Podcasts about Virginia Woolf

14. mai 1925 ga Virginia Woolf ut Mrs Dalloway på det egne forlaget, Hogarth Press. Romanen, som har blitt en klassiker innenfor modernismen, gir oss innblikk i Clarissa Dalloway, Septimus Warren Smith, Peter Walsh og flere andres liv en junidag i London 1923. På et par hundre sider utforsker Woolf, blant annet, hvordan et menneskeliv henger sammen. 14. mai 2025 møttes professor Marit Grøtta og bokhandler Johanne Gullberg, med redaksjonsleder Siri Häggqvist på Litteratur på Blå for å feire Mrs Dalloways 100-årsdag. I samtalen gjøres et dypdykk i romanen og dens plass i sin samtid og i vår tid, med utgangspunkt i modernisme. Som Peter husker at Clarissa en gang sa: «Og for å kjenne henne, for å kjenne noen, måtte man oppsøke menneskene som utfylte dem; stedene også» (oversatt av Merete Alfsen).

(1:15) Filmjournalist Floortje Smit over 'de mooiste jongen ter wereld' Björn Andrésen (12:23) Muziek: Arjan Pronk van rockband Bökkers (17:04) Historicus Lianne Damen over het veelbewogen leven van ridder Chevalier D'Éon (37:34) Schrijver Eke Krijnen over de liefdesbrieven van Virginia Woolf (48:33) Muziek: Jack DeJohnette (54:03) Wat blijft Lijn: Joanna Crone over haar broer Kees (57:30) Podcast: Henny Vrienten, door Coen Verbraak (1:47:36) Zin van de Dag: Brian Wilson

Grippe, Zahnweh, Fieber: Jeder und jede weiß, wie es ist, krank zu sein. Wir sind es als Kinder, als Erwachsene, im Alter sowieso. Und trotzdem spielt diese Erfahrung in unserer Kultur kaum eine Rolle. Und: Kranksein hat auch sein Gutes: Virginia Woolf, die große englische Schriftstellerin, denkt über eine zutiefst menschliche Erfahrung nach. 1926 erstmals erschienen, geriet ihr Essay lange in Vergessenheit und wurde erst spät wieder entdeckt. Jetzt erschienen in einer Übersetzung von Antje Rávik Strubel.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)

Daily Quote I don't think of all the misery, but of the beauty that still remains. (Anne Frank) Poem of the Day 青溪 王维 Beauty of Words Modern Fiction Virginia Woolf

你听到的是跳岛「读懂金钱」付费系列节目的第四期试听片段，「读懂金钱」付费专题目前只在小宇宙app和网易云音乐上线。如果你对我们的内容感兴趣，欢迎你在这两个平台付费支持我们！ 你有没有关注过女装的口袋？ 研究显示，女装口袋平均只有男装口袋的一半大小，很多裙子甚至根本没有口袋。这一个历史遗留问题：在传统社会，女性被认为没有随身携带钱物的必要，因为她们的生活理所当然地依附于男性。没有口袋，意味着没有独立支配金钱的空间；而没有钱包，就没有经济自主权。 本期节目，文学研究者、作家张秋子将带领我们追溯19世纪文学中三个关于钱包的细节——从《包法利夫人》中那个潘多拉魔盒般的画中钱包，到女性主义文学经典《黄色墙纸》作者夏洛特·吉尔曼笔下象征着独立的口袋，以及伍尔夫《达洛维夫人》中可以暂时安放婚戒的荷包。钱包在她们的手中，是金钱的容器，也是权力与自由的隐喻。 但今天，当“全职女儿”成为流行词汇，当年轻女性因就业困境退回家庭、失去收入来源，理想躺平生活的表象背后，是依附与寄生之间愈加模糊的界限。正如金爱烂《滔滔生活》中那个觉得自己在“吞咽母亲”的女孩——文学让我们看见，女性的寄生困境从未远去。关于金钱、劳动与女性独立的沉重议题，还在延续。 【本期主播】 张秋子 云南昆明人，云南师范大学文学院教师、写作者，南开大学比较文学与世界文学博士，著有《小说榫卯》《与达洛维夫人共度一天》《堂吉诃德的眼镜》等。 【时间轴】 00:00 什么是“全职女儿”？“全职女儿”背后的女性困境 07:27 作为“奖品”的女性形象：《荷马史诗》里的女奴与童话中的公主 16:33 《包法利夫人》：画中少女的钱包，何以成为艾玛宿命的诅咒？ 23:00 《如果我是一个男人》：没有口袋的裙子，如何装下金钱与自由 28:00 《达洛维夫人》：痛苦时，可以把婚戒放进钱包 32:25 成为“全职女儿”真的是一种解脱吗？ 41:30 儿子享受蜜月时，女儿在清理母亲的排泄物 51:53 金爱烂：“每吞下一个饺子，都感觉是在吞咽妈妈” 54:00 为什么越中产的父母，被寄生后越焦虑？ 61:00 文学无法开处方，但能让模糊的痛苦现形 【节目中提到的人名和作品】 人物 伊塔洛·卡尔维诺（Italo Calvino）：意大利当代作家。主要作品有小说《分成两半的子爵》《树上的男爵》《不存在的骑士》《命运交叉的城堡》等。 尼古拉·果戈理（Nikolai Gogol）：俄国批判主义作家，代表作有《死魂灵》《钦差大臣》。节目中提到的《圣诞节前夜》《鼻子》为其短篇小说作品。 伊娃·易洛思（Eva Illouz)：法国社会学家，巴黎社会科学高等研究学院研究主任，耶路撒冷希伯来大学社会学和人类学教授。曾被德国《时代周刊》评选为世界上最有影响力的 12 位思想家之一。著有《爱，为什么痛？》《冷亲密》《爱的终结》等。 简·奥斯丁（Jane Austen）：英国小说家，代表作《傲慢与偏见》《理智与情感》。她的小说表面是爱情故事，核心却是经济安排，揭示了金钱、婚姻与阶层的紧密勾连。 居斯塔夫·福楼拜（Gustave Flauber）：法国小说家，现实主义文学代表人物，著有《包法利夫人》《情感教育》。 巴尔扎克（Honoré de Balzac）：法国小说家、剧作家、评论家与记者，欧洲现实主义文学奠基人。 夏洛特·吉尔曼（Charlotte Gilman）：美国作家、女性主义先锋。著有《黄色墙纸》《她的国》。 弗吉尼亚·伍尔夫（Virginia Woolf）：英国作家，二十世纪现实主义文学、意识流文学与女性主义文学先锋。著有《达洛卫夫人》《到灯塔去》《奥兰多》《海浪》《一间自己的房间》。 皮埃尔·布尔迪厄（Pierre Bourdieu）：法国哲学家、社会学家、人类学家，著有《区分：判断力的社会批判》《世界的苦难》。 林雪虹：马来西亚作家，现居中国。代表作《林门郑氏》《别处的月光》。 克莱尔·吉根（Claire Keegan）：爱尔兰短篇小说家。以精致动人的短篇小说见长，代表作有《南极》《走在蓝色的田野上》《寄养》。节目中提到的《唱歌的收银员》收录于短篇小说集《水最深的地方》。 金爱烂：韩国作家。作品反映了当代韩国青年生活处境，代表作有《你的夏天还好吗》《外面是夏天》《滔滔生活》。 书籍 《荷马史诗》《见树又见林》《爱，为什么痛？》《包法利夫人》《保尔和维吉尼》《云朵的道路》《黄色墙纸》《达洛卫夫人》《大学生》《林门郑氏》《水最深的地方》《滔滔生活》 出品方 | 中信书店 出品人｜李楠 策划人｜蔡欣 制作人 | 何润哲 广岛乱 运营编辑 | 黄鱼 运营支持｜李坪芳 设计｜王尊一 后期剪辑 | KIMIU 公众号：跳岛FM Talking Literature 跳到更多：即刻|微博|豆瓣|小红书

