Podcasts about depths

CHECK OUT THE PING XMAS JUMPERS HERE How are they EVEN finding anything to talk out... we are in the DEPTHS of the golf off-season but that will NOT stop The Toms. On this weeks Thursday email special you can expect - how many wedges is to many wedges, golf course membership dilemmas and junior champion dreams. - ⁠⁠Email⁠⁠ - thetoms@golfisruiningmylife.co.uk ⁠⁠⁠Discord ⁠⁠⁠ ⁠⁠⁠Tik Tok⁠⁠⁠  ⁠⁠⁠Youtube⁠⁠⁠  ⁠⁠⁠Merch⁠⁠⁠ - New episodes every Monday & Thursday!! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Support my work on Patreon- https://patreon.com/realdavejackson Join the Tales from the Backlog Discord server- https://discord.gg/kAqSBb6jH2 Buy me a coffee on Ko-fi- https://ko-fi.com/realdavejackson What could Nintendo possibly do to follow up the game that "saved gaming" for me? Well, they simply iterated on and evolved everything about Breath of the Wild to make one of the most creativity and freedom-focused games ever. It's simple, really- why don't more people think of this? Sarcasm aside, Tears of the Kingdom is an absolute wonder, and we're lucky to have it. Hope you enjoy the discussion! Guest info: Michael Berger (he/him) * Check out Bits of Time on YouTube https://www.youtube.com/@bitsoftimemedia * Check out the Bits of Time podcast https://podcasts.apple.com/us/podcast/bits-of-time/id1616941089 * Check out everything else Michael is doing https://campsite.bio/matterofmichael TIMESTAMPS * 0:00 Title Card * 0:21 Introductions * 5:35 Our Histories with Zelda and Tears of the Kingdom * 8:49 Opening Thoughts About Tears of the Kingdom * 16:39 Story Setup * 20:26 Storytelling and Nonlinear Design * 25:34 Emergent Story and the Adventure * 29:52 Link's New Toys * 48:58 Emergent Gameplay and the Magic of Scrounging * 57:18 Dungeons and Boss Fights * 1:03:15 Enemy and Boss Variety * 1:08:07 The Depths and Exploration * 1:16:33 Art Design and Music * 1:23:20 Final Thoughts and Recommendations * 1:31:31 Bits of Time * 1:36:11 Spoiler Wall and Patron Thank-Yous * 1:38:25 Spoiler Section- Favorite Temples and Backstory * 2:03:11 Final Boss and Ending Music used in the episode is credited to Hajime Wakai, Manaka Kataoka, Maasa Miyoshi, Masato Ohashi and Tsukasa Usui. Tracks used: Title, Hyrule Castle - Upheaval, Shrine Battle, Seized Construct Battle, Skydive, Lookout Landing, Ganondorf's Theme, Final Dive Social Media: BlueSky- https://bsky.app/profile/tftblpod.bsky.social Instagram- https://www.instagram.com/talesfromthebacklog/ Cover art by Jack Allen- find him at https://linktr.ee/JackAllenCaricatures

PART OF THE STORY—Susan Casey has won National Magazine Awards for editing, writing, and design—a feat that may well be unprecedented in the industry's history.In her native Canada, they call people like this “Wayne Gretzky.”She has worked—under various titles—for the following magazines: The Globe & Mail, Outside, Time, Esquire, eCompany, Business 2.0, Sports Illustrated Women, National Geographic, Fortune, and O, The Oprah Magazine. She also worked for the iconic 1990s fashion brand Esprit. These days—literally on any given day—you're likely to find Casey in the water, where she spent much of her childhood, later with the swim team at the University of Arizona, and, as an adult, as the author of four immersive books—all best sellers—about the ocean: The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean; The Devil's Teeth: A True Story of Obsession and Survival Among America's Great White Sharks; Voices in the Ocean: A Journey Into the Wild and Haunting World of Dolphins; and her most recent, The Underworld: Journeys to the Depths of the Ocean.A self-proclaimed “outspoken designer” early in her career, she refused to accept the career path limits others imposed and instead laid the groundwork for a rich creative life.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Stu Burguiere examines Tim Walz's very bad year as leaks about his corruption seem to be appearing around every corner — from COVID fraud to illegal commercial driver's licenses. Then BlazeTV's Jason Buttrill joins with the latest on Pete Hegseth and the situation in Venezuela. And Stu breaks down a few of the ways President Trump's tariffs have affected Americans. TODAY'S SPONSORS BLUECHEW Get 10% off your first month of BlueChew Gold with the code “STU” at http://www.bluechew.com JASE EMERGENCY PREPAREDNESS ANTIBIOTICS Get a discount on your order when you use the code STU at checkout at http://www.jase.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Introduction: Host Michael Rand starts with the release of Adam Thielen, which perfectly encapsulates how the Vikings' plan this season has gone off the rails. 6:00: Andrew Krammer helps review the film from the Vikings' 26-0 loss to Seattle, their first shutout defeat in 18 years. 28:00: Vikings poetry is not kind. 41:00: On a lighter note, hot yoga and missed kicks.

Descend into the pitch-black abyss where sunlight never reaches. Discover ghostly creatures, glowing predators, and a terrifying giant lurking in the deepest trench of our planet. Learn more about your ad choices. Visit megaphone.fm/adchoices

December asks us to trust in the power of possibilities amidst unexpected transitions and confusions.The mutable grand cross is back in action and we're invited to question our attachments. This is a month that can bring a lot of fun if we're not rigid about outcomes.In this episode, we dive into:Connecting to our power when we know less than we'd like.Prioritizing sincerity and honesty.The line between hope and wistful thinking.Committing to learning as the point of being alive. Sign up for my newsletter to read my essays and be the first to hear about new offerings here.If you've enjoyed and benefited from the podcast, I invite you to apply for private mentorship and coaching with me. This is an intensive container, designed to support you in refining your self-leadership skills, moving through important life thresholds with grace, and expanding your capacity for creative expansions.Try the incredible breathwork and meditation app Open for 30 days free using this special link. This podcast is hosted, produced, and edited by Jonathan Koe. Theme music is also composed by me! Connect with me through my newsletter, my Instagram @jonathankoeofficial, and my music. For podcast-related inquiries, email me at healingthespiritpodcast@gmail.com.

This podcast episode delves into the profound topic of forgiveness, featuring an enlightening discussion with Dr. Ev Worthington, a clinical psychologist renowned for his extensive research in this field. The salient point of our dialogue revolves around the intricacies of forgiveness, particularly the distinction between decisional and emotional forgiveness. Dr. Worthington elucidates how decisional forgiveness entails a conscious choice to refrain from seeking revenge and to regard the offender as a valuable individual, while emotional forgiveness involves the transformation of negative sentiments into positive feelings. We further explore the REACH model, a structured approach designed to facilitate emotional forgiveness, and its applicability across diverse cultural contexts. This episode promises to offer listeners invaluable insights into the mechanisms of forgiveness and its significance in personal and interpersonal healing.Takeaways: Back Channel with Foth/The importance of understanding one's role and expectations when serving on a board cannot be overstated, as clarity facilitates effective contributions. Decisional forgiveness involves making a conscious choice to treat individuals as valuable despite past grievances, promoting emotional healing. Emotional forgiveness is a process of replacing negative emotions with positive feelings, which can take time and effort to achieve. The R.E.A.C.H. model provides a structured approach to forgiveness, emphasizing recall, empathy, altruistic gift, commitment, and holding onto forgiveness as essential steps. Cross-cultural applicability of forgiveness interventions has been demonstrated, indicating their effectiveness across diverse populations and contexts. Self-forgiveness is crucial for mental well-being, and it involves addressing moral guilt, social consequences, and personal identity issues.

