Podcast appearances and mentions of Gus Van Sant

Josh and Jamie got invited to attend the Toronto International Film Festival as members of the press to check out and cover some of new international art and genre cinema that will be coming out over the next few months and awards season, including new films by Park Chan-wook, Gus Van Sant, Kleber Mendonça Filho, Guillermo Del Toro, Claire Denis, Jafar Panahi, Benny Safdie, Oliver Laxe, Matt Johnson, Lav Diaz, Mona Fastvold, Bryan Fuller, Romain Gavras, Laura Poitras, Kenji Tanigaki, Rian Johnson, Christian Petzold, Alex Winter, Chandler Levack, Ben Wheatley, Nic Pizzolatto, and more! We did our best to avoid spoilers and such but be warned. Next week's episode is a patron-exclusive bonus episode on THE BAD SLEEP WELL (1960) + HIGH AND LOW (1963), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-17:37 Day 1 -- SENTIMENTAL VALUE // 17:37-22:18 MAGELLAN // 22:18-28:24 SIRAT // 28:24-33:34 THE SECRET AGENT // 33:34-41:22 IT WAS JUST AN ACCIDENT // 41:22-51:00 HONEY BUNCH // 51:00-55:49 Day 2 -- MOTOR CITY // 55:49-1:04:52 NO OTHER CHOICE // 1:04:52-1:17:07 GOOD NEWS // 1:17:07-1:23:45 Day 3 -- THE LOST BUS // 1:23:45-1:26:38 UNIDENTIFIED // 1:26:38-1:28:46 THE TESTAMENT OF ANN LEE // 1:28:46-1:34:48 FUZE // 1:34:48-1:39:26 JUNK WORLD // 1:39:26-1:47:17 Day 4 -- DEAD MAN'S WIRE // 1:47:17-1:55:20 SACRIFICE // 1:55:20-2:00:48 THE FURIOUS // 2:00:48-2:07:26 ROOFMAN // 2:07:26-2:13:38 LUCKY LU // 2:13:38-2:17:22 HEDDA // 2:17:22-2:23:42 Day 5 -- THE BALLAD OF A SMALL PLAYER // 2:23:42-2:28:01 PROJECT Y // 2:28:01-2:29:42 GOOD BOY // 2:29:42-2:31:33 EXIT 8 // 2:31:33-2:32:45 ADULTHOOD // 2:32:45-2:36:20 TUNER // 2:36:20-2:43:32 Day 6 -- THE SMASHING MACHINE // 2:43:32-2:51:27 ORPHAN // 2:51:27-2:53:41 COVER-UP // 2:53:41-2:57:41 TRAIN DREAMS // 2:57:41-3:03:45 Day 7 -- RETREAT // 3:03:45-3:06:26 CAROLINA CAROLINE // 3:06:26-3:10:33 MADDIE'S SECRET // 3:10:33-3:15:23 IT WOULD BE NIGHT IN CARACAS // 3:15:23-3:17:17 NORMAL // 3:17:17-3:22:16 Day 8 -- FUCK MY SON! // 3:22:16-3:30:55 THE UGLY // 3:30:55-3:36:18 WAKE UP DEAD MAN (KNIVES OUT 3) // 3:36:18-3:42:00 THE FENCE // 3:42:00-3:50:24 OBSESSION // 3:50:24-3:56:58 Day 9 -- EASY'S WALTZ // 3:56:58-4:04:08 DUST BUNNY // 4:04:08-4:09:10 LITTLE LORRAINE // 4:09:10-4:13:14 FRANKENSTEIN // 4:13:14-4:23:13 Day 10 -- MILE END KICKS // 4:23:13-4:29:36 MIROIRS NO. 3 // 4:29:36-4:34:30 Day 11 -- NIRVANNA THE BAND THE SHOW THE MOVIE // 4:34:30-4:50:13 Outro // 4:50:13-4:53:46 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY THAT MAY DISTURB SOME LISTENERS.  This week TGTPTU covers the film Elephant, no not the 2000s school-shooter mood piece by Gus Van Sant filmed in Portland, OR and covered previously and paired with Scarface (1983, not the earlier, black-and-white 1932 Howard Hawkes version) in Episode 8 of this Squib Season (it's Season 15 after all, not Season 14's Redux where the hosts covered films already covered) but, rather, the 39-minute, made-for-British-TV short film directed by Alan Clarke also entitled ELEPHANT (1989).  Chosen by host Thomas for its un-celebratory violence, the film tracks with Clarke's influential, wide-angle following shots (camera, not bullet) people who shoot other people (with bullets, not cameras) in mostly silent milieus but for environmental sounds, mostly very bloody. (As mentioned by cohost Ken, and for more on this camera placement and its effects and influence on Van Sant, see this video essay on the Film & Media Studies' YouTubeTM channel: https://youtu.be/Z5B8_IDhJQo.) Produced and defended by Danny Boyle, Elephant's unspoken (again, mostly silent with dialogue barely heard in just one scene between four blokes kicking around the football toward the middle of the flick) subject is The Troubles in the UK. In what is either bravery or foolery (callers into the network after this movie aired were split), working class and Brit-born Clarke--by then a celebrated veteran of the medium of the British TV issues film--stripped the original screenplay of dialogue when making the film in order to focus on the act of gun murder as was then currently occurring. With one un-notable exception, each of the eighteen scenes of gun violence has the shooter followed into the setting where the homicide is to occur, shoot his victim, leave followed by the camera/audience, and then cut back to silent moments of each murdered man filling the frame with his recently un-lifed corpse.  Elephant would be Clarke's penultimate work, with The Firm (no, not the adaption of the John Grisham novel that gave Holly Hunter the nom for Best Supporting Actress the same year she won Best Actress for The Piano as The Firm you're thinking of is by Sydney Pollack) also shot for British television and aired in 1989 as his final. Clarke would cross the pond to see if he could sell out in America (according to Ken) and die in 1990 at the age of 54.  The film resoundingly fails the Bechdel test.  Host Ryan calls Clarke a coward.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

This episode of The Other Side of the Bell, featuring trumpet performer and recording engineer Greg Curtis, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Greg Curtis trumpet interview"   About Greg Curtis: Greg Curtis is equally at home behind the trumpet and behind the mixing board. A former student of Al Butcher, John Aley, Wayne Cook, Dennis Najoom, and Leonard Candelaria, Greg has performed with ensembles including the Milwaukee Civic Symphony, Racine Symphony, Kenosha Orchestra, Green Bay Opera, and later the Redlands Symphony. He has also played with a wide variety of groups ranging from the Glenn Miller Band to salsa and jazz ensembles such as Orchestra Veneno, Salsumba, and the Los Angeles Latin Jazz All Stars.   In Los Angeles, Greg designed, built, and owned The Bridge Recording, a world-class film scoring stage that became a go-to destination for projects like The Simpsons, The Walking Dead, The Handmaid's Tale, Marvel films, and studios including Disney, Warner Bros., and Universal. His work as a recording engineer and producer has led him to collaborate with Clint Eastwood, Rob Reiner, Gus Van Sant, and countless others.   Holding Master's degrees in both Trumpet Performance and Musicology from the University of North Texas, Greg continues to bridge the worlds of performance and production. Today, he records and mixes film scores, produces live events, and develops new audio technologies such as MyxStem, while remaining active as a freelance trumpeter and collaborator with groups like Long Beach Opera and The Paul Litteral Band.     Episode Links:   Website: gregcurtis.net Greg Curtis on Facebook Email: gregtpt at gmail.com Find Paul Litteral's album, The Litteral Truth, Outrageous 8 Records. Engineered, mixed and produced by Greg Curtis Paul Litteral episode on The Other Side of the Bell, Episode 92 Gary Grant's Studio Musician Manual John Snell appearance on Brian Hayes' The Music Mind podcast Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Greg Curtis Audio Engineer - Ted Cragg

