Podcast appearances and mentions of Anne Carson

Nos visita Julia Hernández Mata, nuestra columnista de literatura y con quien nos damos el gusto de entrevistar a la escritora argentina, Maria Negroni, que acaba de publicar También hay un repaso de lo que dejó la visita de la canadiense, Anne Carson en el Centre de Cultura Contemporània de Barcelona.Séptima temporada. Seguimos en pie desde El Prat Ràdio en directo martes de 15 a 16h  en 91.6. Y también  en Radio Universidad en Argentina 103.3. Los Domingos de 19 a 20h. Con Javiera Tapia Torra (ausente con aviso) y Flor Coll. Produce Chamana Comunicación.

Kolkrabbinn er ný viðburðaröð Ensemble Adapter í samvinnu við Tjarnarbíó. Á Kolkrabbanum má sjá verk sem dansa á mörkum tónlistar, gjörningalistar, dans og leikhúss, einhverskonar tilrauna-tón-leikhús sem er samt ekki ópera. Kolkrabbinn er með alla anga úti og allt í öllu og annað kvöld verður hann í fyrsta sinn á sviði Tjarnarbíós með verk sem heitir Everything Everywhere. Hörpuleikarinn Gunnhildur Einarsdóttir og slagverksleikarinn Matthias Engler eru forsprakkar Kolkrabbans og þau segja okkur nánar af uppátækjum hans í þætti dagsins. Gauti Kristmannsson fjallar um nýútkomna bók í glænýrri ritröð Tunglsins, Svartholi, sú er þýðing Ragnars Helga Ólafssonar á verki Anne Carson og heitir Albertine æfingarnar. Við hugum líka að sígildri nútímatónlist og veltum fyrir okkur hvaða dægurlög lifi af umrót tímans og einnig skoðum við tappa og skrúfur í vegg.

Del deseo de reflejar una realidad cotidiana que no se ha contado, nace Tras el verano, la ópera prima de Yolanda Centeno, protagonizada por Juan Diego Botto. Es la historia de Paula, Raúl y Dani. Paula y Raúl llevan cinco años juntos, él tiene un hijo de seis años, Dani, y la pareja está a punto de separarse. ¿En qué lugar deja eso la relación entre Paula y Dani, que han convivido prácticamente desde el nacimiento del niño? Hijas, tíos, padres, amigos, sobrinas, madres... ¿Qué pasa cuando no hay un término para nombrarnos en la organización social?Leticia Audibert abre la Pequeteca para presentar la colección 'Niñera fantasma', escrita por Ana Campoy e ilustrada por Álex Alonso, una serie de libros para público infantil que combina misterio y humor con ilustraciones dinámicas.En la sección Género fluido, Víctor Mora reflexiona sobre el amor a través de la voz y su representación en el cine. Analiza dos películas que, pese a sus diferencias, comparten temas y puntos de conexión: La ley del deseo de Pedro Almodóvar y Io sono l’amore de Luca Guadagnino.Visitamos la Biblioteca Nacional con Ángela Núñez para descubrir una joya única: el Papiro de Ezequiel, el manuscrito más antiguo que se conserva en esta institución. Datado en el siglo III, destaca por su excelente estado de conservación, su formato y la historia de su recorrido hasta llegar aquí.Cerramos con la 40ª edición del Festival Internacional de Poesía de Barcelona. Marta Orquín nos cuenta los detalles de un certamen que reúne a figuras como Anne Carson, Ana Blandiana y Márton Simón, y que fusiona Oriente y Occidente, literatura y música, con la compositora Clara Aguilar como parte del programa.Escuchar audio

Notes and Links to Vanessa Saunders' Work       Vanessa Saunders is a writer living in New Orleans. She teaches as a Professor of Practice at Loyola University New Orleans. She was the editor-in-chief of Helium Journal from 2013 to 2016. Her writing has appeared in Writer's Digest, Writer's Chronicle, Seneca Review, Sycamore Review, Los Angeles Review,  Nat. Brut, Entropy, PANK, Passages North, Stockholm Review of Literature and other journals.​​ She is at work on a novel of magical realism about whiteness and a book-length prose poem about the ethics of authorship.  Buy The Flat Woman   Vanessa's Website At about 1:45, Vanessa recommends places to buy her book, including Baldwin Books At about 2:55, Vanessa responds to Pete's question about her expectations for the Pub Day and beyond versus the realities At about 5:20, the two discuss Kafka's Metamorphosis and his parables and connections to Vanessa's The Flat Woman, as well as absurdities and allegory At about 9:30, Vanessa gives background on her early reading and writing, including her grandfather's and Sylvia Plath's influences, and Anne Carson's influence on The Flat Woman At about 13:30, Vanessa explains the unique British library system At about 15:25, Vanessa responds to Pete's questions about At about 16:35, Vanessa mentions Kelly Link, Sarah Rose Etter, Aimee Bender, and Hadriana in my Dreams as contemporary writers and writing that inspires him At about 18:20, Pete and Vanessa shout out the generosity and greatness of Aimee Bender, and Vanessa talks about meetings with inspiring writers At about 19:20, Pete shouts out Antonya Nelson's “In the Land of Men” for the 1,987,231 time in Chills at Will history At about 19:55, The two discuss the book's epigraph and seeds for the book At about 22:40, Vanessa expands upon stewardship and community and the environment in the formulation of her book At about 24:20, Pete wonders about Vanessa's decision to avoid naming her characters At about 26:40, Pete asks Vanessa  At about 29:10, the two discuss the lengthy “setups” that are chapter titles, or “headlines” At about 32:20, “leaky boundaries” and the family dynamic, including the absent father, are discussed At about 33:35, “Terrorism” and government cover-up in the book and its couching is discussed; Vanessa talks about birds as “indicator species,” as she learned from a group of “elite ornithologists” (!!!) with whom she lived At about 36:40, Vanessa talks about perpetual archetypes and storylines for “female villainy” At about 37:40, Bird grief and research and animals as stand-ins for humans as discussed in the book is explored by Vanessa At about 41:10, Vanessa, in explaining her views of animals and things and dominion, references a wonderful Louise Gluck line  At about 42:35, Pete and Vanessa discuss Bay Area history, anthropology. and its effects on their mindsets and writing At about 44:00, The two talk about the “patriarch[al]” POPS Cola, and the protagonist's early life after her mother is arrested and convicted  At about 45:45, Vanessa expands on the patriarchal society and the 2024 election's connections to the systemic misogyny on display in the book At about  49:50, The protagonist, depicted 10 years as “The woman,” and Part II are described, as well as the “chaotic aunt” and more ugly realities that confront the woman At about 51:45, Vanessa cites inspiration from an interview with Toni Morrison regarding family alienation  At about 53:10, Vanessa explores connections between humor and speculative fiction At about 54:10, The woman's earliest interactions with and attractions to the man are discussed At about 55:10, Vanessa responds to Pete's question about the man being drawn to Elvis, with a trip down memory lane of a San Francisco that may no longer exist  At about 59:20, Vanessa talks about setting the woman as working at the very company that has imprisoned her mother  At about 1:01:25, Vanessa responds to Pete's question about the grisly displays of hurt and dead animals, and the two discuss ideas of entertainment and willful (or not) ignorance about the brutality in Gaza and climate change At about 1:05:00, Pete complements Vanessa for humor on the page and asks if the man has “discovered the manosphere”  At about 1:08:35, Vanessa talks about social justice being “commodified” At about 1:10:40, Vanessa talks about initial hesitat[ion] in depicting the man as having some assorted wisdom, along with many horrible traits At about 1:11:40, Vanessa discusses a famous writer, who is not related to her :(  At about 1:13:00, Another Maurice Carlos Ruffin shoutout At about 1:14:20, Movie actors for the book's characters! At about 1:16:10, “You are hearing me talk”-Al Gore You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 270 guest Jason De León is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 285 with The Philharmonik, Episode 58 guest, vocalist, multi-instrumentalist, lyricist, music producer and genre defining artist. Recently, he has been nationally and globally recognized after winning the 2023 American Song writer contest and NPR's 2024 Tiny Desk Contest for his song “What's It All Mean?” The episode marks the one-year anniversary of his NPR Tiny Desk Contest win. This will be released on May 16.  

