Podcasts about Stereolab

On this episode, Marc talks with Ben Cardew, author of "Space Age Batchelor Pad Music: The Story of Stereolab in 20 Songs," published in April of 2026. It's a mix of biography and criticism that gets at both how Stereolab made their music and why it's had such an effect on so many people. The 20 song framework helps Cardew structure the narrative well, but he is also not beholden to it, as he covers many other songs, albums, stories, and ideas that surround this fascinating group.As Ben writes, "I've been listening to Stereolab since around 1992...and I still don't fully understand them...This is the story of Stereolab in twenty songs, each of which illustrates a certain facet of the band's abundant personality. It's not a comprehensive list, and it's not meant to be; it's a guide, a weak torch with dodgy batteries to light up your trip into the yawning Stereolab cave."We hope you enjoy Marc's conversation with Ben Cardew!

Ben Cardew spoke to Krautrock / kosmische hero Michael Rother about Neu!, Harmonia, Kraftwerk and his solo career, taking in creative explosions, musical freedom, the perverse advantage of not having gear, the Neu "!" and whether he is a fan of Stereolab. Line Noise comes to you with the support of Cupra.

Ben Cardew spoke to Krautrock / kosmische hero Michael Rother about Neu!, Harmonia, Kraftwerk and his solo career, taking in creative explosions, musical freedom, the perverse advantage of not having gear, the Neu "!" and whether he is a fan of Stereolab. Line Noise comes to you with the support of Cupra.

On today's episode, I talk to musician and producer John McEntire. Originally from Portland, OR, John started playing drums as a preteen and eventually went to school at The Oberlin Conservatory to study music. At Oberlin, John started playing in David Grubbs post-Squirrel Bait band Bastro. The group then moved to Chicago, and Bastro morphed into the first incarnation of Gastr Del Sol. After their debut album The Serpentine Similar was released in 1993, John left to co-found Tortoise, who he's played with ever since. John also performs in The Sea and Cake and Red Krayola, and as a producer and engineer has worked with everyone from Stereolab to Broken Social Scene to Yo La Tengo, and of course, this is just scraping the surface of John's accomplishments. Most recently, Tortoise released their eighth album Touch through International Anthem and Nonesuch Records, and folks, like everything else they've done, it's wonderful! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

Aujourd'hui, Hervé vous conduit dans le 10e arrondissement de Paris, rue du Faubourg Saint-Denis, à deux pas des grands boulevards, pour rencontrer Nicolas Julhès. Ce nom parlera sans doute aux parisiens les plus gourmets, qui connaissent probablement l'épicerie fine du même nom et ses sept boutiques à Paris. Mais, en marge de l'héritage familial lié à l'amour des bons produits, Nicolas a développé sa passion des spiritueux au point d'établir, il y a 10 ans, sa propre distillerie au cœur de Paris. Un projet qui a demandé 5 ans de travail pour aboutir car il était alors interdit de distiller dans la capitale depuis un siècle. Mais Nicolas est finalement parvenu à installer son alambic, fabriqué sur mesure, dans la cour du bâtiment qui abrite l'épicerie familiale. Dans cet épisode, vous découvrirez le parcours de Nicolas et comment, de son amour des saveurs et des bons produits, à la découverte des spiritueux, la distillation est devenue pour lui un moyen d'expression. Ce qui est d'ailleurs frappant, c'est de l'entendre utiliser des mots qu'on associerait plus au champ artistique qu'à la création d'alcools.Né dans une famille de commerçants où le travail est une valeur cardinale, Nicolas a cependant besoin d'être ému par ce qu'il fait pour esquiver la routine. De ce point de vue, la répétition du geste, qui pourrait l'ennuyer, est sauvée par la variabilité des matières et par l'intention qui conduit sa démarche créative. C'est face à ce genre de paradoxe que Nicolas s'engage artistiquement dans un métier artisanal, qui lui apporte des satisfactions immédiates comme des rencontres inoubliables. Retrouvez La Distillerie de Paris et Nicolas Julhès : https://www.distilleriedeparis.com/REPÈRES L'alambic de Nicolas (1:55)Le fonctionnement de l'alambic (5:30) Le parcours de Nicolas pour devenir distillateur (9:35)Le danger de l'alcool et l'intention de Nicolas. (13:20) Esquiver l'ennui et la routine (16:10) Un métier artisanal approché artistiquement (18:40) Des joies simples et un plaisir immédiat (20:00)Des amitiés intenses et des rencontres inoubliables (21:50)Production : Stereolab – Musiques : Blue Dot Sessions.Retrouvez l'actualité de Travail soigné via les comptes Stereolab.fr sur Instagram, Threads, BlueSky et Facebook et envoyez vos suggestions pour de prochains épisodes à hello@stereolab.frMerci de votre soutien sur votre plateforme d'écoute préférée (un abonnement, 5 étoiles, des petits cœurs, un commentaire sympa) ainsi que sur Podmust.com

Verity Susman and Matthew Simms from MEMORIALS are here to discuss their new album All Clouds Bring Not Rain, the confusing measurement units different countries use to track distances, the roles their respective fathers played in inspiring them to explore music, telling me what a boffin is, working on film scores and soundtracks, a helpful boost from Stereolab, the significance of the Susan Sontag Memorial Water Slide, touring with Holy Fuck, writing new music, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:March Mergeness! Or Merge Madness? Prize Pack!Ep. #1026: TortoiseEp. #1001: Thanya IyerEp. #812: Michael Azerrad on ‘The Amplified Come As You Are – The Story of Nirvana'Ep. #673: Sonic YouthEp. #519: Holy FuckEp. #38: Krist NovoselicEp. #24: Steve AlbiniSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

To mark the release of his Stereolab book, Space Age Batchelor Pad Music, Ben Cardew reads 10 minutes from the opening chapter, in what is the closest you're probably going to get to an audiobook. Here, we discover why he wanted to write the book in the first place and what makes Stereolab so special.

Stereolab didn't just make music—they built a world of sound. Blending krautrock rhythms, vintage electronics, lounge influences, and radical ideas, the band carved out one of the most distinctive catalogs in modern music.In this episode, we explore the story of Stereolab through 20 essential songs, tracing their evolution from underground innovators to one of the most influential alternative acts of their era. Along the way, we uncover the creative philosophy, sonic experimentation, and cultural influences that shaped their singular sound.Featuring an in-depth interview with Ben Cardew, author of Space Age Bachelor Pad Music: The Story of Stereolab in 20 Songs, this episode dives deep into the band's history, key tracks, and lasting legacy.Whether you're a longtime fan or just discovering Stereolab, this is your guide to understanding the band—one song at a time.Purchase a copy of Space Age Batchelor Pad Music: The Story of Stereolab in 20 SongsVisit Ben Cardew's Substack pageFollow Ben Cardew:BlueskyInstagram----------

To mark the release of his Stereolab book, Space Age Batchelor Pad Music, Ben Cardew reads 10 minutes from the opening chapter, in what is the closest you're probably going to get to an audiobook. Here, we discover why he wanted to write the book in the first place and what makes Stereolab so special.

Johann Wald takes a turn hosting Line Noise this week, as regular host Ben Cardew comes on the show to promote his new book, Space Age Batchelor Pad Music: The Story Of Stereolab In 20 Songs. Ben explains the how, whys and wherefores of the new book, including why he decided to write it in the first place, the choice of the 20-song structure and trawling the Stereolab back catalogue for themes and oddness. They also talk about why Stereolab are one of the most unique bands of the last few decades, explore the idea of inefficiency in music and wonder at the sheer size and improbability of the Stereolab back catalogue. As a bonus: their favourite Stereolab songs.