One Battle After Another 1st reactions are in. Then we dive deep into the Venice Awards Winners & tally the ovations. Plus, we discuss the Toronto Film Festival Premieres including Knives Out 3, Brendan Fraser in Rental Family, Channing Tatum's Roofman, and Sydney Sweeney's Christy. One Battle After Another 1st Reactions - 1:34 VENICE AWARDS + More Venice 1st Reactions: Golden Lion to Father Mother Sister Brother - 6:37 Silver Lion to Benny Safdie, The Smashing Machine - 10:21 Volpi Cup Best Actress to Xin Zhilei, The Sun Rises On Us All - 12:03 Volpi Cup Best Actor to Paul Servillo, La Grazia - 14:02 Grand Jury Prize to The Voice of Hind Rajab + An Ovation Record? - 17:18 Special Jury Prize to Below The Clouds - 21:53 Best Screenplay to At Work - 22:46 Silent Friend wins 2 Awards - 23: 50 Kathyrn Bigelow's A House of Dynamite, it's Trailer & why M1 needs AMC A-List - 26:23 Gus Van Sant's Dead Man's Wire - 32:19 Julian Schnabel's In The Hand of Dante - 34:47 Mamoru Hosoda's Scarlet - 37:19 Venice Standing Ovations Tally - 38:23 TIFF PREMIERES: Reviewing The Reviewers Brendan Fraser in Hikari's Rental Family - 39:19 Channing Tatum & Kiersten Dunst in Roofman from Derek Cianfrance - 40:41 Fraser & Tatum's Oscar Chances - 41:36 Sydney Sweeney in David Michod's Christy + Oscar Chances - 43:55 Wake Up, Dead Man, it's new trailer + the 25 Film Best Picture Category Field - 46:15 John Candy: I Like Me Documentary + 1st Trailer - 51:13 Matthew McConnaughey & America Ferreira in The Lost Bus - 53:22 Russell Crowe gaining buzz from Nuremberg - 56:19 Hedda, starring Tessa Thompson - 58:08 OUTRO: More on fighting gophers (which are actually marmot groundhogs. Check our twitter for videos or google dancing marmot groundhogs). When you're done with that, please support our show with a positive rating, review, like, & subscribe. Please spread the good word about MMO to your family and friends, and hopefully you continue to look forward to the huge slate of upcoming Oscar contenders this fall. Plus, we should all continue to enjoy Paul Thomas Anderson and these fall film festivals. https://linktr.ee/mikemikeandoscar

Gus Van Sant torna con un thriller tesissimo, basato su una vera storia di cronaca incentrata sulle azioni disperate di un uomo, Tony Kiritsis, nel 1977. Un film che, nonostante l'ambientazione nel passato, ha molti collegamenti col nostro presente.

El programa comienza con la escritora, poeta y periodista peruana Gabriela Wiener, que llega acompañada de Maielis González para hablar de Sudakasa. Este espacio se configura como una residencia artística destinada a mujeres migrantes, un lugar donde desarrollar proyectos que muchas veces no encuentran cabida en los grandes circuitos ni en las instituciones culturales. De esta experiencia surge el libro 'Siembra: Relatos de vidas Migra', publicado por Sudakasa Ediciones, que recoge historias nacidas a partir de esa convivencia y creación compartida.En la sección literaria, la actualidad pasa por Arturo Pérez-Reverte, que ha presentado 'Misión en París', la octava entrega de la saga de 'El capitán Alatriste', iniciada en 1996 y convertida en una de las series de novela histórica más populares en lengua española.El cine centra otra parte del programa con la Mostra de Venecia. Allí François Ozon estrena 'El extranjero', adaptación cinematográfica de la novela de Albert Camus, que compite por el León de Oro. Fuera de competición, Sofia Coppola debuta en el género documental con 'Marc by Sofia', una cinta sobre el diseñador Marc Jacobs, mientras Gus Van Sant presenta el thriller 'Dead Man's Wire'. La cobertura corre a cargo de Jordi Barcia.El repaso a festivales continúa con el de Santander, que celebra su edición del 12 al 18 de septiembre. En su presentación se anuncia la concesión de los Faros de Honor 2025 al actor Luis Tosa' y a la productora María Zamora.Estrenamos además la primera colaboración de Xaviera Torres, que cada dos semanas propondrá cuestiones surgidas de su experiencia como bióloga y que se relacionan con la cultura, la historia, la naturaleza o la vida cotidiana.El cierre lo ocupa la música con la historia de José Padilla. Este compositor español convirtió un coro de pescadores de zarzuela en la canción 'Valencia', que trascendió fronteras y llegó a sonar en cabarets de París, en orquestas de jazz de Nueva York e incluso en producciones de Hollywood. La explicación la aporta el musicólogo Enrique Mejías García, conocedor de estos repertorios que unen raíces mediterráneas y ecos cosmopolitas.Escuchar audio

Sam Bankman-Fried BioSnap a weekly updated Biography.In just the past few days, Sam Bankman-Fried's story has continued to fascinate the world, not just from behind bars but powerfully through pop culture and persistent legal intrigue. Gus Van Sant, the celebrated American director, has confirmed plans to take on a feature film about Bankman-Fried for his next project, describing the FTX saga as “an amazing sort of car crash in the crypto world.” The news broke via The Hollywood Reporter, with Van Sant calling the tale tailor-made for cinema: fraud, eccentric living, a high-profile romance with Caroline Ellison, and a hedonistic Bahamas lifestyle, all bundled into the narrative. The prospect of Van Sant dramatizing Bankman-Fried's ascent and infamous downfall is already drawing attention ahead of the director's return to Venice Film Festival after a seven-year hiatus.Netflix is also capitalizing on the enduring public fascination, expanding the cast of its eight-episode limited series “The Altruists,” charting the personal and financial collapse of Bankman-Fried and Caroline Ellison. Anthony Boyle takes the role of SBF, with Julia Garner set to portray Ellison. Netflix is billing it as a story of two hyper-smart idealists who seduced each other — and together stole $8 billion. The plot won't stray into their current prison stint but promises to explore the blurred lines between romance and con artistry that so many believe defined FTX's inner workings.Meanwhile, daily life for Bankman-Fried is decidedly less glamorous. Recent coverage in Cointelegraph confirms that he has been transferred yet again, now residing in the low-security Terminal Island federal correctional institution. Although speculation about his safety and potential moves persists, crypto analysts and prison consultants agree that conditions at Terminal Island are a notable downgrade in terms of violence compared to the notorious Victorville medium-security facility, suggesting he may face fewer threats for now.Legal ripples continue. Federal prosecutors, as reported by AOL, are still considering new evidence tied to alleged campaign finance violations on top of the seven fraud and conspiracy counts that landed him a 25-year sentence just months ago. And Caroline Ellison, his ex-girlfriend and former CEO of Alameda Research, has reignited headlines claiming Bankman-Fried sent a $100 million bribe to Chinese officials, although this remains unconfirmed and hinges on sealed court evidence.On social media, Bankman-Fried's presence is mainly as a subject. Instagram posts have referenced him in satirical works alongside Diddy and Luigi Mangione, adding to his growing mythos but offering little in the way of direct communication from SBF himself. Brooklyn's administrative jail has become an unlikely hotspot, with three high-profile figures reportedly held there simultaneously, inspiring at least one recent musical parody.Finally, political reverberations from Bankman-Fried's collapse linger, as FTX's legacy of campaign donations still shapes debates in Washington. OpenSecrets and Portside have tracked an explosion in crypto lobbying, with Bankman-Fried's old firm FTX still cited among the biggest contributors. While Bankman-Fried himself remains behind bars, his fingerprints on the intersection of tech money and political influence are felt with each legislative maneuver.In short, as Sam Bankman-Fried settles into his new prison environment, Hollywood and Silicon Valley still hustle to claim his story, and prosecutors circle ever closer for the final act.Get the best deals https://amzn.to/3ODvOta

