ancient Greek lyric poet from Lesbos
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Sappho (c. 615 BC) was an ancient Greek poet and an architect of the very words we use to talk about queer identity today.For the past six years, we've been telling the stories of women you may or may now know– but definitely should. This month, we're bringing back our favorite Womanica episodes from across our back catalog. These are women throughout time and around the world who made their mark. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures.Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins.Follow Wonder Media Network:WebsiteInstagramTwitter Hosted on Acast. See acast.com/privacy for more information.
Send us a textEp 664: Ever wondered how childhood experiences secretly shape your sexual desires and why most women struggle to ask for what they want in bed?In this eye-opening episode, Ruin Willow sits down with Tash Doherty (Miss Educated), a London-born writer, author, and sexuality advocate now based in Mexico who's on a mission to make the world "shamelessly sexy." Tash breaks down her three-pillar approach to sexual empowerment: discover what you want, believe you deserve it, and ask for it.The conversation dives deep into how family and cultural shame impact our sexuality, with Tash sharing insights from her upcoming **Sex Journal** launching on Kickstarter. This beautifully designed journal features 20 poems and themed prompts exploring ecstasy, obsession, longing, and desire—all designed to help women reduce shame and align their sex lives with their values.From discussing how childhood associations create unexpected fetishes to exploring the healing power of erotic writing, Tash traces sexuality's role throughout history—from Sappho to the Song Dynasty. She shares her journey from teen romance novelist to sex blogger, including viral pieces like "Get a Man Who Loves Your Bush."The duo also tackles the complex role of pornography in sexual education, highlighting ethical alternatives, and emphasizing the importance of self-exploration through masturbation and quality toys.Ready to explore your own sexual narrative without shame? Tune in for this transformative conversation about reclaiming pleasure and rewriting your story, thereby also improving your relationships. Key Takeaways:• A simple three-pillars formula—know what you want, believe you deserve it, ask for it—reframes sexual confidence as a learnable practice. • Erotic journaling can dismantle familial shame and scaled into a mainstream coffee-table Sex Journal launched on Kickstarter. • Stigmatized practices (masturbation, toys, "healthier" porn, open communication) are portrayed as deliberate tools to build self-knowledge, pleasure, and agency.Chapters Timeline:00:00:02 - Shamelessly Sexy00:04:23 - Writing a Sex Journal for Women00:07:23 - Shame and Sexuality00:12:37 - Exploring Female Sexuality and History00:16:09 - Exploring Sexuality Through Design00:18:12 - Achieving Orgasm Equality00:28:16 - Consent, communication, and sexual exploration00:30:56 - Orgasm Equality and Sexual Empowerment00:38:50 - Sex Tech and Favorite Toys00:39:38 - Sex Toys: Tools Not Replacements00:43:32 - Sex Toys Changed My Life, sexual health00:48:09 - Clitoris Shapes, Stimulation, and Orgasm, libido00:52:17 - Vulva vs Vagina, female anatomyConnect with Miss Educated, Tashhttp://misseducated.substack.com/http://tashdoherty.com/Support the showExclusives https://www.buzzsprout.com/1599808/subscribeNewsletters https://subscribepage.io/ruanwillowhttps://linktr.ee/RuanWillow Affiliates Firm Tech 15% OFF with code ruan15 https://myfirmtech.com/ruanwillow BeeDee dating app https://beedee.app/?r=ohfuckyeahThe Fantasy Box DATE30 for $30 OFF 1st box https://thefantasybox.sjv.io/c/6250602/2141126/26423
In today's episode, we're discussing the Circle of Sex, a 1960s astrological representation of sexuality, and its eccentric creator Gavin Arthur. Join us to hear about how to have sex à la Walt Whitman, how to figure out if you're a Sappho or a Club Woman, and whether there is a faint possibility, just maybe, that the Circle is a tiny bit flawed. If you would like to follow along at home, please have a look at the Circle of Sex diagram. We do our best to explain it, but it will hopefully make things a little bit clearer if you have a look yourself! Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky. [Image: The Circle of Sex, a diagram of a circle cut into twelve segments, with a Yin-Yang symbol at the centre. Each segment has a label such as 'Hyperheterogenic - Don Juan' or '3/4 homogenic - Lesbian'.]
8/8 portal Aquarius full moon pod with goated artist and filmmaker Martine Syms, director the excellent 2022 film African Desperate. On Anne Carson, Sappho, Simone Weil, Julian of Norwich, mysticism, and kicking it in Paris at the Nike conference. PART 2: https://www.patreon.com/c/1storypod Sean Thor Conroe wrote the novel Fuccboi.
This 2019 episode covers Sappho, often described as the greatest female poet of ancient Greece. Her reputation as a poet has persisted for more than 2500 years, but the overwhelming majority of her work has not.See omnystudio.com/listener for privacy information.
