recently released Republic album nobody would have previously heard in a live setting. BBC Transcription Services recordings – produced to service radio stations and usually for a very limited time frame for broadcast – had moved from vinyl to CD but with runs still only in their low hundreds New Order completists would be struggling to own a copy of this one… and I don’t. 04.42 MERIC LONG – A Small Act Of Defiance – Kablooey, LP – Polyvinyl Record Company – 2025 Book-ending a bunch of releases through the years as a member of The Dodos, Kablooey is seemingly Long’s first solo release under his own name since 2006. 07.43 BIOCHEMICAL DREAD – False Kings Of The Earth – 12″ – Pulsolid – 2004 Besides his work with Cabaret Voltaire this 12″ demonstrates there are gaps in my knowledge of Richard H. Kirk’s lengthy discography elsewhere. A copy of ‘False Kings… ‘ however is currently heading my way. RIP, Richard. 13.21 DARKSIDE – One Last Nothing – Download only – Matador – 2025 Including a past member of the 41 Rooms playlist parish, Nicolas Jaar, a US trio currently NOT releasing a 12″, though their Bandcamp visual hints otherwise. 18.32 AGENTS WITH FALSE MEMORIES – Agents With False Memories (extract), CD only – Ash International / Soleilmoon Recordings – 1996 Extract, indeed as Richard H. Kirk promptly returns to show 146 with this four minute snippet from a 53 minute track. 22.34 HUMANIZER – Shinobi – ? – ? – 2000s? Ignoring the slight Liam Gallagher drawl and with zero connection to any Death Metal band of the same name, this might have been Manchester sourced… and maybe with a Peter Hook connection. That’s what I’m vaguely remembering… from over a decade ago. Dunno… A ‘demo’ version, minus vocals, might also get an outing here at some point. 27.08 DIFFERENT GEAR – A Little Bit Paranoid (Extended Mix) * – 12″ – City Rockers – 2002 Courtesy of a ‘Phil Dirtbox’, the vocal is the winner here. 32.59 MERZ – Sorrow In The Sky (Nightingale Vs The Crow) – 7″ b-side – Lotus Records – 2002 The stuff that people sing about… and here with gusto and passion, to boot! 36.55 LUSCIOUS JACKSON – Why Do I Lie? (Sessions at 54th, 11.97) – Stream only – 1997 Vocalist, Jill Cunniff’s tale of lying sounding best live! 40.13 THE POPPY FAMILY – I Was Wondering – 7″ – London – 1971 A bit of a strange arrangement, this one. Albeit with a key change in there – verses with no choruses! Weird and wonderful… and maybe a bit brave in the pop world of the early ’70s, where the only PF track I remember hearing as a young teen was Which Way Are You Going Billy? That won’t be getting a 41 Rooms spin. 42.43 SOPHIE JAMIESON – Camera – I Still Want To Share, LP – Bella Union – 2025 Being over in Brighton recently it seemed appropriate I buy her clear vinyl album from the Bella Union shop and re Camera? It’s the subtle build in Sophie’s vocal and she’ll be here again at some point. 46.59 MARTYN BATES – The Rhyme Of Miracles – Arriving Fire, CD only – Ambivalent Scale – 2014 Martyn instils presence in a tune like few others for me. 50.28 JOSE FELICIANO – First Of May – 7″ b-side – RCA – 1969 ‘Feliciano seems to be on a heavy Bee Gees kick… after ‘Marley Purt Drive,’ he now does ‘First Of May’ and ‘Gotta Get A Message To You.’ And with his highly stylised projection, Jose manages to make them sound totally removed from anything the Gibb brothers originated’. – Disc (edited review of the album, 10 to 23), 15.11.69. As far as I know the Bee Gees tune was only ever released on a 7″ (my ‘format of choice’) for Jose in Mexico, New Zealand, Philippines and Spain and never as an A-side and arranger, Al Capps most probably winced if he ever got to see the NZ pressing below. Strangely, Jose’s very rarely performed the song live. I’ve only noted it three times, including two at London’s Jazz Cafe, in 1996 and again in 1998 and at the former it surfaced nearly under duress. With the audience (maybe unsurprisingly) constantly shouting out for past JF favourites Jose countered, ‘You know there’s a lot of songs you people ask me for that unfortunately… and I’m not being rude, a lot of artists are rude, they do it on purpose, but some of the songs that you ask me to sing, do you know that I haven’t sung them in years and I’ve forgotten the words and rather than make an ass out of myself that’s why I don’t sing them, OK? So, don’t take it personal… I don’t sing those songs anymore. But I’ll tell you what though there’s some that you ask for that I do remember, like this one. I hope that this one will satisfy you.’ That rare sighting was even more surprising considering Jose had taken the rare move of including his own recording of the song when guesting on Brian Matthew’s My Top Twelve for BBC Radio 1 back in June 1974. 