We're ROCK MAROONED! This week Jack and Corey are joined by the hilarious Allan McLeod (Walkin' About Podcast, Drunk History, You're The Worst) to talk Gus Van Sant's slow-cinema buddy movie GERRY (2002)! The three talk Walkin' Movies, getting "Gerried", The Death Trilogy, claustrophobia in the desert, slow cinema, LA landmarks, Allan's cinefile friend Garrison, dirt mattresses, snacks of the movie, game shows, dog foot, Matt Damon's good storytelling, Casey Affleck's good tired acting, filming in a record breaking heatwave, toxic masculinity, dual personalities, DVDs Jack got on his 12th birthday, and pressing play on great movies.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

From the surprisingly sympathetic Psycho II to the sleazy thrills of Psycho III, the revealing prequel of Psycho IV, Gus Van Sant's infamous 1998 remake, and the modern reimagining Bates Motel, Bryan and guest Tyler dissect how Norman Bates evolved across decades of horror. Along the way, they ask the big questions: Can a killer be redeemed? Who's the real villain? Norman, or Mother? And why does this story still hold us captive after 60 years?

For today’s episode, I’ve had the immense pleasure of talking to screenwriter Mike Rich about his very first film, FINDING FORRESTER. Directed by Gus Van Sant, the film came out in the year 2000 and features the legendary “original James Bond” Sean Connery as a reclusive writer in the vein of J.D. Salinger, named William Forrester, who starts mentoring a young 16-year old black kid from the Bronx, Jamal, played by then-newcomer Rob Brown, who divides his time between playing basketball with his friends and at school and his secret interest in writing and literature. The film also stars a The post #43 – “I wrote the screenplay with no expectations”: Mike Rich on FINDING FORRESTER appeared first on Talking Pictures.

Send us a textA prince of darkness and a sitcom actor, driven by their beliefs, pursue an egotistic carny in an attempt to put him down for the final three count, and to ensure that works for him, brother. On Episode 678 of Trick or Treat Radio we discuss the film Revelations from director Yeon Sang-ho! We also have an extended Koffin Korner to pay tribute to the dearly departed, we talk about South Korean cinema, and learn a little horror history! So grab your Galoob wrestling figures, commit The Ultimate Sin, and strap on for the world's most dangerous podcast!Stuff we talk about: A doc so big, Aliens Expanded, Creator VC, Slasher Trash, Friday the 13th, Nightmare on Elm St. Final Exam, Return to Horror High, Rhona Mitra, Red Sonja, Zombi, Ottaviano Dell'Acqua, The DaVinci Code, this day in horror history, Godzilla vs The Smog Monster, Wolfen, Creature Double Feature, Tarzan the Ape Man, The Black Cauldron, Superman IV: The Quest For Peace, Afraid of the Dark, Disturbing Behavior, Bloodsucking Babes From Burbank, Mutilation Mile, Orphan, Bloody Birthdays, Anna Paquin, Summer Glau, Rose Byrne, Jennifer Lopez, The Cell, Witchcraft 7 & 11, Gus Van Sant, Linda Carter, Linda Harrison, Chris Sarandon, Fright Night, Mark Goddard, Mark-Paul Gosselaar, RIP Malcolm-Jamal Warner, Matthew Perry, Jeremiah, Michael Phelps, RIP Ozzy Osbourne, The Osbournes, Elvis Presley, Florence Henderson, The Osmonds, Herve Villachez, Paul Lynde, Rest in Hell Hulk Hogan, Mr. Nanny, South Park, Trey Parker & Matt Stone, Galoob Action Figures, Superman, Train to Busan, Silence of the Lambs, Yeon Sang-ho, Revelations, Netflix, Rondo Hatton, Waiting For the Other Schumacher to Drop, The Santa Clara Chronicles, and Bad Guy Buddhist.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY WILL DISTURB SOME LISTENERS.   This week, a pleasant return to cinema gun violence (after last week's entry of Gus Van Sant's school shooter film Elephant) as TGTPTU covers John Woo's American directorial début HARD TARGÈT (1993). The pod's temporal pincer movement again gets fudged this pairing to bring to you a Lance Henriksen double feature (next week's The Terminator), skipping the late- and mid90s (good film, btw, but Jonah Hill uses no squibs in his 2018 directorial début so it won't be covered during Season 15) and Way of the Gun (covered in a future pairing and now's not the time or place for reactions).    Hard Targét features Jean-Claude Van Damme in the rôle of Chance Boudreaux, a spicy Cajun seamen stranded and out of work needing $$$ so he can pay dues to ship out again and a former military badass and nephew to Coonass bootlegger Uncle Clarence Douvée played by Wilford Brimley who enters over halfway through the film in an almost surprise cameo appearance that outstays its welcome until the happy ending in a Mardi Gras float storage facility deep in the bayou where the final standoff between gooddée JCVD against baddée Henriksen (playing an inflammable globetrotting businessman in the business of orchestrating homeless veteran hunts) results in his (Brimley's) seeming death only to be saved by his flask (yay!) but loses the last of his final stills batch (sad!) before the abrupt conclusion of the film. Oh, and there's a woman character played by Yancy Butler looking for her daddée, whom we learned was homeless and we learn was played by the writer of the film in its opening manhunting scene. If you haven't surmised, the plot is basically “The Most Dangerous Game” minus the island and Cossack and charm of the short story and adding in Woo's vision of a Western and JCVD's kicks (but, sadly, no splits).   The majority of Henrickson's performance in what was written and shot to be a two-hander was cut out (just like 70% of the digressions and Frenchifications in this week's Show Notes), allegedly, by JCVD who worked with his own editor because, at the fin de la journée, this is a JCVD film and il est “aware.” (For Francophiles, please search the video interview of JCVD entitled “Jean-Claude Van Damme ‘Aware'”.)  Listen this week to hear if host and Brimley fan Ryan will remained un-Woo'ed after seeing his Quaker Oats forever old riding a horse; see how easily host Tom is derailed by mention of Buffy the Vampire Slayer; and find out if any of Ken's conspiracy theories are what have gotten this podcast shadow banned yet again.    Core hosts (les deux daddées et un Zoomer) only this week as Jacque is with his stepmom and her Nugget League of Mayhem adding glitter bombs and confetti to their Mardi Gras float this week.THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

This week, Jordan and Brooke discuss Gus Van Sant's 1998 homage? remake? art experiment?? of Hitchcock's classic. Is this a secret masterpiece? How different is different "enough?" What will it take for GVS to do another sad gay cowboy movie? Why was Vince Vaughn the choice here?! Plus, Jordan's long-promised recap and review of A&E's "Bates Motel."Follow us on Twitter, Bluesky, and IG! (And Jordan's Letterboxd / Brooke's Letterboxd)For privacy & ad info, visit: audacyinc.com/privacy-policy/

