Podcasts about Saidiya Hartman

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How does death, loss and grief impact our relationships? After a year filled with loss, Sarah and Alex talk to a trauma-informed spiritual care provider about the taboos around death, and what happens to our desire when people around us die.  Mentioned in the episode: Close to the Knives: A Memoir of Disintegration by David Wojnarowicz | Without: Poems by Donald Hall | Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals by Saidiya Hartman mistakescast@gmail.com | https://www.instagram.com/mistakescast/ Logo design by roy franklin: www.whateverfactory.org Links to bookshop.org are affiliate links. Any proceeds will support this podcast!  

How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black? These questions animate Aaron Robertson's exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country's most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine's chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine's members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country's largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today. Alongside the Shrine's story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism. The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future. The Black Utopians is a finalist for the Los Angeles Times Book Prize for History.  Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Do we perhaps deserve the impossible? This is only one of the many beautiful questions Marquis Bey asks in this poem of an episode. Marquis is an exquisite thinker who joins me to speak about the incredible book Black Trans Feminism and share thoughts about why such a feminism is for everyone. Marquis speaks about how literature allows us to imagine new possibilities to exist in the world and see how everything is entangled with everything else. Join me to learn from Marquis, to think about abolition, coalition, fugitivity and traniflesh, and to imagine what the world could be beyond the realistic and the possible.  References:https://www.marquisbey.com/Marquis Bey's Black Trans Feminism (Duke UP, 2022)Marquis Bey's Cistem Failure (Duke UP, 2022)Marquis Bey's The Problem of the Negro as a Problem for Gender (University of Minnesota Press, 2020)Marquis Bey's “RE: [No Subject]—On Nonbinary Gender.” Qui Parle: Critical Humanities and Social Sciences (2022)Saidiya HartmanAlexis Pauline Gumbs' M Archive and UndrownedLauryn HillDenise Ferreira da SilvaToni MorrisonN.K. JemisinOctavia ButlerRivers SolomonAndrew CutroneSarah Jane CervenakFred MotenRoxane GayStefano HarneyJack HalberstamTina CamptRalph EllisonTranifleshEmma HeaneyHortense Spillers' “Mama's baby, papa's maybe”K. Marshall GreenTreva EllisonTranifest Spillers, Hortense, et al. "" Whatcha gonna do?": Revisiting ‘Mama's baby, papa's maybe:' An American grammar book": A conversation with Hortense Spillers, Saidiya Hartman, Farah Jasmine Griffin, Shelly Eversley, & Jennifer L. Morgan." Women's Studies Quarterly 35.1/2 (2007): 299-309.Abraham Weil https://www.youtube.com/watch?v=Ua_Hm6weProCiara CreminTransgender Theory (Bloomsbury)https://www.bloomsbury.com/uk/series/transgender-theory/A Nonbinary Life (forthcoming) Asterisk (Duke UP) https://www.dukeupress.edu/series/asterisk-gender-trans-and-all-that-comes-afterJian Neo ChenSusan StrykerEliza SteinbockC. Riley Snorton's Black On Both SidesJess Goldberg's Abolition TimeFrieren  Questions you should be able to respond to after listening:     What is Black Trans Feminism? Why is it for everyone?     How can identities provide comfort and safety and why is that not always useful?     What are the terms Marquis thinks about in relation to allyship?     How does Marquis define traniflesh?     Which thinkers inform Marquis' thinking about fugitivity and what is the central metaphor Marquis introduces here?     What might be challenging about thinking Black Trans Feminism in the way Marquis proposes it?     How do you feel about the impossible and the unrealistic?

This is the last episode of Notes from America with Kai Wright.If you've been with the show through its multi-year history and iterations as a NYC-based narrative podcast and local call-in show called The United States of Anxiety before becoming a nationally distributed program, then you may remember the conversation in this finale.It's with cultural historian, Columbia University professor and MacArthur fellow Saidiya Hartman, who introduces host Kai Wright to young women whose lives were obscured by respectability politics. Hartman is the author of "Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals," which offers an intimate look into some of the Black people that have been seemingly erased from the history books. Through a series of readings, they explore the complicated role of Black intellectuals like W.E.B DuBois, the Black family and how a damaging moralism continues to inform the policing of marginalized communities, public space and American cultural politics today.This episode was originally published as “The ‘Beautiful Experiments' Left Out of Black History” on February 8, 2021.Find Notes From America's archive of episodes here, including the following companion listening for this episode:“Faith Ringgold Creates Space for Black Americans” (1/5/2023)Faith Ringgold's art is an intimate dialogue and debate between generations of Black women, stretching from the formerly enslaved to today. Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

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Send us a textIn Episode 06 of Earl Grae Cafe, Earl (she/they) dives into Chapter 5 of Toni Morrison's The Origin of Others to explore the inspiration behind Morrison's Beloved: the true story of Margaret Garner, an enslaved mother who faced trial for infanticide during the Fugitive Slave Law era. In this 25-minute episode, Earl examines Morrison's reflection on the challenge of telling stories about those whose lives and voices are often erased—a powerful theme that echoes Saidiya Hartman's work in Venus in Two Acts.This episode offers a thoughtful look at storytelling, identity, and the unspoken lives of “Others.” New listeners can jump right in, while regulars can appreciate the building depth of each chapter. Be sure to check out previous episodes (1-5) for more of Earl's readings and reflections on Morrison's brilliant insights.Don't forget to like and subscribe to the PAGES Pod channel wherever you get your podcasts to stay tuned for more from Earl Grae Cafe!Past Episodes of Earl Grae Cafe:Episode 01: Earl Grae Cafe- The Origin of Others (Foreword)Episode 02: Earl Grae Cafe- The Origin of Others (Chapter 1)Episode 03: Earl Grae Cafe- The Origin of Others (Chapter 2)Episode 04: Earl Grae Cafe- The Origin of Others (Chapter 3)Episode 05: Earl Grae Cafe- The Origin of Others (Chapter 4)Other Pages Pod Episodes you might like:PAGES Pod Volume XXII: Afropessimism, Care, and [Fractured Kinship]PAGES Pod Volume XV: Body PoliticsPAGES Pod Volume XII: AfropessimismVisit the PAGES TRG Online Library - Here

What does literary realism look like in the 21st century—and what can it do? In episode 80 of the Podcast for Social Research, recorded live at Liz's Book Bar in Brooklyn, BISR faculty Paige Sweet sat down with fellow faculty and debut novelist Joseph Earl Thomas plus special guests, writers Nana Kwame Adjei-Brenyah and Vinson Cunningham, to talk about what it means, what it takes, and what it feels like to represent social reality in contemporary fiction. In novels that test the boundaries of realism, traditionally conceived—borrowing techniques from autofiction, speculative fiction, dystopia, satire, and academic non-fiction—Thomas (God Bless You, Otis Spunkmeyer), Adjei-Brenyah (Chain-Gang All-Stars), and Cunningham (Great Expectations) get beneath the detailed depiction of everyday life to discuss, among other things, the world-building that happens in every act of writing; how fiction can serve as a testing ground for theoretical commitments; the carceral nature of our social institutions and their ripple effects through our intimate lives; the violence that goes on under the guise of pleasure; and how to feel and depict life as precious in even the most devastating and dehumanizing conditions. Persons and things touched upon include: the US Constitution, bell hooks, Gayatri Spivak, Ruth Wilson Gilmore, Henry James, Solmaz Sharif, Saidiya Hartman, Goodreads, love, looking, “boundaries,” and beauty.  This episode was produced by Ryan Lentini.

