Podcast appearances and mentions of Gus Van Sant

Pride Month 2026 continues with a look at Gus Van Sant's New Queer Cinema classic, My Own Private Idaho! Join in as we discuss stars Keanu Reeves and River Phoenix, the 90s indie cinema moment, and Van Sant's creative ways of keeping the movie below NC-17. Plus: How did Phoenix reconceive the character of Mike? Is that really how narcolepsy works? And is this the start of the 90s teen Shakespeare trend? Make sure to rate, review, and subscribe! Next week: Bound (1996)---------------------------------------------------Key sources and links for this episode:"The Enduring Power of My Own Private Idaho" (OUT Magazine)"My Own Private Idaho is a Queer Masterpiece" (The Ringer)Interview with Keanu Reeves and River Phoenix (Interview Magazine)"My Own Private Idaho: Private Places" (Criterion)

"La corde au cou" de Gus Van Sant, avec Bill Skarsgard, Dacre Montgomery, Al Pacino, (autre sortie de la semaine). Lʹhistoire vraie de Tony Kiritsis, un homme ruiné à cause dʹun emprunt. À Indianapolis, le 8 février 1977, il kidnappe le fils du courtier responsable de sa situation. Il réclame cinq millions de dollars et des excuses. La prise dʹotage va durer soixante-trois heures, sous les yeux de la télévision locale, puis nationale. LʹAmérique se passionne pour cette affaire. Chacun choisit son camp. Tony est-il un criminel, ou simplement une victime qui réclame justice ? "Apex" de Baltasar Kormakur, avec Charlize Theron, Taron Egerton, (film original Netflix, exclusivement sur la plateforme). Dévastée par la mort de son compagnon, tombé dʹune montagne en Norvège alors quʹelle lʹaccompagnait pour une escalade de haut niveau, Sasha tente de se changer les idées en faisant du kayak dans une rivière tumultueuse de lʹOutback australien. Elle est alors prise en chasse par Ben, un braconnier psychopathe. Charlize Theron est confrontée à Taron Egerton, connu pour avoir incarné Elton John dans le biopic "Rocketman".

We all go a little mad sometimes! This week Jack and Corey are joined by the hilarious Ryan Stanger (Actionboyz Podcast) to talk Gus Van Sant's controversial (nearly) shot-for-shot remake of Alfred Hitchcock's PSYCHO (1998)! The three talk Van Sant vs Van Damme, charcuterie boards, Vince Vaughn's dramatic roles, Shower Scenes, Anne Heche's rear end, Van Sant's un-Hitchcockian style, hated movies, hot tempers, added shots, pantsing people, experimental cinema, Christopher Lloyd, Psycho 2, J-Blow, 90s acting trends, infuriating jerk off scenes, secret St. Patrick's Day movies, Nepo Daddies, Rob Zombie, the Psycho house, the Universal Studio Tour, Jim Carrey, Hokas, Anthony Perkins, differences from the book, XXX Psycho parody, Dunkaroos, Lena The Plug, mooning people, Auditioning for Gus Van Sant, digital cows and Bad Mothers.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Planet Terror (2007) Directed by Robert Rodriguez Starring: Rose McGowan, Freddy Rodriguez, Josh Brolin, Jeff FaheyIf you haven't seen Planet Terror yet, Sean has a message for you: turn this podcast off right now and go watch it. We'll wait.This week on Dewey Pod Monster, we're diving deep into Robert Rodriguez's gloriously unhinged 2007 grindhouse masterpiece — a movie about zombie mutants, a go-go dancer with a machine gun for a leg, and somehow the best barbecue scene ever committed to film. John has seen this thing approximately 15 times in a theater (yes, really), and Sean just watched it for the first time and immediately felt like an idiot for waiting this long. The result is one of the most enthusiastic, borderline unhinged episode we've recorded.In this episode, we discuss:Go-Go, Not Stripper — The level of detail Rodriguez packed into this movie is insane, and John will correct you on the terminology. We break down why Planet Terror works as both a loving grindhouse homage AND as a legitimately great horror-comedy, and why so many modern movies fail to pull off what this one does effortlessly.Jeff Fahey Tastes His Own Blood and Gives Zero F*s — We make the case that Jeff Fahey is the unsung MVP of this film and the entire Rodriguez universe. The man is covered in wounds, tasting his own blood dripping into his barbecue sauce, and somehow STILL delivering the performance of a lifetime. He deserved an award. He got nothing. We're still mad.The Kid Shoots Himself and We Laughed. Sorry. — Rodriguez had the absolute audacity to telegraph exactly what was going to happen and then do it anyway, and somehow it's one of the funniest moments in the movie. We discuss why it works, why we're both going to hell, and why the movie is smart enough not to dwell on it.The Missing Reel is Cinema — The sex scene that cuts to everything being on fire is a stroke of genius, and we get into why Rodriguez's use of fake film damage and missing reels is more than just a gimmick — it's the best scene transition in the whole damn movie.We Also Talked About:At the Video Store (2019) (Amazon) — A nostalgic documentary about the death of video store culture featuring John Waters, Bill Hader, Gus Van Sant, and Todd Haynes. Sean's watched a suspicious number of these.The Last Ride (1991) (Tubi) — An AIP gem where a crazed truck driver terrorizes a recently released ex-con. Everyone is dubbed. The best line involves a shit pot. It's incredible.Massacre in Dinosaur Valley (1985) (Tubi) — An Italian jungle adventure featuring an alligator that genuinely does not want to be in this movie. The quicksand looks like oatmeal. John watched it before a Tigers game.Against the Dark (2009) (Tubi) — Steven Seagal in a trench coat "fighting" vampire zombies. Keith David shows up to collect a check. John stayed awake for all 90 minutes and regrets nothing and everything.Untold: The Jail Blazers (Netflix) — The chaotic story of the early 2000s Portland Trail Blazers. John doesn't really follow basketball but watched the whole thing. It's an easy hour.Some of the above links are affiliate links — if you purchase through them we get a small kickback, and it's the best way to support the show.New episodes of the Dewey Pod Monster podcast drop every week. We're proud members of the YouRun Podcast Network at https://yourunpodcast.com.