Send us a textELEPHANT (1st)  SPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY WILL DISTURB SOME LISTENERS.   Episode 8 of TGTPTU's Squib Games (Season 15) is a meditation on the film ELEPHANT (2003) written (in scare quotes) and directed by former Portland, OR native Gus Van Sant. Guest host Jack returns to discuss with Tom and Ken, each a generation on either side of the Columbine H.S. shootings, the 1999 impetus for this Van Sant slow cinema film.   Originally conceived as a HBO documentary and titled in misunderstanding as an homage to Alan Clarke's film of the same name (to be covered later this season), Van Sant's Elephant concerns a single day cut short by a school shooting as it follows different high school characters' lives leading up to the active shooting event that will conclude the film.  The picture was shot at and edited in a studio built inside a Portland, OR public school, now demolished, along host Ken's former running trail. Ken also brings to the ep extracurricular watches of the preceding JERRY (2002) and first quarter or so (more than most people can get through) of LAST DAYS (2005), the trio of which form Van Sant's “Death Trilogy,” an improvised set of mumblecore-adjacent films based on real events and made outside of the Hollywood system, all lensed by Harris Savides whose scarf in his Wikipedia profile rivals any neck covering worn by legendary scarf enthusiast and Season 11's subject Darren Aronofsky.  Follow us on the socials! Ken will follow you back, as we learn this episode that he likes to follow people. And not creepy at all! As promised in ep, Wikipedia strangely uses a photo of Ken in one of his gray suits as an image link for https://en.wikipedia.org/wiki/List_of_LGBTQ_people_from_Portland,_Oregon. Host Ryan is off this week playing piano and videogames but will return for 1993's Hard Target.THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

On this week's episode of Female Gaze: The Film Club, Morgan speaks with Amy E. Duddleston, editor of such films such as "The First Omen" and "High Art," as well as television series like "Mare of Easttown," "The Umbrella Academy," and "Big Love." We discuss how Amy's first internship, her collaborations with filmmakers such as Lisa Cholodenko and Gus Van Sant, the nuances between editing films and television, and the joys of jumpscares. Amy's newest project, "Task" will premiere on HBO Max this September. To learn more, visit the HBO site here. You can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

Veronica Radaelli is a filmmaker and producer that has made seven feature films in Kentucky. Her most recent projects in the Commonwealth include The Revisionist starring Dustin Hoffman and Alison Brie and Gus Van Sant's biopic of Tony Kiritsis, Dead Man's Wire, starring Bill Skarsgård and Dacre Montgomery. A native of Milan, Italy Veronica splits time between Los Angeles, Las Vegas... and Louisville.Her body of work includes films like Ghost House (2017), Disturbing the Peace (2020), Desperation Road (2023), Saint Clare (2024) and Bride Hard (2025).Veronica's IMDb: https://www.imdb.com/name/nm5253415/?ref_=tt_fm_nameSupport the show

Backstage, historias detrás de grandes exitos www.gdsradio.com.ar Conducción Graciela Panero  Paul McCartneyGood Will Hunting (El indomable Will Hunting en España, Mente indomable en México y En busca del destino en el resto de Hispanoamérica) es una película de 1997 dirigida por Gus Van Sant. La película obtuvo nueve nominaciones a los Óscar, ganando dos de ellos: uno al mejor guion original, para Matt Damon y Ben Affleck, y el otro al mejor actor de reparto para Robin Williams.Will Hunting, de 20 años de edad y del sur de Boston, tiene un intelecto del nivel de un genio y una excelente memoria eidética; pero en lugar de explotar su talento opta por vivir una vida fácil y sin compromisos trabajando en la limpieza —quizá como ayudante del conserje— en el Instituto de Tecnología de Massachusetts, además de pasar su tiempo libre con sus amigos Chuckie Sullivan, Billy McBride y Morgan O'Mally. El combinatorista ganador de la Medalla Fields, el profesor Gerald Lambeau, plantea en la pizarra para sus alumnos un problema difícil, tomado de la teoría de grafos algebraicos, como un reto a sus estudiantes de posgrado, y el problema es resuelto rápida pero anónimamente. En realidad, fue Will quien lo resolvió. Lambeau publica un problema mucho más difícil pero Will es descubierto cuando intenta resolverlo y huye. Al mismo tiempo, durante una noche de copas con sus amigos conoce a Skylar, una estudiante británica a punto de graduarse en la Universidad de Harvard y obtener un título de posgrado en la Escuela de Medicina de la Universidad de Stanford, en California.[1]​Argumento[editar]

Are there stages of true toughness?Combining recent conversations about ambition and discovering hidden emotional depths, this week's episode contemplates how Gus Van Sant's iconic 1997 film, Good Will Hunting, considers what desires we have to fight the hardest for.We also discuss:Paterson (2016) d. Jim JarmuschInvasion of the Body Snatchers (1956) d. Don SiegelContact UsEmail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

This week on Terror Talk Podcast, we're diving headfirst into the true crime case that inspired the 1995 film To Die For. That's right—we're talking about the real-life story of Pamela Smart, her controversial trial, and how it all morphed into Gus Van Sant's icy, satirical thriller starring Nicole Kidman as the unforgettable Suzanne Stone.We break down:The parallels between Suzanne and PamelaWhy Suzanne's narcissism is chef's kiss for dark character studyPsychological diagnoses we'd slap on this femme fataleThis one's a blend of film love, forensic curiosity, and commentary with a side of smirk.Pamela Smart case, To Die For movie analysis, Suzanne Stone psychology, female narcissist film character, Nicole Kidman To Die For, true crime inspiration movies, criminal psychology podcast, psychological film breakdown, female manipulation on screen, true crime meets pop cultureInstagram: @terrortalkpodcastYouTube: TerrorTalk PodcastFacebook: Halloween All Year LongTikTok: @dark.psychology.girlsOriginal music featured in this episode is by Mannequin Uprising. #TerrorTalkPodcast #TrueCrimePodcast #PsychologyPodcast #FilmPsychology #NicoleKidman #PodcastRecommendations #TrueCrimeJunkie#PamelaSmartCase #ToDieForMovie #SuzanneStone #FemalePsychopaths #NarcissisticCharacters #CriminalPsychology #TrueCrimeMovies #NicoleKidmanFans #TrueCrimeVsFiction

The Second Part in our Brothers Brought Low Trilogy How could there ever be a cult classic for a wide release starring Uma Thurman? Wouldn't everyone pause to gaze at her beauty and charisma? Of course as I type up these very show notes I'm reminded of finally catching up with EVEN COWGIRLS GET THE BLUES and being horrified at what my favorite screen goddess did which nearly RUINED the career of one Gus Van Sant before he could make his 1998 classic PSYCHO. But as the chosen film (I'm getting to it) GATTACA shows us... nobody's perfect. Even Ethan Hawke. Especially Ethan Hawke when he shares the screen with Jude Law. Enjoy! Patreon supporters get access to monthly bonus episodes including previous years of Movie Book Club! Bluesky: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

Devenue actrice sur le tard, AGATHE ROUSSELLE a vite rattrapé le temps perdu… En 2021, pour son premier film, elle est l'héroïne de « Titane », Palme d'Or à Cannes. Plus tard, elle joue dans « Cash » puis « Cassandre », ainsi que dans l'opéra « Last Days », adaptation du film de Gus Van Sant consacré aux derniers jours de Kurt Cobain. Dans cet épisode enlevé, AGATHE ROUSSELLE raconte ses envies adolescentes, ses bricolages d'apprentie skateuse, son rapport à l'androgynie ainsi que ses trouvailles vintage. Elle raconte aussi les micro détails qui font un tenue de cinéma ou de tapis rouge. Action! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

What do, a talented female vocalist who attends an art school, and a young man who befriends a cynical author, have in common? This week on THE MOVIE CONNECTION:Jacob Watched: "RAISE YOUR VOICE" (4:42) (Directed by, Sean McNamara. Starring, Hilary Duff, John Corbett, Jason Ritter...)KC Watched: "FINDING FORRESTER" (31:44) (Directed by, Gus Van Sant. Starring, Rob Brown, Sean Connery, f. Murray Abraham...)Talking points include:Vocal dubbing gone wrongThe Hilary Duff brandGreat "American" novelsand more!!Send us an email to let us know how we're doing: movieconnectionpodcast@gmail.comFollow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rate and Review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out more reviews from Jacob on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cover art by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Austin Hillebrecht⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Letters by KC Schwartz