Abby and Patrick welcome writer and academic Joseph Earl Thomas, author of the 2023 memoir Sink and a new novel, God Bless You, Otis Spunkmeyer. Set over the course of a single, chaotic day in a North Philadelphia hospital, Thomas' novel unfolds across a multiplicity of geographies and timelines, and weaves together a dense network of human attachments in all their pleasures and pains. The conversation ranges widely as Abby, Patrick, and Joseph discuss what “trauma” means in popular discourse, literary criticism, and real-world trauma centers; the pleasures of food, video games, and genre expectations; Freud, the family, and authentic human connections sustained online; liberal narratives of universality and the dignity of work; the rhetoric of “boundaries”; and living and working through familial relationships that defy neat categorization and challenge us at every turn.Key texts cited in the episode:Elaine Castillo, How To Read NowOmari Akil, “Warning: Playing Pokémon GO is a Death Sentence if You are a Black Man, “ available at https://medium.com/dayone-a-new-perspective/warning-pokemon-go-is-a-death-sentence-if-you-are-a-black-man-acacb4bdae7fParul Sehgal, “The Tyranny of the Tale,” available at https://www.newyorker.com/magazine/2023/07/10/seduced-by-story-peter-brooks-bewitching-the-modern-mind-christian-salmon-the-story-paradox-jonathan-gottschall-book-reviewSehgal, “The Case Against the Trauma Plot,” available at https://www.newyorker.com/magazine/2022/01/03/the-case-against-the-trauma-plot Saidiya Hartman, Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-century America Mat Johnson, Pym Gayl Jones, Mosquito  Patrick Jagoda, “On Difficulty in Video Games,” available at https://www.journals.uchicago.edu/doi/abs/10.1086/699585 Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:Linktree: https://linktr.ee/OrdinaryUnhappinessTwitter: @UnhappinessPodInstagram: @OrdinaryUnhappinessPatreon: patreon.com/OrdinaryUnhappinessTheme song:Formal Chicken - Gnossienne No. 1https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxOProvided by Fruits Music

Who are we outside of white supremacy culture? Perhaps the simple answer is healers, holders, stewards. Perhaps the simple answer is the people that refuse, repair and restore. And perhaps we don't have to go anywhere to learn these skills, perhaps the best teachers and stories are already embedded in our intuition and ancestry. Perhaps the stories they're whispering invite us into a culture with more bearable and breathe-able characteristics where perfectionism becomes improvisation, individualism becomes collectivism and “right to comfort” becomes “right to transformation”. Download Syllabus or Register for Workshop (Syllabus Included) Here: https://www.seedaschool.com/treehouse This Week's Newsletter: The River That Swallows All Rivers “Creative life of refusal” is language borrowed from Alexis Pauline Gumb's essay “The God of Everyday” Follow Ayana on Instagram: ⁠@ayzaco⁠ Follow Seeda School on Instagram: ⁠@seedaschool The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma (PDF) by Bessel Van Der Kolk. Referenced in podcast: Chapter 2 “Revolutions in Understanding Mind and Brain”, a subsection called “Adaptation or Disease” on page 38. “White Supremacy Culture” (PDF). From Dismantling Racism: A Workbook for Social Change Groups, by Kenneth Jones and Tema Okun, ChangeWork, 2001. Shared inside “Queering Wealth” workshop facilitated by Jezz Chung and Mengwen Cao! “These scalar experiments and mobile laboratories are speculative projects that envision new modalities of relation and offer blueprints for unanticipated existence.” — Saidiya Hartman, “Crawlspace Manifold” (February 12, 2023), published in “Torkwase Dyson: A Liquid Belonging” (October 3, 2023), pg.14 Cover Art: Lorraine O'Grady (American, born 1934). Art Is . . . (Girl Pointing), 1983/2009. Chromogenic photograph in 40 parts, 20 × 16 in. (50.8 × 40.64 cm.) Edition of 8 + 1 AP. Courtesy Alexander Gray Associates, New York.

Today, we're setting up Gurki Basra. Gurki is a thought leader with an MBA from UT Austin and currently enrolled in Pepperdine's psychology masters program. She has worked in the fashion and retail industry, having worked at Barneys New York, Neiman Marcus, and numerous other companies as a jewelry buyer. She writes the newsletter Happily Ever Single, and was a reluctant TV reality star for Netflix's first dating reality show, Dating Around. She recently loved and enjoyed Lori Gottleib's Maybe You Should Talk to Someone and Wayward Lives, Beautiful Experiments by Saidiya Hartman. She loves hiking and sleeping in on Saturdays, and is a total summer person. Her on the spot ted talk would be about how going on a reality TV show showed her how complicated humans are, and she thinks everyone should watch Insecure. Gurki, welcome! The winning bookstore Greedy Reads in Baltimore, MD Book picks Ghosts by Dolly Alderton Easy Beauty by Chloe Cooper Jones Seek You by Kristen Radtke How to Be a Person in the World by Heather Havrilesky August Blue by Deborah Levy Big Swiss by Jen Beagin

Author Ayana Mathis' new novel, The Unsettled, is an intergenerational story centered around one Black family's struggle to find freedom in the 1980s. Like her previous work, migration and movement are major themes in the book. But this time, her characters are at a crossroads, unsure of their next step in search of self-determination. Mathis joins host Kai Wright to reveal the questions that torment the characters in her gripping novel, and discuss her own journey grappling with those themes.During this episode, Kai refers to a previous episode about our Future of Black History series featuring Saidiya Hartman, which can be found here.This episode was originally published September 25, 2023. Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