This week, we're talking about Gus Van Sant's Finding Forrester! We discuss a great cast, a paint by numbers plot, and of course, YTMND.   Produced by Andrew Ivimey as part of The From Superheroes Network   Visitwww.FromSuperheroes.com for more podcasts, articles, video series, web comics, and more.

It's time to take a sentimental journey to the video store. Our first pic from the cult section is Gus Van Sant's game changing second film, Drugstore Cowboy (1989). Join me as I re-watch with the eyes of a world weary adult, vs the teenaged gaze I first cast on this black comedy about a gang of junkies who rob drug stores, because that's where the drugs are. What did kids internalize about heroin and glamor from stylish films such as this, and does this film pass the Truth & Beauty test? Will drugs kill you? Let's find out!JOIN PATREON! SUPPORT ARTISTS ♥️ This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sofiacaramella.substack.com/subscribe

Débats enflammés ce mois-ci autour du très marketé THE DRAMA de Kristoffer Borgli, qui réunit les stars Zendaya et Robert Pattinson, Pattinson que l'on retrouve également aux côtés de Jennifer Lawrence dans DIE MY LOVE de Lynne Ramsay présenté il y a un an au Festival de Cannes, et enfin DEAD MAN'S WIRE, retour tout attendu de Gus Van Sant derrière la caméra. Bonne écoute !Ju, Clo & EléTimecode :Retour du Bifff - 00:00:50Nos attentes pour le Festival de Cannes - 00:03:36THE DRAMA - 00:15:27DIE MY LOVE - 00:39:16DEAD MAN'S WIRE - 01:03:14Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

How do you like them apples, it's the latest '90s Bucket List episode of NostalgiaCast! Jonny and Darin are joined by returning friend (and Matt Damon lookalike) Tim Hade for a deep-dive psychoanalysis of GOOD WILL HUNTING, directed by Gus Van Sant and starring Matt Damon, Robin Williams, Ben Affleck, and Minnie Driver. Listen as they discuss the performances, Damon and Affleck's award-winning screenplay, and why a movie made up almost entirely of monologues positively should not work but absolutely does. Let the healing begin!   Listen to Tim at Brown Pocket Radio here:  brown-pocket-radio.mixlr.com

durée : 00:05:30 - Le masque et la plume - par : Rebecca Manzoni - En 1977, Tony Kiritsis prend un otage avec un fusil relié à son cou. Gus Van Sant transforme ce fait divers en un thriller social virtuose que nos critiques saluent à l'unisson en insistant sur l'alliance entre empathie bouleversante et satire grinçante. - réalisation : Stéphane Le Guennec, Ilinca Negulesco Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

A la espera del gran evento de la primavera, el Festival de Cannes, hay otros certámenes que se cuelan en otras fechas, como el BCN Film Fest, que rinde homenaje a Willem Dafoe y Pedro Almodóvar. En este episodio, además, comentamos los estrenos de la semana, con propuestas muy diversas, como el thriller de Gus Van Sant, lo bien que se lo pasa Isabelle Huppert haciendo de ricachona, o la fantástica comedia colombiana 'Un poeta'. En 30 minutos os ponemos al día de todo el cine y las series.

durée : 00:58:32 - Plan large - par : Antoine Guillot - Du teen movie, du film noir, et même du giallo au programme de ce Plan Large, avec Jaime Rosales, Gus Van Sant, et aussi Mathieu Macheret. - réalisation : Anne-Laure Chanel - invités : Gus Van Sant Cinéaste américain; Jaime Rosales Réalisateur espagnol; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

On y cause de La Corde au cou de Gus Van Sant, de Crime 101 de ChatGPT, un chouia de Plus fort que moi de Kirk Jones mais surtout de Les Rayons et les ombres de Xavier Giannoli.A vos agendas ! Le Film du dimanche soir : L'Homme qui voulut être Roi de John Huston le 19 avril à 20h15 au Cinéma Arvor.Samedi 25 et dimanche 26, La Convention cinéphile organisé par l'asso 97mm au Cinéma Arvor. Stands d'éditeurs vidéo, auteurs de livres sur le Cinéma, projections.... Venez !

La cartelera se llena de nuevos títulos y hay mucha variedad para todos los públicos. La actriz española Laia Costa encabeza el reparto de 'La momia de Lee Cronin', una vuelta de tuerca al clásico desde el body horror. También se estrena la nueva película de Gus Van Sant, un thriller setentero sobre un secuestro y la fascinación por la televisión, y 'La mujer más rica del mundo', la película de Isabelle Huppert como la rica propietaria de L'Oréal. El cine en español trae varias propuestas, como la nueva versión de 'Mi querida señorita' y la tragicomedia colombiana 'Un poeta'. En televisión, analizamos a fondo el regreso de 'Euphoria', la nueva temporada de 'Beef' y el inicio del fin de 'Hacks'.

durée : 00:03:23 - Le Regard culturel - par : Lucile Commeaux - Le réalisateur Gus Van Sant revient au cinéma après huit années d'absence, avec un film inspiré d'un fait divers : l'enlèvement, en février 1977, d'un banquier d'affaires par un petit investisseur ruiné. Un thriller au rythme impeccable, mais dont le substrat politique reste assez faible.

durée : 00:03:23 - Le Regard culturel - par : Lucile Commeaux - Le réalisateur Gus Van Sant revient au cinéma après huit années d'absence, avec un film inspiré d'un fait divers : l'enlèvement, en février 1977, d'un banquier d'affaires par un petit investisseur ruiné. Un thriller au rythme impeccable, mais dont le substrat politique reste assez faible.