Liverpool's pathetic form continued with a listless, limp display in the Champions League against PSV Eindhoven.To comb the wreckage of what is becoming of Liverpool's season are Josh Sexton, Rob Gutmann, Adam Melia and Ian Salmon. Subscribe to The Anfield Wrap for more on Liverpool's 25/26 season… Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're proud to present the final installment of our over-a-year-long Into the Depths series on Caves of Qud, as well as our last episode with our recently retired Eggplant branding. Caves of Qud is a massive open-world roguelike RPG that has been in development since 2007 and Early Access since 2015, and we give it an appropriately epic sendoff with nearly four hours of deep discussion. Doug and Rob, joined by special guest host Star St. Germain, dive into the game's finale and overarching themes with narrative designer Caelyn Sandel and co-creators Jason Grinblat and Brian Bucklew. Be warned, major spoilers await: We discuss the aftermath of the Tomb of the Eaters, the Moon Stair, the [Redacted], Reclamation, We Are [Redacted], plus other juicy details about how this legendary game finally came to an end… and what's in store for it next. Audio edited by Dylan Shumway. Discussed in this episode: Brian's must-follow bluesky https://bsky.app/profile/unormal.bsky.social Warm static – Official Caves of Qud wiki https://wiki.cavesofqud.com/wiki/Warm_static Independent Games Summit: What Even is 1.0?: Indefinite Early Access and Live Development https://gdcvault.com/play/1035081/Independent-Games-Summit-What-Even End-to-End Procedural Generation in Caves of Qud https://www.youtube.com/watch?v=jV-DZqdKlnE Tile-Based Map Generation using Wave Function Collapse in 'Caves of Qud' https://www.youtube.com/watch?v=AdCgi9E90jw  Caves of Qud Discord https://discord.com/invite/cavesofqud Eris – Girsh Illustration https://www.reddit.com/r/cavesofqud/comments/1n449aw/girsh_qas_and_qon/ A Mythopoetic Interface Reading of Caves of Qud (Roguelike Celebration 2025) https://www.youtube.com/live/UQNfH9pKWd4?si=jFy9VTRZzLPJHn4W&t=1091  Sproggiwood https://store.steampowered.com/app/311720/Sproggiwood/ Slav Epic Paintings by Alphonse Mucha https://www.muchafoundation.org/en/gallery/themes/theme/slav-epic https://secretlives.games/  https://bsky.app/profile/secretlivesofgames.bsky.social https://www.youtube.com/eggplantshow  http://discord.gg/tslog https://www.patreon.com/tslog (full rebrand still in progress, lol)    

Psalm 88: The darkest depthsRev. Justin OlivettiMain idea: Christ is our hope in dark times