Send us a textDan and Mike are back with another episode of the Oh Brother Podcast! This time, they're looking at the 1989 cult classic Drugstore Cowboy. Directed by Gus Van Sant (director of Mala Noche & Good Will Hunting), this film was just recently re-released as a part of the Criterion Collection. This week, Dan and Mike look over the film, including extra insights provided by the criterion release.Cinematographer and Producer Johnny Derango Actress Karissa Lee StaplesSupport the showOh Brother Podcast: Subscribe on YouTube Listen on all podcast platforms Follow us on Instagram Leave a 5-star rating/review on Apple Podcasts

You'll have bad times, but it'll always wake you up to the good stuff you weren't paying attention to.Enjoy our podcast review of GOOD WILL HUNTING (1997), directed by Gus Van Sant and starring Matt Damon and Robin Williams! Chris has been going through a LOT emotionally and mentally due to some drastic life changes, and we thought this movie would be perfect to explore those feelings and cope with where life takes you, or better yet, where YOU take life.Support the showPodcast theme song by Jaron Jon - https://www.instagram.com/jaron.jon/VIDEO PODCAST: https://www.youtube.com/@moviesthatchangedusREACTION CHANNEL: https://www.youtube.com/nicedudemovienightMERCH: https://nicedudemovienight.com/PATREON (early access, exclusive podcasts and polls): https://www.patreon.com/moviesthatchangedusTWITTER: https://twitter.com/nicedudemoviesINSTAGRAM: https://www.instagram.com/moviesthatchangedusBUSINESS INQUIRIES: alex@risingsunsagency.com

Good evening, from the LKHQ Weather Center! Any time it rains, or when there's thunder and lightning, or when it snows, we have to talk about Gus Van Sant's To Die For. Because you aren't really anybody in America if you're not on TV. If you like the podcast, please rate, review, and subscribe! Follow us at @theladykpod on Twitter and @theladykillerspod on Instagram and Bluesky Connect with your co-hosts:  Jenn: @jennferatu on Twitter, Instagram, Threads, and Bluesky   Sammie: @srkdall on Twitter and Instagram, @srkdallreads Bookstagram Mae: @eversonpoe on all social media platforms, music at eversonpoe.bandcamp.com Rocco: @roccotthompson on Twitter, @rosemarys_gayby on Instagram Cover Art: David (@the_haunted_david, @the_haunted_david_art) Logo Art: Meg (@sludgework) Music: Mae (@eversonpoe) Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Mita's turn to pick, and when tasked with picking a movie that starts with "T", she goes all camp and picks Gus Van Sant's "To Die For" for the next movie review. Nadeem and movie do the unexpected: they watch a bunch of other movies. 

It's physical media time with Erik Childress and Peter Sobczynski guiding you through this week's releases which includes a pair of late indie staples from the ‘80s now in 4K. There's a pair of John Candy comedies from the same decade, Burt Reynolds directing a comedy about suicide and one about the life of Frances Farmer. Pick your poison in Richard Dreyfuss directing porn (within the movie) and the unspeakable horrors of Roger Corman mutant rapists. Keanu Reeves is a demon hunter and David Fincher gets upgrades for his underrated B-movie thriller and the origin story of another demon. 0:00 - Intro 2:37 - Criterion (Crossing Delancey 4K, Drugstore Cowboy 4K) 19:24 - Kino (Summer Rental, Uncle Buck 4K, Frances) 41:13 - MGM (Inserts, The  End, Uptown Girls) 1:01:51 - Shout (Humanoids from the Deep 4K) 1:13:16 - Warner (Constantine 4K) 1:21:52 - Sony (Panic Room 4K, The Social Network 4K) 1:41:21 – New Theatrical Titles On Blu-ray (Last Summer, The Lord of the Rings: The War of the Rohirrim, Nosferatu, The Order, September 5, Weekend at Taipei) 1:46:15 – New Blu-ray Announcements

Tom Robbins (1932-2025, author of the classic novels “Another Roadside Attraction” and “Even Cowgirls Get the Blues”, in conversation with Richard Wolinsky and Richard A. Lupoff in the KPFA studios on May 15, 2000 while on tour for the novel “Fierce Invalids, Home from Hot Climates.” Tom Robbins, who died on February 9, 2025 at the age of 92,  was the considered the leading chronicler of the sixties vibe. Over the course of his long life, he only wrote eight novels, one collection of short stories and a memoir over the course of his long life, but he is recognized as one of the most important voices of mid to late twentieth century America. Among his novels are Another Roadside Attraction, Even Cowgirls Get the Blues, which became a film by Gus Van Sant, Still Life with Woodpecker and Jitterbug Perfume. Tom Robbins would only write one more novel after Fierce Invalids, Titled Villa Incognito, it was published in 2003. A collection of his short writings, Wild Ducks Flying Backwards, was published in 2003, and a memoir, Tibetan Peach Pie: A true Account of an Imaginative Life, was published in 2014. Even Cowgirls Get the Blues is the only one of his books to be adapted for film. This interview has never been heard in its entirety, until now. The post Tom Robbins (1932-2025), Master of Seriocomic Novels appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Tom Robbins (1932-2025) Tom Robbins (1932-2025, author of the classic novels “Another Roadside Attraction” and “Even Cowgirls Get the Blues”, in conversation with Richard Wolinsky and Richard A. Lupoff in the KPFA studios on May 15, 2000 while on tour for the novel “Fierce Invalids, Home from Hot Climates.” Tom Robbins, who died on February 9, 2025 at the age of 92,  was the considered the leading chronicler of the sixties vibe. Over the course of his long life, he only wrote eight novels, one collection of short stories and a memoir over the course of his long life, but he is recognized as one of the most important voices of mid to late twentieth century America. Among his novels are Another Roadside Attraction, Even Cowgirls Get the Blues, which became a film by Gus Van Sant, Still Life with Woodpecker and Jitterbug Perfume. Tom Robbins would only write one more novel after Fierce Invalids, Titled Villa Incognito, it was published in 2003. A collection of his short writings, Wild Ducks Flying Backwards, was published in 2003, and a memoir, Tibetan Peach Pie: A true Account of an Imaginative Life, was published in 2014. Even Cowgirls Get the Blues is the only one of his books to be adapted for film. Photo: Creative Commons,   Margot Livesey Margot Livesey, author of the novel, “The Road from Belhaven,” now just out in trade paperback, in conversation with Richard Wolinsky. Recorded at Book Passage Bookstore in Corte Madera, California. Margot Livesey is the author of ten novels, including “The Missing World,” “Mercury” and “The Boy in the Field,” which range from literary novels to psychological thrillers. Born and raised in Scotland. she currently teaches at the Iowa Writers Workshop. “The Road from Belhaven” is set in the late 1800s in rural Scotland and Glasgow, and concerns a young woman artist with second sight who finds herself in difficult circumstances. It's based on stories of Margot Livesey's great grandmother as told by her grandmother and relatives in Australia. Special thanks to Elaine Petrocelli and the folks at Book Passage Bookstore. Photo: Richard Wolinsky. Complete Interview.   Review of “The Thing About Jellyfish” at Berkeley Rep Roda Theatre through March 9, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre  The Heart-Sellers by Lloyd Suh, February 9 – March 9, 2025. Awesome Theatre Company. See website for information. Berkeley Rep. The Thing About Jellyfish, based on the novel by Ali Benjamin, adapted by Keith Bunin, January 31 – March 9, World Premiere, Roda Theatre. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Back to the Future: The Musical, Feb 12 – March 9. Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  The Cher Show. March 18 – 23. Center Rep: Froggy, Feb. 9 – March 7. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Steel Magnolias by Robert Harling, February 14-23, 2025, Warren Theatre, Sonoma State University. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fairview by Jackie Sibblies Drury. February 1 – 16, 2025. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Fly by Night conceived by Kim Rosenstock Written by Will Connolly, Michael Mitnick, and Kim Rosenstock, March 6 – 23. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. The Glass Menagerie by Tennessee Williams. Jan. 23 – Feb. 16. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Francis Grey and the Case of His Dead Boyfriend by Nathan Tylutkis, February 6-16. Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. Both Eyes Open, a chamber opera on the Japanese American WWII incarceration, February 15-16, Zellerbach Hall. Oakland Theater Project.  See website for upcoming schedule. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig,  Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. June 2025. San Francisco Playhouse. Exotic Deadly, or the MSG Play by Keiko Green, January 30 – March 8. SFBATCO.  See website for upcoming streaming and in- theater shows. Cuckoo Edible Magic by Reed Flores, at the Magic in Fort Mason, Feb. 13 – March 8. San Jose Stage Company: An Enemy of the People by Henrik Ibsen, Feb. 5 – March 2.. Shotgun Players.  Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Urinetown,  January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Doodler, conceived and directed by John Fisher, February 8- March 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Happy Pleasant Valley, Book, Music, and Lyrics by Min Kahng, Lucie Stern Theatre, Palo Alto, March 5-30. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post February 13, 2025: Tom Robbins – Margot Livesey appeared first on KPFA.