durée : 00:49:34 - La 20e heure - par : Eva Bester - Le réalisateur Gus Van Sant revient sur son nouveau film, La corde au cou, inspiré d'un fait réel survenu en 1977. Il évoque également ses influences artistiques, son rapport à la musique et ses rencontres avec la Beat Generation. - réalisation : Lola Costantini, Céline Villegas, Fanny Leroy, Franck Olivar, Juliette Lorphelin, Anaïs Boucher - invités : Gus Van Sant Cinéaste américain Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Critic Emma Jones tells us why “Dead Man's Wire” plays to the director's strengths, with Bill Skarsgard and Colman Domingo mixed up in a chaotic kidnapping inspired by a true story which took place in the 1970s. We discuss the BAFTA-winning performance from Robert Aramayo, as he plays campaigner John Davidson, a man suffering from Tourette's syndrome. Director Gore Verbinski returns with his riff on AI and technological dystopia, with Sam Rockwell and Juno Temple leading the charge. And the “Ready or Not” horror scenario returns for a sequel, bringing in Sarah Michelle Gellar and Kathryn Newton for a blood-soaked caper.

durée : 00:29:04 - Les Midis de Culture - par : Marie Labory - Invité d'honneur du festival Reims Polar, le réalisateur Gus Van Sant y présentera son dix-huitième film, "La Corde au cou", d'après l'histoire vraie d'une prise d'otage survenue en 1977 à Indianapolis, sous les yeux des médias. - réalisation : Laurence Malonda - invités : Gus Van Sant Cinéaste américain

L'émission 28 minutes du 30/03/2026 Le cinéaste Gus Van Sant filme une Amérique au bord de la crise de nerfs En 1977 à Minneapolis, Tony Kiritsis prend en otage son créancier, Richard Hall, avec un fil de fer reliant la gâchette de son fusil au cou de l'otage. La prise d'otage dure 63 heures avant la libération de Hall. Gus Van Sant, cinéaste né à Louisville dans le Kentucky en 1952, s'empare de ce fait divers, une cinquantaine d'années plus tard, pour en faire un film de fiction. Fasciné par les destins, il s'est déjà plongé dans des récits sombres, à l'image d'"Elephant", inspiré de la fusillade de Columbine. Il revient avec “La corde au cou”, en salles dès le 15 avril. Gus Van Sant est notre invité. Les Houthis entrent en guerre contre Israël : l'engrenage continue au Moyen-Orient ? Samedi 28 mars, les Houthis ont revendiqué deux attaques de missiles et drones contre des “sites militaires sensibles” en Israël, marquant leur entrée officielle dans le conflit. Ce groupe chiite yéménite, souvent réduit à l'appellation de “rebelles”, contrôle environ 30 % du Yémen, dont la capitale Sanaa et le port stratégique d'Hodeïda, et exerce son autorité sur les deux tiers de la population. Pour Israël, engagé sur plusieurs fronts, l'ouverture d'un conflit avec les Houthis pourrait s'avérer problématique. Les Houthis menacent le commerce mondial : leur position près du détroit de Bab el-Mandeb, passage clé entre l'océan Indien et la Méditerranée, pourrait perturber le trafic maritime et les exportations de pétrole saoudien. On en débat avec Agnès Levallois, présidente de l'IReMMO, spécialiste du Proche-Orient, David Rigoulet-Roze, chercheur associé à l'Institut Français d'Analyse stratégique (IFAS) et Élie Tenenbaum, directeur du Centre des études de sécurité de l'IFRI. Enfin, Xavier Mauduit nous raconte une histoire de chocolat, après le vol de 12 tonnes de barres KitKat en Europe. Marjorie Adelson nous plonge dans le marché lucratif des demandes en mariage spectaculaires à Paris. 28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 30 mars 2026 Présentation Élisabeth Quin Production KM, ARTE Radio

The Ides of ReMarch are upon us! And now that we have discussed both the good and the bad kinds of horror remakes, it's time to delve into the inexplicable: the 1998 “replica” of PSYCHO!! Here to help us make sense of the nonsensical is stand-up comedian and horror lover Kristen Cills!! We're asking the big questions, like why did Gus Van Sant blow his post-Good Will Hunting blank check on this project? Is Psycho a better movie when you can almost see Viggo Mortensen's pubes? Why is half the cast dressed like it's 1960, and the rest look like they walked off of a Blur music video? What is the Small Soldiers Behind-The-Scenes Experience? With the pantheon of interesting actors making films at the time, why was Vince Vaughn the first choice for Norman Bates? What does work about this film, and why?! All this, plus Universal's cursed (and blessed) 1998, watching Psycho as you make Psycho, losing to A Big's Life, the buried secrets on Patrick's ancient DVD, wet flapping meat sounds, and a soon-to-be-classic version of Choose Your Own Deathventure!!  Check in, relax… and take a shower after you listen to this in-depth episode!! Follow Kristin on IG and TikTok!     Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Join Patrick's new newsletter Scream Share and join him for a virtual watch party on Friday March 13th!! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!Join the new Discord Server Convo here! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's newsletter on Ghost!! Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gary Knight is a legendary commercial editor and partner at Cut+Run whose work spans iconic spots for brands like Adidas, American Express, and Chase. In this episode, Gary traces his journey from rubber-numbering film cans as a teenage runner in Soho to becoming a sought-after storyteller in the edit bay. We dig into the craft of editing—taste vs. tools, why watching all the footage still matters, how to find the right tone and tempo, and the power of happy accidents. Gary shares candid stories about collaborating with directors like Gus Van Sant, shaping music-driven montages, handling shrinking timelines and "too many notes," and why true respect for the process starts with trust, curiosity, and a love of the work. FILMMAKER RETREAT JOSHUA TREE '26 - JOIN US Oct. 1–4: our 5th Annual Retreat. SIGN UP NOW No application. Just save your spot and come learn, shoot, and grow with working filmmakers. Limit 15.  POSH DUOThe original 2-in-1 styling wax stick. I use Posh Duo to keep my hair fly and my beard on point. Free shipping for RTP listeners. Get the Posh look. ONLINE FILMMAKING COURSES - DIRECT WITH CONFIDENCEEach of my online courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details. Want to level up your commercial directing game? MAGIC MIND - MY MENTAL PERFORMANCE EXILIRSave hugely on Magic Mind with this link. — This link is the way. Thanks, Jordan My cult classic mockumentary, "Dill Scallion" is online so I'm giving 100% of the money to St. Jude Children's Hospital. I've decided to donate the LIFETIME earnings every December, so the donation will grow and grow annually. Thank you. "Respect The Process" podcast is brought to you by Commercial Directing FIlm School and True Gent, aka True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc.  