Entrevista a Laura Ramos, una nueva voz de esta generación de jóvenes poetas. La bella Varsovia edita 'Nonú', eltercer poemario de la escritora avilesina. Nonú es un mundo mágico, lleno de fábulas e historias escondidas y un mundo real, en el que suceden historias de amor, duelos y relaciones maternofiliales con constantes referencias a Anne Carson. Una entrevista de Laura Martínez.

Parlem amb Maria Call

Piše Muanis Sinanović, bere Aleksander Golja. Kratkoprozni prvenec Lene Kregelj Zato sem torej prišla je osvežujoče nepretenciozna knjiga. Zgodbe so trdno zasidrane v vsakdan običajnih Slovencev in niso obremenjene z modnimi temami in dihotomijami, zato lažje posegajo po celovitosti človeške izkušnje v danem prostoru in času. Kljub psihološki lucidnosti in čustvenem naboju ter z občutkom za podrobnosti so pisane v dostopnem slogu. Dogajalni prostor zgodb je prepričljivo razpet med uradniška in poslovna mestna okolja ter hribe in gozdove, med obema pa bi bilo nesmiselno delati razlike, saj se v izkušnji bivanja v Sloveniji ta prelivajo in tvorijo organsko celoto. Pisanje zaznamuje avtentičen lirski občutek za skrivnostno in mogočno v naravnih okoljih. Številne zgodbe se ukvarjajo z zapletenimi sodobnimi odnosi med moškimi in ženskami. Pisane so iz izrazito ženske perspektive, ki je do moških pogosto ironična, vendar pa ne zajedljiva in skuša razumeti tudi moško krhkost. V njih ni ne enostavne dihotomije med spoloma ne enostavnega preseganja domnevnih spolnih vlog. Napetost med moškimi in ženskami sproža stalno preizkušanje meja med enimi in drugimi ter v vsej svoji dvoumnosti sproža široko paleto čustev od tesnobe do ganjenosti. V tej napetosti je tudi erotičnost, kakor jo v svojem delu Grenko-sladki eros opisuje Anne Carson. Ta erotičnost je najbolj neposredno izražena v uvodni, naslovni zgodbi, nikoli pa ni vulgarna. Pri tem je zanimivo, da so moški v zgodbah, kjer nastopajo kot glavni liki, večinoma v izgubljenem, podrejenem položaju. Ne z namenom nekakšnega posiljenega, subverzivnega obračanja vlog, gre namreč za senzibilno obravnavo osamljenosti in krhkosti sodobnega človeka, ki je lahko tudi moškega spola. Pogosta tema so učinki neoliberalizacije gospodarstva na posameznike. Mladi so vpeti med nemogoče zahteve trga, visoke najemnine, študijske zahteve in vsiljeno ambicioznost. Vse to so sicer pogoste teme v javni razpravi in tudi književnosti zadnjega obdobja, vendar jim zgodbe Lene Kregelj dodajajo eksistencialno dimenzijo, ki presega aktivistične dimenzije in se subtilno potaplja v dejanska stanja atomiziranosti. Ta zajemajo razne duševne stiske in motnje, celo samomorilnost. Posamezniki so stisnjeni v majhna stanovanja in izolirani od preostanka sveta. Potisnjeni so v svoje notranje svetove in hrepenijo po povezovanju. Partnerski odnosi med moškimi in ženskami v tem oziru ne delujejo kot področja tekmovalnosti, temveč kot zavetja pred osamljenostjo. S tem nam razkrivajo zanimivo sociološko perspektivo. Osamljenost v sodobni družbi je lahko večja pri posameznikih iz heteroseksualne populacije, ki ne pripadajo etničnim ali drugim manjšinam in ne sledijo tako imenovanemu girlboss feminizmu. Neoliberalna družbena ureditev namreč ustvarja velike pripovedi o boju manjšin in navidezne manjšinske in feministične skupnosti, ki preusmerjajo pozornost od dejanskih razmerij moči. Iz teh pripovedi pa so izpuščeni povsem običajni ljudje, o katerih piše Lena Kregelj. Na drugi strani neoliberalnega trga dela se nahajajo tako imenovani bulšihti v javnem sektorju, ki so v času popolne zbirokratiziranosti na lokalni in mednarodni ravni bolj ali manj sami sebi namen. Antropolog David Graeber v delu Bulšihti obravnava občutke, ki jih povzroča ujetost v take službe, Lena Kregelj pa to ujetost prikazuje skozi literarno prizmo. Tudi družinski odnosi niso obravnavani enostransko, temveč v vsej svoji ambivalentnosti, ki zaznamuje tudi partnerske odnose. Ena od zgodb se dogaja na praznični družinski večerji in vključuje široko in raznovrstno paleto občutkov o sorodnikih, ki jih lahko posameznica goji na ozadju ljubeče povezanosti. Kljub težkim temam pa je pripovedovalski pristop mehak, tudi krhko odprt, čeprav je obenem suveren in pogumen. Prav zaradi teh odprtih protislovij je branje zgodb Lene Kregelj v knjigi Zato sem torej prišla zanimivo, saj srkajo najrazličnejše odtenke in čustva ter omogočajo različne uvide.

