Podcasts about Photojournalism

Stewart Russell's Chapter 2  The Missing Notes Copyright2026.mp3References to Stewart Russell's The Missing Notes © 2026 Chapter Two, “The Missing Notes,” ISBN 978-976-97942-2-1 are analyzed through an interdisciplinary framework. This discourse presents a simplified APA-formatted summary of Dr. William Anderson Gittens, D.D.'s multimodal hermeneutical and media semiotic approach, combining etymological, textual, cultural, and theological perspectives to explore the semantic and ethical layers within the narrative construct meaning. It should be noted that this academic tool integrates the study of signs (semiotics) with the interpretation of cultural texts (hermeneutics) across various sensory modes (multimodality) to understand complex, layered messages. This thinking is supported by https://www.researchgate.net/publication/335024801_Multimodal_Semiosis_In_Mass_Media_Several_Remarks_On_Methodology and Gittens,W.A. © 2026Dr. William Anderson Gittens, D.D.Podcast 298 Stewart Russell's Chapter 2: The Missing Notes,A Multimodal Hermeneutic and Media Semiotic Analysis © 2026Devgro Media Arts Services Publishing®2015 In collaboration with iMovie present Podcast 298 Stewart Russell's Chapter 2: The Missing Notes,A Multimodal Hermeneutic and Media Semiotic Analysis © 2026RECOGNITIONSAs I take a moment to reflect on my journey, I am filled with profound gratitude for the Creator's guiding hand that has led me every step of the way. Life has brought me countless blessings, and at the forefront of these blessings is the immeasurable debt of thanks I owe to my late parents, Charles and Ira Gittens. They bestowed upon me their wisdom and creative spirit, which have been a consistent source of inspiration throughout my life. Their counsel and encouragement continue to resonate within me, shaping my path and purpose. To my beloved wife, Magnola Gittens, your unwavering support has been my anchor in turbulent seas. Your love and understanding provide the strength necessary to navigate life's complexities. I am eternally grateful for your presence, which comforts and uplifts me. To my brothers—Shurland, Charles, Ricardo, and my late brothers Arnott and Stephen—as well as my sisters, Emerald, Marcella, and Cheryl, thank you for being my steadfast companions along this journey. Each of you has contributed uniquely to my narrative, reminding me of the importance of family ties in shaping who I am today. I extend my heartfelt appreciation to my cousins: Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, and Jackie Clarke. Your love and camaraderie have enriched my life beyond measure. To my uncles, Clifford, Leonard Mayers, David Bruce, and Collin Rock, your support has been invaluable, strengthening the bonds of our family. To my children, Laron and Lisa, grandson Elijah you are my pride and joy, the motivation behind my work, fuelling my desire to create and inspire.Moreover, I am equally grateful to all who have believed in me and wanted nothing but the best for my growth. Mr. and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, and many others have played pivotal roles in my development, encouraging me to pursue my passions relentlessly. During my time at New Jersey City University (NJCU), I had the privilege of receiving guidance from exceptional mentors, including the late Dr. Joseph Drew, Merline Mayers, Mrs. Ellen Gordon, Dr. Nicholas Gordon, Rev. Dr. Scofield Eversley BSS, and many others. Conversations about enhancing my writing skills after graduating were integral to my growth, providing the foundation for my future endeavours. Over the past three decades, my experiences in the leisure activities industry have significantly shaped my journey. From 1995 to 2026, I have devoted myself to writing, resulting in 471 E-Publications and 298 podcasts that resonate within the community. In recognition of the profound impact Dr. Joseph Drew had on my academic and personal development, I dedicated my 66th publication, "A Tribute to Culture" Vol. 1, to him—a small token of gratitude for his enormous influence on my life.As I look forward to what lies ahead, I remain thankful to all who have contributed to my story and to the Creator for the endless possibilities this journey holds. Each person's presence has left an indelible mark on my life, guiding me toward a future filled with hope and potential.Dr. William Anderson Gittens, D.D.ReferencesBarthes, R. (1981). Camera lucida: Reflections on photography. Hill and Wang.  Brooks, P. (1984). Reading for the plot: Design and intention in narrative. Harvard University Press.  Butler, J. (1990). Gender trouble: Feminism and the subversion of identity. Routledge.  Cart, M. (2016). Young adult literature: From romance to realism. American Library Association.  Cawelti, J. G. (1976). Adventure, mystery, and romance: Formula stories as art and popular culture. University of Chicago Press.  Freytag, G. (1863/1894). Freytag's technique of the drama: An exposition of dramatic composition and art. Scott, Foresman.  Glotfelty, C., & Fromm, H. (Eds.). (1996). The ecocriticism reader: Landmarks in literary ecology. University of Georgia Press.  Gittens, W.A. (2026). “Chapter One of Stewart Russell's The Mystery Call  © 2026: An Interdisciplinary Analysis through Writing, Podcasting, Publishing, Photojournalism, Cinematography, Media Arts, Cultural Theory, and Divinity” Published by Devgro Media Arts Services Publishing ® 2015. ISBN 978-976-97942-9-0.Hall, S. (1997). Representation: Cultural representations and signifying practices. Sage Publications.  Jenkins, H. (2006). Convergence culture: Where old and new media collide. NYU Press.  McHugh, S. (2016). Audio storytelling: Podcasting for learning and engagement. Routledge.  Russell, S. (2026). The mystery call (Chapter 1). ISBN 978-976-97942-9-0.Russell, S. © 2026. The mystery call. Published by Devgro Media Arts Services Publishing ® 2015. ISBN 978-976-97942-9-0.Todorov, T. (1977). The poetics of prose. Cornell University Press.  Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