54.11 JAPAN – Alien – Quiet Life, LP – Ariola Hansa – 1980 Bedford: Heronscroft, Putnoe, 1980 and Winkles, 1981… with a few Japan gigs thrown in at the time. 58.47 JOHN CALE – Chinese Envoy (M:FANS) – M: FANS, 2 LP – Double Six – 2016 ‘Approached as a reinterpretation of Cale's 1982 improvisational album, Music for a New Society… M:FANS is something of a funhouse mirror reflection of that work, using the basic song-structures of the original album as a starting point and using time, experience and the technological advances of the ensuing years to bring a new focus to the tunes. Some selections are comfortably familiar, while others have a significantly different footprint‘. – KCRW 01.02.32 ICEHOUSE – No Promises (Dance Mix) * – 12″ – Chrysalis – 1990 Fully five years after the track had seemingly done its thing it got an extended outing in Spain. 01.07.58 DAVID BOWIE – This Is Not America (BBC concert) – Bowie At The Beeb, 2CD – EMI – 2000 Part of Bowie’s special set for a small invited audience at the BBC’s Radio Theatre, in London, June 2000. 01.11.29 JOHNNY KEATING – Theme from Z-Cars (Johnny Todd) – 7″ – Piccadilly – 1962 Did I realise the grittier scripts involved here than had been delivered by Jack Warner’s strolling forerunner, Dixon Of Dock Green? Nah, I was five when Z-Cars kicked off but the theme (based on the traditional folk song, Johnny Todd) still brings a fuzzy feel. And Wikipedia will give you the full story on why Everton FC players come out to the tune at home games. 01.13.22 MARC COHN – ‘Walking in Memphis (Mahna Mahna)’ – Stream only – 1990’s? Cohn definitely wouldn’t have seen this coming, as the self proclaiming Mahna Mahna and the Snowths duo upstage him in a short but cheeky mashup (of sorts) I happened on via Youtube a couple of decades ago. I’ll openly admit I was a Muppets fan when they first aired on UK TV back in the mid ’70s and with Statler & Waldorf the stars for me I remember walking my girlfriend of the time, Jill home from work and then running up the hill to my house to record the show. Pre the age of video recorders, at one point there was a stack of ten to twenty AGFA(!!) cassette tapes of the shows in my bedroom. Getting back to Cohn, the fact he’s ‘racing’ a bit here actually adds to the cheeriness and I salute whoever was involved. 01.14.44 BERNARD CRIBBINS – The Hole In The Ground – 7″ – Parlophone – 1962 And like the Z-Cars theme I was five when this was released and I’d have definitely been singing this one in the years close after – and weirdly, although it’s the second tune from ’62 on this show, it’s not the last. 01.16.27 THE BOTS – Fuzzy Math – George W. Bush Greatest Hits, v/artists, CDr only – Spin The World – 2004 I heard this cut and paste work of art somewhere around its ‘release’ and as of 2004… ‘… utilizing the revolutionary Presidential Truth Filter(PTF). The PTF operates like this: All presidential statements are recorded, and made into a huge database. The database is searchable by speech, phrase, keyword, emotional intensity, etc. In parallel, an analysis is made of the historical circumstances of the particular presidency. The question must be asked, what is this man (all men so far…) really all about? What is a defining characteristic of this presidency? The final question which must be addressed by the PTF is, how can we use the assets in the database to concatenate the truth, and make the President speak it? The first attempt was Bushwack, in 1992. This turned into a huge hit before the Presidential election in 1992, though BMI denied that it was ever on the air at all. Through October of that year, stations such as San Francisco’s Live105 were playing it almost hourly. In 1997 Rock The House was a popular download at an early digital music download startup, muzic.com. In 2003 Bushwack2 was released at about the start of the Iraq war. The mood of the song is quite grim, as the truth of those times was interpreted by the PTF. In 2004, the PTF was reprogrammed to emphasize economics and general silliness, and Fuzzy Math was born. We think it’s the best one yet. Judge the results for yourself’. – thebots.net 01.19.26 DREXCIYA – Black Sea – The Journey Home, 12″ EP – Warp – 1995 First heard on either of Colin Faver’s or Colin Dale’s techno shows on KISS FM. Sounds more likely it was the former. 01.24.58 E-DANCER – Heavenly * – 12″ – KMS – 1997 The Inner City (‘Big Fun’) man, Kevin Saunderson with his techno head on. 01.28.51 CHARLES WEBSTER – Your Life * – 12″ – Peacefrog – 2000 Pitched up a bit (‘+3%’ says my file iD) this is a class slice of soulful techno/house. 01.33.11 CHARLOTTE DAY WILSON – Selfish – Download only – Stone Woman Music – 2025 This r&b musician has been around for a decade or so but I wouldn’t have guessed, judging by this slight departure to a ’90s UK garage feel (first half anyway). It suits her. 01.36.48 BENCH – Felice – Bliss, 2LP – Cylinder Recordings – 2000 The fifth appearance on 41 Rooms to date for this pretty much forgotten duo. 01.39.36 BLUE STATES – Your Girl – 12″ EP – Memphis Industries – 1999 First heard on a compilation CD a mate of mine, Sid put together, of fave tracks forwarded by mates of his. Not their own tracks, you understand. 01.43.45 THE MIRACLES – I’ll Try Something New – 7″ – Tamla – 1962 Hellfire! Those breakdown strings mid way are a bit of a jolt! Easy, Smokey! Writer, Robinson’s own version is actually the third to make it to 41 Rooms and his vocal arrangement sounds more like a remake than either Kiki Dee’s ‘straighter’ take or even the Supremes and Temptations stab at the song, when chronologically they both followed this Miracles single. 