Essa editora com livros tão sedutores, tanto pelos títulos, quanto pelos autores, quanto pelas capas, quanto pelo próprio nome, de som e acentos tão curiosos, também tem uma news (sim, amo news) gratuita e ótima!Na edição de 14/março/2025, veio o título: “Atenção ao homem cuja caligrafia balança como um junco ao vento, por Anne Carson“, cuja leitura compartilho neste episódio.Pelo que pesquisei ligeiro: a palavra Âyiné tem origem persa e significa “espelho”; a editora surgiu de um projeto de uma revista de estudos islâmicos, entre BH e Veneza, e outras curiosidades que ficam para um outro momento.Link para o site onde pode conferir o catálogo e assinar a news:https://ayine.com.brEu sou Helena Salgado e vc pode acompanhar o TáTó no Instagram @tatopodcast. Lá encontra, na bio, os links para todos os episódios e o contato, caso queira mandar alguma mensagem.O episódio foi gravado em São Paulo em março de 2025. A vinheta de início é uma interpretação minha pra música “Antônia” (Fabio Torres) e a imagem de capa é uma foto do manuscrito de Kafka, da obra inacabada [a construção], publicada pela editora Ubu. O projeto gráfico é uma coisa a parte, com elementos que forçam a interação do leitor para conseguir ler cada página, coisas desse outra editora também maravilhosa; prefácio do Dunker e uma nota da tradutora Sofia Mariutti que é a cereja do bolo e faz a obra ficar ainda mais sensacional. Na hora me veio a conexão com a caligrafia da Carson. Espero que goste.Boa escuta! E seguimos protestando pelo fim da ocupação ilegal, do racismo, do colonialismo. Palestina livre

Para a discussão do livro do Clube de Leitura 30:MIN de 2025, Arthur Marchetto, Cecilia Garcia Marcon e Vilto Reis se reúnem para falar de Falas Curtas, de Anne Carson (publicado pela ed. Relicário e traduzido por Laura Erber e Sergio Flaksman).O livro, que é uma coletânea curta de textos poéticos em prosa, suscitou uma série de debates entre os integrantes dos podcasts e dos ouvintes que participaram da leitura, falando sobre arte, interpretação, ensaio, linguagem e diversos outros assuntos.Então, aperta o play, e se prepare para o próximo livro: Aya de Youpogon, de Marguerite Abouet e Clément Oubrerie---Links⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apoie o 30:MIN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Siga a gente nas redes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Já apoia? Acesse suas recompensas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Confira todos os títulos do clube!

Uma artista a falar das suas paixões, uma poeta a falar de arte. Quem conhece a Sónia enquanto leitora? Que boa conversa, cheia de entrega, pedaços de livros e óptimas recomendações de leitura.Os livros que a também actriz escolheu:Contos completos, Lydia Davis;⁠O acto criativo, um modo de ser, Rick Rubin;⁠A Papoila e o Monge, do José Tolentino Mendonça;⁠Apenas Miúdos, da Patti Smith.Outras referências:Paulo Leminski;Fernando Pessoa;Cartas a um jovem poeta, Rilke.A colecção de poesia que a Sónia está a traduzir:Pieces of a song, Diane di Prima.Os livros que escreveu (Editora Mercúrio Ondulado):Constelação;Rosa.O que recomendei:Trevo, Amalia Bautista.O que ofereci:Vidro, ironia e Deus, Anne Carson.Os livros aqui:www.wook.pt

One of a handful of new productions of plays opening this week in London is ELEKTRA, the Sophoclean tragedy as translated by Anne Carson in a bold new staging from director Daniel Fish. Brie Larson (Room, Lessons in Chemistry, Captain Marvel), is making her West End debut. The cast also includes internationally renowned Stockard Channing (The West Wing, The Good Wife), Marième Diouf (Romeo and Juliet, The Globe), Greg Hicks (Grapes of Wrath, The National Theatre, Coriolanus, The Old Vic) and Patrick Vaill (Stranger Things: The First Shadow, Evening Standard Award winner for his role in Oklahoma!). Check out this review to find out what struck Mickey-Jo about this production, and what he ranked as its biggest mistake... • 00:00 | introduction 01:56 | context / overview 08:39 | the production 14:58 | performances 21:10 | final thoughts • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Coralie Fargeat has been nominated as best director for her film The Substance which stars Demi Moore. She tells Samira about her inspiration for the satirical horror about a Hollywood star who takes a dangerous drug to create a younger version of herself. Josephine Baker's memoir has been translated into English for the first time, fifty years after the death of the iconic performer. Cultural historian Dr Adjoa Osei and translator Anam Zafar discuss Baker's incredible life and legacy. The story of Greek heroine Electra has been written in play form by Sophocles, was made into an opera by Richard Straus and inspired Marvel comics and films. A new production, based on Sophocles' Electra which was translated by Canadian poet Anne Carson has just hit London's West End starring Brie Larson and Stockard Channing. Anne joins Samira to talk about the translation.Presenter: Samira Ahmed Producer: Paula McGrath

We vieren de poëzie met een aflevering waarin bundels gelezen, geduid, gewikt en gewogen worden, en over elkaar heen buitelen van enthousiasme voor onbekende en bekendere dichters: vriendin van de show Charlotte Van den Broeck,  de Zuid-Koreaans-Amerikaans-Nederlandse Mia You, Daan Doesborgh, Anne Carson, Jan Glas, Sophia Blyden, Jan Baeke en natuurlijk Esther Jansma.De podcast 'Lezen is vurrukkulluk' wordt elke laatste donderdag van de maand live opgenomen in Forum Groningen, in de bibliotheek op de 3e verdieping. Bijwonen kan; kom gezellig langs en luister vanaf 20 uur mee tussen de boekenkasten! Volg ons ook op Instagram voor meer info en boekentips: @lezenisvurrukkullukpodcast.Met dank aan al onze partners: literair weblog Tzum, boekhandel Godert Walter en de Stichting Literatuurclubs Drenthe. Deze podcast is een productie van Podgront, techniek en montage door Robin Eggens.

