Podcasts about Stay Down

Sunday Morning Service with Reverend Doctor George R. Pointer and the ABC Family4210 Germantown Ave., Philadelphia, PAUpcoming services:*Prayer Call: Sunday @ 9am and Monday @ Noon,   Phone#: 978-990-5287; Access code: 601673*Sunday School with Sis. Wade @ 9:30am*Sunday Service @ 10:30am*Bible Study @ 7:45pm –https://us02web.zoom.us/j/2848023988Other ways to give and how to reach us:Abyssinianbc.comText to give: Text "GIVE" to 267-500-8122Pastor's Love Offering- Cashapp: $Point241    Reverend Richard Pointer Cashapp: $pointblank112Minister Gloria Presley Cashapp: $gpresley1016*Drop off at the church: 4210 Germantown Ave., Philadelphia, PAWebsite: www.abyssinianbc.comFacebook: www.facebook.com/abyssinianbc Instagram: www.instagram.com/abyssini_4210Podcast: shorturl.at/AHNR9Sign up for text updates: Text 42101 to 84483*We do not own the rights to the worship music in this video. For church service only.

"Can't Stay Down" by John Mcmillan, Natalie Leonhardt, and Jessica Langdon (based on the recording by Mission House). Presented by Whitney Wheeler as the prelude to worship at First UMC - Gainesville, FL.

A tenatious foe has his what crushed?Purchase Fantasy Grounds Products through Our Affiliate link below. Roll Monger-Fantasy GroundsCast:-Host/GM Jeff Ball -PlayersMatt WittRyan MessinaDoug Baldwin-Extended Cameos byAndrew MalBurgJoesph DavisJoe Gibsonwww.RollMonger.comwww.TeeSpring.com/RollMongers for Merch!www.Patreon.com/RollMongersFind us with Alll the top rated Podcasts here on FeedSpotMusic: (Evan King) Intro/Outro: "Singularity"Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b..."Slow Heat" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Too Cool kevin macloud Tabletop audioTabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildMedevil Town,Cathedreal,Tavern Celebraton,Castle jail, Waterkeep, Desert Winds, Escape From Shadow, Black Rider, Tavern Music,Halfling Sneak,Blacksmith Shop, Forest Night,Raven Puff,Whispering Caverns, Country Village, Victorian Slums, Catacombs, ,Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi"Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Kevin_MacLeod_-_Virtutes_InstrumentiVilon,Kevin_MacLeod_-_Sonatina,Kevin_MacLeod_-_Schmetterling,Kevin_MacLeod_-_Virtutes_InstrumentiVilon, Kevin_MacLeod_-_Trio_for_Piano_Violin_and_Viola, "Slow Heat" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Lee_Maddeford_-_12_-_Tki_with_Les_Gauchers_OrchestraToo Cool kevin macloud Tabletop audioTabletopaudio.com"Xiengi Nights" CyberBar, Castle jail, Super Hero, Volcano, Jungle ruins, Medevil Market,Hell Hound Alley, Halfling Sneak, mansion Night,WaterKeep Nights,ravenpuff Commons, Tavern Music, metropolis fanfare, Sun Dappled trail, Through The Woods,The Hearth Inn, FeywildUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- www.RollMonger.com www.TeeSpring.com/RollMongers for Merch! www.Patreon.com/RollMongers Thank You For your needed Support! www.RollMonger.com www.TeeSpring.com/RollMongers for Merch! www.Patreon.com/RollMongersReserved Material: Reserved Material elements in this product include all elements designated as Reserved Material under the ORC License. To avoid confusion, such items include: All trademarks, registered trademarks, proper nouns (characters, deities, locations, etc., as well as all adjectives, names, titles, and descriptive terms derived from proper nouns), artworks, characters, dialogue, locations, organizations, plots, storylines, and trade dress.Expressly Designated Licensed Material: This product contains no Expressly Designated Licensed Material.PAIZO INC.Creative Directors • James Jacobs and Luis LozaDirector of Game Design • Jason BulmahnDirector of Visual Design • Sonja MorrisDirector of Game Development • Adam DaigleManaging Creative Director (Starfinder) • Thurston HillmanLead Developers • James Case and John ComptonSenior Developers • Jessica Catalan, Eleanor Ferron, and Jenny JarzabskiDevelopers • Bill Fischer, Michelle Y. Kim, Mike Kimmel, Dustin Knight, and Landon WinklerLead Designer (Games) • Joe PasiniOrganized Play Line Developers • Josh Foster and Shay SnowDesign Manager • Michael SayrePathfinder Lead Designer • Logan BonnerSenior Designer • Jason KeeleyDesigners • Joshua Birdsong and Ivis K. FlanaganManaging Editor • Patrick HurleyLead Editor • Avi KoolSenior Editors • Ianara Natividad, Solomon St. John, and Simone D. SalléEditors • Felix Dritz, Priscilla Lagares, Lynne M. Meyer, and Zac MoranConcept Art Director • Kent HamiltonArt Directors • Kyle Hunter and Adam VickSenior Graphic Designer • Emily CrowellGraphic Designer • Adriana GasperiProduction Designer • Danika WirchDirector of Brand Strategy • Mark MorelandPaizo CEO • Lisa StevensPresident • Jim ButlerChief Creative Officer • Erik MonaVice President of People & Culture • Maggie GallagherVice President of Sales & Operations • Mike WebbVice President of Technology • Rei KoController • William JorenbyAccountant • Pasha JurgBecome a supporter of this podcast: https://www.spreaker.com/podcast/age-of-ashes-the-elven-portal-podcast--4189253/support.

IT'S ONCE AGAIN WEEKLY WRAP-UP (AND KAREN HUGER DUI BODYCAM WATCH ALONG) TIME!!! WEEKLY reminder: the newest addition to the podcast feed is the WEEKLY WRAP-UP with EMILY HANKS! Most of you know that we do a live show on YouTube every single Sunday (which soooo many of you tune in live for), but it's time to bring this to the main feed for those of you who miss the lives or aren't able to watch live! Each Sunday, we cover a week's worth of hot topics (usually different from the ones I cover on my own podcast). This week, we talk: Blake Lively suing Justin Baldoni, Tom Sandoval's WEIRD Instagram live, Alexis Bellino's employment status at Bravo, Peter Thomas headed to THE BIG HOUSE, DJ James Kennedy confirmed as TRASH, and OF COURSE… the release of Karen Huger's DUI footage, which we did a watch along to. Listen to “She's Speaking with Emily Hanks” podcast on Apple Podcasts! Listen to “She's Speaking with Emily Hanks” podcast on Spotify! Follow Emily on Instagram! Subscribe to Emily's YouTube channel, where we go live every single Sunday!   SPONSORED BY: RO Go to ro.co/kendrick and browse memberships that start at just $99 for your first month. Medication costs are separate.   *** HEY! Some of you have asked how you can show your appreciation for all the content provided by your mama's favorite Black geek. How about you buy me a beer/coffee? CLICK HERE TO SUPPORT! ***   New episodes of “I Ken Not with Kendrick Tucker” are released weekly!   DON'T FORGET TO SUBSCRIBE, RATE, AND REVIEW! I LOVE 5 STARS! EMAIL ME AT IKENNOTPODCAST@GMAIL.COM! FOLLOW ME ON INSTAGRAM! Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back with yet another bonus episode of the Road to Knowhere, a Marvel Champions LCG podcast. Today we're joined yet again by Kakita Jamie and The Ugly Knight to talk about their experience with MODOK League Season 02, Round 02. This matchup pits our kouples against MaGog + Formidable Foe Environment (Expert side) + Colossus + Rocket nemesis sets using a hybrid Standard 1 + 2 and Expert 1 + 2 encounter set. MODOK League is a “Marvel-champions Organization Designed Only for Kouples” League, meaning it is a two-hero team league where people can play with a partner or 2-handed on their own. Each team drafts heroes and aspects from a pool against the other teams. MODOK League Discord server: https://discord.gg/6b4zBfchhA MODOK League website: https://modokleague.wordpress.com

Today's Song of the Day is “Stay Down, Lazarus” by BIG SPECIAL feat. John Grant.

Boo and Evan review episode 25 of the Marvel UK books, which is a port of the American issue, with a few key differences. The guys are starting something new in this issue, splitting the Transformers content from the other content, like Machine Man, Planet Terry, and others. The Transformers content is pretty brutal though!If you'd like to contact the guys, they'd love to hear from you!Edhatestransformers@gmail.comMorethanmeetstheseguys@gmail.com@mtmtgpod on Twitterhttps://www.facebook.com/MoreThanMeetsTheseGuys/https://discord.gg/sKr8jwaAvhIf you'd like to toss a buck or more per episode, we'd adore and say nice things about you. You don't have to, as we'll still gladly hang out with you guys and gals every week, but we appreciate any help! patreon.com/user?u=69144181

In this episode of the Faces of the Future Podcast the guys are back with a news filled week. They discuss all of the college football players redshirting and entering the transfer portal, they react to the new "Last of Us" trailer, they discuss what's next for the Philadelphia Eagles, react to the Tik Tok influencer on arrested for murder, plus more.Intro Songs:Marcus Ariah -  "Stay Down"Bands1m - "Still Called"22wvy - "RXLEIGH"

In this episode of The VolleyPod, the hosts discuss various aspects of coaching volleyball, focusing on common mistakes coaches make, the importance of resilience in teams, and how to create a fun and competitive practice environment. They emphasize the need for flexibility in coaching rules, the significance of competition in practice, and the necessity of connecting resilience to team values. The conversation also highlights the importance of humor and creativity in coaching, as well as the need for coaches to reflect on their own behaviors and attitudes. Skill: Coaching in reality Scenario: When my team gets down, they stay down The Art of Coaching Volleyball videos from today's episode: https://www.theartofcoachingvolleyball.com/karch-kiraly-gain-a-competitive-advantage-by-competing-in-practice/ Karch on how to get better by competing in practice https://www.theartofcoachingvolleyball.com/developing-competitive-practices-focus-of-the-day/ Russ Rose on how to develop more competitive practices by having a focus of the day https://www.theartofcoachingvolleyball.com/drills-that-increase-competition/ Russ Rose on three types of drills that increase competition in practice Resource: https://www.penguinrandomhouse.com/books/176227/antifragile-by-nassim-nicholas-taleb/ Nicholas Taleb's book Anti-Fragile is about how to develop an unshakable mindset Balltime is a leader in video analysis and AI video recognition https://www.balltime.com/ Check out our Instagram: https://www.instagram.com/aoc.thevolleypod/

Today's Topics:Avengers #11: The Mighty Avengers Meet Spider-Man!While the Avengers meet to discuss the recent death of Tony Stark and disappearance of Iron Man, they are being watched from the future by Kang the Conquer who seeks revenge for his defeat in Avengers #8 (his first appearance) and sends an evil Spider-Man android to defeat them!Amazing Spider-Man #21: Where Flies the Beetle...! Johnny Storm has promised not to "Flame On" for 24 hrs to save his relationship. After causing some jealousy and relationship drama, Pete decides to rile up Johnny Storm by making Dorrie swoon over Spider-Man, but the Beetle has other nefarious plans.Amazing Spider-Man #22: Preeeeeesenting...the Clown, and his Masters of Menace! Teenage lovebirds Betty Brant and Peter Parker are attending Triple J's art exhibit when The Circus of Crime comes to distract the audience and steal some art, which Spidey must recover!Every Wednesday your Friendly Neighborhood Comic Book Club dives into the history of The Amazing Spider-Man, starting from his very first appearance! Join us as our designated web-head Parker guides Stephanie and Kat through the comics behind the cultural icon.The Retcon Podcast is recorded in Los Angeles and edited by Parker Robins. Parker Robins can be found across social media @UncannyParker, Stephanie Johnson can be found @SiriusDanger, Kat Alysha can be found @Kat_Alysha, and the Retcon Podcast can be found @TheRetconPod. Feel free to thwip us an email at theretconpodcast@gmail.com

BANG! @southernvangard radio Ep406! Schools back in this week here in the A, folks - which means that traffic is jacked for the next 9 months and you need some good listening in the morning to get you through carpool drop off - look no further, Doe and Meeks are hear for ya. Gobs of new joints this week per the usual, and our good friend C.O. The Don dropped in to help us close out the show. If you missed our Twitch stream on Sunday night, make sure you head over there for the replay, as we paid tribute to the one and only DJ POLO, who unfortunately passed last week with a barnstorming Twitch Only set. One day we might have these Twitch Only mixes up somewhere…THAAAAANK YAAA and YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard // southernvangard.com // @southernvangard on all platforms #hiphop #undergroundhiphop #boombap ---------- Recorded live July 28, 2024 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks ---------- Pre-Game Beats - Masta Cypher Devine & Goomson "Southern Vangard Theme" - Bobby Homack & The Southern Vangard All-Stars Talk Break Inst - "Assembly Line" - Sirplus "Without Love" - Eddie Meeks & DJ Pocket ft. Little Clayway & Supastition "Sign Of Se7en" - Rakim ft. Prodigy, X-Raided, Method Man & Big Twins "Get Yours" - Flee Lord (prod. Tom Soyer) "Temptation" - Jamal Gasol & Cedar Law$ ft. Aaqil Ali "True Identity" - Ty Farris (prod. Don The Jeweler) "Alligator Plates" - Termanology ft. The Musalini & Silent Snipers (prod. Nef) "UFO Teknology" - UFO Fev & Fredro Starr ft. Termanology & Tek "Memory Lane" - DJ Muggs x Raz Fresco Talk Break Inst - "Love Is A Game" -Sirplus "Proxy" - Abyss, Apathy. DC the MIDI Alien, DJ TMB "International" - Rakim ft. Kool G Rap, Joell Ortiz & Tristate "It's All Fair" - Punchline & Confidence "Zoë´ Lund" - Vinnie Paz "Seein' Em" - M-Dot ft. Chaundon (prod. Es-K, cuts Lp2) "Raised In The Sand (Intro)" - Flee Lord (prod. Jansport J) "Earned Eons" - Left Lane Didon Talk Break Inst. - "El Mero Mero" - Sirplus "Staircase Stories" - DJ Muggs x Raz Fresco "Suppa Koopa" - Money Mogly x NoEmotion "The Enigma" - Ty Farris (prod. Don Carrera) "Stay Down" - Maticulous ft. Eddie Kaine "Keep Playing" - Rufus Sims "Cucumber Water" - Bub Styles "Peace God" - UFO Fev & Fredro Starr Talk Break Inst. - "Mo To The…" - Sirplus ** TWITCH ONLY SET ** RIP DJ POLO ** "Ill Street Blues" - Kool G Rap and DJ Polo "Truly Yours" - Kool G Rap and DJ Polo "Money In The Bank" - Kool G Rap and DJ Polo "It's A Demo" - Kool G Rap and DJ Polo "Road To The Riches" - Kool G Rap and DJ Polo "Poison" - Kool G Rap and DJ Polo "Men At Work" - Kool G Rap and DJ Polo "Apache" - Incredible Bongo Band