How can you write science-based fiction without info-dumping your research? How can you use AI tools in a creative way, while still focusing on a human-first approach? Why is adapting to the fast pace of change so difficult and how can we make the most of this time? Jamie Metzl talks about Superconvergence and more. In the intro, How to avoid author scams [Written Word Media]; Spotify vs Audible audiobook strategy [The New Publishing Standard]; Thoughts on Author Nation and why constraints are important in your author life [Self-Publishing with ALLi]; Alchemical History And Beautiful Architecture: Prague with Lisa M Lilly on my Books and Travel Podcast. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jamie Metzl is a technology futurist, professional speaker, entrepreneur, and the author of sci-fi thrillers and futurist nonfiction books, including the revised and updated edition of Superconvergence: How the Genetics, Biotech, and AI Revolutions Will Transform Our Lives, Work, and World. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How personal history shaped Jamie's fiction writing Writing science-based fiction without info-dumping The super convergence of three revolutions (genetics, biotech, AI) and why we need to understand them holistically Using fiction to explore the human side of genetic engineering, life extension, and robotics Collaborating with GPT-5 as a named co-author How to be a first-rate human rather than a second-rate machine You can find Jamie at JamieMetzl.com. Transcript of interview with Jamie Metzl Jo: Jamie Metzl is a technology futurist, professional speaker, entrepreneur, and the author of sci-fi thrillers and futurist nonfiction books, including the revised and updated edition of Superconvergence: How the Genetics, Biotech, and AI Revolutions Will Transform Our Lives, Work, and World. So welcome, Jamie. Jamie: Thank you so much, Jo. Very happy to be here with you. Jo: There is so much we could talk about, but let's start with you telling us a bit more about you and how you got into writing. From History PhD to First Novel Jamie: Well, I think like a lot of writers, I didn't know I was a writer. I was just a kid who loved writing. Actually, just last week I was going through a bunch of boxes from my parents' house and I found my autobiography, which I wrote when I was nine years old. So I've been writing my whole life and loving it. It was always something that was very important to me. When I finished my DPhil, my PhD at Oxford, and my dissertation came out, it just got scooped up by Macmillan in like two minutes. And I thought, “God, that was easy.” That got me started thinking about writing books. I wanted to write a novel based on the same historical period – my PhD was in Southeast Asian history – and I wanted to write a historical novel set in the same period as my dissertation, because I felt like the dissertation had missed the human element of the story I was telling, which was related to the Cambodian genocide and its aftermath. So I wrote what became my first novel, and I thought, “Wow, now I'm a writer.” I thought, “All right, I've already published one book. I'm gonna get this other book out into the world.” And then I ran into the brick wall of: it's really hard to be a writer. It's almost easier to write something than to get it published. I had to learn a ton, and it took nine years from when I started writing that first novel, The Depths of the Sea, to when it finally came out. But it was such a positive experience, especially to have something so personal to me as that story. I'd lived in Cambodia for two years, I'd worked on the Thai-Cambodian border, and I'm the child of a Holocaust survivor. So there was a whole lot that was very emotional for me. That set a pattern for the rest of my life as a writer, at least where, in my nonfiction books, I'm thinking about whatever the issues are that are most important to me. Whether it was that historical book, which was my first book, or Hacking Darwin on the future of human genetic engineering, which was my last book, or Superconvergence, which, as you mentioned in the intro, is my current book. But in every one of those stories, the human element is so deep and so profound. You can get at some of that in nonfiction, but I've also loved exploring those issues in deeper ways in my fiction. So in my more recent novels, Genesis Code and Eternal Sonata, I've looked at the human side of the story of genetic engineering and human life extension. And now my agent has just submitted my new novel, Virtuoso, about the intersection of AI, robotics, and classical music. With all of this, who knows what's the real difference between fiction and nonfiction? We're all humans trying to figure things out on many different levels. Shifting from History to Future Tech Jo: I knew that you were a polymath, someone who's interested in so many things, but the music angle with robotics and AI is fascinating. I do just want to ask you, because I was also at Oxford – what college were you at? Jamie: I was in St. Antony's. Jo: I was at Mansfield, so we were in that slightly smaller, less famous college group, if people don't know. Jamie: You know, but we're small but proud. Jo: Exactly. That's fantastic. You mentioned that you were on the historical side of things at the beginning and now you've moved into technology and also science, because this book Superconvergence has a lot of science. So how did you go from history and the past into science and the future? Biology and Seeing the Future Coming Jamie: It's a great question. I'll start at the end and then back up. A few years ago I was speaking at Lawrence Livermore National Laboratory, which is one of the big scientific labs here in the United States. I was a guest of the director and I was speaking to their 300 top scientists. I said to them, “I'm here to speak with you about the future of biology at the invitation of your director, and I'm really excited. But if you hear something wrong, please raise your hand and let me know, because I'm entirely self-taught. The last biology course I took was in 11th grade of high school in Kansas City.” Of course I wouldn't say that if I didn't have a lot of confidence in my process. But in many ways I'm self-taught in the sciences. As you know, Jo, and as all of your listeners know, the foundation of everything is curiosity and then a disciplined process for learning. Even our greatest super-specialists in the world now – whatever their background – the world is changing so fast that if anyone says, “Oh, I have a PhD in physics/chemistry/biology from 30 years ago,” the exact topic they learned 30 years ago is less significant than their process for continuous learning. More specifically, in the 1990s I was working on the National Security Council for President Clinton, which is the president's foreign policy staff. My then boss and now close friend, Richard Clarke – who became famous as the guy who had tragically predicted 9/11 – used to say that the key to efficacy in Washington and in life is to try to solve problems that other people can't see. For me, almost 30 years ago, I felt to my bones that this intersection of what we now call AI and the nascent genetics revolution and the nascent biotechnology revolution was going to have profound implications for humanity. So I just started obsessively educating myself. When I was ready, I started writing obscure national security articles. Those got a decent amount of attention, so I was invited to testify before the United States Congress. I was speaking out a lot, saying, “Hey, this is a really important story. A lot of people are missing it. Here are the things we should be thinking about for the future.” I wasn't getting the kind of traction that I wanted. I mentioned before that my first book had been this dry Oxford PhD dissertation, and that had led to my first novel. So I thought, why don't I try the same approach again – writing novels to tell this story about the genetics, biotech, and what later became known popularly as the AI revolution? That led to my two near-term sci-fi novels, Genesis Code and Eternal Sonata. On my book tours for those novels, when I explained the underlying science to people in my way, as someone who taught myself, I could see in their eyes that they were recognizing not just that something big was happening, but that they could understand it and feel like they were part of that story. That's what led me to write Hacking Darwin, as I mentioned. That book really unlocked a lot of things. I had essentially predicted the CRISPR babies that were born in China before it happened – down to the specific gene I thought would be targeted, which in fact was the case. After that book was published, Dr. Tedros, the Director-General of the World Health Organization, invited me to join the WHO Expert Advisory Committee on Human Genome Editing, which I did. It was a really great experience and got me thinking a lot about the upside of this revolution and the downside. The Birth of Superconvergence Jamie: I get a lot of wonderful invitations to speak, and I have two basic rules for speaking: Never use notes. Never ever. Never stand behind a podium. Never ever. Because of that, when I speak, my talks tend to migrate. I'd be speaking with people about the genetics revolution as it applied to humans, and I'd say, “Well, this is just a little piece of a much bigger story.” The bigger story is that after nearly four billion years of life on Earth, our one species has the increasing ability to engineer novel intelligence and re-engineer life. The big question for us, and frankly for the world, is whether we're going to be able to use that almost godlike superpower wisely. As that idea got bigger and bigger, it became this inevitable force. You write so many books, Jo, that I think it's second nature for you. Every time I finish a book, I think, “Wow, that was really hard. I'm never doing that again.” And then the books creep up on you. They call to you. At some point you say, “All right, now I'm going to do it.” So that was my current book, Superconvergence. Like everything, every journey you take a step, and that step inspires another step and another. That's why writing and living creatively is such a wonderfully exciting thing – there's always more to learn and always great opportunities to push ourselves in new ways. Balancing Deep Research with Good Storytelling Jo: Yeah, absolutely. I love that you've followed your curiosity and then done this disciplined process for learning. I completely understand that. But one of the big issues with people like us who love the research – and having read your Superconvergence, I know how deeply you go into this and how deeply you care that it's correct – is that with fiction, one of the big problems with too much research is the danger of brain-dumping. Readers go to fiction for escapism. They want the interesting side of it, but they want a story first. What are your tips for authors who might feel like, “Where's the line between putting in my research so that it's interesting for readers, but not going too far and turning it into a textbook?” How do you find that balance? Jamie: It's such a great question. I live in New York now, but I used to live in Washington when I was working for the U.S. government, and there were a number of people I served with who later wrote novels. Some of those novels felt like policy memos with a few sex scenes – and that's not what to do. To write something that's informed by science or really by anything, everything needs to be subservient to the story and the characters. The question is: what is the essential piece of information that can convey something that's both important to your story and your character development, and is also an accurate representation of the world as you want it to be? I certainly write novels that are set in the future – although some of them were a future that's now already happened because I wrote them a long time ago. You can make stuff up, but as an author you have to decide what your connection to existing science and existing technology and the existing world is going to be. I come at it from two angles. One: I read a huge number of scientific papers and think, “What does this mean for now, and if you extrapolate into the future, where might that go?” Two: I think about how to condense things. We've all read books where you're humming along because people read fiction for story and emotional connection, and then you hit a bit like: “I sat down in front of the president, and the president said, ‘Tell me what I need to know about the nuclear threat.'” And then it's like: insert memo. That's a deal-killer. It's like all things – how do you have a meaningful relationship with another person? It's not by just telling them your story. Even when you're telling them something about you, you need to be imagining yourself sitting in their shoes, hearing you. These are very different disciplines, fiction and nonfiction. But for the speculative nonfiction I write – “here's where things are now, and here's where the world is heading” – there's a lot of imagination that goes into that too. It feels in many ways like we're living in a sci-fi world because the rate of technological change has been accelerating continuously, certainly for the last 12,000 years since the dawn of agriculture. It's a balance. For me, I feel like I'm a better fiction writer because I write nonfiction, and I'm a better nonfiction writer because I write fiction. When I'm writing nonfiction, I don't want it to be boring either – I want people to feel like there's a story and characters and that they can feel themselves inside that story. Jo: Yeah, definitely. I think having some distance helps as well. If you're really deep into your topics, as you are, you have to leave that manuscript a little bit so you can go back with the eyes of the reader as opposed to your eyes as the expert. Then you can get their experience, which is great. Looking Beyond Author-Focused AI Fears Jo: I want to come to your technical knowledge, because AI is a big thing in the author and creative community, like everywhere else. One of the issues is that creators are focusing on just this tiny part of the impact of AI, and there's a much bigger picture. For example, in 2024, Demis Hassabis from Google DeepMind and his collaborative partner John Jumper won the Nobel Prize for Chemistry with AlphaFold. It feels to me like there's this massive world of what's happening with AI in health, climate, and other areas, and yet we are so focused on a lot of the negative stuff. Maybe you could give us a couple of things about what there is to be excited and optimistic about in terms of AI-powered science? Jamie: Sure. I'm so excited about all of the new opportunities that AI creates. But I also think there's a reason why evolution has preserved this very human feeling of anxiety: because there are real dangers. Anybody who's Pollyanna-ish and says, “Oh, the AI story is inevitably positive,” I'd be distrustful. And anyone who says, “We're absolutely doomed, this is the end of humanity,” I'd also be distrustful. So let me tell you the positives and the negatives, and maybe some thoughts about how we navigate toward the former and away from the latter. AI as the New Electricity Jamie: When people think of AI right now, they're thinking very narrowly about these AI tools and ChatGPT. But we don't think of electricity that way. Nobody says, “I know electricity – electricity is what happens at the power station.” We've internalised the idea that electricity is woven into not just our communication systems or our houses, but into our clothes, our glasses – it's woven into everything and has super-empowered almost everything in our modern lives. That's what AI is. In Superconvergence, the majority of the book is about positive opportunities: In healthcare, moving from generalised healthcare based on population averages to personalised or precision healthcare based on a molecular understanding of each person's individual biology. As we build these massive datasets like the UK Biobank, we can take a next jump toward predictive and preventive healthcare, where we're able to address health issues far earlier in the process, when interventions can be far more benign. I'm really excited about that, not to mention the incredible new kinds of treatments – gene therapies, or pharmaceuticals based on genetics and systems-biology analyses of patients. Then there's agriculture. Over the last hundred years, because of the technologies of the Green Revolution and synthetic fertilisers, we've had an incredible increase in agricultural