Episode 73 – Allie Lopez on the AHA 2024 Coley Research Award Air Date: April 22, 2024 Allie Lopez, winner of the AHA 2024 Clinton Jackson and Evelyn Coley Research Award, discusses her proposed project, “The Injustice That Permeates: Jim Crow, Fear, And Dispossession in Rural Alabama 1930 to 1985,” and her 2024 AHA Meeting presentation on the Reverse Freedom Rides. Links to things mentioned in the episode: Alabama Historical Association: https://www.alabamahistory.net/ AHA Coley Research Award: https://www.alabamahistory.net/clinton-jackson-and-evelyn-coley-re Allie Lopez webpage at Baylor University: https://history.artsandsciences.baylor.edu/person/allie-r-lopez. University of North Alabama: https://una.edu/index.html SNCC: https://en.wikipedia.org/wiki/ Student_Nonviolent_Coordinating_Committee SCLC: https://nationalsclc.org/ CORE: https://en.wikipedia.org/wiki/Congress_of_Racial_Equality NAACP: https://naacp.org/ Walter Johnson: https://aaas.fas.harvard.edu/people/walter-johnson Marisa Fuentes: https://history.rutgers.edu/people/faculty/details/346-fuentes-marisa Saidiya Hartman: https://english.columbia.edu/content/saidiya-v-hartman Black Belt of Alabama: https://encyclopediaofalabama.org/article/black-belt-region-in-alabama/ Charles S. Johnson, Shadow of the Plantation (Chicago: University of Chicago Press, 1934): https://archive.org/details/shadowofplantati00john/page/n5/mode/1up Theodore Rosengarten, All God's Dangers: The Life of Nate Shaw (NY: Alfred A. Knopf, 1974): https://archive.org/details/allgodsdangersli0000shaw_t4b0 Alabama Sharecroppers Union: https://encyclopediaofalabama.org/article/alabama-sharecroppers-union/ Alabama Department of Archives and History (ADAH): https://archives.alabama.gov/ Freedom Rides: https://encyclopediaofalabama.org/article/freedom-rides/ Reverse Freedom Rider: Allie R. Lopez, “When Southern Segregationists Gave Black Residents One-Way bus Tickets North,” Time – Made By History, March 21, 2024, https://time.com/6697055/welfare-queen-stereotype-origins/. White Citizens Council: https://en.wikipedia.org/wiki/Citizens%27_Councils W. S. Hoole Special Collections, University of Alabama: https://www.lib.ua.edu/libraries/hoole/ Civil Rights Struggle and the Shoals Project: https://civilrightsshoals.com/ Rather read? Here's a link to the transcript: https://tinyurl.com/ypm5axjm *Just a heads up – the provided transcript is likely to be less than 100% accurate. The Alabama History Podcast's producer is Marty Olliff and its associate producer is Laura Murray. Founded in 1947, the Alabama Historical Association is the oldest statewide historical society in Alabama. The AHA provides opportunities for meaningful engagement with the past through publications, meetings, historical markers, and other programs. See the website www.alabamahistory.net/

Buy 'Anti-Oculus: A Philosophy of Escape': https://repeaterbooks.com/product/anti-oculus-a-philosophy-of-escape/Buy 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Head to CRIT DRIP: https://www.etsy.com/shop/critdripTaija: @amalgam_screamsTaija Mars McDougall joins Acid Horizon to discuss her research on the applications of theories of masochism and the social contract as they relate to the obfuscation or misapprehension of forces at work under racial capitalism in the West. Figures in the discussion include Leopold von Sacher-Masoch, Gilles Deleuze, Saidiya Hartman, Gary Fisher, Anthony Farley, and Frantz Fanon.Support the showSupport the podcast:https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastZer0 Books and Repeater Media Patreon: https://www.patreon.com/zer0repeaterMerch: http://www.crit-drip.comOrder 'Anti-Oculus: A Philosophy of Escape': https://repeaterbooks.com/product/anti-oculus-a-philosophy-of-escape/Order 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on Apple Podcasts: https://tinyurl.com/169wvvhiHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

PAGES the Reading Group presents Volume XXI: Use Her WordsTap in with us as we celebrate Women's History Month and amplify the voices of six remarkable women identifying authors who have shaped our literary landscape. In this special episode, we tap into powerful passages from the works of Hortense Spillers, Kim TallBear, Toni Morrison, Anika Simpson, Saidiya Hartman, and Patricia Hill Collins.From groundbreaking feminist theory to poignant narratives of resilience and identity, each author's words resonate with profound insight and depth.Join us as we honor the contributions of these visionary writers to literature and feminist discourse. Whether you're a seasoned bibliophile or new to their works, this episode holds a compelling exploration of women's voices that demand to be heard.Tune in to our Women's History Month special and immerse yourself in the perspectives that continue to shape our understanding of the world. Don't miss out on this episode of the PAGES Pod!#WomensHistoryMonth #WomenAuthors #LiteraryInspiration #FeministDiscourse #PagesPodMentioned this Episode:Volume XVI: On TimeVolume XX: Problems with LoveVolume III: Books and their First LinesMama's Baby, Papa's Maybe by Hortense SpillersThe Origin of Others by Toni MorrisonBlack Sexual Politics by Patricia Hill CollinsScenes of Subjection by Saidiya Hartman"Black Philosophy and the Erotic" by Anika SimpsonMaking Kin Not Population ed. by Follow us across our social media channels:Ig- @PagestrgTikTok- @PagesthereadinggroupWebsite- www.Pagestrg.com

Dr. Tammy C. Owens of Skidmore College joins us to discuss her 2019 article "Fugitive Literati: Black Girls' Writing as a Tool of Kinship and Power at the Howard School." Having discovered a treasure trove of letters written in the early 1900s by girls at the Howard Orphanage and Industrial School, Owens was off on a journey to learn more. The research took her from the Schomburg Center in Harlem to Tuskegee University in Alabama and, ultimately, to the doorstep of the Kings Park Heritage Museum. What Owens pieced together was the story of young Black orphans forging connections and support networks through a unique institution known by some as the Tuskegee of the North. The letters she found tell personal and sometimes painful stories, often by the details which they leave out. Owens' research brings to light voices that are often overlooked or missing from archival collections. We hear her thoughts on the process, the historians and authors who inspire her, and the story of her life-changing day riding around Kings Park with Leo P. Ostebo. Further Research Owens, T. C. (2019). Fugitive literati: Black girls' writing as a tool of kinship and power at the Howard School. Women, Gender, and Families of Color, 7(1), 56–79. https://doi.org/10.5406/womgenfamcol.7.1.0056 Howard Orphanage and Industrial School Photograph Collection (NYPL Schomburg Center) Leo P. Ostebo Kings Park Heritage Museum Tuskegee University History and Mission Lose Your Mother: A Journey Along the Atlantic Slave Route by Saidiya Hartman (find in a library via WorldCat) Incidents in the Life of a Slave Girl by Harriet A. Jacobs (find in a library via WorldCat) The Bondwoman's Narrative by Hannah Craft (find in a library via WorldCat) Darlene  Clark Hine

What are some examples of reparations? How can we make our reparations meaningful? We continue our conversation about reparations with Edwina Peart and Rebecca WalkerWoo, who we spoke to in the first episode. We also speak to Oonagh Ryder who was the Faith in Action Coordinator for Quakers in Britain around that time and Siobhán Haire, Deputy Recording Clerk of Britain Yearly Meeting (Quakers in Britain). But first we should probably explain why it took so longer for this second episode to come out... in the midst of recording we both caught COVID and the disruption meant we were no longer able to keep up with the recording schedule. So, if you want to go back and relisten to the first part you're welcome to. A lot of the content of this episode was recorded around the same time. Despite the delay we felt it was still important to get the episode out as it remains relevant. We will revisit the subject in the future but in 2024 we are starting a new series with new topics. *** FURTHER INFO Find information about Quakers in Britain's commitment to reparations and other resources at www.quaker.org.uk/reparations Find Woodbrooke courses and information on anti-racism work at www.woodbrooke.org.uk/anti-racism *** QUOTED & MENTIONED - Caribbean Community (CARICOM): https://caricom.org/caricom-ten-point-plan-for-reparatory-justice/ - Cotton Capital Podcast (The Guardian): https://www.theguardian.com/cotton-capital - Human Resources Podcast: https://www.broccoli.productions/our-shows - Racial Justice Advocacy Forum: https://www.baptist.org.uk/Groups/365504/Racial_Justice_Advocacy.aspx - Saidiya Hartman (2006) Lose Your Mother: A Journey Along the Atlantic Slave Route - Others mentioned: Anthony G. Reddie, Kofi Mawuli Klu