Find Me On Broadway 001: {VEEP} (AN OWSLA CONFIDENTIAL EXCLUSIVE} FROM GOOGLE “Veep” 2012 ‧ Sitcom ‧ 7 seasons "Politics is about people," former Sen. Selina Meyer is fond of saying. Unfortunately, the people Meyer, a charismatic leader and rising star in her party, meets after becoming vice president are nothing like she expected, but everything she was warned about. "Veep" follows the VP as she puts out political fires, juggles her public schedule and private life, and does everything within her limited powers to improve her dysfunctional relationship with the chief executive. Meyer's trusted -- and some not-so-trusted -- sidekicks include chief of staff Amy, one-time spokesperson Mike, and right-hand man Gary. “The New Adventures of Old Supacree” This is not what I intentioned. Well, what had you intentioned, dammit , how do you spell her name? Spell it? I can barely say it! “C'cx– WRONG. How would you say this name. Axel? Thas' a stupid name Not for a Rockstar. That's already a rockstar Is it? Whatever, man. The Rock must have been buzzing in some sort of special way on this day; because for some reason, I couldn't stop thinking about it. I had finally rearranged the remainder of my seemingly new surroundings— the miniature Keurig— a status symbol, of course— looked handsome on the work desk— the cat tree seemed to match, though with no actual feesible monetary income,, no actual cat, and no end in sight— the tree itself would have to be enough to lift my spirits. It was a nice cat tree, almost untouched and looking very brand new— though the couch had a few scratches, though easily hidden with the decorative use of a couple throws—at least I had a couch, and all that was left to accomplish before fully enjoying was to arrange an order of Febreeze to rid it of its previous owner's dandruff smell, and general mismanagement—besides that, it was itself almost brand new as well, and it seemed a strange new world to wake up in, after sleeping in a nearly empty apartment for 6 months; there was 6 months left in my lease, and I was getting nervous that they would try to push me out—hopefully I would find someplace better, or at the very least higher up—with the same amenities intact. Still, I was working as diligently as in could on organizing—at least the recordings, to put together the next group of projects as quickly as I could— nevermind the writing—and there was so, so much of it, I hadn't a clue what to do. I had been avoiding Rockefeller Plaza like the plague for quite sometime—it always made me nervous in a sort of way I didn't understand, in that I would pulsate and vibrate differently, and more often times than not, was upset and concerned that I had yet to go to the top—a costly feat—nor could I afford to entertain or enjoy any of the amusements at the bottom—not that I wanted to, as the older I got, and especially the longer time spent in New York, the more off putting the public and large crowds were—particularly after a remarkably disgusting respiratory infection I caught on new years, battling a crowd which became impossible to move through at all—let alone see the ball drop—and I had learned my lesson, especially after The Macy's Day parade; the crowds in New York were disgustingly unbearable, and in order to get a good view of anything, you would have to arrive nearly a full day early, and simply camp—now I knew why people packed around collapsible lawn chairs on holiday weekends. I had been blindsided by Fallon towards the end of the Macy's day parade—I hadn't any clue at all that he apparentlyboarticipated annually, as it had been years since I had watched the parade myself with my parents—and still, it was iconic—I always wanted to go. Still, and even though I had only written very little of him up to that point, I found it disasterous that as his name was announced and the float which carried him and The Roots, the best late night band on Television, not by opinion, but by fact—as I had most recently been studying and researching as thoroughly as I could all of the late night hosts since the dawning of Television in preparation to write this pilot, The TV People, short handed to TVP—and just then I recalled a dream from the night before, about Pat Kirkpatrick—for the first time in the dream world, it wasn't Fallon at all, but Pat Kirkpatrick. I couldn't remember the dream, nor could I seemingly work myself out of the rut that had been the plateau in writing the show—the show itself was heavy, with so many characters, all of which each had been given detailed and specific personalities, livelihoods, and backgrounds—in fact, I hadn't written anything in such a way since college, with detail—actually, I had never written anything so detailed at all, so character oriented that the character analyses filled entire pages of documents with excruciating vividness, as if these people were real. Well, now they were—and Fallon was neither Patrick as I was Esha, and the story has taken its own form, still however birthing an incredibly awkward and romanticized fascination and near obsession with the TV people themselves—not that I would feed it to be so. I blocked out the news outlets, the media, the alrogithm's suggestions to watch bits and pieces of Fallon, though, however, I refused, and somehow, I didn't need it. Fearfully so, he was somewhere lodged deep somewhere inside of me—and I was even sort of embarrassed to have written some of the things I had of his essence, however prophetic it seemed to be, that for about a three week period between April and May, I seemed to have gone off into a trance of sorts, writing for hours and experiencing vivid visions of this show, The TV Prople, alongside writing The Festival Project ™ And all of its markers—there were so many worlds, so many ways throughout them—and now as I had realized, I had actually been writing about Fallon nearly as long as I had been writing about Sonny, but differently. I had never of course come face to face with Fallon as I had the latter—and still—found it somewhat nessecary to hide my face beneath a mask as his float passed my viewing spaf , an elevated view from the staircase of some church, which had happened to be perfect—and although I was certain it's not as if he was looking for or at me—I had just then been writing of this Cosmic Avenger, and hadn't any idea at the time of Fallon in reality having been an actual magician, and still— with cameras everywhere, and knowing even what I had written—I didn't want to be caught by any passing cameras with any sort of blush or worse—a smile on my face as the float passed— a smile which would flash my atrocious gap-tooth and crooked smile I was sure was permanent, by then having been in the homeless shelter nearly a year. As soon as his name was announced, I promptly pulled up my mask, hiding under my sunglasses. I had already been caught on camera earlier in the parade gawking at some float—now was not the time to be caught gawking again. He, like Rob Lowe seemed impeccably professional and well-rehearsed, like a cartoon character— he was, after all, kind of a cartoon character, however now, even if it was partly due to my own writing, I took him more seriously. There was a darkness about him— a sometimes glassy-eyed, almost scary darkness that told me, even a world away, not to fuck with this dude—some kind of animal or monster I was sure we both shared, however mine more the type and category of insatable and undernourished and his more peaking its head out in the form of a multi-millionaire network puppet, which housed an untamable powerhouse of musicianship, manhood, and wit— it's true, I was finally scared of him, knowing after all what the true tears of a clown could be, a dangerous man in a uniformed suit, the Everyman for the programmed masses, and the funny man with a jig to dance, a story to tell, and an indoor life— secret realm within I was sure no one knew. I fed the monster with respect to the home, happy wife, and children— I, after all, loved love, and only wanted it for myself, leaving alone the parts of a man I had found and was sure was broken enough to have left me puzzled and star studded rather than struck as I always was, tears welling up at the thought of it that something should be mended neither I or anything I was could not fix—I continued to write, however, knowing I was walking on glass barefoot and tiptoeing on eggshells around the mass media conglomerate of the network that stood between my feeble world and his, the higher ups— and beyond: it was, after all, a level system— and now with a beautifully decorated and fully apartment, besides my mattress on the floor instead of the space saving loft bed I had wanted—though it looked just right with the piano bench as a headboard, housing my crystals and new globe, plus a colorful collection of books I could crack open as I awoke to the morning light, no longer so early but increasingly later, as I shifted into the insomniatic habits of a true DJ and music producer, still writing and reading in the mornings, however— I had to wonder what level I was truly on. My apartment looked like a home. The decor was better than I could have imagined myself even, the tasteful furnishings and modern elegance shifting my reality— no longer an empty apartment, now a fashionable hub for art and creation. I assumed the cat would come along in the winter, with any hopes that I would finish my albums by then—and also looming over me— my last life, and the people in it struggling to call up to me in this very ascended realm, which I was lucky to inhabit. ‘Thank you God for your many blessings' My wishes it seemed, had been granted— magic did indeed seem real, and though I had an Amazon return packages and ready to go— there wasn't a time and place I could see myself as ready to even be near The Rock, some festering bulletwound in my heart, all that I had written, not just of Fallon, but of the rest of the people I had honored by word mark but had not yet the status or wealth to have ever known as human at all, but more products of the program; with intention, however, it was the path I had followed to be destined here somehow though small codes and doorways, signals and symbols which called to me and seemed only I could see—but were there in plain sight, and with the right eyes, had meant more than I ever dreamed anything could— open doors to a world I had indeed created myself, and in turn, the world in which I lived had also been created around me. I had to, in my mind, find the light inside all of whom I studied, to humanize myself—nurturing some fascination of fame and celebrity inside which still stood unanswered, the question of why and how one becomes so high up that without trying, that I might continue to find them in my mind's eye and in my world, on the outside, time after time. —tales of a superstar DJ. The men with the littlest dicks Drive the loudest bikes And they talk too much About nothing To no one The men with the littlest dicks Do the littlest things I call it niggardly Dispite the color Follow the leader To instill fear Within earshot The men with the littlest dicks Want the skinniest women The chicks who remind them of Innocence lost A childhood spent Getting boredom for freedom And allowences for doing nothing The men with the littlest dicks Do the littlest shit Like make everyone miserable Yes, it is a miserable existence, Never being wanted, however I should know better than this TINA FEY SON OF A BITCH. (Everyone's still drunk) What. Why, what happened? He got here before us. What?! How do you know? [pause] Okay. This weird detour is paying off in some kind of way— I'm still heavily obsessed with the fact that Johnny Carson referred to his weird drunken jacking off as “cranking it” ON TV. On something close to live television in like— The 80's Was it the 80's? I don't know, And apparently even Johnny Carson doesn't know, because he was “sauced”, So let's just go ahead and add that to the list of ghosts I have to track down for making me squeal like a little fucking schoolgirl. However, I'm half convinced, He's still around— Oh yes. I do believe these— THIS MAN— Oh, holy shit here it goes. HERE'S JOHNNY! Aw, fuck. I told you not do. What was I supposed to do—?! Not do it It was a blood oath— I told you— Mi had to do it. *shrugs* Well, now, you're fucked. STAY DOWN, MOTHERFUCKER. Ooh. This is gonna hurt. I swear to god, Every day of my life: I will KILL YOU YOU CANT KILL ME. AND EVERY DAY THAT YOU DO NOT DIE; I WILL JUST STAY DOWN, MOTHERFUCKER— DIE, MOTHERFUCKER— GO. TO. SLEEP. aaaaaGGGGHhHHHHHHHHHHHH. —I WILL KILL YOU . Don't give up! Seriously! Seriously, I got money on this.z Really? What. How much. Just $10. Oh. That's good Yeah, but it's the only cash I've had in months! I forgot what it was. I'm rich, Everything's cashless. Tickets! Get your tickets! Ze are cheaper here on ze black market. “The Black Market” How much for this one? $9 I'll take three. What the fuck is wrong with you? I WILL KILL YOU IN YOUR SLEEP. I'M A DJ, BITCH. I DONT SLEEP. Have you ever thought about . What you're gonna be— When you die? Yeah. I've been thinking about it a lot. Okay, what is it. I get three right? Right, yeah. A Superstar DJ. Okay, that's good. What else? A rockstar Okay, what else? A mom. That's it? Yeah, man. I die and gone to heaven, right? Right. So that's it. What's the wager? Four horses. Got it. What exactly brings you here to bargain? My fat and heavy nuts. No questions asked. —tales of a Supersrar DJ VO I didn't know he called back. I didn't even see the message. I feel like such a piece of shit. I am a piece of shit. Worthless. My eyes itch, My nose bleeds My heart hurts now, I'm all gone Dark on Mondays All gone Gone till Sunday All done I was never an good mother No Just a ghost with a gun I was never on top of the world, son Just under it Now I'm all out of something I can't put my hand on And I'm all out of love, No one wants me Imm washed up One hand on the guitar One foot in the door And one head in the oven I'm all done I'm all done My eye itches My nose bleeds The noose loosens, I fall down I'm so stuck on an old number I'm so lost that I'm found now. —I'm so sorry But no one else is Tie me to the bed And watch me bleed So full of disinterest and vinegar Remember to tie me to the crossword In the times tomorrow Four rainbows for your dumb luck A forced fuck from one goat The other still doesn't row well It's a long boat It's a long story It goes untold They all turn to the one who wants to hurt me In the long run Nobody will ever love me again So I'm told Might as well find a bottle of ferment To grow up in Swallow bottles of old wine With a sour tongue Unremarkable SHOUT! Defamed you, Heroism in the— Never hatred, but indifference, Circumstances. Circumcisions Misdirection, Big decisions Defense strategy? To exit— Just as quickly as it all begins to fade away Nearly as quickly as it started, Newfound freedom near the exit, After happenstance, Never afraid to admit to neglect Selected supplies, For fear of the eye Goddammit it, late night people Of course; when was it last you saw letterman on a surfboard? Almost never? Forget to fear them, The men in mirrors, The sharks in surfboards, The writer's block, over The rockstar on opioids Does it hurt anybody else this much to just stand here If Tweety's the Canarybird, When who am I to call myself a cat, Sylvester! The silver streaks in his hair, The glaze in his eyes The break in his heart The health of the hoax FUCK YOU FALLON I hope your ratings went up Just a bit Just a bit I hope you CRANK THIS Up in your car While I forgot about you I hope the peanut butter goes with the jelly The couch fits with the vision covers The cookies go with the coffee haven't mopped the floor yet, of course All out of Pablo santo For your information I just didn't make the grade Cause teacher hates me I still haven't found a mate With every amen I hate me Almost as much as I hate myself And I So I can't be God itself Cause I love that thing Alright? Amen! Can I have a can opener or three to set the record straight Can I scratch as fast as I sniff up every tear Every line of cocaine Every autograph? No you can't. Just know that my landlord has a thougsand bathrooms I can't find my hat, my gun— And where the fuck are the bananas CONAN O BRIEN EXCUSE MY FRENCH, BUT FUCK YOU, WOAAAAAH, CONAN! WOAH! WHAT DID I DO?! You— You fucked up the entire fucking ecosystem With CUMSLUTS! WHAT THE FUCK, BRO! Can you even SAY any of that?! I just did! Which network do you work for?! Where's Fallon at?! he's dead, bro! He's dead?! Yeah! For what?! I don't know. I just found out. Well. What happened. Someone shot him. Again?! Yeah, but like, way worse this time. So they finally got him, ah? No, he died of a heart attack. What! Then they shot him. What. That doesn't make sense. Nothing makes sense. This scene is running long. I thought so. DIRECTOR CUT. That was great. Thanks. Except—Conan. Yes? You're too tall. What? Next. Take I want you to try it— Like— Just the way you just did it— Uh huh But smaller: What do you mean? Like, less tall. Oh. Alright. BREAK FOR LUNCH. “The Everymans” 01 I'll know why soon I'm sure It hurts with every word You're sleeping on my floor I'm fuming in the north My foot goes through the door Where were you then, When the mystery ends When the miser's the minister, Mistral and instrumentalist Ah Magic; illusion Illustrious industry Interdependent television Radio signals, Satelites Entropy Trophy wives, Fight clubs Back at nine Nick at night Every time is every time Time is all you need, and Time is on your side, if You just follow me Reader's remorse Writer's digest Try to sit still for a moment, Take a lesson From your friends here So when, then should I trade my Brand new pants in for a suit The bird said The cat damaged (I can't yet) Can of soup to open, Oh yes Cambells is it? Warhol knows best 02 I thought I told you I don't want to Owe you Are you Over it Somebody once told me You were holy Somebody once told me To hold onto Somebody once said Turn the light off But I've been trying To buy fire Someone's in the box, God Someone once told me Someone let me out—God? Someone once told me Fuck it, I just want to hold you I don't want to own you I just want to Someone once told me Beware of you Someone else told me Be there for you Someone once told me The hair of dog Ought to get you along I got handfuls of songs With no worlds yet Someone once told me Someone once told me Someone once told me Someone once told me. Someone's in the box, God Someone once told me Someone let me out—God? Someone once told me Somebody once told me You were holy Somebody once told me To hold onto I thought I told you I don't want to Owe you Are you Over it 03 I'm a multidimensional wordsmith Sike! I'm a psychopath wrecking your whole home Won't you wound my womb? (I won't go ) Won't you hold onto my world? (Why won't you?) Sorry, I slipped on the mat this morning Stumbling over you Thought it was afternoon Don't want to give you The news, cause you wrote it all Causes for dollars Indifference, disasters, sons Why won't you hold me like you used to? Why don't I know the answers to the crosswords? Why don't you meet me at the crossroads with your— No, no, Don't do that Don't call it home To be continued Where were you this morning, When I stumbled in To love you? She said At the forefront of your honor's worth If all you are's a wordsmith, m god unlock you Pen and paper Gun in holster Officer, Pull down the trigger Don't want to give you The news, cause you wrote it all Causes for dollars Indifference, disasters, sons No, no, Don't do that Don't call it home To be continued Once upon a time, All my eyes were brown (The money, the power, the respect) Now those days are gone The world is still round (At least I thought) The misery set in again They said the lows would come I did hate Mondays, after all With no sun to come up And look forward to Fast forward— Did you ever see that? Well, that is technically the back door. I almost forgot about that place. That's because it doesn't exist. It had to exist. Now I've seen it at least twice Hey! How'd you do that. Christ, he is a magician Oh yeah, Cosmos factory. They said the lows were coming. Maybe I needed them to finish that thing— I swear I missed Something The ghost (The other one, anyway) Dillon was a ghost, once No, ghost was the ghost, but we were —close. Good friends. Imaginary friends. Anyway. Fuck this nonsense. Nonsense, is it Just— Don't make me slit my wrists again. I remembered this day for something Wonder what. Maybe nothing I hate Mondays Guess this is the job, This is the job, I was wondering about the suit. So, are you a parrot, a puppet, or a mimick. I swear to god that's him. Good, Now I don't ever have to watch him. Oh shit, Fuck this playlist Are you sure “saved by the cowbell” God, I feel like shit, And I shouldn't be hungry But I'm starving inside For some loving Someone help me Somebody, something I'm suffering, suffocating Need him, Reeling, Reading Sinking, Feeling —but shouldn't be crying. I digress, however It was an interesting Day to digest God, I forgot about this— A whole soundtrack Jesus Christ, Bring it back; I like who your wife is —would you write that? Would you admit to dying on the cross once? Would you admit to admiring Ms, Robinson Would you wash out the Robin in Williams Look at Carson I defect to default Cracked asfault, to decadence Desire or what have you I haven't, I promise I would not admit to wanting, Something like a cupcake Something else is in there Figure it out Danger The five pointer approaches With heroic intolerance Suddenly, it's gone, God Mustn't be the Republicans, For the most part, I would want that For fear of the liberals, And my rent controlled apartment I've got two thumbs, too, You know I've got Jews up my ass for the asking I've got mom up my spine for the others Fucking assholes —so this is what it means to be married to the music, huh No one to really hold you, But I told you, I've got golden globes and Oscars Every morning Motorcycles for the morons I've got daughters for your doorknobs —Know you're sorry now Catch the drum pattern Your heart should stop fluttering With butter on it Weren't we all once prostitutes In foster care The others wouldn't dare To call a fountain out For the fountains— Busy training you Safe to say a savior says I do, And then doesn't For the most part I'm a woman With the wants And the body of a God FUCKING WATCH IT, CARSON but you got that all on a card, love. All on a card, fuck. What was your wish, You dumb motherfucker? Look what I got the other ones. Hi Cosmo. Hi Wanda. Awww. I love them. Dead drunk by tomorrow I hope, I choke on sunsets. He keeps taking you away someplace, Where is it? Does nobody else know this place? No. Nobody else can see this! Well, that's fucked up. I had a dream I was at your wake. That would be great. I wrote a scene where your obituary just said “lol” “lol” What! That's it?! Yeah. And It's not even capitalized! That's it, I've had enough. Throw the whole world away. What. just throw it away. Damn dog, You okay? No. I'm homeless. That's okay. You smell like a whole ass alien. What? Come to my place. I figured this would have more depth. I— Nevermind. It is, like torture, you know— this thing. I didn't do it on purpose. get oFF of me. getawayfromme. Okay, I'm taking my bread out of the freezer. You sure are eating a lot today . You sure are sounding like a pain in my big, fat, ass. I— That ought to shut you up. Look! CUMSLUTS! NICE. Get off of my boat. What. Aye-aye, captain. (Duck dives) Wait. What just happened? Mi think I might have— Great, Now there are things about this— I can't even write. This secret dies with me. Kill that bitch. Fucking great. So, Where were you on 9/11 again? I'll deal with this later. I gotta go. Wait, where are you going? Fuck you, that's where. Wait! If you saw me hanging from the rafters Would you ahoot to kill Or come to shoot me down? At long last, Disaster Are there tears in your denial As the memorandum sets in? Neither there or neither farther am I Father, Can you call again? I haven't heard you yet Besides the heart drops When the beat falls out If I hang myself Like pendulum From the old bank walls Would you watch me swing Or come to cut me down Don't doubt the alter If it were the birds Coming for the crumbs Would you ponder any longer Whether they were all of one feather Come now Don't doubt the alter Don't fear the weapons Don't worry, mother I'm coming to kill you Uh, I'm gonna wait on dinner. FUCK, What the fuck was I saying? FUCK. I hate this dude. FUCK. Come on, you stupid —biiitch! I hate this dragon. Almost as much as I hate— You know what? What? Forget it. I'm not doing this. What why not!? I'm gonna get killed for this. You're in the Illuminati; you're gonna get killed anyway. Yeah, but not for this! Let's hope! Who know, though! UGH; SHUT UP. GET IN HERE. I hate the sound of your name Like an unheard whisper Unanswered I could never call to A cavern Righteous, Unwanted What was is, though. Something about a wheelbarrow' I just went surfing Hit the surface from underwater Shook out the slumber What was it worth, God? What were the words for? Fuck, A shapeshifter and a telepath? How many people have that? Not that many. How many people know about this? Enough. FUCK. Oh, look whose swearing. I solemnly swear— Don't tell NOBODY. I ain't telling nobody about this. Good. Now get out. I'm gonna kill this sonofabitch. SON OF A—BITCH. That's it. Kill him. Where's my gun? Did you check the fridge? No. [THE IMPENETRABLE TEN ENTER the KITCHEN] What?! All ten of them?! I fucking guess. —but DANE COOK *kicking down door* FUCK! Goddammit it We missed her. OR—him. Her? Him? I don't know. JESUS FUCKING CHRIST What is it? It's a pilot! Oh shit, should I shoot him? Not a helicopter pilot! A TV pilot, For what?! Tv is dead. Streaming is where its out, It's for me! I'm in it! Oh! What! Let me see. (In the fridge) …what is this? [from the bedroom/studio] Hey you guys! What. What happened? What's up! YOU SHOULD SEE THIS. Love is not blind, And neither am I It's like that sometimes, always Tip of the tongue, The art of the lie, It's like that sometimes, Always A tale of all tales A sign of the times It's like that always, sometimes I forgot to forget I saw you; I forgot to forget I know you I forgot to forget I love you I forgot to forgive, I want you Shut the door, Let the lights turn off Turn the page —till the sun comes up Something real Something wrong I forgot Something strange Something weird I'm in love Write the song Love is not blind, And neither am I It's like that sometimes, always Tip of the tongue, The art of the lie, It's like that sometimes, Always A tale of all tales A sign of the times It's like that always, sometimes I forgot to forget I saw you; I forgot to forget I know you I forgot to forget I love you I forgot to forgive, I want you Shut the door, Let the lights turn off Turn the page —till the sun comes up Something real Something wrong I forgot Up is up Down is down Right is right Wrong is wrong Black is white Dark is light Right is wrong I love you My house is normal now, With a table and chairs But I don't call it home Cause I know They'll throw me to the curb Leave in in the road Like the animal I am You don't know what the world does When she's off work You don't know how the world acts When she's off her axis It's okay to take hiatus Instead of medication It's okay to call the cops on motorcycle It's okay to die Before you see your son When Sunday comes Just call your mom on Monday Doctor visits EMTs and emergencies Epics and Epochs Long lost love songs to god And Cardinal Directions Reflections in mirrors Table toppers for all the dramas All the months you lost On muttered mantras {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