productivity. That's what's allowed us to quadruple the global population. But if we just continue agriculture as it is, as we get towards ten billion wealthier, more empowered people wanting to eat like we eat, we're going to have to wipe out all the wild spaces on Earth to feed them. These technologies help provide different paths toward increasing agricultural productivity with fewer inputs of land, water, fertiliser, insecticides, and pesticides. That's really positive. I could go on and on about these positives – and I do – but there are very real negatives. I was a member of the WHO Expert Advisory Committee on Human Genome Editing after the first CRISPR babies were very unethically created in China. I'm extremely aware that these same capabilities have potentially incredible upsides and very real downsides. That's the same as every technology in the past, but this is happening so quickly that it's triggering a lot of anxieties. Governance, Responsibility, and Why Everyone Has a Role Jamie: The question now is: how do we optimise the benefits and minimise the harms? The short, unsexy word for that is governance. Governance is not just what governments do; it's what all of us do. That's why I try to write books, both fiction and nonfiction, to bring people into this story. If people “other” this story – if they say, “There's a technology revolution, it has nothing to do with me, I'm going to keep my head down” – I think that's dangerous. The way we're going to handle this as responsibly as possible is if everybody says, “I have some role. Maybe it's small, maybe it's big. The first step is I need to educate myself. Then I need to have conversations with people around me. I need to express my desires, wishes, and thoughts – with political leaders, organisations I'm part of, businesses.” That has to happen at every level. You're in the UK – you know the anti-slavery movement started with a handful of people in Cambridge and grew into a global movement. I really believe in the power of ideas, but ideas don't spread on their own. These are very human networks, and that's why writing, speaking, communicating – probably for every single person listening to this podcast – is so important. Jo: Mm, yeah. Fiction Like AI 2041 and Thinking Through the Issues Jo: Have you read AI 2041 by Kai-Fu Lee and Chen Qiufan? Jamie: No. I heard a bunch of their interviews when the book came out, but I haven't read it. Jo: I think that's another good one because it's fiction – a whole load of short stories. It came out a few years ago now, but the issues they cover in the stories, about different people in different countries – I remember one about deepfakes – make you think more about the topics and help you figure out where you stand. I think that's the issue right now: it's so complex, there are so many things. I'm generally positive about AI, but of course I don't want autonomous drone weapons, you know? The Messy Reality of “Bad” Technologies Jamie: Can I ask you about that? Because this is why it's so complicated. Like you, I think nobody wants autonomous killer drones anywhere in the world. But if you right now were the defence minister of Ukraine, and your children are being kidnapped, your country is being destroyed, you're fighting for your survival, you're getting attacked every night – and you're getting attacked by the Russians, who are investing more and more in autonomous killer robots – you kind of have two choices. You can say, “I'm going to surrender,” or, “I'm going to use what technology I have available to defend myself, and hopefully fight to either victory or some kind of stand-off.” That's what our societies did with nuclear weapons. Maybe not every American recognises that Churchill gave Britain's nuclear secrets to America as a way of greasing the wheels of the Anglo-American alliance during the Second World War – but that was our programme: we couldn't afford to lose that war, and we couldn't afford to let the Nazis get nuclear weapons before we did. So there's the abstract feeling of, “I'm against all war in the abstract. I'm against autonomous killer robots in the abstract.” But if I were the defence minister of Ukraine, I would say, “What will it take for us to build the weapons we can use to defend ourselves?” That's why all this stuff gets so complicated. And frankly, it's why the relationship between fiction and nonfiction is so important. If every novel had a situation where every character said, “Oh, I know exactly the right answer,” and then they just did the right answer and it was obviously right, it wouldn't make for great fiction. We're dealing with really complex humans. We have conflicting impulses. We're not perfect. Maybe there are no perfect answers – but how do we strive toward better rather than worse? That's the question. Jo: Absolutely. I don't want to get too political on things. How AI Is Changing the Writing Life Jo: Let's come back to authors. In terms of the creative process, the writing process, the research process, and the business of being an author – what are some of the ways that you already use AI tools, and some of the ways, given your futurist brain, that you think things are going to change for us? Jamie: Great question. I'll start with a little middle piece. I found you, Jo, through GPT-5. I asked ChatGPT, “I'm coming out with this book and I want to connect with podcasters who are a little different from the ones I've done in the past. I've been a guest on Joe Rogan twice and some of the bigger podcasts. Make me a list of really interesting people I can have great conversations with.” That's how I found you. So this is one reward of that process. Let me say that in the last year I've worked on three books, and I'll explain how my relationship with AI has changed over those books. Cleaning Up Citations (and Getting Burned) Jamie: First is the highly revised paperback edition of Superconvergence. When the hardback came out, I had – I don't normally work with research assistants because I like to dig into everything myself – but the one thing I do use a research assistant for is that I can't be bothered, when I'm writing something, to do the full Chicago-style footnote if I'm already referencing an academic paper. So I'd just put the URL as the footnote and then hire a research assistant and say, “Go to this URL and change it into a Chicago-style citation. That's it.” Unfortunately, my research assistant on the hardback used early-days ChatGPT for that work. He did the whole thing, came back, everything looked perfect. I said, “Wow, amazing job.” It was only later, as I was going through them, that I realised something like 50% of them were invented footnotes. It was very painful to go back and fix, and it took ten times more time. With the paperback edition, I didn't use AI that much, but I did say things like, “Here's all the information – generate a Chicago-style citation.” That was better. I noticed there were a few things where I stopped using the thesaurus function on Microsoft Word because I'd just put the whole paragraph into the AI and say, “Give me ten other options for this one word,” and it would be like a contextual thesaurus. That was pretty good. Talking to a Robot Pianist Character Jamie: Then, for my new novel Virtuoso, I was writing a character who is a futurist robot that plays the piano very beautifully – not just humanly, but almost finding new things in the music we've written and composing music that resonates with us. I described the actions of that robot in the novel, but I didn't describe the inner workings of the robot's mind. In thinking about that character, I realised I was the first science-fiction writer in history who could interrogate a machine about what it was “thinking” in a particular context. I had the most beautiful conversations with ChatGPT, where I would give scenarios and ask, “What are you thinking? What are you feeling in this context?” It was all background for that character, but it was truly profound. Co-Authoring The AI Ten Commandments with GPT-5 Jamie: Third, I have another book coming out in May in the United States. I gave a talk this summer at the Chautauqua Institution in upstate New York about AI and spirituality. I talked about the history of our human relationship with our technology, about how all our religious and spiritual traditions have deep technological underpinnings – certainly our Abrahamic religions are deeply connected to farming, and Protestantism to the printing press. Then I had a section about the role of AI in generating moral codes that would resonate with humans. Everybody went nuts for this talk, and I thought, “I think I'm going to write a book.” I decided to write it differently, with GPT-5 as my named co-author. The first thing I did was outline the entire book based on the talk, which I'd already spent a huge amount of time thinking about and organising. Then I did a full outline of the arguments and structures. Then I trained GPT-5 on my writing style. The way I did it – which I fully describe in the introduction to the book – was that I'd handle all the framing: the full introduction, the argument, the structure. But if there was a section where, for a few paragraphs, I was summarising a huge field of data, even something I knew well, I'd give GPT-5 the intro sentence and say, “In my writing style, prepare four paragraphs on this.” For example, I might write: “AI has the potential to see us humans like we humans see ant colonies.” Then I'd say, “Give me four paragraphs on the relationship between the individual and the collective in ant colonies.” I could have written those four paragraphs myself, but it would've taken a month to read the life's work of E.O. Wilson and then write them. GPT-5 wrote them in seconds or minutes, in its thinking mode. I'd then say, “It's not quite right – change this, change that,” and we'd go back and forth three or four times. Then I'd edit the whole thing and put it into the text. So this book that I could have written on my own in a year, I wrote a first draft of with GPT-5 as my named co-author in two days. The whole project will take about six months from start to finish, and I'm having massive human editing – multiple edits from me, plus a professional editor. It's not a magic AI button. But I feel strongly about listing GPT-5 as a co-author because I've written it differently than previous books. I'm a huge believer in the old-fashioned lone author struggling and suffering – that's in my novels, and in Virtuoso I explore that. But other forms are going to emerge, just like video games are a creative, artistic form deeply connected to technology. The novel hasn't been around forever – the current format is only a few centuries old – and forms are always changing. There are real opportunities for authors, and there will be so much crap flooding the market because everybody can write something and put it up on Amazon. But I think there will be a very special place for thoughtful human authors who have an idea of what humans do at our best, and who translate that into content other humans can enjoy. Traditional vs Indie: Why This Book Will Be Self-Published Jo: I'm interested – you mentioned that it's your named co-author. Is this book going through a traditional publisher, and what do they think about that? Or are you going to publish it yourself? Jamie: It's such a smart question. What I found quickly is that when you get to be an author later in your career, you have all the infrastructure – a track record, a fantastic agent, all of that. But there were two things that were really important to me here: I wanted to get this book out really fast – six months instead of a year and a half. It was essential to me to have GPT-5 listed as my co-author, because if it were just my name, I feel like it would be dishonest. Readers who are used to reading my books – I didn't want to present something different than what it was. I spoke with my agent, who I absolutely love, and she said that for this particular project it was going to be really hard in traditional publishing. So I did a huge amount of research, because I'd never done anything in the self-publishing world before. I looked at different models. There was one hybrid model that's basically the same as traditional, but you pay for the things the publisher would normally pay for. I ended up not doing that. Instead, I decided on a self-publishing route where I disaggregated the publishing process. I found three teams: one for producing the book, one for getting the book out into the world, and a smaller one for the audiobook. I still believe in traditional publishing – there's a lot of wonderful human value-add. But some works just don't lend themselves to traditional publishing. For this book, which is called The AI Ten Commandments, that's the path I've chosen. Jo: And when's that out? I think people will be interested. Jamie: April 26th. Those of us used to traditional publishing think, “I've finished the book, sold the proposal, it'll be out any day now,” and then it can be a year and a half. It's frustrating. With this, the process can be much faster because it's possible to control more of the variables. But the key – as I was saying – is to make sure it's as good a book as everything else you've written. It's great to speed up, but you don't want to compromise on quality. The Coming Flood of Excellent AI-Generated Work Jo: Yeah, absolutely. We're almost out of time, but I want to come back to your “flood of crap” and the “AI slop” idea that's going around. Because you are working with GPT-5 – and I do as well, and I work with Claude and Gemini – and right now there are still issues. Like you said about referencing, there are still hallucinations, though fewer. But fast-forward two, five years: it's not a flood of crap. It's a flood of excellent. It's a flood of stuff that's better than us. Jamie: We're humans. It's better than us in certain ways. If you have farm machinery, it's better than us at certain aspects of farming. I'm a true humanist. I think there will be lots of things machines do better than us, but there will be tons of things we do better than them. There's a reason humans still care about chess, even though machines can beat humans at chess. Some people are saying things I fully disagree with, like this concept of AGI – artificial general intelligence – where machines do everything better than humans. I've summarised my position in seven letters: “AGI is BS.” The only way you can believe in AGI in that sense is if your concept of what a human is and what a human mind is is so narrow that you think it's just a narrow range of analytical skills. We are so much more than that. Humans represent almost four billion years of embodied evolution. There's so much about ourselves that we don't know. As incredible as these machines are and will become, there will always be wonderful things humans can do that are different from machines. What I always tell people is: whatever you're doing, don't be a second-rate machine. Be a first-rate human. If you're doing something and a machine is doing that thing much better than you, then shift to something where your unique capacities as a human give you the opportunity to do something better. So yes, I totally agree that the quality of AI-generated stuff will get better. But I think the most creative and successful humans will be the ones who say, “I recognise that this is creating new opportunities, and I'm going to insert my core humanity to do something magical and new.” People are “othering” these technologies, but the technologies themselves are magnificent human-generated artefacts. They're not alien UFOs that landed here. It's a scary moment for creatives, no doubt, because there are things all of us did in the past that machines can now do really well. But this is the moment where the most creative people ask themselves, “What does it mean for me to be a great human?” The pat answers won't apply. In my Virtuoso novel I explore that a lot. The idea that “machines don't do creativity” – they will do incredible creativity; it just won't be exactly human creativity. We will be potentially huge beneficiaries of these capabilities, but we really have to believe in and invest in the magic of our core humanity. Where to Find Jamie and His Books Jo: Brilliant. So where can people find you and your books online? Jamie: Thank you so much for asking. My website is jamiemetzl.com – and my books are available everywhere. Jo: Fantastic. Thanks so much for your time, Jamie. That was great. Jamie: Thank you, Joanna.The post Writing The Future, And Being More Human In An Age of AI With Jamie Metzl first appeared on The Creative Penn.