This week, we're back on location at the VancouFur furry convention in Vancouver! We hear about a bomb mage, a high-charisma roguelike wizard, and a monk who discovers a new way to defeat Strahd. Reilly's around for this episode, and so order is restored, even as we need to podcast away from a crisis. Thanks again to the organizers for giving us permission to record at the convention!We're grateful to Syren, Pluto, Sappho, Cherry Blossom, Rudy, and Lexi for taking the time to talk with us! We hear about the Starfinder system in this episode. Back in January, we encountered a Starfinder playtest at OrcaCon. At VancouFur, we commissioned a quick scrungly portrait of ourselves recording the podcast from Chebits. Head on over to our website to check it out! If you like the music on the show, go check out more of Reilly's music. You can also listen to Reilly's DJ sets on Mixcloud.Follow us wherever you get your podcasts, including Spotify, Apple Podcasts, and YouTube. You can also get episodes right from the source at our RSS feed. If you enjoy Campaign Spotlight, consider subscribing to our Patreon or supporting us on Ko-Fi. A special thanks to Hannah W, Jake K, Perry C, Elvin Prince, Jason K, and Smokie Derg for supporting us on Patreon!For more on the show, including links to all our social media, visit our website. ★ Support this podcast on Patreon ★
Natalie is joined by Edith Hall and Nikita Gill to tell the stories of the Nine Earthly Muses, the most admired Greek women poets. They are Sappho, Myrtis, Corinna, Moero, Anyte, Nossis, Erinna, Praxilla and Telesilla. The idea was that these "divine voices" had been nurtured by the Muses themselves.Sappho's magnificent poetry offers a different perspective from Homer's. Her Helen of Troy feels no guilt at all about leaving her family to be with Paris. The poets provide funny, inventive and unexpected angles: Corinna writes about a contest between two local mountains to see which of them can play the best song on the lyre. The disgruntled loser, Mount Helicon, then rains down boulders like snow in displeasure. Praxilla writes drinking songs using her own meter and rhythms. But their work has been scorned and misunderstood by critics and Natalie wants to redress that.'Rockstar mythologist' Natalie Haynes is the best-selling author of 'Divine Might', 'Stone Blind', and 'A Thousand Ships' as well as a reformed comedian who is a little bit obsessive about Ancient Greek and Rome.Nikita Gill is an Irish-Indian poet whose work offers a shift of perspective which centres women in both Greek and Hindu myth as well as folklore. She has been shortlisted for the Goodreads Choice Award in poetry and the Children's Poetry Award and longlisted for the Jhalak Prize. Her new book is Hekate: The Witch.Edith Hall is Professor of Classics at Durham University, specialising in ancient Greek literature. She has written over thirty books and is a Fellow of the British Academy.Producer...Beth O'Dea
Amongst its pages, there are many familiar names—Oscar Wilde, Quentisn Crisp, Sappho, James Baldwin, Freddie Mercury — but also many we might not expect: Florence Nightingale, Marlene Dietrich, Cary Grant, J. Edgar Hoover, Eleanor Roosevelt, Tchaikovsky, Greta Garbo, Richard the Lionheart, even Abraham Lincoln, along with 1000 other stories of artists, generals, politicians, kings, despots and many more figures drawn from 5000 years of hidden culture. Keith Stern came to the Bureau to talk about his extraordinary encyclopaedia ‘Queers in History', what drove him to write it, and why it matters. The book is more than a who's-who of queer life —it's a challenge to the official version of the past, a reminder of how history gets made, unmade, and remade, depending on who's telling the stories, inviting us to consider how queerness has always existed, and has contributed to the culture. And we get into the subject of whether Gandalf was Queer - yes, we really do…
Alenative History - Die Geschichte des Antiken Griechenlands