Is this the year of the Skarsgårds? Hosts Laura Gommans and Elliot Bloom kick things off with Pillion, Alexander Skarsgård's domcom about a BDSM relationship that keeps flipping the script on who's actually holding the power. Funnier and sharper than you'd expect, and a lot more honest about relationships.Then brother Bill Skarsgård shows up in Gus Van Sant's Dead Man's Wire, an offbeat thriller based a true-life hostage-taker, Tony Kiritsis, wanting to get back what he was owed. Laura and Elliot discuss the possible message behind Van Sant making this film, right now, in a world where Luigi Mangione fan edits are trending.And Laura and her folk-drenched past is eager to chat about History of Sound. A tender, quietly devastating homage from Paul Mescal and Josh O'Connor to American folk music that's barely registering on anyone's radar.Fill out our ⁠⁠⁠survey⁠⁠⁠ and win up to €100 worth of prizes. Get tickets to Pillion @ LAB111Get tickets to Dead Man's Wire @ LAB111Get tickets to ⁠The History of Sound⁠ @ LAB111Get tickets to The Third Man @ LAB111Follow us on ⁠Letterboxd.

Justin Scoviak of POP CULTURE REFLECTIONS PODCAST joins me to give me an education on the legend of Elliott Smith. A revered singer/songwriter, Gus Van Sant took Elliott aboard the soundtrack of his movie "Good Will Hunting", which brought Elliott an Oscar nomination. He also performed at the awards broadcast. Is Elliott's music sad or uplifting? What's with artists who hate fame? Was he murdered? All of this and also some 90's throwback fun.

This episode was originally released 02/04/2024 Good Will Hunting (1997) Directed by Gus Van Sant

This week, we blast off for Phil Lord and Christopher Miller's adaptation of Andy Weir's sci-fi novel PROJECT HAIL MARY (16:13), then suit up for Matt Bettinelli-Olpin and Tyler Gillett's horror sequel READY OR NOT 2: HERE I COME (30:06) and Gus Van Sant's true-life, seventies-set thriller DEAD MAN'S WIRE (41:09). Plus, in our HOT TAKE (52:25), we talk about all the big moments from this year's Oscars. If you would like to donate directly towards humanitarian aid in Gaza, please visit: ⁠MAP⁠Buy Clarisse's Wes Anderson book⁠ ⁠here⁠⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! The Fade To Black Podcast is part of the Stripped Media Network.AMON:⁠ ⁠@Amonwarmann ⁠⁠CLARISSE: ⁠ ⁠@clarisseloughrey⁠⁠HANNA:⁠ ⁠@hannainesflint⁠⁠Music by ⁠The Last Skeptik⁠. We are a Stripped Media podcast.  

Snakes! Why did it have to be snakes? Because St. Patrick's Day was earlier this week, and to celebrate the man who drove all the snakes out of Ireland ("you alright in the back there, lads?") this week's Empire Podcast sees Chris Hewitt, Helen O'Hara, James Dyer, and Beth Webb discuss some of their favourite snake moments in films. Or fillums. Then, our intrepid quartet get their parseltongues into the week's deluge of movie news, including the Spider-Man: Brand New Day and Dune Part 3 trailers, and they look back at the Oscars as well. Reviews-wise, Phil Lord & Chris Miller's Project Hail Mary, Radio Silence's Ready Or Not: Here I Come, Ugo Bienvenu's Arco, and Gus Van Sant's Dead Man's Wire are given the once-over, while the wonderful Lord and Miller are this week's guests, sitting down for a lovely natter about puppets, space, and much more with Chris. [55:48 - 1:10:19 approx] Oh, and James edges closer to a new nickname. Enjoy!

Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/joinWhat's Your Story - Writer/Director Gus Van Sant? LIFE IN FILM PodcastOur guest today isn't just a 2 time Oscar Nominated Director, he's a writer, Photographer, an author & painter.Join us as we chat about directing Sean Penn towards his Oscar Winning performance in 'Milk', shooting 'Good Will Hunting' & and his new movie based on a crazy true story 'Dead Man's Wire'.Credits Include Good Will Hunting / Drugstore Cowboy / Psycho / Finding Forrester / My Own Private Idaho / To Die For / Elephant / Last Days / Milk / Promised Land / The Sea of Trees / Dead Man's Wire... etc-----------------------------Host - Actor/Writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elliot James Langridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Please contact (Scott Marshall Partners) -----------------------------Our SponsorsMoviePosters.com is the #1 place for movie posters old and new! use our affiliate link https://www.movieposters.com/?sca_ref=8773240.c977RvLKKpL& Get 10% off with code LIFEINFILM10⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ provides you with access to the largest online therapy service in the world. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get 10% off⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ your first month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠betterhelp.com/lifeinfilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----------------------------'Dead Man's Wire' is in cinemas March 20th-----------------------------Thank you to our guest Gus, Dominick & the team at 42Westas always thank you to our sponsors MoviePosters.com & BetterHelp-----------------------------If you enjoyed this episode, please review and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You Tube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠etc and please share. It makes a huge difference. -----------------------------Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @LIFEINFILMpod. Check out the ⁠Patreon⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/Lifeinfilmpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join -----------------------------Please don't forget to⁠ LIKE & SUBSCRIBE⁠! ╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!0:00 - Get EARLY Access & EXCLUSIVE Episodes0:13 - Our Guest Gus Van Sant / How it all began?3:33 - Adapting 'Drugstore Cowboy' / Writing 'My Own Private Idaho'5:32 - We Didn't see 'Good Will Hunting' Being Successful8:20 - Directing Sean Penn to his Oscar Win for 'Milk9:25 - Support The Podcast / Movieposters.com / Betterhelp11:05 - How 'Dead Man's Wire' Came to Be / Casting15:35: - Based on a Mad True Story17:12 - Collaborations / Advice18:59 - Like, Subscribe & Join our YouTube Channel!