Comment devenir photojournaliste et vendre ses reportagesVous faites déjà des photos de reportage, ou vous souhaitez vous lancer dans une démarche plus documentaire, journalistique ou éditoriale ?Lisez ce livre pour en savoir plus : https://www.collectif-dr.com/boutique-dr/p/livre-photojournalisme-sans-la-presse-fred-marieHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Chapter One of Stewart Russell's The Mystery Call © 2026  .mp3Chapter One of Stewart Russell's The Mystery Call  © 2026: An Interdisciplinary Analysis through Writing, Podcasting, Publishing, Photojournalism, Cinematography, Media Arts, Cultural Theory, and Divinity”Dr. William Anderson Gittens, D.D. ISBN 978-976-97942-9-0 AbstractThis literature review examines Chapter One of Stewart Russell's The Mystery Call (2026) through an interdisciplinary framework encompassing literary criticism, narrative journalism, podcast storytelling, publishing studies, photojournalism, cinematography, media arts, cultural theory, and theological reflection. The chapter introduces Carson Marshall and his companions as they prepare for a summer expedition to Idyllic Gardens, a location simultaneously characterized by natural beauty and hidden danger. Through close textual analysis, this review explores the chapter's narrative architecture, characterization, environmental symbolism, dialogic realism, and moral undertones. The study argues that Russell effectively combines elements of the coming-of-age adventure novel, detective fiction, and moral allegory while employing techniques that resonate with contemporary multimedia storytelling traditions. The chapter establishes suspense through foreshadowing, particularly with the mysterious telephone warning that concludes the narrative, thereby creating a compelling foundation for subsequent developments.All things considered, it should be noted that educator Stewart Russell, in his novel, employed his linguistic expertise to engage with and manipulate a range of theoretical constructs, including adventure fiction, young adult literature, narrative theory, media studies, cultural analysis, theology, and literary criticism.Dr. William Anderson Gittens, D.D. Podcast 297 Chapter One of Stewart Russell's The Mystery Call © 2026  Dr. William Anderson Gittens, D.D.  ISBN:978-976-97942-9-0   Devgro Media Arts Services Publishing®2015 In collaboration with iMovie present Podcast 297 Chapter One of Stewart Russell's The Mystery Call © 2026  Dr. William Anderson Gittens, D.D.  ISBN:978-976-97942-9-0  RECOGNITIONSAs I take a moment to reflect on my journey, I am filled with profound gratitude for the Creator's guiding hand that has led me every step of the way. Life has brought me countless blessings, and at the forefront of these blessings is the immeasurable debt of thanks I owe to my late parents, Charles and Ira Gittens. They bestowed upon me their wisdom and creative spirit, which have been a consistent source of inspiration throughout my life. Their counsel and encouragement continue to resonate within me, shaping my path and purpose. To my beloved wife, Magnola Gittens, your unwavering support has been my anchor in turbulent seas. Your love and understanding provide the strength necessary to navigate life's complexities. I am eternally grateful for your presence, which comforts and uplifts me. To my brothers—Shurland, Charles, Ricardo, and my late brothers Arnott and Stephen—as well as my sisters, Emerald, Marcella, and Cheryl, thank you for being my steadfast companions along this journey. Each of you has contributed uniquely to my narrative, reminding me of the importance of family ties in shaping who I am today. I extend my heartfelt appreciation to my cousins: Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, and Jackie Clarke. Your love and camaraderie have enriched my life beyond measure. To my uncles, Clifford, Leonard Mayers, David Bruce, and Collin Rock, your support has been invaluable, strengthening the bonds of our family. To my children, Laron and Lisa, grandson Elijah you are my pride and joy, the motivation behind my work, fuelling my desire to create and inspire.Moreover, I am equally grateful to all who have believed in me and wanted nothing but the best for my growth. Mr. and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, and many others have played pivotal roles in my development, encouraging me to pursue my passions relentlessly. During my time at New Jersey City University (NJCU), I had the privilege of receiving guidance from exceptional mentors, including the late Dr. Joseph Drew, Merline Mayers, Mrs. Ellen Gordon, Dr. Nicholas Gordon, Rev. Dr. Scofield Eversley BSS, and many others. Conversations about enhancing my writing skills after graduating were integral to my growth, providing the foundation for my future endeavours. Over the past three decades, my experiences in the leisure activities industry have significantly shaped my journey. From 1995 to 2026, I have devoted myself to writing, resulting in 470 E-Publications and 297 podcasts that resonate within the community. In recognition of the profound impact Dr. Joseph Drew had on my academic and personal development, I dedicated my 66th publication, "A Tribute to Culture" Vol. 1, to him—a small token of gratitude for his enormous influence on my life.As I look forward to what lies ahead, I remain thankful to all who have contributed to my story and to the Creator for the endless possibilities this journey holds. Each person's presence has left an indelible mark on my life, guiding me toward a future filled with hope and potential.Dr. William Anderson Gittens, D.D.ReferencesBarthes, R. (1981). *Camera lucida: Reflections on photography*. Hill and Wang.  Brooks, P. (1984). *Reading for the plot: Design and intention in narrative*. Harvard University Press.  Butler, J. (1990). *Gender trouble: Feminism and the subversion of identity*. Routledge.  Cart, M. (2016). *Young adult literature: From romance to realism*. American Library Association.  Cawelti, J. G. (1976). *Adventure, mystery, and romance: Formula stories as art and popular culture*. University of Chicago Press.  Freytag, G. (1863/1894). *Freytag's technique of the drama: An exposition of dramatic composition and art*. Scott, Foresman.  Glotfelty, C., & Fromm, H. (Eds.). (1996). *The ecocriticism reader: Landmarks in literary ecology*. University of Georgia Press.  Gittens, W.A. (2026). “Chapter One of Stewart Russell's The Mystery Call  © 2026: An Interdisciplinary Analysis through Writing, Podcasting, Publishing, Photojournalism, Cinematography, Media Arts, Cultural Theory, and Divinity” Published by Devgro Media Arts Services Publishing ® 2015. ISBN 978-976-97942-9-0.Hall, S. (1997). *Representation: Cultural representations and signifying practices*. Sage Publications.  Jenkins, H. (2006). *Convergence culture: Where old and new media collide*. NYU Press.  McHugh, S. (2016). *Audio storytelling: Podcasting for learning and engagement*. Routledge.  Russell, S. (2026). The mystery call (Chapter 1). ISBN 978-976-97942-9-0.Russell, S. © 2026. The mystery call. Published by Devgro Media Arts Services Publishing ® 2015. ISBN 978-976-97942-9-0.Todorov, T. (1977). *The poetics of prose*. Cornell University Press.  Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

Filmmaker Cauleen Smith and photographer Danielle A. Scruggs join me to unpack how classical media subconsciously trains audiences to accept biases. In this episode, we discuss the radical frameworks required to dismantle these frameworks.   Listen to this conversation to discover how to identify the hidden forces limiting your own vision, walk away from spaces that drain your genius, and master an ethics of regard that anchors your ultimate creative purpose.    Chapters 00:19 - Decoding the Invisible Grammar of Cinema 04:11 - Actively Flipping the Mainstream Cinematic Script 06:07 - Visual Glow, Legacy, and Rejecting Respectability Politics 08:34 - Dismantling the Myth of Objectivity in Photojournalism 12:51 - Mapping Radical Feminist Utopias and Shared Spaces 22:19 - Weaponized Institutional Care versus the Ethics of Regard 26:55 - Why Walking Away from the Industry Saves Your Art 29:55 - Building Authentic Creative Communities Beyond the Screen   Connect with Cauleen: Follow on Instagram: https://www.instagram.com/cauleen_smith/?hl=en Website: https://cauleensmith.com/   Connect with Danielle: Follow on Instagram: https://www.instagram.com/scruggsworks/ Website: https://daniellescruggs.com/   Support the show Website: Martine SeverinFollow on Instagram: Martine | This Is How We CreateSubscribe to the Newsletter: Martine's Substack This is How We Create is produced by Martine Severin. This episode was edited by Daniel Espinosa. Podcast show art is designed by Violetta Encarnación. Music by Timothy Infinite. show   Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

Crossing the Afghanistan border in disguise at night was once just part of the job

Kiliii Yuyan – Guardians of Life: How Indigenous Peoples Are the World's Best Conservationists A deep‑dive into the 10 Frames Per Second podcast episode with Kiliii Yuyan

Bienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Lien utile pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications : https://photographe-stratege.com/Rentrer en contact avec moi : https://www.notion.so/c55ab455de074f4aa8f4007dea0067ca?source=copy_linkPour commander les livres de Joëlle : https://livres.bookelis.com/librairie?sl=1&search_query=verbruggeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this episode of De Donkere Kamer Podcast, I speak with curator and visual editor Kira Pollack, former director of photography at TIME and former deputy editor at Vanity Fair.We talk about the power of images, not only in how they are made, but in how they are seen, shared and remembered. Kira reflects on her years at TIME, where she helped shape some of the magazine's most influential visual stories, and on what it means to work with photographers like Nadav Kander, James Nachtwey and many others.The conversation also moves into the present. As a 2025 Walter Shorenstein Media in Democracy Fellow at Harvard Kennedy School, Kira is researching how AI can help us understand visual archives, protect authorship and make unseen photographic histories more discoverable.We speak about visual literacy, trust, archives, the changing role of photojournalism and this year's World Press Photo Award, where Kira served as jury chair.A conversation about influence, responsibility and why photography still carries so much weight, especially now.On August 27 at 4 PM CEST, we welcome World Press Photo winner Ebrahim Alipor for an online masterclass about building visual stories without access, budget or institutional support.Tickets are €25 and you can ask Ebrahim your personal questions. Can't join live? There's a replay at a small extra cost. Register here.

Bienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Lien utile pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications : https://photographe-stratege.com/Rentrer en contact avec moi : https://www.notion.so/c55ab455de074f4aa8f4007dea0067ca?source=copy_linkLe livre "Raconter la guerre, une histoire des correspondants de guerre” d'Adrien Jaulmes : https://amzn.to/4dfLvCVConférence en ligne sur le reportage de guerre (11 mai 2026) : https://fredmarie31.ac-page.com/webinaire-reportage-de-guerre-11-mai-2026Pour me contacter : fred.marie31@gmail.comLivre "Reporter de guerre" (préface de Patrick Chauvel) : https://defense-zone.com/products/reporter-de-guerre-fred-marieHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Abstract:This expository essay aims to explore the multifaceted contributions of Dr. William Anderson Gittens, D.D., a renowned photojournalist whose work traverses the intricate landscapes of nature, identity, and cultural significance. The scholarly conversation delves into Gittens' distinctive photojournalism style, his use of visual storytelling as a medium for sociocultural discourse, and his portrayal of marginalized communities, landscapes, and traditions. Through his lens, Gittens captures not only the aesthetic beauty of natural environments but also the complex intersections of identity—personal, cultural, and collective.The scholarly conversation will examine how Gittens' photographs engage with themes of environmental conservation, identity formation, and the shifting dynamics of modern culture. It will also investigate the role of photojournalism in documenting historical, political, and cultural narratives, shedding light on Gittens' contributions to the visual archives of contemporary history. By analyzing a selection of his seminal works, this essay will situate Gittens within the broader context of photojournalism and cultural anthropology, revealing the significance of his photographs in shaping public perception and understanding of identity and cultural heritage.The genesis of this scholarly discourse is grounded int theories of Photojournalism, Cultural Identity, Nature, and Dr. William Anderson Gittens, D.D. Photojournalism as Social Commentary, Theology Environmental Conservation, Visual Narratives, and Cultural Anthropology.Dr. William Anderson Gittens, D.D.Podcast 289: "A Photojournalist's Explanatory of Nature, Identity, and Cultural Significance: An Expository Essay on the Works of Dr. William Anderson Gittens, D.D.© 2026”ISBN 979-8-90452-096-0Devgro Media Arts Services Publishing®2015 In collaboration with iMovie present Podcast 289: "A Photojournalist's Explanatory of Nature, Identity, and Cultural Significance: An Expository Essay on the Works of Dr. William Anderson Gittens, D.D.© 2026”ISBN 979-8-90452-096-0RECOGNITIONSI am incredibly appreciative of the Creator's hand that has guided me every step of the way as I pause to consider my path. I am incredibly grateful to my late parents, Charles and Ira Gittens, for all the blessings life has bestowed upon me. They gave me their creative spirit and wisdom, which have consistently inspired me throughout my life. Their counsel and encouragement continue to resonate within me, shaping my path and purpose. Magnola Gittens, my dear wife, your steadfast support has been my rock during stormy times. Your compassion and love give me the fortitude I need to deal with the challenges of life. Your presence uplifts and consoles me, and for that I will always bSupport the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

Bienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Lien utile pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications : https://photographe-stratege.com/Rentrer en contact avec moi : https://www.notion.so/c55ab455de074f4aa8f4007dea0067ca?source=copy_linkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A war over copyright where the Daily Mail are not the villains for a change. A surprise hire at Network Seven and a new twist in the King versus Alan Jones - it’s all in today’s Media Diary. Steve Jackson is here. Read more about this story at theaustralian.com.au and see the video by subscribing to our YouTube channel. Read more: Steve Jackson’s Media Diary every Monday ABC star Sarah Ferguson ‘executive producer’ of animal rights doco A lifetime of journalism, reduced to a label This episode of The Front is presented and produced by Claire Harvey and edited by Jasper Leak. Our team includes Kristen Amiet, Lia Tsamoglou, Tiffany Dimmack and Joshua Burton, who also composed our music.See omnystudio.com/listener for privacy information.

Bienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Lien utile pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications : https://photographe-stratege.com/Rentrer en contact avec moi : https://bajau-laut.sumupstore.com/Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

What do you do when the industry you built your career in starts to disappear? In this episode, I sit down with Paul Gero to break down what it really takes to pivot, adapt, and survive as a professional photographer in a rapidly changing world.Paul's journey began in the high-pressure world of photojournalism at the Chicago Tribune and continued through agencies like Sygma and publications including Arizona Republic, Time, People, and Sports Illustrated, industries that once defined success for photographers, but have since dramatically shifted or declined.Instead of fading with them, Paul reinvented himself. We dive into how he transitioned into wedding photography, built a new business model, authored books like Digital Wedding Photography and Mastering Digital Wedding Photography, and expanded into education and purpose-driven work like The Kids of Orange County, supporting Children's Hospital of Orange County.This episode isn't just a career retrospective, it's a blueprint. We talk about recognizing industry decline, leveraging transferable skills, building new revenue streams, and staying relevant when everything around you changes. Whether you're a photographer facing uncertainty or a creative looking to evolve, this conversation will challenge you to rethink what's possible.

Bienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Lien utile pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications : https://photographe-stratege.com/Rentrer en contact avec moi : https://www.notion.so/c55ab455de074f4aa8f4007dea0067ca?source=copy_linkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Bienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Lien utile pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications : https://photographe-stratege.com/Rentrer en contact avec moi : https://www.notion.so/c55ab455de074f4aa8f4007dea0067ca?source=copy_linkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Bienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Lien utile pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications : https://photographe-stratege.com/Rentrer en contact avec moi : https://www.notion.so/c55ab455de074f4aa8f4007dea0067ca?source=copy_linkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Christopher Anderson is an award-winning photographer and contributor to The New York Times Magazine and The New Yorker, as well as the Photographer in Residence at New York Magazine from 2011-2014. A member of Magnum Photos from 2005 to 2023, Anderson is the author of nine monographs, including the 2026 collection Index, out in the Spring 2026 through Stanley Barker. Originally know for his work as a war correspondent, his photographs depicting the journey of 44 Haitian immigrants attempting to sail to America on a hand-made, wooden boat were awarded the Robert Capa Gold Medal.Recently, his name became widely known for his work for Vanity Fair in covering the Trump Administration. On the occasion of that shoot and his revealing his portraits of Jeffrey Epstein that had never been published, and on the publishing of his newest monograph, The Unibrow sat down with Anderson from his studio in Paris and caught up with the photographer in this wide-ranging conversation. This episode was hosted by Evan Pricco, with introduction by Kim Stephens, and music by Aesop Rock.

ienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Liens utiles pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications :Rentrer en contact avec moiLe blog Photographe StratègeMes formationsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Bienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Liens utiles pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications :Rentrer en contact avec moiLe blog Photographe StratègeMes formationsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Karen Peditto shifted from photojournalism to working in food systems and eventually farming. Karen describes how smartphone cameras changed the photojournalism landscape, how social anxiety pushed her away from traditional reporting, and how AmeriCorps at a Pittsburgh food bank led her into food policy, access, and program management. Eventually, she joined Wagner Farm, using communication and education skills to support a modern diversified growing operation and public learning.▬▬▬▬▬ Resources ▬▬▬▬▬Karen Peditto: https://www.linkedin.com/in/karenannbullock/Mike Peditto: https://www.linkedin.com/in/mpeditto/Episode with Mike: https://open.spotify.com/episode/62nCCV2jjKlid5n17sk4pKUSDA: https://www.ams.usda.gov/sites/default/files/media/What%20is%20Organic.pdfWagner Farm: https://glenviewparks.org/facilities/historic-wagner-farm/Instagram: https://www.instagram.com/cacklemedia/TikTok: https://www.tiktok.com/@cacklemediaX: https://x.com/CackleMediaLLCYouTube: https://www.youtube.com/@CackleMediaLinkedIn: https://www.linkedin.com/company/cacklemedia/Support the pod when signing up for Descript / SquadCast: https://get.descript.com/transferableskill▬▬▬▬▬ Timestamps ▬▬▬▬▬00:00 Welcome and Guest Intro00:28 Early Farm Mornings01:05 Photojournalism Dreams02:02 Smartphones Change Everything06:40 Ethics and Privacy Lines09:05 Still Taking Photos11:22 Anxiety and Career Pivot13:11 AmeriCorps and Food Studies15:59 Food Bank Disillusionment20:22 Farm Stand Program Impact24:44 Quitting and Farm Truck Foods28:15 Eggs and Food Education29:11 Egg Yolk Truths29:36 Label Marketing Myths30:57 Ethics And Flavor32:39 Why Local Food Struggles35:07 CSA Explained37:22 From Mom To Farm Job41:01 Inside Wagner Farm44:03 Garlic Lesson Moment45:05 Talking To Strangers47:24 Why Wagner Farm Rocks49:34 Flower Field Wins52:36 Baking Dreams Ahead54:31 Final Thanks And Wrap

Bienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Liens utiles pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications :Rentrer en contact avec moiLe blog Photographe StratègeMes formationsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Inscription gratuite pour ma conférence du 23 mars 2026 à 18h : https://fredmarie31.ac-page.com/webinaire-clients-tarifs-2026?test=trueHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Podcast 271: "Textual Reflections in Nature Photojournalism" by Dr. William Anderson Gittens, D.D. (2026) Copyright 2026. ISBN 978-976-97865-6-1Host: Dr. William Anderson Gittens, D.D.Devgro Media Arts Services Publishing®2015 In collaboration with iMovie present Podcast 270– Podcast 271: "Textual Reflections in Nature Photojournalism" by Dr. William Anderson Gittens, D.D. (2026) Copyright 2026. ISBN 978-976-97865-6-1RECOGNITIONSAs I take a moment to reflect on my journey, I am filled with profound gratitude for the Creator's guiding hand that has led me every step of the way. Life has brought me countless blessings, and at the forefront of these blessings is the immeasurable debt of thanks I owe to my late parents, Charles and Ira Gittens. They bestowed upon me their wisdom and creative spirit, which have been a consistent source of inspiration throughout my life. Their counsel and encouragement continue to resonate within me, shaping my path and purpose. To my beloved wife, Magnola Gittens, your unwavering support has been my anchor in turbulent seas. Your love and understanding provide the strength necessary to navigate life's complexities. I am eternally grateful for your presence, which comforts and uplifts me. To my brothers—Shurland, Charles, Ricardo, and my late brothers Arnott and Stephen—as well as my sisters, Emerald, Marcella, and Cheryl, thank you for being my steadfast companions along this journey. Each of you has contributed uniquely to my narrative, reminding me of the importance of family ties in shaping who I am today. I extend my heartfelt appreciation to my cousins: Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, and Jackie Clarke. Your love and camaraderie have enriched my life beyond measure. To my uncles, Clifford, Leonard Mayers, David Bruce, and Collin Rock, your support has been invaluable, strengthening the bonds of our family. To my children, Laron and Lisa, grandson Elijah you are my pride and joy, the motivation behind my work, fuelling my desire to create and inspire.Moreover, I am equally grateful to all who have believed in me and wanted nothing but the best for my growth. Mr. and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, and many others have played pivotal roles in my development, encouraging me to pursue my passions relentlessly. During my time at New Jersey City University (NJCU), I had the privilege of receiving guidance from exceptional mentors, including the late Dr. Joseph Drew, Merline Mayers, Mrs. Ellen Gordon, Dr. Nicholas Gordon, Rev. Dr. Scofield Eversley BSS, and many others. Conversations about enhancing my writing skills after graduating were integral to mSupport the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8 Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest, https://brainly.com/question/36353773 https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19 https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18 https://independent.academia.edu/WilliamGittens/Books https://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittens https://www.academia.edu/123754463/ https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

Bienvenue dans le podcast des photographes professionnels.Dans cette émission audio, je partage avec vous de grands entretiens avec des experts de la photo, de la vidéo, du journalisme ou encore de l'entrepreneuriat.Tout ça dans le but de vous aider à progresser et vous épanouir dans votre activité professionnelle.Si le format vous plaît, faites-le savoir en partageant cet épisode et en nous mettant une note de 5 étoiles sur Apple Podcast.Je vous souhaite une bonne écoute.Liens utiles pour retrouver plus de ressources qui vous aideront à développer votre activité, obtenir davantage de clients et de publications :Rentrer en contact avec moiLe blog Photographe StratègeMes formationsHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

David Carson has been a staff photojournalist at the St. Louis Post-Dispatch since 2000 and covered events from New York City during 9/11, presidential debates and wars in Iraq and Afghanistan. His photos are featured in the staff's 2015 Pulitzer Prize for Breaking News Photography and received a regional Emmy award in 2008. Most recently, he was a 2024-2025 John S. Knight journalism fellow at Stanford University, studying the impacts, both good and bad, of artificial intelligence on photojournalism and potential solutions for increasing public trust.  In this episode, Carson talks about the trajectory of his career to the present, analyzing AI's increased presence and threat to journalistic integrity. From detection tools to ethical considerations, he explains how the power of AI can and should be harnessed for good.  Find The Lead podcast on Spotify and Apple Podcasts at the link in bio. bit.ly/m/coxinstitute Guest: David Carson, staff photojournalist at the St. Louis Post-Dispatch, 2024-2025 John S. Knight journalism fellow at Stanford University Host: Caroline Newbern 

Freelance photojournalist Valerie Plesch, based in Washington, D.C., has documented a range of topics, including politics, refugee resettlement and immigration, through her photos. Valerie also serves as vice president of Women Photojournalists of Washington, whose mission is to educate the public about the role of women-identifying visual journalists and cultivate their professional success. In this episode, Valerie talks about the changes faced within photojournalism in an ever-evolving digital age. She encourages journalists and photojournalists to never lose their curiosity and to continue learning from each story they go out to cover. Find The Lead podcast on Spotify and Apple Podcasts at the link in bio. bit.ly/m/coxinstitute Guest: Valerie Plesch, freelance photojournalist Host: McKenna Edwards

Stephen Shames – A Legendary Documentary Photographer (Part 2)

Inside the Front‑Line of Resistance: Photojournalist Stephanie Keith on Visual Anthropology, ICE Protests & the Power of Community Observers

Episode No. 740 features artist Firelei Báez and curators Charlene Foggie-Barnett and Dan Leers. The MCA Chicago is presenting "Firelei Báez," the first North American mid-career survey of the artist's paintings and installations. Báez's work often explores the legacies of colonialism across the American and the African diaspora, in the Caribbean, and beyond. Her works are often explosively colorful and use complex and layered materials, including archival material and paint, to unsettle fixed categories and historical events. The exhibition was curated by Eva Respini with Tessa Bachi Haas; the MCA Chicago presentation was organized by Carla Acevedo-Yates with Cecelia González Godino and Iris Colburn. It is on view through May 31. A catalogue was published by the Institute of Contemporary Art/Boston in association with DelMonico Books. It is available from Amazon and Bookshop for $36-56. Institutions that have previously presented major Báez exhibitions include the Louisiana Museum of Modern Art in Copenhagen, The Momentary in Bentonville, Ark., the Witte de With Center for Contemporary Art in Rotterdam, The Schomburg Center for Research in Black Culture and The Studio Museum in Harlem, and the Pérez Art Museum Miami. Foggie-Barnett and Leers are the co-curators of "Black Photojournalism" at the Carnegie Museum of Art in Pittsburgh. The exhibition presents work by nearly 60 photographers chronicling historic events and daily life in the United States between 1945 and 1984. The exhibition was designed by David Hartt. It is on view through January 19, before traveling to the Amon Carter Museum of American Art in Fort Worth. An excellent catalogue was published by the Carnegie. Amazon and Bookshop offer it for about $60. In addition to the video below, the CMOA has produced an outstanding podcast series to accompany the show. Instagram: Firelei Báez, Charlene Foggie-Barnett, Tyler Green.