Sappho wurde als die zehnte Muse bezeichnet. Bereits zu Lebzeiten als Poetin über die Küsten von Lesbos bekannt, berührte sie die Menschen mit ihren Worten über Sehnsucht & Liebe bis in die Spätantike. Sie war für die Lyrik das, was Homer für die Epik war. Aber wer war die Frau hinter der Legende? Begnadete Dichterin & Lehrerin? Eine tragische Figur? Eine lesbische Ikone? Lasst es uns herausfinden.Erhältliche Gedichte von Sappho:Sappho: Lieder von Anton Bierl (2021)Sappho. Und ich schlafe allein. Gedichte. von Albert von Schnirnding (2013)Sappho. Scherben – Skizzen. von Dirk Uwe Hansen (2012)Sappho. Liebesgedichte. von Marion Giebel (2007)Quellen & Literatur:AelianAntipatros von SidonAthenaiosCatull, CarmenChamaileon von Herakleia, FragmenteHerodot, HistorienHorazMartial, EpigrameMenander, FragmenteOvid, EpistulePindarPlaton, PhaidrosSappho: Das Arignotalied / Atthis Gedicht, Kölner Neufund, Ode der Aphrodite etc. (online)-----Aly, Sappho, RE, 1920Bierl / Lardinois, Introduction, 2016Bolling, Textual Notes on the Lesbian Poets, 1961Campbell, Greek Lyric 1 (…), 1982Clayman, The New Sappho in a Hellenistic Poetry Book, 2011Dörrie, P.Ovidius Naso (…), 1975DeJean, Fictions of Sappho: 1546–1937, 1989de Kreij, Transmissions and Textual Variants (…), 2015duBois, Sappho (…), 2015Ferrari, Sappho's Gift (…), 2010Finglass, Sappho on the Papyri, 2021Gordon, Introduction: Sappho: Poems and Fragments, 2002Gronewald / Daniel, Ein neuer Sappho Papyrus, in ZPE, 2004Hallett, Beloved Cleis, 1982Ebd., Sappho and her Social Context (…), 1979Hartmann, Frauen der Antike, 2007Hutchinson, Greek Lyric Poetry (…), 2001Jacoby, Das Marmor Parium, 1904 (online)Lardinois / Rayor, Sappho (…), 2014Lardinois. Sappho's Personal Poetry, 2021Ebd., Someone, I Say, Will Remeber Us (…), 2008Lefkowitz, The Lives of Greek Poets, 2012Lidov, Sappho, Herodotus & the Hetaira, 2002Kivilo, Sappho's Lives, 2021Ebd., Early Greek Poets' Lives (…), 2010Mendelsohn, Girl, Interrupted (…), 2015 (Online Artikel)Page, Sappho & Alcaeus, 1955Parker, Sappho Schoolmisstress (…), 1993Reynolds, The Sappho Companion, 2001Voigt, Fragmente von Sappho & Alkaios, 1971Walen, Sappho in the Closet, 1999Weissweiler, Musikalisch-schöpferische Frauen von der Antike bis zum Mittelalter (…), 1999Williamson, Sappho's Immortal Daughters, 1995Winkler, The Contraints of Desire (…), 1990Yatromanolakis, Sappho in the Making (…), 2008Ebd., Alexandrian Sappho Revisited, 1999Zazzorini im Lexikon Musik und Gender (2010) über Sapphischen VersSuda Lexikon onlineParische Chronik“Lost Poems of Greek Poetess Sappho Found” (thearchaeologynewsnetwork)
WIVES OF THE ROMANS: 1/8: The Missing Thread: A Women's History of the Ancient World Hardcover – July 30, 2024 by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1593 ROMAN WOMEN
Recorded by staff of the Academy of American Poets for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 29, 2025. www.poets.org
"Drawing on the lapping waves and flute of the original, I teased out some drones and loops, which I layered and structured using the original recording as a guide, some of which can be heard relatively unprocessed, particularly at the beginning and end of my piece, which takes its title from a fragment of a poem by Sappho (inspired by the location, of course)." Afternoon in Sigri, Greece reimagined by Joseph Sannicandro.
2025 Harvard Horizons Scholar Katherine Horgan explores the legacy of the ancient Greek poet Sappho in her project, "Living Sappho: Imitation, Imagination, and Revivification in Early Modern England." A PhD student in English at Harvard's Kenneth C. Griffin Graduate School of Arts and Sciences, Horgan delves into the complex interplay between Sappho's textual and biographical traditions, exploring how artists and writers have continuously reimagined and celebrated Sappho over millennia. Horgan's research argues for the transformative power of Sappho's work throughout literary history. By illuminating the rich afterlife of Sappho's poetry and persona, Horgan not only contributes to the recovery of marginalized voices but also invites contemporary readers to engage with Sappho as a site of playful exploration and enduring inspiration.
Poétesse antique de génie, Sappho reste mal connue : les Grecs, tout en reconnaissant son talent, ont pris ombrage de sa célébrité ! À partir de ses rares poèmes qui nous sont parvenus, Virginie Girod reconstitue un vrai puzzle pour vous faire découvrir cette artiste qui a tant fait parler d'elle.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Episode: 3241 Green with Immortality. Today, we go green with immortality.