This week we're talking MEMORIALS, the duo of Verity Susman from Electrelane and Matthew Simms of It Hugs Back and Wire. Their excellent second album is titled All Clouds Bring Not Rain and is a technicolor psychedelic pop extravaganza that ranges from baroque folk to krautrock to Doors and Pink Floyd-style wig-outs and many points in between.    Verity and Matthew discuss how this album differs from their debut, Memorial Waterslides, and why they went to remote Southwestern France to make part of it. We also talk about the duo's origins, the wide array of unusual instruments used on the album, translating their often complex studio arrangements to their duo live setup, touring with Stereolab, their upcoming spring tour, the value of playing loud, Simms' production work, what came of pandemic Electrelane "reunion," five records they think everyone should own and more. -- Credits: Hosted & produced by Bill Pearis Mixed and mastered by Nick Gray Theme music by Michael Silverstein  

You've survived Friday the 13th and the Ides of March, and your reward is... another Monday morning. Fortunately, the AM is here to fill these early morning hours with good vibrations and offbeat easy listening. This week's throwback is to AM patron saints Stereolab, and the 30th anniversary of their Emperor Tomato Ketchup. That classic is surrounded by eclectic sounds, from synth-enhanced Ethio-jazz to ghostly shoegaze to new-age Kosmische. All with the express aim of starting your week on stable ground. Enjoy!Playlist: Bill Orcutt, Mabe Fratti - Almost WakingAlabaster dePlume - It's Only Now Once (Elbit Systems Windowpane)Kibrom Birhane - YEGEDEL MAMITU የገደል ማሚቱPacific Coliseum - Floating PetalsThe Besnard Lakes - Give Us Our Dominion - Ghost MixRosenau & Sanborn - HarmPolypores - WrigglersHiro Ama - BoosterUnderworld - WinjerBrendan Sound System - JulyBarnaby Bennett - Royal LaurelVarious Artists, featuring Arooj Aftab, Beck - Lilac WineThe Orielles - Whenever (I May Not Feel So Close)Ora Cogan - The Smokedagmar zuniga - Plenty for All the MassesCindy - ProcessionSpencer Cullum's Coin Collection - Jackie PaintsStereolab - Cybele's ReverieStereolab - Les Yper-SoundRaleigh - SydFoxwarren - Strange - Dan the Automator RemixMonster Rally, featuring Henry Mancini - Flight to CapriThe Notwist - The TurningElastic Stars - Falls BackTomo Katsurada, Misha Panfilov - MostraNatural Magic - Galaxy BuilderNew Age Doom, H.R. - We're All the SameSook-Yin Lee - Locked BoyVinyl Williams, featuring Nailah Hunter - SoulgazeMemorials - Dropped Down the WellDummy - Tapestry DistortionMcCaslin Dahle - Henry Takes the 5thPsst Shh - Crass Video MistBroken Social Scene - Hey Amanda

