Podcast appearances and mentions of oliver chanarin

From this 2017 event: Bertolt Brecht, poet, playwright, theatre director and refugee, was a passionate critic of fascism and war. During World War Two, already many years into his exile from Nazi Germany, Brecht started creating what he called ‘photo-epigrams’ to create a singular visual and lyrical attack on war under modern capitalism. As his family fled from the Nazis, 'changing countries more often than our shoes,' Brecht took photographs from newspapers and popular magazines and added short lapidary verses to each in a unique attempt to understand the truth of war using mass media. These photo-epigrams are collected in War Primer, a remarkable work first published in 1955 and made newly available in a new edition by Verso.Chair Gareth Evans is joined by Deutsche Borse Prize-winning photographer Oliver Chanarin, Brecht scholar and translator Tom Kuhn and scholar and critic Esther Leslie in a panel discussion about this outstanding literary memorial to World War Two and one of the most spontaneous, revealing and moving of Brecht’s works that is strikingly relevant to the current confluence of war and neo-fascism today. See acast.com/privacy for privacy and opt-out information.

In 2010, with a feeling that the traditional publishing industry was not going to last, Bruno Ceschel founded Self Publish Be Happy, an initiative to support and promote the work of emerging photographers. Originally, it functioned as a platform for artists making DIY Books and Zines, but eventually would become more expansive, getting involved in educational activities, the curation of exhibitions and events, and with their own publishing initiative. Through its imprint SPBH editions, Ceschel has published books by Carmen Winant, Lorenzo Vitturi, Nicholas Muelner, Peter Puklus and Chritina de Middel to name a few.In addition to his work with Self Publish Be Happy, Ceschel is also a lecturer and a curator and has organized events at numerous international institutions such as C/O Berlin, The Photographers Gallery in London, MiCamera Mian and Printerd Matter in New York. He also writes regularly for publications such as Aperture, the British Journal of Photography and FOAM.Ceschel began his career in photography working at Colors Magazine as a journalist, then edited by Adam Broomberg and Oliver Chanarin. See acast.com/privacy for privacy and opt-out information.

America Great Again was a major section of one of the biggest photography conventions in the world, held in the picturesque southern French town of Arles. Rosslyn Hyams reports on the higlights of Les Rencontres d'Arles, which runs until 23 September 2018. Listen to this week's Culture in France by clicking on the arrow on the photo. One of the biggest draws for photography fans, for history fans, for art fans, from all over the world, the 49th Rencontres d'Arles saw a six percent rise in the number of visitors during the first week of July, which was reserved for photographers or associated professions. In all 18,500 people visited in the first week alone. In September there's less of a crush to explore the works of top ranking international photographers, old and new, working across all styles. Among the various awards at Les Rencontres this year, the event's 20,000-euro Discovery Prize went to Dutch photographer Paulien Oltheten for his works on the La Défense business district of Paris. And the work of two of Culture in France guests earlier in the year, UK-based South Africans Adam Broomberg and Oliver Chanarin, was acknowledged for their book War Primer 2. It is based on the first English-language version of Bertolt Brecht’s 1955 Kriegsfibel, which combined press photographs from the world wars with short poems in an attack on war and war propaganda. Broomberg and Chanarin researched internet images to show how contemporary conflict is reported and misreported.

America Great Again was a major section of one of the biggest photography conventions in the world, held in the picturesque southern French town of Arles. Rosslyn Hyams reports on the higlights of Les Rencontres d'Arles, which runs until 23 September 2018. Listen to this week's Culture in France by clicking on the arrow on the photo. One of the biggest draws for photography fans, for history fans, for art fans, from all over the world, the 49th Rencontres d'Arles saw a six percent rise in the number of visitors during the first week of July, which was reserved for photographers or associated professions. In all 18,500 people visited in the first week alone. In September there's less of a crush to explore the works of top ranking international photographers, old and new, working across all styles. Among the various awards at Les Rencontres this year, the event's 20,000-euro Discovery Prize went to Dutch photographer Paulien Oltheten for his works on the La Défense business district of Paris. And the work of two of Culture in France guests earlier in the year, UK-based South Africans Adam Broomberg and Oliver Chanarin, was acknowledged for their book War Primer 2. It is based on the first English-language version of Bertolt Brecht's 1955 Kriegsfibel, which combined press photographs from the world wars with short poems in an attack on war and war propaganda. Broomberg and Chanarin researched internet images to show how contemporary conflict is reported and misreported.

The Georges Pompidou Centre this spring is hosting three photographers from South Africa. David Goldblatt's critical work during apartheid and emigré South African photographers Oliver Chanarin and Adam Broomberg, in their conceptual work. RFI's Rosslyn Hyams has this report.

The Georges Pompidou Centre this spring is hosting three photographers from South Africa. David Goldblatt's critical work during apartheid and emigré South African photographers Oliver Chanarin and Adam Broomberg, in their conceptual work. RFI's Rosslyn Hyams has this report.

Adam Broomberg (artist, London); Oliver Chanarin (artist, London); Taryn Simon (artist, New York); Chaired by Christy Lange (writer & Associate Editor, frieze, Berlin) at Frieze London 2010

Barbara London - "Sound Art" Adam Broomberg and Oliver Chanarin - "the holy bible" Nick Brandt - "Across The Ravaged Land" Lisa-ann Gershwin - "Stung! Jellyfish..." http://www.wfmu.org/playlists/shows/52382

Barbara London - "Sound Art" Adam Broomberg and Oliver Chanarin - "the holy bible" Nick Brandt - "Across The Ravaged Land" Lisa-ann Gershwin - "Stung! Jellyfish..." https://www.wfmu.org/playlists/shows/52382

Anne McElvoy talks to David Edgar about his new play 'If Only' which focuses on The Coalition Government. Composer Orlando Gough tells us about his role in a one-off-art event celebrating the UK's long-silent foghorns in the north-east of England. Geographer Danny Dorling explains why he believes the predicted population explosion won't happen and even if it does, we might just cope, with Nick Bostrom in discussion. And Adam Broomberg discusses his works with Oliver Chanarin and why their concern is mistrust of the images which saturate our lives.

With John Wilson. Matt Damon's new film, Promised Land, based on a story by Dave Eggers, focuses on fracking - extracting gas by fracturing rock layers. Damon plays Steve Butler, an executive sent to a rural town to gain drilling rights, who comes into conflict with an environmental campaigner. The film reunites Damon with Good Will Hunting director Gus Van Sant. Natalie Haynes reviews. Radio 3 and Proms Controller Roger Wright reveals highlights of this summer's BBC Proms season - including Marin Alsop, the first woman to conduct The Last Night Of The Proms. Singer-songwriter Kacey Musgraves has taken US country and western music by storm, topping the country charts with her songs inspired by the darker side of life in small-town America. Guitar in hand, Kacey Musgraves reflects on her inspirations, and how she hopes to confound the expectations of the music industry. The contenders for this year's Deutsche Börse Prize for photography include two projects in which the photographers have curated images they have found online, rather than photos they have taken themselves. Mishka Henner, who has gathered images from Google Streetview, and duo Adam Broomberg and Oliver Chanarin, who borrow images from the war on terror, discuss changing ideas about how photographers can capture the world. Producer Rebecca Nicholson.