YES. Oh yes indeed. It must be something about this beast inside— Even my first boyfriend— My first real boyfriend. Was— Seriously? Incredibly gifted. Jesus Christ. Right. Jesus fucking Christ. (That can happen.) Well. Well. I've— Wait a second. How would you even write something like this. My dissuasion from black men has never prevented me from being pleasured by— Oh no. Some of the world's finest dicks. How's that. Perfect. I can't even, (But just did) “9 inch pie crust How's “9 inches? That'll work. Just don't dislodge my IUD. Dammit. Really less than 9? I mean— I'll take A 6 Yes! Really? Or a 7 Nice. But only to play with. What. Ok. What! I'm not keepin it. I just like sucking dick. Really? Yes. AHA, —the right dick. Well, well, well— And if the last bitch left her stink on you— Even if you wash it 6 fucking times— I'll smell it in my eyelids. What. Your aura sucks. What. Why. I don't like her. What?! Who?! The last one. Vibe check. Man, you gotta stop fuckin these white bitches White bitches: LalalalalLalalalala Lalalalal No. What?! Why?! She sucks, bro. Yeah but Comfort, luxury, style— Utility. You can take this girl anywhere Just shapeshift into a basic white bitch For what Just do it Those are the ones that're around! These rich ass fuckin hoes. EASY. What. White girl wasted. Have another shot. Ooh, dad bod. Yes. SUNNI BLU You thought I forgot I did not DADBOD. Mmm. Yes but also NO, JAKE GYLLENHALL PUT YOUR WEDDING BAND BACK ON BUT-/ WE ARE FINISHED. DONE. YESSSSSS. I'm off the CLOCK. Look, marriage is work. However— DEEZ HOEZ GOT BALLZ FUCK. Nasty ass trick. BODIES. BODIES BODIES. What is all this fucking hotness even for if you can't work those fuckin muscles— what do they call them? “Intercostals” Yo— your intercostals are not the fuck muscles Wait, they're not? No. Aw. But you can use them to fuck if you want Where's that one nigga at?! [Skrillex] Under some blonde slut SLUTZ. Nice. Fine. Wait. What. You really want that?! Vibe check. Vampires: He was such a nice kid Feeding time. SUCKED HIM DRY DEAD ON. Man, I kind of want to watch that one movie where— It was a box office flop. Monsters; Ohh. A weak one. BREAK THE SEAL. BREAK THE SEAL. You can shapeshift into a s— Okay, listen, I am NOT going back To The Rock for any reason. Just—- be ugly. I am ugly. You really think I'm trying to ILLUMINATI: Watch this. DOLLARS. WHAT. RYAN REYNOLDS FUCK YOU. GET OFF MY ISLAND! I'm a DAD. Where's the bathroom? SLUTZ MODELS ACTRESSES: see. These bitchez is interchangeable. I love that. Look, you walk into one of these events with anything darker than a paper bag— Well, It depends on who manufactured the brown paper bag… [Whole Foods Market] Still too dark. —She had better be the most perfect looking broad anyone could ever want. Where's the bra straps? You want bra straps? Uh, yeah?! Oh *snickers* Sorry. Look, I don't want to even think about that scene where— FUCK YOU, DILLON FRANCIS FUCK YOU IN THE ASS. DILLON FRANCIS oh damn. That kid did look like Dillon Francis. Like a lot. GET BACK HERE. I liked him. Did you tell him that? No way. After that John dude broke my heart. DO YOU REMEMBER ME?! I'M A BIRD. Someone find Tim. Agh. Whatever. Find that Smith kid I went to high school with. For what? I wanna bone him. Goddamn, Madame President. Shut up. Damn, so. So the president basically has an errand boy to go round up all the dick she missed out on being groomed to be the first Black female president? Yes. HHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAH [KILL THE BITCH.] WHY?! I'm the most conservative bitch you will EVER find on this side of the brown paper bag test Why is that? AYAYAYAYAYAYAY you understand even the Mexicans are racist against blacks— And?! STAY DOWN, BITCH. Si. Okay. You see this kid? [The Mexican Skrillex] Find him. Aye aye captain. And make sure whatever he does... LISTEN TO ME. ¡AY¡ NO HABLA INGLES! ¡NO TENGO DINERO! CAN IT. I KNOW YOU SPEAK ENGLISH. IDIOT. Okay. Fuck it, I'm in. You're in. I'm in. You sonofabitch. Look. I got mad love for the Mexican people. I promise. [Puerto Rico] Huh. What. You're in. Fuck. Now we gotta change the flag. We should do that anyway, it's soaked in the blood of enslaved African Americans and slain indigenous! “I live on the stolen lands of the Chippewa people.” Woah. A self-aware white woman. See, they exist. Bag that bitch. Seriously. Meanwhile— I AM FRIGHTENED. By what? YOUR BLACKNESS. . I can't protect you from this. YOU CANT PROTECT ME FROM SHIT, Without your DICK. Are you serious. I'm done with this. You can have him. Are you serious. Yes. I was born rich. That's frigening. Not as frightening as your blackness. I get itz THE NIGGAZ HAVE DECENDED UPON US. Oh no. Oh yes. And worse— What's this? THEY BROUGHT THE HOOTRATZ. NO. YES. (I love these ghetto ass bitches.) YO BLACKMERICANS. What's up, CROCS. ARE. NOT. SHOES. We know that. Wait, what This is a silent protest against the hostile and corrupt corporate slavery of the sneaker industry aimed at Americans living in poverty which promotes materialism and greed in the current socio political industrial complex of the white supremacy movement. No Dillon, you have to marry a pretty little white girl like the rest of us. But WHY, Grandmaster Freemason? Because— Why is that? I don't know. I think it's so— I swear to god, He looks just like him. Would you believe if I told you, That this [Exact replica of Dillon Francis] Wow. Is a tiny black man? Are you insane? I like his dick. He must be nuts. ITS LIKE 10 FEET LONG. What?! This guy [Skrillex] White bitches: You promise? Yeah. GET OFF OF HIM HE'S MINE That's a designer ass fuckin broad right there... trip. *i wish* DUDE IN COWBOY HAT yeup. You mean Diplo ?! Sure. This is all in your head. I know. You want a dose of reality? No. I don't. Sure. GO FUCK YOURSELF. I should but—- No. What? Why not? Look, everytime I even get close to orgasm. HELLO. NO. I'm still paranoid that a helicopter is going to hover outside of my window. VO I became less paranoid after that moment lol white supremacist robot people They exist. I know. I'm the one programming them. BEFORE: HELICOPTER: [hovering outside of window as I masturbate furiously] “Furiously” SERIOUSLY. That's what she's doing in there?! ITS BEEN YEARS. EVERYTHING LOOKS LIKE A— the biggest penises I've ever seen in my life were on the literally scrawniest, skinniest white dudes I've ever loved— Been friends with— And trusted. Oh dear God —To demolish my pussy. THAT IS GOOOOOOOOD. What the fuck. Take that, black supremacy! Seriously, tho. Niggaz is niggas. ‍♀️ It's fair to say that you also have too much power. WHAT. Seriously. VO Now I knew someone extremely rich HELLICOPTER (But hovering) Fff-fr-ff-ff Hm. That sounds close. Was watching me. OH DEAR GOD WHAT. I'm BUSY. I think it's fair to say The only safety in this country Is in being a white woman. AHEM. WHAT. A *frail white woman. What?! I'm strong?! A skinny woman. Where'd the white go? I don't know. Bring it back. I need some of that. God, she's just so free, and fun loving, careless— She's just so— Perfect. God, Are you still busy? kind of, Why? Make me perfect. I already did that. I mean, like this *Vogue Magazine* I mean like this. What is that? That's a model. What. It means she's perfect. I don't know him. That's a girl. Where's her breasts? *Vogue cover Breasts, unpictured— Pg. 11 Leave me alone, Satan. But it's important. Is this fast over? No. It all started with apple pie… Look. I am an American, Okay? A patriot. Do you know why other countries hate us? Because we sold the world a dream, And it ended up as a cheap, Made in China Piece of Crap. [robot people] Did you figure out how to program humans yet? Kind of. CHINA Oh. That's funny— We have. Before: No more babies. What. You get ONE. One?! ONE. Ok, well I hope it's a boy. GOD a boy, for what?! To carry on my family's name! GOD. But you family sucks… What? Why would you say that, It's a GIRL. THROW IT AWAY: What. Seriously, does nobody remember that? Okay, you can have more kids now. Why?! It's over populated. As fuck. We need more soldiers. American men tend to frtishize Asian women. Why is this. Great. More subordinates. My spell worked. So like. Wait, They OWN LAND HERE? …Excurricating debt. Had to give them something. MAKE MORE MASKS. Oh? That's good. I like that. Okay. What is the true evil that seems to lie Deeply inside every blue eyed— I can't feel shiiiieeeeeeet. Are you sure it's just Blue eyes. It's a mutation. For what? You realize that this DONT BRING THAT SHIT OVER HERE you're a psychopath. Fuck these bitches I love vamps. LOOK AT ME. why. BECAUSE I DONT MAKE MY OWN ENERGY. i'M NOT ORIGINALLY FROM THIS PLANET WELL I AM. Great. Give me your light what? I don't have any. So wait this is Yes. This is actually an extraterrestrial war. WE'RE IN SPACE WARS?! I told you that. Great. It's a mutation We'll call it “an adaptation” GET THAT THING AWAY FROM ME. Okay. I like thighs now. What. Why don't you have thighs?! Men are uselesss. Sssriosussss. They never know what they want. They want ussssss. Children!!? Mostly. I swear, she's all used up. All used up. At 26. Yep. Wow. I should just kill myself. You should. I've been replaced! {First Wives Club} Best movie ever. By what A fucking toddler. Okay. I love her. {White women} (The actually self aware ones are also most often the most famous) Which one? All of them. The whole cast?! Star-studded. I thought this was Star Wars. Well, it was. I'll be damned! GEORGE LUCAS I thought I was. BUY! BUY! SELL! SELL. So this is automatic writing. Yep. I didn't get that knee injury from running. I got it sitting on the New York subway with my leg at a 90 degree angle. Oh really? Really. These boots are made for walkin, And that's just what they'll do; One of these days, these boots are gonna walk All over you. Is that code for something Walk on my back. What? Are you sure. Yes. Okay. In these: Uhhhh. That might hurt. I know. Woah. Just do it, okay? I'll pay you. Pay me in what?! Rupees. What about this one? No. No brown dudes. Why?! He's mad rich. I don't care. Not even me? No. No rappers. Why not?! He's mad rich. Roaches. Video hoes. [Beyoncé's Jolene is hilarious.] Dolly's asking you; Begging, actually… BEYONCÉ IS WARNING YOU. Really, bro? Men. A light skin, And a dark skin. A skinny one, And a thick one. A white one, And a black one. Men Have No Loyalty. SOME DO. Yeah. The ugly ones with short dicks *I AM OFFENDED* No, you're just ugly. It's a lot harder to be offended when you have everything. You have everything! Why are you crying! I want LOVE. YOU HAVE LOVE [MADONNA IS RUNNING A MARATHON] Gotta burn off all this energy What is it?! Love! Gotta take a nap… (Dark skinned women—the strongest women, being sucked dry of their— {Infinite Wisdom} [A fortress.] It does replenish, eventually… I promise WHERE THE LOVE IS With the women and children! Look, if this whole bitch is the titanic, (the United States of America) Then we should run it like the titanic and just TITANIC Women and children! WOMEN AND CHILDREN. Why, Cause the men are responsible for this war in the first place. Secret President Deathwish Enter The Multiverse The Legend of S Ū P C Я E E™ The Secret Life of Sunnï Blū Ascension L E G E N D S The Seven Souls Saga OWSLA CONFIDENTIAL, LTD.The infinite Skrillifiles: Next Generation— Quantum Force [The door is kicked in.] What the FUCK. I'M THE FUCK I get that. Whatever, move. [he begins to rifle through the cabinets] Now where is it? What the fuck are you looking for? Shut UP. WHY ARE YOU IN MY HOUSE. You call this a house? Dammit. Where would she keep something like this—? If by “she” you mean ME. I don't mean “you.” I'm the only one who lives here. NOBODY lives here. What. Right. What?! Right what?! You really don't know, do you? Don't know what? You are not who you think you are. Who do I think I am? What?! Who do you think I AM? That's right. Now shut up. Get out of my house. This is not a HOUSE. And even if it was a HOUSE, it's not YOUR house. What! SHUT UP. You're making a mess! I am a mess. STOP IT. That's alright—I know you'll clean it up. I thought I'm not who I thought I am. Yeah. But I know who you are. Tsh. Are you going somewhere with this? Eventually, but right now I need my back rubbed. Fine. PREVIOUSLY ON… Whatever Just— “Tidbits” Points: Jennifer Lopez in the 90's enters immidiate superstardom and fame, as The Illuminati, which has been tracking her every move for quite some time, conspicuously gifts her with a handful of large, rare, and uncut diamonds—she becomes a Kingpin and near overnight success, keeping the secret of the diamonds to herself—however, as she is skyrocketed to success and fame, strange and mystical things begin happening all around—and even more strange and mysterious, mystical people—besides the usually strange and magical celebrities and otherwise unworldly weirdos within the Illuminati's ranks— begin to appear, acting as guiding forces between the multidimensional realms which within the various portals a hidden world — infinity and beyond— has been kept, only exposed through the stories, shows, and — Wait a second — a montage— montage— I'm being intercepted. What? What about a montage?? I love a good montage. Everybody loves a good montage. the infinite Jennifer Aniston and her Multidimensional counterparts Jennifer Aniston is tasked as becoming a guardian angel, to help protect and watch over the mysterious extraterrestrial formerly known as supacree, currently masquerading as CC as she attempts to escape the spiral of magical attacks from unknown forces, after being trapped in New York City. You know what? I love it. I'll take it. Are you sure? Yeah, I'm sure. I love her. I love her. it'll take it. JENNIFER ANNISTON, a well-known A-list actress whose rise to fame in the 1990's created her as a Hollywood superstar (and Illuminati staple) has been looking for the perfect project to invest her time to— rumors within the Underground have been circulating about a “secret podcast”, to which it's curator, a homeless and downtrodden musician and amateur DJ publishing Illuminati doctrine, some of which is only known to the limited and coveted higher ranks within the organization, interwoven into the plot's narratives as “Easter eggs”; the unformed screenplays have been archived and passed around for a number of years within a small community of elites, and some even plagiarized by the mindless and money hungry lowest ranking industry professionals—however—as it is known by the leaders of the organization as a whole, the true origins of this doctrine remains “unknown”, and the identity of the author, is surmised to be the prophesied scribe, set to arrive as the