Fluent Fiction - Japanese: Mystery Unveiled: A New Year's Adventure at Shibuya Crossing Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-01-03-23-34-02-ja Story Transcript:Ja: 新年の東京、渋谷スクランブル交差点は賑やかだった。En: In the New Year, the Shibuya Scramble Crossing in Tokyo was bustling.Ja: 人々はカラフルな衣装を身にまとい、新しい年を迎えるために道路を行き交う。En: People wore colorful outfits, crossing the street to welcome the new year.Ja: ネオンの光が濡れた歩道に反射し、辺りはきらめいていた。En: The neon lights reflected off the wet sidewalks, creating a sparkling atmosphere.Ja: カメラを構えたハルキはこの瞬間を逃すまいとシャッターを切った。En: With his camera in hand, Haruki snapped photos to capture the moment.Ja: 数日後、ハルキは撮影した写真を見返していた。En: A few days later, Haruki was reviewing the photos he had taken.Ja: 彼の目に何か奇妙なものが留まった。En: Something strange caught his eye.Ja: それは、写真の端に小さく写り込んだメッセージだった。En: It was a small message captured at the edge of a photo.Ja: しかしそのメッセージは暗号のようで、簡単には読めなかった。En: However, the message seemed like a code and wasn't easy to read.Ja: 彼の心に冒険心が芽生えた。En: A sense of adventure began to stir in him.Ja: 「これは何だろう？」En: "What could this be?" he wondered.Ja: ハルキはすぐにジャーナリストのアイコに相談した。En: Haruki immediately consulted with the journalist Aiko.Ja: アイコは当初、フッと笑ってその話を聞いたが、次第に興味を持ち始めた。En: Initially, Aiko laughed lightly at the story, but gradually, she became intrigued.Ja: 「これは重大なことかもしれない」と彼女は思った。En: "This might be something significant," she thought.Ja: だが、解読するには技術的な助けが必要だった。En: But technical help was needed to decode it.Ja: ハルキが思いついたのはリナだった。En: The person Haruki thought of was Rina.Ja: リナはハルキの友達で、技術に詳しい。En: Rina was Haruki's friend and knowledgeable about technology.Ja: しかし、彼女は何かを隠しているようで、最近は少しよそよそしかった。En: However, she seemed to be hiding something and had been a bit distant recently.Ja: 事の重大さを伝えて、ハルキは恐る恐るリナに協力を求めた。En: Conveying the seriousness of the matter, Haruki hesitantly asked Rina for help.Ja: 「この謎を解くのを手伝ってくれないか？」En: "Could you help us solve this mystery?"Ja: リナはその場で答えを出せず、悩んでいる様子だった。En: Rina couldn't give an immediate answer and seemed to be troubled.Ja: 彼女には秘密があり、それを明かすことなく協力するのをためらっていた。En: She had secrets and was hesitant to help without revealing them.Ja: しかし、友達として彼を見捨てることはできなかった。En: However, she couldn't abandon her friend.Ja: 三人は渋谷のカフェに集まり、頭を突き合わせてメッセージを解読し始めた。En: The three gathered in a Shibuya café and put their heads together to decode the message.Ja: やがて、メッセージの意味が明らかになり、東京で最近起こったミステリーな失踪事件とつながる手がかりを得た。En: Eventually, the message's meaning became clear, and they found a clue linking it to a recent mysterious disappearance case in Tokyo.Ja: それは、地下組織によるものだった。En: It was the work of an underground organization.Ja: ハルキたちはその証拠を持って行き、警察に通報した。En: Haruki and the others took the evidence and reported it to the police.Ja: 事件は解決に向かい、ハルキは写真家として一躍有名になった。En: The case moved towards resolution, and Haruki became famous as a photographer.Ja: しかし、今回の冒険は彼とリナの友情にも影響を与えた。En: However, this adventure also impacted his friendship with Rina.Ja: リナの秘密を知らなかった彼は、彼女への信頼を失いかけていた。En: Not knowing her secret, he began to lose trust in her.Ja: 新しい年が訪れ、ハルキは自分の力に自信を持ち始めた。En: The new year arrived, and Haruki started to gain confidence in his abilities.Ja: しかし、友情と信頼の大切さを学び、この経験を胸に刻んであった。En: However, he learned the importance of friendship and trust, and this experience was etched in his heart.Ja: 彼は新年の夜、再びカメラを手に取り、シャッターを押し続けたのだった。En: On New Year's night, he picked up the camera again and continued to push the shutter. Vocabulary Words:bustling: 賑やかoutfits: 衣装sparkling: きらめくcaptured: 写り込むstir: 芽生えるconsulted: 相談したintrigued: 興味を持ち始めたdecode: 解読technological: 技術的hesitantly: 恐る恐るtroubled: 悩んでいるsecrets: 秘密abandon: 見捨てるgathered: 集まるunderground: 地下organisation: 組織resolved: 解決confidence: 自信etched: 刻むphotographer: 写真家adventure: 冒険friendship: 友情trust: 信頼immediate: その場でmysterious: ミステリーなdisappearance: 失踪evidence: 証拠significant: 重大shutter: シャッター

News reporting has got to be one of the toughest markets for a visual journalist to crack. But the whirlwind of 24/7 news cycles and the pressures of telling human stories in rural news deserts have not deterred today's guest, Keren Carrión, a photojournalist and short form video producer currently working on the NPR visuals team. Follow along as we chart Keren's evolution from stills to documentary video stories to vertical social media clips that can be absorbed in two minutes or less. We also learn about the many opportunities for feedback and career advancement she's explored, and the mix of internships and mentorship programs that have been central to her career success. When asked about parting advice for current students she notes, "I think it's really important to have a visual voice. And the only way to find that is to keep shooting. Yeah. And I will also say meet with as many people as possible, be mentored, go to portfolio reviews figure out how to elevate that voice."   Guest: Keren Carrión Episode Timeline: 2:28: Keren's early photo experiences, pairing pictures with stories for her high school paper. 5:05: Adding video to the mix in college and how this has influenced her storytelling. 10:40: Keren's advice to college students: Seek out networking and internship opportunities. 12:17: Momenta Workshops and other non-profit mentorship programs, and how these opportunities can shape creative vision and skills. 20:20: Working with Report for America in Texas, covering under-reported stories and rural news deserts. 26:22: The evolution of news media and Keren's work at NPR to create short form videos for distribution across social media platforms. 31:12: Keren's current gear, from iPhones to Sony mirrorless cameras, for shooting vertical videos 35:32: Non-traditional news reporting and how user-generated content is now shared by larger news organizations. 38:28: Keren's future aspirations to evolve with the industry and learn new skills as platforms and audiences change. 39:56: More advice for the next generation: Keep shooting to find and elevate your visual voice.   Guest Bio: Keren Carrión is a photojournalist and a short-form video producer currently working on the NPR visuals team. Originally from Puerto Rico, Keren graduated from George Washington University in 2019 with a BFA in Photojournalism. Prior to her current role, she spent two years as a photojournalist for KERA News, NPR's affiliate station in Dallas through Report for America. She has also worked with CNN as a video editor in Atlanta, and interned with Univision, USA Today, The Hill, and the New York Times Student Journalism Institute. Additionally, Keren is an alumna of the Eddie Adams Workshop and Momenta Photo Workshop's Project Puerto Rico. When Keren isn't working, she's probably sitting in the window seat of an airplane, heading to a new destination. If not, you can always find her with a camera in hand — or petting the nearest dog.   Stay Connected: Keren Carrión Website: https://www.kerencarrion.com Keren Carrión Instagram: https://www.instagram.com/kerencarrionphoto Keren Carrión on LinkedIn: https://www.linkedin.com/in/keren-carrion  Keren Carrión at Report for America: https://www.reportforamerica.org/members/keren-carrion/ Keren Carrión at NPR: https://www.npr.org/people/1213266959/keren-carrion   Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

Photojournalism & Education: Insights from Sandra Stevenson on the 10 Frames Per Second Podcast Published on 10FramesPerSecond.com – Your go‑to source for photojournalism news, tips, and industry trends. In the latest episode of 10 Frames Per Second, hosts Joe Giordano and Molly Roberts sit down with Sandra Stevenson—award‑winning writer, visual editor, curator, and now Managing Editor of Visuals & Immersive Experiences … Continue reading "Episode 166: Sandra Stevenson (Education & Archives)" The post Episode 166: Sandra Stevenson (Education & Archives) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Featuring: The cast of Love is Blind, Sydney Sweeney, The Rookies and more. In this #papisode Jedi journeys to Idaho and Colorado to find blind love. Mark shoots some rookies and a virgin. We discuss the Sweeney affect and what will happen to New York. Plus much more. For the content in this papisode pleasae visit our socials @paparazzipodcast. Thank you for listeing and sharing. Be well!Become a supporter of this podcast: https://www.spreaker.com/podcast/paparazzi-podcast--4122011/support.

In a world overwhelmed by AI-generated imagery and shrinking newsroom budgets, the value of authentic photojournalism has never been more at risk — or more essential. The National Press Photographers Association is sounding the alarm: visuals aren't just decoration, they're the backbone of truth, trust, and emotional connection in journalism. In this exclusive interview, NPPA Vice President Lauren Steinbrecher and Grady College's Mark E. Johnson break down why local publishers, students, and reporters must fight for the future of visual storytelling. Because if we lose the image, we may just lose the story itself. Access more at this episode's landing page, at: https://www.editorandpublisher.com/stories/why-visuals-still-matter-inside-nppas-fight-for-the-future-of-photojournalism,258582  

Photojournalism on the Front Lines: Lessons from Hong Kong, January 6, and the Quest for Ethical Storytelling Keywords: photojournalism, covering protests, Hong Kong protests, January 6 Capitol riot, trauma‑informed journalism, photojournalism ethics, mental health for journalists, resilience, LENA Grant, photojournalism career advice

In 2010, photographer Brandon Stanton launched the Instagram account, "Humans of New York," which has over 12.8 million followers today. Fifteen years later, he has interviewed more than ten thousand people around the world. Stanton discusses his new collection of nearly five hundred full-color pages of portraits and stories, titled Dear New York.