Acid Horizon continue their conversation with the folks over at Mimbres School by sitting down with Sean Capener, who'll be teaching their "History of Damnation" course. We read Sean's "On the Fall of the Angels: Economic Theology After the Middle Passage". In this paper, Sean shows how St Anselm's Christian theories about the economy of salvation and Man's debt to God can inform a critical view towards our own narratives about debt and credit under racial capitalism through the mediation of figures in contemporary Black Studies such as Saidiya Hartman and Fred Moten.Mimbres School on Twitter: https://x.com/mimbresschool?s=21&t=NfJ9dYuPKzO2YMikAm0wpwSupport the showSupport the podcast:https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastZer0 Books and Repeater Media Patreon: https://www.patreon.com/zer0repeaterMerch: http://www.crit-drip.comOrder 'Anti-Oculus: A Philosophy of Escape': https://repeaterbooks.com/product/anti-oculus-a-philosophy-of-escape/Order 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on Apple Podcasts: https://tinyurl.com/169wvvhiHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

There's little more universally enticing than a story about someone setting off on a great voyage: an intrepid adventurer protagonist. This week, the book I'm discussing is just that – a journey into unknown frontiers, both geographically and linguistically. Today I'm speaking with author and journalist Lauren Collins. Lauren, a staff writer with the New Yorker since 2008, published her incredible debut novel, When In French: Love in a Second Language, to huge acclaim in 2016. In this episode, Lauren and I get into the idea of language – the experience of being a person who lives between two languages, the evolution and porosity of language, L'Academie Francaise (the three-headed dog that guards French grammar), and some technical aspects of a few high-impact linguistic theories. In our interview today, Lauren told me about the book Je ne suis pas Parisienne, by Alice Pfeiffer (2019) – a series of essays written by a journalist, repudiating the ‘Parisian woman' cliché. Her favorite book that I've probably never heard of is The Smile Revolution, by Colin Jones (2014), a cultural history of smiling. Her four best books from the last 12 months are We Don't Know Ourselves: A Personal History of Modern Ireland, by Fintan O'Toole (2021), Wayward Lives, Beautiful Experiments, by Saidiya Hartman (2019), Biography of X, by Catherine Lacey (2023), and South to America, by Imani Perry (2022). Finally, the book she would take to a desert island is Lucy Sante's The Other Paris: An illustrated journey through a city's poor and Bohemian past (2015), a guided-tour through the Paris of a bygone era.

Listen to author and critic Erica Wagner in conversation with Selby Wynn Schwartz, writer of “After Sappho”, her first novel published by Galley Beggar Press in 2022. Together, they talk about her insatiable appetite for literature as a child and the way it led her to becoming a writer. They also evoke Lina Poletti, Sarah Bernhardt, Virginia Woolf or even Nathalie Barney, the women artists who inspired “After Sappho”, the book in which Selby Wynn Schwartz pays tribute to them.As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.Selby Wynn Schwartz, After Sappho, © Selby Wynn Schwartz 2002, first published by Galley Beggar Press, 2022.Quote from the interview "The Galley Beggar Q&A: Selby Wynn Schwartz", © Galley Beggar Press, 2022.Quote from the article "After Sappho by Selby Wynn Schwartz review – in praise of visionary women" written by Lara Feigel, © Guardian News & Media Ltd 2023.© Booker Prize Foundation.© The Orwell Prize for Political Fiction 2023.© University of Edinburgh.Selby Wynn Schwartz, The Bodies of Others: Drag Dances and their Afterlives, © Selby Wynn Schwartz University of Michigan Press, 2019.© Lambda Literary. © American Society for Theatre Research.Selby Wynn Schwartz, A Life in Chameleons, © Selby Wynn Schwartz, 2023. © Reflex Press. © University of California, Berkeley. © Les Ballets Trockadero de Monte Carlo. The Great Art Of Light And Shadow: Archaeology of the Cinema by Laurent Mannoni, translated by Richard Crangle. Translation © University of Exeter Press, 2000. Anne Carson, Short Talks, © Brick Books, 2015.Sappho, If Not, Winter: Fragments of Sappho, Translated by Anne Carson, © Virago, 2003.© Galley Beggar Press.Sappho, If Not, Winter: Fragments of Sappho, Translated by Anne Carson, © Virago, 2003.Assia Djebar, Women of Algiers in their apartments, © Caraf Books, 1999.Assia Djebar, Femmes d'Alger dans leur appartement © Éditions des femmes, 1980.Igiaba Scego, The Color Line, Translated by John Cullen and Gregory Conti, first published in the English language by Other Press in 2022.Igiaba Scego, La linea del colore, first published in Italy in 2020 by Bompiani, © Igiaba Scego, 2020.Dionne Brand, The Blue Clerk: Ars Poetica in 59 Versos. © 2018 Dionne Brand. All rights reserved.Saidiya Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals, © WW Norton & Company, 2019.T. Denean Sharpley-Whiting, Bricktop's Paris: African American Women in Paris between the Two World Wars, © SUNY Press, 2015.Alessandra Cenni, Gli Occhi Eroici : Sibilla Aleramo, Eleonora Duse, Cordula Poletti : una storia d'amore nell'Italia della belle époque, © Mursia, 2011.Cordula « Lina » Poletti, Il Poema Della Guerra, © Nicola Zanichelli, 1918. All rights reserved.Virginia Woolf, Orlando, 1928.© LASTESIS© Non Una Di Meno. All rights reserved.

Torkwase Dyson talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Dyson, who was born in Chicago in 1973, uses abstraction as a means of exploring what she describes as “the ways Black and brown bodies perceive and negotiate space as information”. Painting is the fundament of her practice but she uses a variety of media, from drawing through sculpture and architecture to community practices and collaborative performance. The result is a body of work that is diagrammatic and scientific yet expressive and sensorial. It deconstructs natural and built environments in relation to the histories and legacies of enslavement, colonialism, capitalism and extractivist practices, while addressing the climate emergency and climate justice. She reflects on her concept of Black Compositional Thought and the “hypershapes” that appear in her work, discusses the profound role of the senses and embodiment in her practice, and acknowledges the rigour and discipline that underpin it. She describes the seismic effect on her of the paintings of Mary Lovelace O'Neal, reflects on her admiration of the work of Tony Smith and his daughter, fellow artist Kiki Smith, explains the effect of the writer Saidiya Hartman's reflections on her work, and discusses a recent project responding to the music of Scott Joplin. And she answers our usual questions, including the ultimate: what is art for?35th Bienal de São Paulo: Choreographies of the Impossible, until 10 December; 12th Seoul Mediacity Biennale: This Too, Is A Map, until 19 November 2023. Hosted on Acast. See acast.com/privacy for more information.

