Podcasts about paris african american women

Listen to author and critic Erica Wagner in conversation with Selby Wynn Schwartz, writer of “After Sappho”, her first novel published by Galley Beggar Press in 2022. Together, they talk about her insatiable appetite for literature as a child and the way it led her to becoming a writer. They also evoke Lina Poletti, Sarah Bernhardt, Virginia Woolf or even Nathalie Barney, the women artists who inspired “After Sappho”, the book in which Selby Wynn Schwartz pays tribute to them.As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.Selby Wynn Schwartz, After Sappho, © Selby Wynn Schwartz 2002, first published by Galley Beggar Press, 2022.Quote from the interview "The Galley Beggar Q&A: Selby Wynn Schwartz", © Galley Beggar Press, 2022.Quote from the article "After Sappho by Selby Wynn Schwartz review – in praise of visionary women" written by Lara Feigel, © Guardian News & Media Ltd 2023.© Booker Prize Foundation.© The Orwell Prize for Political Fiction 2023.© University of Edinburgh.Selby Wynn Schwartz, The Bodies of Others: Drag Dances and their Afterlives, © Selby Wynn Schwartz University of Michigan Press, 2019.© Lambda Literary. © American Society for Theatre Research.Selby Wynn Schwartz, A Life in Chameleons, © Selby Wynn Schwartz, 2023. © Reflex Press. © University of California, Berkeley. © Les Ballets Trockadero de Monte Carlo. The Great Art Of Light And Shadow: Archaeology of the Cinema by Laurent Mannoni, translated by Richard Crangle. Translation © University of Exeter Press, 2000. Anne Carson, Short Talks, © Brick Books, 2015.Sappho, If Not, Winter: Fragments of Sappho, Translated by Anne Carson, © Virago, 2003.© Galley Beggar Press.Sappho, If Not, Winter: Fragments of Sappho, Translated by Anne Carson, © Virago, 2003.Assia Djebar, Women of Algiers in their apartments, © Caraf Books, 1999.Assia Djebar, Femmes d'Alger dans leur appartement © Éditions des femmes, 1980.Igiaba Scego, The Color Line, Translated by John Cullen and Gregory Conti, first published in the English language by Other Press in 2022.Igiaba Scego, La linea del colore, first published in Italy in 2020 by Bompiani, © Igiaba Scego, 2020.Dionne Brand, The Blue Clerk: Ars Poetica in 59 Versos. © 2018 Dionne Brand. All rights reserved.Saidiya Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals, © WW Norton & Company, 2019.T. Denean Sharpley-Whiting, Bricktop's Paris: African American Women in Paris between the Two World Wars, © SUNY Press, 2015.Alessandra Cenni, Gli Occhi Eroici : Sibilla Aleramo, Eleonora Duse, Cordula Poletti : una storia d'amore nell'Italia della belle époque, © Mursia, 2011.Cordula « Lina » Poletti, Il Poema Della Guerra, © Nicola Zanichelli, 1918. All rights reserved.Virginia Woolf, Orlando, 1928.© LASTESIS© Non Una Di Meno. All rights reserved.