Hello Wholigans! On today's episode of Who's There, our weekly call-in show, we chat about the BREAKING NEWS that Selena Gomez (Them) got engaged to Benny Blanco (Who) with the help of Taco Bell (Them) on what looks like a movie set (Who). Moving on, we take your comments about the poet Anne Carson and Shirley MacLaine before moving on to questions about Candice King saving Nina Dobrev's life, Jackie Aina complaining about creators she refuses to name, Gwen Stefani's partnership with a prayer app, Big Sean's partnership with a big cookie (with an exclamation mark), whether or not Totoro would make a better neighbor than John Turturro, and a whole lot more! As always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Get a ton of bonus content over on Patreon.com/WhoWeekly To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Spark is hosting its annual book-as-gifts- guide. We spoke with Catherine Lawrence, co-owner of the Midtown Scholar Bookstore in Harrisburg, Travis Kurowski, (Ph.D) an assistance professor of creative writing at York College of Pennsylvania, and Carolyn Blatchley MLIS, Executive Director of Cumberland County Library System. The Midtown Schloar Bookstore recommendation can be found here. The Cumberland County Library Systems recommendations can be found here. Travis Kurowski Recommendations list below: NONFICTION Heartbreak Is the National Anthem: How Taylor Swift Reinvented Pop Music By Rob Sheffield I just ordered this book because I am in love with a woman who is the biggest Taylor Swift fan I have ever met. As it happens, I have only recently realized the most obvious thing about Swift's music: It's mostly about heartbreak. Our American Shakespeare of longing and distance, of regret and revenge, Swift's oeuvre is analyzed from first album to last by best-selling Rolling Stone journalist Rob Sheffield in this new book. From the publisher: “Heartbreak Is the National Anthem: How Taylor Swift Reinvented Pop Music is the first book that goes deep on the musical and cultural impact of Taylor Swift. Nobody can tell the story like Rob Sheffield, the bestselling and award-winning author of Dreaming the Beatles, On Bowie, and Love Is a Mix Tape. The legendary Rolling Stone journalist is the writer who has chronicled Taylor for every step of her long career, from her early days to the Eras Tour. Sheffield gets right to the heart of Swift and her music, her lyrics, her fan connection, her raw power.” The Message By Ta-Nehisi Coates Baltimore native Ta-Nehisi Coates's new book of nonfiction takes a risk in being human. I've been following Coates since his days reporting for The Atlantic where he made national attention making a persuasive case for reparation. Since then, he's published a best-selling works of fiction and nonfiction, even written for Marvel Comics. This latest book from Coates is an analysis of how myths and stories shape cultures and nations, from Senegal to the ongoing war on Gaza. From the publisher: “In the first of the book's three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind. Then he takes readers along with him to Columbia, South Carolina, where he reports on his own book's banning, but also explores the larger backlash to the nation's recent reckoning with history and the deeply rooted American mythology so visible in that city—a capital of the Confederacy with statues of segregationists looming over its public squares. Finally, in the book's longest section, Coates travels to Palestine, where he sees with devastating clarity how easily we are misled by nationalist narratives, and the tragedy that lies in the clash between the stories we tell and the reality of life on the ground.” Lovely One: A Memoir By Ketanji Brown Jackson The election was hard for everyone—every national election has been in recent memory. Memoirs from people behind the scenes in spaces shaped by such elections have always been popular, more recently they seem to be a source of sustenance. I cannot see the new memoir by Justice Ketanji Brown Jackson—the first black woman and first public defender to serve on the U.S. Supreme Court—as anything else. From the publisher: “With this unflinching account, Justice Ketanji Brown Jackson invites readers into her life and world, tracing her family's ascent from segregation to her confirmation on America's highest court within the span of one generation.” FICTION The Vegetarian By Han Kang 2024 Nobel winner for Literature, Han Kang also won the 2016 Booker Prize for her most widely read novel, The Vegetarian, a short novel I read in a gulp years ago when it was first translated from the Korean into English by Deborah Smith. The power of The Vegetarian is ineffable, which is an odd thing to say for a book—that it is beyond words—but that is the power and experience of great art.     A perfect introduction to Kang's work. From the publisher: “Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It's a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that's become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself. Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman's struggle to break free from the violence both without and within her.” All Fours By Miranda July There has been no other book I've heard about as much this year as filmmaker and fiction writer Miranda July's latest novel All Fours, about what happens when we ignore our desires—by which I mean, ignore our very selves—and the confusing struggle it might be to ever find ourselves again. The conversations I've had about this book have been as rich and meaningful as the book itself, conversations I hold dear and have changed me forever. From the publisher: “A semi-famous artist announces her plan to drive cross-country, from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey. Miranda July's second novel confirms the brilliance of her unique approach to fiction. With July's wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman's quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.” Playground By Richard Powers Richard Powers won the 2019 Pulitzer Prize for fiction for his previous novel The Overstory, arguably the single most important American novel ever published about our relationship to the environment, all told through the lens of our human relationship to trees. Powers's latest novel, Playground, is about artificial intelligence and the ocean. And I expect nothing less. From the publisher: “Four lives are drawn together in a sweeping, panoramic new novel from Richard Powers, showcasing the Pulitzer Prize–winning author of The Overstory at the height of his skills. Twelve-year-old Evie Beaulieu sinks to the bottom of a swimming pool in Montreal strapped to one of the world's first aqualungs. Ina Aroita grows up on naval bases across the Pacific with art as her only home. Two polar opposites at an elite Chicago high school bond over a three-thousand-year-old board game; Rafi Young will get lost in literature, while Todd Keane's work will lead to a startling AI breakthrough. They meet on the history-scarred island of Makatea in French Polynesia, whose deposits of phosphorus once helped to feed the world. Now the tiny atoll has been chosen for humanity's next adventure: a plan to send floating, autonomous cities out onto the open sea. But first, the island's residents must vote to greenlight the project or turn the seasteaders away. Set in the world's largest ocean, this awe-filled book explores that last wild place we have yet to colonize in a still-unfolding oceanic game, and interweaves beautiful writing, rich characterization, profound themes of technology and the environment, and a deep exploration of our shared humanity in a way only Richard Powers can. COMICS Future By Tommi Musturi I saw this book while browsing with my daughters and close friends at Lost City Books in Washington, DC—a bookstore I cannot recommend enough for its curation, display, and overall artistry in the selling of books—and it actually took my breath away. I saw it from across the room, huge and bold in color and design. Almost the shape and size of a small board game, this absolutely thrilling collection of Mutsuri's is so stunning it feels unbelievable it exists and, more than that, was somehow published. It's an atomic explosion of creativity fracturing the very medium of comics. Few art experiences in the world give such a rush. From the publisher: “A graphic, genre-mashing magnum opus from one of the most restlessly creative voices in comics. Tommi Musturi's Future traps the reader into a web of stories happening in different timespaces, providing perspectives on the possible futures of mankind through imaginary future worlds, current events, historical references, utopias, and ideals. Future is a mash-up of the familiar and the terribly alien: quotidian existence, sci-fi spectacle, utopian fantasy, AI dystopia, and other worst-case scenarios. Richly philosophical and allegorical, Musturi gives us alcoholic magicians, guerrilla art squads, mutant reality television hosts, and incel archaeologist-astronauts, among many others. Weaving between a variety of styles in illustration and narration that transform and reflect our constantly changing reality, Future is an impassioned graphic novel for our times that renews the medium of comics—a vital and multifaceted work of art.” Here By Richard McGuire Now a major motion picture starring Tom Hanks and Robin Writing, Richard McGuire's 2014 graphic novel Here is almost made small by calling it a graphic novel. It is, certainly, a work of fiction, and so technically then a graphic (comic) novel (fiction), but it's also one of the strangest and most beautiful works in the comics medium ever made. Every page of the book is a drawing of the same corner of the same room across 300 million years of history. Yes, the same space, variously drawn, across 300 million years. And seeing that space across time, stories do emerge, but only in the same way they do in the reality within which we all exist—because we construct them. Since the first pages of the book concept were published in 1989, its impact has rippled throughout the comics world, and continues to. From the publisher: “From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision: the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years.” POETRY By Fady Joudah There are few contemporary issues as important as the well-being and fate of the Palestinian people, and few voices in American literature as important and prominent in this area as Palestinian American poet and physician Fady Joudah. The book's strange title, […], is a pictogram, a symbol evoking meaning: silence, perhaps, or erasure. The brackets for what has been omitted, the internal ellipsis for all that remains unsaid. Joudah wrote the poems in […] between October and December 2023, a time of much suffering, ceaseless since. From the publisher: “Fady Joudah's powerful sixth collection of poems opens with, ‘I am unfinished business,' articulating the ongoing pathos of the Palestinian people. A rendering of Joudah's survivance, […] speaks to Palestine's daily and historic erasure and insists on presence inside and outside the ancestral land. Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But ‘Repetition won't guarantee wisdom,' Joudah writes, demanding that we resuscitate language ‘before [our] wisdom is an echo.' These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […] is a wonder. Joudah reminds us ‘Wonder belongs to all.'” Wrong Norma By Anne Carson I've been following Canadian poet Anne Carson's career since I picked up a copy of her wildly experimental and stunning 1998 book, Autobiography of Red—" richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is”—while living for a summer at the home of potter Jim Romberg in southern Oregon, details that may seem insignificant, but that's not how art works on us. Carson is one of the world's—the world's—most experimentally stunning poets who somehow still reaches the depth of human emotion. A classicist who has translated the Greek Tragedies for the stage, along with the most stunning book of Sappho's poetry I've ever read, Wrong Norma is a sampling of the same erudition and emotion we have for decades expected from the poet. Oh, and she's incredibly funny. I haven't read this book yet, but I will, because I agree wholeheartedly with the late Susan Sontag about Carson: “She is one of the few writers writing in English that I would read anything she wrote.” From the publisher: “Published here in a stunning edition with images created by Carson, several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like The New Yorker and The Paris Review. As Carson writes: ‘Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantánamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night. The pieces are not linked. That's why I've called them ‘wrong.'”Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Una de las más celebradas escritoras canadienses nos regala esta prosa poética en la que cuenta, a partir de versos libres, de una narración lírica, de una expresión de escritura novedosa y profunda la relación de una mujer con su marido en el proceso de divorcio. Anne Carson es definitivamente una de esas plumas que sorprende por lo efectivo del trazo y al mismo tiempo por la capacidad de usar el lenguaje a su antojo, llevando al límite la capacidad narrativa. Nos acompaña como invitado especial Danny Cano.