Ayana Mathis joins us to discuss her new novel, The Unsettled. It's an intergenerational story centered around one Black family's struggle to find freedom in the 1980s. Like her previous work, migration and movement are major themes in the book. But this time, her characters are at a crossroads, unsure of their next step in search for self-determination. Ayana breaks down the characters in her gripping novel, the questions which torment them, and her own journey grappling with those themes. During this episode, Kai refers to a previous episode about our Future of Black History series featuring Saidiya Hartman: https://www.wnycstudios.org/podcasts/anxiety/episodes/beautiful-experiments-left-out-black-history Check out more about our Future of Black History series here: https://www.wnycstudios.org/podcasts/anxiety/projects/future-black-history Tell us what you think. Instagram and X (Twitter): @noteswithkai. Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or going to Instagram and clicking on the link in our bio. “Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. Tune into the show on Sunday nights via the stream on notesfromamerica.org.

In which Patrick has a long discussion with David Austin to discuss the re-release of Fear of a Black Nation. "Situating Canada within the Black radical tradition and its Caribbean radical counterpart, Fear of a Black Nation paints a history of Montreal and the Black activists who lived in, sojourned in, or visited the city and agitated for change. Drawing on Saidiya Hartman's conception of slavery's afterlife and what David Austin describes as biosexuality – a deeply embedded fear of Black self-organization and interracial solidarity – Fear of a Black Nation argues that the policing and surveillance of Black lives today is tied to the racial, including sexual, codes and practices and the discipline and punishment associated with slavery." Find the book here or at your local bookstore. --- Support: Patreon (https://www.patreon.com/historiacanadiana); Paypal (https://www.paypal.com/paypalme/historiacanadiana); the recommended reading page (https://historiacanadiana.wordpress.com/books/) --- Contact: historiacanadiana@gmail.com & Facebook (https://www.facebook.com/CanLitHistory)  

"Blackness is a lie, but it's a true lie." - RaMell Ross. The boundaries between fiction and nonfiction have never been stable, neutral, or benign. What the work of photographer and filmmaker RaMell Ross, author and cultural historian Saidiya Hartman, and filmmaker Charles Burnett have in common is the belief that nonfiction media teaches how to see race, how to inhabit it, and how to police it. Can it also open up new ways to see differently? Featuring RaMell Ross, Saidiya Hartman, Charles Burnett, Terri Francis, and Ina Archer

In A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (University of California Press, 2023), Diana W. Anselmo queers the earliest development of the "fangirl." Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones of media fan reception and queer belonging. Links Mentioned in the Episode English and comparative literature professor Saidiya Hartman's website Archivist Dorothy Berry's website Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (University of California Press, 2023), Diana W. Anselmo queers the earliest development of the "fangirl." Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones of media fan reception and queer belonging. Links Mentioned in the Episode English and comparative literature professor Saidiya Hartman's website Archivist Dorothy Berry's website Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (University of California Press, 2023), Diana W. Anselmo queers the earliest development of the "fangirl." Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones of media fan reception and queer belonging. Links Mentioned in the Episode English and comparative literature professor Saidiya Hartman's website Archivist Dorothy Berry's website Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (University of California Press, 2023), Diana W. Anselmo queers the earliest development of the "fangirl." Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones of media fan reception and queer belonging. Links Mentioned in the Episode English and comparative literature professor Saidiya Hartman's website Archivist Dorothy Berry's website Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (University of California Press, 2023), Diana W. Anselmo queers the earliest development of the "fangirl." Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones of media fan reception and queer belonging. Links Mentioned in the Episode English and comparative literature professor Saidiya Hartman's website Archivist Dorothy Berry's website Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices

In A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (University of California Press, 2023), Diana W. Anselmo queers the earliest development of the "fangirl." Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones of media fan reception and queer belonging. Links Mentioned in the Episode English and comparative literature professor Saidiya Hartman's website Archivist Dorothy Berry's website Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The term “polymath” is unquestionably overused, and often just plain wrong, but it suits the multi-hyphenate British designer, creative director, and artist Samuel Ross, whose hard-to-pin-down practice spans high fashion, streetwear, painting, sculpture, installation, stage design, sound design, product and furniture design, experimental film, and street art. Best known for founding the Brutalism-tinged fashion label A-Cold-Wall, which sits at the nexus of streetwear and high fashion, and for his work, earlier in his career, with the late Virgil Abloh, Ross also runs the industrial design studio SR_A and has collaborated with brands including Nike, Converse, and Timberland. On this week's episode of Time Sensitive, he talks about notions of ritual, essence, and alchemy; how his work straddles the line between the organic and the synthetic; and why he always thinks in threes.Special thanks to our Season 7 sponsor, Van Cleef & Arpels.Show notes: [03:59] “Samuel Ross: Coarse” at Friedman Brenda[06:41] Glenn Adamson[22:48] Hettie Judah's Lapidarium: The Secret Lives of Stones[27:45] Vitsoe 606 Shelving System[30:46] Virgil Abloh[37:02] “Samuel Ross: Land” at White Cube[42:05] Rhea Dillon[46:24] Sondra Perry's Typhoon Coming On[46:43] Christina Sharpe's In the Wake[46:46] Saidiya Hartman's Wayward Lives, Beautiful Experiments[50:30] Steve McQueen's Small Axe[52:41] John Berger[58:19] 2wnt4[58:53] Pyrex Vision[58:55] Kanye West[58:56] Donda[01:04:09] A-Cold-Wall[01:05:46] Jerry Lorenzo[01:09:25] Black British Artist Grants[01:12:22] SR_A[01:12:50] “Fashion Design: Samuel Ross/A-Cold-Wall” at the V&A Museum[01:13:22] Grace Wales Bonner[01:13:54] Mac Collins[01:13:59] Nifemi Marcus-Bello[01:20:44] David Drake