In this episode, I sit down with Gerard Powell, a man who had it all from the outside—multimillions, fast cars, and luxury homes—but was utterly broken inside. After decades of self-destruction, and two suicide attempts, even intensive therapy couldn't reach the root of his pain. In a final, desperate act, he turned to plant medicine. What happened there didn't just save his life; it revealed a childhood trauma he had completely buried and gave him a new heart—literally. Jerry now runs Rythmia, a licensed plant medicine center, and shares the data-backed transformations he's witnessed in nearly 20k people. This conversation is a raw look at how we can become disconnected from our soul and the powerful paths that can lead us back home. 00:00 Intro 05:07 Gerard's Story 07:09 The Depths of Self-Hatred 09:17 5 Years of Intensive Therapy 17:26 The Desperate Trip to Costa Rica and Iboga 17:54 Childhood Sexual Trauma 25:30 Forgiving His Grandfather 26:18 Receiving a New Heart 32:58 Building Rythmia to Help Others 42:40 Healing Physical Ailments 59:14 Are You Out of Sync with Your Soul? 01:04:11 Why Plant Medicine is Suppressed 01:14:15 Final Message Learn More:· Rythmia Life Advancement Center: www.rhythmia.com In The Space Between membership, you'll get access to LIVE quarterly Ask Amy Anything meetings (not offered anywhere else!), discounts on courses, special giveaways, and a place to connect with Amy and other like-minded people. You'll also get exclusive access to other behind-the-scenes goodness when you join! Click here to find out more --> https://shorturl.at/vVrwR Stay Connected: - IG - https://tinyurl.com/ysvafdwc- FB - https://tinyurl.com/yc3z48v9- YouTube - https://tinyurl.com/ywdsc9vt- Website - https://tinyurl.com/ydj949kt Life, Death & the Space Between Dr. Amy RobbinsExploring life, death, consciousness and what it all means. Put your preconceived notions aside as we explore life, death, consciousness and what it all means on Life, Death & the Space Between.** Hosted on Acast. See acast.com/privacy for more information.