Electro-acoustic sound-manipulation rubs shoulders with extended techniques on acoustic instruments, while influences from ’80s industrial, ’70s krautrock, ’00s folktronica and ’90s dub techno can be found alongside indie rock, breakbeat, and good ol’ classic freeform noise. It’s Sunday. It’s Utility Fog. LISTEN AGAIN to good ol’ classic freeform ‘fog. Stream on demand at fbi.radio, podcast here. Bibi Club – A Different Light [Secret City Records/Bandcamp] Bibi Club – Le Styx [Secret City Records/Bandcamp] The Montréal duo of Adèle Trottier-Rivard and Nicolas Basque are Bibi Club, a name which presumably makes more sense to French speakers, but their songs are split fairly evenly between French & English. Their quirky indie pop, part jangly guitars and part electronic, owes something to the British-French band Stereolab (who they covered last year), as well as Francophone indie music that often gets tagged with “chanson”, the French word for “song”. From their lovely third album Amaro, I started tonight with a driving piece of postpunk that clearly shows their debt to Blonde Redhead, which segues into an instrumental that loops part of the krautrocky groove and introduces hovering drones and sampled operatic voices. This might just be the emotional avant-garde indie rock you’ve been looking for. The Notwist – The Turning [Morr Music/Bandcamp] In 2001, German band The Notwist, having begun as hardcore punks and transitioned through emo to some kind of indie rock, released their breakthrough album Neon Golden – a significant date only in that a couple of years later was when I started Utility Fog on the newly-official FBi Radio. Arguably with their 1998 album Shrink, The Notwist were well on the way to their hybrid genre that we perhaps briefly called “indietronica”, with influences from IDM, drum’n’bass and techno as well as krautrock combined with indie rock. Meanwhile, Thomas Morr founded his Morr Music label in 1999, which quickly became a home to a similar clade of indie/IDM, shoegaze-tronic bands – many of which involved members of The Notwist, particularly brothers Micha and Markus Acher. It wasn’t actually until 2020 that The Notwist themselves signed to Morr Music, but it’s always seemed their spiritual home. The band’s new album News from Planet Zombie is perhaps their most “rock” album for some time, intentionally splitting from their studio-mediated workflows by bringing the whole band together to write & perform these songs in person. 10 years ago Superheroes, Ghostvillains + Stuff documented The Notwist’s live setup at the time, with modular synths & other electronics prominent alongside the (kraut)rock instruments; here the electronics are less prominent but clearly an integral part of whatever The Notwist does; but it’s the undeniable, distinctive songwriting that can’t help but shine through. Daniel Jumpertz – I Would Never Do That To You [Feral Media/Bandcamp] In the early days of Utility Fog/FBi, Danny Jumpertz was a strong supporter of Utility Fog, and the indietronica, folktronica and postrock sides of the playlists were reflected in the sorts of music he released on his Feral Media label. For a while now the in-the-family indie rock band Clairaudience has been his main musical outlet, but he’s now begun releasing a cache of solo songs, I believe once a month, starting with the stirring “Everything Is Lost” and now followed by the pretty krautrocky “I Would Never Do That To You“. From Jumpertz’ time in NYC, producer Abe Seiferth contributes “wig-out Moog mayhem”, which you’ll recognize as soon as you listen to the song! Looking forward to more in coming months. Praed – Assarab السراب [Ruptured Records/Bandcamp/Annihaya Records/Bandcamp] Now 20 years old, Praed is the combination of two Lebanese musicians, clarinettist/composer/more Paed Conca (part-Switzerland-based) and bassist/sound-artist/more Raed Yassin (part Berlin-based). The music – sometimes billed as “PRAED Orchestra” with friends from the MENA/SWANA region and Europe – draws from Egyptian street music (Shaabi, now mutating into Mahraganat) and the traditional Sufi spiritual/trance music Mulid, both in their ways based around hypnotic, repetitive beats. It’s always psychedelic, swirling, extremely rhythmic, a free jazz of Lebanese & Egyptian music. While new album Al Wahem الوهم is back in duo formation, they are still joined by many talented Beirut musicians (the album was recorded at Tunefork Studios in Beirut). As always this music is full of joy and yearning, and neverending forward motion. Simo Cell & Abdullah Miniawy – Living Emojis [Dekmantel/Bandcamp] Simo Cell & Abdullah Miniawy – Easing The Hearts [Dekmantel/Bandcamp] In 2020, French beatmaker Simo Cell and Egyptian singer, poet, trumpeter, composer & more Abdullah Miniawy teamed up for a frankly game-changing mini-album, Kill Me Or Negotiate. Simo’s music is equal parts UK bass, US bass and French club, transforming the Arabic vocals and jazz-trained trumpet of Miniawy, who had collaborated extensively with the post-dubstep kraut-tronic band Carl Gari (not to mention his own laptop experiments, no longer available online). The pair are not afraid to abstract Miniawy’s lyrics into cut-up samples, nor are they afraid to let him fly with gorgeous melodicism. Their second outing together is the brilliant album Dying Is The Internet, whose title couldn’t be more apposite really – it feels like it’s bringing the world down with it, and while you probably couldn’t blame Netanyahu on the internet, surely Trumpianism is as much a product of what the internet’s become as, well, all the other shit. There’s real humanity in these tracks, as well as futuristic technology; high drama and low grooves. If the internet’s dying, let this be the future. Damos Room – Molars [Limbo Tapes/Bandcamp] I’m not sure who Damos is or what’s in their Room, but signs point to it being three guys: Luke Miles, Nicholas Elson & Huw Oleskar. I’ve just found out (because they told me, nothing underhand) that Huw Oleskar is also known as Elijah Minnelli, responsible for some of the most interesting and lovely dub-folk hybrids in recent times, ostensibly under the auspices of Breadminster County Council. As for Damos Room, you can find a series of fantastic, weirdly-shaped releases on their Bandcamp, including a mixtape of two bizarre 40-minute radio pieces, some quasi-singles of abstracted dub/spoken-word/electronics, and the experimental electronics of their collaboration with rapper LYAM, which I played on this show a few years back. The band finally have an album coming, and Walk With The Militia… is not that album. It’s a mixtape, entirely in keeping with the mystery what all this is about. It collects a whole lot of weird shit, but it’s all dub-based experimental electronics, with Minnelli’s distinctive spoken word & low-key singing, odd radio interludes and noise bits and so on. It’s really fantastic. No doubt All Shall Go, the real album, will be well worth bending your ear to when it comes out in only a few weeks! New Age Doom featuring H.R. – We’re All the Same [We Are Busy Bodies/Bandcamp] Having previously collaborated with Lee “Scratch” Perry, Canadian collective New Age Doom know a thing or two about combining freeform psychdedelic noise with dub. Their latest collaborator H.R. co-founded Bad Brains, some of the earliest hardcore punks who combined rasta philosophy and reggae with their punk music. It appears that for all the peace-and-love preaching, H.R.’s fundamentalist religious outlook inherits the homophobia rampant in Rastafarianism, but that’s not apparent in these songs, thankfully. This is swirling dub with some excellent electric violin from Alina Petrova. DJ Sprinter – Floaterr [unreleased] Oslo’s DJ Sprinter has popped up in the last year and a bit as an absolutey top-tier producer of bass-heavy breakbeat. You can find a whole lot on his Bandcamp, but the other day he invited followers to message him on Instagram for some unreleased cuts, so I did, and I’ve brought you one tonight. Just as great as the plethora of stuff he’s already put out there, irresistible grooves. Rotate – Hot Glue [YUKU/Bandcamp] UK producer Rotate is also known as RWB, making dubsteppy, garagey cuts galore. Not sure what warrants being a Rotate track rather than RWB, but the more serious, full releases, especially for other labels, seem to be under Rotate. This is still absolutely bass music, wobbly and spacey, with just enough of that experimental edge to be very comfortable in the YUKU yuniverse. Teerath Majumder – Dust [Infrequent Seams/Bandcamp] Bangladeshi artist Teerath Majumder, based in Chicago, creates interdisciplinary art & music that explores the interaction between audience and artist/composer through technology, as well as producing music & sound-design in collaboration with other artists, directors & musicians. His new album Dust To Dust, however, is an entirely solo work, from the music & production to mastering & artwork. Here there are flittery synths, Bangladeshi samples at times, and when there are beats they skitter and thump. This album may have come from Majumder’s contemplation of death, but it’s teeming with life. MATA – Adolf Hippy [CÆR (Chiærichetti Æditori Recordings)/Bandcamp] MATA – Compro Oro Et Laboro [CÆR (Chiærichetti Æditori Recordings)/Bandcamp] Where did this even come from? Well… Italy. Italy is where the trio named MATA come from, making industrial/noise/glitch which could almost look like a typical rock band – guitar/vocals, bass, drums – if you ignore the electronics through everything. This is the kind of music where anything can happen, often grating, often strangely catchy? The label CÆR is the musical arm of Chiærichetti Æditori Recordings who also publish an underground comix anthology called LEGIONE, and I look forward to reading some when the package finally reaches Australia. Noémi Büchi – dislocated bodies (feat. Anushka Chkheidze) [-OUS/Bandcamp] With last year’s excellent Liquid Bones EP, Swiss/French composer Noémi Büchi shifted from dense electronic orchestrations to a somewhat lighter touch, with rhythm more to the forefront. Her new album Exuvie is body music made of deceptively simple parts that are bent and shuffled into unexpected shapes. It’s great, not least on this track, a collaboration with Georgian composer & producer Anushka Chkheidze. Roman Rofalski – Monday [Oscillations/Bandcamp] German musician Roman Rofalski is a classically-trained pianist and a jazz musician, releasing recordings of contemporary composers as well as jazz piano trios. He’s also interested in extending these forms into electronic realms, and we’ve heard him on this show as one half of electro-acoustic duo Saving Kaiser. In 2024, we heard him deconstructing his piano on the album Fractal, released by London-based Oscillations Music. He’s now followed that up with Awaiting PM, combining the inside & out of a new grand piano with distorted Akai MPC 2000 beats. There’s a sense of tension and expectation to these tracks, which were recorded while awaiting the birth of his son. It’s excellent stuff, and I’m glad to note that he’s got another release coming hot on its heels, which you’ll hear here in a couple of weeks. Autistici & datewithdeath – Grusch’s Biologics [Audiobulb/Bandcamp] Sheffield-based sound-artist David Newman has run the Audiobulb label since the netlabel days of the early 2000s, and for a similar length of time he’s made exploratory sounds as Autistici of a similar aesthetic to the label – post-IDM beats, glitchy sound processing, an electro-acoustic approach to found sounds, field recordings and instrumentation. Artistic collaboration has been a big part of what Newman’s done as Autistici and Volume Objects – the 2010 remix album Resonating Wires was a favourite release back then, but even his “solo” releases have often featured guests. Last year, two of three “familiarity” EPs came out from Autistici on Audiobulb – Familiarity Folded and Familiarity Enfolded, both of which featured simpatico either artists remixing Autistici or working with him, creating meticulous sound-art, sometimes with beats, usually mixing acoustic sounds with electronic approaches. Those two releases have limited CD editions; the third, out now, is Familiarity Unfolded, which can be found on vinyl as well. One of the best collaborations is with St. Augustine, Florida musician & writer Travis Johnson, who worked for many years under the alias datewithdeath, as well as running the Poverty Electronics label. Following an illness, datewithdeath has been retired – although not without clearing the cupboards with some stunning collections, including the collaboration/remix album Culotte Sine and the posthumous (so to speak) album Apple Tree Brightness. Johnson can now be found prioritising writing with Frolic Press, but there’s still a musical arm – Frolic Press Recordings that will feature his & others’ work – forthcoming is a novella from Aidan Baker of Nadja, with an accompanying solo album out for pre-order now. In any case, the glitchy & detailed “Grusch’s Biologics” is one of my favourite tracks from Autistici’s trio of releases. Bruce Russell – The Letter [Marhaug Forlag/Bandcamp] Lasse Marhaug – Turntable Oil Blues [Marhaug Forlag/Bandcamp] This one’s a huuuge deal in the noise world, or at least to me it is. Bruce Russell is a member of New Zealand’s iconic experimental rock trio The Dead C, a highly influential band across indie, shoegaze and noise. Lasse Marhaug is a giant of the noise scene, and also a producer of many surprising Norwegian & other artists including Korean jazz/experimental cellist Okkyung Lee, Jenny Hval and Kelly Lee Owens. As befits the noise scene, both are very intuitive workers with sound, and that’s where part of the joy of this release comes from. It’s actually their second collaboration, but Re-Make Re-Model came out of the idea of remixing each other, and thus is released as a 2CD set, each credited to the artist who completed the work (the remixer). It also comes in a beautiful open-spine hardcover book published by Marhaug (whose Marhaug Forlag also publishes the Personal Best magazine of noise music – the 2011 first issue of which included a feature on Bruce Russell), with photos & essays by both musicians about their relationship and their musical practice, and fascinating, detailed descriptions of how each track was made. Thus: Bruce Russell’s “The Letter” is based on Marhaug’s 2005 work Carnival of Souls, which is a soundtrack to a short film called The Letter. Russell chopped out tasty bits of the original, which he re-pitched, pushed the right & left channels out of sync & further tampered with. The results are deeply sinister. On Marhaug’s “Turntable Oil Blues”, he’s messing with Russell’s “Nigerian Delta Oil Well Blues”, a short track from his 21st Century Field Hollers And Prison Songs LP. The funny thing is, the ascending & descending slides aren’t a turntable slowing down & speeding up – they’re in Russell’s track. This is as directly a remix as it is a destruction of the original work, progressively distorting the original (played at the wrong speed) over a number of run-throughs. Ultimately noise is doing whatever the fuck you want with sound, and finding some artistry in it, and these two are past masters of the art of noise. Nabelóse – Niriides [Trost/Bandcamp] Pianist Ingrid Schmoliner and French horn player Elena Kakaliagou have played together for about a decade, making music that sits somewhere between contemporary composition and free jazz. Both also contribute voice to their Nabelóse project, including layers of spoken work, and – with prepared piano and horn that produces breathy wind as often as warm, slow melodies – their third album HAAR is a thing of mysterious beauty. Their previous albums – 2017’s Nabelóse and 2022’s OMOKENTRO – feature more singing that draws from their respective folk musics (Schmoliner is also a yodeler), but share this album’s patience and sonic exploration. Rosenau & Sanborn – Harm [Psychic Hotline/Bandcamp] Chris Rosenau of Collections of Colonies of Bees and Volcano Choir, and Nick Sanborn of Sylvan Esso have been friends for a long time, and made their first EP under their surnames back in 2019. The sequel (what Americans would call a “sophomore” effort) shares with the first a love of folky guitar, studio electronics and incidental found-sound. To me this is bliss, as it recalls the laptop folk of The Books and other airy, homespun folktronica of the early ’00s. Absolutely a little gem, do not miss. Booker Stardrum – Inside Sounds [WeJazz/Bandcamp] New York percussionist & composer Booker Stardrum is a member of Los Angeles (post-)jazz supergroup SML, and music runs in his family – his surname is adopted from the names of his parents, both avant-garde musicians themselves: flautist Stefani Starin and microtonal composer & instrument maker Dean Drummond. So Close-up On The Outside might be expected to be an avant-garde release, and in some ways it is, but in a very friendly, warm manner. Many friends from SML and the broader scene appear as guests on these compositions, but they flit in & out around careful edits; the main focus is on pitched and un-pitched wooden percussion, and glinting loops. There’s a low-key, positive outlook to the album which is uncommon and welcome. Richard Pike – I. “What Happened” [Salmon Universe/Bandcamp] Sydney’s Richard Pike, alum of PVT, is now based in London. He can be found in various ensembles, including with Joe Quirke, with whom he co-runs the Salmon Universe label, and under his own name has been making ambient-techno-hybrid-orchestral soundtracks for TV. Outside of that, he’s released solo music under the alias DEEP LEARNING on Oxtail Recordings, based around subtly rhythmic glitchy loops, but now returns to his own name for album that mixes late-night piano and glitchy dub-techno. It’s not surprising to discover that the creation of this music was directly triggered by the death of Ryuichi Sakamoto, but the music takes darker paths than the Japanese master. The full album’s out later in May, but the singles so far are rich & murky. Listen again — ~224MB