Send us a textThe high-profile case of a serial killer has just gone to trial, and a certain vulgar guru of horror is obsessed with it. When reality blurs with his morbid fantasies, he goes down a dark path to record the most offensive podcast episode in the history of the world. On Episode 653 of Trick or Treat Radio we discuss the film Red Rooms from director Pascal Plante! We also have a very rare real world venting session, talk about remakes and the arguments for or against them, and come up with nicknames for the ultimate zeta male. So place a large sum of money on a virtual card game, have all your dark web credentials in order, and strap on for the world's most dangerous podcast!Stuff we talk about: Stranger Things Season Five, Duffer Brothers, Guinness World Records, long streaks, Benoit Incidents, Freddie Oopsie Kruger, the Orange Cnt, Tom from MySpace, The Penguin, Colin Farrell, Cristin Milioti, Clancy Brown, Batman vs. The Spleen, Moonage Daydream, Takashi Miike, Audition, Speak No Evil, Caddyshack, Gus Van Sant's Psycho, shot for shot remakes, Adam Marcus, Jason Goes to Hell, Hearts of Darkness: The Making of the Final Friday, Infernal Affairs, Martin Scorsese, George A. Romero's Resident Evil, pumpkin bomb, what color are your lungs?, no pain in the liver game, Red Rooms, Dark Web, Takeshi's Castle, Most Xtreme Elimination Challenge, Pascal Plante, fck you Rounders, online Poker, cryptocurrency, Se7en, Colt 45, Canadian Justice System, genital mutilation, Bridesmaids, Tropic Thunder, the rise of crime podcasting, Criminal, Lore, Manhunter, Albert Fish, serial killers, Jeffrey Dahmer, Wolfcop, Lowell Dean, Dark Match, Brothers Grimm, Fairy Tales, plague carrier, Dracula, Robert Eggers, the Blue Collar Cinematic Genius, the Ballzucker, The Zeta Male, Praise Hail Zeta, a Karl Renaissance, how do you remake perfection, Keeping Up With the Dahmers, and from Alpha to Zeta.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Sing Sing Oscar nominee Colman Domingo joins Awardist host Gerrad Hall for an in-depth discussion about his performance as a wrongfully convicted man who finds hope in the prison's arts program, the role that changed his career, working on Gus Van Sant's next movie, and more. Plus, will Beyoncé FINALLY win Album of the Year for Cowboy Carter? EW Editor-in-Chief Patrick Gomez and Sr. Music Editor Jason Lamphier join Gerrad for Grammy winner predictions in the Album, Record, Song, and New Artist categories. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Grouches are injecting the world with a little lactose tolerance as they cover the best original screenplay winner from 2008, Gus Van Sant's "Milk"

Actress and filmmaker Heather Graham joins The Art of Kindness with Robert Peterpaul to discuss acts of kindness throughout her lengthy career, how her new film Chosen Family helped her learn to keep people pleasing under control, holding unconditional self-love and more. HEATHER GRAHAM discovered her passion for acting at an early age and caught the attention of filmmakers with her breakout role in Gus Van Sant's DRUGSTORE COWBOY, for which she received an Independent Spirit Award nomination. Graham went on to land unforgettable roles in the 1997 classic BOOGIE NIGHTS, for which she received the MTV Movie Award for Best Breakthrough Performance, in 1999's AUSTIN POWERS: THE SPY WHO SHAGGED ME and in 2009's THE HANGOVER alongside Bradley Cooper and Zach Galifinakis.  Graham has expanded into writing, directing, and producing, proving herself to be a multi-hyphenate leading talent with critically acclaimed, HALF MAGIC, a film she wrote and directed, which was released in theaters and on VOD February 2018. The raunchy, female-driven comedy follows three women set out on a hilarious search for self-fulfillment while overcoming the roadblocks in their personal and professional lives. Graham also executive produced and starred in the feature film CAKE, a romantic comedy also starring Sandra Oh and Cheryl Hines. That self-fulfillment theme, along with a throughline of people pleasing is prevalent in her latest flick - CHOSEN FAMILY. Graham wrote, directed, and starred in the rom-com, which debuted in 2024. This movie is a centerpiece to today's conversation, along with kindness, of course. In addition to more producing, up next, Graham will be featured alongside Nicolas Cage in the Western THE GUNSLINGERS. Follow Heather: @imheathergraham Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Released in 1997. Directed by Gus Van Sant. Starring Matt Damon, Robin Williams, and Ben Affleck"When professors discover that an aimless janitor is also a math genius, a therapist helps the young man confront the demons that are holding him back."Timestamps00:00 - Intro / Initial Review19:00 - Spoiler Territory1:08:19 - Final Scores Anyone?1:23:19 - Final Movie RevealFOLLOW US ON SOCIALSYoutube - @thelitterboxpodInstagram - @thelitterboxpodLetterboxd - thelitterboxpodX (formerly Twitter) - @litterboxpod

This week the hosts discuss one of Josh's favorite movies, 1978's The Eyes of Laura Mars. From wiki: “Eyes of Laura Mars is a 1978 American neo-noir supernatural horror[3] thriller film directed by Irvin Kershner and starring Faye Dunaway, Tommy Lee Jones, Brad Dourif, René Auberjonois, and Raul Julia. It follows a New York City fashion photographer (Dunaway) who suddenly develops the clairvoyant ability to witness disturbing serial murders from the point of view of the killer. The screenplay was adapted (in collaboration with David Zelag Goodman) from a spec script titled Eyes, written by John Carpenter; it was Carpenter's first major studio film. H. B. Gilmour later wrote a novelization.”Also discussed: Hawaii, Sasquatch Sunset, Luca Guadagnino's Queer, My Own Private Idaho and the career of Gus Van Sant, American giallo, Jon Peters, Faye Dunaway, Shampoo, Personal Shopper, Blood and Black Lace, The September Issue, capelets and ponchos, Barfly, The Towering Inferno, Puzzle of a Downfall Child, Brian De Palma,  NEXT WEEK: Morgiana (1972) Follow them across the internet: Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/https://bsky.app/profile/joshuaconkel.bsky.social  