Um þessar mundir má sjá í kvikmyndahúsum þrjár myndir með þremur mismunandi Skarsgård í aðalhlutverkum. Hinn 74 ára Stellan leikur í norsku óskarsmyndinni Affeksjonsverdi, elsti sonur hans Alexander leikur í BDSM-homma-rómantíkinni Pillion og annar sonur, Bill, leikur í spennumynd leikstjórans Gus Van Sant, Dead Man's Wire. Reyndar eru allt í allt sex synir Stellans Skarsgård virkir í leiklistinni. Við forvitnumst um þessa miklu leikarafjölskyldu. Ástin er formlega orðinn faraldur. Eiríkur Örn Norðdahl fjallar um það hvernig ástarsagan, það sem á ensku er kallað romance novel, er smám saman að leggja undir sig heiminn. Og svo kíkjum við á Kabarett í Þjóðleikhúskjallaranum. Leikhópur ókunnuga fólksins í leikstjórn Bjarts Örns Bachmann frumsýnir Kabarett næstkomandi föstudag. Söngleikurinn er byggður á leikriti sem er byggt á endurminningum frá Berlinarárum ungs rithöfundar. Weimar lýðveldið er við það að líða undir lok, Adolf Hitler er vinsæll pólitíkus, hægrimenn og vinstrimenn berjast á götum úti, samtímis dunar jazzinn í klúbbum borgarinnar.

Composer-rockstar Danny Elfman invites SCORE into his state-of-the-art studio to discuss a lifetime of continuous innovation, from collecting macabre curiosities for his own inspiration to embarking on new musical pursuits with A$AP Rocky (even performing for the first time on SNL).Why Danny searches for the extremes to express human emotion in music, how a Coachella experiment launched a new phase performing next to bands like Tool and Limp Bizkit, and what's the story behind getting all of those tattoos? Plus, finding the voice for Sam Raimi's acclaimed new film Send Help, the anxious percussions of Gus Van Sant's Dead Man's Wire, and the sweeping romance of Luc Besson's Dracula — all at the same time.Also, the harrowing moment with Oingo Boingo in concert that led to him ripping off his shirt in live shows to jam with fellow musicians, and the supernatural energies he taps into when he enters peak creativity.Interview by Kenny Holmes and Matt Schrader in Los Angeles. Production coordination by Kyle Bales and Bryan Williams. Special thanks to Sydney Worden and Melisa McGregor.

One-on-one pod today, Chris and Jason are in LA and chat about Harry Styles' at The Brit Awards, Jim Carrey's facial transformation, Connor Storrie on SNL, rapper T.I., and 50 Cent are beefing, Glavie and Alysa Liu dating rumors, a recap of our party with Silencio and Tom Of Finland with DJ Harvey, we went to a Gus Van Sant book signing at Acana and had dinner at the Century City mall last night, Drake wearing the iguana cross body bag to celebrate his McDonald's collab, the Supreme "Paris Is Burning" hoodie, and our plans for Paris this week. twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It's March Madness time! That means it's Tubi or Not Tubi Month! And it's going to be a wild one! But first, we have our Kickstart #1 for March 2026! We talk about Joe seeing Guy Ritchie's Snatch for the first time (chosen by a special guest invited to his class), and close it out with our experince a Gorillaz's House of Kong interactive experience in Los Angeles. The guest in Joe's class was Screenwriter Austin Kolodney, who chose Snatch for the class to watch. Austin's most current work is writing Gus Van Sant's Dead Man's Wire (2025). DEAD MAN'S WIRE TRAILER GORILLAZ - THE MOUNTAIN, THE MOON CAVE, AND THE SAD GOD HOUSE OF KONG TRAILER The Mountain is available now wherever you buy or stream music. THE SHADOW COMPANY FROM SHANE BLACK and FRED DEKKER GO SEE MOVIES! (AND LISTEN TO MUSIC!) ENJOY! Love and Rockets, Corey and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Of course Brian's picking one of the few "gay" movies of the 90s for his birthday episode. Starring Keanu Reeves and the late-great River Phoenix, "Idaho" was an indie hit in 1991, its box office quadrupling its budget. But, just how gay is Gus Van Sant's male sex worker opus by today's standards? And is this movie a road trip, a love story, a docudrama, a Shakespearian tragedy or something else? And is it simply all too much? The Old Roommates relax by a soundstage campfire and give it all a revisit ... through their middle-aged lens. Stay awake and join them.Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on social media @OldRoommates for bonus content and please give us a rating or review!#MyOwnPrivateIdaho #GusVanSant #RiverPhoenix #KeanuReeves #UdoKier

Gabby Osio Vanden and Jack Weisman join the show after winning Sundance's Grand Jury Prize to unpack the ten-year road behind Nuisance Bear, a polar bear's journey through two connected worlds: tourist-heavy Churchill, Manitoba, and the Inuit community of Arviat, where the stakes are far more complex and far less welcoming. The film becomes a meditation on coexistence, control, and who gets labeled a “nuisance” in a shared landscape.We dig into craft and access: finding the right position for the camera so the story can reveal itself, structuring the feature in two halves, and how a dialogue-free short film born partly out of COVID constraints became the proof of concept that unlocked TIFF, The New Yorker, and eventually A24. They also talk candidly about what the audience never sees: rough living conditions, long hours waiting, the specific agony of “the best thing happened, and we missed it,” and the slow but important work of earning trust, where listening comes before filming.They share influences that shaped them, including Miyazaki's sense of nature and modernity, Gus Van Sant's bravery with form, and John Cassavetes' belief in the energy of a set. The conversation closes on what it meant to experience Sundance as both a career peak and a personal milestone, getting engaged and then married during the festival. Advice to filmmakers: be tenacious when you know you need to tell a story, protect trust like it is part of the craft, and do not turn on each other when the pressure spikes.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Acclaimed documentary ROADS OF FIRE is now available on Amazon, iTunes, and Fandango at home. Directed by Nathaniel Lezra, the film won best documentary at the 2025 Santa Barbara International Film Festival. The film examines the migrant crisis here in the States all the way down to Venezuela, and Academy Award nominee Diane Lane calls it "a must-see journey of human dignity." Roads of Fire - now on Amazon, iTunes, Fandango. Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