dawning of a new era arises, to write within her words the hidden truths to be sought by all mankind and otherwise—and therefore, must be protected and hidden within the organizations cradle at all costs; though misunderstood greatly, The Illuminati has been tasked with spreading the divine light to the human species through artform and storytelling, and as the art of wordfare becomes a lost art, the doctrine must be colluded to be written, before the end of the scribe's time, said to be often—a most untimely death, as the forces of darkensss seek to end all that remains of the love and light of the divine kind. Damn, really: Jennifer Aniston. I really like her eyes: Well yeah, they're mine, so. Apparently or whatever, Jennifer Anniston is assigned to guide CC as she trains to stand up as the scribe — Who revealed herself as so in Los Angeles, at Carl Cox's show. I dropped three cards for form the center of my eye, Here: An equilateral triangle. I Am. Two— These markings will be known to those as I, The scribe. Three— A world unknown awaits all those who seek the truth of the divine light in the pursuit of higher knowledge. INT. EQUINOX SPORTS CLUB NEW YORK. MANHATTAN. DAY JENNIFER ANNISTON enters the elevator—to her left, towering over her, she spots JIMMY FALLON, trying to remain unseen. …Jim? Oh, yeah, hey, What re you doing here? Whatever I want. You shouldn't be here. You shouldn't be here. This is by the way, when Satan switches from Jimmy fallon's body to Jennifer Anniston, hereby known as Jennifer Anisatan— just before the scene at Equinox “I'm holding in a fart.” So wait, who is Jimmy Fallon, then? Who the fuck knows. Who the fuck cares. I'm over it. ————————————————No wait, don't. Tie me to the cross Bleed on my sickness m Crossfaders, behind us Blinder up, bonded Surreal, The sunsets are longer Open your mind, your highness Crossfire, behind us (Someone else writing this) Dawn comes on stronger The sunsets are longer Tie me to your honor Come before me Somebody said you were the apocalypse I should have listened to my father Somebody told me you won the world at a carnival I should have never listened to my mother I should have listened to my father I should have listened to my father I should have listened to my father Come before me Tie me to your honor Born of blood, The borderline genius You were the apocalypse Tie me to your cross MAYA RUDOLPH Is weird. MAYA RUDOLPH prepares for a SAYONCE in her formerly secret apartment on the upper east side dedicated entirely to magical purposes Ok. Ok. Okay? Ok. The worst part about it is, I do understand you, Because I am you The very worst part of it is I want a family To hold you hand And rub your back But I just can't have you —I'm just a fan, dude. The truth is I've got two suitcases, Some capsules of cyanide, An axe and some anthrax A cat in my lap And a failing laptop I've been living hand to mouth I've got A ripped backpack A stress ball A Hackey sack A hockey bag A volleyball And a mouthful of gunpowder How do you like me now? It's gonna take forever to fund my project But it's gonna take longer To find my body Cause nobody loves me Nobody has my number The phone is shut off And so is the water (By that I mean, my love; It's all coming out blood now) I must be backed up And stuffed full of crystal cocks I could give it up for a wand Or a ringworm Oh God My wrists are itching to ditch this place I fell asleep with a gun to my head And woke up Cobain Okay? Ok Okay? Ok. Sorry to wake you I came to rape you HEATH LEDGER hello. OH, GOD. HEATH LEDGER I heard you like ghosts. I— I don't. HEATH LEDGER Oh, you don't? No—! HEATH LEDGER oh! wait—who are you? HEATH LEDGER (Makes joker face) All my friends are dead, anyway I'm loving more ghosts than people these days The faces, the golden days The golden retrievers I need some relief, man Release me Sweet, freedom Just lay on your back, And I'll take it from there JOKER? Aha. I'm in love with the idea of Death The idea of Leaving this world behind The idea of love The ideal of love The ideal of love The seductive touch I'm in love with the idea of Not knowing pain The idea of Not needing money The idea of love The ideal of love The ideal of love The seductive barrel of a gun So run away Run far from me Far as the eye can see— And I'll aim for the head But probably just get the neck Or the center of the back Twirl around, girl Do your dance Heads or tales for the daughters The blondes, The live that you wanted The life that you wasted The knife to your back The life flight The kite hack Never spend your heart on band tickets Don't you know This is so much more Disappointing in person We all are Never spend your bet on your bottom dollar The kite and the rock band The lost rock The last dollar Diamonds on your JENNIFER LOPEZ GET IN THE BACK OF THE VAN, BITCH. NO WAY, J-LO. YOU LOVE ME EXACTLY. GETAWAYFROMME. DONT MAKE ME CALL GOLDBERG. I'M LIKE WAY MORE SCARED OF JANET JACKSON. JANRT JACKSON GUESS WHAT?! OH NO!!! NOOOO. U PICKS UP TO SUPER SPEED wtf. How does she run that fast, that fat? I really don't know. Did you call my name? Did you wake me from my relentless dreams I needed you Just like you needed me I called your name You called me Follow me home Follow me to the road we both know Open the doors for the lonely Follow me home Follow me home Sista sista What it is, mista? Turn the tables, Drums, then get my sticks sucked You dig it? Turn on the television I'm on in an minute This could be infinite, Nothing to defend here, Just No, not the google documents! GET IN THE HOLE. Hm. What. Blood Shower All along the watch tower Do you feel good? Do you? Do you feel bad about this. I do. I feel bad about this. I forgot to tell you– I should probably let you know that I just want to MAN, FUCK THIS DUDE. MA. WAHT. IT'S ON. WHAt. THE SHOW IS ON. THEWHAT. THE– *suddenly self aware* …I gotta get out of Boston. What, first this was about war, now it's about bird people? It's about a war WITH the bird people. I should sleep. Hahaha. No. This isn't funny anymore. At least it's over. MA– Oh, it's far from over. Yo, i'm going through some crazy shit right now. Spur of the moment I'd never thought of it; This is gonna take forever. I don't have the patience To even write this I just want french fries right now But been up for two days with no gym and I'm on a diet. GUAC TIME. No, no burritos. GUAC TIME. Oh shit, this is getting real as fuck . NOw i see it three ways. I love it. I hate it. HEY, LET ME OUT. GET BACK IN YOUR HOLE, SKRILLEX. I'M DILLON FRANCIS. IN THE HOLE. Check it out. Huh. It's another DJ. *agrees* Should we pick him up. WEll, the good news is: I found your friend. Oh, that's good. The bad news is: He's dead. Oh, that–'s … nice. Yeah. It is. Uh. Kaskade. Yeah. We gotta find Ryan. Why. What's up? You're freaking me out. Why. What's up. Nothing IS it my eyes? I– *wild ass eyes* Yeah, it's probably that. Fuck dude, what did you do to deadmau5. NOTHIN. He's not the same. What the fuck is that. Holy shit I jus timejumped Where the fuck are you going. How the fuck could this happen?! It COULDN'T. Well, that's it then. *shrugs* Well, I guess we're just gonna have to go dig up Dillon Francis. I guess so. Do you think he's still alive. Like, probably not– Maybe… No, probably not @prodbywar& @Halmadeit This amazon order took me nine hours Alexa, I think i should fire her Like a arm I don't leave at night without armor Don't make me a martyr Your mom will be proud of us all If i make it outta here And i'll look after her Got the whole block coming up on my heels as I walk Wtf is it… Idk dude. Is it speeding up? I…i think so. There's no way this is 140 IT's 140. It's 140 . There's no way. Yes way. Nah huh. Let me see. No. Let me at the decks. Let me at the decks. NO. YO LET ME AT THE DECKS. You want deks. Yes. I got deks. Really. yeus . I never listened to it like this In ableton I read serato, synesthesia and rekordbox I talk a lot, I'm like a human music box I walk a lot I run my mouth a mile a minute (faster than i run around the track reciting rap words) Like they're passwords. Oh, I could do this forever.. I wish i had i microphone right now And was all alone With the lights off Lying on the floor I'd be lying if i said I could afford you Just to fornicate But may consider playing with a foreigner If you're all for her I'm unnerved, you know Cause i've been up so long My monster likes to play with boys and Make the bass go down below where Nobody does anymore Once I get a hold of things Or the hang of it You've got another hot ones on your hands I've another record under my belt Or in my roster, Whatever you'd call it But now I've got no time to bark about Wanting a dog and a daughter But none of the responsibility or Going through all the trouble to find her a father I'm still holding a fart in. Reaally–cause–it's been a really long time. WHAT WOULD YOU KNOW ABOUT A LONG TIME, JIMMY FALLON?? Um a lot! You literally just saw me make the journey all the way up from nothing. I am nothing EXACTLY. I don't have time to fight with you Jiimmy Fallon. I did NOT write these games by myself you know?! Um, excuse me– “GAMES” ?! YES, GAMES. Uh, I've only got one game with you in it, my friend. Is that so! One game that I've written with the Great–formerly LATE Jimmy Fallon. Is that like a play on words cause i'm on late night TV YOu'RE ON ALL THE TIME TV, JIMMY. NBC SHIT IS PRACTICALLY AUTOMATICALLY SYNDICATED. -_- …are you alright. –_-_-__-_ Hold on, I think i've got it Nice, I found a growler. yOu still haven't got all the monsters and sprites Ive got all the big ones, but the little ones are harder to catch. GrO0Wl3rrr. Aww. He's so ugly. Yeah, but cute, though, right. I don't think so. Gro)WwlErrrrrrrrr. Aww. That's so fucking gross. lol . so what does this thing look like. Well, that't the thing about the monsters and sprites. WHAT THE FUCK IS THAT. It's alright, it's alright–he's nice. WHAT. THAT'S A SPRITE. No, it's a monster. He's just scary. SUPACREE. David Bowie. What up. God, it took me ages to find you. Tell me about it. I'm still trying. We've been expecting you for a long time. You were expecting I'd die? Yes. So when she says she's “married to the music…” I'm married to the music. Oh, so. Yo, honestly if you een want to talk to this bitch, you'd better have like a musical instrument, or a mic in your hands, Otherwise– No, getawayfrom me. It's not even worth it. HI. –No. What's up? Tempo. SUNNI Cotour From the store I was poor Now i'm honorable In velour, Glamour (Snap) Forsure, Jesus Christs is making appearances in my abletons I'm not able to comprehend or understand exactly the message, But the evidence sire is mounting Get it Reached the temple, More of a sanctuary, Is that sacrilegious I guess it is, I'm stressed as ever Trying to get it to gether I'm way too tired for a remix; All i really want is some fries that are french And some thighs that are thick Like mine to sit on like five or six dicks Pick up up like chopped sticks {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. Love, Skrillex. COMING UP ON what show is this? Whatever it is. Things Mormon girls do Katie Mindy Jenny - the 1987 Chevy nova My name is Skrillex- to Yonkerz Laura and Bryan I'm home sick— but not so homesick that I want to be homeless Gentrification—non rent control My boss trying to be a dom (but being black so it was scary and creepy instead of va attractive and a turn on Being worth 4 million And still not being attractive Sex harness Mormons putting themselves to the side To keep up with church standards Correction: carne asada fries with mango pico Mexico elected a new president (a woman) and made the loser a piñata The pixies {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Mostly new 2024 stuff we've been dying to play. Including an unreleased new one from your friends here at BGP as well as one from our collaboration with El Matador! An old project of Monster's from Punk Rock Jukebox thrown in the mix! Hit us up at brothersgrimpunk@gmail.com and download our music (and Monster's) on our Bandcamp page.460 Playlist:Kings Punker...Farewell (RIP) 1:44 BGP Unreleased Single If all you do is watch tv in your living room you're not living 0:41 Shut the Fuck Up Girl Scouts of America is a Child Labor Racket BC DOG EAT DOG 0:40 Noose Sweat MURDER SUICIDEAmerican Fatty 2:09 El Matador & BGP Unreleased Singlefly Robin Fly (bkgrd) 4:21 Silver Convention Save Me Punk Rock Jukebox RESISTANCE AIN'T FUTILE    1:38  KINGS DOZEN   S/T (2001)Greece  ΦΩΤΙΑ ΣΤΑ ΣΑΛΟΝΙΑ ΣΑΣFO (fire in Sasfo Lounges) 1:32 ΝΕΥΡΑ S/T FL Omnipotent Elite 1:17 C.A.M.P.S. Se llama sueño americano, porque hay que estar dormido para creerlo Ext. Burst Handout 1:08 XCELERATE All I See Is Hate Ez A Zaj (it's the noise) 1:33 BALTA Mindenki Mindig Minden Ellen (everyone always against everything)_La Vida es Un Mus Hard Tack GA STAY DOWN 1:01 Delta 8 GREASED LIGHTNING Pokey's Recs IA SIEGE 1:00 BOOTCAMP CONTROLLED BURN Barbara Ann (hidden track) 1:18 Absolute Order? Arrrgh I Gotta Get In Shape (bkgrd) 1:57 POWER PANTS CS1 Loopy Scoop Tapes IN DEATH NOTE 1:30  CUT GLUV - DEMO Punk Valley Recs Skinned Beavis 1:49 Carny Cumm REFUSE London RAISE THE LIVING 1:06 Gloat Mirth UK Hubris 1:44 Sordid Vision Demo 2024 UK Bite 1:33 SPIT PROMO Inner City Uprising AU PEEL OFF MY SKIN 0:51 SAFETY ZONE INCARCERATED BY PARANOIA MS Clean Needle - "My Brain (it's drained)" 1:18 Clean Needle Split cassingle w/ Primitive Fucking Ballers No Time Recs CA BAILED OUT 2:28 DIE. S/T [NTR 403] Politicians 1:04 WITCHFINGER Witchfinger Going Up The Country (bkgrd) 3:43  Kitty Daisy & Lewis Pitts Bloody Murder 3:11 Peace Talks Will You Be Next? Rip Recs FL WORKHORSE 1:02 CICATRIZ CICATRIZ-DEMO France Fast Fashits 1:55  Discrusting terror - Demo Oxnard 20 Ways to Die 1:37 GROIND GROIND Sweden LIFE IN THE DOOMSDAYAGE 1:59 DISPOSE IMAGENON DISPONIBLE Ambush Recs I Left The Oven On 0:43 Weapon World Weapon World EP Oakland NO WAY OUT 1:19 CAVEMAN SOMETHING'S GOT TO GIVE Bombs Away 1:45 The Wankys The Very Best of Hero LP ANOTHER DAY(ON THE JOB) 1:56 SUSS LAW SOW THREAT SPLIT TAPE  Deluxe Bias WY Mój Kraj 1:42 LAXITY HAVE A NICE DAY DB#27TARANTULA (bkgrd) 2:08 The Tarantulas I Don't Wanna Take My Meds 2:00 Dru The Drifter and The Back Alley Hookers - ST TapeOther ways to hear BGP:Archive.org#460 on ArchiveApple PodcastsYouTube PodcastsPunk Rock Demonstration - Wednesdays 7 p.m. PSTRipper Radio - Fridays & Saturdays 7 p.m. PSTContact BGP:brothersgrimpunk@gmail.com@Punkbot138 on Instagram@BrosGrimPunk on XMore Music:Bandcamp - Follow us and download our albums: Brothers Grim Punk, Fight Music, and more!YouTube - tons of our punk playlists, from Anarchy to Zombies!

