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Caiti Baker is an award-winning singer, songwriter, producer, vocal engineer, graphic designer, and artist from Darwin. She was one-half of soul group Sietta, has recorded and released a number of great solo records, co-wrote and sung on A.B. Original's landmark album Reclaim Australia, and won an ARIA for creating the artwork on Dr G. Yunupingu's final album. Her new single Stay Down is out now - find out more at caitibaker.com.
Magz FM Radio / Philadelphia / 388Sven Wunder - Harmonica And.... B. Cool-Aid - Cnt Go Back ( Tell Me )Dinner Party - For GrantedCaiti Baker - Mellow Brandy - Who Is She 2 U (WARU's Tell Me edit) Byron the Aquarius - TonightIman Omari - One shot Kobi Onyame - Yo Dumb Heavy - Shake It Lovetempo - There's No You Ghia - You Won't Sleep On My Pillow Cavanah - Rock Me bleekg1 - HelixMitchum Yacoub - Never Knew JustVibez x Negro - Nightcrawler Daywalker Kareem Idris X 7 Grand - Vision of An ApparitionMadlib, Meyhem Lauren & DJ Muggs - Dom vs Cris Mental Abstrato - Que Siga El Baile Jordan Musarsa - Nigerian Rhythms Juga-Naut - Camel Walk Sparkz - Kidda Oscar Worldpeace - CR7 DEMO Break ft Lorna King - Wait For You magz fm / musik you haven't heard yetconnect: www.maggysrooftopaerial.com
A leading artist from Darwin, Northern Territory. The musician demonstrated her talent as a graphic designer when she won Best Cover Art at the ARIA Awards 2018. - ノーザンテリトリーのダーウィンを代表するアーティストです。ARIAのベストカバーアート賞の受賞で証明されたように音楽以外の分野でも豊かな才能を見せるアーティストです。
Indigenous artist from Darwin, Northern Territory. She has unveiled a passionate and loving tribute to her home in the far north of Australia, in the form of her second studio album, the conceptual ‘Mary of the North’. - ノーザンテリトリーのダーウィ在住のキャリアの長い先住民アーティストで、幅広い活動をしています。すばらしいR&Bシンガーですが、レコードカバーのデザインでもARIA賞を受賞している多才ぶりです。
“That’s the only place that has big mussels – my country. You find them in the mangroves, little round mussels with meat inside them. They taste a bit like oysters but with mud in them. Yeah, they’re yummy! And we get longbums, you know mangrove worms. Have you ever eaten mangrove worms?” In this final episode of Birds Eye View, follow Joan as she prepares for her last day in prison, and join Deanne as she heads back home to country. Home is the tenth episode of BIRDS EYE VIEW, a magazine-style podcast that gives you a new perspective on women in prison. BIRDS EYE VIEW was co-created with women inside the Darwin Correctional Centre and is presented by StoryProjects. Feature storytellers: Deanne & Joan Poetry: Sylvia and Tara Contributions: Sylvia, Noelene, Kaye, Aimee, Kelly-Anne, Bianca, Trisha, Kiara, Brooklyn, Taise, Rocket, Deanne, Jessica, Naomi, Serafina, Julie, Tegan, Joan, Philomena, Yasmin, Sofi, Kirsty-Louise, Jessee, Beccy, Gillian, Karen, Kym, Tara and Ashley. Executive production: Johanna Bell Production: Cinnamon Nippard, Leah Sanderson and Johanna Bell Mixing: Hamish Robertson from Tall Tale Audio Music coordination: Ben Andrews Theme music: 'Worth It' by Caiti Baker Featuring music by: Caiti Baker, Cassii Williams, Soorkia, Sietta and B2M (full music credits) Online production: Jess Ong Legal advice: Kathryn Wilson Graphic and web design: Celia Neilson Please note that this podcast contains material that may be disturbing, especially for survivors of trauma. Aboriginal and Torres Strait people are advised that the story may contain the names and voices of people who have passed away. See omnystudio.com/listener for privacy information.