Kate Wolf and Medaya Ocher speak with writer and scholar Simon Critchley about his new book, Mysticism. Defining mysticism not as a religion but as a “tendency, a distillation of existing devotional practice,” the book begins by considering some of the great mystics of the Christian tradition. These include Critchley's favorite mystic, Julian of Norwich, known as the first woman to ever write a book in English, Margery Kempe, Christina the Astonishing, and Meister Echkhart, a German theologian who influenced philosophers like Hegel and Heidegger and was tried as a heretic shortly after his death by Pope John in 1329. But more than a history or survey of mysticism, Critchley's book is invested in isolating the loss of self and experience of ecstasy its practitioners describe, and looking for resonance within contemporary culture. He examines the work of writers such as Anne Carson and Annie Dillard, and the musician Nick Cave, suggesting that mysticism lives on as a secular aesthetic experience in the “world of enchantment opened in art, poetry and—especially—music.” Also, Deborah Levy, the author of The Position of Spoons: And Other Intimacies, returns to recommend two books scheduled to be published next year, On Breathing: Care in a Time of Carastrophe by Jamieson Webster, and Baldwin: A Love Story by Nicholas Boggs.

Kate Wolf and Medaya Ocher speak with writer and scholar Simon Critchley about his new book, Mysticism. Defining mysticism not as a religion but as a “tendency, a distillation of existing devotional practice,” the book begins by considering some of the great mystics of the Christian tradition. These include Critchley's favorite mystic, Julian of Norwich, known as the first woman to ever write a book in English, Margery Kempe, Christina the Astonishing, and Meister Echkhart, a German theologian who influenced philosophers like Hegel and Heidegger and was tried as a heretic shortly after his death by Pope John in 1329. But more than a history or survey of mysticism, Critchley's book is invested in isolating the loss of self and experience of ecstasy its practitioners describe, and looking for resonance within contemporary culture. He examines the work of writers such as Anne Carson and Annie Dillard, and the musician Nick Cave, suggesting that mysticism lives on as a secular aesthetic experience in the “world of enchantment opened in art, poetry and—especially—music.” Also, Deborah Levy, the author of The Position of Spoons: And Other Intimacies, returns to recommend two books scheduled to be published next year, On Breathing: Care in a Time of Carastrophe by Jamieson Webster, and Baldwin: A Love Story by Nicholas Boggs.

The queens get out their big smooth (crystal) balls to predict the National Book Award shortlist in poetry. Play along! The shortlist is announced Oct. 1. Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:You can find the National Book Awards longlists for fiction, translation, young people's literature, and poetry here. Watch Lena Khalaf Tuffaha read her poem "Mountain, Stone" here. You can find the text of the poem here. Check out this NY Times article, "The Inscrutable Brilliance of Anne Carson." Or check out this Lannan conversation with Carson.Here is an hour-long conversation, "Aesthetics of Return: Palestinian Poetry," with Fady Joudah and Prof. Fida Adely, moderated by Bassam Haddad.Watch Elizabeth Willis give a reading at the Univ. of Georgia in Feb. 2024.Watch this fabulous reading and interview with Diane Seuss, conducted by Ron Charles. Watch Rowan Ricardo Phillips read his poem "Boys" at the Griffin Prize ceremony.Watch Octavio Quintanilla read his poem "Exiliados"Dorianne Laux appeared on Grace Cavalieri's fabulous The Poet and the Poem series July 2024. Watch here. Watch m.s. RedCherries give a reading as part of the Fellows Reading of the Indigenous Nations Poets here.  

Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi sit down with Brian Kulick, the current chair for the theatre programme at Columbia University. Author of Staging the End of the World: Theatre in a Time of Climate Crisis, Brian talks us through his extensive career as a director, author and educator. Kulick is a director, writer, educator, producer, and current Chair of the Theatre Program. He's been the Artistic Director of Classic Stage Company (CSC) where he directed Galileo with F. Murray Abraham, The Tempest with Mandy Patinkin, and The Forest with Dianne Weist. He commissioned and co-directed poet Anne Carson's award-winning An Oresteia, collaborated with composer Duncan Sheik on productions of Brecht's Caucasian Chalk Circle, Man's A Man, and Mother Courage, and produced CSC's much lauded Chekhov Cycle (Ivanov, The Seagull, Uncle Vanya, The Three Sisters, and The Cherry Orchard) with Alan Cumming, Maggie Gyllenhaal, Ethan Hawke, Joley Richardson, Peter Sarsgaard, John Turturro and Dianne Weist. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Det er tilstanden hos fortælleren i dagens hovedtekst. 'Glasessayet' er skrevet af den canadiske verdensstjerne, Anne Carson (f. 1950), og hende kan du høre et eksklusivt interview med i dagens program. Vært, Nanna Mogensen mødte digteren denne sommer, og i studiet har hun besøg af forfatter, Mathilde Moestrup, der er kender af Anne Carsons forfatterskab. Desuden har Moestrup oversat netop 'Glasessayet', der handler om ulykkelig kærlighed, håbløs sex, Emily Brontë og hedelandskabet i det nordlige Canada.