Two new Oscar-contending documentaries explore the peril of conflict photojournalism: Love+War, directed by Chai Vasarhelyi and Jimmy Chin, and Armed Only with a Camera, directed by Craig Renaud. Love+Warfocuses on Pulitzer Prize-winning photographer Lynsey Addario who has captured unforgettable images from Ukraine, Iraq, Afghanistan and other war zones, while trying to balance her work life with raising two kids with her husband. Renaud shares the story of his brother, journalist, documentary filmmaker and photographer Brent Renaud, who was killed in an ambush by Russian soldiers in Ukraine while documenting the war and displaced people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Featuring: Charlie Kirk, Abby & Brittany Hensel, Nepos and Rookies. In this emotional papisode Jedi covers the Charlie Kirk assasination story. Mark deals with a rookie on The Rookie set. Plus much more. For the content in this papisode please visit our socials @paparazzipodcast. Thank you for listening and sharing. Be Well!Become a supporter of this podcast: https://www.spreaker.com/podcast/paparazzi-podcast--4122011/support.

Fluent Fiction - Norwegian: Chasing Shadows: A Lighthouse Adventure of Risk and Reward Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-09-09-22-34-02-no Story Transcript:No: Ute ved Norges forblåste kyst, der havet møter himmelen i en grå, uendelig linje, står et gammelt fyrtårn.En: Out by the windswept coast of Norge, where the sea meets the sky in a gray, unending line, stands an old lighthouse.No: Dette er stedet der Lars og Ingrid begynner sitt nye eventyr.En: This is the place where Lars and Ingrid begin their new adventure.No: Luften er kjølig, men duften av salt hav gir en spenning i kroppen.En: The air is cool, but the scent of salty sea brings an excitement within.No: Lars, en lidenskapelig ornitolog, fører an, mens Ingrid, en talentfull fotograf, bærer kameraet sitt med varsomhet.En: Lars, a passionate ornithologist, leads the way, while Ingrid, a talented photographer, carries her camera with care.No: De er her for å finne en sjelden fugl.En: They are here to find a rare bird.No: En fugl som bare nylig ble sett i nærheten av fyret.En: A bird that was only recently spotted near the lighthouse.No: Lars er fast bestemt på å dokumentere fuglens eksistens, mens Ingrid vil fange dens skjønnhet i et bilde for naturbladet hun jobber for.En: Lars is determined to document the bird's existence, while Ingrid wants to capture its beauty in a photo for the nature magazine she works for.No: "Vi må komme oss nærmere," sier Lars og ser ut mot de skarpe klippene.En: "We need to get closer," says Lars, looking out towards the sharp cliffs.No: Han lar blikket hvile på de raslende sivene som danser i den sterke brisen.En: He lets his gaze rest on the rustling reeds dancing in the strong breeze.No: Ingrid nikker, men ser skeptisk på de mørke skyene som samler seg i horisonten.En: Ingrid nods, but looks skeptically at the dark clouds gathering on the horizon.No: "Regnet kommer," advarer hun.En: "The rain is coming," she warns.No: Men Lars, drevet av ønsket om å bevise sin verdi for de andre ornitologene, vil videre.En: But Lars, driven by the desire to prove his worth to the other ornithologists, wants to go further.No: Sammen nærmer de seg klippekanten.En: Together, they approach the cliff's edge.No: Mens vinden pisker omkring dem, ser de en annen gruppe fuglekikkere lenger borte.En: As the wind lashes around them, they see another group of birdwatchers farther away.No: Konkurransen er påtrengende, og Lars føler presset øke.En: The competition is pressing, and Lars feels the pressure mounting.No: Han presser seg enda nærmere kanten, mens Ingrid roper etter ham.En: He pushes himself even closer to the edge, while Ingrid calls out to him.No: Plutselig kommer et kraftig vindkast.En: Suddenly, a strong gust of wind comes.No: Lars mister fotfestet, og hjertet hans hopper over et slag.En: Lars loses his footing, and his heart skips a beat.No: Ingrid handler instinktivt.En: Ingrid acts instinctively.No: Hun kaster kameraet til siden og griper tak i Lars, trekker ham tilbake til sikkerhet.En: She throws her camera to the side and grabs hold of Lars, pulling him back to safety.No: "Hva driver du med, Lars? Er det verdt risikoen?" Ingrid ser på ham med alvorlige, men bekymrede øyne.En: "What are you doing, Lars? Is it worth the risk?" Ingrid looks at him with serious but concerned eyes.No: Lars puster tungt, innser faren i det han gjorde.En: Lars breathes heavily, realizing the danger in what he did.No: De setter seg ned et stykke unna kanten.En: They sit down a bit away from the edge.No: Fuglen, en liten prikk i horisonten, er synlig mot de mørke skyene.En: The bird, a small speck on the horizon, is visible against the dark clouds.No: De har sett den, men ingen perfekt bilde ble tatt.En: They have seen it, but no perfect photo was taken.No: Ingrid sukker lettet, Lars nikker.En: Ingrid sighs in relief, Lars nods.No: "Vi klarte det ikke, men vi er trygge," sier Lars stille, tankefullt.En: "We didn't make it, but we're safe," says Lars quietly, thoughtfully.No: Ingrid smiler forsiktig.En: Ingrid smiles gently.No: "Vi kan skrive noe sammen. En artikkel om denne dagen, om opplevelsen."En: "We can write something together. An article about this day, about the experience."No: De går tilbake til fyrets trygge havn, vinden har stilnet litt.En: They return to the lighthouse's safe harbor, the wind has calmed a bit.No: Lars har lært å veie risikoen mot suksess, mens Ingrid har funnet en ny glede i historier bak bildene hun tar.En: Lars has learned to weigh risk against success, while Ingrid has found a new joy in the stories behind the pictures she takes.No: Samme kveld, når stormen herjer utenfor, sitter de trygt inne og deler ideene sine.En: That same evening, when the storm rages outside, they sit safely inside and share their ideas.No: Sammen skaper de noe verdifullt; ikke bare bilder, men også minner de kan dele.En: Together they create something valuable; not just pictures, but also memories they can share. Vocabulary Words:windswept: forblåstegray: gråornithologist: ornitologphotographer: fotografrare: sjeldenspotted: settdetermined: fast bestemtdocument: dokumentereexistence: eksistenscapture: fangebreeze: brisskeptically: skeptiskhorizon: horisontdriven: drevetlash: piskcompetition: konkurransenmounting: økefooting: fotfestetinstinctively: instinktivtconcerned: bekymredevisible: synligcalmed: stilnetrage: herjershare: delecreate: skapevaluable: verdifulltmemories: minnerrustling: raslendereeds: siveneproved: bevise

#583 Dina Goldstein is an acclaimed photographer and visual artist known for her provocative, narrative-driven imagery and a career spanning over 30 years. Dina shares her unconventional journey into photography—from her early fascination with how she saw the world, to a pivotal trip in her 20s that inspired her to take her first photography course. She discusses her drive for continual learning, willingness to make mistakes, and evolving artistic process.KEY TOPICS COVEREDFinding Your Path in Photography - Dina shares how she did not set out to become a photographer, but her distinct way of seeing the world and a curiosity about visual storytelling led her to the camera. She discusses her transition from aspiring actor to dedicated photographer, and encourages beginners to “just do it”—advocating for action and experimentation over perfection from the start.Embracing Mistakes and Gaining Technical Mastery - Dina recounts real-life stories from her early career, emphasizing how setbacks and mistakes—like disappointing film results or technical failures on major shoots—became opportunities for growth. She underscores the importance of preparation, learning the fundamentals (especially light), and practicing relentlessly before critical assignments. Her approach includes making and learning from mistakes, remaining humble, and valuing ongoing practice.Editorial vs. Artistic Photography - The episode dives into the distinctions between editorial work (client-driven, often for magazines or businesses) versus personal art projects (driven by the artist's own vision). Dina explains the expectations, pressures, and creative compromises involved in each. She provides examples from her own career, contrasting the demands of magazine portraits with the fully conceptualized, collaborative productions required for series like Fallen Princesses and The Ten Commandments.IMPORTANT DEFINITIONS & CONCEPTSEditorial Photography: Photography commissioned for publications, shaped by specific requirements from art directors or clients, as opposed to personal, self-driven art pieces.Artistic Eye: The innate or cultivated ability to see images, light, and composition in unique ways. Essential for transcending mere technical competence and creating meaningful work.DISCUSSION & REFLECTION QUESTIONSHow do your personal experiences and worldview shape the themes you explore in your photography?When faced with setbacks or mistakes, what strategies can help you learn and grow rather than lose confidence?What distinguishes a meaningful personal project from a commercial or editorial assignment for you?RESOURCES:Visit Dina Goldstein's Website - https://dinagoldstein.com/Follow Dina Goldstein  on Instagram - https://www.instagram.com/dinagoldstein/Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

