Podcasts about thembi soddell

Thembi Sodell created a piece entitled "Let Go of Control" for the 2 Minutes From Home" series of new music commissions, performed by the Decibel New Music Ensemble. Thembi talks to Decibel artistic director Cat Hope from regional Victoria, Australia.

Resonating the spaces of Mona with percussionist David Jones, sound artist Thembi Soddell, improvising saxophonists Rosalind Hall and Jim Denley, and more.

Resonating the spaces of Mona with percussionist David Jones, sound artist Thembi Soddell, improvising saxophonists Rosalind Hall and Jim Denley, and more.

Audrey's out of detention, Jerry's out of the woods, and Sarah's convenience store is out of Smirnoff. It's Part 12 of Twin Peaks the Return and all bets are off. This week, sound scholars and long-term Lynch nerds Thembi Soddell and Jess Pinney join Andy and Hayley to discuss one of the most divisive installments yet. Talk turns to Twin Peaks and trauma, Lynch and Hurley's sound design and what's really going on with Charlie and Audrey. All this and solid, and now award-winning, Peaks discussion that some listeners are calling "really good, actually." Music courtesy of @theblackhundred and @johnnyjewel Find us on Twitter and Facebook at TPseason3.

Take a deep breath, bring your zippo and remember to blink, it’s time to strap in and set the controls for Part 8... First, meet your copilot Clare Nina Norelli. Clare was already an accomplished writer about film sound, music and David Lynch before she wrote the book Soundtrack to Twin Peaks in which she tackles Lynch and Badalamenti's use of music in the first two seasons. All this, and analysis critics describe as being "from the heart" and "surprisingly decent." Shownotes: On this episode we mention Herk Harvey’s 1962 film Carnival of Souls and Gene Moore’s organ-heavy score. Like any self-respecting Lynch academic, Clare wrote about this film years ago and you can find her essay on the film and its soundtrack, which many attentive Twin Peaks viewers have mentioned influenced some scenes in Part 8, here - https://cinemaandsong.wordpress.com/2015/08/07/carnival-of-souls/ If you don’t already own a copy of Clare’s book, you can find out more about it and source a copy here - http://www.bloomsbury.com/au/angelo-badalamentis-soundtrack-from-twin-peaks-9781501323010/ The two sound nerds who carry around frequency analysers on a daily basis that Andy mentions are future guest of the show Jessica Pinney and Thembi Soddell, both currently engaged in researching sound and emotion at Melbourne's RMIT University. Music courtesy of @theblackhundred. Find us on Twitter and Facebook at TPseason3.

A major ruling by the Papua New Guinea Supreme Court offers hope for Aziz – but, amidst the promise, the men receive devastating news from Nauru. Meanwhile, they're encouraged to accept the option to resettle in PNG. So why doesn't Aziz take it? Aziz, with his smuggled phone 'We don't know what next, but this is really one of the first good news that we ever heard.' Aziz When Aziz learns of Papua New Guinea's Supreme Court ruling that detention on Manus Island is illegal, he sends Michael messages describing his joy and excitement. But his elation soon turns to confusion as he and the other men understand they're anything but free. Meanwhile, news of two separate self-immolations in Nauru's centre reaches Manus – and hits Aziz hard. Aziz and the men are always being reminded of two options to end their detention: go home or resettle in PNG. We've already heard why he can't go home. Aziz describes the sometimes hostile relations with local Manusians – including the violent confrontation resulting in the widely-reported murder of his fellow detainee, Reza Berati – as well as some of the things detainees had been told about PNG in order to dissuade them from escaping. Aziz explains why he firmly believes that starting a new life there is neither safe nor possible … and reveals the other fundamentally important reason why he won't accept the offer to live in Papua New Guinea. Warning: This episode of The Messenger includes graphic content and mentions self-harm. If you or someone you know needs help, you can contact one of Australia's national 24/7 crisis services such as Lifeline on 13 11 14 or at lifeline.org.au, or the Suicide Call Back Service on 1300 659 467. Transcript Download a transcript of this episode in PDF format. In this episode Abdul Aziz Muhamat Michael Green Ben Lomai, lawyer Our theme music was composed by Raya Slavin. Music used in this episode includes: ‘There's Hell in Hello But More in Goodbye' by Jim O'Rourke, ‘Floating in the Clearest Night' and ‘The Heart Harmonicon' by Colleen, ‘Blue Milk' by Stereolab, ‘Sensuous' by Cornelius, ‘Cells That Smell Sounds' by Midori Haino, ‘Mala' Strana' by Gui Boratto, ‘The Flat Curving' by Brokeback, ‘Iberia Eterea' by Biosphere, ‘Niobe' by Caribou, ‘Intimate Geometry' by Anthea Caddy and Thembi Soddell, ‘Stars Aligned Webs Spun' by Oren Ambarchi, ‘Gong Meditation' by Cylob and ‘Forskjellige Gode Ting' by Kim Hiorthøy. More information The Messenger is a co-production of Behind the Wire and the Wheeler Centre. It's produced by Michael Green, André Dao, Hannah Reich and Bec Fary, with Jon Tjhia and Sophie Black at the Wheeler Centre.Narration by Michael Green. With reporting by Abdul Aziz Muhamat. Additional fact checking by the Guardian's Ben Doherty; transcription by Claire McGregor, Victoria Grey, Camilla Chapman, Lena Lettau and many more​. This episode was edited and mixed by Bec Fary and Jon Tjhia. Thank you Dana Affleck, Angelica Neville and Sienna Merope. Also to Cameron Ford, and to Behind the Wire's many participants and volunteers. Behind the Wire is supported by the Bertha Foundation.See omnystudio.com/listener for privacy information.

Hace un mes ya de la publicación de escala 2.3 el recopilatorio de ambient drone producido por Escala y Sismógrafo de Radio3. Durante estas últimas semanas hemos estado repasando varios de los cortes que componen este triple álbum disponible para su descarga libre bajo Licencia Creative Commons 3.0 en la página del netlabel Escala. Hoy continuamos con el trío formado para la ocasión por Juan Carlos Blancas, Manuel Calurano y Miguel Ángel Tolosa. El norteamericano Saffron Slumber y Francis Cazal a.k.a porzellan son otros de los protagonistas de escala 2.3 que escuchamos en la primera parte del programa de esta semana. Además tenemos el estreno de lo nuevo de la genial chelista islandesa Hildur Gudnadóttir titulado Leyfdu Ljosinu (Allow the light). Las artistas sonoras Anthea Caddy y Thembi Soddell presentan Host en la plataforma Room40 y Ryo Nakata a.k.a Ryonkt regresa a Sismógrafo con Troposphere editado en el nuevo sello Twice Removed. Cerramos nuestra entrega semanal con Rachel Evans bajo su proyecto Motion Sickness of Time Travel y su recién estrenado trabajo llamado Traces, primera referencia del nuevo sello de casetes A Guide To Saints. Playlist: Blancas+Calurano+Tolosa - Untitled Piano Piece; Saffron Slumber - Sands; porzellan - vienna; Hildur Gudnadóttir - Prelude; Anthea Caddy & Thembi Soddell - A Shut in Place; Ryonkt - Troposphere Two; Motion Sickness of Time Travel - Colour Changing Eyes.Escuchar audio