On this episode, we break down DEAD MAN'S WIRE, Gus Van Sant's gripping new film based on the real-life 1977 Tony Kiritsis hostage standoff. We dive into Van Sant's restrained direction, the film's slow-burn tension, and how it uses true crime to explore the fight for justice, corruption, and the violence baked into American spectacle. Does it say anything about America's appetite for real-time trauma as entertainment? It's trying to, but does it get there? That's the real question. While we wish the film was more impactful thematically, DEAD MAN'S WIRE fits wonderfully within Gus Van Sant's career — from his fascination with outsiders to his continued interest in moral ambiguity and systems of power.  Visit https://insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

On this episode we'll bring you an interview with Nuremberg star John Slattery, and movie reviews including: Bugonia starring Emma Stone, Tron: Ares starring Jared Leto, and Dead Man's Wire directed by Gus Van Sant. Brought to you by DehancerUse the promo code "RABBIT" to receive 10% off Dehancer products.www.dehancer.comShow theme by Christopher GillardProduced by Jason Godbey & Yasin LagoCreated by Jason Godbey

David, Devindra, and Jeff go on the hunt with Sirât, head deep undercover with Ponies, and attempt to solve the mystery at the heart of Agatha Christie's Seven Dials. Then they reckon with the depth of American greed with Gus Van Sant's latest film, Dead Man's Wire.We're making video versions of our reviews! Be sure to follow us on the following platforms: YouTube Tiktok Instagram Threads Thanks to our SPONSOR: HUEL: Get Huel's full High-Protein Starter Kit with an exclusive offer of 20% OFF online with code FILMCAST20 at huel.com/FILMCAST20 (New Customers Only. Code only valid for the bundle.)Weekly PlugsDavid - Decoding Everything: Stephen David Miller's 10 Cinematic PairingsDevindra - Engadget Podcast: Why would Apple want to make an AI pin?Jeff - DLC 636 with Imran KhanShownotes (All timestamps are approximate only)   What we've been watching (~00:30:06)David - Sirât, Wonder Man, Mr. Nobody Against PutinDevindra - Ponies, Hal & Harper  Jeff - Agatha Christie's Seven Dials, A Knight of the Seven KingdomsFeatured Review (~01:07:27)    Dead Man's WireSPOILERS (~01:23:24)Support David's artistic endeavors at his Patreon and subscribe to his free newsletter Decoding Everything. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com.Credits: Our theme song is by Tim McEwan from The Midnight. This episode was edited by Noah Ross who also created our weekly plugs and spoiler bumper music. Our Slashfilmcourt music comes from Simon Harris. If you'd like to advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.

Even without Al Pacino's name in its cast list, the new Dead Man's Wire would invite comparisons to Dog Day Afternoon in its dramatization of a real-life 1970s hostage situation turned public spectacle. Whether it benefits from comparisons to Sidney Lumet's 1975 crime classic is another question, one we take up in our discussion of Gus Van Sant's first new feature in eight years. After that, we bring Dog Day Afternoon back in for Connections, to consider how these two films about volatile, narcissistic men and their ostensibly populist schemes fit into the proud tradition of amateur-hour crime movies, and whether a modern film depicting Indianapolis half a century ago has any hope of evoking its setting the way Lumet captured contemporary 1970s New York. Please share your thoughts about Dog Day Afternoon, Dead Man's Wire, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next pairing: Sam Raimi's Send Help and Lina Wurtmuller's Swept Away. Learn more about your ad choices. Visit megaphone.fm/adchoices

We've got auteur royalty on The Movies That Made Me today! The one and only GUS VAN SANT joins hosts Josh Olson and Joe Dante to talk about, yes, the movies that made him! Show Notes: Movies Referenced In This Episode Dead Man's Wire (2026) Song Sung Blue (2025) The Princess Bride (1987) Burying The Ex (2014) *Citizen Kane (1941) *Sátántangó (1994) The Turin Horse (2011) Elephant (2004) *Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) Gerry (2002) Last Days (2005) *Lawrence of Arabia (1962) The Third Man (1949) *The Celebration (1998) 8 ½ (1963) *The Last of England (1987) Jubilee (1978) Drugstore Cowboy (1989) Mala Noche (1985) *Dr. Strangelove (1963) Fail-Safe (1963) House of Dynamite (2025) *Lord of the Flies (1963) The Plague (2025) Whistle (2026) The Nun (2018) The Groove Tube (1974)  Modern Problems (1981) Kentucky Fried Movie (1977) To Die For (1995) Dog Day Afternoon (1975) The Boys in the Band (1970) Staircase (1969) Other Notable Items Our Patreon!  The Hollywood Food Coalition Cassian Elwes Veronica Raedelli Sam Pressman  Luigi Mangione Austin Kolodney Cary Elwes Stan Brakhage Béla Tarr Chantal Akerman Sight and Sound The Criterion Collection Matt Damon  Casey Affleck John Cassavettes HBO Diane Keaton Woody Allen Colin Callender  David Lean Carol Reed The Screen Actors Guild Sergio Leone Thomas Vinterberg  Lars von Trier Dogme 95 Focus Features Barry Diller Harris Savides Our Paprika Steen podcast episode Federico Fellini Anthony Quinn Richard Basehart Robert Altman Derek Jarman Stanley Kubrick John F. Kennedy Netflix Peter Brook The Tower East Theatre in New York Lord of the Flies novel Adam Sandler Ken Shapiro Chevy Chase Lane Sarasohn Tom Schiller The Smothers Brothers TFH Guru John Landis Al Pacino William Friedkin Bill Skarsgaard Learn more about your ad choices. Visit megaphone.fm/adchoices