 Today I'm joined by Jonathan Derksen, a globe-trotting storyteller whose life has spanned the rainforest of Bolivia, the peaks of the Himalaya, and the classroom of Canada. Jonathan brings a powerful mix of adventure, education, and heart to every story he tells. Facebook   Twitter   Instagram Love the show? Subscribe,  rate, review, and share! Sign up for my Newsletter  HERE I'd love to hear your feedback about the show! You can contact me here:  rick@ricksaez.com Show Notes "So there I was, deep in Arunachal Pradesh, India, in a remote tribal village where headhunting wasn't just folklore—it was very recent history. We were there to film for Discovery Channel—me, a $100,000 camera, and a crew who knew how to sweat (and panic). We'd prepped for weeks, months even. Everything was perfect until a whisper came through the jungle vines: “Insurgents are coming. They know you have money.” Awesome. Just what I needed—guerilla drama on top of documentary stress. I told the team we had to bail. But first, I had to make up a lie that our camera broke—because telling a warrior tribe mid-costume that the government might be after us just didn't feel like the right move. What followed? Screaming. Spears. A blunderbuss aimed at my head. And me pleading forgiveness like a Catholic schoolboy who just broke the principal's window. I grabbed the tribal leader's hand, bowed my head, and whispered, “Are you Christian?” “Yes,” he said, confused. “Then… forgiveness?” And just like that, I got my own Disney ending. They let us go—with only mild humiliation, a few fake wooden heads, and one hell of a story." - Jonathan Derksen Principle: Here's what that jungle taught me: Real stories—the ones that shake you, stir you, and stick with you—don't come from comfort. They come from courage. From risking something to show something worth seeing. And sometimes, telling the truth isn't the bravest thing. It's telling the story anyway, no matter how messy the behind-the-scenes gets. Transition: Most people think storytelling is about having the right camera, the right lighting, the right moment. But the truth is, what holds us back isn't gear—it's fear. Fear of getting it wrong. Fear of offending. Fear of not being enough to tell the tale. And yet, the world needs more honest stories, not perfect ones. That's why: That's why this podcast episode with Jonathan Derksen exists. It's not polished. It's powerful. It's not filtered—it's fearless. From war-zone photojournalism to jungles laced with mercury and memories, we uncover what it really means to document a world in crisis—and do it with heart. Call to Action: If you've ever felt like your story doesn't matter, or that your voice isn't “qualified” enough—this episode is your proof that it does and it is. Stop letting self-doubt keep your story buried. Hit play, get inspired, and tell it anyway.

#581 Shane Balkowitsch is a dedicated wet plate collodion photographer whose passion for history, authenticity, and the human experience shapes both his artwork and his views on the future of photography. In this episode, Shane shares the journey that led him from having no experience with a camera to mastering one of photography's oldest analog processes—a craft involving silver on glass that dates back to 1851. He highlights how the permanence and tangible nature of wet plate images, created through capturing real light and human presence, starkly contrast with the ephemeral, intangible nature of digital and AI-generated images.KEY TOPICS COVEREDDefining Photography in the Age of AI - Shane and Raymond dissect the core of what makes an image a "photograph," highlighting the necessity of light, a subject, and a photosensitive medium or sensor. They underscore the risk of confusing AI-based image generation—which lacks these elements—with authentic photography, causing potential chaos in art, media, and historical documentation.Ethics, Ownership, and Historical Accuracy - Shane raises significant ethical concerns about AI training on billions of images without permission, including his own work, and questions who owns the resulting visuals. He warns about the dangers this presents to historical accuracy, imagining future scenarios where AI-generated portraits of people who never existed could mislead researchers or the public, blurring the line between fact and fiction.Terminology, Transparency, and the Future of Art - Shane advocates for distinct labeling of AI-generated imagery—suggesting terms like "promptography"—to prevent confusion and uphold the integrity of photography. He stresses the need for transparency so viewers know whether an image is a genuine photograph or an AI creation, believing that honesty and accurate terminology are essential as technology continues to evolve.IMPORTANT DEFINITIONS & CONCEPTSWet Plate Collodion Photography: An early analog photographic process invented in 1851, involving capturing images on glass plates coated with chemicals sensitive to light. Shane's work in this medium exemplifies photography's physical, archival, and intentional qualities.IMPORTANT DEFINITIONS & CONCEPTSWhat makes an image a photograph, and why does this distinction matter when considering AI-generated content?Should AI-generated images be considered art? If so, who holds the authorship—the prompt user or the AI?How might the widespread adoption of AI imagery change the way we perceive, document, or trust history?RESOURCES:Visit Shane Balkowitsch's Website - https://nostalgicglasswetplatestudio.zenfolio.com/Follow Shane Balkowitsch on Instagram - https://www.instagram.com/balkowitsch/Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

#579 Zenia Monteagudo is an experienced music and event photographer who has recently begun exploring family portraiture. Zenia shares her personalized journey into photography, starting from her early fascination with disposable and point-and-shoot cameras to a pivotal moment when she purchased a Sony camera on clearance at Target. This chance purchase set her on an unexpected path, leading to opportunities in music photography, including shooting concerts at iconic venues like Red Rocks.KEY TOPICS COVEREDStarting a Photography Journey & Building Confidence - Zenia's chance transition from hobbyist to semi-professional highlights the role of curiosity and saying "yes" to new experiences, even without a portfolio. Building confidence can be a struggle, but validation from others—such as bands requesting to use her photos—provided the encouragement to pursue her passion professionally.Concert Photography: Skills, Challenges, and Opportunities - Zenia offers a frank look at shooting concerts, from initial “shot in the dark” gigs to handling pro gear, unpredictable lighting, and the high-energy atmosphere of music events. She emphasizes the need for adaptability, technical growth (moving from kit lenses and manual focus to more sophisticated equipment), and the thrill of capturing authentic moments.Transitioning Between Genres & The Power of Candid Photography - The episode contrasts concert photography with family portraiture and events, exploring Zenia's process as she adapts to settings with different expectations, emotion levels, and technical requirements. Her candid approach, focused on real moments over posed photos, remains consistent.IMPORTANT DEFINITIONS & CONCEPTSPhoto Pass: Special permission or credentials granted (often by a venue or band) allowing a photographer to access areas for professional photography, particularly in concert settings. It often requires a portfolio and/or assignment from a publication.Candid Photography: A style of photography where subjects are captured naturally, without posed arrangements or direct awareness of the camera. This approach centers on authenticity, emotion, and storytelling.DISCUSSION & REFLECTION QUESTIONSWhat opportunities can arise from saying "yes" to experiences outside your comfort zone as a photographer?How does photographing candid moments at events or concerts build storytelling skills in photography?In what ways does the environment (concert, event, family session) influence the techniques and mindset you bring as a photographer?RESOURCES:Follow Zenia Monteagudo on Instagram - https://www.instagram.com/zen_e_ah_/Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