Johann Wald takes a turn hosting Line Noise this week, as regular host Ben Cardew comes on the show to promote his new book, Space Age Batchelor Pad Music: The Story Of Stereolab In 20 Songs. Ben explains the how, whys and wherefores of the new book, including why he decided to write it in the first place, the choice of the 20-song structure and trawling the Stereolab back catalogue for themes and oddness. They also talk about why Stereolab are one of the most unique bands of the last few decades, explore the idea of inefficiency in music and wonder at the sheer size and improbability of the Stereolab back catalogue. As a bonus: their favourite Stereolab songs.

Nueva entrega de Música de Contrabando, semanario de actualidad musical (12/03/2026)Entrevistas: - Pieles Sebastian (Juanfra Cerdá y Jesús Cobarro) nos estrenan su álbum "Queer Pro Quo" en el que muestran su universo de purpurina, electrónica y resistencia. - Rafa Skam ( The Yellow Melodies) nos presenta el n° 26 de El Planeta Amarillo. En pleno 2026, el fanzine, el papel y la tinta , siguen siendo un buen refugio para la cultura independiente. Noticias: Semana aciaga: Mueren Country Joe McDonald, líder de Country Joe & The Fish, Augie Meyers, de Texas Tornados y Sir Douglas Quintet, y Tommy DeCarlo, vocalista de Boston .Los Who anuncian Live at Eden Project, un nuevo álbum en directo .Jonny Greenwood, guitarrista de Radiohead y The Smile, vuelve a colaborar con Shye Ben Tzur y The Rajasthan Express de cara a un nuevo trabajo. El ex R.E.M. Michael Stipe ha publicado su primera canción en tres años: “I played the fool”, para la sintonía de la serie de HBO Rooster. Se anuncia una edición ampliada de One of these nights, el cuarto disco de estudio de los Eagles .Jello Biafra, hospitalizado por un derrame cerebralCherry Red anuncia Strange men, changed men – The complete recordings 1978-1981, tres cedés que reúnen las grabaciones completas en estudio de Bram Tchaikovsky, que serán publicados el 1 de mayo. Cierre de cartel y distribución por días del Azkena Rock Festival 2026.Matt Bellamy interpreta en una iglesia parte del nuevo single de Muse.- Llega “Running Up That Hill”, biografía coral de Kate Bush. Chucho anuncian la edición, por primera vez en vinilo, del que fue su segundo disco: Tejido de Felicidad . Medio siglo después de su formación en Manchester, Buzzcocks siguen empeñados en demostrar que el punk no es solo una cuestión de nostalgia. La banda británica celebrará su 50 aniversario sobre los escenarios con una gira europea que incluirá dos conciertos en España. La Casa Azul ha dado los primeros detalles de su nuevo disco y ha revelado sus dos primeras grandes fecha de presentación, que tendrán lugar en 2027.Fugazi ha puesto finalmente a la venta las sesiones de grabación completas de Albini en Bandcamp a un precio de 10€ . Gorillaz planean vivir para siempre. Al menos eso es lo que asegura Damon Albarn al prometer que «pasarán a la siguiente generación» el relevo de su inconfundible proyecto. Morrissey cancela su concierto en Valencia. Novedades musicales:Bruce Springsteen, Morrissey, Bruce Hornsby & Bonnie Raitt, The Lemon Twigs, Triángulo de Amor Bizarro, Xoel López, Sex Museum, Bunbury, Sr Chinarro y J de Los Planetas, Hoonine, Shego, Simon Love, Carey, Pedriñanes 77, Modelo de Respuesta Polar, Noise Box, Pieles Sebastian, Stereolab, Gallopedro, Rostam , La La Love You y Monsieur Periné, Wesley Joseph, Anjimile, Thee Marloes, Chinese American Bear, The Sophs, Molly Mogul, Annapurna, Kuve, Ramírez Exposure, Leverse, Ángel Calvo, Comandante Twin, Victorias, Aldous Harding, Alis y Ángeles Toledano, Carlangas, Mitski, Mala Cotton, SaoAgenda de conciertos:Axolotes Mexicanos, Joaquín Pascual, Ángel Calvo, Hitten, Marwan, Vecinos, Regular Crowd, Los Invaders, Rey Lobo, Mecánica Clásica, Tusa, Miguel Campello, Alison Darwin, Murcia Jazz Festival (Steve Coleman)...