Negotiations were not really in the cards…were they? Patreon: https://www.patreon.com/unchartednorth Network: https://www.unchartednorth.ca Merch: https://unchartednorth.com/shop   Socials ______________________________________ Discord: https://unchartednorth.com/discord Youtube: https://www.youtube.com/@unchartedno Twitter: https://twitter.com/unchartedno Facebook: https://www.facebook.com/unchartedno Instagram: https://www.instagram.com/unchartedno Threads: https://www.threads.net/@unchartedno Reddit: https://www.reddit.com/r/UnchartedNorth   Credits _______________________________________ Music by Will Savino: https://www.patreon.com/musicd20/posts SFX by Epidemic Sound: https://www.epidemicsound.com Maps by Narchy: https://gitlab.com/narchy-maps Artwork by GrayHood: https://www.instagram.com/grayhood   Abomination Vaults by Paizo Inc.: https://paizo.com/ "Stemming the Tide" uses trademarks and/or copyrights owned by Paizo Inc., used under Paizo's Community Use Policy (paizo.com/communityuse). We are expressly prohibited from charging you to use or access this content. "Stemming the Tide" is not published, endorsed, or specifically approved by Paizo. For more information about Paizo Inc. and Paizo products, visit paizo.com

Van Sessions is Recorded at The Monarch in Ogden, Utah.   ARTIST | Dave Quackenbush, "Stay Down"   FULL SET Song 1 - Got Nothing To Say Song 2 - Better Song 3 - Stay Down Song 4 - Love Is In the House Song 5 - Guy on Polk   ARTIST LINKS HEAR ME NOW: https://davequackenbush.hearnow.com/ YOUTUBE: https://www.youtube.com/channel/UCOPCqWnRr0P8LGN9yq6d9qg INSTAGRAM: https://www.instagram.com/thedavieqspecial/ SPOTIFY: https://open.spotify.com/artist/6OYLX7heJsXnvTHg25uO1a?si=E5Mj2h7jS7eup2yVmorJ9g   SUPPORTERS The Monarch Building: https://themonarchogden.com/ UTOG Brewing: https://www.utogbrewing.com/ Lucky Slice Pizza: https://www.theluckyslice.com/ Ogden City Arts: https://ogdencity.com/707/Arts Locals Rock: https://www.instagram.com/localsrock/   CREDITS Producer / Host: R. Brandon Long, The Banyan Collective Bookings: Todd Oberndorfer, todd@thebanyancollective.com Audio Mix: Scott Rogers, The Proper Way https://theproperwayband.com/studio DOP: Dixon Stoddard, https://www.instagram.com/studios_d21/ Video Assistant: Isla Long Photography:Tactical Nacho Media, https://www.tacticalnacho.com/ Lighting: 8ZERO1 Productions   FOLLOW // SUBSCRIBE Van Sessions Instagram: https://www.instagram.com/vansessions/ Van Sessions Facebook: https://www.facebook.com/thevansessions Van Sessions YouTube: https://www.youtube.com/@vansessionspod   Our “Patreon,” Like what you hear, buy us beer: https://www.buymeacoffee.com/banyanmedia   The drive behind Van Sessions is to create a music discovery community for Northern Utah musicians to share their work, refine their craft, and network with other artists.   Van Sessions helps support local musicians, photographers, and videographers through our project. Show your support for local artists by subscribing to Van Sessions on YouTube @vansessionspod or search "Van Sessions Podcast" on your favorite podcast platform.   Join us live at the Monarch in Ogden every First Friday to be a part of the free concert and video podcast recording.   Bookings: todd@thebanyancollective.com   #vansessions #localsrock #musicdiscovery #localmusic #podcast #music #davequackenbush

Rise Every Time: 'Never Stay Down' - Best Motivational Speech Never stay down, best motivational speech, resilience, overcoming challenges, motivational strategies, bounce back, personal growth, success mindset, overcoming obstacles, motivational inspiration, empowerment, grit and determination, stay motivated, life challenges, personal development, success journey, inspire success, building resilience, resilience techniques, comeback strategies, turning setbacks into comebacks, triumph over trials, inspirational advice, motivational stories, achieving greatness Learn more about your ad choices. Visit megaphone.fm/adchoices

Oaks & Jabs have taken a left turn with this one. Not with the music, the music is still dope, it's more the yaps than the raps. The banter is out there. Plenty of new music as always, with a varying vibe as usual and some topics of discussion that are very unusual. Playlist: The Come Up by Phathom, William Cata & Mickey Factz Make Some Room by CallHimd. Right My Wrongs by Billz 90, Beky & Destiny Australia Music Can't Stay Down by ZEE ft. Bryann Trejo, Egr & Seb Jessop Finally Free by Cru Alxndr & Brenno Pulling Strings by Sivion & Maelex AIN'T RUNNING by ROK MONTERO, YP aka Young Paul and Prodi Da Prodigal ft. Da Commissioner & HGM Dymond Hey You! by Latrell Jackson & Deja Jackson On The Move by Hannah Barr & Cyfe II Working For My Good by Reblah & Marizu Rhyme Related by Phathom, A-F-R-O & Rand GFM FOREVER : HOME BY Cyfe II & Franchesca Perfect Peace by CallHimd. Vote on the playlist at www.definitionradio.com/show/896 Leave your requests/shout-outs on our socials www.facebook.com/DefinitionRadio www.instagram.com/DefinitionHH www.twitter.com/DefinitionHH www.krosswerdz.com