“Se toparmos um leve exagero e aceitarmos que a leitura é uma experiência suavíssima de alucinação, nos perguntamos: quantas vezes nós, mulheres, alucinamos ser homens? E que espécies de aventura – muitas delas interditas a nós na vida real – vivenciamos na pele virtual deles? Por meio da nossa imaginação, homens ficcionais existem, e carregam efeitos dessa existência para nossas vidas concretas”. Retiro o trecho da apresentação de “O Homem Não Existe”, livro que a pesquisadora, doutora em literatura, professora e crítica literária Ligia Gonçalves Diniz acaba de publicar pela Zahar. O livro é um longo ensaio no qual Ligia mostra ao leitor como busca compreender e, de alguma maneira, vivenciar a masculinidade por meio da ficção. Sexualidade, raiva e beleza (ou feiura) são alguns dos assuntos pelos quais a autora passa enquanto se debruça sobre obras de autores como Albert Camus, Philip Roth, Roberto Bolaño, Herman Melville, Dante, Graciliano Ramos e Homero. Mas nem só de homens se faz a bibliografia de Ligia. Estão por lá autoras como Susan Sontag, Anne Carson e Audre Lorde. Indo além das letras, há acenos improváveis a músicas de grupos como Art Popular e Engenheiros do Hawaii ou a filmes como “Crepúsculo”. “O Homem Não Existe” também é uma argumentação sobre viver outras experiências por meio da arte. Conversei com Ligia a respeito desse deslocamento numa época em que tantos buscam por espelhos no papo que vocês ouvirão a seguir. Os amores proibidos, as paixões assumidas e a relação entre obra, autores e leitores também foram assuntos da nossa conversa. * Aqui o caminho para a newsletter da Página Cinco: https://paginacinco.substack.com/

En Hoy es Risco del martes 20 de agosto, Javier Risco conversó con el ministro en retiro José Ramón Cossío, nos habló sobre los derechos de los juzgadores …LAS VOCES DE LOS JUZGADORES NO FUERON ESCUCHADOS EN LOS FOROS DE LA REFORMA JUDICIAL… También platicó con Jesús Silva-Herzog sobre el artículo de la poeta y escritora Anne Carson, quien publicó un artículo en la London Review sobre la enfermedad que enfrenta: parkinson… NOS DEJÓ CON UN NUDO EN LA GARGANTA

SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, check out the SECRET SHOW and join the group chatLeave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!Some of the topics mentioned in this episode:– Wolf Trees by Katie Hartsock– The Old and the New by Katie Hartsock– Tradition and the Individual Talent by T. S. Eliot– Kafka and His Precursors by Jorge Luis Borges– An Organ of Extreme Perfection & Another Achilles (what has two thumbs and likes…)– The Tradition by Jericho Brown– Duplex by Jericho Brown– Invention (essay on the duplex form) by Jericho Brown– Ep 118: Obvious Boobies, ft. Ashley Anna McHugh– Paradelle for Susan by Billy Collins– Proofs and Theories by Louise Gluck– Motherhood by Cecily Park– The Circe / Mud Poems by Margaret Atwood– The Penelopiad by Margaret Atwood– Punishment by Seamus Heaney– Eurydice by Caroline Duffy– The School for Good and Evil by Soman Chainani– Agamemnon by Aeschylus– The Libation Bearers by Aeschylus– Hamlet by William Shakespeare– The Iliad by Homer– The Aeneid by Virgil– The Metamorphoses by Ovid– The Trojan Women by Euripides– The Trojan Women by Anne Carson and Rosanna Bruno– Greeking Out– Horace & Friends by Victoria Moul– Alcestis by Euripides– Richard FeynmanFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna PearsonOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah BlumovRatbag Poetics By David Jalal MotamedAlice: Poetry SaysBrian: @BPlatzerCameron: CameronWTC [at] hotmail [dot] comMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

SobreTodo começo é uma promessa, ninguém sabe exatamente onde vai dar. Mas mal começa e parece que o final já se anuncia. Ninguém lida bem com a dolorosa certeza do fim, por isso os desvios, os dribles, os floreios. As palavras são uma maneira de dar sentido para o que acontece no meio do caminho e, por isso, são eróticas. Escrever bem é encontrar maneiras de alongar a distância entre o começo e o fim. Assim, a escrita bem feita é uma forma de erotismo que serve às coisas que não querem terminar. No podcast desta sexta, nos inspiramos em Anne Carson e conversamos sobre “fazer amor com a palavra”.ParticipantesRafael LauroRafael TrindadeLinksTexto lidoLive no YouTubeOutros LinksFicha TécnicaCapa: Felipe FrancoEdição: Pedro JanczurMailing: Adriana VasconcellosAss. Produção: Bru AlmeidaTexto: Rafael LauroGosta do nosso programa?Contribua para que ele continue existindo, seja um assinante!Support the Show.

Stella Chrysostomou of Volume Books reviews Wrong Norma by Anne Carson published by Jonathan Cape

Um monstro alado vermelho salta para o século XX. Em Autobiografia do Vermelho, Anne Carson revisita o mito clássico e atualiza-o.

This week, Oxford Professor of Poetry AE Stallings explores the elliptical brilliance of Anne Carson; and an interview with writer, filmmaker and artist Miranda July about her forthcoming novel.'Anne Carson: The Glass Essayist', by Elizabeth Sarah Coles'Wrong Norma', by Anne Carson'All Fours', by Miranda JulyProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

The egg, or the cosmic egg, is a primal symbol of creation. In honor of spring truly getting underway, episode 33 of Soror Mystica explores the egg in all its procreative glory. Eggs are present in mythologies the world over, often coming up in explanations of the birth of the world, which usually is figured by the bifurcation of an egg which splits into sky and earth. Join us as we explore the mysteries of egg symbolism as it emerges in religious traditions, creation myths, mystery cults, and of course, as a symbol of the potential contained within the feminine. Contemplations of the binary of necessity and potential, the Temperance card, the rebus, the mandorla of the World card, fire and water lend deeper context to this symbol. Eggs, snakes, and ancestors emerge, here, and we hope this episode is nourishing as spring gets underway. At the end of this episode, we interpret a listener's dream of being presented with a dagger. Submit *your* dream symbol to us at our website.ANNOUNCEMENTS: Mariana will be teaching Archetypal Tarot 101, explore hereCristina will be teaching Astrology for Beginners, explore hereOur book club meets April 13th to discuss Anne Carson's Autobiography of Red, join us here!