Every magazine-style podcast needs a celebrity interview! Beccy Boo interviews Darwin-based songstress, Caiti Baker, about the making of our theme song, ‘Worth it.’ Find out how the beats in the song were made, what it’s like to record in a prison toilet and why Caiti writes haunting lyrics in Melbourne. Huge thanks to Caiti Baker and her producer, James Mangohig, for the love and skills they poured into this track and to Skinnyfish Music for supporting our project along the way. See omnystudio.com/listener for privacy information.
“I grew up in rags not having anything. We only had this one Spice Girls top, me and my sisters, so we’d smash over that. Now I’m a real girly girl when it comes to all that stuff.” In this episode, women share tips for looking good in prison and you’ll meet Jess, a self-confessed fashion fanatic with a love for expensive body scrubs and animal metaphors. Beauty is the ninth episode of BIRDS EYE VIEW, a magazine-style podcast that gives you a new perspective on women in prison. BIRDS EYE VIEW was co-created with women inside the Darwin Correctional Centre and is presented by StoryProjects. Feature storyteller: Jess Contributions: Sylvia, Noelene, Kaye, Aimee, Kelly-Anne, Bianca, Trisha, Kiara, Brooklyn, Taise, Rocket, Deanne, Jessica, Naomi, Serafina, Julie, Tegan, Joan, Philomena, Yasmin, Sofi, Kirsty-Louise, Jessee, Beccy, Gillian, Karen, Kym, Tara and Ashley. Executive production: Johanna Bell Production: Cinnamon Nippard, Leah Sanderson and Johanna Bell Mixing: Hamish Robertson from Tall Tale Audio Music coordination: Ben Andrews Theme music: 'Worth It' by Caiti Baker Featuring music by: Soorkia, Emily Wurramara, Sietta, Caiti Baker and Ceenah (full music credits) Online production: Jess Ong Legal advice: Kathryn Wilson Graphic and web design: Celia Neilson Please note that this podcast contains material that may be disturbing, especially for survivors of trauma. Aboriginal and Torres Strait people are advised that the story may contain the names and voices of people who have passed away. See omnystudio.com/listener for privacy information.
“We left about five o’clock in the morning. It was still dark. I wanted to feel sleepy. I went back to sleep. And then I heard that big bang. We hit the big truck and [the bus], it spins around six times. All the bodies were flying out everywhere ...” Time does strange things in prison. Hours are broken up by the intercom and whole weeks dissolve into a single meal. This week, find out how women measure time with hot dogs and why Kaye is determined to stop drinking. Fractures is the sixth episode of BIRDS EYE VIEW, a magazine-style podcast that gives you a new perspective on women in prison. BIRDS EYE VIEW was co-created with women inside the Darwin Correctional Centre and is presented by StoryProjects. Feature storyteller: Kaye Poetry: Sylvia and Noelene Contributions: Sylvia, Noelene, Kaye, Aimee, Kelly-Anne, Bianca, Trisha, Kiara, Brooklyn, Taise, Rocket, Deanne, Jessica, Naomi, Serafina, Julie, Tegan, Joan, Philomena, Yasmin, Sofi, Kirsty-Louise, Jessee, Beccy, Gillian, Karen, Kym, Tara and Ashley. Executive production: Johanna Bell Production: Cinnamon Nippard, Leah Sanderson and Johanna Bell Mixing: Hamish Robertson from Tall Tale Audio Music coordination: Ben Andrews Theme music: 'Worth It' by Caiti Baker Featuring music by: Wildflower, Stevie Jean, Serina Pech, Caiti Baker and Sietta (full music credits) Online production: Jess Ong Legal advice: Kathryn Wilson Graphic and web design: Celia Neilson Please note that this podcast contains material that may be disturbing, especially for survivors of trauma. Aboriginal and Torres Strait people are advised that the story may contain the names and voices of people who have passed away. See omnystudio.com/listener for privacy information.