Novedades| MUNA, Jessie Ware, Chloe Qisha, Pipiolas, Julieta, Paris Paloma, Julia Campbell, Lykke Li, GOMZ, Maisie Peters, Mariagrep y Mundo Prestigio, Rebe, BLAYA, Nina Nesbitt, Lana del Rey, Cate Le Bon, Molina, Bleachers, Broken Social Scene, The New Pornographers, Alan Sparhawk, José González, War Child Records, Bruce Springsteen, Stereolab, Lunar Isles, etc... ¡Suscríbete a nuestro canal en Telegram! https://t.co/d64vSXTYT9 ¡Suscríbete a nuestro canal en WhatsApp! https://whatsapp.com/channel/0029VaRw86Q1yT2FeNzrfv2g ¡Escríbenos! info@hnmag.es ¡Síguenos en Twitter! https://twitter.com/HNMagES ¡Síguenos en Instagram! https://www.instagram.com/hnmages/ ¡Síguenos en Facebook! https://www.facebook.com/HNMagES ¡Síguenos en Threads! https://www.threads.net/@hnmages

La saga Red Hot feia parada i fonda al can

Episode 778: February 17, 2026 playlist: Stereolab, "Cloud Land" (Cloud Land / Flashes In The Afternoon) 2025 Duophonic Maya Shenfeld, "There's Always Another Level" (Cover-Up (Soundtrack from the Netflix Film)) 2026 Thrill Jockey Noemi Büchi, "I was almost there" (Exuvie) 2026 -ous Cabaret Voltaire, "Sex Money Freaks (BBC Session)" (Riley and Coe Session 2025-11-24) 2025 unreleased Andreas Voelk and Scott Monteith, "And All The Clocks Ran Dry Part I (excerpt)" (And All The Clocks Ran Dry) 2026 Room40 Group Rhoda, "White Fur" (Phase 5) 2026 Dark Entries Ben Glas, "Untitled V" ("music* *?") 2026 Room40 Arnold Dreyblatt (with Claudio F. Baroni, Lucie Nezri, Reinier van Houdt), "Descendants: Music for Four Pipe Organs in One Space (excerpt)" (Descendants: Music for Four Pipe Organs in One Space) 2025 Unsounds Nuxx, "Bad" (Bird Brain EP) 2025 [self-released] Ambade Brothers, "(sitar and jalatarang)" (Indian Talking Machine Part Two: Instrumental Gems From The 78rpm Era) 1935 Sublime Frequencies Holodec, "Under Heaven's Weight" (Tru Folk) 2026 Phantom Limb Elizabeth Davis, "Young Ones" (Flowers) 2026 South of North Felsmann + Tiley, "Warum" (Protomensch) 2025 Mute Mary Lattimore and Julianna Barwick, "Temple Of The Winds" (Tragic Magic) 2026 InFine Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Featuring a new release of the late genius Roy Hardgrove live in 2000; piano wizard Leo Genovese solo in Brooklyn; Charlie Hunter's classy exploration of the American songbook; Brit legends Stereolab live from the BBC; one of one, Nina Simone; and the badness of Black Uhuru.

Ben Cardew in conversation with David Eastaugh  https://www.amazon.co.uk/Space-Age-Batchelor-Pad-Music/dp/1916829325 http://jawbonepress.com/space-age-batchelor-pad-music/ Stereolab are one of the most fascinating guitar groups of the past fifty years, a source of constant reinvention and illuminating contrasts, where political ideology meets the sweetest pop melodies and driving guitars rub along with space-age jazz. They are perhaps the greatest Anglo-French collaboration since Concorde—a hugely respected, highly influential group whose fan base grows larger by the year, stretching from chart-topping hip hop artists to underground indie stars. And yet their appeal remains elusive. What kind of music do Stereolab make? What's their best album? Their greatest song? There are no easy answers. In writing this book, Ben Cardew spoke to more than fifty people from the Stereolab universe to trace the history of the band from the depths of 90s indie London to their all-conquering reunion tour of 2025. Using twenty of their songs as jumping-off points, he examines in loving detail what makes this most fascinating band work, unpicking the cultural references, stylistic contradictions, and brilliant ideas at the heart of the group.

My guest this week is musician David Pajo (Slint, Papa M, Gang Of Four), who picked the Louisville, Kentucky indie music film Half-Cocked to discuss. BUT…there was so much to talk about that this is only part one of the conversation before we even got to talking about the film! We discussed his Papa M compositions, how Slint songs were made to sound like they were improvised but were actually meticulous in their structure, how his new album was all one-take performances done without a computer, needing a cheat sheet for Slint reunion songs, the concept of "through" composing, the humor within Slint, Andy Gill of Gang Of Four playing his guitar without touching it, joining GO4 and how it opened him up as a live performer, the challenges of learning and playing the song "He'd Send In The Army", is the guitar a friend/foe/tool, Big Black, the Slint documentary Breadcrumb Trail, breaking your parents' will using the Butthole Surfers, David playing in Stereolab & Interpol, aging in indie rock, and David asks me questions about my wild times in Guided By Voices.So let's play with our backs to the audience on this episode of Revolutions Per Movie.DAVID PAJO:papam.bandcamp.com/instagram.com/cestcadavidpajoHALF-COCKED: vimeo.com/ondemand/halfcockedREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

2026年的第一期节目，我们来进行一场属于 Vibration 歪波音室的 2025 年度音乐大赏！以往我习惯挑选个人的华语、外语年度十佳，但今年我们来换个玩法。这次，我把整个盘点分成两个部分：年度风格六大象限 The 6 Soundscapes of 2025非正经特别奖 The “Not-So-Serious” Special Award总共36张年度专辑+10张特别奖专辑&歌曲。如果2025年是一场打破边界的洪流，那我希望通过这次大赏，把散落在洪流里的碎片，拼凑成一张属于我们自己的时代地图。快来收听吧！用音乐给新年开个好头~

On this week's show, we wrap up the merry month of Debts-cember (and the year in general) with the most honorable of mentions, the runners-up that fill our cup, the best of the rest of 2025  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