In 2012, Steve Green, billionaire and president of the Hobby Lobby chain of craft stores, announced a recent purchase of a Biblical artefact—a fragment of papyrus, just discovered, carrying lines from Paul's letter to the Romans, and dated to the second century CE. Noted scholar Roberta Mazza was stunned. When was this piece discovered, and how could Green acquire such a rare item? The answers, which Mazza spent the next ten years uncovering, came as a shock: the fragment had come from a famous collection held at Oxford University, and its rightful owners had no idea it had been sold. The letter to the Romans was not the only extraordinary piece in the Green collection. They soon announced newly recovered fragments from the Gospels and writings of Sappho. Dr. Mazza's quest to confirm the provenance of these priceless fragments revealed shadowy global networks that make big business of ancient manuscripts, from the Greens' Museum of the Bible and world-famous auction houses like Sotheby's and Christie's, to antique shops in Jerusalem and Istanbul, dealers on eBay, and into the collections of renowned museums and universities. Dr. Mazza's investigation informs her book, Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts (Redwood Press, 2024), and forces us to ask what happens when the supposed custodians of our ancient heritage act in ways that threaten to destroy it. Stolen Fragments illuminates how these recent dealings are not isolated events, but the inevitable result of longstanding colonial practices and the outcome of generations of scholars who have profited from extracting the cultural heritage of places they claim they wish to preserve. Where is the boundary between protection and exploitation, between scholarship and larceny? Our guest is: Dr. Roberta Mazza, who is Associate Professor of Papyrology at the University of Bologna. She previously held positions at the University of Manchester, where she was honorary curator of the Manchester Museum, and at the University of California, Berkeley. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Playlist for listeners: A Conversation with Curators from the Smithsonian The House on Henry Street Archival Etiquette: What to know before you go Project Management for Researchers Where Research Begins The Museum of Failure Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biblical-studies
In 2012, Steve Green, billionaire and president of the Hobby Lobby chain of craft stores, announced a recent purchase of a Biblical artefact—a fragment of papyrus, just discovered, carrying lines from Paul's letter to the Romans, and dated to the second century CE. Noted scholar Roberta Mazza was stunned. When was this piece discovered, and how could Green acquire such a rare item? The answers, which Mazza spent the next ten years uncovering, came as a shock: the fragment had come from a famous collection held at Oxford University, and its rightful owners had no idea it had been sold. The letter to the Romans was not the only extraordinary piece in the Green collection. They soon announced newly recovered fragments from the Gospels and writings of Sappho. Dr. Mazza's quest to confirm the provenance of these priceless fragments revealed shadowy global networks that make big business of ancient manuscripts, from the Greens' Museum of the Bible and world-famous auction houses like Sotheby's and Christie's, to antique shops in Jerusalem and Istanbul, dealers on eBay, and into the collections of renowned museums and universities. Dr. Mazza's investigation informs her book, Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts (Redwood Press, 2024), and forces us to ask what happens when the supposed custodians of our ancient heritage act in ways that threaten to destroy it. Stolen Fragments illuminates how these recent dealings are not isolated events, but the inevitable result of longstanding colonial practices and the outcome of generations of scholars who have profited from extracting the cultural heritage of places they claim they wish to preserve. Where is the boundary between protection and exploitation, between scholarship and larceny? Our guest is: Dr. Roberta Mazza, who is Associate Professor of Papyrology at the University of Bologna. She previously held positions at the University of Manchester, where she was honorary curator of the Manchester Museum, and at the University of California, Berkeley. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Playlist for listeners: A Conversation with Curators from the Smithsonian The House on Henry Street Archival Etiquette: What to know before you go Project Management for Researchers Where Research Begins The Museum of Failure Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices
In 2012, Steve Green, billionaire and president of the Hobby Lobby chain of craft stores, announced a recent purchase of a Biblical artefact—a fragment of papyrus, just discovered, carrying lines from Paul's letter to the Romans, and dated to the second century CE. Noted scholar Roberta Mazza was stunned. When was this piece discovered, and how could Green acquire such a rare item? The answers, which Mazza spent the next ten years uncovering, came as a shock: the fragment had come from a famous collection held at Oxford University, and its rightful owners had no idea it had been sold. The letter to the Romans was not the only extraordinary piece in the Green collection. They soon announced newly recovered fragments from the Gospels and writings of Sappho. Dr. Mazza's quest to confirm the provenance of these priceless fragments revealed shadowy global networks that make big business of ancient manuscripts, from the Greens' Museum of the Bible and world-famous auction houses like Sotheby's and Christie's, to antique shops in Jerusalem and Istanbul, dealers on eBay, and into the collections of renowned museums and universities. Dr. Mazza's investigation informs her book, Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts (Redwood Press, 2024), and forces us to ask what happens when the supposed custodians of our ancient heritage act in ways that threaten to destroy it. Stolen Fragments illuminates how these recent dealings are not isolated events, but the inevitable result of longstanding colonial practices and the outcome of generations of scholars who have profited from extracting the cultural heritage of places they claim they wish to preserve. Where is the boundary between protection and exploitation, between scholarship and larceny? Our guest is: Dr. Roberta Mazza, who is Associate Professor of Papyrology at the University of Bologna. She previously held positions at the University of Manchester, where she was honorary curator of the Manchester Museum, and at the University of California, Berkeley. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Playlist for listeners: A Conversation with Curators from the Smithsonian The House on Henry Street Archival Etiquette: What to know before you go Project Management for Researchers Where Research Begins The Museum of Failure Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In 2012, Steve Green, billionaire and president of the Hobby Lobby chain of craft stores, announced a recent purchase of a Biblical artefact—a fragment of papyrus, just discovered, carrying lines from Paul's letter to the Romans, and dated to the second century CE. Noted scholar Roberta Mazza was stunned. When was this piece discovered, and how could Green acquire such a rare item? The answers, which Mazza spent the next ten years uncovering, came as a shock: the fragment had come from a famous collection held at Oxford University, and its rightful owners had no idea it had been sold. The letter to the Romans was not the only extraordinary piece in the Green collection. They soon announced newly recovered fragments from the Gospels and writings of Sappho. Dr. Mazza's quest to confirm the provenance of these priceless fragments revealed shadowy global networks that make big business of ancient manuscripts, from the Greens' Museum of the Bible and world-famous auction houses like Sotheby's and Christie's, to antique shops in Jerusalem and Istanbul, dealers on eBay, and into the collections of renowned museums and universities. Dr. Mazza's investigation informs her book, Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts (Redwood Press, 2024), and forces us to ask what happens when the supposed custodians of our ancient heritage act in ways that threaten to destroy it. Stolen Fragments illuminates how these recent dealings are not isolated events, but the inevitable result of longstanding colonial practices and the outcome of generations of scholars who have profited from extracting the cultural heritage of places they claim they wish to preserve. Where is the boundary between protection and exploitation, between scholarship and larceny? Our guest is: Dr. Roberta Mazza, who is Associate Professor of Papyrology at the University of Bologna. She previously held positions at the University of Manchester, where she was honorary curator of the Manchester Museum, and at the University of California, Berkeley. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Playlist for listeners: A Conversation with Curators from the Smithsonian The House on Henry Street Archival Etiquette: What to know before you go Project Management for Researchers Where Research Begins The Museum of Failure Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology
In 2012, Steve Green, billionaire and president of the Hobby Lobby chain of craft stores, announced a recent purchase of a Biblical artefact—a fragment of papyrus, just discovered, carrying lines from Paul's letter to the Romans, and dated to the second century CE. Noted scholar Roberta Mazza was stunned. When was this piece discovered, and how could Green acquire such a rare item? The answers, which Mazza spent the next ten years uncovering, came as a shock: the fragment had come from a famous collection held at Oxford University, and its rightful owners had no idea it had been sold. The letter to the Romans was not the only extraordinary piece in the Green collection. They soon announced newly recovered fragments from the Gospels and writings of Sappho. Dr. Mazza's quest to confirm the provenance of these priceless fragments revealed shadowy global networks that make big business of ancient manuscripts, from the Greens' Museum of the Bible and world-famous auction houses like Sotheby's and Christie's, to antique shops in Jerusalem and Istanbul, dealers on eBay, and into the collections of renowned museums and universities. Dr. Mazza's investigation informs her book, Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts (Redwood Press, 2024), and forces us to ask what happens when the supposed custodians of our ancient heritage act in ways that threaten to destroy it. Stolen Fragments illuminates how these recent dealings are not isolated events, but the inevitable result of longstanding colonial practices and the outcome of generations of scholars who have profited from extracting the cultural heritage of places they claim they wish to preserve. Where is the boundary between protection and exploitation, between scholarship and larceny? Our guest is: Dr. Roberta Mazza, who is Associate Professor of Papyrology at the University of Bologna. She previously held positions at the University of Manchester, where she was honorary curator of the Manchester Museum, and at the University of California, Berkeley. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Playlist for listeners: A Conversation with Curators from the Smithsonian The House on Henry Street Archival Etiquette: What to know before you go Project Management for Researchers Where Research Begins The Museum of Failure Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life
In 2012, Steve Green, billionaire and president of the Hobby Lobby chain of craft stores, announced a recent purchase of a Biblical artefact—a fragment of papyrus, just discovered, carrying lines from Paul's letter to the Romans, and dated to the second century CE. Noted scholar Roberta Mazza was stunned. When was this piece discovered, and how could Green acquire such a rare item? The answers, which Mazza spent the next ten years uncovering, came as a shock: the fragment had come from a famous collection held at Oxford University, and its rightful owners had no idea it had been sold. The letter to the Romans was not the only extraordinary piece in the Green collection. They soon announced newly recovered fragments from the Gospels and writings of Sappho. Dr. Mazza's quest to confirm the provenance of these priceless fragments revealed shadowy global networks that make big business of ancient manuscripts, from the Greens' Museum of the Bible and world-famous auction houses like Sotheby's and Christie's, to antique shops in Jerusalem and Istanbul, dealers on eBay, and into the collections of renowned museums and universities. Dr. Mazza's investigation informs her book, Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts (Redwood Press, 2024), and forces us to ask what happens when the supposed custodians of our ancient heritage act in ways that threaten to destroy it. Stolen Fragments illuminates how these recent dealings are not isolated events, but the inevitable result of longstanding colonial practices and the outcome of generations of scholars who have profited from extracting the cultural heritage of places they claim they wish to preserve. Where is the boundary between protection and exploitation, between scholarship and larceny? Our guest is: Dr. Roberta Mazza, who is Associate Professor of Papyrology at the University of Bologna. She previously held positions at the University of Manchester, where she was honorary curator of the Manchester Museum, and at the University of California, Berkeley. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Playlist for listeners: A Conversation with Curators from the Smithsonian The House on Henry Street Archival Etiquette: What to know before you go Project Management for Researchers Where Research Begins The Museum of Failure Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics
This week, our guests Riley Silverman and Amy Spalding join Dave Holmes for some cubic trivia, wordcloud karaoke, and tax write off justifications. Riley Silverman would like to plug Tales From The Vortex and recommends The Joy Who LivedAmy Spalding would like to plug On Her Terms and recommends Cover Story by Celia LaskeyAnd finally Dave is on Bluesky! Dave would like to recommend Pete Zias Find us on Instagram and BlueskyWritten by Riley Silverman and John-Luke Roberts, recorded remotely over Zoom and produced by Christian Dueñas and Laura Swisher.Join the MaxFun fam:maximumfun.org/join
I'm reading Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics. Week 2 starts with Greek Poetry, and then we start Homer and The Odyssey. What a great week!I'm a beginner at reading the classics, but I've decided to just "crack the book" and get started. Here are a few of my key take-aways from this week:The surviving Greek Lyrics are very male-dominated, full of war and fighting and politics, with not a lot of attention paid to nature or beauty, or even romance. That is, until you get to Sappho, a woman. Her verses are really beautiful. I can't help but wonder why. Is it just what survived? Or is that an accurate reflection of Greek society? I thought it was the second until I read Homer.The Odyssey is full of male and female characters, and they are both important to the story. So where the poetry was very male-centric (except for Sappho) Homer absolutely isn't. I mean, Penelope seems kind of weak, but Athena is absolutely crucial to the plot. I will have to think about this a lot more.Odysseus is a pain in the neck. While I love the story, I'm not a fan of the guy himself so far, at least by Book 10. For instance, when he gets ready to pass by the Sirens, he is told to lash himself to the mast of the ship IF he wants to hear the Siren Song. And that's what he chose to do! Why would he not just say, “Nope, I'll put beeswax in my ears like the rest of the crew and we will just sail on by.” It seems supremely arrogant.Telemachus, on the other hand, seems to me to possibly be the better hero. I'm looking forward to seeing him find his dad.I have a lot of other thoughts this week, especially about the Fagles translation I read.This is a year-long challenge! Join me next week to finish the Odyssey. We'll be joined by a fun guest!CONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm
Lesbians and Sex Work The Lesbian Historic Motif Podcast - Episode 309 with Heather Rose Jones In this episode we talk about: Four motifs that connect women loving women and sex work in historic sources Sources used Bennett, Judith and Shannon McSheffrey. 2014. “Early, Erotic and Alien: Women Dressed as Men in Late Medieval London” in History Workshop Journal. 77 (1): 1-25. Beynon, John C. 2010. “Unaccountable Women” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Blackmore, Josiah. 1999. “The Poets of Sodom” in Queer Iberia: Sexualities, Cultures, and Crossings from the Middle Ages to the Renaissance ed. Josiah Blackmore and Gregory S. Hutcheson. Duke University Press, Durham. ISBN 9780822323495 Boehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Burford, E.J. 1986. Wits, Wenchers and Wantons - London's Low Life: Covent Garden in the Eighteenth Century. Robert Hale, London. ISBN 0-7090-2629-3 Cheek, Pamela. 1998. "The 'Mémoires secrets' and the Actress: Tribadism, Performance, and Property", in Jeremy D. Popkin and Bernadette Fort (eds), The "Mémoires secrets" and the Culture of Publicity in Eighteenth-Century France, Oxford: Voltaire Foundation. Choquette, Leslie. 2001. “'Homosexuals in the City: Representations of Lesbian and Gay Space in Nineteenth-Century Paris” in Merrick, Jeffrey & Michael Sibalis, eds. Homosexuality in French History and Culture. Harrington Park Press, New York. ISBN 1-56023-263-3 Craft-Fairchild, Catherine. 2006. “Sexual and Textual Indeterminacy: Eighteenth-Century English Representations of Sapphism” in Journal of the History of Sexuality 15:3 DeJean, Joan. 1989. Fictions of Sappho, 1546-1937. Chicago: University of Chicago Press. ISBN 0-226-14136-5 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Engelstein, Laura. 1990. "Lesbian Vignettes: A Russian Triptych from the 1890s" in Signs vol. 15, no. 4 813-831. Garber, Marjorie. 1992. Vested Interests: Cross-Dressing and Cultural Anxiety. Routledge, New York. ISBN 0-415-91951-7 Faderman, Lillian. 1981. Surpassing the Love of Men. William Morrow and Company, Inc., New York. ISBN 0-688-00396-6 Gilhuly, Kate. 2015. “Lesbians are Not from Lesbos” in Blondell, Ruby & Kirk Ormand (eds). Ancient Sex: New Essays. The Ohio State University Press, Columbus. ISBN 978-0-8142-1283-7 Habib, Samar. 2007. Female Homosexuality in the Middle East: Histories and Representations. Routledge, New York. ISBN 78-0-415-80603-9 Haley, Shelley P. “Lucian's ‘Leaena and Clonarium': Voyeurism or a Challenge to Assumptions?” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Ingrassia, Catherine. 2003. “Eliza Haywood, Sapphic Desire, and the Practice of Reading” in: Kittredge, Katharine (ed). Lewd & Notorious: Female Transgression in the Eighteenth Century. The University of Michigan Press, Ann Arbor. ISBN 0-472-11090-X Jones, Ann Rosalind & Peter Stallybrass. 