This is the kind of conversation I dreamed about having when I began this podcast. Emily Wilson joins Close Readings to talk about Sappho's "Ode to Aphrodite," a poet and poem at the root of the lyric tradition in European poetry. You'll hear Emily read the poem in the Ancient Greek and then again in Anne Carson's English translation. We talk about the nature of erotic desire, what it's like to have a crush, and how a poem can be like a spell. Emily Wilson is Professor of Classical Studies at the University of Pennsylvania, where she holds the College for Women Class of 1963 Term Professor of the Humanities. She is a celebrated translator of Homer, having translated both The Odyssey and, more recently, The Iliad (both from Norton). Wilson has also published translations of Euripides, Sophocles, and Seneca—and is the author of three monographs: The Greatest Empire: A Life of Seneca (Oxford, 2014), The Death of Socrates: Hero, Villain, Chatterbox, Saint (Harvard, 2007), and Mocked with Death: Tragic Overliving from Sophocles to Milton (Johns Hopkins, 2004). You can follow Emily on Twitter.If you like what you hear, please follow the podcast and leave a rating and review. Share an episode with a friend! And subscribe to my Substack, where you'll get very occasional updates on the podcast and my other work.

In honor of the Vernal Equinox, this episode is dedicated to the shimmering, gently unfurling symbol of Spring! With winter behind us, the Sun and his warmth grows wilder and more golden with each passing day. But there is more to this season than the warming of the world. Spring is associated with the themes of resurrection, fertility, and the reclamation of the sovereign path. Our listener symbol this episode is a contemplation of the theme of being chased in our dreams. Calling all astro-curious listeners of this show ~ Cristina is going to be teaching "Astrology for Beginners" this spring! Get all the details and your early-bird discount, here! https://www.cristinafarella.com/astrology-for-beginnersOur BOOK CLUB will be meeting April 13th, to discuss Anne Carson's Autobiography of Red. Join us by joining The Cloister today! 

This week on Writers & Company from the Archives, Canadian poet, essayist, Greek and Latin scholar and librettist, Anne Carson. The author of Autobiography of Red and its sequel Red Doc> is also the first and only two-time winner of the Griffin Prize for Poetry. She spoke to Eleanor Wachtel in 2011 about her book Nox — an elegy to her brother and a moving reflection on absence 

This is an odd duck of an episode. I intended it to be a review of H of H Playbook by Anne Carson. It turned into a bit of a ramble about Anselm Kiefer, Heracles, the Vulnerability Journal Project, and a walk between darkness and light. I'd love to hear what you think. You can email me at vulnerabilitylifeart@gmail.com Anne Carson is a Canadian classicist, poet, translator, and professor. She has written a wide range of books, including Eros the Bittersweet and Men in the Off Hour. Anselm Kiefer is a German painter and sculptor who has been creating monumental work throughout his career to ensure our collective history is not forgotten.

Get frankly franking frank with the queens this week--then let's talk about sex, baby! Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.      James's ROMANTIC COMEDY is available from Four Way Books.Read more about Frank O'Hara. And read here about Tim Dlugos.  Frank O'Hara wrote "Personism: A Manifesto" that was both manifesto and send-up of manifestos. In it, he advocates for poems that sound like they've got a real person in mind as an audience. In one part of it, he writes, "You just go on your nerve'." You can read the whole manifesto here. Read O'Hara's poem "F. (Missive & Walk) I. 53" which appeared in The Paris Review in Summer 1970. Read  O'Hara's "Pearl Harbor"Watch the official video for the INXS song "Suicide Blonde" ( which includes the line, "You want to make her suicide blonde") here. Read Diane Seuss talk about O'Hara in this Adroit Journal interview: "On Frank O'Hara and Marilyn Monroe."Frank O'Hara's poem "Avenue A" begins "we hardly ever see the moon anymore." Read the whole poem.Hear Tim Dlugos read "The Nineteenth Century is 183 Years Old"Read a review of Tim Dlugos's collected poems edited by David Trinidad called A Fast Life. In the segment "Sex Lives of Poets" we mention the following books/poets:Anne Carson, Men in the Off Hours & Glass, Irony and GodSandra Cisneros, Loose WomanMegan Fernandes, I Do Everything I'm ToldBeckian Fritz Goldberg, Never Be the HorseBenjamin Garcia, Thrown in the ThroatAllen Ginsberg, Howlfrancine j. harris, Play DeadTom Healey, What the Right Hand KnowsBrenda Hillman, Loose SugarThylias Moss, Last Chance for the Tarzan HollerNaomi Shihab Nye, Mint SnowballMary Oliver, ThirstWillie Perdomo, The Essential Hits of Shorty Bon BonKevin Prufer, The Finger Bone & Strange WoodAdrienne Rich, Diving Into the WreckWesley Rothman, Subwoofer

Newly reunited siblings plan their dramatic escape from the Taurians! For background on Iphigenia's family and the events that lead to this play, check out this Spotify playlist. Submit your Q&A responses here! Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Iphigenia Among the Taurians, translated by Anne Carson; and another edition by George Theodoridis. Herodotus' Histories. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

More tension, more unknown sibling secrets, and the hatching of a plan... For background on Iphigenia's family and the events that lead to this play, check out this Spotify playlist. Submit your Q&A responses here! Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Iphigenia Among the Taurians, translated by Anne Carson; and another edition by George Theodoridis. Herodotus' Histories. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Teju Cole joins Deborah Treisman to read and discuss “1=1,” by Anne Carson, which was published in The New Yorker in 2016. Cole's novels include “Open City” and “Tremor,” which was published this year.

This family has the worst luck! Iphigenia, Orestes, and Pylades deal with a bit of a misunderstanding. For background on Iphigenia's family and the events that lead to this play, check out this Spotify playlist. Submit your Q&A responses here! Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Iphigenia Among the Taurians, translated by Anne Carson; and another edition by George Theodoridis. Herodotus' Histories. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

What happened after Iphigenia was sacrificed for a bit of good wind? Euripides has a theory... For background on Iphigenia's family and the events that lead to this play, check out this Spotify playlist. Submit your Q&A responses here! Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Iphigenia Among the Taurians, translated by Anne Carson; and another edition by George Theodoridis. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

The queens put the ass in astonishment & tease out favorite  moments in poems.Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.Please consider buying your books from Bluestockings Cooperative, a feminist and queer indie bookselling cooperative.Read Alicia Ostriker's "Locker-Room Conversation"Check out Rita Dove's poem "Afer Reading Mickey in the Night Kitchen for the Third Time Before Bed."Anne Carson's "X. Sex Question" from Autobiography of Red can be read here. Read "The Glass Essay" from Glass, Irony and God here.Read Mark Doty's poem "With Animals" from My Alexandria. Check out "Days of 1981" here. And go (re)read "Atlantis" here.You can read Olena Kalytiak Davis's poem “Resolutions In A Parked Car” here. The line "Explain Jesus" is actually a whole stanza unto itself, and it appears in the poem, "I Am Only Now Beginning to Answer Your Letter" from And Her Soul Out of Nothing.Read "Facing it" by Yusef Komunyakaa, the final poem in his book Dien CanDau (Wesleyan, 1988). 