Black Queer Flesh: Rejecting Subjectivity in the African American Novel (U Minnesota Press, 2021) reinterprets key African American novels from the Harlem Renaissance to Black Modernism to contemporary literature, showing how authors have imagined a new model of Black queer selfhood. African American authors blame liberal humanism's model of subjectivity for double consciousness and find that liberal humanism's celebration of individual autonomy and agency is a way of disciplining Black queer lives. These authors thus reject subjectivity in search of a new mode of the self that Alvin J. Henry names “Black queer flesh”—a model of selfhood that is collective, plural, fluctuating, and deeply connected to the Black queer past. Henry begins with early twentieth-century authors such as Jessie Redmon Fauset and James Weldon Johnson. These authors adapted the Bildungsroman, the novel of self-formation, to show African Americans gaining freedom and agency by becoming a liberal, autonomous subjects. These authors, however, discovered that the promise of liberal autonomy held out by the Bildungsroman was yet another tool of antiblack racism. As a result, they tentatively experimented with repurposing the Bildungsroman to throw off subjectivity and its attendant double consciousness. In contrast, Nella Larsen, Henry shows, was the first author to fully reject subjectivity. In Quicksand and Passing, Larsen invented a new genre showing her queer characters—characters whose queerness already positioned them on the margins of subjectivity—escaping subjectivity altogether. Using Ralph Ellison's archival drafts, Henry then powerfully rereads Invisible Man, revealing that the protagonist as a queer, disabled character taught by the novel's many other queer, disabled characters to likewise seek a selfhood beyond subjectivity. Although Larsen and Ellison sketch glimpses of this selfhood beyond subjectivity, only Saidiya Hartman's Wayward Lives, Beautiful Experiments shows a protagonist fully inhabiting Black queer flesh—a new mode of selfhood that is collective, plural, always evolving, and no longer alienated from the black past. Black Queer Flesh is an original and necessary contribution to Black literary studies, offering new ways to understand and appreciate the canonical texts and far more. Omari Averette-Phillips is a graduate student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black Queer Flesh: Rejecting Subjectivity in the African American Novel (U Minnesota Press, 2021) reinterprets key African American novels from the Harlem Renaissance to Black Modernism to contemporary literature, showing how authors have imagined a new model of Black queer selfhood. African American authors blame liberal humanism's model of subjectivity for double consciousness and find that liberal humanism's celebration of individual autonomy and agency is a way of disciplining Black queer lives. These authors thus reject subjectivity in search of a new mode of the self that Alvin J. Henry names “Black queer flesh”—a model of selfhood that is collective, plural, fluctuating, and deeply connected to the Black queer past. Henry begins with early twentieth-century authors such as Jessie Redmon Fauset and James Weldon Johnson. These authors adapted the Bildungsroman, the novel of self-formation, to show African Americans gaining freedom and agency by becoming a liberal, autonomous subjects. These authors, however, discovered that the promise of liberal autonomy held out by the Bildungsroman was yet another tool of antiblack racism. As a result, they tentatively experimented with repurposing the Bildungsroman to throw off subjectivity and its attendant double consciousness. In contrast, Nella Larsen, Henry shows, was the first author to fully reject subjectivity. In Quicksand and Passing, Larsen invented a new genre showing her queer characters—characters whose queerness already positioned them on the margins of subjectivity—escaping subjectivity altogether. Using Ralph Ellison's archival drafts, Henry then powerfully rereads Invisible Man, revealing that the protagonist as a queer, disabled character taught by the novel's many other queer, disabled characters to likewise seek a selfhood beyond subjectivity. Although Larsen and Ellison sketch glimpses of this selfhood beyond subjectivity, only Saidiya Hartman's Wayward Lives, Beautiful Experiments shows a protagonist fully inhabiting Black queer flesh—a new mode of selfhood that is collective, plural, always evolving, and no longer alienated from the black past. Black Queer Flesh is an original and necessary contribution to Black literary studies, offering new ways to understand and appreciate the canonical texts and far more. Omari Averette-Phillips is a graduate student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Black Queer Flesh: Rejecting Subjectivity in the African American Novel (U Minnesota Press, 2021) reinterprets key African American novels from the Harlem Renaissance to Black Modernism to contemporary literature, showing how authors have imagined a new model of Black queer selfhood. African American authors blame liberal humanism's model of subjectivity for double consciousness and find that liberal humanism's celebration of individual autonomy and agency is a way of disciplining Black queer lives. These authors thus reject subjectivity in search of a new mode of the self that Alvin J. Henry names “Black queer flesh”—a model of selfhood that is collective, plural, fluctuating, and deeply connected to the Black queer past. Henry begins with early twentieth-century authors such as Jessie Redmon Fauset and James Weldon Johnson. These authors adapted the Bildungsroman, the novel of self-formation, to show African Americans gaining freedom and agency by becoming a liberal, autonomous subjects. These authors, however, discovered that the promise of liberal autonomy held out by the Bildungsroman was yet another tool of antiblack racism. As a result, they tentatively experimented with repurposing the Bildungsroman to throw off subjectivity and its attendant double consciousness. In contrast, Nella Larsen, Henry shows, was the first author to fully reject subjectivity. In Quicksand and Passing, Larsen invented a new genre showing her queer characters—characters whose queerness already positioned them on the margins of subjectivity—escaping subjectivity altogether. Using Ralph Ellison's archival drafts, Henry then powerfully rereads Invisible Man, revealing that the protagonist as a queer, disabled character taught by the novel's many other queer, disabled characters to likewise seek a selfhood beyond subjectivity. Although Larsen and Ellison sketch glimpses of this selfhood beyond subjectivity, only Saidiya Hartman's Wayward Lives, Beautiful Experiments shows a protagonist fully inhabiting Black queer flesh—a new mode of selfhood that is collective, plural, always evolving, and no longer alienated from the black past. Black Queer Flesh is an original and necessary contribution to Black literary studies, offering new ways to understand and appreciate the canonical texts and far more. Omari Averette-Phillips is a graduate student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Black Queer Flesh: Rejecting Subjectivity in the African American Novel (U Minnesota Press, 2021) reinterprets key African American novels from the Harlem Renaissance to Black Modernism to contemporary literature, showing how authors have imagined a new model of Black queer selfhood. African American authors blame liberal humanism's model of subjectivity for double consciousness and find that liberal humanism's celebration of individual autonomy and agency is a way of disciplining Black queer lives. These authors thus reject subjectivity in search of a new mode of the self that Alvin J. Henry names “Black queer flesh”—a model of selfhood that is collective, plural, fluctuating, and deeply connected to the Black queer past. Henry begins with early twentieth-century authors such as Jessie Redmon Fauset and James Weldon Johnson. These authors adapted the Bildungsroman, the novel of self-formation, to show African Americans gaining freedom and agency by becoming a liberal, autonomous subjects. These authors, however, discovered that the promise of liberal autonomy held out by the Bildungsroman was yet another tool of antiblack racism. As a result, they tentatively experimented with repurposing the Bildungsroman to throw off subjectivity and its attendant double consciousness. In contrast, Nella Larsen, Henry shows, was the first author to fully reject subjectivity. In Quicksand and Passing, Larsen invented a new genre showing her queer characters—characters whose queerness already positioned them on the margins of subjectivity—escaping subjectivity altogether. Using Ralph Ellison's archival drafts, Henry then powerfully rereads Invisible Man, revealing that the protagonist as a queer, disabled character taught by the novel's many other queer, disabled characters to likewise seek a selfhood beyond subjectivity. Although Larsen and Ellison sketch glimpses of this selfhood beyond subjectivity, only Saidiya Hartman's Wayward Lives, Beautiful Experiments shows a protagonist fully inhabiting Black queer flesh—a new mode of selfhood that is collective, plural, always evolving, and no longer alienated from the black past. Black Queer Flesh is an original and necessary contribution to Black literary studies, offering new ways to understand and appreciate the canonical texts and far more. Omari Averette-Phillips is a graduate student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Black Queer Flesh: Rejecting Subjectivity in the African American Novel (U Minnesota Press, 2021) reinterprets key African American novels from the Harlem Renaissance to Black Modernism to contemporary literature, showing how authors have imagined a new model of Black queer selfhood. African American authors blame liberal humanism's model of subjectivity for double consciousness and find that liberal humanism's celebration of individual autonomy and agency is a way of disciplining Black queer lives. These authors thus reject subjectivity in search of a new mode of the self that Alvin J. Henry names “Black queer flesh”—a model of selfhood that is collective, plural, fluctuating, and deeply connected to the Black queer past. Henry begins with early twentieth-century authors such as Jessie Redmon Fauset and James Weldon Johnson. These authors adapted the Bildungsroman, the novel of self-formation, to show African Americans gaining freedom and agency by becoming a liberal, autonomous subjects. These authors, however, discovered that the promise of liberal autonomy held out by the Bildungsroman was yet another tool of antiblack racism. As a result, they tentatively experimented with repurposing the Bildungsroman to throw off subjectivity and its attendant double consciousness. In contrast, Nella Larsen, Henry shows, was the first author to fully reject subjectivity. In Quicksand and Passing, Larsen invented a new genre showing her queer characters—characters whose queerness already positioned them on the margins of subjectivity—escaping subjectivity altogether. Using Ralph Ellison's archival drafts, Henry then powerfully rereads Invisible Man, revealing that the protagonist as a queer, disabled character taught by the novel's many other queer, disabled characters to likewise seek a selfhood beyond subjectivity. Although Larsen and Ellison sketch glimpses of this selfhood beyond subjectivity, only Saidiya Hartman's Wayward Lives, Beautiful Experiments shows a protagonist fully inhabiting Black queer flesh—a new mode of selfhood that is collective, plural, always evolving, and no longer alienated from the black past. Black Queer Flesh is an original and necessary contribution to Black literary studies, offering new ways to understand and appreciate the canonical texts and far more. Omari Averette-Phillips is a graduate student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