Lo Que Nos Cuenta El Cuento - Un resumen, Virginia Woolf by Radiotelevisión de Veracruz

Support the podcast on Patreon where you get every episode a week early, plus access to every 280 Mysteries episode! https://patreon.com/372pages Find out how this book compares to the works of Tolstoy, Virginia Woolf and Rush. And while you're at it, follow the exploits of Hot Sexton and her father Senator Sexton Sedgewick. Does triple … Continue reading "372 Pages #195 – Deception Point Ep 3 – Conor Admits to Performing Rocket Man!"

“A dama no espelho: reflexo e reflexão” (1929), de Virginia Woolf explora a dualidade entre o que é aparente e o que é a realidade, explorando a natureza da percepção. O narrador-observador é o espelho italiano que havia no vestíbulo, pendurado para fora. É curioso, pois o espelho fala de si em terceira pessoa e, enquanto a narrativa tem toda a delicadeza característica de Virginia, também vai formando uma tensão psicológica. O espelho é imaginativo e reclama que não conhece muito bem a sua dona, por outro lado, constrói intensas histórias sobre ela. Por meio da mesma frase na abertura e no fechamento do conto, temos uma sensação cíclica, assim como o nosso reflexo no espelho, que vai e volta. A frase é: “ninguém deveria deixar espelhos pendurados em casa”. “A dama no espelho: reflexo e reflexão”, de Virginia Woolf é um texto dominado pela imaginação, assim como o universo da infância. Este mês nós recebemos aqui em casa, do nosso parceiro Leiturinha, o maior clube de assinaturas de livros infantis do Brasil, a clássica história “A terra dos meninos pelados”, de Graciliano Ramos. E claro que a nossa parceria diferenciada para você ingressar no maior clube de livros infantis do Brasil continua. Para obter frete grátis por um ano, use oCUPOM: LEITURADEOUVIDOAcessando esse link: https://leiturinha.com.br/?utm_source=influenciadores%20&utm_medium=social%20&utm_campaign=LEITURADEOUVIDO_PODCAST&PIN=LEITURADEOUVIDOUse nosso cupom e ganhe um ano de frete grátis na sua assinatura :)Boa leitura!#momentoleiturinha #leiturinha ✅ Torne-se MEMBRO do CLUBE LEITURA de OUVIDO: encontros virtuais mensais, com notas de rodapé ao vivo e interação entre os leitores e Daiana Pasquim. Para isso, faça um apoio a partir de R$ 20 mensais:

Virginia Woolf called George Eliot's novel, Middlemarch “one of the few English books written for grownups.” It's a book full of characters asking: is it a good thing to live a life of duty, or is it ridiculous? Even after 150 years since the book was published, it provides up-to-date lessons in how to live a modern life. *This is part one or two-part series. It originally aired on April 6, 2022.

(00:31) Es war ein Sensationsfund in den vergangenen Wochen: Die bisher unveröffentlichte Erzählung «The Life of Violet» von Virgina Woolf. Darin zeigt sich eine der einflussreichsten Autorinnen des 20. Jahrhunderts ungewohnt humorvoll. Weitere Themen: (04:31) Nobelpreis für Künste «Praemium Imperiale» vergeben. (05:10) Aurel Dawidiuk wird mit 25 Jahren als Generalmusikdirektor nach Bochum berufen: Was treibt ihn an? (09:54) Zu Besuch an der Aktion «Baden liest die Bibel»: Tour durch einen «Escape Room» für Jugendliche. (13:47) Welche symbolische Bedeutung haben die gestohlenen Kronjuwelen aus dem Louvre in Paris?

Das Atelier, das Schreibzimmer oder die Klausur sind nicht einfach architektonische Tatsachen, sondern mythenumwobene Sehnsuchtsorte. In dieser Episode frage ich mich, ob geistige und künstlerische Produktion tatsächlich den Rückzug in die Abgeschiedenheit voraussetzen, und ob das überhaupt möglich ist. Mithilfe von Virginia Woolf, Gaston Bachelard und Peter Sloterdijk versuche ich mich an einer kleinen Raumtheorie mit der Tür als Schnittstelle.