#577 Shane Wilkie is a community member who has made impressive strides in sports, event, and commercial photography since his last appearance. The discussion centers around building confidence as a photographer, the evolution of photographic style, and how personal projects can drive both skill and personal growth. He discusses his experiences building a portfolio, including how trading photography for accommodations with Airbnb hosts opened doors to paid commercial work. Shane also delves into tackling nerves while photographing people, the differences between event and action sports photography, and how personal projects—particularly those connected to his personal history—help him process and express complex emotions.KEY TOPICS COVEREDBuilding Confidence and Portfolio Through Experience and Trade - Shane explains his strategy for gaining experience—offering his photography services to Airbnb hosts and local businesses in exchange for accommodations or meals. This approach allowed him to experiment with styles, build a diverse portfolio, and transition into paid commercial work, while ensuring creative freedom to try new techniques.Expressing Emotion and Storytelling in Photography - The conversation explores how to move beyond technically good images to ones that evoke emotion and tell stories. Shane shares insights on making images relatable, using techniques like an intervalometer for candid shots, and always aiming to capture genuine moments that let viewers envision themselves in the scene.Personal Projects and Growth as a Photographer - Shane discusses the impact of tackling personal photo projects, especially those rooted in personal history and emotion. He details his process in planning, sequencing, and critiquing a long-term project about growing up, adoption, and finding outlets like skateboarding and photography to process emotions. This segment highlights the therapeutic and artistic significance of personal work outside client assignments.IMPORTANT DEFINITIONS & CONCEPTSPortfolio-Building Trade: Exchanging photography services for goods or experiences (e.g., a night's stay at an Airbnb) instead of cash. This strategy empowers photographers to build their portfolio with less pressure, experiment, and network with future paying clients.Intervalometer: A device or camera feature that enables timed, repeated exposures. In Shane's workflow, using an intervalometer lets him capture authentic, non-posed moments during self-portraits or lifestyle shoots, contributing to a natural, polished final image.DISCUSSION & REFLECTION QUESTIONSHow can trading photography services be a valuable step for beginners looking to grow both skill and portfolio?What techniques or approaches can help photographers build confidence—especially when photographing strangers or in crowded settings?RESOURCES:Visit Shane Wilkie's Website - https://www.shanewilkie.com/Follow Shane Wilkie on Instagram - https://www.instagram.com/shanewilkie/Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

In a world of perpetual motion, there exists a realm of profound stillness—where light doesn't simply illuminate, it transforms. Far from home amid Earth's frozen tundras, time itself seems suspended in crystalline air. In today's podcast, we'll visit these places where time hangs in the balance, and we'll explore the intrepid mix of endurance, patience, and vision it takes to make pictures there. Joining us for this conversation are polar photography specialists Acacia Johnson and Jonas Paurell. From making distinctions between Arctic and Antarctic regions, to learning about the unique challenges involved with photographing there, our polar experts share many valuable insights. In addition to tips about packing and safeguarding camera gear in cold weather climates, we also discuss the importance of managing expectations during such trips, especially when faced with a long wait to see wildlife amid the barren stillness. As Alaskan photographer Acacia Johnson puts it, “… I think going into a trip with kind of a sense of exploration, like the joy of the trip is that you don't know, and it's completely unique to your experience. And whatever you do see is kind of a gift.”   Guests: Acacia Johnson & Jonas Paurell Episode Timeline: 3:37: Acacia Johnson's upbringing in the wilds of Alaska and leaving the area for photo studies at the Rhode Island School of Design in the lower 48. 7:35: Jonas Paurell's youth in Sweden and the impact his first trek to Scandinavian Arctic regions had on his soul. 14:08: The differences between Arctic and Antarctic polar landscapes, plus Acacia's experiences during a winter in Arctic Bay, with no sun for four months. 29:13: Different approaches to storytelling about the Arctic based on subject matter, and capturing an emotion in images that does justice to the landscape. 37:31: The logistics of getting to Arctic and Antarctic locations, and expenses involved with working and living there. 43:19: The Jubilee Expedition Jonas organized to celebrate the 150th anniversary of a legendary Swedish polar expedition to Svalbard. 51:20: Episode Break 51:38: Preparations for a polar expedition and the camera gear Acacia and Jonas pack. 1:00:31: Using a large format camera on polar expeditions, plus managing gear in extreme cold conditions. 1:06:42: Managing expectations for travelers, misconceptions when planning trips, plus different types of vessels used during expeditions to polar regions. 1:16:42: Cultivating an authentic connection to place when photographing polar regions. 1:21:29: The changing ethics of photographing in polar regions, plus findings from Jonas's Jubilee Expedition Guest Bios: Acacia Johnson is a photographer, writer, and a 2023 National Geographic Explorer based in Anchorage, Alaska. Drawn to painterly light and otherworldly landscapes, her work focuses on the environment, conservation, and connections between people and place. Over the past 10 years, she has made more than fifty expeditions to the Arctic and Antarctica as a photographer and a guide—always seeking to inspire wonder and compassion for these remote regions during a time of rapid change. Her photographs have been exhibited internationally and have been featured in The New York Times, The Guardian, National Geographic and TIME magazines, among other publications. In 2021, Acacia was awarded the Canon Female Photojournalist Grant, and in 2022 she received the ICP Infinity Award for Documentary Practices and Photojournalism. Jonas Paurell is an explorer, conservation photographer, photo educator, and speaker from Gothenburg, Sweden. One of his most ambitious projects is a 25-year documentation of the Arctic. Through ski expeditions and icebreaker voyages, he has captured both the resilience and vulnerability of Arctic landscapes, emphasizing the fragility of the region and the urgent need for preservation. In 2022, Jonas launched The Jubilee Expedition, recreating the historic Swedish Polar Expedition of 1872 to highlight this region's rapid melting and the far-reaching impacts of climate change. Jonas is also founder of Terra Photography Expeditions, which offers immersive workshops in both Arctic regions and South American rainforests, helping photographers deepen their connection with nature while refining their craft. Additionally, before dedicating his life to photography, Jonas served as a human rights lawyer for the United Nations. Stay Connected: Acacia Johnson Website Instagram Facebook X Jonas Paurell Website Terra Photography Expedition Instagram Facebook YouTube   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

#553 Dan Milnor is a seasoned photographer with over 25 years of experience. His career began with an unexpected twist when a lost transcript led him to a community college with a renowned journalism program. Milnor narrates his early experiences as a photojournalist, detailing the adrenaline-filled assignments and his eventual transition to documentary photography. The discussion delves into the challenges of keeping photography authentic amidst the current digital age, where social media often overshadows genuine skill and creativity. KEY TOPICS COVEREDDan Milnor's Journey into Photography - Milnor details his unexpected path into photography starting from his interest in storytelling, influenced by his mother's use of a Pentax K1000, culminating in a scholarship offer at San Antonio College that commenced his education in photojournalism.Challenges of Modern Photography - The episode emphasizes the pitfalls of relying on social media for validation. Milnor critiques the modern "online photo community" and stresses the importance of creating unique and meaningful work outside of social media platforms.The Importance of Print and Bookmaking - Milnor shares insights into the power of print, emphasizing the tangible nature of photo books as lasting records of work, contrasting with the ephemeral nature of social media images.IMPORTANT DEFINITIONS & CONCEPTSSunny 16 Rule: A photographic rule of thumb for estimating daylight exposures without a meter.Long-term Projects: An approach in photography focusing on extended storytelling beyond single images to provide depth and context.DISCUSSION & REFLECTION QUESTIONSHow can photographers ensure their work stands out in a saturated digital space?What are the benefits of producing physical photo books versus digital albums?How does Milnor's view on social media challenge or change your perspective on its use in photography?RESOURCES:Visit Dan Milnor's Website - https://shifter.media/Download your free copy of 46 Creative Photo Ideas to Get You Out of a Rutat https://creativeimageideas.com/ Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Film historian Samm Deighan and cult cinema expert Andrew Leavold join Mike to shine a light on Jean-Pierre Melville's Two Men in Manhattan (1959). Often overshadowed by his better-known crime films, this moody noir follows a journalist and a photographer as they comb the streets of New York in search of a missing French diplomat. The trio digs into Melville's fascination with American style, the film's ethically murky characters, and how it fits within the director's larger body of work. They also explore the tension between documentary realism and stylized noir, and why Two Men in Manhattan deserves a second look. Author Ginette Vincendeau (Jean-Pierre Melville: An American in Paris), discusses this unique entry in Melville's filmography. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.