“When they said that I was coming to prison at the watch house, I got to speak to my mum. She was in prison before me and she said just go up to these people and tell them that I’m her daughter and everything will be okay.” What’s it like to be in prison with your mum? And what’s it like to be a mum in prison? You’ll find out in this episode, all about family. Bloodlines is the third episode of BIRDS EYE VIEW, a magazine-style podcast that gives you a new perspective on women in prison. BIRDS EYE VIEW was co-created with women inside the Darwin Correctional Centre and is presented by StoryProjects. Feature storyteller: Tegan Poetry: Kirsten, Yasmin and Kiara Contributions: Sylvia, Noelene, Kaye, Aimee, Kelly-Anne, Bianca, Trisha, Kiara, Brooklyn, Taise, Rocket, Deanne, Jessica, Naomi, Serafina, Julie, Tegan, Joan, Philomena, Yasmin, Sofi, Kirsty-Louise, Jessee, Beccy, Gillian, Karen, Kym, Tara and Ashley. Executive production: Johanna Bell Production: Cinnamon Nippard, Leah Sanderson and Johanna Bell Mixing: Hamish Robertson from Tall Tale Audio Music coordination: Ben Andrews Theme music: 'Worth It' by Caiti Baker Featuring music by: Bat Hazzard, Sietta and Caiti Baker (full music credits) Online production: Jess Ong Legal advice: Kathryn Wilson Graphic and web design: Celia Neilson Please note that this podcast contains material that may be disturbing, especially for survivors of trauma. Aboriginal and Torres Strait people are advised that the story may contain the names and voices of people who have passed away. See omnystudio.com/listener for privacy information.
“I got a visitor, my cousin, who came up to me and said ‘Look Cuz, we’re looking for someone to do background vocals and dancing. Have you got a passport?’ ‘Yes I do.’ And she got me into becoming the background vocals and dancer for Yothu Yindi Band.” In this episode, you’ll find out about the beauty hacks women use to keep looking good in prison and you’ll meet Julie, who survived a rare disease and a world tour with a famous rock band. Survival is the second episode of BIRDS EYE VIEW, a magazine-style podcast that gives you a new perspective on women in prison. BIRDS EYE VIEW was co-created with women inside the Darwin Correctional Centre and is presented by StoryProjects. Feature storyteller: Julie Poetry: Yasmin Contributions: Sylvia, Noelene, Kaye, Aimee, Kelly-Anne, Bianca, Trisha, Kiara, Brooklyn, Taise, Rocket, Deanne, Jessica, Naomi, Serafina, Julie, Tegan, Joan, Philomena, Yasmin, Sofi, Kirsty-Louise, Jessee, Beccy, Gillian, Karen, Kym, Tara and Ashley. Executive production: Johanna Bell Production: Cinnamon Nippard, Leah Sanderson and Johanna Bell Mixing: Hamish Robertson from Tall Tale Audio Music coordination: Ben Andrews Theme music: 'Worth It' by Caiti Baker Featuring music by: Dhapanbal Yunupingu, Sietta, Caiti Baker, Eleanor Dixon, Casii Williams, Wildflower and Stevie Jean (full music credits) Online production: Jess Ong Legal advice: Kathryn Wilson Graphic and web design: Celia Neilson Please note that this podcast contains material that may be disturbing, especially for survivors of trauma. Aboriginal and Torres Strait people are advised that the story may contain the names and voices of people who have passed away. See omnystudio.com/listener for privacy information.
“I went from the best worker. I was the best worker and my boss’s best friend to so many days off. I used to not answer my phone, unexplained absences, when I was just using drugs. It was really out of control. I was really out of control.” Did you know that Qantas headsets get refurbished by women in prison? And some prisoners get to whipper snipper old people’s lawns? In this episode, find out why work is such a big deal in prison, and meet Taise, who used to have a great job on the outside. Working It is the fifth episode of BIRDS EYE VIEW, a magazine-style podcast that gives you a new perspective on women in prison. BIRDS EYE VIEW was co-created with women inside the Darwin Correctional Centre and is presented by StoryProjects. Feature storyteller: Taise Contributions: Sylvia, Noelene, Kaye, Aimee, Kelly-Anne, Bianca, Trisha, Kiara, Brooklyn, Taise, Rocket, Deanne, Jessica, Naomi, Serafina, Julie, Tegan, Joan, Philomena, Yasmin, Sofi, Kirsty-Louise, Jessee, Beccy, Gillian, Karen, Kym, Tara and Ashley. Executive production: Johanna Bell Production: Cinnamon Nippard, Leah Sanderson and Johanna Bell Mixing: Hamish Robertson from Tall Tale Audio Music coordination: Ben Andrews Theme music: 'Worth It' by Caiti Baker Featuring music by: Bat Hazzard, Casii Williams, Caiti Baker and Sietta (full music credits) Online production: Jess Ong Legal advice: Kathryn Wilson Graphic and web design: Celia Neilson Please note that this podcast contains material that may be disturbing, especially for survivors of trauma. Aboriginal and Torres Strait people are advised that the story may contain the names and voices of people who have passed away. See omnystudio.com/listener for privacy information.