It's October, the perfect month to celebrate the master of mystery and the macabre. In this episode, Jacke talks to author Richard Kopley about his book Edgar Allan Poe: A Life, a comprehensive critical biography that combines a narrative of Poe's enduring challenges (including his difficult foster father, poverty, alcoholism, depression, and his numerous personal losses) with close readings of his works. PLUS we look at Virginia Woolf's view of what made Jane Austen so great even at the age of 15, and Christopher Herbert (Jane Austen's Favourite Brother, Henry) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cathy Tyson stars in the Leicester Curve Theatre production of Who's Afraid of Virginia Woolf? by Edward Albee. She talks about the demanding, drunken role of Martha.Jewellery expert Joanna Hardy discusses the robbery of France's Crown Jewels from the Louvre Museum in Paris. As AI becomes an increasingly powerful tool, we speak to two artists who are experimenting with technology in music production, Todd Rundgren and Holly Herndon. And Samira talks to the Booker shortisted author David Szalay about his novel, Flesh. Presenter: Samira Ahmed Producer: Harry Graham

W tym nagraniu usłyszą Państwo spotkanie, w którym SYLWIA CHUTNIK i JUSTYNA BILIK opowiadały o swojej nowej książce "KŁIRÓWY. TE, KTÓRE ZŁAMAŁY ZASADY". Z autorkami książki rozmawiała PAULINA WILK.To retransmisja jednego z wielu wydarzeń, które odbywają się na scenach Big Book Cafe.Chcesz mieć dostęp do wszystkich i oglądać o dowolnej porze?Dołącz do Patronek i Patronów Fundacji "Kultura nie boli" i korzystaj ze wszystkiego, co robimy z miłości do czytania.Spróbuj! https://patronite.pl/bigbookcafePisarka Sylwia Chutnik i scenarzystka Justyna Bilik wyruszyły w przeszłość i w dosłowną podróż tropami kobiet, które przekraczały linie podziałów, wyłaziły z szufladek i żyły, jak chciały. Płaciły wysoką cenę. W osobistych esejach o Marii Komornickiej czy Chantal Akerman autorki szukają wzorów i inspiracji, z życiowych i artystycznych zmagań Deborah Vogel, Tove Jansson i Fridy Kahlo czerpią siłę i wynajdują nowe, palące dziś znaczenia.Partner wydarzenia: Wydawnictwo Osnova.Spotkanie odbyło się 13 marca, czwartek, o godzinie 19:00 w Big Book Cafe MDM na ulicy Koszykowej 34/50. O KSIĄŻCETo hołd wobec osób, które łamały zasady i żyły pomiędzy oczekiwaniami, szufladkami i stereotypami. Ukazująca się w Dzień Kobiet książka Sylwii Chutnik i Justyny Bilik Kłirówy. Te, które złamały zasady jest efektem zainteresowań historią odważnych kobiet i ich dziedzictwem.„Dopóki kultura wokół nas ciągle gnębi tych, którzy nie naginają się do większości, to każdy gest niezgody jest odsłonięciem się. Jak coming out” - piszą autorki. Wybrały 15 kobiet, które miały odwagę się odsłonić. Wśród nich są i te znane, jak Frida Kahlo, Virginia Woolf, Maria Komornicka/Piotr Włast, Tove Jansson czy Susan Sontag, i te których nazwiska nie są powszechnie rozpoznawane: urodzona w 1900 roku w Bursztynie na terenie dzisiejszej Ukrainy, tworząca w jidysz i po polsku pisarka Debora Vogel czy zmarła 10 lat temu belgijska awangardowa reżyserka i aktorka Chantal Akerman.– Kłirowe głosy odzyskują dziś swoją historię – mówi Justyna Bilik. I wspomina, że gdy była w podstawówce, to jedyną dostępną jej popkulturową reprezentacją takich kobiet był zespół t.A.T.u. Sylwia Chutnik dodaje, że wszystkie opisane przez nią postaci stanowiły wyzwanie. Przede wszystkim jednak te sławne. Co bowiem nowego można o nich napisać? Chutnik najbardziej obawiała się zmierzenia z Marią Komornicką/Piotrem Włastem. – Przy konstruowaniu opowieści o tej postaci poczułam, jak bardzo dualizm płciowy jest sztuczny i ograniczający – mówi. Łamanie zasad okazało się kwestią kłirowego przetrwania. Bo, jak komentuje Bilik, „biografie tych, które były przed nami, pozwalają czuć się mniej samotnie w świecie, który dalej przykłada do nas binarne, normatywne miary”.O AUTORKACH:Sylwia Chutnik. Pisarka, publicystka i doktorka kulturoznawstwa. Autorka powieści, opowiadań i sztuk teatralnych. Laureatka Paszportu „Polityki”, Społecznego Nobla Ashoki oraz Nagrody Miasta Warszawy za działalność społeczną. Nominowana do wielu nagród kulturalnych i społecznych. Jej książki i teksty są tłumaczone na ponad 12 języków. Zajmuje się również literaturą, prowadząc programy telewizyjne i radiowe, oraz herstorią. Wykładowczyni akademicka.Justyna Bilik. Absolwentka Szkoły Filmowej w Łodzi, scenarzystka filmów społecznie zaangażowanych. Nominowana do Norweskiej Nagrody Filmowej Amanda w kategorii najlepszy scenariusz oryginalny za film Norwegian Dream w reżyserii Leiva Igora Devolda. Współscenarzystka spektaklu Piękna Zośka w reżyserii Marcina Wierzchowskiego w Teatrze Wybrzeże. Finalistka konkursu scenariuszowego SCRIPT PRO. Jedna z tłumaczek tomu "Pomiędzy światami" Ireny Klepfisz.

Daily Quote The only true wisdom is in knowing you know nothing. (Socrates) Poem of the Day The Other Side of a Mirror by Mary Coleridge Beauty of Words Dorothy Osborne's Letters Virginia Woolf

In this episode, Jacke talks to author David Denby about his new book, Eminent Jews: Bernstein, Brooks, Friedan, Mailer, a group biography (loosely inspired by Lytton Strachey's Eminent Victorians) that describes how four larger-than-life figures upended the restrained culture of their forebears and changed American life. PLUS in honor of War and Peace, which lands at #13 on the list of the Greatest Books of All Time, Jacke takes a look at an early essay by Virginia Woolf that explains what made Tolstoy's works so great. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lumen es uno de los sellos de mayor prestigio en España, con un catálogo que incluye a Virginia Woolf, Doris Lessing, a Umberto Eco o Alice Munro, por ejemplo, y autoras más contemporáneas. La última en entrar en esa lista es una lorquina, Inma Pelegrín, que ha ganado el premio Lumen de novela con un thriller rural donde la protagonista es una perra llamada Sombra y su relación con Gabi, el narrador de la historia. Fosca es una obra que nos ha encantado, muy original. ¿Qué tendrá la ciudad de Nueva York para atraparnos con ese poder magnético que solo parece tener ella, y ningún otro sitio del mundo? Sergi Reboredo, viajero que siempre tiene la pluma y la cámara listas para enseñarnos los mejores rincones del planeta, viaja esta vez a la Gran Manzana. El libro, publicado primorosamente por Anaya Touring, es una delicia.Y conocemos a un personaje que parece de novela, con una vida atormentada donde los momentos de felicidad fueron pocos, y que le sirvió de sustrato para escribir cuentos que la llevaron a ser equiparada a Carver. Su nombre, Lucia Berlin. Manual para mujeres de la limpieza es uno de los mejores libros de relatos que jamás ha caído en nuestras manos. Detrás de tanto talento hubo oscuridad. Y entramos en ella. En Alfaguara está toda su obra.Y además, las manías de García Márquez. ¿Por qué quería tener siempre lejos a los caracoles o a los pavos reales?En la sección de Audiolibros, Elizabeth Strout.