In adapting the true story about a '70s hostage crisis that played out on television and in the public eye, Gus Van Sant's new Dead Man's Wire is just asking to be compared to 1975's Dog Day Afternoon — and who are we to resist an invitation to talk about yet another Sidney Lumet classic? So this week we revisit a film we have all previously seen and admired, but still has the ability to surprise with its unconventional approach to a bank robbery gone wrong, from its persistent sense of humor to its shifting perspective on Al Pacino's criminal protagonist. Then in Feedback, we continue the conversation about our podcast's namesake film, and answer a recurring question about our archives. Please share your thoughts about Dog Day Afternoon, Dead Man's Wire, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew went went to four movies and half of them starred Ralph Fiennes. First we talk some Bone Temple starring Fiennes. Then Jim Jarmusch is back with a very Jim Jarmusch movie. After that Jim's favourite Skarsgard is in the latest from Gus Van Sant. Then we bookend the reviews with Fiennes again in The Choral. Finally in the Rage or Dare segment Bryce was forced to watch Wild Hogs. And yes a movie with Tim Allen and Martin Lawrence is exactly as bad as you would think. Introduction-0:00 Murman Predicts-1:08 In Cinema 28 Years Later: The Bone Temple (2026)-8:46 Father Mother Sister Brother  (2025)-24:27 Dead Man's Wire (2026)-36:52 The Choral (2025)-47:37 Murman Minute-59:02 Open Rage Jim's Open Rage- Ralph Fiennes isn't in everything-1:03:03 Bryce's Open Rage- Wrong line...or was it?-1:04:41 Rage or Dare Wild Hogs (2007)-1:11:58 Jim pulls from Bryce's bag of goodness-1:20:30 Outro-1:21:53 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

"Dead Man's Wire" is an American crime thriller film directed by Gus Van Sant and written by Austin Kolodney, about the 1977 hostage standoff involving Tony Kiritsis and Richard Hall. It stars Bill Skarsgård as Kiritsis, alongside an ensemble cast including Dacre Montgomery as Hall, Cary Elwes, Myha'la, Colman Domingo, and Al Pacino. The film premiered out of competition at the 82nd Venice International Film Festival and received positive reviews for its performances, direction, and writing. Skarsgård, Montgomery, Elwes, Van Sant and Kolodney were all kind enough to spend some time speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Row K Entertainment. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

On February 8, 1977, Tony Kiritsis wired a shotgun to Richard Hall's neck. Then he paraded him through the streets of Indianapolis. What followed was one of the most extraordinary hostage crises in history.We talked to documentarians Alan Berry and Mark Enochs about their 2018 documentary film on the case: Dead Man's Line. They will talk about the facts of the case, the underlying personalities of those involved, and the aftermath, as well as the recent movie based on the case, Dead Man's Wire.Here's the website Dead Man's Line: https://deadmansline.com/Watch Dead Man's Line here on YouTube, it's really good: https://www.youtube.com/watch?v=hUcZXVT6888Watch the trailer for Dead Man's Line: https://www.youtube.com/watch?v=gQZMFksVFhUCheck out the Kiritsis archive on this YouTube playlist: (Which includes where Tony got the idea from.) https://www.youtube.com/watch?v=gQZMFksVFhU&list=PLOM7Id-wJhsiw145xvgbUQV2GHsHCgM3WCheck out Alan Berry's personal website: https://alancberry.com/Find discounts for Murder Sheet listeners here: https://murdersheetpodcast.com/discountsCheck out our upcoming book events and get links to buy tickets here: https://murdersheetpodcast.com/eventsOrder our book on Delphi here: https://bookshop.org/p/books/shadow-of-the-bridge-the-delphi-murders-and-the-dark-side-of-the-american-heartland-aine-cain/21866881?ean=9781639369232Or here: https://www.simonandschuster.com/books/Shadow-of-the-Bridge/Aine-Cain/9781639369232Or here: https://www.amazon.com/Shadow-Bridge-Murders-American-Heartland/dp/1639369236Join our Patreon here! https://www.patreon.com/c/murdersheetSupport The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Check out more inclusive sizing and t-shirt and merchandising options here: https://themurdersheet.dashery.com/Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jason Fraley interviews beloved actor Cary Elwes, who stars in the new hostage flick “Dead Man's Wire,” which opens in movie theaters nationwide this Friday. They discuss the movie, praise director Gus Van Sant, and reflect on Elwes' iconic acting career, including comedies like “The Princess Bride" and "Robin Hood: Men in Tights," war dramas like "Glory" and even horror flicks like “Saw.” Note: This interview was recorded before the murder of Rob Reiner, so forgive the upbeat tone while giving Reiner his flowers. (Theme Music: Scott Buckley's "Clarion")

We're finally pulling one of our most passionate entries to our 100 Snubs series, Gus Van Sant's My Own Private Idaho. Adapted loosely from multiple Shakespeare plays (particularly both Henry IVs), the film follows an epileptic young sex worker named Mike (River Phoenix) as he drifts the globe with his loyal cohort Scott (Keanu Reeves). Van Sant … Continue reading "375 – My Own Private Idaho"