We mark the end of Black History Month with a conversation about the people who are too often left out when we celebrate the past. What do we learn when we study the history of those considered wayward and existing outside of the norms of the day? Cultural historian and MacArthur fellow Saidiya Hartman introduces host Kai Wright to the young women whose radical lives were obscured by respectability politics. Hartman is the author of "Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals," which offers an intimate look into some of the Black lives that have been seemingly erased from the history books. Through a series of readings, they explore the complicated role of Black intellectuals like W.E.B DuBois, the Black family and how a damaging moralism continues to inform the policing of marginalized communities, public space and American cultural politics today. This episode was originally published as “The ‘Beautiful Experiments' Left Out of Black History” on February 8, 2021. Listen to more episodes here. Companion listening for this episode:  Faith Ringgold Creates Space for Black Americans (1/5/2023) Faith Ringgold's art is an intimate dialogue and debate between generations of Black women, stretching from the formerly enslaved to today. “Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on notesfromamerica.org or on WNYC's YouTube channel. We want to hear from you! Connect with us on Instagram and Twitter @noteswithkai or email us at notes@wnyc.org.

This [term] 'femme' becomes more possible to me as a figure for not just embodiment, but for thought, action, engagement, connection. Macarena Goméz-Barris is Professor and Chair of Modern Culture and Media at Brown University, founder of the Global South Center at Pratt Institute, an organization which supports artists, activists, and scholars in their efforts to decolonialize local and global communities. In this episode, Goméz-Barris talks about how one can and must find beauty in the most ambiguous of places, how she uses the word “femme” to escape the embattled histories of the word “female," and how she has—and hasn't—moved on from a traumatic early swimming lesson with her father.   References: Constantine Petrou Cavafy Waiting for the Barbarians Audre Lorde Uses of the Erotic, The Erotic is Power Saidiya Hartman Octavia E. Butler Parable of the Talents

In this episode we interview China Miéville.  China Miéville is the multi-award-winning author of many works of fiction and non-fiction. His fiction includes The City and the City, Embassytown and This Census-Taker. He has won the Hugo, World Fantasy, and Arthur C. Clarke awards. His non-fiction includes the photo-illustrated essay London's Overthrow. He is also the author of October: The Story of the Russian Revolution. He has written for various publications, and is a founding editor of the journal Salvage. He is also a former member of multiple socialist party formations and organizations. In this conversation China joins the podcast to talk about his latest book, A Spectre, Haunting: On the Communist Manifesto. The book provides an introduction to The Communist Manifesto which provides readers with a guide to understanding the Manifesto and the many specters it has conjured. Through his unique and unorthodox reading, Miéville offers a spirited defense of the enduring relevance of Marx and Engels' ideas. The book also contains the full text of the Manifesto and multiple prefaces penned by Marx & Engels.  You can pick the book up directly from Haymarket Books at 40% off currently. We really want to thank Haymarket and China Miéville for donating 40 copies of the book (!!) and also for making a donation to help cover the cost of postage to our incarcerated book club through our partnership with Massive Bookshop and Prisons Kill. We do still need to raise about $150 more dollars to cover the cost of postage to get this book inside, and we'll include a link to contribute to that effort in the show notes. Last month we were able, along with some donations from Massive Bookshop and our patrons to provide 40 copies of Saidiya Hartman's Scenes of Subjection to those incarcerated readers. As for the show itself, It is December, currently for the month we've had more nonrenewals than we have new patrons, which is not unexpected this time of year as people try to balance holiday expenses. However if you have the capacity to become a patron of the show, you can do so for as little as $1 a month or $10.80 per year, at patreon.com/millennialsarekilingcapitalism. We really want to thank all of the folks who support the show, or have supported it when they've been able to, as it is only through your support that conversations like this are possible.  Links: To purchase A Spectre, Haunting (currently 40% off): https://www.haymarketbooks.org/books/1990-a-spectre-haunting To donate to the Prisons Kill book club (to help with postage for the donated copies): https://massivebookshop.com/products/prisonskill-book-club-donation To check out the Salvage journal that Miéville talked about in the episode: https://salvage.zone To support the show: patreon.com/millennialsarekilingcapitalism