Esther Scheldwacht is theateractrice, regisseur en toneelschrijver. Na haar afstuderen was zij in vaste dienst bij het Ro Theater (nu Theater Rotterdam). Hier speelde ze twaalf jaar lang in verschillende producties. In de jaren daarna heeft ze in meerdere theatervoorstellingen gespeeld zoals ‘Hoe Mooi Alles' of ‘Wie is er bang voor Virginia Woolf'. Vanaf augustus 2022 maakte zij deel uit van het ensemble van Het Nationale Theater. Nu heeft ze de bestseller ‘Zachtop lachen' geregisseerd en bewerkt tot een grappig, scherp en ontroerend theaterstuk. In ‘Zachtop lachen' durft Malou van het ene op het andere moment niet meer het verkeer in te gaan. Wat volgt is een rauwe dialoog tussen haar en haar psycholoog. Ellen Deckwitz gaat met Esther Scheldwacht in gesprek.

Chaque vendredi, Nicolas Carreau vous présente le livre audio de la semaine. Ce vendredi, "Mrs Dalloway" de Virginia Woolf.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

A remarkable literary discovery has thrilled readers of the late, great British writer Virginia Woolf. More than 80 years after her death, a new book has been published this week. It's a collection of three comic stories written eight years before her first novel appeared. Malcolm Brabant reports from England for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

A remarkable literary discovery has thrilled readers of the late, great British writer Virginia Woolf. More than 80 years after her death, a new book has been published this week. It's a collection of three comic stories written eight years before her first novel appeared. Malcolm Brabant reports from England for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Virginia Woolf's incredible novel Mrs. Dalloway turns 100 this year! Shruti and Neha talk about this book and its themes of perception, inadequacy, memory, illness, and death. They discuss the effect of the past on the characters, the book's imperialist and pro-colonialism project, and the disappearance of the narrator.Books Mentioned & Shelf Discovery:On Being Ill by Virginia WoolfCulture and Imperialism by Edward SaidThe Annotated Mrs. Dalloway edited by Merve EmreA Room of One's Own by Virginia WoolfTo The Lighthouse by Virginia WoolfThe Hours by Michael CunninghamIf you would like to get additional behind-the-scenes content related to this and all of our episodes, subscribe to our free newsletter.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.

Wenzel, Tobias www.deutschlandfunkkultur.de, Fazit

In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf's friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, The Life of Violet blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.In these irresistible and riotously plotted stories, Violet, who has powers “as marvelous as her height,” gleefully flouts aristocratic proprieties, finds joy in building “a cottage of one's own,” and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, The Life of Violet upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women's friendships and laughter.A major literary discovery that heralds Woolf's ambitions to revolutionize fiction and sheds new light on her great themes, The Life of Violet: Three Early Stories (Princeton UP, 2025) is first and foremost a delight to read. This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context. Urmila Seshagiri is Distinguished Professor of Humanities and Professor of English at the University of Tennessee, Knoxville. She is the author of Race and the Modernist Imagination, the editor of the Oxford World's Classics edition of Virginia Woolf's Jacob's Room, and a contributor to the Los Angeles Review of Books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Être critique, écrire sur les actrices Elle a détesté Barbie de Greta Gerwig pour son « fétichisme de la marchandise gonflé aux dimensions d'un blockbuster estival », son « auteurisme définitivement dévoré par l'hégémonie des franchises, l'ironie permanente et la postmodernité comme impasses narratives » ou « et c'est sans doute le plus pénible », écrivit-elle dans Le Monde, « la défense d'un féminisme néolibéral infantilisant devenu la façade respectable d'un capitalisme décomplexé ».Pour Murielle Joudet, un·e critique doit être « une sorte d'enfant obèse et ingrat, comme les post-humains imaginés par le studio Pixar dans Wall-E. Il ou elle ne doit rien à personne, parce qu'il ou elle n'a rien à revendiquer, rien à vendre et que personne ne l'aime. J'ai vu des critiques arrondir les angles d'une interview, couper ce qui pouvait être (un peu) choquant et ça m'a servi de leçon. J'écris des livres pour parler en mon nom, pour y aller à fond. »Après 21 pages sur Coppola en 2016 (dans un bouquin où elle était la seule femme parmi neuf auteurs), et entre les dizaines d'articles du monumental Hitchcock la totale en 2019 (co-signé avec trois complices de la Cinémathèque française), Murielle Joudet se donne enfin le premier rôle via deux ouvrages consacrés à deux actrices majuscules. D'abord Isabelle Huppert, avec Vivre ne nous regarde pas en 2018, puis Gena Rowlands en 2021, avec On aurait dû dormir, récompensé par le Centre National de la Cinématographie.Ce deuxième épisode dissèque ce remarquable diptyque contre l'ennui, pensé pour honorer des performances qui « tournent autour de la folie en s'aventurant très loin dans l'idée de se rendre incompréhensibles ». En montrant par exemple comment Gena Rowlands, égérie du cinéma de son compagnon John Cassavetes, parvient à traduire physiquement le « flux de conscience » cher à Virginia Woolf. « Son corps s'infléchit à la moindre pensée : elle ne ravale aucun état d'âme, les laisse infuser, fait du montage d'humeurs à même son corps, traversée par une violence inouïe. On peut avoir des éclats dépressifs ou des élans d'euphorie, dissimulés en général sous un masque de neutralité. Son masque glisse tout le temps. » Bas les masques, tout pour la plume.L'autrice du mois : Murielle JoudetNée en 1991 à Paris, Murielle Joudet est critique de cinéma dans la presse (Le Monde), à la radio (sur France Inter pour Le masque et la plume), en ligne (dans le podcast Sortie de secours ou via l'émission Dans le film sur le site Hors-Série) ou pour la Cinémathèque française. Elle a publié quatre ouvrages qui documentent avec rigueur des façons de défier les conventions, en tant que femme, dans l'industrie du 7e art : Isabelle Huppert – vivre ne nous regarde pas (Capricci, 2018), Gena Rowlands – on aurait dû dormir (Capricci, 2021), La seconde femme – ce que les actrices font à la vieillesse (Premier Parallèle, 2022) et un recueil d'entretiens avec la cinéaste Catherine Breillat, Je ne crois qu'en moi (Capricci, 2023). Elle vit et travaille à Paris. Enregistrement juillet 2025 Entretien, découpage Richard Gaitet Prise de son Mathilde Guermonprez Montage Étienne Bottini Réalisation, mixage Charlie Marcelet Musiques originales Samuel Hirsch Harpe, flûte, clarinette, cor, basson, xylophone, timbales et gong Xavier Thiry Illustration Sylvain Cabot