“Payback is if a person stabs you, then you do the same thing. If I stabbed her then she’ll stab me, fifty-to-fifty. Like if I had sex with her husband then she will do the same thing with my husband.” In this episode, meet Serafina and Noelene, who are doing time because of payback and find out how revenge shapes life in prison. Payback is the fourth episode of BIRDS EYE VIEW, a magazine-style podcast that gives you a new perspective on women in prison. BIRDS EYE VIEW was co-created with women inside the Darwin Correctional Centre and is presented by StoryProjects. Feature storytellers: Serafina and Noelene Contributions: Sylvia, Noelene, Kaye, Aimee, Kelly-Anne, Bianca, Trisha, Kiara, Brooklyn, Taise, Rocket, Deanne, Jessica, Naomi, Serafina, Julie, Tegan, Joan, Philomena, Yasmin, Sofi, Kirsty-Louise, Jessee, Beccy, Gillian, Karen, Kym, Tara and Ashley. Executive production: Johanna Bell Production: Cinnamon Nippard, Leah Sanderson and Johanna Bell Mixing: Hamish Robertson from Tall Tale Audio Music coordination: Ben Andrews Theme music: 'Worth It' by Caiti Baker Featuring music by: Caiti Baker, Casii Williams, Stevie Jean, Soorkia, Ripple Effect, Eleanor Dixon, Shana Ray, Dhapanbal Yunupingu and Kardajala Kirridarra (full music credits) Online production: Jess Ong Legal advice: Kathryn Wilson Graphic and web design: Celia Neilson Please note that this podcast contains material that may be disturbing, especially for survivors of trauma. Aboriginal and Torres Strait people are advised that the story may contain the names and voices of people who have passed away. See omnystudio.com/listener for privacy information.
Johnny’s idle thoughts get him in trouble with Lotus, Janice and the L.T. get in a stealing war with Katryna and the Ravagers, and Remmick’s on the hunt! Featuring “I Won’t Sleep” by Caiti Baker! Available now at activeradioactiveradio.com and youtube.com/pendantproductions!