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Join Powerleegirl hosts Miko Lee, Jalena Keane-Lee and Ayame Keane-Lee, a mother daughters team. They are celebrating Asian American Native Hawaiian, Pacific Islander Heritage month.They talk with artists and activists who are telling their stories in so many different ways. Artists from the annual United States of Asian America festival, including artistic director, Melanie Elvena, storyteller Nancy Wang, and musician, Scott Oshiro. Jalena learns about the POC Food and Wine festival from Director Gina Mariko Rosalis and talks with Thuy Tran about CAAMfest, Asian American film festival. Miko speaks with Cyn Choi from Stop AAPI Hate.   Events Covered in this APEX Episode May 2-5, 2024  POC Food & Wine Festival @cielcreativespace, Berkeley & @fouroneninesf, San Francisco, CA April 25-June 23, 2024 United States of Asian American Festival various locations throughout SF. Including performers such as Eth-Noh-Tec and Scott Oshiro May 9-19, 2024 CAAMfest various locations throughout the Bay Area. May 10-12th, 2024 After The War Blues Z Space May 16-June 1, 2024, DARKHEART – A Concert Narrative by Golda Sargento at Bindlestiff Studio Stop AAPI Hate campaign Spread AAPI Love   Additional Events: May 10-12, 2024 After The War Blues at Z Space May 31, 2024, from 5:00 p.m. to 10:00 p.m. Sacramento AAPI NIGHT MARKET   SHOW Transcripts Opening: [00:00:00] Apex Express. Asian Pacific Expression Community and cultural coverage. Music and calendar. New visions and voices. Coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Miko Lee: [00:00:34] Good evening. You're tuned into apex express. We're bringing you an Asian American Pacific Islander view from the Bay and around the world. We are your hosts, Miko Lee and Jalena Keane-Lee, the PowerLeeGirls, a mother-daughter team. Tonight we are talking about Asian American Native Hawaiian Pacific Islander Heritage Month and all of the amazing events that you can experience. We meet with artists and activists who are telling their stories in so many different ways. We hear from the artists from the annual United States of Asian America festival, including artistic director, Melanie Elvena storyteller, Nancy Wang, and musician Scott Oshiro. Jalena learns about the POC food and wine festival from director Gina Mariko Rosales and talks with Thúy Trần about CAAMFest an Asian American film festival. And I hear from Cinci from StopAAPIHate. First up, we're going to hear about all the amazing artists behind the 27th annual United States of Asian America festival.   Hello, Artistic Director Melanie Elvena from Asian Pacific Islander Cultural Center. We're so glad to have you on Apex Express.   Melanie Elvena: [00:01:44] Hello, everyone. Thank you so much, Miko, for having me here today and letting me talk about our festival.   Miko Lee: [00:01:49] This is the 27th year of the United States of Asian America Festival, which is stunning to me, already 27 years. Tell us about the theme this year, Be(long)ing Here.   Melanie Elvena: [00:02:02] Yeah, it's crazy to believe that it's 27 years. It's also my 10th year with APIC. And our theme this year is Be(long)ing Here which asks us what it means to be, Here, what it means to belong here, but also what are we longing here? Actually, I created this theme with our previous festival coordinator who unfortunately passed away in October, but he came here from San Diego and was just blown away by the richness of the AAPI arts community and our culture and our history. We just wanted together to reflect on where we have been, where we are now, And just what our collective future holds while acknowledging our backgrounds as immigrants, as refugees, mixed race descendants, and just really wanting to dive into what it means to belong. I think a lot of us as AAPI community members are folks who immigrated here, we're always looking for our home and our place where we can feel safe and belong, especially with everything going on right now in the world politically, the war in Gaza, a lot of us have even just in our own AAPI community, have lost a lot of community members. We're going through this moment of grief and reflecting upon our time in the pandemic, where we also just lost a lot of there was just so much death, right? What does that mean now in this current moment? Every year we try to come up with a theme that, you know, reflects upon us. What we're experiencing as Asian Americans, Pacific Islanders. And also what do we see for ourselves in the future?   Miko Lee: [00:03:21] Thank you for sharing Melanie. I'm so sorry to hear about your colleague. That's heartbreaking and you're right. We are living in such a time of immense grief. It is powerful how we can use arts and cultural events to enrich us and bring our spirits back to ourselves. Can you talk about the breadth of the festival and what people can expect?   Melanie Elvena: [00:03:40] Of course. So every year we have multiple events. , this year I believe we have 22 different events. It showcases all disciplines, theater, music, dance, film, literature, visual arts, many, many more. There's even culinary events and we have artists of all different disciplines, AAPI backgrounds, represented and, it goes from May through June. There's a little bit of something for everyone but I just want to talk a little bit about our featured events. Our first event is a kickoff celebration for the festival, but it's also an opening reception for our annual arts exhibition. This year, I worked with Independent curator Delaney Chieyen Holton, and they curated this exhibition called Where is Your Body and for them they are exploring how the body is the lowest common denominator for solidarity and thinking about the body and our vulnerabilities. What does it mean to have a body, especially as someone who identifies as AAPI, a person of color, queer, for us, we're always negotiating what the body means, for ourselves out in the world. There's a handful of artists and that's going to open on April 25th. Then the exhibition will run through May 24th at SOMArts cultural center. So we would love for everyone to come and see the show. Another event that we're highlighting. We have two featured. the first one is Megan Lowe Dances from May 31st through June 9 at The Joe Goode Annex called Just a Shadow. Megan is bringing together seven artists to make six different duets. It's about pretty much celebrating life, but also acknowledging grief and the memory of loved ones and resilience. For Megan, who personally has experienced a lot of loss in the last handful of years, she's using this piece to reflect upon everyone's collective grief that we've all been experiencing. Our next featured artist is Ramon Abad, who's doing an immersive theater experience for children and families at Bindlestiff Studios called Duck Soup. He has shows from June 8th through June 15th. I really love about Ramon's work is, he works with puppets and brings in children and youth to tell their own stories. There's going to be multiple stories with different youth, and they're going to be able to tell them to an audience and to have families involved, especially in San Francisco, where there's not as many programming for children. We wanted to highlight Ramon and be like, San Francisco is a place where families can thrive and have a space and with his art with his theater his puppetry. It brings to life, the humor, the joy, but also some of the hard things that we have to go through, especially through the perspective of youth and of children.   Miko Lee: [00:05:58] What is a collaborative event that you're doing this year that you're excited about?   Melanie Elvena: [00:06:02] Yeah, so We're collaborating with Sunday Streets Tenderloin to do an outdoor showcase from 1 to 4pm on June 23rd It's a street fair, two blocks on Golden Gate Avenue in the Tenderloin between Jones and Hyde Streets. We're so excited to have this partnership again with Sunday Streets and Livable City. We're going to have a whole afternoon of performances from both artists, as well as Tenderloin artists and local artists. Our Artists we're featuring is dNaga Dance Co., Johnny Huy Nguyễn & Tim Kim, Sun Park, as well as Swetha Prabakaran Productions with Nirmathi. We're just so excited for this day because last year we had such a good time. We brought the stage to this street fair and people from all walks of life came to enjoy as well as a lot of families and youth. It was just like a beautiful day where folks could just come and enjoy as well as take advantage of the free services that they had. The street fair offered, especially when we talk about the tenderloin and all the issues and problems you think of homelessness substance abuse and all those things. But, for one day, there was just like this beautiful time where everybody was just enjoying and being each other's company. That's the real San Francisco. I think that's the real beauty that we have here. The real richness and what it means to experience art together. It really brings people together and it brings some healing. I'm super excited to have this again and can't wait to be out there.   Miko Lee: [00:07:20] Thank you so much APICC, for continuing to show up and provide us with a varied experience of what it means to be Asian American for curating such an amazing event. We really appreciate your work. People can have access to all of these amazing adventures with APICC and a greater understanding of belonging here by looking at the website, which we will link to on our apex express site at KPFA. Next up, listen to elements of freedom from Scott Oshiro Part of Afro Asian futures playing Saturday, May 18th. As part of the United States of Asian America Festival.   MUSIC   That was Scott Oshiro from Afro Asian Futures playing the song Elements of Freedom. This will also be part of the United States of Asian America Festival.   Welcome Nancy Wang from Eth-Noh-Tec to Apex Express.   Nancy Wang: [00:10:18] Thank you. Thank you, Miko. Miko Lee: [00:10:20] We are so happy to have you, and I understand that Ethnotech is going to be part of APICC United States of Asian America Festival. Can you tell me about what work you're going to be presenting in APICC Festival?   Nancy Wang: [00:10:34] Yes, my piece is called Shadows & Secrets, and it's about my grandfather's death in 1924. We had all been brought up to think it was an accident, although my grandmother accused her own brother of murdering him, so no one took her really seriously, but I began to notice inconsistencies around what was going on at the time of his death. And so I've been doing a lot of research and I've come up with too many suspicious circumstances around his death. I agree with her. I think it was murder. And so my piece is about trying to find in this cold case, uh, Who could have been the murder. There are four suspects I have found, and maybe they all did it together, or maybe they all wanted to do it, but this is what this piece is about and it's multidisciplinary. So there's going to be media behind it with different photos of this restaurant. He was a very famous restaurateur in Chicago. I have six other actors who are going to do the parts. It's going to be a stage radio play genre. So it's kind of exciting with all the Foley sounds. It's going to be at the Mission Cultural Center on May 4th and 5th. May 4th at 6:30pm. and May 5th at 2pm. In addition to that, we're doing an art exhibit at 447 Minna, because there's an artist in New York, Chee Wang Ng, who has been collecting various memorabilia of Chinese restaurants in that era of the early 1900s. It is going to be really interesting to see the lavishness of the restaurants at that time, east of the Mississippi river, because both. non Chinese and Chinese were very, very much in love with Chau Sui. If they could afford it, they went to these lavish restaurants.   Miko Lee: [00:12:20] And how is the exhibit connected to your work?   Nancy Wang:[00:12:24]  Because my grandfather had one of those lavish restaurants in Chicago. He was known as the, Prince of Merchandom or the wealthiest Chinaman in the Midwest. Because of his fame and his ability to draw in like the upper crust of the lo fan or the European Americans who came to his restaurant and were loyal to him. He had more than one restaurant and they were all very lavish. You'd have opera singers and violinists from Russia. And he had a 10, 000 organ in his restaurant and he had, uh, organ player every night besides bringing in special guests. So it was really very lavish, but very suspect as to what else was going on. Everyone's dead. So I can say what I need to say. [Laughs].   Miko Lee: [00:13:14] This feels like a new genre for Eth-Noh-Tec in terms of doing a radio play and an art gallery. How, what does it feel like to expand into a new kind of medium?   Nancy Wang: [00:13:24] We saw the Ross Valley players put on a stage radio play and it was so interesting. I just love the idea of it. And it also saves the actors from having to memorize because they get to use their scripts since it's supposed to be a radio show. They all get to play different characters, so they have to find different stances and different voices, so it's a challenge for them. so it really simplifies and at the same time is really interesting and exciting.   Miko Lee: [00:13:50] I'm excited to see it because mostly your work is movement oriented. Many different forms of Asian, traditional dance forms that are moved in this storytelling style, so it will be very fun to see a new kind of work. Can you talk a little bit about how your show fits into the festival's theme of belonging here?   Nancy Wang: [00:14:09] I think, everything that happens whether they're part of the Tong Wars or they're part of, just trying to make a living, survive, it's all about trying to belong here. Even if the Tongs are at war, it's about territory. It's about saying, no, this is where I live. This is my territory. I belong here. So it's always about trying to make sure that your own way of life is going to be grounded in some kind of permanency, trying to make sure that you get to stay in this country. So, whether you have to, you end up doing it illegally, It's still about trying to stake out where you belong. That's how I see it.   Miko Lee: [00:14:51] And lastly, Nancy, talk to me about what Asian American Pacific Islander Native Hawaiian Heritage Month means to you.   Nancy Wang: [00:14:59] Well, you know, it should be our heritage all year round, but in this time that the federal government has put aside for us, , it's a way to really hone in on here we are. This is who we are. This is what we're capable of doing. This is how we think. This is how we express ourselves. We belong. Please understand. We're not foreigners forever. We have been here for seven to eight generations already. So how can you say we don't belong? This is our world. This is our country too. It's really important for us to use this time to celebrate who we are. And hopefully that the rest of the country, who are not Asian, Get to understand that and somehow create the bridge that will connect us all in some way so that diversity is celebrated rather than something to fear.   Miko Lee: [00:15:52] Nancy Wang, thank you so much. Looking forward to seeing your show as part of APICCFestival. Thank you.   Nancy Wang: [00:15:58] Thank you, Miko, for having me on your show.   Jalena Keane-Lee: [00:16:00] I am here with Gina Mariko Rosales and so excited to talk about the POC Food and Wine Festival. Thank you so much for joining us on Apex Express.   Gina Mariko Rosales: [00:16:10] Yeah, I'm so excited to be here. Thank you for having me.   Jalena Keane-Lee: [00:16:14] Can you tell us a little bit about the festival and what listeners can expect if they are to attend?   Gina Mariko Rosales: [00:16:20] Been a long time event planner, producer. We've been doing a ton of work in the Filipino community in San Francisco for over seven years. So one of our biggest festivals has been Undiscovered SF, this Filipino night market. And it's been so beautiful for us to be producing that event. But I've really had this desire to build with more multicultural communities. And so that's how this idea of POC Food and Wine was born, was really wanting to bring together multicultural communities in food, beverage, art, music and how do we bring all these folks together to build something that's bigger than any one of us? How do we share knowledge resources across our communities? So POC Food and Wine Festival is launching. It's a four day festival and we're featuring all kinds of different events, but our main event is happening on saturday May 4th. So it's the main dish where we're featuring pairings so like tastings from amazing award winning chefs. It's paired with POC winemakers, spirits, non alcoholic drinks, and beverage brands. And then of course, Make it Mariko, we always do music really big in everything we do. So of course there's going to be tons of amazing DJs and live music performers. But there's really something for everyone. You want that festival vibe, you want our after party vibe, you can come to that or we have these really amazing family meals where it's like more of the traditional sit down, coursed out, dinner service.   Jalena Keane-Lee: [00:17:45] So exciting. And for people who don't know, why is it particularly important to highlight POC winemakers and food creators? What is it about those fields that makes it difficult for people to rake into?   Gina Mariko Rosales: [00:17:57] In the mainstream spaces and all of those industries so many of these festivals, a lot of the smaller batch winemakers or just folks who don't maybe have PR agencies, they don't really get access to a lot of these festivals. And even when POC folks do get access. A lot of the time it costs a ton of money for these chefs to come and present at some of these festivals. And so that's not accessible to a lot of people who may be really amazing chefs but don't have the budget for that. So our whole goal with our festival was to create a space that was highlighting folks who don't necessarily typically get access to these big festival spaces and how do we do it accessibly for them so they can really come and be a part of it.   Jalena Keane-Lee: [00:18:41] And speaking of accessibility, I feel like wine sometimes can be something that it feels like, you know, there's a lot of clout around it or maybe some studying or something that's needed. Can you talk a little bit about the space around wine and inclusion in that field?   Gina Mariko Rosales: [00:18:57] Totally. I mean, so I'm a wine lover. I love drinking wine. I love going to wine bars. I just got back from Calistoga last week. , but sometimes the reality is a lot of these wine spaces for people of color may not feel accessible or safe or welcoming. A lot of them are, but I've definitely been to a lot of spaces where I've kind of been ignored. Or maybe I'm the only person of color in the room. Maybe you've even had the experience of feeling, getting shushed at a winery or a wine event. And that just, to me, doesn't feel comfortable. It doesn't feel like home. So we really wanted to create a wine studio. space that feels more comfortable and accessible. Even just playing music that we like, little things like that make people feel comfortable in a space like I can come as my authentic self.   Jalena Keane-Lee: [00:19:42] That's so true. I think a lot of times the culture around wine can feel a bit stuffy and exclusionary. For someone who's not sure about wine, what would you say to them about reduced barriers to entry to be a connoisseur or an appreciator of wine?   Gina Mariko Rosales: [00:19:58] This festival is a perfect way to get introduced to that culture and start to feel comfortable there people who love drinking wine But maybe don't they don't consider themselves like a wine person because they don't have knowledge about it Because we're creating these pairings for you So we're gonna be telling you like here's this bite this amazing tasting from this chef and we paired it with this drink for these Reasons, so why don't you try it out and see how you feel how you like it and if you don't then that's fine like at least you're learning something and you're getting your, foot in the door and, learning how to even do a wine tasting. So we'll be sharing some tips like that for people before they go to the festival like, all right, here's some things that you might want to know about and here's how you can taste at a wine festival. Here's how you can spit at a wine festival. Here's what these buckets are for. So we're going to help try to introduce people to that culture and make it, you know, less scary.   Jalena Keane-Lee: [00:20:51] How did you first connect with wine and what was that experience like?   Gina Mariko Rosales: [00:20:56] My dad loves drinking wine and he would always drink like the darkest, richest red wines. And so when I would taste it, I was like, I do not like this. This is gross. I started drinking my first foray into wine was like really sweet wines, like Gewürztraminer and the more I got into it, my palate started developing and I was like, okay, I'm starting to like this now and now I like this. And it changed. So I actually took a sabbatical from my company after like a really bad burnout after COVID and I got a received a wine scholarship to this program that gave me an introduction to wine that I could actually now learn and study it and that gave me so much inspiration to be like, Oh, this is something that I can do. This is accessible to me and now I'm just educating myself. And there's so many of these kinds of scholarships available for people who are. excited or curious about wine and just want to get into it and make it more of a passion. So we really want to introduce those to folks too.   Jalena Keane-Lee: [00:21:57] Wow. That's so incredible. When you're talking about who you want to come to the event, can you talk a little bit more about that of who would be the ideal audience for this event and who, or what are you hoping that they bring with them?   Gina Mariko Rosales: [00:22:11] Yeah, that's a great question. Of course, we really want those like wine lovers, wine connoisseurs, folks who are, even studying wine, going up for the WCET, or, even like high class sommeliers who are really lovers of wine and understand it really deeply because some of the winemakers we are featuring are just wine Amazing, amazing winemakers with very delicious wine. So the wine pro is welcome here and we'll have an amazing time, especially with the pairings. But The like, entry, I'm just curious about wine, and really I just like, love music and festivals in general, like you are absolutely welcome here, because who doesn't love food, first of all? People all love really delicious food and drinks, so that's gonna be there for you. Some of the other people that we'd love to come or even people who just love music. I love music. I love culture. I love dancing. That is going to be on display throughout the week. So we have some of the best DJs, not even just in the Bay Area, but in the world that are going to be showcasing and spinning at the events. There'll be line dancing galore. So even if that's more of your jam, you're going to have an amazing time too. Another group that might be really excited about coming and that we really want to come to the festival are industry people. So if you are a person who's actively working in the food, beverage, hospitality events or entertainment industry, like we want you to come. Friday night we're hosting a special event. special sip and scratch industry night reception just for the people who are working in the industry. And we're going to be hosting like a really amazing industry roundtable discussion where we want to like get people's thoughts and ideas. How do we help improve diversity in these industries? Who's out there doing it really well? What are some ideas of what we could do better? And how can we come together as the industry? Fellow folks in the industries and, you know, work together to improve that. So that's something that I'm really excited about too. We really just want to have a community conversation. Jalena Keane-Lee: [00:24:12] That's great. And you know, this is a mother-daughter radio show. And you know, my mom thought that this was more my lane, but I'm curious what you think about the parents and older generations coming through too.   Gina Mariko Rosales: [00:24:23] Oh my gosh, absolutely. Mother's Day is coming up. And we really love the idea of people buying tickets for their moms or chosen moms or aunties or dads or whoever, and bring your family to this event. It's really going to be a super family friendly. Festival where you can come, bring your parents, do all the tastings together, dance a little. I invited my parents to the after party last year Brown is Beautiful and they had an amazing time and we're just like dancing up a storm. So I definitely encourage people like make this a family friendly day and invite them.   Jalena Keane-Lee: [00:24:57] I love that. And I'm so glad that you're bringing this event to the Bay and that, you know, all of these world renowned people are going to be here in our hometown. And of course, there's so much wine production that happens nearby us as well. What is special about the Bay Area informing the idea of the event and your own worldview?   Gina Mariko Rosales: [00:25:17] I mean, I am a Bay girl born and raised. So I was born in Pacifica and raised in Daly City, San Francisco, Berkeley, you know, so I've been around the Bay and I probably will be for the rest of my life. So I just. Love it here so much. I love the creativity of people, the diversity of people and diversity of thought out here. So of course, like the festival is really highlighting the best of the Bay and we're really focusing on What are some of the amazing diverse creatives that are building here currently? What is it that makes the Bay the amazing place that it is? And highlighting some of those key businesses throughout. So they're going to come and give you tastings at the festival, but some of them have beautiful brick and mortars that really do need support outside of that. So that's one of our big goals too, is like, how do we just introduce people to new spaces that they never knew of before? Because we all know that we get stuck in our little pockets of places, even me, sometimes it's hard to get even out of like Excelsior and Soma in San Francisco, but how do we challenge ourselves to find new spaces outside of our comfort zones and then become part of a bigger community and expand our community.   Jalena Keane-Lee: [00:26:28] Yeah, I'm so glad, and that definitely happens to me too. I'll get this idea that nothing happens here, and then I'm like, girl, you're the one that's been inside, like, all this time.   