In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf's friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, The Life of Violet blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.In these irresistible and riotously plotted stories, Violet, who has powers “as marvelous as her height,” gleefully flouts aristocratic proprieties, finds joy in building “a cottage of one's own,” and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, The Life of Violet upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women's friendships and laughter.A major literary discovery that heralds Woolf's ambitions to revolutionize fiction and sheds new light on her great themes, The Life of Violet: Three Early Stories (Princeton UP, 2025) is first and foremost a delight to read. This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context. Urmila Seshagiri is Distinguished Professor of Humanities and Professor of English at the University of Tennessee, Knoxville. She is the author of Race and the Modernist Imagination, the editor of the Oxford World's Classics edition of Virginia Woolf's Jacob's Room, and a contributor to the Los Angeles Review of Books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf's friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, The Life of Violet blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.In these irresistible and riotously plotted stories, Violet, who has powers “as marvelous as her height,” gleefully flouts aristocratic proprieties, finds joy in building “a cottage of one's own,” and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, The Life of Violet upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women's friendships and laughter.A major literary discovery that heralds Woolf's ambitions to revolutionize fiction and sheds new light on her great themes, The Life of Violet: Three Early Stories (Princeton UP, 2025) is first and foremost a delight to read. This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context. Urmila Seshagiri is Distinguished Professor of Humanities and Professor of English at the University of Tennessee, Knoxville. She is the author of Race and the Modernist Imagination, the editor of the Oxford World's Classics edition of Virginia Woolf's Jacob's Room, and a contributor to the Los Angeles Review of Books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf's friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, The Life of Violet blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.In these irresistible and riotously plotted stories, Violet, who has powers “as marvelous as her height,” gleefully flouts aristocratic proprieties, finds joy in building “a cottage of one's own,” and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, The Life of Violet upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women's friendships and laughter.A major literary discovery that heralds Woolf's ambitions to revolutionize fiction and sheds new light on her great themes, The Life of Violet: Three Early Stories (Princeton UP, 2025) is first and foremost a delight to read. This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context. Urmila Seshagiri is Distinguished Professor of Humanities and Professor of English at the University of Tennessee, Knoxville. She is the author of Race and the Modernist Imagination, the editor of the Oxford World's Classics edition of Virginia Woolf's Jacob's Room, and a contributor to the Los Angeles Review of Books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Emily Brontë only published one full-length book before dying at the tragically young age of 30. But that book, Wuthering Heights, which tells the story of obsessive and vengeful love on the rugged moors of Yorkshire, is still considered one of the pinnacles of English literature, landing at #15 on the list of Greatest Books of All Time. In this episode, Jacke takes a deep look into Emily Brontë's classic "bad boy" novel, with assistance from Virginia Woolf, Elizabeth Hardwick, Joyce Carol Oates, Anne Tyler, Alice Hoffman, Charlotte Brontë, and others. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's officially one month to go until the publication of How to Live an Artful Life, my new book that features a quote by an artist or writer for everyday of the year: https://www.waterstones.com/book/how-to-live-an-artful-life/katy-hessel/9781529155204 To celebrate, I wanted to share a teaser of the audiobook with an extract from the month of October, featuring its introduction and the first six days, so you can get a feel for the book. Each month is based around a theme. For example, January is about seeking out ideas, February is about love, and September focuses on time. October's is transformation and features thoughts, reflections, creative exercises and daily routines from the likes of Virginia Woolf, Barbara Hepworth, Rose Wylie, Joan Mitchell, Marina Abramović, Zanele Muholi, Cindy Sherman, to name a few…

En esta nueva versión del Cuestionario, el escritor comentó que le molesta de sí mismo la impaciencia y admira al poeta peruano Mario Montalbetti y a Virginia Woolf. Tiene miedo de que le pase algo a su familia cercana o hijos y miente seguido con las mentiras blancas. La mayor influencia de su vida fue su madre, lo hace reír sus tres gatos,  antes de acostarse siempre trata de leer algo y es adicto al café.