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew watched the musical extravaganza known as Wicked. What did they think? You may be surprised or you may not be. Next they caught a couple films at the CUFF Docs Festival. They took in DEVO which chronicles the band from the very beginning right through to the present and then they saw Chain Reactions which is a deep dive into the influence The Texas Chainsaw Massacre has had on film makers fans and pop culture in general. Then finally both Jim and Bryce were dared to watch Gus Van Sant's Psycho. Introduction-0:00 The Amazing Murman Predicts-2:19 In Cinema Wicked (2024)-5:03 CUFF Docs Calgary Underground Film Festival DEVO (2024)-24:17 Chain Reactions (2024)-32:28 Murman Minute-36:57 Open Rage Jim's open rage-Something about trailers-40:40 Bryce's open rage-Wicked.....Part 1......UGHH-43:45 The Lists Mesmerized Off Proposed-45:22 Rage or Dare Psycho (1998)-48:33 Bryce pulls from Jim's bag yet again-58:56 Outro-1:01:38 Thanks Ragers for listening to our film review podcast. Rage On!!! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

Today's episode is on Gus Van Sant's Drugstore Cowboy. We talked about noir fatalism, drug narratives, GVS' unique filmography, and more. Then, on MiTM, we get into Heretic, Vaazhai, and Demonlover. Get the full episode and a lot more for $5/mo at https://www.patreon.com/Extended_Clip

Claire and Gavia discuss Gus Van Sant's iconic queer drama My Own Private Idaho (1991), loosely based on Shakespeare's Henriad plays. River Phoenix stars as a hustler in Portland, Oregan, who sets off on a journey across America and then the world in search of his long-lost mother, accompanied by best friend and fellow hustler Keanu Reeves.

Charlamos sobre el ‘Blood Sugar Sex Magik' de los Red Hot Chili Peppers, con Miki Santamaria como invitado.  En esta cuarta parte comentamos: Charlamos sobre la música, los sonidos y las letras de las siete últimas canciones del disco: «Under the Bridge», «Naked in the Rain», «Apache Rose Peacock», «The Greeting Song», «My Lovely Man», «Sir Psycho Sexy» y «They're Red Hot». Hablamos un poco más sobre la gran influencia que tuvo Hillel Slovak, guitarrista original de los Chili Peppers, en la creatividad y el sonido de la banda. Hacemos una mención especial a «Soul to Squeeze», un temazo que se quedó fuera del disco. Comentamos el videoclip de «Under the Bridge». Y por el camino nos encontramos con Stone Temple Pilots, Pearl Jam, AC/DC, Robert Johnson, Carlos Santana, Gus Van Sant... y con el protagonista absoluto de Disco Prestado hasta la fecha: ¡el Mellotron! Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

 In this episode of The Dana Buckler Show, host Dana Buckler is joined by renowned film historian, writer, and director Jim Hemphill for an in-depth discussion on the iconic Psycho franchise. From Alfred Hitchcock's groundbreaking 1960 classic to the lesser-known sequels Psycho 2 (1983), Psycho 3 (1986), Psycho 4: The Beginning (1990), and the controversial Gus Van Sant remake of Psycho (1998), Jim and Dana explore the evolution of this legendary series. Jim Hemphill, a respected voice in film criticism and contributor to Indiewire, brings his expertise to the table, offering valuable insights into the film's impact on horror, its lasting legacy, and the cultural conversations that followed. Whether you're a Psycho purist or a fan of its modern iterations, this episode is packed with fascinating commentary on one of cinema's most influential franchises. Jim's Podcast : https://podcasts.apple.com/us/podcast/indiewires-filmmaker-toolkit/id1142632832                                                 https://open.spotify.com/show/2cfkvzAeM8BFxkCo58Qs8GJoin our Facebook group https://www.facebook.com/groups/danabucklershowJoin my Patreon for early access to all episodes, plus a new exclusive podcast, go to Patreon.com/howisthismovieHelp Support our work : Cash App $DanaBuckler or Venmo @DanaABuckler Subscribe to the podcast on your favorite podcast platform by going to https://linktr.ee/DanaBucklerShowJoin our Facebook group https://www.facebook.com/groups/danabucklershowJoin Our Patreon for early access to all episodes, plus a new exclusive podcast, go to Patreon.com/howisthismovieEmail the show TheDanaBucklerShow@gmail.com

Resident horror franchise correspondent Braden Cooley returns to discuss Alfred Hitchock's 1960 classic Psycho, along with the three underseen sequels and Gus Van Sant's ambitious 1998 remake. Follow Braden on Letterboxd: @bradenc Follow Johnny on Instagram and Tik Tok: @JohnnyMocnyComedy Follow Johnny on Letterboxd: @JohnnyMocny --- Support this podcast: https://podcasters.spotify.com/pod/show/we-are-movies/support

In this episode, Davis Priestly of Revery shares his inspiring journey from growing up in Humboldt County to a successful career in filmmaking. He recounts early influences that ignited his passion for cinema, his daring leap to Los Angeles, and formative experiences on significant projects like Madonna's world tour. The discussion highlights his evolution through Hollywood's dynamic landscape, touching on technological changes, power dynamics, and key collaborations with figures like Gus Van Sant. Davis's professional story includes the founding and growth of Reverie, embracing challenges like formalizing the company structure, and the impact of leadership development. Now leading a collective known for high-profile work, Davis reflects on the synergy of art and branding, emphasizing passion, purpose, and connection in storytelling. Aspiring creators will find valuable insights into overcoming fear, the importance of mentorship, and the balance between creative dreams and practical execution.00:00 Introduction and Early Life00:59 Discovering a Passion for Filmmaking02:31 Early Career and Hollywood Experiences11:07 Transition to Oregon and New Opportunities16:51 Entering the Commercial World19:55 Collaborations and Growth24:42 Growing Organization and Industry Reflections25:22 The Birth of Reverie28:40 Early Challenges and Growth31:29 Learning to Lead and Adapt34:37 Pandemic Challenges and Team Building40:41 Current Projects and Vision46:58 Final Thoughts and Advice

The window for our Winter Commissions season is now open. Coming up this October we have shows on the first two Psycho films, (as well as touching on the ill-advised Gus Van Sant 1998 remake of the Hitchcock original.) Then a long-planned episode discussing the Horror genre in a new light. And finally on Halloween, we got us a hot, steaming bowl of Beetlejuice. Following that we have Nolan-Vember, from the makers of Cloon-June. Sharon and I will be talking about four of his films on the Main Event feed: Memento, The Prestige, Inception, Interstellar, and on the Patreon bonus feed we will have After School Clubs on Tenet, Insomnia, Following and Dunkirk. Then in December we are going back to the animated X-Men with shows about ‘97 and maybe more. So that leaves January open for four episodes chosen by four of you. Again, the standard fee is $150 for a movie, more for TV, comics or video games because of the increased time and energy investment. And as always, it's not first come, first served, it's the four we think will make for the best shows. These places tend to fill up very fast, usually within a few days, so get in touch via email, Patreon messaging, Discord, or even twitter, if anybody still uses that hellsite. And we can negotiate these shows into reality.  