BEST OF 2025 featuring BAMBINODJ, BARKER, BIOSPHERE, BROKEN LIP, DAN CURTIN, DANIEL AVERY, DJ POLO, DJRUM, IMPÉRIEUX, KINOTEKI + DJ FLP, MARIE DAVISON, NICK LEÓN + JOHNNY FROM SPACE, PAUL ST. HILAIRE, PURELINK, TORTOISE, WEVAL + many more on this extended ABSTRACT SCIENCE year-in-review podcast. Co-hosts CHRIS WIDMAN, BILL BEARDEN aka WHOA-B, JOSHUA P FERGUSON + HENRY SELF mix 4 hours of future music favorites from 2025. [aired 04 + 11 December 2025 on WLUW-Chicago 88.7FM] >CHRIS WIDMAN Lapalux “Bias Angel” (On The Grid, LPLX, 2025) Coen “Headbanger” (Moshpit, Maloca, 2025) Verraco “Basic Maneuvers” (XL Records, 2025) Dan Curtin “Trust Blind” (The 4 Lights, De:tuned, 2025) Surgeon “Soul Fire” (Shell~Wave, Tresor, 2025) Fjaak +J.Manuel “Binder” (Tectonic Sound, Tectonic, 2025) Weval “Dopamine (DJ Edit)” (Ninja Tune, 2025) Dean Grenier “View Source” (Hand Works Music, 2025 Impérieux “Fena” (Hessle Music, 2025) Barker “Stochastic Drift (Stochastic Drift, Smalltown Supersound, 2025) jonathan d. valdez “Music Frozen Dancing” (Perception, 2025) Deft + Manni Dee “Busy Bee” (Swamp Season, Hooversound, 2025) Batu “Clump” (Question Mark, Lethal Press, 2025) Undulae “Temple Of Symmetry” (Temple Of Symmetry EP, Satellite Era, 2025) Slikback “Data” (Tempa, 2025) easygoingtech “909local” (easygoingtech, 2026) >BILL BEARDEN Kinoteki & DJ FLP “160 Proof” (Limiting Factor, 2025) AJ Tracey & Jorja Smith “Crush” (Casement Remix, Not On Label, 2025) Proc Fiskal “UK Torrent” (Shleekit Doss, 2025) Freedjom “13-8=0_0” (DJ Strawberry’s Düğün Fix, Beat Machine, 2025) Nectax “Soundboy Gambit” (Over/Shadow, 2025) Sully “The Wash” (Fabriclive, 2025) Broken Lip “Neighbourhood” (pt.1+2, Iberian Juke, 2025) Cesco “Flump” (Pineapple Records, 2025) JD Reid & Hagan “Leaf” (Baby Gravy, 2025) TMSV “Dimensional” (Perfect Records, 2025) Darama & Kush Arora “Rattle” (Not On Label, 2025) bambinodj “Carrier” (OST, 2025) DJ Polo “Currents” (Night Slugs, 2025) Anecho “Spiritual Blitz” (Dimeshift, 2025) Low End Activist “Wave 03” (Best Intentions, 2025) L-VIS 1990 “Low Pulse” (Club Djembe, 2025) >JOSHUA P FERGUSON Bitchin Bajas “Skylarking” (Inland See, Drag City, 2025) Damon Locks “Hold the Dawn in Place (Beyond pt 2)” (List of Demands, International Anthem, 2025) Stone “Feely” (Dream Curtain Eternally Gentle, 3XL, 2025) Headache “Most Undo Tomorrow” (Thank You for Almost Everything, PLZ Make It Ruins, 2025) Stereolab “Immortal Hands” (Instant Holograms on Metal Film, Warp) Space Dimension Controller “Reflect Itself” (Six Beginnings, Test Pressing, 2025) Coatshek “Triple Virgo” (Sound Bath, Dark Entries, 2025) Sam Prekop “Font” (Open Close, Thrill Jockey, 2025) Biosphere “Like the End of the World” (The Way of Time, AD 93, 2025) Paul St Hilaire “Mary Jane Greenfield” (w/ The Producers, Kynant, 2025) Tortoise “Works and Days” (Touch, International Anthem, 2025) Djrum “Waxcap” (Under Tangled Silence, Houndstooh, 2025) james K “Hypersoft Lovejinx Junkdream” (Friend, AD 93, 2025) Sven Wunder “Misty Shore” (Daybreak, Piano Piano, 2025) >HENRY SELF Dijon “my man” (Baby, R&R/Warner, 2025) Oklou “Blade Bird” (Choke Enough, True Panther, 2025) Oneohtrix Point Never “D.I.S.” (Tranquilizer, Warp, 2025) John Glacier “Emotions” (Like a Ribbon, Young, 2025) Daniel Avery “Tremor” (Tremor, Domino, 2025) caroline “Beautiful Ending” (caroline 2, Rough Trade, 2025) FKA Twigs feat. PinkPantheress “Wild and Alone” (EUSEXUA Afterglow, Young, 2025) Marie Davidson “Statistical Modelling” (City of Clowns, Deewee, 2025) Effy “2011” (The Syndicate, Fragrance, 2025) Destroyer feat. Fiver “Bologna” (Dan’s Boogie, Merge, 2025) Amaarae & Charlie Wilson “Dream Scenario” (Black Star, Interscope, 2025) Whatever the Weather “3°C” (Whatever the Weather II, Ghostly International, 2025) Maria Somerville “Violet” (Luster, 4AD, 2025) Nick León feat. Jonny From Space “Metromover” (A Tropical Entropy, TraTraTrax, 2025) Darkside “S.N.C.” (Nothing, Matador, 2025) Purelink feat. Loraine James “Rookie” (Faith, Peak Oil, 2025) The post best of 2025 – absci radio 1398-1399 appeared first on abstract science >> future music chicago.

Part 1 of my conversation with guest Jay Breitling about our favorite music of 2025. Show notes: The 17th annual year in music review AI-generated music is lame Especially fake music that purports to be by real artists Spotify is a juggernaut that still sucks Checking out other services (Qobuz, Amazon) You don't get to own downloads via streaming services The kids love the K-pop Only a handful of artists make any money these days Oh yay, LIve Nation is going to get richer Ticketmaster is now a ticket reseller as well We're still seeing the live rock Breitling: Thumbs up for the Aimee Mann/Ted Leo Christmas show Saw Oasis in Mexico City We both saw Hallelujah the Hills  Kumar: Saw Frank Black, Narducy/Shannon do R.E.M., Gang of Four with Ted Leo, Bob Mould, Greg Norton, Ducks Ltd., Pixies, the Who, Buffalo Tom Breitling's bubbling under music picks: Ava Luna, Lifeguard, Winter, Frankie Cosmos, Golden Apples, Lemonheads, Sister Ray Davies, Jeff Tweedy, Glimmer, Tiberius, Telephone Numbers Kumar's honorable mentions: Tweedy, The Convenience, Snocaps, Turnstile, The Hives, Viagra Boys, Pulp, Car Seat Headrest, Charm School, Horsegirl, Superchunk, Pile, The Beths, Tony Molina, Sharp Pins, They Are Gutting a Body of Water, Militarie Gun, Kestrels, Destroyer, Dean Wareham, Kinski, Ty Segall, Stereolab, Lunchbox, Cam Keiber, Husker Du and Replacements box sets Breitling's #10: Autocamper's debut asks a valid question  Kumar's #10: Debut solo release from TV On the Radio's Tunde Adebimpe  Breitling's #9: Energetic indie rock from Chicago's OK Cool  Kumar's #9: Ripper out of nowhere from The Men Breitling's #8: Urgent EP about ancient Greece by Strange Passage Reunion tours with strange combinations Triumph is coming around next year To be continued    Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

durée : 00:56:11 - Very Good Trip - par : Michka Assayas - Quatrième partie de Very Good Trip consacrée aux oubliés de 2025. Au programme : Blood Orange, Unknown Mortal Orchestra, les Sparks ou encore la formation culte de Laetitia Sadier, Stereolab. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

812 Stereolab -Emperor Tomato Ketchup

Influenciados pela música pop dos anos 1960, o jazz, o krautrock e a bossa nova, os integrantes do Stereolab lançaram em 1997 uma de suas maiores obras: “Dots and Loops”. Aproveitando a volta da banda ao Brasil, Cleber Facchi (@cleberfacchi) e Isadora Almeida (@almeidadora) conversam sobre o trabalho, a origem do grupo anglo-francesa e os caminhos percorridos criativamente pelo projeto encabeçado por Tim Gane e Lætitia Sadier.Gostou do podcast? Então apoie a gente em ⁠⁠⁠⁠⁠⁠⁠⁠⁠apoia.se/podcastvfsm

Hailing from Cork, Ireland, songwriters Cathal Coughlan and Sean O'Hagan formed the band Microdisney in 1980. After relocating to London in 1983, the band recorded six Peel Sessions for BBC Radio and released their debut album for Rough Trade called 'Everybody Is Fantastic'. This week's guest, musician, filmmaker, podcaster and radio host Alexei Shishkin, joins us to discuss the band and that record. The duo's combination of lushly orchestrated pop paired with wryly poetic, at times biting lyrics were right up Alexei's musical alley, and we're here for it! Songs discussed in this episode: Dear Rosemary - Microdisney; Disco Elysium, Tiki Taka - Alexei Shishkin; Palm Of My Hand - The Pale Fountains; Horse Overboard - Microdisney; Pack Yr Romantic Mind - Stereolab; Blues For Ceausescu - The Fatima Mansions; McCardle Brown - Sean O'Hagan; Idea, A Few Kisses, Escalator In The Rain - Microdisney; Half A Person - The Smiths; Dolly (Live, Barbican sessions 2018), Dolly - Microdisney; The King Of Rock 'N' Roll - Prefab Sprout; Dreaming Drains, I'll Be A Gentleman, Moon, Sun, Sleepless, Come On Over and Cry, This Liberal Love, Before Famine, Everybody Is Dead, Everybody Is Dead (Peel session) - Microdisney; Ode To Carl Dennis - Alexei Shishkin

3:24:29 – Frank in New Jersey, plus the Other Side. Topics include: NJ Transit bus on fire, Jefferson’s Bourbon, birthday, trivia night, ramen, Orion beer, baseball, Ringolevio, Eagle Mall Suite, Stereolab at Brooklyn Steel, free speech, next day, baseball playoffs, Percolator, future control of inner thoughts, static but mutable, “The Danger of Seeing What Others Don’t | […]

3:24:29 – Frank in New Jersey, plus the Other Side. Topics include: NJ Transit bus on fire, Jefferson’s Bourbon, birthday, trivia night, ramen, Orion beer, baseball, Ringolevio, Eagle Mall Suite, Stereolab at Brooklyn Steel, free speech, next day, baseball playoffs, Percolator, future control of inner thoughts, static but mutable, “The Danger of Seeing What Others Don’t | […]

"Fed Up With Your Job" by Stereolab from Fed Up With Your Job; "The Year of the Rabbit" by Tim Barnes featuring Alan Licht, Tara Jane O'Neil, Ken Vandermark from Lost Words; "Milestones" by GIFT from Illuminator; "Ashes That Made the Shape of My Dreams" by metra.vestlud from Ashes That Made the Shape of My Dreams; "Synesthesia" by Edapollo from Foreign Family Collective, Vol 3; "Prelude for the Hollow" by Endon from Fall of Spring; "All I Have" by Fawning from Illusions of Control; "12 C" by Whatever the Weather from Whatever the Weather II; "Secret City" by Kieran Hebden and William Tyler from 41 Longfield Street Late '80s; "A New Dream" by Daniel Davies from Soeurs De Glisse OST; "Lodestone" by Ex Easter Island Head from Norther.