Gina Mariko Rosales: [00:26:38] The thing, too, is like ever since COVID, the pandemic, we got so comfortable in these little niche spaces. And that's okay. You know, we went through trauma together, but now it's time for us to really explore and expand. And I think that doing this multicultural festival really challenges us to meet new people, meet new restaurants, meet new small businesses that we can support, and connecting people is one of the biggest goals of our festival.   Jalena Keane-Lee: [00:27:02] Yeah, and what have been some of the unique challenges that you have faced and overcome when it comes to making a multicultural festival in this place and time?   Gina Mariko Rosales: [00:27:11] Oh, man, it's definitely, it's definitely been a journey, but one I'm really, honored to be on. First off, we're long time festival producers, but new to the wine industry. And so that was really a big hump and I had to kind of get over was figuring out my way. Who's the who's who of the industry? Who's already doing diversity work? Who are some of the big players? And who can I also reach out to for help? You know, so that's been definitely a challenge. But one I'm really have been excited about because I've been meeting all these amazing new people. Secondly, we're self funding this festival. We do have some sponsors, which I'm really excited about, but the majority of the festival is self funded by our agency and we are really small startup women of color owned agency. So that alone is a lot of investment, but we feel so passionate about the space that we're trying to build and highlighting the people that we are. So we're very excited about that and really excited for the community to turn out and show their support for something like this.   Jalena Keane-Lee: [00:28:10] That's so great. Can you talk a little bit more about your agency and being a woman run business? And I know that, some of the events are at CL Space, which is also a woman owned, great studio in Berkeley. So yeah, how does that impact the festival?   Gina Mariko Rosales: [00:28:23] One of the hardest things I was like, daughters, sons of immigrants, you know, I'm a second generation. My parents came from Japan and the Philippines and immigrated here. We often deal with so much scarcity mentality, like we're just trying our best to make it. Maybe we have imposter syndrome. Maybe we're the only woman or person of color in a room. So there's a lot of challenges already from us just taking up space. So that alone has been a real mental challenge for me to even just Say like, Hey, we deserve to be in this space. The space is necessary and we want you to hear us loud and proud. You know, we say it so confidently, but there's a lot of mental work that comes behind just getting to that place of confidence to say that out loud.   Jalena Keane-Lee: [00:29:08] Absolutely. And it feels to me like the festival is really an example too of, staking a claim in the fact that we deserve joy too, and we deserve rest and play and luxury, and that as important as it is, of course, to come together across, you know, lines of difference when it comes to like urgent actions and organizing. It's also so important to be able to have that kind of space in our joy and in our leisure too.   Gina Mariko Rosales: [00:29:34] Yes. Oh my gosh. I'm so glad that you did have that takeaway because we try so hard to really just constantly put this message of, Hey folks, we know you're tired. We're tired too. And we've been doing a lot. We've been pushing a lot. We all have. And yes, we deserve nice things. We deserve joyful experiences. We deserve spaces where it's centered on us being taken care of. And that's really the kind of environment that we want to create here at this festival, a place of. You know, wellness and healing and joy, because food is healing. Food is also connection, food is culture. So by creating this space, also like, you know, we have, we're featuring a CBD wine sound bath. You know, there's all kinds of other activities. So come be fed in your, in your belly, but also of your heart and your mind, you know, take care of that too. So it's this holistic approach to joy and healing.   Jalena Keane-Lee: [00:30:30] I love that. And how does your own cultural background impact, why you wanted to create this event and how you organize?   Gina Mariko Rosales: [00:30:37] Oh, yes. So I'm Filipino Japanese, and there's not many Filipino Japanese people around my age, mainly because of, like, that was like World War II time, that our grandparents were kind of coming together. So, I take a lot from both of my cultural backgrounds that kind of helped me determine like, what I do and how I curate, you know, Japanese people are so beautiful at creation and curation and really just like honing a craft and becoming well at it. I take a lot of inspiration from that and try to really do that for myself. But when it comes time to party time, Filipinos. know what is up. And so a lot of my curation of how I plan parties and festivals comes from my Filipino upbringing and what a Filipino family party looked like. You know, tons of food, karaoke, singing, drinking, you know, laughing. Like that is my background and what I want to bring to every festival we produce.   Jalena Keane-Lee: [00:31:40] I love that. And you know, as someone born and raised in the Bay Area who did a lot of theater growing up, I have been to many a Filipino party. They're always amazing. Great, great food, great, uh, singing. Although some content is a bit competitive, but [Laughs].   Gina Mariko Rosales: [00:32:00] Absolutely. You might even see my mom there and then, you know, it's like a big party. She'll just be welcoming everyone at the front.   Jalena Keane-Lee: [00:32:06] That's so sweet. Um, what are three of your like highlights of the festival? Like things that you're really, really looking forward to? Gina Mariko Rosales: [00:32:17] First is basically our Main Dish Palate Pass Experience. That's what we're calling it. And that's basically the 14 to 15 chef pairings with beverage that you're going to get to experience at the main dish. We're really excited because we've paired these amazing chefs. With the multicultural beverage providers creating these collaborations that never existed before. I'm really excited about our opening family meal that is going to be, hosted by Chef Reem Assil of Reem's California. So we're really highlighting the Palestinian family meal experience, which is going to be served family style. So I'm really excited because Chef Reem is just, just a joy that cooks straight from her soul onto the plate. So I'm excited to experience that intimate dinner. And I'm really excited about our Brown is Beautiful after party. So that's the one that's sponsored by like Bacardi and Doucet and Case Tea. So this whole mix of like spirits and also non alcoholic Asian tea and putting together this fashion forward after party experience where people just get to come and enjoy and get down.   Jalena Keane-Lee: [00:33:26] That sounds great. We've talked about the wine and the food and a little bit about the music too and how important that is. I know that there's also a marketplace. What can people look forward to from the marketplace?   Gina Mariko Rosales: [00:33:38] Yeah, we're so excited about featuring about 15 retail vendors who are going to be selling some amazing array of goods. So like jewelry, cookbooks, we're even going to have a vendor doing like massages and chiropractic services. So there's going to be this huge mix of vendors. selling their goods as well, selling some art, selling pastries too. If you can't get enough from the tastings, you can buy extras on the side. So there'll be so much stuff for you to explore in this 40, 000 square foot space at CL.   Jalena Keane-Lee: [00:34:12] Beautiful. Is there anything else that you'd like to share?   Gina Mariko Rosales: [00:34:15] I think the last thing is I just really want people to come as themselves in whatever capacity that is and really just to be ready and open to meet whoever comes along. I know it sometimes can be hard for folks to get out nowadays, can feel really introverted, and we really just want people to feel like they're coming to a giant family party where we're all welcome.   Jalena Keane-Lee: [00:34:38] Amazing. And yeah, I'm sure it is going to feel just like that and so much joy and how important it is in this time to have a space that is centered on joy and, building up our resilience and resistance through just things that are fun and pleasurable and full of culture.   Gina Mariko Rosales: [00:34:57] Absolutely. Yes, absolutely. And centering our cultures and our stories center stage.   Miko Lee: [00:35:03] Next up listen to StayGo from DARKHEART,  A Concert Narrative by singer, & songwriter Golda Sargento playing at Bindlestiff through May   MUSIC   That was the voice of Golda Sargento from the new Filipina|x|o Futurism Punk Rock Sci-Fi  DARKHEART at Bindlestiff thru May.   Jalena Keane-Lee: [00:39:04] Hi, everyone. I'm so happy to be joined by Thuy Trần, the Festival and Exhibitions Director of CAAM, or Center for Asian American Media. Thanks so much for joining me, Thúy.   Thúy Trần: [00:39:15] Thank you for having me. I'm so excited.   Jalena Keane-Lee: [00:39:18] We're so excited too. We're such big fans of CAAM and, you know, long time participants and audience members, what do we have in store for CAAM 2024 this year?   Thúy Trần: [00:39:29] Yes. So CAAMFest is May 9th through the 19th is the leading showcase for Asian American talent and film, food, and music. And we're probably the only festival where you can see this large concentration of Asian American media. So the last few years we've expanded to having multidisciplinary programs with food and music. And what's really important for us is, you know, curating, A holistic and experiential experience for a guest, whether you're a filmmaker, artist or audience member. and so I guess a couple of things that, I feel really excited about this coming year. Of course, we have our opening night this is going to be at a brand new venue, new to Camp Fest, we'll be at the Palace of Fine Arts up in the Presidio and our opening night film is Admissions Granted, by Hao Wu and Miao Wang. and it follows the events leading up to the overturning of affirmative action and all the players that are involved. And, afterwards, there will be the opening night gala at the Asian art museum. We have some amazing chefs. And food vendors confirmed there, including Audrey Tang of Batik and Baker, their Malaysian pastry pop up, Sita's Kamai Kitchen. We also have Patty Liu from Gear of the Snake, another Asian American pop up in Berkeley, and Melissa Chu, who's the pastry chef of Grand Opening. And she used to work at Mr. Ju's. and of course you have music by DJ Dree Lee, who's the resident DJ and organizer of Honey's and Hot Sauce, and you'll frequently see them DJing at Jolene's and, you know, other venues across the Bay Area.   Jalena Keane-Lee: [00:40:59] Incredible. Well, that sounds really exciting. what are some upcoming dates that people need to keep in mind? Are the tickets available already, or what's kind of upcoming?   Thúy Trần: [00:41:07] Dates are available. You can get them online at camfest.Com. and, the dates are May 9th through the 19th, with most of our programming concentrated during the two weekends.   Jalena Keane-Lee: [00:41:17] Perfect. And what's an event or a screening that you personally are really looking forward to?   Thúy Trần: [00:41:22] I'm looking forward to a lot. I mean, of course, our centerpieces are pretty amazing. You know, we have our centerpiece documentary called Q by Jude Chehab. and that one is on May 11th at the SFMOMA, Jude made this film to save her mother, who's been deeply indoctrinated into a mysterious religious order that has has woven through three generations of their matriarchal lineage. Another film that I'm really looking forward to is, Ashima by Kenji Tsukamoto and this is about 13-year-old rock climbing prodigy Ashima. It follows her trying to solve a, I think it was like a grade 14 boulder problem, something really advanced. and she does this with her coach, who's an eccentric retired avant garde dancer who has zero professional climbing experience and also happens to be her father. So it's a really touching, tender documentary. and of course we also have our food programs as well. One of the programs this year highlights, Chef Tracy Koh from Damansara, as well Chef Emily Lim from Davao, Singapore. So they are coming together for a really specially curated menu, celebrating Malaysian and Singaporean cuisine and this will take place on May 14th at Damansara. We also have our Directions in Sound, music concert that's a collaboration with the Yerba Buena Gardens Festival, and we are highlighting Tao formerly of Tao in the Get Down, Stay Down, she's a local, Bay Area musician, and she had a CAAM funded documentary called Nobody Dies back in 2017. So we're all really excited about these programs.   Jalena Keane-Lee: [00:42:53] Beautiful. So many fun and exciting things coming up. So many things to do in the Bay. And we'll link to the tickets and all the other information in our show notes, too, for anyone listening who wants to figure out how to get tickets. When you were kind of building up the program for this year and going over all of the submissions, were there any themes or anything that stood out that's kind of maybe unique to this year?   Thúy Trần: [00:43:15] Definitely. This is, in election year. We want folks to go out and vote and also thinking about the social issues that are important to us. So we do have a couple of films that talk a lot about, just empowerment through community building. And so many of our stories come from their personal stories from our chefs. And we're also looking at CAAMFest as, we're shining a light on truth tellers. and thinking how we're lifting the truth of our stories, how these stories are brave and beautiful, bizarre, and they're all true of something, right? They're ours, and they're generous expressions of what impacts us, what matters, and what we long for and imagine. So those two themes were really resonant for us throughout this entire curatorial process.   Jalena Keane-Lee: [00:44:02] That makes so much sense. And I love the films that you highlighted. Jude is one of my really close friends and I can't wait to see her screening here in that year. You're bringing her to the Bay Area. I'm so excited for that. And I saw Ashima in the fall and I love that one too.   Thúy Trần: [00:44:15] Oh, that's so amazing. I know we're flying Jude in from out of the country. So it's going to be really special. We're actually, you know what, her mom is going to be with us as well. I know. So it's going to be really special. Jude was saying that her mom, I think she was only able to make it out for their world premiere at Tribeca. Right. And so we're, yeah, it's going to be, it's going to be really incredible to have both of them on stage.   Jalena Keane-Lee: [00:44:41] Wow, that's gonna be, that is an event that you cannot miss, everyone listening. It's gonna be so phenomenal, and Q is truly breathtaking, as is Ashima, and I'm sure all of the other films that were programmed, and it's just so beautiful to see how diverse and unique and, you know, everything you're talking about our community is, and so much breadth and depth, so thank you so much for hosting this event and bringing us all together.   Thúy Trần: [00:45:06] Awesome. And thank you, Jalena, for again, having me and of course, like all the wonderful work and art that you create.   Jalena Keane-Lee: [00:45:13] Thank you. Is there anything else that you'd like to share before we wrap up?   Thúy Trần: [00:45:16] I just want to say that, you know, everyone is, of course, invited, and I just want folks to know that, yes, lifts Asian American storytellers, but ultimately it's for everyone, it's for the community as a whole, and we really encourage you to bring all of your friends, your family, tell everyone. We really rely on our community bringing folks in. It's a really special time to get folks together too. This is a great way to celebrate Asian American Heritage Month.   Jalena Keane-Lee: [00:45:44] Exactly. And you know, you don't have to be Asian American to celebrate the month and learning about Asian American stories from Asian American storytellers is a great way to do that.   Thúy Trần: [00:45:56] Yes, a hundred percent.   Jalena Keane-Lee: [00:45:58] All right. Thank you so much. Hope you have a great rest of your day.   Thúy Trần: [00:46:01] Thank you.   Miko Lee: [00:46:02] Welcome Cyn Choi to Apex express. We are so happy to have one of the co-founders of Stop AAPI Hate on Apex express.   Cyn Choi: [00:46:12] Thank you so much, Miko, for having me.   Miko Lee: [00:46:14] Can you tell us where Stop AAPI Hate comes from?   Cyn Choi: [00:46:19] Stop AAPI Hate was born out of a crisis moment for our community nearly four years ago when COVID was being racialized we decided to create a reporting center. So we can have everyday people share with us what was happening to them. With that data and those stories, we have been able to establish number one, that this was a pervasive issue that we needed to have a robust response to the different forms of hate and discrimination and harassment that our communities were experiencing. We've used that to advocate for meaningful change and we've done that in a myriad of ways at the grassroots level, policy, local, state, and national level.   Miko Lee: [00:47:04] And you have grown with your collaborators Stop AAPI Hate from a conversation around a table about what was going on in the world into a national movement. What does that feel like for you to be a founder of this?   Cyn Choi: [00:47:17] It's really humbling, and I think what's really important to note is that, of course we have experienced racism, discrimination, ,and violence throughout our history, and it defines our experience in many ways, and that our movement Is robust and diverse, and it's both about we are shaping this country the ideals of a multiracial democracy. And obviously, we have contributed in ways that I think are really important to lift up and to celebrate. And unfortunately, that's not really taught within our public education system. It's not what we talk about within our families. And that is something that I think is really important to note, especially in light of AAPI Heritage Month.   Miko Lee: [00:48:13] Can you tell me a little bit about what AAPINH Heritage Month means to you personally?   Cyn Choi: [00:48:19] I think Heritage Month becomes a time where we get to focus on our history which includes our history of resilience, resistance and solidarity, where we get to in our own words and share with our own stories what that means. It allows. others to have exposure. And so we think that focusing on our heritage and what that all means within the month of May is really just our opportunity to share what that means for us.   Miko Lee: [00:48:49] Thank you for sharing that. I wanna step back and ask a question about you, and I am wondering who you are, who your people are, and what is the legacy that you carry with you from your people?   Cyn Choi: [00:49:03] First and foremost I have to name that I am a daughter of immigrants. My parents came to the United States, to California specifically in the early sixties. And they benefited from the lifting up of really severe restrictions. quotas that allowed my family and so many others so I think that's incredibly important and the legacy of the civil rights movement that really pushed for and advocated for these kinds of changes. It continues to define who I am in terms of how I see the world. And it really does inspire me in terms of my advocacy work. It makes sense that I have been concerned about removing barriers and opening up opportunities for immigrants, for refugees, for women and girls and people who have been traditionally locked out. And so I know that my inspiration and my grounding comes from that. My people, that's an interesting one for me to answer because I'm a part of so many different communities, a community of activists, a community of mothers who wants to raise their children so that they are compassionate I am a part of a community of organizational leaders that is really trying to make sure that whatever we do, we are Thinking seven generations ahead, what are we trying to build? What are we trying to nurture? And for me, that's not just a privilege, but it certainly is a feeling of responsibility. So I'm a part of a lot of communities that make me feel grounded and accountable to.   Miko Lee: [00:50:42] Thank you, Cyn. Can you share with us this new campaign that Stop AAPI Hate is showcasing during our Heritage Month?   Cyn Choi: [00:50:50] We have been working on a new campaign called Spread AAPI Love. It's a project of Stop AAPI Hate, and it's specifically for AAPI Heritage Month. It's a storytelling campaign that amplifies the voices of Asian Americans and Pacific Islanders. It's about stories of resilience, it's celebration, solidarity, resistance. It's from everyday people, it's from community members. We want to hear from our communities. It's also about highlighting those in our community who represent many of the values that we uphold around solidarity, around unity around justice. and equality and it's about harnessing our joy and power and our cultural pride.   Miko Lee: [00:51:35] What inspired this campaign?   Cyn Choi: [00:51:37] After four years of emphasizing and highlighting the rise of hate and structural racism against our communities, we really wanted to center more affirmative narratives. Of who we are and the power that we have to create change. We are not victims of hate. We are more than a series of tragic headlines. We are a richly diverse group of people. And again that is about joy. It's about our power. It's about our collective power and a celebration of our diversity and with that it is pride and the sense that we have come from somewhere. That we have journeyed, we are still on this journey of establishing belonging, in a sense that we have collective fate and shared fate, not just amongst and within our AAPI communities, but with other communities as well.   Miko Lee: [00:52:31] And what do you hope that the community will understand or walk away with after hearing some of these stories?   Cyn Choi: [00:52:37] One of the things that we're really trying to uplift is, that we have to focus beyond acts of hate, that it is about, as I said, our power and joy, but also that We need to tend to healing from this trauma. We need to be able to sustain ourselves because this work is long term and we also need to uplift the fact that. It's not just visibility. But it's about what do we do in these moments. So it's about mobilizing community members to take action. There's aspects of it where it's about representation. We want to amplify the voices, the many voices and perspectives and experiences. So that our community members feel seen. and heard and represented. Again, it's about healing. So we want to really promote this idea that we can heal, that we can overcome moving from a place of anger to really be anchored in love. from a place of love. And that needs to be our driving motivation. It's about the narrative change. What are the stories that we're able to tell? From our own voice. It's about being affirmative about the richness and diversity of our communities and that we have never been a monolith and that it's important that we also uplift those that tend to be underrepresented within our communities.   Miko Lee: [00:53:59] And how can people get involved in this campaign?   Cyn Choi: [00:54:02] One of the fundamental ways that we're hoping to engage with people is we're going to invite people to share their stories. And so we have a campaign microsite. It's spreadaapilove.org. This is where we're going to feature stories. People can submit stories, video, audio, art, photography. We're going to highlight some amazing people who have turned. A tragedy or an experience of racism into something positive. We also want to just hear everyday stories about what makes you feel proud. What makes you, what do you want to lift up about your experience, your family's history? And it could be something as simple as cooking together. It could be as simple as understanding your family's contribution, whether it's in your local community or in the schools, in your neighborhoods.   Miko Lee: [00:54:53] Cyn, I understand that there has been some research that's been recently released around some of the work of Stop AAPI Hate. Can you share with us about that research and what it says?   Cyn Choi: [00:55:02] Another aspect of our research and data collection is we also do nationally representative surveys. And one of the things that we wanted to learn more about is what really motivates people when it comes to taking action against racial injustice, and our research shows that APS are actually more motivated By positive factors like hope acts of solidarity and cultural pride and some of the statistics that I want to share with you, which was really enlightening to me is when we asked them about if this is motivating 81 percent said that hope for a better future for younger generations was really motivating. It was one of the top 72 percent said that seeing the collective efforts of AAPIs to combat racism, that was number two. And then 69 percent said that feeling strongly connected to their ethnic and racial identity. And so that could take many different forms. And then finally what was a motivating factor? To get involved to take action was, of course, their own direct experiences with hate, and that was roughly a little over 60 percent. And so what that really tells us is that we need to share more affirmative stories about how everyday people are choosing to be grounded in love, to take affirmative steps, to do acts of care, of solidarity to feel that they are doing this as part of a larger movement. And that is really driving in large part our spread API love campaign and the work that we're doing every day.   Miko Lee: [00:56:40] Thank you. It's so important to hear positive stories and hear about the work that's going on in the community. Thank you so much for joining us today. We will put a link to the campaign on our website so people can access this and share their own stories. Thank you so much, Cyn, for joining us today.   Cyn Choi: [00:56:57] Thank you, Miko.   Miko Lee: [00:56:59] Please check out our website, kpfa.org to find out more . We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Paige Chung, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night.     The post APEX Express – 5.2.24 – Celebrating AAPINH Month! appeared first on KPFA.