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop’s Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting’s stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over. The second part of Bricktop’s Paris is a noir mystery, titled The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets. Sharpley-Whiting illuminates the lines of fact and fiction in the autobiography of Ada Bricktop Smith. The novel explores the black and feminine perspective of image, self-possession, and self-exhibition. The novel takes us to Paris with black American women in salons and saloons crossing boundaries with purpose, and discovering they are the wealth of the nation. Josie Baker and Bricktop what are they up to? And who did it? Bricktop’s Paris was an American Library in Paris Book Award Long List selection and a Choice 2015 Outstanding Academic Title. Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University where she also chairs African American and Diaspora Studies and directs the Callie House Center for the Study of Global Black Cultures and Politics. She publishes an academic murder mystery series under the nom de plume Tracy Whiting. She also teaches a course on Detective Fiction at Vanderbilt. The first novel, an academic cozy-thriller set in the South of France with Professor Havilah Gaie, is titled The 13thFellow: A Mystery in Provence (BooksbNimble Press, May 2015). She has completed the second mystery in this series, Paris A-Go-Go (Books nimble Press, forthcoming 2016), and is currently at-work on a scholarly volume, A Quartet in Four French Movements: A Voodoo Queen, A French Romantic, a Poet, and an African Ethnologist, as well as a family history. She is on the Executive Council of the Modern Language Association (2014-2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop’s Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting’s stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over. The second part of Bricktop’s Paris is a noir mystery, titled The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets. Sharpley-Whiting illuminates the lines of fact and fiction in the autobiography of Ada Bricktop Smith. The novel explores the black and feminine perspective of image, self-possession, and self-exhibition. The novel takes us to Paris with black American women in salons and saloons crossing boundaries with purpose, and discovering they are the wealth of the nation. Josie Baker and Bricktop what are they up to? And who did it? Bricktop’s Paris was an American Library in Paris Book Award Long List selection and a Choice 2015 Outstanding Academic Title. Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University where she also chairs African American and Diaspora Studies and directs the Callie House Center for the Study of Global Black Cultures and Politics. She publishes an academic murder mystery series under the nom de plume Tracy Whiting. She also teaches a course on Detective Fiction at Vanderbilt. The first novel, an academic cozy-thriller set in the South of France with Professor Havilah Gaie, is titled The 13thFellow: A Mystery in Provence (BooksbNimble Press, May 2015). She has completed the second mystery in this series, Paris A-Go-Go (Books nimble Press, forthcoming 2016), and is currently at-work on a scholarly volume, A Quartet in Four French Movements: A Voodoo Queen, A French Romantic, a Poet, and an African Ethnologist, as well as a family history. She is on the Executive Council of the Modern Language Association (2014-2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop’s Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting’s stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over. The second part of Bricktop’s Paris is a noir mystery, titled The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets. Sharpley-Whiting illuminates the lines of fact and fiction in the autobiography of Ada Bricktop Smith. The novel explores the black and feminine perspective of image, self-possession, and self-exhibition. The novel takes us to Paris with black American women in salons and saloons crossing boundaries with purpose, and discovering they are the wealth of the nation. Josie Baker and Bricktop what are they up to? And who did it? Bricktop’s Paris was an American Library in Paris Book Award Long List selection and a Choice 2015 Outstanding Academic Title. Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University where she also chairs African American and Diaspora Studies and directs the Callie House Center for the Study of Global Black Cultures and Politics. She publishes an academic murder mystery series under the nom de plume Tracy Whiting. She also teaches a course on Detective Fiction at Vanderbilt. The first novel, an academic cozy-thriller set in the South of France with Professor Havilah Gaie, is titled The 13thFellow: A Mystery in Provence (BooksbNimble Press, May 2015). She has completed the second mystery in this series, Paris A-Go-Go (Books nimble Press, forthcoming 2016), and is currently at-work on a scholarly volume, A Quartet in Four French Movements: A Voodoo Queen, A French Romantic, a Poet, and an African Ethnologist, as well as a family history. She is on the Executive Council of the Modern Language Association (2014-2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop’s Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting’s stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over. The second part of Bricktop’s Paris is a noir mystery, titled The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets. Sharpley-Whiting illuminates the lines of fact and fiction in the autobiography of Ada Bricktop Smith. The novel explores the black and feminine perspective of image, self-possession, and self-exhibition. The novel takes us to Paris with black American women in salons and saloons crossing boundaries with purpose, and discovering they are the wealth of the nation. Josie Baker and Bricktop what are they up to? And who did it? Bricktop’s Paris was an American Library in Paris Book Award Long List selection and a Choice 2015 Outstanding Academic Title. Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University where she also chairs African American and Diaspora Studies and directs the Callie House Center for the Study of Global Black Cultures and Politics. She publishes an academic murder mystery series under the nom de plume Tracy Whiting. She also teaches a course on Detective Fiction at Vanderbilt. The first novel, an academic cozy-thriller set in the South of France with Professor Havilah Gaie, is titled The 13thFellow: A Mystery in Provence (BooksbNimble Press, May 2015). She has completed the second mystery in this series, Paris A-Go-Go (Books nimble Press, forthcoming 2016), and is currently at-work on a scholarly volume, A Quartet in Four French Movements: A Voodoo Queen, A French Romantic, a Poet, and an African Ethnologist, as well as a family history. She is on the Executive Council of the Modern Language Association (2014-2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop’s Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting’s stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over. The second part of Bricktop’s Paris is a noir mystery, titled The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets. Sharpley-Whiting illuminates the lines of fact and fiction in the autobiography of Ada Bricktop Smith. The novel explores the black and feminine perspective of image, self-possession, and self-exhibition. The novel takes us to Paris with black American women in salons and saloons crossing boundaries with purpose, and discovering they are the wealth of the nation. Josie Baker and Bricktop what are they up to? And who did it? Bricktop’s Paris was an American Library in Paris Book Award Long List selection and a Choice 2015 Outstanding Academic Title. Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University where she also chairs African American and Diaspora Studies and directs the Callie House Center for the Study of Global Black Cultures and Politics. She publishes an academic murder mystery series under the nom de plume Tracy Whiting. She also teaches a course on Detective Fiction at Vanderbilt. The first novel, an academic cozy-thriller set in the South of France with Professor Havilah Gaie, is titled The 13thFellow: A Mystery in Provence (BooksbNimble Press, May 2015). She has completed the second mystery in this series, Paris A-Go-Go (Books nimble Press, forthcoming 2016), and is currently at-work on a scholarly volume, A Quartet in Four French Movements: A Voodoo Queen, A French Romantic, a Poet, and an African Ethnologist, as well as a family history. She is on the Executive Council of the Modern Language Association (2014-2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop's Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting's stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over. The second part of Bricktop's Paris is a noir mystery, titled The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets. Sharpley-Whiting illuminates the lines of fact and fiction in the autobiography of Ada Bricktop Smith. The novel explores the black and feminine perspective of image, self-possession, and self-exhibition. The novel takes us to Paris with black American women in salons and saloons crossing boundaries with purpose, and discovering they are the wealth of the nation. Josie Baker and Bricktop what are they up to? And who did it? Bricktop's Paris was an American Library in Paris Book Award Long List selection and a Choice 2015 Outstanding Academic Title. Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University where she also chairs African American and Diaspora Studies and directs the Callie House Center for the Study of Global Black Cultures and Politics. She publishes an academic murder mystery series under the nom de plume Tracy Whiting. She also teaches a course on Detective Fiction at Vanderbilt. The first novel, an academic cozy-thriller set in the South of France with Professor Havilah Gaie, is titled The 13thFellow: A Mystery in Provence (BooksbNimble Press, May 2015). She has completed the second mystery in this series, Paris A-Go-Go (Books nimble Press, forthcoming 2016), and is currently at-work on a scholarly volume, A Quartet in Four French Movements: A Voodoo Queen, A French Romantic, a Poet, and an African Ethnologist, as well as a family history. She is on the Executive Council of the Modern Language Association (2014-2018). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop's Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting's stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over. The second part of Bricktop's Paris is a noir mystery, titled The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets. Sharpley-Whiting illuminates the lines of fact and fiction in the autobiography of Ada Bricktop Smith. The novel explores the black and feminine perspective of image, self-possession, and self-exhibition. The novel takes us to Paris with black American women in salons and saloons crossing boundaries with purpose, and discovering they are the wealth of the nation. Josie Baker and Bricktop what are they up to? And who did it? Bricktop's Paris was an American Library in Paris Book Award Long List selection and a Choice 2015 Outstanding Academic Title. Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University where she also chairs African American and Diaspora Studies and directs the Callie House Center for the Study of Global Black Cultures and Politics. She publishes an academic murder mystery series under the nom de plume Tracy Whiting. She also teaches a course on Detective Fiction at Vanderbilt. The first novel, an academic cozy-thriller set in the South of France with Professor Havilah Gaie, is titled The 13thFellow: A Mystery in Provence (BooksbNimble Press, May 2015). She has completed the second mystery in this series, Paris A-Go-Go (Books nimble Press, forthcoming 2016), and is currently at-work on a scholarly volume, A Quartet in Four French Movements: A Voodoo Queen, A French Romantic, a Poet, and an African Ethnologist, as well as a family history. She is on the Executive Council of the Modern Language Association (2014-2018). Learn more about your ad choices. Visit megaphone.fm/adchoices