1991. “Fetishizing gender: constructing the Hermaphrodite in Renaissance Europe” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Jones, Heather Rose. 2021. “Researching the Origins of Lesbian Myths, Legends, and Symbols” (podcast). https://alpennia.com/blog/lesbian-historic-motif-podcast-episode-201-researching-origins-lesbian-myths-legends-and Katritzky, M.A. 2005. “Reading the Actress in Commedia Imagery” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Klein, Ula Lukszo. 2021. Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature. University of Virginia Press, Charlottesville. ISBN 978-0-8139-4551-4 Kranz, Susan E. 1995. The Sexual Identities of Moll Cutpurse in Dekker and Middleton's The Roaring Girl and in London in Renaissance and Reformation 19: 5-20. Merrick, Jeffrey. 1990. “Sexual Politics and Public Order in Late Eighteenth-Century France: the Mémoires secrets and the Correspondance secrète” in Journal of the History of Sexuality 1, 68-84. Merrick, Jeffrey & Bryant T. Ragan, Jr. 2001. Homosexuality in Early Modern France: A Documentary Collection. Oxford University Press, New York. ISBN 0-19-510257-6 Rizzo, Betty. 1994. Companions without Vows: Relationships among Eighteenth-Century British Women. Athens: University of Georgia Press. ISBN 978-0-8203-3218-5 Sears, Clare. 2015. Arresting Dress: Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco. Durham: Duke University Press. ISBN 978-0-8223-5758-2 Shapiro, Michael. 1994. Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages. Ann Arbor. Van der Meer, Theo. 1991. “Tribades on Trial: Female Same-Sex Offenders in Late Eighteenth-Century Amsterdam” in Journal of the History of Sexuality 1:3 424-445. Vanita, Ruth and Saleem Kidwai, eds. 2000. Same-Sex Love in India: Readings from Literature and History. St. Martin's, New York. ISBN 0-312-22169-X Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)
Notes and Links to Donna Minkowitz's Work Donna Minkowitz is a writer of fiction and memoir who author Mary Gaitskill has celebrated as “original, energetic, witty, and meaty.” Andrew Solomon dubbed her “utterly entrancing… a writer with breathtakingly fluent language.” She is also the author of the fantasy-influenced memoir Growing Up Golem and the memoir Ferocious Romance, about being an openly lesbian reporter covering the Christian right undercover. Growing Up Golem was a finalist for both a Lambda Literary Award and for the Publishing Triangle's Judy Grahn Nonfiction Award, and Ferocious Romance won a Lambda Literary Award. Donna, a former columnist for the Village Voice and The Advocate, has also written for the New York Times Book Review, The Nation, Salon, Slate, and New York magazine. DONNAVILLE, her first novel and third book, was recently published by Indolent Books. Buy Donnaville Donna's Website Book Review for Donnaville from Kirkus Reviews At about 2:05, Donna provides background on her formative reading and writing years At about 3:40, Pete and Donna talk about the benefits of reading works a bit too old for them At about 5:05, Donna responds to Pete's questions about the Torah and how its stories affected her writing At about 6:30, Donna talks about formative and transformative writers, including poets and Greek mythology At about 8:05, Donna responds to Pete's questions about representation in discussing the significance of Sappho's work At about 10:25, Donna discusses the nuances of the word “queer” and generational usages At about 14:00, Pete and Donna stan Honor Thy Father by Gay Talese, which receives a shout out in Donnaville At about 17:20, Donna expands on writers who inspired her as a high school and college student; she talks about the complicated legacy and work of Tolkien At about 21:30, Pete asks Donna and how the detail shown in Donnaville connects to her work as an esteemed journalist At about 23:40, Donna talks about her undercover journalism work, including a memorable white nationalism conference and purported former Olympic hopeful At about 26:40, Donna talks about the book's opening scene and connections to her real life, with regard to therapy and therapists and ways of finding growth At about 31:55, Pete describes the book's exposition and compliments Donna's At about 34:05, Donna cites Denise Levertov's and Delmore Schwartz's (“Narcissus”) work as inspiration for her book featuring a city inside her mind; Pete cites another wonderful Schwartz text, “In Dreams Begin Responsibilities” At about 36:40, Donna talks about Foucault and resistance in connection to an evocative line from her book At about 37:20, Donna expands upon how there are two characters in the book who are not pieces of her, and she explains the significance of Harlequin in the book At about 41:45, Donna responds to Pete's question about the lying nature of Harlequin At about 44:15, Donna and Pete explore ideas of connection and confusion between abusers and their young victims At about 47:50, Donna talks about early “action” that Donna in the book is urged to take At about 49:40, Pete highlights a beautiful quote regarding the “sacred divine” and Donna talks about expectations of hurt At about 50:30, The two discuss the contradictions of the book's jailer, and Donna further discusses ideas of shame At about 53:25, Donna expands on how she sees parts of her life and family in certain characters in the book At about 54:40, Pete shouts out a story, William Carlos Willams' “The Use of Force,” that explores ideas of sadism in similar ways as Donnaville At about 55:50, Donna muses over ideas of self-care, emotional regulation, and structure in our lives featured in the book At about 57:35, Pete gives details about the book's main focus, and Donna responds to his observations about Donnaville as “a happily queer book” as she also expands upon pleasures found in the book At about 1:02:05, Pete cites traumas alluded to in the book and a deep quote about traumas emerging in people's lives At about 1:04:10, Donna ponders Pete's question about a nurturing group of older people and connects the book to Joseph Campbell's “Hero's Journey” At about 1:07:30, Pete and Donna discuss a possible animated movie based on the book and possible voice actors At about 1:09:25, Donna shouts out as bookstores to buy her book, such as The Bureau of General Services, Queer Division, Stanza Books and Binnacle Books You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 255 guest Chris Knapp is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 277 with Jahmal Mayfield, who writes gritty crime novels that touch on large social issues. His stellar SMOKE KINGS was inspired by Kimberly Jones' passionate viral video, “How can we win?” The episode airs on March 25.