01.46.14 SMITH & MUDD – Blue River – 2LP – Claremont 56 – 2007 Electronic… downtempo… shuffling… drifting… or maybe flowing. 01.48.38 MERZ – A.M. (Good Morning) * – Single-sided, white label 12″ only – 1995 The second artist to return this show, multi instrumentalist and songwriter, Conrad Merz and his at times very idiosyncratic vocal (‘Many Weathers Apart’, for instance) seem to have trodden their own path through the years. 01.53.45 CRAIG ARMSTRONG (feat ELIZABETH FRASER) – This Love (& The Life That I Have) * – 41 Rooms Soft Mash Up only – Early 2000s I grabbed the extra voice – Virginia McKenna as Second World War spy Violette Szabo, reading the code poem The Life That I Have at the end of the film Carve Her Name With Pride – fully thirty plus years ago and I had a stab at floating it over This Love a long time ago but recently had another go. Aided by Jazz The Glass, we pitched her down slightly and then I took out a chunk of the poem in the second half. Not that it’s going to happen but I reckon it would need the song itself re-arranged/edited to work perfectly but methinks the idea is still a cool one. Show 147 hopefully surfaces Jan 4. Dec x The post Post Punk Plus Podcast Playlist 146 – Original upload 7.12.25 appeared first on 41Rooms.
In this episode of the XS Noize Podcast, Mark Millar is joined by acclaimed filmmaker Oliver Murray — the British writer–director redefining modern music documentary through his bold, cinematic approach. Following his 2023 short film Now and Then, The Last Beatles Song — made in collaboration with Paul McCartney, Ringo Starr, Sean Lennon and the Harrison Estate to celebrate the release of the Beatles' final single — Oliver continues his creative relationship with the band by directing the brand-new, final chapter of the legendary Anthology series. First released three decades ago, The Beatles Anthology reinvented the music documentary format. Instead of outside narration and talking heads, it featured John, Paul, George, and Ringo telling their story in their own words — a groundbreaking approach that shaped the way music history is now documented. Under Murray's direction, the series now receives its long-awaited conclusion: Episode Nine, a completely new instalment filled with unseen footage, including intimate behind-the-scenes moments of Paul, George and Ringo reuniting between 1994 and 1995 at Abbey Road. Oliver discusses how he approached taking on one of the most important music stories ever told, the responsibility of handling unreleased Beatles material, and the emotional legacy carried by Episode Nine — both for the surviving members and for generations of fans discovering the band anew. "Watching Paul, Ringo and George together in the '90s, the chemistry is exactly the same as when they were young — it's hard-wired. It feels almost scripted, but it isn't. That bond is still alive." — Oliver Murray A rising force in film and music storytelling, Murray has previously collaborated with some of the biggest names in music, including The Rolling Stones (My Life As a Rolling Stone), The Beatles (Now & Then), and Quincy Jones (They All Came Out to Montreux). His work spans genres — from jazz in Ronnie's: The Story of Ronnie Scott's Jazz Club to classical music with Lang Lang — and has been featured on Disney, Netflix, and the BBC. Listen as Oliver Murray takes us inside the making of Episode Nine — revealing unseen moments of Beatles history and the evolution of his craft — exclusively on the XS Noize Podcast. This is the definitive deep dive into the Beatles' final chapter. "Episode nine concludes the anthology, but it's not an end. The Beatles' legacy isn't a full stop — it's something that's in the groundwater now, something we all inherit." — Oliver Murray About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.
New Order baptisms? Leo boosts Parolin, downgrades Latin. Freemason Pope? Perpetual papacy? Popes and modesty! IVF kills six for every life it gives. Catholic burial after suicide? Catholics marry by Justice of Peace? Sunday Mass on Saturday? Familism? No compromise with Modernism! 2025 Christmas Appeal : https://www.icaohio.com/christmasappeal This episode was recorded on 12/2/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: @WCBHighlights @WCBHolyMassLivestream May God bless you all!
Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Blinding Lights by The Weeknd (2019)Song 1: The Way We Used to Be by Journey (2022)Song 2: Amnesia by Chumbawamba (1997)Song 3: Oliver James by Fleet Foxes (2008)Song 4: Blue Monday by New Order (1983)Song 5: Tanz Auf Dem Vulkan by Nena (1983)Song 6: Oliver's Army by Elvis Costello & the Attractions (1979)Song 7: Smooth Criminal by Alien Ant Farm (2001)Song 8: Sugar and Spice by The Archies (1969)Song 9: Light and Sweet by Oliver Wood (2024)Song 10: Bizarre Love Triangle by New Order (1986)
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