Get a blessing by hearing the latest teaching from one of the services at Faith and Truth Assembly!

In a rare DOUBLE BLIND episode, Chase is the only one who had seen one of the most famous sports films of all time! Joined by wannabe cinephile and Fan-Favorite guest, Ed Ball, They guys discuss ROCKY! Naminspace.

When Life Hits You Hard, and it will, do you fall and have an option to stay down? OR do you have to be TOUGH and STRONG - mentally and physically to stay standing?

This is a One On One Conversation With Glo

This is a One On One Conversation With Glo

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It's the beginning of a New Year, the perfect time to rise from the ashes of a flop. Ellie & Michaela are here to hand out awards to the Top Roadside Attractions of the year at the Country Fair. They also discuss their *attainable* resolutions. Plus an important catching up on Michaela's sourdough bread journey, the wolf spider lotion, New Years & more! Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Massive skull of ... Looms over the celing in a sacrificial Ritual Chamber and staying in theme the sacrifice makes sense? Cast: Host/GM Jeff Ball of The Roll mongers Podcasting Network/ Dice Wise Ent. Roll Mongers Cast: Joe Gibson Matt Witt Ryan Messsina Aiden Willems Extended Cameos by Doug Baldwin Music: (Epic battle music album) Intro/Outro: "Field Of Heroes" Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Slow Heat" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... Intro/Outro "Field of hero's" Tabletopaudio.com "Xiengi Nights" Too Cool kevin macloud Tabletop audio CyberBar Castle jail Super Hero Volcano Jungle ruins Uploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King -- www.RollMonger.com www.TeeSpring.com/RollMongers for Merch! www.Patreon.com/RollMongers Thank You For your needed Support! www.RollMonger.com www.TeeSpring.com/RollMongers for Merch! www.Patreon.com/RollMongers

The Massive skull of ... Looms over the celing in a sacrificial Ritual Chamber and staying in theme the sacrifice makes sense?Cast: Host/GMJeff Ball of The Roll mongers Podcasting Network/ Dice Wise Ent.Roll Mongers Cast: Joe GibsonMatt WittRyan MesssinaAiden WillemsExtended Cameos byDoug BaldwinMusic: (Epic battle music album)Intro/Outro: "Field Of Heroes" Makai Symphony https://makai-symphony.bandcamp.com/a.... "Tafi Maradi" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Slow Heat" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Digya" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Kumasi Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b... "Monkoto" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/b...Intro/Outro "Field of hero's"Tabletopaudio.com "Xiengi Nights"Too Cool kevin macloud Tabletop audioCyberBarCastle jailSuper HeroVolcanoJungle ruinsUploaded to You Tube @ The Roll mongers Podcast network "Bond Theme" Tom Schlueter https://soundcloud.com/tomschlueter/j... https://www.youtube.com/channel/UCc2w.... Evan King --www.RollMonger.comwww.TeeSpring.com/RollMongers for Merch!www.Patreon.com/RollMongersThank You For your needed Support! www.RollMonger.comwww.TeeSpring.com/RollMongers for Merch! www.Patreon.com/RollMongers

How do you find grit when you want to quit? In this episode, Bianca Juárez Olthoff shares what you need to develop faith and resilience. So Good Moments:  The three Ps you need to have grit. How Bianca's failures helped her find resolve about her calling. What the Apostle Paul's life shows us about perseverance. The power of believing that you and your calling are enough.  Why comparison is robbing you of joy…and more!  Discussion Questions:  What's one way you've kept a resilient perspective? How have you pivoted when life went a different direction than planned?  How have you kept purpose amidst the pain?  Do you have a tool like Google Calendar to keep organized? What are your best tips? What inspires you about the Apostle Paul's life and ministry journey? Resources: Grit Don't QuitWe're Going There podcastBianca's InstagramGood Morning America InterviewShownotes PlusLearn more about Sisterhood Ask a QuestionAll Episodes© 2022 Be Essential Songs (BMI) / Jord A Lil Music (BMI) / Doejones20 (BMI) (admin at EssentialMusicPublishing.com). All rights reserved. Used by permission.

In this first episode of the New O.T.G Podcast. O.T.G intro's the podcast talking about "Stay Down Until You Come up" the slogan for Supply the work, the Other name for Over Time Grind. Starts with motivation, Topics include the alleged decline in the music business, Social Media and Hip Hop, and Finally about all of this Drake Drama and what it feels like its all about. Sit back, Relax, and Just listen. The Podcast is Back! --- Send in a voice message: https://podcasters.spotify.com/pod/show/brotherotg/message Support this podcast: https://podcasters.spotify.com/pod/show/brotherotg/support

Tap into one of the highest frequencies on any  platform. https://spotifyanchor-web.app.link/e/cg1aTC1Zzvb https://youtu.be/LHzZ-C1LiBo Subscribe on Apple podcasts and Spotify Be A Light Podcast. K.Sloan @Iamfreejuice J.Jones @jj7deuce MrliftN'Go @mrliftngo Nate G @Hibachi17 Follow us Instagram @bealightleader Twitter @Bealightpodcast Facebook @BealightPC

Shannon Shorter, 12 year professional basketball player from Houston, joins ​⁠Sloan Cold Facts to talk about life, faith & staying down for the come up! From his Westside HS days, to signing with Texas A&M Corpus Christi, his Paris JUCO season, to finishing college ball at North Texas before embarking on his professional journey. An inspirational story that will resonate with anyone who's overcome obstacles in their life! #SloanColdFacts

Welcome to the Five Song Mixtape! This week we discuss the mixtape titled “6lack on the Track” by RJ. You can find the playlist by following our account on Spotify @FiveSongMixtape or you can find us on Instagram @FiveSongMixtape. We would love to hear your thoughts on the playlist and please give us a rating via iTunes to help spread the word! “6LACK on the Track” by RJ1. “Stuck in My Ways” by Phora, 6LACK2. “Start Over” by Trey, 6LACK3. “Stay Down” by Lil Durk, 6LACK, Young Thug4. “Yo Love” by Vince Staples, Mereba, 6LACK5. “How TF” by Deante Hitchcock, 6LACK Hosted on Acast. See acast.com/privacy for more information.

No one likes to fall.  It can be painful, embarrassing or worse.  And while, in the church realm, we think of “falling” as falling into sin, we are not going to focus solely on this aspect in our podcast today.When the prophet Micah used the word “fall”, he was not just referencing sin. The word “fall” in Micah 7:8 also means “to feel overwhelmed when facing adversity”. In fact, falling can refer to anything that gets us down.With that in mind, it's safe to say, each of us have fallen. We've all felt overwhelmed by the circumstances of life. We've all felt “down and out”. The goal of this episode is to help you understand, down does not have to mean out! Solomon said in Proverbs 24:16; “A just man falls seven times, and rises up again.”The righteous are able to rise repeatedly because both his person and his path are sustained by the Lord.Noah got back up. Moses got up. Job got back up. David got back up.Jonah got back upPeter got back up.If these men were able to get back up, you too! It's time for you to get back up again. Join me in the episode and let's keep building! Visit the link below and tap support to financially sponsor the Building Great Lives mission.http://buildinggreatlivespodcast.com/Feel led to partner with our global ministry? 100% of all donations go directly to our global missions and humanitarian efforts. https://venmo.com/u/Trent-Gilliam-3https://www.paypal.me/RevTrentGilliamConnect on social media. https://instagram.com/revgilliamhttps://www.facebook.com/trent.gilliam

Featuring: Ammosart, Ashgar, Belghast, Grace, Kodra, Tamrielo, and Thalen   Good Morning Friends! Lairs Day has come and gone, but for those of us recording the show…  it was still happening and as a result, we talk a bit about that.  From there we talk about the repeated death of E3 and why maybe they should just call it quits going forward.  Thalen talks about the apparent fact that Crunchyroll is known for killing games.  Bel and Kodra talk a bit about the Zelda Direct and how apparently Tears of the Kingdom is going to be even more sandboxy.  Super Adventure Festival is going on in Guild Wars 2 and we talk about the quirky new Fashion Wars event happening in Lion's Arch as well as the test release of World 3 of the Super Adventure Box.  This past week the Crucible League announcement stream took place and the patch notes were released…  frustrating a good number of players.  From there Tam talks about Terra Nill an ecological world-building sim.  Finally, we wrap up the show with some talk about the books we have been reading.  Thalen talks about the Broken Earth series and Bel talks about Legends and Lattes and the Bloodsworn series.   Topics Discussed Happy Liars Day E3 Cancelled for Lack of Interest Crunchy Roll Kills Games Zelda Direct Guild Wars 2 Super Adventure Festival 2023 Super Adventure Box World 3 Fashion Wars Path of Exile Crucible League Announcement Questionable Changes Terra Nill Some Book Talk Broken Earth Series Legends and Lattes Bloodsworn Series The Shadow of the Gods The Hunger of the Gods

My guest is Rick Nariani! Ricky is the Founder and CEO of WANTD, which is a social commerce marketplace focused on sneakers and streetwear. He founded his company in 2020 and was part of Y-Combinator's W22 batch. Rick recently led WANTD through a seed round and is backed by reputable VCs, such as Slow Ventures, Pioneer Fund, and Goodwater Capital.  Prior to his start-up, Rick was an Associate Partner in IBM's M&A team with a focus on Artificial Intelligence. Prior to that, he'd spent several years with IBM's Corporate Strategy team and was a strategy consultant for various Fortune 500 companies (e.g. Xylem). Rick is an MBA with an undergrad finance. Social and website: Linkedin: https://www.linkedin.com/in/rickynariani/ Website: https://getwantd.com/ Download WANTD: https://click.getwantd.com/VNpD/wantdweb Follow on Instagram: https://www.instagram.com/getwantd/ For more episodes and information, visit us at https://www.digitalnicheagency.com/media Apple Podcasts: https://podcasts.apple.com/us/podcast... Spotify: https://open.spotify.com/show/4zS5V79... Stitcher: https://www.stitcher.com/s?fid=524781... Follow Digital Niche Agency on Socials for Up To Date Marketing Expertise and Insights Facebook: https://www.facebook.com/digitalniche... Linkedin: https://www.linkedin.com/company/digi... Instagram: DNA - Digital Niche Agency (@digitalnicheagency) • Instagram photos and videos. Twitter: https://twitter.com/DNAgency_CA YouTube: https://www.youtube.com/channel/UCDlz… #marketingtips #advice #marketingquotes #socialmediagency #marketingagency #startup #marketingtools  #socialmediaexperts #marketingguru #digitalmarketers #searchengineoptimization #entrepreneurship #smallbusiness #crowdfunding #marketing #strategies #websitetraffic #instagramads #socialmediamarketing #content101 #contentcreation #businesspodcasts #JasonFishman, #ShariNoonan  #mentorpodcast #educationalpodcast

On this Episode, Jacolby is on location at the Smoothie Skincare store (@Smoothieskincare) with Cherry & The Soap Lady discussing the upcoming Family Fun Field day in collaboration with Ram of Stack N Starve Clothing (@Stacknstarveclothing). Tune in for a great interview! Thank you for all of your support.

Episode 82: “Convo Amongst Friends”(ft. @chris.hardrick & @roosevelt94 ) by Stay Down with Jsince93

Episode 81: Lunchtable Talks (ft.@roosevelt94 & @chris.hardrick) by Stay Down with Jsince93

Episode 80: "The Rose Episode" (ft.@roosevelt94) by Stay Down with Jsince93

Episode 79: "The Lost Episode" (Ft. @michaellandrews ) by Stay Down with Jsince93

Chap 50 by Stay Down with Jsince93

Chap 51 Love Deep (2.50) {The Way Of The Superior Man} =Fin= by Stay Down with Jsince93

Chap 47 {2.46} by Stay Down with Jsince93

A book n A Bop Chap 48 (2.47) by Stay Down with Jsince93

This week we head to a faraway land. A land of kings, magic, gladiators and shockingly modern tattoos. Prepare for some of the finest dinner theater acting you've ever seen as we enter the Kingdom of Gladiators. A long-missing princess returns to her kingdom on the eve of a great tournament. But is she who she claims to be? We find out with the help of two wrestlers. Annie Social and Mr. Stay Down himself, Corey Graves. So sit back, slip on your magic sunglasses (you'll have to listen to get that reference), and check out our latest episode.

John Stange offers courses and coaching, and leads a membership community to help others build online ministry platforms.  If you're interested, please visit:  https://www.platformlaunchers.com/ . If you enjoy the show and want to buy John a coffee, please click here:  https://www.buymeacoffee.com/johnstange . To read the first three chapters of "Dwell on These Things" by John Stange, click here:  https://desirejesus.com/dwellonthesethings . To get a free copy of John Stange's book, "The Mind of Christ - How to make the most of the new perspective, new eyes, and new outlook you've been given through Jesus," please CLICK HERE. . To email John Stange directly, please send your message to john@desirejesus.com.

The Los Angeles Angels enjoyed another W on Wednesday night, thanks to Mike Trout hitting home run number 38 and Taylor Ward adding on with home run number 22, plus, we saw the debut of the Halos' number-one prospect, Logan O'Hoppe! He looked great behind the dish and picked up his first career hit in his first at-bat, and the Angels locked up the win with some strong pitching! Mike and Jon share all the news from the game in segment 1!Then, with all the excitement around prospects Livan Soto and Logan O'Hoppe, Mike and Jon ask which prospects should be with the major league club in 2023 and who should spend more time in the minors. We'll share our thoughts and who will make a difference in 2023!Plus, we share our Angels Breakout Players of the Year! There were many stellar and even surprising performances all around, but Mike and Jon will give you their picks for who turned a corner in 2022!2022 Angels Roster Grade Survey: https://forms.gle/F6DXsG7UUivDi8VL7GET IN OUR VOICEMAIL! CALL US: (714) 409-6396Tell us what's on your mind!Give us a follow @LockedOnAngels on Twitter and for the best Angels memes around, connect with us on Instagram and Twitter @SuperHaloBros!Support Us By Supporting Our Sponsors!Built BarBuilt Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKEDON15,” and you'll get 15% off your next order.BetOnlineBetOnline.net has you covered this season with more props, odds and lines than ever before. BetOnline – Where The Game Starts!LinkedInLinkedIn Jobs helps you find the candidates you want to talk to, faster. Did you know every week, nearly 40 million job seekers visit LinkedIn? Post your job for free at LinkedIn.com/LOCKEDONMLB.BlueChewTry BlueChew FREE when you use our promo code LOCKEDON at BlueChew.com, - just pay $5 shipping. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Los Angeles Angels enjoyed another W on Wednesday night, thanks to Mike Trout hitting home run number 38 and Taylor Ward adding on with home run number 22, plus, we saw the debut of the Halos' number-one prospect, Logan O'Hoppe! He looked great behind the dish and picked up his first career hit in his first at-bat, and the Angels locked up the win with some strong pitching! Mike and Jon share all the news from the game in segment 1! Then, with all the excitement around prospects Livan Soto and Logan O'Hoppe, Mike and Jon ask which prospects should be with the major league club in 2023 and who should spend more time in the minors. We'll share our thoughts and who will make a difference in 2023! Plus, we share our Angels Breakout Players of the Year! There were many stellar and even surprising performances all around, but Mike and Jon will give you their picks for who turned a corner in 2022! 2022 Angels Roster Grade Survey: https://forms.gle/F6DXsG7UUivDi8VL7 GET IN OUR VOICEMAIL!  CALL US: (714) 409-6396 Tell us what's on your mind! Give us a follow @LockedOnAngels on Twitter and for the best Angels memes around, connect with us on Instagram and Twitter @SuperHaloBros! Support Us By Supporting Our Sponsors! Built Bar Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKEDON15,” and you'll get 15% off your next order. BetOnline BetOnline.net has you covered this season with more props, odds and lines than ever before. BetOnline – Where The Game Starts! LinkedIn LinkedIn Jobs helps you find the candidates you want to talk to, faster. Did you know every week, nearly 40 million job seekers visit LinkedIn? Post your job for free at LinkedIn.com/LOCKEDONMLB. BlueChew Try BlueChew FREE when you use our promo code LOCKEDON at BlueChew.com, - just pay $5 shipping. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Instructor Zee Durham makes it to the Carry Trainer podcast room while in town for a local BJJ training event. Zee talks about his tough upbringing, special forces, war stories, life lessons and some new LEO classes he's teaching back in Tennessee. Zee Durham is a former US Army Green Beret known for extreme combatives... drawing on skills from the MMA world. He works as an instructor with the elite Tactical Rifleman crew. You can follow Zee on Instagram at @Instructor_Zee or check-out https://instructorzee.com ► Support Carry Trainer RELATED PODCASTS: Get the Bad Guy | Higher Line Podcast #177 Turret Gunner in The Battle Of Mogadishu | Higher Line Podcast #161 The Truth | Higher Line Podcast #148   --- Music Attributions: Intro - "3rd Eye Blimp" by Otis McDonald Outro - "I Want More" by Silent Partner The Carry Trainer Higher Line Podcast is available on iTunes, Google Play, YouTube, Stitcher and most importantly CarryTrainer.com.