Daily QuoteLearning is not attained by chance, it must be sought for with ardor and attended to with diligence. (Abigail Adams)Poem of the DayTo Aphroditeby SapphoBeauty of Words简单(节选)三毛
We’re join by the multimedia artist Monica Rocha aka Momo the clown aka Myrtle Widecock aka Sappho’s Trap House!! We discuss the video means of production, Britney Spears and our influences, Rambo Hochul, Paper Tiger Television and other a/v art comrades, and make a plea for David Cross to be our landlord. PLUS we review … Continue reading "217 – Clown Drag w/ Monica Rocha"
Welcome back to the Dirt Diaries! Since February is the month of love with Valentine, I thought it would be fun to go over some ancient love poems and songs and then... rank them. I go over everything from the world's oldest love songs to those written by Sappho and Plato and everything in between. People may say ILY today, but someone in the ancient world said, " I wish I were Heaven, with a billion eyes to look at you." -Stay curious Want more Dirt Diaries? Join patreon with all your history-loving friends! patreon.com/TheDirtDiaries Travel with me, my socials, and more! https://beacons.ai/dirtdiaries.tenn
Take a deep dive into three of ancient Greece's most fascinating women - both historical and mythological. What can we discover about Sappho, Medea and Antigone by studying the original texts? Join Diane Rayor, an extremely talented and engaged translator as she takes you 'behind the scenes' of some of the most powerful works from the ancient world. DIANE J. RAYOR is Professor Emerita of Classics at Grand Valley State University, Michigan. She has published six book translations of ancient Greek poetry and drama: Sappho: A New Translation of the Complete Works (Cambridge University Press, paperback 2nd edition Feb.Hosted by Anya Leonard of Classical Wisdom. To learn more about Classical Wisdom, and sign up for our free newsletter, please go to https://classicalwisdom.substack.com/
8/8: The Missing Thread: A Women's History of the Ancient World Hardcover - by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1534 British Museum women of Rome
5/8: The Missing Thread: A Women's History of the Ancient World Hardcover - by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1700s Sabine Women
7/8: The Missing Thread: A Women's History of the Ancient World Hardcover - by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1885 Roman home life
6/8: The Missing Thread: A Women's History of the Ancient World Hardcover - by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1835 Women of Rome pleading with a Roman general
4/8: The Missing Thread: A Women's History of the Ancient World Hardcover - by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1621 Handball women of Rome
3/8: The Missing Thread: A Women's History of the Ancient World Hardcover - by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1608 Women of Rome mythology
2/8: The Missing Thread: A Women's History of the Ancient World Hardcover - by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1589 Engraving women of Rome mythology
1/8: The Missing Thread: A Women's History of the Ancient World Hardcover - by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 79 AD Pompeii women of Rome
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Liv answers listener questions about all things ancient and a handful of modern things that feature the ancient world... Submit your questions for future Q&A episodes and segments here. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.
Today's poem is 52 Blue by Sappho Stanley. The Slowdown is your daily poetry ritual. In this episode, Major writes… “Today's poem probes into the ocean within the self — the mysteries of love.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp
5/8: The Missing Thread: A Women's History of the Ancient World Hardcover – July 30, 2024 by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1862 sappho
7/8: The Missing Thread: A Women's History of the Ancient World Hardcover – July 30, 2024 by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1917 Sappho
6/8: The Missing Thread: A Women's History of the Ancient World Hardcover – July 30, 2024 by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1896 Sappho
8/8: The Missing Thread: A Women's History of the Ancient World Hardcover – July 30, 2024 by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 2022 Sappho
3/8: The Missing Thread: A Women's History of the Ancient World Hardcover – July 30, 2024 by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1806 SAPPHO
4/8: The Missing Thread: A Women's History of the Ancient World Hardcover – July 30, 2024 by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1809 SAPPHO
2/8: The Missing Thread: A Women's History of the Ancient World Hardcover – July 30, 2024 by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1800 SAPPHO
1/8: The Missing Thread: A Women's History of the Ancient World Hardcover – July 30, 2024 by Daisy Dunn (Author) https://www.amazon.com/Missing-Thread-Womens-History-Ancient/dp/0593299663 Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage. 1760 SAPPHO
Preview: Sappho: Conversation with author and classicist Daisy Dunn regarding the vastly celebrated Greek poet Sappho and her jealousy or displeasure of a woman one of her brothers rescued from Egypt. More later. 1831 Sappho
John J. Miller is joined by Jessica Hooten Wilson of Pepperdine University to discuss the poetry of Sappho.