Liliana Rampello"Un anno con Jane Austen"Neri Pozza Editorewww.neripozza.itJane Austen in purezza, nella musicale originalità della sua lingua polifonica, che ci guida, tra giorni e parole, con le sue donne, nei luoghi amati, in quella “Austenland” a cui sempre vorremmo ritornare.Quando Jane Austen a undici anni scriveva storielle per divertire i suoi fratelli nella canonica di Steventon, non avrebbe mai immaginato di diventare un'icona. O forse sì. Se JA presentisse di avere poco tempo davanti, non lo sapremo mai: la sorella Cassandra, amatissima, distrusse quasi tutti i suoi scritti privati. Non resta dunque che cercarla nei suoi sei romanzi, nell'intelligenza di Elizabeth Bennett sfidata dal sentimento, nell'amore fedele di Anne Elliot, nella saggia condotta di Mr Knightley, nella generosità di Elinor Dashwood o nel sogno di perfezione di Mr Darcy. In ogni caso, la creatrice del romanzo di formazione femminile rimane al centro di un mistero: come ha potuto, Miss Austen, dal salotto di un piccolo rettorato inglese di fine Settecento spalancare la stanza di ogni casa presente e futura? Come ha saputo dare vita a tante donne, protagoniste a modo loro del proprio destino, non vittime in un mondo patriarcale e classista, donne in cui si specchiano tante parti di noi? Il mondo che JA scandaglia col suo acutissimo sguardo è un universo intero di relazioni ed emozioni, che dopo oltre due secoli ci parla ancora. Ecco dunque 365 scene di matrimoni, balli, case, paesaggi, incipit gloriosi, finali concilianti; 365 giorni di madri, ragazze, sorelle, zie & zitelle, ecclesiastici, gentiluomini, padri, seduttori. Ecco la scrittrice non sempre compresa dai contemporanei ma adorata dai posteri, forse infelice in amore ma innamorata del suo lavoro. Jane Austen in purezza, nella musicale originalità della sua lingua polifonica, che ci guida, tra giorni e parole, con le sue donne, nei luoghi amati, in quella “Austenland” a cui sempre vorremmo ritornare.Liliana Rampello è critica letteraria e saggista. È curatrice dei due Meridiani che Mondadori ha dedicato a Jane Austen. Tra le sue pubblicazioni si segnalano Il canto del mondo reale, Virginia Woolf, La vita nella scrittura e Sei romanzi perfetti su Jane Austen.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Mercedes Bryce Morgan unpacks the whirlwind making of Bone Lake, an 18-day Atlanta shoot that battled storms, injuries, and lost gear before completing its night-boat climax on a Los Angeles soundstage. After a Fantastic Fest premiere and Deadline-breaking international sales, the erotic survival thriller heads to U.S. theaters with buzzy audience reactions and a proudly “fun, commercial, popcorn” spirit.Mercedes traces her path from mini DV Star Wars shorts and USC to festival features, describing her taste as a mix of Oldboy's devastation and Amélie's heart. Other past influences include Barbarians, Who's Afraid of Virginia Woolf?, The House of Yes, Funny Games, and The One I Love. Her TIFF-premiering Fixation (2022) sparked her love for erotic thrillers.On craft, she argues the best twists are guessable seconds before they land, and test screenings help her fine-tune which parts of the mystery viewers might sense without solving it too soon. Her advice to young filmmakers: embrace constraints as boot camp, stick with collaborators who love the work, design for the audience experience, and make sure you enjoy the day-to-day… because the process is the life.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

Vor 100 Jahren veröffentlichte Virginia Woolf ihren Roman „Orlando“. Die Geschichte eines Menschen, der als Mann geboren wird und als Frau weiterlebt. Heute gilt das Buch als Meilenstein in feministischer und LGBTQ+-Literatur. Illustratorin Susanne Kuhlendahl hat daraus eine Graphic Novel gemacht: „Das ist so eine leichte Geschichte, die doch ernste Themen wie Rollenklischees und Frauenrechte behandelt. Das hat mich sofort fasziniert.“ Ein queerer Klassiker, jetzt in Bildern Orlando, zugleich Mann und Frau, reist durch Jahrhunderte und Identitäten, ein Stoff, der sich in Zeiten von Genderdebatten besonders aktuell liest. „Virginia Woolf erklärt das gar nicht groß. Es passiert einfach und es ist in Ordnung so“, sagt Kuhlendahl. Für sie lag die Herausforderung darin, Orlando nicht in Stereotype zu pressen. Inspiration bot das markante Gesicht von Woolfs Geliebter Vita Sackville-West, das sie auch ihrer Figur gab. Humor statt Schwere Woolfs Texte gelten oft als komplex, doch Kuhlendahl betont den leichten Ton: „Es ist die feine Ironie, die begeistert, auch wenn es um Vorurteile geht.“ Ihre Graphic Novel macht diesen Humor sichtbar und sie versucht damit, neue Zugänge zu schaffen.

Pour ce premier épisode focus de la rentrée, nous étions à la médiathèque Virginia Woolf pour parler du film THE HOURS de Stephen Daldry, sorti en 2002 et avec Nicole Kidman, Julianne Moore et Meryl Streep, une variation autour de Mrs Dalloway de Virginia Woolf. L'occasion de nous pencher sur la manière dont le film représente à l'écran l'univers de l'autrice, à travers trois personnages féminins et trois époques différentes.Cet épisode a été suivi d'un échange avec le public, que vous pouvez écouter en fin d'épisode !Animation : Mariana AgierParticipantes : Mariana Agier, Alicia Arpaïa, Margaux Baralon, Lisa Durand, Victoria FabyRéalisation, montage : Mariana AgierSon : Médiathèque Virginia WoolfGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Each quarter, Stig Brodersen sits down with his friend and co-host William Green, author of Richer, Wiser, Happier. Together, they reflect on the lessons and stories that have made them Richer, Wiser, or Happier over the past few months. From investing insights to timeless ideas about how to live well, this conversation is an invitation to join them on the journey toward a more meaningful life. IN THIS EPISODE YOU'LL LEARN: 00:00 - Intro 05:35 - Whether universal truths about a good life really exist 07:43 - What we can — and can't — learn about living well from other people 47:54 - Why happiness often comes more from the absence of negative emotions than from positive ones 50:24 - What William has learned about money and happiness from some of the wealthiest people on earth 01:17:33 - Why spending money on others may increase your own happiness 01:27:29 - Why Stig has deliberately constrained himself from reading new books this past quarter Disclaimer: Slight discrepancies in the timestamps may occur due to podcast platform differences. BOOKS AND RESOURCES Join the exclusive ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIP Mastermind Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to engage in meaningful stock investing discussions with Stig, Clay, Kyle, and the other community members. William Green's book Richer, Wiser, Happier – read reviews of this book. Check out their episode on being Richer, Wiser, and Happier in Q2 2025, Q1 2025, Q4 2024, Q3 2024, Q1 2024,and Q3 2023. William Green's interview with Hagstrom. Sarah Bakewell's book, How to Live: A Life of Montaigne in One Question and Twenty Attempts at an Answer. Michel de Montaigne's book, Essays. David R. Hawkins' book, Letting Go. Ray Dalio's book, How Countries Go Broke. Ray Dalio's book, Principles for Dealing with the Changing World Order. Patrul Rinpoche's book, Words of My Perfect Teacher. John Milton's book, Paradise Lost. Virginia Woolf's book, A Room of One's Own. Related ⁠⁠⁠books⁠⁠⁠ mentioned in the podcast. Ad-free episodes on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Premium Feed⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. NEW TO THE SHOW? Get smarter about valuing businesses in just a few minutes each week through our newsletter, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Intrinsic Value Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We Study Billionaires Starter Packs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Follow our official social media accounts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (Twitter)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Browse through all our episodes (complete with transcripts) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Try our tool for picking stock winners and managing our portfolios: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIP Finance Tool⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Enjoy exclusive perks from our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠favorite Apps and Services⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn how to better start, manage, and grow your business with the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠best business podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. SPONSORS Support our free podcast by supporting our sponsors: SimpleMining HardBlock AnchorWatch Human Rights Foundation Linkedin Talent Solutions Vanta Unchained Onramp Netsuite Shopify Abundant Mines Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://theinvestorspodcastnetwork.supportingcast.fm