In August of 1999, two best friends, David Coughlin and Raffi Kodikian, set off for a short overnight hike in Carlsbad Canyons, New Mexico. Five days later, only one of them would be found alive. This is the shockingly strange but true story of a two men entering Rattlesnake Canyon and only one man leaving. What makes this case even more heartbreaking is the fact that both men combined to keep a detailed journal describing their ordeal -- including how it ended in murder. Join us on this journey into the desert in the real-life story that inspired the Gus Van Sant movie 'GERRY' starring Matt Damon & Casey Affleck. Loving the show and want AD FREE listening while supporting 'The Woman', 'The Husband' and the 'Tolerable One?' -- then subscribe to Slaycation Plus(+). right in Apple Podcasts, or by clicking 'Subscribe' on our website www.slaycation.wtf Join our popular and super fun 'Slaycators Only' Facebook group and get direct access to the Hosts plus behind the scenes info: https://www.facebook.com/groups/394778366758281 Slaycation MERCH is now available at: https://plus.slaycation.wtf/collections/all Get your "Pack Your Body Bags" tote bag, t-shirts, towels, sandals, fanny packs, stickers and more! For more info on Slaycation, the Hosts, or to contact us go to: www.slaycation.wtf Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

[School of Movies 2024] For this rather special episode, we firstly welcome to the show for the first time, director Alfred Hitchcock, as we examine his most famous and most revisited film, Psycho (1960). This became the wellspring from which modern-day detective thrillers emerged. But it also has tangled roots in Horror and the grubby stepchild of its sub-genres, the slasher. While other films like Charles Laughton's Night of the Hunter (1955) and John Lee Thompson's Cape Fear (1962) -both weirdly starring Robert Mitchum- were also hugely important, Psycho was less about the stalking killer as it was a torrid dive into the swampy waters of their mind. Deriving from a 1959 novel by Robert Bloch, who lived down the road from Ed Gein as he was being arrested for trying to make a woman-suit, this story, along with Tobe Hooper's The Texas Chainsaw Massacre (1974) and Thomas Harris' Silence of the Lambs (1988) assisted greatly in the lurid, pulp sensationalism of the twisted deviant killer-man-in-a-dress mythology. Despite quiet, clear, firm, researched and experienced protestations from trans folk and their allies who keep having to remind the world at large that they aren't toilet-lurking monsters. We also look at the stunningly ill-advised shot-for-shot remake of the Hitchcock film, directed in 1998 by Gus Van Sant. Superficially, these are exactly the same film, but the devil is in the details. Next week we will be returning to Bates Motel with the far less well-known, but actually pretty good Psycho II, which more pronouncedly paints Norman as a victim.

The new movie Longlegs is a psychological horror film that follows FBI Agent Lee Harker as she investigates a series of mysterious murder-suicides. The victims, all families, leave behind cryptic messages signed "Longlegs." As Harker delves deeper into the case, she uncovers a dark connection to the occult and must confront a terrifying supernatural entity. For cinematographer Andrés Arochi, technical mastery is key, but it's always in service to the story. “It has to come from something inside you that says, 'I want to create this' and then you find a technical way to do it,” he says. “For me it's always trying to be true to that instinct and to whatever feels right, and when you do it, then you're talking about yourself so it's easy to see yourself reflected.” Longlegs is Andrés' first international feature. For the past 12 years, Andrés has been working as a DP in Mexico. With no formal training, he began taking photos of friends in the music scene at age 17. Soon, he began creating projection video displays for concerts and shooting music videos and commercials. This led to work on huge music video and film sets as an on-set photographer, where he met Mexican cinematographers Guillermo Garza (the cinematographer of The Thicket), Alexis Zabé and Galo Olivares. Standing next to these skilled DPs with his camera in hand allowed Andrés to learn alongside them, and he would watch and ask questions, often copying their settings on his camera to experiment. In his spare time, Andrés would go out and practice the new techniques he learned, shooting low-budget films and music videos for friends. Fellow Mexican cinematographer Galo Olivares shot director Osgood Perkins' Gretel and Hansel, and he introduced Andrés to Perkins when the director was looking for a DP for Longlegs. Andrés was drawn to the humor in the Longlegs script, and loved that some comedy existed, even within a horror film. Unlike a lot of cinematographers and directors, Andrés and Perkins didn't create a lookbook or speak in depth about filmic references, such as Silence of the Lambs and Se7en, which were influences for Longlegs. Instead, Andrés says, “When we did talk about movies, it was more movies that had nothing to do with the genre. We talked a lot about My Own Private Idaho, Drugstore Cowboy—a lot of Gus Van Sant 1990s indie America filmmaking. Elephant was an influence on the way we used Steadicam.” One artistic reference Andrés used was The Son of Man by artist René Magritte, a painting showing a man with his face hidden by an apple. Andrés loved the idea of keeping the face of Longlegs the killer hidden at first. Andrés chose to shoot on 35mm film and in a 4:3 aspect ratio for parts of Longlegs that take place in the 1970's. “Using film changes the emotion. Everyone stays focused and shooting on film makes it necessary for everyone to rehearse. So, I decided to shoot 35mm for everything in the 1970s and go with a 4:3 aspect ratio, then we did 2.39 and shot on digital with the Alexa Mini LF for the 1990s.” During the Longlegs shoot, director Osgood Perkins wanted the film crew to use their creativity. “Oz was always encouraging the whole team, like do what you feel, you understand the movie we're doing, just do the best version of you,” says Andrés. “So I was very, very inspired, and that created the space for us to create from our hearts using the best tools we had.” Find Andrés Arochi:http://www.andresarochi.com/selected Instagram: @andresarochi Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by Aputure: https://www.aputure.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

On today's extra bitchy episode, we discuss our new national nightmare, a.k.a. the press tour for Blake Lively's new film It Ends With Us, her spooky haircare line Blake Brown, and of course, her September Vogue cover shot by Baz Luhrmann.  We also chat about our recent excursion to Beverly Hills, Kamala's charming VP pick, the forthcoming Gus Van Sant film about Peter Thiel vs. Gawker, the new teaser for Max's 2025 programming, casting updates for Ryan Murphy and Kim Kardashia's new legal drama, and the fabulous new Elizabeth Taylor documentary Elizabeth Taylor: The Lost Tapes. Today's episode is brought to you by Last Bottle Wines! Every Outfit listeners get 10% off your next order with code OUTFIT. Sign up at LastBottleWines.com and find out why Last Bottle is the most fun way to discover and buy amazing wine. And try our favorite water Fiji Water!

"It's more than math Mike, it's... immaculate perfection." In which we go from Gus Van Sant's Portland to [My Own Private] Idaho with Cecil Baldwin. You can find Cecil on Instagram here. You can find Welcome to Night Vale here. You can find Random Number Generator Horror Podcast No. 9 here. This episode was made possible by your support! Thanks to everybody who supports us on Patreon and Apple Plus.You can buy a You Are Good logo shirt DESIGNED BY THE GREAT LIZ CLIMO here.You Are Good is a feelings podcast about movies.You can make a contribution to Palestine Children's Relief Fund here.You can find us on Twitter, Instagram, BlueSky, TikTok, Patreon and Apple Plus.The Music of You Are Good, Vol. 1 is here.Miranda Zickler produced and edited this episode!Fresh Lesh produces the beats for our episodes.Liz Climo designed our logo!

Ira and Louis discuss the mysteries surrounding Kate Middleton's alleged disappearance and which of Rebecca Ferguson's male co-stars yelled at her on set, why The Traitors isn't actually a good game, RuPaul's critique of Madonna, and Dune nerds hating on Zendaya. Tom Hollander joins to discuss Feud: Capote vs. The Swans and working with great directors like Gus Van Sant and Robert Altman. Plus, a discussion of Capote's legendary Black and White Ball. Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast

Zac Posen is an internationally acclaimed fashion designer whose designs have been worn by Natalie Portman, Oprah Winfrey, former First Lady Michelle Obama, Sarah Jessica Parker, and Rihanna, among many others. Posen is known for his fine craftsmanship and glamorous gowns, and powerful women have historically sought him out to dress them for significant moments in their lives. Because of this, it only made sense that Ryan Murphy and Gus Van Sant called upon Posen while developing FX's Feud: Capote vs. the Swans to craft costumes for the reimagining of a real-life event: Truman Capote's 1966 Black and White Ball. He's giving us all the details about how he walked the line between historical accuracy and his signature stylistic flair to create showstopping looks for all of Feud's leading ladies. This episode was brought to you by eBay.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.