Caiti Baker is one of my favourite Australian singers. I first came across her work as one half of Sietta. Then she stepped out on her own and cemented her spot as one of the great soul singers making music today in Australia. Caiti is a long time resident of the Northern Territory. As a kid she’d tag along on family road trips when her dad (also a muso) would drive from Adelaide to the Top End to play shows. They’d stick around for weeks at a time, and Caiti fell in love with the place. The Take 5 comes to you from Darwin this week. The music community is tight here, I knew Caiti would be the perfect person to take you to the Top End. Across five songs she gave us a potted history of music from the Territory, introduced me to new sounds and kind of made me want to move her permanently. Ted Egan and Galarrwuy Yunupingu with introduction from Vincent Lingiari – ‘Gurindji Blues’ Birdz - ‘Testify’ Stevie Jean - ‘Hell in Every Religion’ Wildflower - ‘Galiwin’ku’ Serina Pech – ‘I Hope To See The Sun’
Caiti Baker is one of my favourite Australian singers. I first came across her work as one half of Sietta. Then she stepped out on her own and cemented her spot as one of the great soul singers making music today in Australia. Caiti is a long time resident of the Northern Territory. As a kid she’d tag along on family road trips when her dad (also a muso) would drive from Adelaide to the Top End to play shows. They’d stick around for weeks at a time, and Caiti fell in love with the place. The Take 5 comes to you from Darwin this week. The music community is tight here, I knew Caiti would be the perfect person to take you to the Top End. Across five songs she gave us a potted history of music from the Territory, introduced me to new sounds and kind of made me want to move her permanently. Ted Egan and Galarrwuy Yunupingu with introduction from Vincent Lingiari – ‘Gurindji Blues’ Birdz - ‘Testify’ Stevie Jean - ‘Hell in Every Religion’ Wildflower - ‘Galiwin’ku’ Serina Pech – ‘I Hope To See The Sun’
Caiti Baker is one of my favourite Australian singers. I first came across her work as one half of Sietta. Then she stepped out on her own and cemented her spot as one of the great soul singers making music today in Australia. Caiti is a long time resident of the Northern Territory. As a kid she'd tag along on family road trips when her dad (also a muso) would drive from Adelaide to the Top End to play shows. They'd stick around for weeks at a time, and Caiti fell in love with the place. The Take 5 comes to you from Darwin this week. The music community is tight here, I knew Caiti would be the perfect person to take you to the Top End. Across five songs she gave us a potted history of music from the Territory, introduced me to new sounds and kind of made me want to move her permanently. Ted Egan and Galarrwuy Yunupingu with introduction from Vincent Lingiari – ‘Gurindji Blues' Birdz - ‘Testify' Stevie Jean - ‘Hell in Every Religion' Wildflower - ‘Galiwin'ku' Serina Pech – ‘I Hope To See The Sun'
Caiti Baker is one of the most powerful voices in Australian music - and that is absolutely not a figure of speech. Tumbling through blues, soul, hip-hop and back, Baker is a striking and assertive vocalist that cut her teeth at the helm of Elefant Traks underdogs Sietta. Upon its dissolution, Baker turned her attention to a solo career; traversing the entire country and playing across a myriad of bars, cafes and holes in the wall. She's finally released her debut album, and is currently on tour to support it. This conversation, however, took place all the way back in November of 2016 - when there was all but one solo song to Baker's name, and a world of potential was yet to be realised. Caiti Baker's debut album, Zinc, is out now via Perambulator/Skinnyfish. To download, stream and purchase the album, visit http://caitibaker.bandcamp.com/album/zinc Caiti is currently on tour in support of Zinc. For a full list of dates, visit http://www.caitibaker.com Follow Caiti on Twitter and Instagram: @caitibakermusicFollow the podcast on Twitter: @barbandspodFollow David on Twitter and Instagram: @djywrites NOTE: This audio of the interview is low quality in parts, and David's voice is occasionally hard to make out. It is salvageable for the most part, though; hence the decision to put it up. Aboriginal and Torres Strait Islander listeners are advised that this podcast contains a censored reference to someone who has died. This podcast was recorded on the land of the Cadigal-Wangal people of the Eora nation.
Rapper, writer, actor and record label boss Adam Briggs knows how to get work, be heard, and get paid. In other words, he knows how to hustle. In the first episode of Pretty For An Aboriginal, Briggs, Nakkiah and Miranda give our listeners tips for cutting through the bullshit and getting ahead.When Briggs joined with fellow rapper Trials to record under the moniker A.B. Original, he thought it would be a career-ending project. Their music was political, urgent and unapologetically about black Australia. But they ended up winning, as Briggs says, “a plethora of awards”. Australia is built on the presumption of meritocracy and fairness, and that if you’re talented and work hard you’ll see your name in lights. Is Briggs the exception or the new rule?Music creditsA. B. Original, "January 26", Courtesy Sony/ATV Music Publishing Australia and Golden Era Records, 2016A. B. Original, "I C U (feat. Thelma Plum)", Courtesy Sony/ATV Music Publishing Australia and Golden Era Records, 2016Briggs, "Here (feat. Caiti Baker)", Courtesy of Fox Sports Australia and Sony/ATV Music Publishing Australia Bad Apples Music, 2017