--NSFW-- Episode 66: The Little Movie That Could. From the Depths with Matt Bolea!! The Madness Crew are joined by local Richmond, Va creative Matt Bolea (2Die4) to discuss his experiences as an independent artist, and what other ventures it's led to! Join the conversation! Email us at lowdownbrown.gui@gmail.com Follow us on Facebook and Instagram! INTRO/OUTRO MUSIC: White Bat Audio - Broken Credit: Karl Casey @ White Bat Audio. Join Us Or Die at www.guipodcast.com

Our 17th Relationship Flow Session we distinguished between Moshe Rabbeinu able to reveal this Nekudah Tovah from the Depths of the night & suffering in the Exile to Dovid Hamelech Revealed Holy Song of Midnight

Out of the depths - Psalm 130 by Ruach Breath of Life

What President Trump failed to realize when he promised to drain the swamp was that the swamp was really an ocean, far more deep and wide than most people in America could imagine. How did we get into this dangerous and deplorable state?

Annie Rauwerda is a comedian, long-time Wikipedian, and founder of the must-follow @depthsofwikipedia Instagram. In this special live episode, we ask her about the current right-wing attacks on Wikipedia, the Wikimedia awards, what it takes to be a Wikipedia editor, “Corn” being such a controversial entry page, muffins, why she's optimistic about the next generation of internet users, and a wonderful story about making life-long friends from her “Perpetual Stew.” Hosted on Acast. See acast.com/privacy for more information.

The Depths of Horror: Exploring Barry Levinson's The BayIn this episode, Brian and Jeff delve into Barry Levinson's 2012 found footage horror film, 'The Bay.' Set during a disastrous 4th of July celebration in Claridge, Maryland, the film intertwines environmental horror with a mockumentary format. The story follows reporter Donna Thompson as she navigates through a town descending into chaos due to a waterborne outbreak. Drawing parallels to 'Jaws,' the hosts examine how 'The Bay' critiques human neglect and environmental irresponsibility while utilizing modern technology to heighten its impact. They also explore themes of surveillance, the narrative coherence of found footage, and the unsettling reality it brings to life. Ultimately, the episode underscores how horror can reveal uncomfortable truths about our world, sparking a rich discussion on the intersections of joy, terror, and societal reflection.Buy us a CoffeeMimesis of Media: Found Footage Cinema and the Horror of the Real by Niel McRobertFound Footage Horror Films - A Cognitive Approach by Pete Turner

Corey Irbyfalse

Welcome to the van as we dig up travel stories from the DEPTHS of Reddit! Abby (of Hooks.and.hops) joins us to discuss traveling air fryers, solo expeditions, and obvious vacations with second families. Buckle up and enjoy this week's laid-back conversation! Noah and Noodles here! We want to extend a heartfelt thanks to every listener of Backroad Odyssey. Your support fuels our passion and inspires us to keep sharing stories and discover overlooked locations. Follow each adventure visually at:https://www.instagram.com/backroadsodyssey/

'Sploosh.' I remember that sound as if it was yesterday...

'Sploosh.' I remember that sound as if it was yesterday...

Meet a NEW group of Almost Heroes as they embark on a fresh "mostly" D&D 5E actual-play adventure together! Officially Sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠D&D Beyond⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dungeons Box⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch LIVE on Tuesdays @7PM PST on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Video Podcast episodes available on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the Almost Heroes ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ family Follow Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Featuring the Artwork of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Breaking Branch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Monument Studios⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wandering Planet

Recorded 11/9/25. Cole Dill.

'Sploosh.' I remember that sound as if it was yesterday...

A solo podcast recapping my recent experience with Ayahuasca and San Pedro (Wachuma) at the Sacruna Retreat in Malaga, Spain.  *Disclaimer: This podcast is for educational purposes only. Always do your own due diligence if you are considering experimenting with any form of plant medicine.  This was a life changing retreat; and I have set up a code for 5% off for any that wants to attend in the future.  Code: KEANE2025 will get you 5% off the price.  Please let me know how you found this podcast and if you found it helpful in making a decision (one way or the other). Questions: 1. Would you say it was quite a spiritual experience? 39:06 2. How are you feeling now?

In chapter 2 of Jonah, we see our prophet in a terrible situation. Drowning and crying out to God. A great fish swallows him, and the chapter details his prayer and confession. In the darkest of days, do we call out to God in repentance and worship or do we blame Him and turn away?

Witchcraft & The Depths Of Satan

In this conversation, Steve and Carl delve into the themes and intricacies of B. Yeager's book, Negative Space. They explore the unique prose style, character voices, and the nonlinear storytelling that creates a sense of despair and madness. The discussion touches on the eldritch forces at play, gnostic influences, and the existential themes that permeate the narrative. They also reflect on character arcs, the role of technology, and the symbolism within the book, drawing comparisons to other works and ultimately sharing their final thoughts on the impact of the story.Chapters00:00Introduction to Negative Space and Its Themes02:47Character Voices and Narrative Structure05:46Exploring the Protagonist and Antagonist Dynamics08:38The Role of Magic and Eldritch Forces11:21Gnosticism and Its Influence on the Story14:18The Impact of Technology and Alienation17:17Character Tragedies and Relationships20:04The Symbolism of Objects and Themes of Despair22:51Conclusion and Final Thoughts on the Book37:24Exploring the Ambiguity of Reality38:33The Role of Children in Apocalyptic Events39:26The Bleakness of Insignificance40:15The Whimpering Ending: A Mixed Resolution42:18Timey-Wimey: The Complexity of Time in the Narrative43:49The Cosmic Horror and Its Symbolism45:46The Small Town Metaphor: Inescapable Despair46:43Character Development and Existential Themes48:46The Power of Language and Prose53:14Existential Quotes and Their Impact56:05The Nature of Existence and Its Implications57:27The Contrast of Prose Styles59:04The Unresolved Nature of Cosmic Horror01:05:03Final Thoughts and RecommendationsSend us a message (I'm not able to reply)Support the showPage Chewing Blog Page Chewing Forum Film Chewing PodcastSpeculative Speculations Podcast Support the podcast via PayPal Support the show by using our Amazon Affiliate linkJoin Riverside.fm Co-Hosts: Jarrod Varsha Chris Jose Carl D. Albert (author) Thomas J. Devens (author) Intro and Outro Music by Michael R. Fletcher (2024-Current)

When a US Navy exploratory ship finds a tramp steamer that went missing some years before, the mystery surrounding its disappearance becomes closer to being solved when a passenger's journal is uncovered. But what really happened aboard the Wellington and what became of its crew?This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “SARGASSO” by Ward Muir, 1908.

Jeremy (They/Them) - DM; korvys (He/Him) - Mirror's Reflection, "Tabaxi" Warlock (He/Him); L (They/Them) - Hek Stinktooth, Goblin Druid (He/Him); Lilth (They/Them) - Bo "Keres" Brookes (She/Her); Zaghrog (He/Him) - Lia Amakiir, Wood Elf Monk (She/Her)-----Thanks to all of our supporters at patreon.com/fsfilms for making this possible!Especially our $25+ Donors:Drevian AlexanderL ★ Support this podcast on Patreon ★

Trevor Hall interviews Gerard Barron, CEO of The Metals Company (TMC), focusing on the emerging field of deep sea mining, particularly the NORI-D project in the Clarion Clipperton Zone. They discuss the potential of polymetallic nodules as a critical mineral resource, the exploration and resource definition processes, the technical challenges faced, and the geopolitical landscape surrounding deep sea mining. Barron emphasizes the importance of reindustrialization in the USA and the need for new processing facilities to support domestic supply chains. The conversation also touches on risk management strategies and the future outlook for TMC and the deep sea mining industry.