Episode 760: September 28, 2025 playlist: JJJJJerome Ellis, "Vesper Sparrow" (Vesper Sparrow) 2025 Shelter Press Stereolab, "Fed Up With Your Job" (Fed Up With Your Job / Constant And Uniform Movement Unknown) 2025 Duophonic Paul Jebanasam, "be earth now" (matr) 2025 Subtext Guided By Voices, "(You Can't Go Back To) Oxford Talawanda" (The Rich and Delicious) 2025 GBV, Inc Paul St. Hilaire, "Send Them On (feat. Priori)" (w/ The Producers) 2025 Kynant Taylor Mead, "Motorcycles" (The Dial-A-Poem Poets) 1969 Giorno Poetry Systems Rafael Toral, "Easy Living" (Traveling Light) 2025 Drag City Marta Forsberg, "Słowa (Not Saying a Word)" (Archaeology of Intimacy) 2025 Warm Winters Sergio Merce, "Un Faro (excerpt)" (Archipielago) 2025 Room40 Greater Than One, "Pagan Love" (21st Century Love Songs) 2025 DataFlow Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Merriam-Webster's Word of the Day for September 14, 2025 is: perpetuity • per-puh-TOO-uh-tee • noun Perpetuity refers to a state of continuing forever or for a very long time. // The property will be passed on from generation to generation in perpetuity.   See the entry > Examples: “This isn't new territory for the band—beginning with 2018's Modern Meta Physic, Peel Dream Magazine have taken cues from bands like Stereolab and Pram, exploring the ways that rigid, droning repetition can make time feel rubbery. As they snap back into the present, Black sings, ‘Millions of light years, all of them ours.' The past and future fold into themselves, braided together in perpetuity.” — Dash Lewis, Pitchfork, 4 Sept. 2024 Did you know? Perpetuity is a “forever” word—not in the sense that it relates to a lifelong relationship (as in “forever home”), but because it concerns the concept of, well, forever. Not only can perpetuity refer to infinite time, aka eternity, but it also has specific legal and financial uses, as for certain arrangements in wills and for annuities that are payable forever, or at least for the foreseeable future. The word ultimately comes from the Latin adjective perpetuus, meaning “continual” or “uninterrupted.” Perpetuus is the ancestor of several additional “forever” words, including the verb perpetuate (“to cause to last indefinitely”) and the adjective perpetual (“continuing forever,” “occurring continually”). A lesser known descendent, perpetuana, is now mostly encountered in historical works, as it refers to a type of durable wool or worsted fabric made in England only from the late 16th through the 18th centuries. Alas, nothing is truly forever.

La Turquie, un pays jeune qui s'est longtemps désintéressé de cette ultra-minorité que constituaient les séniors. Mais la baisse de la natalité, la hausse de l'espérance de vie commencent à changer la donne. Et surtout, les plus de 65 ans sont les plus impactés par la crise économique et l'hyperinflation qui touchent le pays. Près d'un quart d'entre eux sont considérés comme pauvres. Les retraités laissés pour compte. C'est le reportage à Ankara d'Anne Andlauer. (Rediffusion) Nouveaux débats autour des néonicotinoïdes Les néonicotinoïdes, ces pesticides qui déciment les abeilles, à nouveau au cœur du débat. La substance très controversée a fait l'objet d'un débat houleux, en France, cet été. En Roumanie, troisième plus grand exportateur de miel de l'Union européenne, au contraire, la justice a finalement interdit son usage sur le colza, le tournesol et le maïs. À Bucarest, Benjamin Ribout. La communauté gitane espagnole veut des droits C'est en Espagne qu'on trouve une des plus grandes communautés gitanes d'Europe. Une des plus anciennes aussi, 600 ans depuis l'arrivée des premiers migrants dans le pays, en provenance d'Égypte. Mais le 8 avril dernier, à l'occasion de la Journée mondiale du peuple gitan, la minorité a voulu donner de la voix. Rappeler qu'elle reste une des plus discriminées malgré le nombre des années passées sur le territoire. Reportage à Madrid de François Musseau. La chronique musicale de Vincent Théval Le groupe anglais Stereolab. Ceci est une réédition des meilleurs moments d'Accents d'Europe.  

Host Evie Stokes sits down with Death Cab for Cutie’s Dave Depper to talk about touring, new album planning and his absolute love for Stereolab! Stereolab’s latest album Instant Holograms on Metal Film is out now on Duophonic UHF Disks and Warp Records. Hosted by: Evie StokesProduced by: Lilly Ana FowlerMastered by: William MyersProduction support: Serafima HealyAssociate Director of Editorial: Dusty Henry Listen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On this week's show, we catch up on a smokin' boatload o' new-ish singles and pour one out for the late Ozzy Osbourne. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

durée : 01:07:29 - Club Jazzafip - Avant la sortie de son album solo "Rooting For Love", la cofondatrice et chanteuse du groupe Stereolab vient partager son amour du jazz et ses coups de cœur. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Adèle Trottier-Rivard and Nicolas Basque are here to discuss Bibi Club and their latest album, Feu de garde, a camping trip and returning to Guelph's Hillside Festival, how six of their fellow 2025 Polaris Music Prize nominees are from Quebec but may not know each other, Montreal missed connections, their bilingual lyrics and upbeat sound, addressing anxiety with music to help themselves and others, Stereolab and the Stone Bonnet Choir, finishing a new album, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #972: Circuit des YeuxEp. #961: Eliza NiemiEp. #900: Fugazi and Jem CohenEp. #867: BIG|BRAVEEp. #865: Myriam GendronEp. #857: Michael FeuerstackEp. #845: The Messthetics and James Brandon LewisEp. #841: This is The KitSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Hosts Jim DeRogatis and Greg Kot talk with Local H founder Scott Lucas about the band and their new documentary, Lifers. Plus, the hosts review new albums from Stereolab and Mclusky.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Local H, "Bound for the Floor," As Good as Dead, Island, 1996The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Stereolab, "Aerial Troubles," Instant Holograms on Metal Film, Warp, 2025Stereolab, "Electrified Teenybop!," Instant Holograms on Metal Film, Warp, 2025Stereolab, "Transmuted Matter," Instant Holograms on Metal Film, Warp, 2025Mclusky, "The Unpopular Parts of The Pig," The World Is Still Here and So Are We, Ipecac, 2025Mclusky, "The Digger You Deep," The World Is Still Here and So Are We, Ipecac, 2025Mclusky, "People Person," The World Is Still Here and So Are We, Ipecac, 2025Local H, "Chicago Fanphair '93," Ham Fisted, Island, 1995Local H, "Eddie Vedder," As Good as Dead, Island, 1996Local H, "High-Fiving MF," As Good as Dead, Island, 1996Local H, "All the Kids Are Right," Pack Up the Cats, Island, 1998Local H, "Everyone Alive," Whatever Happened to P.J. Soles?, Studio E, 2004Local H, "The Misanthrope," Hey, Killer, G&P, 2015Local H, "Turn the Bow," Lifers, AntiFragile Music, 2020Local H, "2112 Overture / The Temples of Syrinx" (Rush cover)," The Another February EP, Slimstyle, 2013Local H, "How's The Weather Down There," Whatever Happened to P.J. Soles?, Studio E, 2004Local H, "Nothing Special," As Good as Dead, Island, 1996Local H, "P.J. Soles," Whatever Happened to P.J. Soles?, Studio E, 2004The Roots, "You Got Me (feat. Erykah Badu & Eve)," Things Fall Apart, MCA, 1999See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Here is part two of our annual mid-year draft, rounding out our picks for our 25 favorite new releases of 2025, joined once again by friend of the show Danny Seoane. Timecodes:0:00 - The Life of Chuck11:11 - Psychedelic Porn Crumpets 'Carpe Diem Moonbeam'15:20 - Turnstile 'Never Enough'20:32 - Anxious 'Bambi'23:30 - Lady Gaga 'Mayhem'29:40 - Nintendo Switch 2 and Mario Kart World40:30 - Spellling 'Portrait of My Heart'47:50 - Materialists53:26 - Coheed and Cambria 'Vaxis Act III: The Father of Make Believe'1:03:30 - TPD TV1:11:06 - Stereolab 'Instant Holograms on Metal Film'1:14:20 - Honorable Mentions