Back from the New Year's break, Adam and Josh go long on the majesty - and some of the shortcomings - of Josh Safdie's MARTY SUPREME. Plus, Josh is positive on the new AVATAR, and Adam recommends Gus Van Sant's DEAD MAN'S WIRE and Kaouther Ben Hania's THE VOICE OF HIND RAJAB.  This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:04:33) Marty Supreme (00:04:34-00:50:40) Filmspotting Family (00:50:41-00:56:50) Avatar: Fire & Ash (00:56:51-01:04:53) Dead Man's Wire (01:04:54-01:15:38) Next Week / Notes (01:15:39-01:21:38) Poll: 2026 Most Anticipated (01:21:39-01:29:26) The Voice of Hind Rajab (01:29:27-01:37:34) Credits / New Releases (01:37:35-01:40:30) Links: -DGA's Director's Cut Podcast w/Josh Safdie https://www.dga.org/events/2026/february2026/martysupreme_qna_1225 -Walter Chaw's 0-star review of Avatar: Fire & Ash https://filmfreakcentral.net/2025/12/avatar-fire-and-ash-2025/ -Pop Culture Happy Hour on Avatar: Fire & Ash https://www.npr.org/2025/12/19/nx-s1-5648236/avatar-fire-and-ash-is-one-battle-after-another Feedback: -Email us at feedback@filmspotting.net⁠⁠. -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠⁠https://filmspottingfamily.com⁠⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠⁠https://www.filmspotting.net/shop⁠⁠⁠ Follow: ⁠⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.instagram.com/larsenonfilm⁠  https://letterboxd.com/larsenonfilm⁠⁠⁠  https://www.facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Returning to the podcast after seven years, the filmmaker Gus Van Sant (“Drug Store Cowboy”, Good Will Hunting”) with a new film called “Dead Man’s Wire”. Based on a true story, the 1977 kidnapping of a prominent banker grips the nation and turns the abductor into an outlaw folk hero. As the media frenzy peaks, the standoff becomes a spectacle of desperation, defiance and blurred justice, which resonates even today. The film stars Bill Skarsgård in the main role as Tony Kiritsis, alongside an ensemble cast that includes Dacre Montgomery, Cary Elwes, Myha’la, Colman Domingo, and Al Pacino. “Dead Man’s Wire” opens Friday, January 9th in select theaters and then goes wide nationally on Friday, January 16th. https://youtu.be/42O-lJfP5Lw

Mike talks with Alan Berry and Mark Enochs, the filmmakers behind Dead Man's Line, a chilling dive into one of America's most disturbing true-crime stories. The conversation traces how the directors reconstructed the life and legend of Tony Kiritsis, whose 1977 hostage standoff transfixed the nation and blurred the line between media spectacle and lived horror.Berry and Enochs unpack their research, ethical choices, and the challenge of shaping archival chaos into a tense, humane documentary. They also discuss the struggles for distribution and the obligatory Hollywood remake, Dead Man's Wire, the 2026 release from director Gus Van Sant and writer Austin Kolodney.Watch the full-length documentary, Dead Man's Line, for free on YouTube: https://www.youtube.com/watch?v=hUcZXVT6888Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Filmmaker Gus Van Sant joins Bill Maher for a candid conversation that pulls back the curtain on what it really takes to survive in Hollywood. Van Sant opens up about the scrappy, crowdfunded reality behind Dead Man's Wire, studio politics, and why critics may have saved his career. The two dig into his iconic films (Drugstore Cowboy, My Own Private Idaho, To Die For, Psycho) and trace the lineage of comedy from Lenny Bruce to Saturday Night Live – along with the strange psychology of actors and directors on set, including a jaw-dropping story about literally throwing rocks to get a performance. Support our Advertisers: -Go to https://www.zbiotics.com/random and use code RANDOM for 15% off your first order -Get $10 off your first month's subscription and free shipping at https://www.nutrafol.com and enter promo code RANDOM  -Go to https://www.hellofresh.com/random10fm to get 10 free meals and a free breakfast for life -Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/random #rulapod #ad Subscribe to the Club Random YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/clubrandompodcast?sub_confirmation=1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch episodes ad-free – subscribe to Bill Maher's Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://billmaher.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to the podcast for free wherever you listen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/ClubRandom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Club Random Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://clubrandom.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit https://podcastchoices.com/adchoices ABOUT CLUB RANDOM Bill Maher rewrites the rules of podcasting the way he did in television in this series of one on one, hour long conversations with a wide variety of unexpected guests in the undisclosed location called Club Random. There's a whole big world out there that isn't about politics and Bill and his guests—from Bill Burr and Jerry Seinfeld to Jordan Peterson, Quentin Tarantino and Neil DeGrasse Tyson—talk about all of it.  For advertising opportunities please email: PodcastPartnerships@Studio71us.com ABOUT BILL MAHER Bill Maher was the host of “Politically Incorrect” (Comedy Central, ABC) from 1993-2002, and for the last fourteen years on HBO's “Real Time,” Maher's combination of unflinching honesty and big laughs have garnered him 40 Emmy nominations. Maher won his first Emmy in 2014 as executive producer for the HBO series, “VICE.” In October of 2008, this same combination was on display in Maher's uproarious and unprecedented swipe at organized religion, “Religulous.” Maher has written five bestsellers: “True Story,” “Does Anybody Have a Problem with That? Politically Incorrect's Greatest Hits,” “When You Ride Alone, You Ride with Bin Laden,” “New Rules: Polite Musings from a Timid Observer,” and most recently, “The New New Rules: A Funny Look at How Everybody But Me Has Their Head Up Their Ass.” FOLLOW CLUB RANDOM https://www.clubrandom.com https://www.facebook.com/Club-Random-101776489118185 https://twitter.com/clubrandom_ https://www.instagram.com/clubrandompodcast https://www.tiktok.com/@clubrandompodcast FOLLOW BILL MAHER https://www.billmaher.com https://twitter.com/billmaher https://www.instagram.com/billmaher Learn more about your ad choices. Visit podcastchoices.com/adchoices

Heather began as a local teen model in Portland Oregon as well began working behind the camera as a PA on Gus Van Sant sets. As a teen she took a bus across the united states to NYC to join a model agency who had scouted her at age 12 in Oregon. It becomes a tale of clubs and drugs, of rich and powerful men taking advantage of beautiful young women and the talent agencies, hotels and clubs who asked no questions.Trump , Epstein, Cassablancas, Brunnell, Mnuchin, She met them all.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

In front of an audience at the Miami Film Festival's GEMS event, the trailblazing filmmaker reflects on helping to usher in New Queer Cinema with 'Mala Noche' and 'My Own Private Idaho'; subsequently jumping between mainstream films, like 'Good Will Hunting' and 'Milk,' and experimental works, like 'Elephant'; why he came close to directing, but did not direct, 'Brokeback Mountain,' 'Call Me by Your Name' and '50 Shades of Grey'; and returning to feature filmmaking, after seven years away, with a film that is set in the '70s but is eerily timely today. Learn more about your ad choices. Visit megaphone.fm/adchoices