Get on your spurs & chaps and join our country queens down at the poetry gay bar!Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.      James's ROMANTIC COMEDY is available from Four Way Books.Please consider buying your books from Bluestockings Cooperative, a feminist and queer indie bookselling cooperative.Watch Miranda Lambert calling out some selfie-takers and the ladies of The View talking about it. And watch her sing "Tin Man" here.Watch Jennifer L. Knox read "Crushing It" here.Maybe the most memorable Tammy Wynette reference is this one from Sordid Lives. "He looked just like Tammy....in the early years," one character says about her brother."Billy Collins is to good poetry what Kenny G is to Charlie Parker" reads this scathing pan of the poet. You can watch Richard Howard read from his poems here (~60 min).Anne Carson is in conversation with Lannan Foundation's Michael Silverblatt here (30 min).Terrance HayesRead B.H. Fairchild's "A Starlit Night" from 32 Poems here.Read "Chopin in Palma," the Susan Mitchell poem in Best American Poetry 2023 (first published in Harvard Review) here. Listen to Mark Doty talk all things Whitman (~50 min)You can watch Frank Bidart read his serial-killer poem "Herbert White" here (~8 min)Here's an amazing tribute to Lucille Clifton organized by SAG-AFTRA, with readings by Geena Davis, Tantoo Cardinal, Isabella Gomez, Mark St. Cyr, Candace Nicholas Lippman, Max Gail, Nicco Annan; Lynne Thompson;  Sidney Clifton; Madeline di Nonno; and  Rochelle Rose. (~70 min)Read Matthew Dickman's poem "Grief."Here's Susan Mitchell's CV.

A super special guest--Ben Giudice--brings us two poems that run headlong into the human task of reconciling bad and good, despair and hope.  "As the World Population Surpasses 8 Billion, I Purposely Misremember a Line from Anne Carson's Sappho and Hear in Its Utterance the Song of the Humpback Whale" by Dante Di Stephano "Good Bones" by Maggie Smith 

In Part II of this series Sawyer and Amber talk about Vernal and Sere Theatre's recent production of LEAR by Young Jean Lee, Sawyer's continued development of THE GLASS ESSAY by Anne Carson, and his translation of UBU ROI. In an effort to uncover the ways Sawyer approaches theatrical storytelling, Amber investigates his process, his approach to audience and how he creates work. Thank you for joining us for this conversation with Sawyer Estes!

Recorded by Anne Carson for Poem-a-Day, a series produced by the Academy of American Poets. Published on August 25, 2023. www.poets.org

The queens bust out their microscopes and examine poetic DNA. Support Breaking Form!Review the show on Apple Podcasts here.  Buy our books:Aaron's STOP LYING is available from the Pitt Poetry Series. Publisher's Weekly calls the book "visceral, tender, and compassionate."James's ROMANTIC COMEDY is available from Four Way Books. "Romantic Comedy," writes Diane Seuss in her judge's citation, "is a masterpiece of queer self-creation."Some of the writers discussed include:Terrance Hayes (who'll join us for the Breaking Form interview next week!), author of So to Speak, which will be out July 18 and is available for pre-order.Listen to Etheridge Knight read "Hard Rock Returns To Prison From The Hospital For The Criminal Insane" & "The Idea Of Ancestry" here (~6 min). Galway Kinnell reads his poem "After Making Love We Hear Footsteps" here (~2 min).Read more about Herbert Morris here, and read his fabulous poem "Thinking of Darwin" here.Read Thomas James's title poem "Letters to a Stranger." Then read this beautiful reconsideration of the poet by Lucie Brock-Broido, who used to photocopy James's poems and give them to her classes at Columbia, before Graywolf republished Letters to a Stranger in 2008.Watch Gary Jackson read Lynda Hull's poem "Magical Thinking" (~3 minutes).Stanley Kunitz reads his poem "The Portrait" here (~2 minutes).If you haven't read Anne Carson's "The Gender of Sound," it is worthwhile & contains a crazy-ass story about Hemingway deciding to dissolve his friendship with Gertrude Stein.Read Lynn Emmanuel's "Inside Gertrude Stein" here.Read Anna Akhmatova's "Lot's Wife" here. Read Osip Mandelstam's "I was washing at night out in the yard" here. Watch Lyrae Van Clief-Stefanon read her poem "Solace" and then discuss how her poem draws inspiration from science. Jennifer Michael Hecht's poem "Funny Strange" from her book Funny can be read from here. Manuel Muñoz is the author of  the short story collectionThe Consequences (Graywolf, 2022). He reads Gary Soto's poem "The Morning They Shot Tony Lopez, Barber and Pusher Who Went Too Far 1958" from Soto's 1977 volume The Elements of San Joaquin. You can read a tiny essay Muñoz published about Soto in West Branch, in a folio edited by poet Shara Lessley.

Today's poem is Short Talk on Waterproofing by Anne Carson. The Slowdown is your daily poetry ritual. In this episode, guest host Jason Schneiderman writes… “In today's poem, Anne Carson engages Franz Kafka, but not directly. Carson calls our attention to a small act of care, the tiny detail of a loving act taking place against a background of atrocity. It reminds us that sometimes the best way to see clearly is to look from the side.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

In the final episode covering Euripides' Orestes... sh*t goes down. So much of it. Murder, mayhem, weirdly helpful gods! Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Euripides' Orestes, translations by Anne Carson (main reference and short quotes throughout); EP Coleridge (long quotes and intro quote); Euripides by Isabelle Torrance. Re: that misspoken line by Hegelochus, Wikipedia's description and the scholia itself. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Euripides' Orestes continues, Orestes pleads his case to Menelaus and Tyndareus, and we meet his beloved bestie, Pylades. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Euripides' Orestes, translations by Anne Carson (main reference and short quotes throughout); EP Coleridge (long quotes and intro quote); Euripides by Isabelle Torrance. Re: that misspoken line by Hegelochus, Wikipedia's description and the scholia itself. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

This play takes place after the end of the Trojan War and after the death of Agamemnon. While there's a recap in the episode, you can listen to the full story in this Spotify playlist. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Euripides' Orestes, translations by Anne Carson (main reference and short quotes throughout); EP Coleridge (long quotes and intro quote); Euripides by Isabelle Torrance. Re: that misspoken line by Hegelochus, Wikipedia's description and the scholia itself. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.