Deep dive into the 6th house! Michael J Morris shares their perspectives on how the poignant questions of the 6th house are relevant to us at all times. We see how the 6th can bring us questions + lenses we can ask our culture that help us move towards greater justice + well-being.Michael J. Morris is an astrologer, tarot reader, artist, writer, educator, and witch. They hold a PhD in Dance Studies from The Ohio State University. They are the founder of Co Witchcraft Offerings through which they offer astrology and tarot readings, movement-based rituals, and workshops to support people in cultivating more meaningful living while pursuing personal and collective healing and liberation. Michael is also a teaching assistant with Kelly Surtees' online astrology course, a contributing writer to the CHANI App, and a contributing artist with Livable Futures.we discuss —the 6th House as a lens through which we can ask difficult questions about slavery, disability, illness + workthe charts of Ava Duvernay + Frida KahloLINKSIf you enjoyed the episode, check out —Episode on the 8th houseEpisode on How to Work Shorter : The Benefits + Why of Working LessThreshold : Erotic Ecologies + Embodiments w— Michael J Morris, Anicka Austin + Alkistis DimechMore about our guest —Michael's websiteMichael's IGMichael's TwitterMentioned in the episode —Saidiya Hartman on the “afterlife of slavery”“Towards a Black Feminist Poethics” by Denise Ferreira da SilvaWe Will Dance With Mountains into the Cracks, Bayo OkomolafeKindling, book by Aurora Levins MoralesWhat is Disability Justice?Andor, Star Wars series13th, documentary by Ava DuvernayRest is Resistance, book by Tricia Hersey, Rest is ResistanceBurn Out, book by Amelia + Emily NagoskiFree Resources —join us for Astro Meet-Up!get your free Houses Cheat SheetStay Connected —Subscribe to the home—body podcast wherever you get your listens.Mary Grace's websitejoin the free home—body portal and talk about the episode!This podcast is produced by Softer Sounds. ✨Support the show

Palm oil is a commodity like no other. Found in half of supermarket products, from food to cosmetics to plastics, it has shaped the world in which we live. In Palm Oil: The Grease of Empire (Pluto Press, 2022), Max Haiven tells a sweeping story that touches on everything from empire to art, from war to food, and from climate change to racial capitalism. By tracing the global history of this ubiquitous elixir we see how capitalism creates surplus populations: people made dependent on capitalist wages but denied the opportunity to earn them - a proportion of humanity that is growing in our age of racialized and neo-colonial dispossession. Inspired by revolutionary writers like Eduardo Galeano, Saidiya Hartman, C.L.R. James and Rebecca Solnit, this kaleidoscopic and experimental book seeks to weave a story of the past in the present and the present in the past. Max Haiven is Canada Research Chair in Culture, Media and Social Justice at Lakehead University in Northwest Ontario and director of the Reimagining Value Action Lab (RiVAL). He writes articles for both academic and general audiences and is the author of the books Crises of Imagination, Crises of Power: Capitalism, Creativity and the Commons, The Radical Imagination: Social Movement Research in the Age of Austerity (with Alex Khasnabish) and Cultures of Financialization: Fictitious Capital in Popular Culture and Everyday Life. He is currently working on a book titled Art after Money, Money after Art: Creative Strategies Against Financialization. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Usually the things that are the farthest out — that look the least like art to me — are the things that become the most important.   American painter Glenn Ligon is one of the most recognizable figures in the contemporary art scene. His distinctive, political work uses repetition and transformation to abstract the texts of 20th-century writers. In this episode, Ligon talks about childhood and what it means to have a parent who fiercely and playfully supports you. He also discusses the essential lesson that there's value in the things you do differently, and why he won't take an afternoon nap in his own studio.  References: Courtney Bryan Pamela Z  Samiya Bashir Thelma Golden Robert O'Meally Romare Beardon Toni Morrison Lorna Simpson Margaret Naumberg The Walden School Mike D - Beastie Boys Murders of Chaney, Goodman, and Schwerner Davóne Tines Chris Ofili  Henry Threadgill Frédéric Bruly Bouabré “How It Feels to Be Colored Me” Saidiya Hartman Fred Moten Jason Moran

[The image contains the cover of the 25th Anniversary Edition of Scenes of Subjection, two images of author Saidiya Hartman, and one image from visual artist Torkwase Dyson (which is included in the book) entitled set/interval/enclosure] For this conversation we are extremely honored to welcome Saidiya Hartman to the podcast.  In this conversation we'll be talking about the new 25th anniversary edition of Hartman's groundbreaking and influential work Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. In addition to Scenes, Saidiya Hartman is the author of two other amazing books, Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval and Lose Your Mother: A Journey Along the Atlantic Slave Route. She has been a MacArthur Fellow, Guggenheim Fellow, Cullman Fellow, and Fulbright Scholar. She is a Professor at Columbia University. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson. We ask about a number of the key formulations in Scenes, including Hartman's work on empathy, the fungibility of Blackness, the varied violences and violations of enslavement, white supremacy and the popular theater, and the constitutive limits of bourgeois liberal democracy.  We also talk about Black Feminism, gender differentiation, and the role of cishetpatriarchy in law, violation, and aspiration.  A content notice, that although we don't hover on details, the conversation does include references to rape, abuse, and sexual violence in the context of slavery and in its afterlives. Hartman shares some clarifications on where the pessimism in Scenes lies. She also offers scathing critiques of the limits of emancipation, of the structure of citizenship, and of the project of inclusion within US empire and racial capitalism.  Along the way, we take time to attend to various forms of Black anarchism and the attendant survival programs that Hartman observes and highlights in Scenes and in her later work, particularly Wayward Lives, Beautiful Experiments. We are also partnering with Massive Bookshop and Prisons Kill to send copies of this book into prisoners. This is part of a new project where we will pick one book each month to share with incarcerated people. We'll provide a link to this program in the show notes if you want to contribute to it. You can also pick up a copy for yourself while you're over there if you like. And lastly if you like what we do, and want to support our capacity to bring you conversations like these. Our platform is 100% supported by our listeners. Thanks to everyone who became a patron last month we hit our goal thanks to your support. If you would like to support us for as little as $1 a month you can do so at patreon.com/millennialsarekillingcapitalism.

"I'm not Black, I'm OJ!" Today, Brendane and Alyssa are talking kinship, belonging, diaspora wars, and what we need to do to get free. What's the Word? Kinship. Kinship studies are foundational to the discipline of anthropology, but in this section we talk about how people are taking up the concept to tell their own stories today. What We're Reading. Lose Your Mother: A Journey Along the Atlantic Slave Trade by Saidiya Hartman. In this segment, we read the first two chapters to trace Hartman's attention to kinship and belonging in the afterlife of slavery. What does it feel like to be a stranger everywhere? What in the World?! We talk about the "intratribal conflict" of the African diaspora wars, the choice of identity and how it's a shortcut for people to understand how to oppress you, dating tips from our moms, boycotting The Woman King, how ADOS and FBA strategies disenfranchise Black Americans and promote anti-blackness, and Brendane's personal experience visiting Ghana. By the way, we're on break! We'll be back with episode 5 on November 9th - just in time for the AAA Annual Meeting! Discussed In This Episode Lose Your Mother: A Journey Along the Atlantic Slave Trade (Saidiya Hartman, 2008) Families We Choose: Lesbians, Gays, Kinship (Kath Weston, 1991) Other Episodes S1, E7 Holy Is the Black Woman S1, E15 B**** Better Have My Money! S2, E9 Separate but Equal Month Syllabus for ZD 301 is available here! Let us know what you thought of the episode @zorasdaughters on Instagram and @zoras_daughters on Twitter! Transcript will be available on our website here.