Autrice féministe et professionnelle du marketing, Solène Cornec explore le lien intime entre maternité et création. Comment le corps, l'imaginaire et l'écriture se transforment-ils quand on devient mère ? Un échange sensible sur la santé des femmes, la liberté et la transmission.Dans cet épisode de Cheminements, nous accueillons Solène Cornec, autrice engagée de Destin de sorcières, un livre qui redonne voix à quinze femmes accusées de sorcellerie entre le XIVᵉ et le XVIIIᵉ siècle, avec des illustrations d'Aline Bureau.Depuis son appartement parisien, Solène mène une double vie : experte marketing le jour, écrivaine la nuit. Nous parlons d'un autre bouleversement fondateur : la maternité. Une expérience ni évidente ni obligatoire, mais qui, quand elle survient, transforme profondément le corps, la santé des femmes, l'identité, la création et notre manière d'habiter le monde.À travers son vécu, Solène interroge : comment on devient mère, comment on reste autrice, et comment on vit les deux — parfois en fusion, parfois en tension. L'épisode convoque des voix phares de la pensée féministe :Adrienne Rich (Of Woman Born / De l'Institution à l'Expérience) : « La naissance d'un enfant, loin d'être la fin d'un processus créatif, en est le commencement. »Rachel Cusk (Un travail à plein temps / A Life's Work) : « La maternité n'est pas une condition qu'on apprend. C'est quelque chose qu'on devient. »Nancy Huston : « Accoucher d'un enfant et accoucher d'un livre, c'est aussi douloureux et jouissif l'un que l'autre. »On parle de représentations et de peurs avant la grossesse, de ce que la gestation et l'accouchement traversent dans le corps et l'esprit, de l'écriture pendant la grossesse, de l'urgence créative après la naissance, de l'équilibre (ou déséquilibre) entre vie littéraire et vie familiale, d'une chambre à soi (coucou Virginia Woolf), de pression sociale, de solitude, mais aussi de puissance et de transmission.Enfin, nous questionnons l'impact de la maternité sur Destin de sorcières : sans cette expérience, le livre aurait-il été le même ? Ce regard transforme-t-il la façon dont Solène lit la solitude, la liberté et la puissance des femmes qu'elle raconte ?Lien du livre de Solène : https://www.editionsmilan.com/livres/79441-destins-de-sorcieres-15-femmes-15-esprits-libres-15-vies-meurtries/

El narrador es uno de los elementos más importantes de un texto narrativo, pero a pesar de su importancia muchas veces la atención que se le presta no va más allá de decidir si usaremos una primera o una tercera persona. De esa falta de atención a la voz que narra nacen errores como el del que hoy te quiero hablar.Repasemos en qué consiste ese filtro del narrador y repasemos algunas formas de acabar con él para que tu narración gane en elocuencia y sea más capaz de sumergir al lector en la historia. Lo haremos con algunos ejemplos, incluido uno tomado de La señora Dalloway, de Virginia Woolf. ¿Listo? Pues empezamos.-----Si te ha gustado este contenido, recuerda puntuarnos con 5 estrellas, comentar y compartir el episodio; así nos ayudarás a llegar a más escritores y conseguir crear una gran comunidad.-----✉️ Todas las semanas publicamos nuevos artículos en exclusiva solo para nuestros suscriptores. Si quieres recibirlos gratis en tu correo suscríbete aquí: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.sinjania.com/suscripcion-newsletter/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Our experience of time is not what it seems. We perceive time as linear; from beginning to end. This is not actually what's happening. It's a series of moments strung together like pearls, each existing eternally. We are starting to notice that each time we gather to bring in famous dead people, it's all about a specific subject, not really about the people we bring in. The subject, in this case "Time" aligns with the dead ones who come in and they spend the time they have with us, sharing their nonphysical perspective on the subject at hand. These Dead Talks are starting to get very interesting! To join the Inner Self reading waitlist with Christy email garybodley @ gmail . com To learn more about Christy Levy, click here. To book a 55-minute connect call with Gary, click here For more info about the new 7 Rays Activations program, please click here  

We made it to our 50th episode, so what keeps us going? In a word, YOU. From our listeners to invited guests, to family members who helped with tech and made suggestions--to everyone who graced us with their time, support and expertise, we want to say THANK YOU. And that's why we are offering a great giveaway--two of Debie Frable's Skellie Kits will be awarded to two randomly selected subscribers to our newsletter--if you don't subscribe, it's easy to sign up through our website bootieandbossy.com. Please subscribe by October 7th, 2025 to be entered into the drawing. Thank you, Debie, for providing the fabulous Skellie kits!"What is the meaning of life? That was all--a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one."Virginia Woolf, To the LighthouseWhen we first embarked on this great podcast adventure, we had no idea how meaningful it would become, offering us a series of "little daily miracles, illuminations, matches struck in the dark," as Virginia Woolf wrote in her novel, To the Lighthouse. Woolf herself was an avid knitter and wrote to her husband in 1912 that "Knitting is the saving of life." Her sister Vanessa Bell even painted a portrait of her knitting quietly in a chair. The opportunity to connect with others, hear their stories and learn tidbits of history (like the whereabouts of Napoleon's penis . . . ) and share our mistakes and missteps as well as those little daily miracles, has propelled us through 50 episodes. Along the way listeners in 44 of the 50 states (time to step up, you knitters in Utah, Oklahoma, Tennessee, Wyoming, Montana and North Dakota!) and in 17 countries abroad have joined us.And a good drink has helped too--try our celebratory Kir Royal--a nice glass of sparkling white wine with a splash of liquor. And then grab your pointed sticks and tune in to hear us reminisce because, well, like Mom setting off to marry Dad, we "thought that would be fun," and frankly, that's as good a reason as any to do anything.