On this week's episode, Brad and Eric sit down and dream of a better world where corporate decisions, budgets, marketing and computing limitations are non-existent. A world where every Warhammer game could be made, even if the user interface is a spreadsheet. A world where the protagonist of a game could be a Drukhari that would make every renegade decision in Mass Effect looks like a paragon decision. A world where modeling an entire planet that doesn't look in the slightest as earth wouldn't blow the budget. A world where fighting games could have good battlepasses. A world where every new model and character wouldn't need to be submitted for approval by Games Workshop. In this world, which games would we like to see realized in the Warhammer Universe? Tune in to find out. (man, that was a good description)   POORHAMMER MERCH! https://orchideight.com/collections/poorhammer PATREON: https://www.patreon.com/SolelySingleton YOUTUBE: https://www.youtube.com/@thepoorhammerpodcast TWITCH: https://www.twitch.tv/poorhammer Website: https://poorhammer.libsyn.com/   TIMESTAMPS: 00:00 Hello and Welcome 01:36 We are Skipping the Obvious Genres 03:28 Souls-Like... But Age of Sigmar 06:18 Dungeon Keeper... but 40K 09:57 Dynasty Warriors... but 40K 15:16 TerraGenesis... but 40K 18:18 Factorio... but Tyranids 31:14 Yakuza Like a Dragon... But 40K 36:36 From the Depths... but 40K 40:21 Trade Simulator... But 40K 45:10 Satisfactory... but Votann 47:59 Visual Novel... But 40K 51:28 Dating Sim... But 40K 56:27 Frostpunk... but 40K 58:38 Soul Calibur... but 40K 01:01:11 QOP... But 40K 01:04:19 Wolf Among Us... But 40K 01:10:31 My Summer Car... But 40K 01:12:28 Disonored... But 40K 01:14:59 Hi-Fi Rush... But 40K 01:18:13 Titan Fall 3... but... actually, just give us Titan Fall 3 01:20:17 Vampire Survivors... But 40K 01:22:53 Vania-Metroid... but 40K 01:27:17 Papers Please... But 40K 01:29:59 Where is the Pokemon game with Trazyn as a Protagonist? 01:31:55 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY

On this week's episode, Brad and Eric sit down and dream of a better world where corporate decisions, budgets, marketing and computing limitations are non-existent. A world where every Warhammer game could be made, even if the user interface is a spreadsheet. A world where the protagonist of a game could be a Drukhari that would make every renegade decision in Mass Effect looks like a paragon decision. A world where modeling an entire planet that doesn't look in the slightest as earth wouldn't blow the budget. A world where fighting games could have good battlepasses. A world where every new model and character wouldn't need to be submitted for approval by Games Workshop. In this world, which games would we like to see realized in the Warhammer Universe? Tune in to find out. (man, that was a good description)   POORHAMMER MERCH! https://orchideight.com/collections/poorhammer PATREON: https://www.patreon.com/SolelySingleton YOUTUBE: https://www.youtube.com/@thepoorhammerpodcast TWITCH: https://www.twitch.tv/poorhammer Website: https://poorhammer.libsyn.com/   TIMESTAMPS: 00:00 Hello and Welcome 01:36 We are Skipping the Obvious Genres 03:28 Souls-Like... But Age of Sigmar 06:18 Dungeon Keeper... but 40K 09:57 Dynasty Warriors... but 40K 15:16 TerraGenesis... but 40K 18:18 Factorio... but Tyranids 31:14 Yakuza Like a Dragon... But 40K 36:36 From the Depths... but 40K 40:21 Trade Simulator... But 40K 45:10 Satisfactory... but Votann 47:59 Visual Novel... But 40K 51:28 Dating Sim... But 40K 56:27 Frostpunk... but 40K 58:38 Soul Calibur... but 40K 01:01:11 QOP... But 40K 01:04:19 Wolf Among Us... But 40K 01:10:31 My Summer Car... But 40K 01:12:28 Disonored... But 40K 01:14:59 Hi-Fi Rush... But 40K 01:18:13 Titan Fall 3... but... actually, just give us Titan Fall 3 01:20:17 Vampire Survivors... But 40K 01:22:53 Vania-Metroid... but 40K 01:27:17 Papers Please... But 40K 01:29:59 Where is the Pokemon game with Trazyn as a Protagonist? 01:31:55 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY

in this podcst episode, i talk about the goodness i have been experiencing. God has put me on a journey of opening up my heart to who I was and understanding that, that is no longer who I have to be. I am undergoing change while also understanding and uncovering past versions of myself I was tyring to live in denial about. I am walking in self discovery and forgiveness as well as grace. I hope this podcast episode can motivate you to do the same admist the painful experience that seeing who and how you are at face value can bring.

Your LINKSGet Dr Monzo's Whole Food Supplements for your 90 Essential Revitalizing Nutrients here: https://SemperFryLLC.comClick His Picture on the Right for the AZURE WELL products and use code BB5 for your discount. Pods & Exclusives AD-FREE! https://patreon.com/c/DisguisetheLimitsDon't be a schmoe, Support the Show! https://buymeacoffee.com/BaalBustershttps://paypal.me/BaalBustershttps://GiveSendGo.com/BaalBusters Want Dan's book or his Award winning hot sauces and spicy honey?Go here: https://SemperFryLLC.com Join Dr. Glidden's Membership site:https://leavebigpharmabehind.com/?via=pgndhealth Code: baalbusters for 25% OffBooks and Documentaries You Should Own: https://www.bannedbyamazon.com/ Use Code: BBDan for 10% OffSupport keeps the videos coming. Find clickable portals to Dr Monzo and Dr Glidden on Dan's site, and it's the home of the best hot sauce, his book, and Clean Source Creatine-HCL. Subscribe to the NEW dedicated channel for Dr Glidden's Health Solutions Show https://rumble.com/c/DrGliddenHealthShowBecome a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

November asks us to move more slowly, more deliberately, and often in directions we didn't expect to.This is a month that comes with a looming, menacing sense of dread.But not all hopes are lost. In fact, it'll present the perfect opportunities for practice. Over and over again.In this episode, we dive into: How to heal a heart that's broken (again).What to do when you can't do it all.Healing as noticing the mismatch between perception and reality.How small moves are the biggest. If you've enjoyed and benefited from the podcast, I invite you to apply for private mentorship and coaching with me. This is an intensive container, designed to support you in refining your self-leadership skills, moving through important life thresholds with grace, and expanding your capacity for creative expansions.Try the incredible breathwork and meditation app Open for 30 days free using this special link. This podcast is hosted, produced, and edited by Jonathan Koe. Theme music is also composed by me! Connect with me through my newsletter, my Instagram @jonathankoeofficial, and my music. For podcast-related inquiries, email me at healingthespiritpodcast@gmail.com.

In this episode the ground of being gang continues exploring revelation and reason within the context of Tillich's systematic theology. They discuss the nature of revelation, its phenomenological aspects, the tensions that arise in understanding it, and the personal experiences that shape one's understanding of the divine. Ultimately, they reflect on the purpose of revelation and its implications for contemporary issues, including artificial intelligence. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back, to The Dark Paranormal, Season 23!On our season debut, a marine biologist recounts a haunting that surfaced not from faith or ritual, but from the crushing silence of isolation. Stationed at a desolate research facility on the Scottish coast, they begin to experience strange disturbances— damp footsteps on metal stairs, voices through dead radios, and a figure that seems bound to the sea itself. What began as unexplained noises soon evolved into something far more personal, and far more terrifying. This story explores the fragile line between psychological breakdown and genuine haunting, asking: when you're truly alone, how can you trust what you see—or, what touches you?Or is that the very game the paranormal side play with us, specifically at our lowest ebb? (Main experience starts around 6mins in with the current updates)Stay Safe,Kevin.We're giving a full weeks trial of our Patreon away! Just head over on the link below and away you go!www.patreon.com/thedarkparanormal If it's not for you? Simply cancel before your trial expires, meanwhile enjoy FULL access to our highest tier, and thank you for being the best listeners by miles. By making the choice of joining our Patreon team now, not only gives you early Ad-Free access to all our episodes, including video releases of Dark Realms, it can also give you access to the Patreon only podcast, Dark Bites. Dark Bites releases each and every week, even on the down time between seasons. There are already well over 150+ hours of unheard true paranormal experiences for you to binge at your leisure. Simply head over to: www.patreon.com/thedarkparanormal To send us YOUR experience, please either click on the below link: The Dark Paranormal - We Need Your True Ghost Story Or head to our website: www.thedarkparanormal.com You can also follow us on the below Social Media links: www.twitter.com/darkparanormalx www.facebook.com/thedarkparanormal www.youtube.com/thedarkparanormal www.instagram.com/thedarkparanormalOur Sponsors:* Check out Happy Mammoth and use my code DARKPARANORMAL for a great deal: https://happymammoth.com* Check out Mood and use my code DARKPARANORMAL for a great deal: https://mood.com* Check out Progressive: https://www.progressive.com* Check out Uncommon Goods: https://uncommongoods.com/DARKPARANORMALAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Drop us a text message to say hi and let us know what you think of the show. (Include your email if you'd like us to reply)In which John and David explore Jonah's cry from the “belly of Sheol” and ask whether the prophet's prayer describes death, near-death, or resurrection itself. We trace echoes of Psalms 16 and 139, connect Jonah's deliverance to Jesus' “sign of Jonah,” and marvel at the irony that salvation—still—belongs to the Lord.Episode 218 of the Two Texts Podcast | Jonah Beyond the Whale 15If you want to get in touch about something in the podcast you can reach out on podcast@twotexts.com or by liking and following the Two Texts podcast on Facebook, Instagram and Twitter. If you enjoy the podcast, we'd love it if you left a review or comment where you're listening from – and if you really enjoyed it, why not share it with a friend?Music by Woodford Music (c) 2021________Help us keep Two Texts free for everyone by becoming a supporter of the show John and David want to ensure that Two Texts always remains free content for everyone. We don't want to create a paywall or have premium content that would exclude others. However, Two Texts costs us around £60 per month (US$75; CAD$100) to make. If you'd like to support the show with even just a small monthly donation it would help ensure we can continue to produce the content that you love. Thank you so much.Support the show