Episode 748: June 15, 2025 playlist: Dimensional Holofonic Sound, "Smart Bar" (Smart Bar) 1988 Holofonic Stars of the Lid, "Tape Hiss Makes Me Happy (Edit) - 2025 Remaster" (Music for Nitrous Oxide) 2025 [self-released] Cosey Fanni Tutti, "Never The Same" (2t2) 2025 CTI Matt Jencik and Midwife, "Delete Key" (Never Die) 2025 Relapse Oren Ambarchi / Johan Berthling / Andreas Werliin, "Yek (single edit)" (Ghosted III) 2025 Drag City Joy Guidry, "Myles" (Five Prayers) 2025 Jaid Saint Etienne, "Glad" (International) 2025 Heavenly Gwenifer Raymond, "Jack Parsons Blues" (Last Night I Heard The Dog Star Bark) 2025 We Are Busy Bodies Dizzy Fae, "Fairytale Love" (Fairytale Love) 2025 Pulse Cate Le Bon, "Heaven Is No Feeling" (Michelangelo Dying) 2025 Mexican Summer Arrowounds, "Caverns of Amplified Dreaming (Edit)" (The Loneliness of the Hollow Earth Explorer Vol. 1) 2025 Lost Tribe Sound Stereolab, "Melodie Is A Wound" (Instant Holograms On Metal Film) 2025 Duophonic Alan Sparhawk, "Not Broken" (With Trampled by Turtles) 2025 Sub Pop Nitzer Ebb, "I Am Undone" (Industrial Complex) 2009 Artists' Addiction Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Here we go...again!

This week, I'm joined by JoE Silva, the author of The Minimoog Book and host of Athens 411, who chose the film Moog to discuss.We talk about how JoE first met Robert Moog and then went on a 14 year journey to write The Minimoog Book, Rush's Geddy Lee writing the preface to the book, the incredible stories surrounding Sun Ra as one of the first musicians to get a Minimoog, the strange era where digital synths overtook analog synths, how shy and gentle Robert Moog was, Moog's onstage work with Yes, the synth company's humble beginnings, the music industry's fear of synths replacing 'real' musicians, Kraftwerk, why live music was the most important factor for Moog making his instruments, JoE's time with Eno, the amazing early documentary footage of the Moog factory, Bernie Worrell & Rick Wakeman's outdated conversation in the film, DJ Spooky, Taco Bell's 'Island Of Electronicus, Stereolab, our top 3 synth parts of all time and more. So let's set the oscillators to the max on this week's episode of Revolutions Per Movie!JoE SILVA: https://www.athens441.org/aboutTHE BOOK: https://bjooks.com/products/the-minimoog-bookTHE FILM: https://www.youtube.com/watch?v=yRsSSjqZ1ykREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Stereolab. Ganavya. Marc Ribot. NPR Music's Stephen Thompson welcomes Robert Moore, host of 'Sonic Spectrum' on 90.9 The Bridge in Kansas City, to the show to discuss their favorite albums out May 23.Featured albums:• Stereolab, 'Instant Holograms On Metal Film' (Stream)• Ganavya, 'Nilam' (Stream)• Robert Forster, 'Strawberries' (Stream)• Marc Ribot, 'Map of a Blue City' (Stream)• Thalia Zedek Band, 'The Boat Outside Your Window' (Stream)Read the long list of albums out May 23 and sample more than 50 full-lengths out today via our New Music Friday playlists on npr.org.CreditsHost: Stephen ThompsonGuest: Robert Moore, 90.9 The BridgeProducer: Simon RentnerEditors: Otis Hart and Elle MannionExecutive Producer: Suraya MohamedVice President, Music and Visuals: Keith JenkinsLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

2:16:32 – Frank in New Jersey, plus the Other Side. Topics include: All screwdrivers vanished, TV set, theory of messes, toothpaste, animal language, Anthony Newley, printing technology, Completely Random Memories (M’Lady’s, Azerbaijan, Melampo, Marbles The Brain Store, Mission Hill), PlayStation Underground, Stereolab event, Portlandia, Crap From The Past, Steely Dan, Muppets executive David Lazer dead at 89,return […]

Today's Song of the Day is “Aerial Troubles” from Stereolab's album Instant Holograms On Metal Film, out May 23.Stereolab will be performing at First Avenue on Saturday, October 11.

Episode 742: April 18, 2025 playlist: Matmos, "Changing States" (Metallic Life Review) 2025 Thrill Jockey Stereolab, "Aerial Troubles" (Instant Holograms On Metal Film) 2025 Duophonic Ellen Arkbro, "Nightclouds" (Nightclouds) 2025 Blank Forms Karate, Guns and Tanning, "Glassy" (Krisis Genre) 2025 [self-released] Bill Orcutt Guitar Quartet, "Barely driving" (HausLive 4) 2025 Hausu Mountain Fluxion, "Magenta" (Haze) 2025 Vibrant Music Mark Stewart, "Memory Of You" (The Fateful Symmetry) 2025 Mute Laura Sheeran, "Lavinia" (Lavinia) 2025 [self-released] Lipsticism, "Feeling Why Do You Follow" (Wanted To Show You) 2025 Phantom Limb Drop Nineteens, "White Dress" (White Dress (demo)) 2025 Wharf Cat The Legendary Pink Dots, "Darkest Knight" (So Lonely in Heaven) 2025 Metropolis Grails, "Silver Bells" (Miracle Music) 2025 Temporary Residence Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Stereolab is back with its first new music in 15 years. We give it a spin on this week's show, along with the scorched rock of feeble little horse, a relentlessly catchy earworm from Yaeji and more.Featured artists and songs:1. Stereolab: "Aerial Troubles," from 'Instant Holograms On Metal Film'2. Yaeji & E Wata: "Pondeggi" (single)3. Snuggle: "Dust" (single)4. feeble little horse: "This Is Real" (single)5. Lyra Pramuk: "Rewild," from 'Hymnal'Weekly reset: Street musicians on the Piazza del Duomo, Florence, ItalyEnjoy the show? Share it with a friend and leave us a review on Apple or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org Hear new songs from past episodes in the All Songs Considered playlists in Apple Music and Spotify.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Steven and Ian begin this week's episode with some exciting news: Ian is writing a book (0:00)! Incredibly, it's an in-depth look at Childish Gambino's Camp. (Actually, it's about emo in the '90s.) Steven also presses Ian for his opinion on the new Black Country, New Road album, which he didn't bring up last week (4:30). From there, they do an extended lightning round on new singles from newly announced albums by Arcade Fire, Turnstile, Stereolab, and Pulp (15:17). Then they review the latest record by Bon Iver, which Steven likes more than Ian (45:53).In Recommendation Corner, Ian discusses the latest from screamo band Record Setter while Steven stumps for the podcast The History Of Rock Music In 500 Songs (56:51).New episodes of Indiecast drop every Friday. Listen to Episode 234 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.