Jacke talks to author Mark Hussey (Mrs Dalloway: Biography of a Novel) about Virginia Woolf's beloved novel Mrs Dalloway, which turned 100 earlier this year. PLUS author Graham Watson (The Invention of Charlotte Bronte) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup open through the end of September)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

France is due to be the latest country to recognise the state of Palestine. But could it spark a backlash from Israel? Israeli PM Benjamin Netanyahu has said recognition gives "a huge reward to terrorism".We hear from a member of France's national assembly, and from both Israelis and Palestinians. Also on the programme: the Egyptian president pardons the dual British-Egyptian activist Alaa Abd el-Fattah, after years in prison; and the literature professor who stumbled across lost stories from one of the most important writers of the twentieth century - Virginia Woolf.(Photo:The Grabels mayor's house flies the Palestinian flag next to the French and European Union flags, in Grabels, Southern France on 22 September 2025. Credit: Photo by GUILLAUME HORCAJUELO/EPA/Shutterstock)

Whether you've loved Mrs. Dalloway forever or Woolf is new to you, there's nothing more satisfying than thinking about this book for 45 minutes. We do a quick bio, a little chunk on modernism then a deep dive into the SEXY parts of the book. Indulge now and come away a little smarter.

•Roman• Über die Endlichkeit des Lebens und die Definition des Selbst: Ein Tag am Meer enthüllt in inneren Monologen das Leben sechs junger Angehöriger der englischen Society. Nach dem experimentellen Roman von Virginia Woolf. Von Virginia Woolf SWF/WDR 1962 www.wdr.de/k/hoerspiel-newsletter Von Virginia Woolf.

At the heart of human existence is a tragic ambiguity: the fact that we experience ourselves both as subject and object, internal and external, at the same time, and can never fully inhabit either state. In her 1947 book, Simone de Beauvoir addresses the ethical implications of this uncertainty and the ‘agonising evidence of freedom' it presents, along with the opportunity it creates for continual self-definition. In this episode Jonathan and James discuss these arguments and Beauvoir's warnings against trying to evade the responsibilities imposed upon us by this ambiguity. They also look at the ways in which Beauvoir developed these ideas in The Second Sex and her novels, and her remarkable readings of George Eliot, Virginia Woolf and E.M. Forster. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠ In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingscip Read more in the LRB: Joanna Biggs: ⁠https://lrb.me/cipbeauvoir1⁠ Toril Moi: ⁠https://lrb.me/cipbeauvoir2⁠ Elaine Showalter: ⁠https://lrb.me/cipbeauvoir3⁠ Audiobooks from the LRB Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': ⁠https://lrb.me/audiobookscip

Hon var Hollywoods första miljondollarstjärna som sprängde studiosystemet inifrån. Men det var som aktivist hon till slut hittade sin livs roll. Nya avsnitt från P3 ID hittar du först i Sveriges Radio Play. Elizabeth Taylor (1932-2011) slår igenom som barnstjärna i filmen Lassie och är sedan världsberömd för resten av sitt liv. Hon kommer att vinna två Oscars och medverka i filmklassiker som Katt på hett plåttak, Jätten och Vem är rädd för Virginia Woolf?Det är med blockbustern Cleopatra som hon inte bara blir fri från det tvingande studiosystemets klor utan också blir Hollywoods första filmstjärna att tjäna en miljon dollar för sin insats. Det är också under den inspelningen hon möter sin stora kärlek Richard Burton och en affär som blir dubbad ”Le Scandale” av skvallerpressen inleds. ”Liz and Dick” som paret kallas drar till sig sådan uppmärksamhet att det blir grogrunden för vår tids paparazzi-kultur, och uppståndelsen kring Elizabeth Taylors person bedarrar aldrig riktigt, mycket eftersom hon gifter sig åtta gånger, med sju olika män.Men Hollywood-skandaler och filmer är bara en liten del av biografin över Elizabeth Taylor. När AIDS-epidemin lamslår Ronald Reagans USA, är det Elisabeth Taylor som tar ton och driver på i maktens centrum. För hennes långa - och ibland inkognito - engagemang i frågan adlas hon av Elizabeth II.P3 ID om Elizabeth Taylor är historien om ett liv som innehåller så många kapitel, att det ter sig osannolikt. Om diamanter stora som plommon, en filmindustri i förändring och Michael Jackson.I avsnittet medverkar författaren Kate Andersern Brower, som skrivit den officiella biografin om Taylor, och kulturjournalisten Karin Svensson.Programledare och avsnittsmakare: Vendela LundbergProducent: Patrick StaneliusLjudmix: Fredrik NilssonI programmet hörs ljudklipp från: MGM, ABC, The David Frost Tapes, HBO Max Elizabeth Taylor The Lost Tapes, Around the world of Mike Todd, HBOs Bright Lights, The making of Cleopatra, 60 minutes, The Warners - a candidates lifestyle, Mavis on 4, Saturday Night Live, The Larry King Show, The Oprah Winfrey Show och GLAAD.

Ed eccoci qua, con l'ottava stagione di Parola Progetto.La apriamo con un'ospite speciale: Giovanna Massoni, curatrice e consulente di base a Bruxelles, da dove osserva il design con particolare attenzione agli aspetti sociali e all'impatto che ha sulla vita delle comunità.Giovanna ha curato mostre e collaborato con realtà internazionali, quali la Triennale di Liegi, la Biennale di Saint-Étienne, la Milano Design Week e il Lake Como Design Festival.Con lei parleremo di curatela, di frammenti e di come di come il design possa aiutarci a leggere e trasformare il mondo.

‘He stood still in the gloom of the hall, trying to catch the air that the voice was singing and gazing up at his wife. There was grace and mystery in her attitude as if she were a symbol of something.' A special episode this week, as we join Sally in conversation with James Bowen, the podcast's producer and a fellow teacher of literature. Listen for a conversation on the role of objects in narratives, and the way in which characters reduce one another to symbols in modernist literature, ranging across Joyce's short story ‘The Dead' (1904) to Virginia Woolf's Mrs Dalloway (1925) and To the Lighthouse (1927). You can find out more about James and his work here. Alice Jolly's novel, The Matchbox Girl, discussed near the end of the episode is forthcoming with Bloomsbury, and is available to pre-order from all good booksellers. The wonderful piano music in the closing section is ‘Monday', by Paul Seba. You can listen to more of his work here. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus. A note on the sound: We are still experimenting with this format, and apologise that the sound levels are a touch more uneven than normal. As such, you may need to set the volume at a slightly higher level than you normally might when playing this episode!