Did Paul share personal information about his life? Without even being asked?? It is often in silence that we observe the most authentic communication taking place between people who are in love. Do we experience that when we enter into silence with God? Can we listen for what is deeper and what is greater than our understanding can grasp? Can we be vulnerable and convicted that from the silence with God comes an abundance? Can we stop just yelling at the sea?

All you need to know again (two weeks in a row - a first!) is Wolverine from Marvel vs. Capcom saying “BERSERKER (armor) BARRAGE! …BERSERKER (armor) BARRAGE!” over and over for this episode, as we close out the introduction to Guts' fabled cursed armor. Schierke really defines her main role in the series with the help of Flora's fiery force ghost, and we head back to oooooool' Windham to see that it's been taken over by Kushan…with almost every citizen murdered and hanged from the ramparts. Follow No Guts, No Glory on Instagram: https://www.instagram.com/nogutsnoglorypc/ Check out Joey and Ryan's Renaissance Martial Arts organization: https://www.thearma.org/ Check out Steve and Joey's other podcast: https://podcasts.apple.com/us/podcast/probing-ancient-aliens/id1321801647 https://open.spotify.com/show/3aREEXpe4DE37LsNkUxntW Check out Steve and Joey's Patreon for that other podcast: https://www.patreon.com/probingancientaliens

Tainted Traditions***Written by: N.M. Brown and Narrated by: Owen McCuen***The Silent Depths***https://creativecommons.org/licenses/by-nc/2.0/***Support the show at patreon.com/creepypod***Sound design by: Pacific Obadiah***Title music by: Alex Aldea Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

NITE DRIFT has returned! In this conversation, Jim Perry and Joshua Cutchin delve into the themes of the paranormal, creativity, and the interplay between fact and fiction. They explore Cutchin's new book, 'Fourth Wall Phantoms,' discussing how fictional narratives can influence reality and the importance of storytelling in shaping our understanding of the world. The dialogue touches on personal experiences, the nature of creativity, and the responsibility of storytellers in a rapidly changing society. Buy Fourth Wall Phantoms Find more of Joshua Cutchin's work ******* Hosted by Jim Perry Produced by Jim Perry, Kyle Gilmer, and Jon McEdward Edit, Original Music, and Sound Design by Jon McEdward Visualizer by Jack Dillaplain Cover Art by Jake Beautle Ad Network Director is Chelsey Weber Smith for And,If Studios Guest Booking by Michelle Freed Share your experience with Euphomet ⁠⁠⁠Euphomet Contact Form⁠⁠⁠ ⁠⁠⁠The Signal Hotline⁠⁠⁠ Support Euphomet Join ⁠⁠⁠⁠Society of The Strange⁠ Subscribe on ⁠⁠⁠⁠Spotify ⁠⁠⁠⁠or ⁠⁠⁠⁠iTunes⁠⁠⁠⁠ Follow ⁠⁠⁠⁠⁠@euphomet⁠⁠⁠⁠⁠⁠ and #euphomet Transmissions received at jim@euphomet.com Learn more about your ad choices. Visit megaphone.fm/adchoices

You might know Denise from Coronation Street, Waterloo Road, or as the winner of Celebrity Big Brother in 2012 and a regular panelist on ITV's flagship panel chat show, Loose Women, or remember when she won Celebrity Big Brother in 2012. But what you might not know is the extraordinary story that shaped the strong woman she is. It's a story of addiction, depression, tabloid phone-hacking and the darker side of fame. It's also the story of sobriety, recovery and the surreality of having survived post-natal psychosis to become the mother of one of the famous musical frontmen in the world: Matty Healy of The 1975. In this beautifully candid conversation, Denise opens up about surviving the toughest times but knowing how to celebrate the good ones (and yes, she does give us the inside scoop on being a guest at Charli XCX's wedding). This episode is a testament to working-class grit and finding light at the end of the tunnel while never losing your sense of humour. I hope you take as much from it as I did. WE LOVE YOU, DENISE! ✨ IN THIS EPISODE: 02:16 Being a 'Hun' and Social Media Fame 04:32 Family and The 1975 09:03 First Failure: Domestic Goddess 14:28 ADHD Diagnosis and Mental Health 18:34 Second Failure: Getting Sober 28:01 Hormonal Chaos and Early Struggles 28:55 Postnatal Depression 30:04 The Depths of Depression 31:15 Mental Health Advocacy 34:07 The Song 'She Lays Down' 38:43 Struggles with Alcoholism 42:21 Finding Sobriety and Love 48:31 A New Chapter in Acting

If you went to high school in America, you probably read Moby-Dick — or, more likely, you skimmed the CliffsNotes and wondered why this dense, whale-obsessed novel was considered a classic.That was me in 10th grade.But earlier this year, I decided to revisit Moby-Dick in midlife, and it hit me completely differently. What once seemed like a tedious story about a guy chasing a whale revealed itself to be a profound meditation on free will, perception, self-reliance, leadership, and obsession. It's now one of my favorite novels.To help unpack why Moby-Dick endures — and why it might be worth picking up again— I'm joined by Mark Cirino, a professor of American literature. Today on the show, we discuss why Moby-Dick was initially overlooked, the novel's major themes, and the timeless mystery of Captain Ahab's monomaniacal quest.Resources Related to the PodcastMark's previous appearances on the AoM podcast:Episode #786: The Writing Life of Ernest HemingwayEpisode #922: For Whom the Bell TollsOne True PodcastThe Norton Library PodcastMark's Norton Library Edition of A Farewell to ArmsConnect With Mark CirinoMark's faculty pageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Psalm 130 dramatically reminds us of our limitations and sinfulness as we trust in the Lord and cry for help. (Lectionary #470) October 16, 2025 - Cathedral Rectory - Superior, WI Fr. Andrew Ricci - www.studyprayserve.com  

Jen Roberts, Associate Director of the Atlantic Council's Cyber Statecraft Initiative, and Sarah Graham, Research Consultant with the Atlantic Council's Cyber Statecraft Initiative, who are coauthors along with Nitansha Bansal of the recent paper, “Mythical Beasts: Diving Into the Depths of the Global Spyware Market,” join Lawfare's Justin Sherman to discuss the global spyware industry, how it has evolved in recent years, and what its future holds. They also discuss the geographic concentration of key spyware entities in several countries; a rise in U.S. investors in the spyware industry; how “strategic jurisdiction hopping,” name changes, and corporate structure shifts impact spyware firms' evolution and transparency into their activities; and how U.S. policymakers should approach the global spyware market going forward.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.