Podcasts about Traces

Laurie Cardoza-Moore welcomes Yaffah Batya DaCosta back to Proclaiming Justice for a second conversation, this time on communion.Where did the doctrine of transubstantiation actually come from, and does it hold up against the Torah's clear prohibition on consuming blood? DaCosta walks through the Fourth Lateran Council of 1215, the influence of Constantine and the Greco-Roman reshaping of the early church, and what Jesus, a Torah-observant Jew, most likely meant when he said "this is my body, this is my blood."The conversation also touches Deuteronomy 18's prophecy of a coming prophet, and how institutional blindness to these Jewish roots later opened the door to antisemitism within the Church and beyond it. If you've ever wondered how much of what you practice on Sunday actually traces back to Scripture, this episode is for you.Follow, share, and support PJTN's mission to educate Christians in biblical truth at pjtn.org.00:00 Cold Open: Is Communion Against the Torah?01:20 Meet Yaffah Batya DaCosta03:19 Laurie's Catholic Roots and the Question That Started It All05:14 What Is Transubstantiation? Defining the Eucharist08:31 The Torah's Blood Prohibition Explained10:46 Were the Church Fathers Jewish or Pagan?13:01 Symbolic or Literal? What "This Is My Body" Really Means14:24 Constantine, Paganism, and the 1,200-Year Doctrine Gap16:27 What It Actually Means to Follow Christ19:50 The Last Supper in Matthew 2623:05 Repentance, Righteousness, and Atonement in Judaism27:29 The Dog's Tail Riddle: Does Calling It Christian Make It Christian?31:15 Deuteronomy 18: The Prophecy of a Prophet Like Moses41:39 How Christian and Islamic Antisemitism Both Trace Back to the ChurchDon't forget to subscribe, rate, and share to help us equip more Christians to stand with Israel and fight antisemitism.✨ Stay connected with PJTN! ✨

Au sommaire :Situation des incendies en Gironde et dans le Var, avec le témoignage de la maire de Cottance sur l'épuisement des habitants face aux reprises de feu.Impact de la sécheresse et des restrictions d'eau sur les récoltes des maraîchers en Bretagne, avec le témoignage d'un agriculteur.Arrivée massive de migrants à Ceuta et les difficultés pour rejoindre l'Espagne continentale.Nouvelle réglementation européenne sur l'encadrement de l'intelligence artificielle.Découverte d'un important gisement de dinosaures en Aquitaine et présentation de l'exposition au Muséum national d'histoire naturelle.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Reportage en Bretagne de Jeanne Lacaille sur l'hommage rendu à Erik Marchand. Jamais sans son chapeau ni sa belle moustache : Erik Marchand, grande voix et grand passeur des musiques bretonnes, est mort en octobre 2025 à l'âge de 70 ans dans son pays de cœur, la Roumanie. Mais c'est là où il a vécu, en Centre-Bretagne, que nous emmène la reporter Jeanne Lacaille. La Bretagne, c'était sans doute le destin d'Erik Marchand qui est né à Neuilly-sur-Seine dans une famille modeste. Son père jouait de la guitare manouche et son grand-père chantait, mais c'est grâce au disque du bagad de Redon puis En passant par la Bretagne d'Eugène Grenel et Albert Bolloré qu'Erik Marchand tombe love des musiques traditionnelles bretonnes. Très tôt, ce dernier cultive aussi un goût prononcé pour les musiques du monde et les cultures d'ailleurs. Sur son tourne-disque, il écoute surtout des disques Ocora qu'il achète avec son argent de poche : des collectages de musiques et chants du pays dogon, de Madagascar, de Haute-Volta, les musiques des Indiens boni et wayana de Guyane dans lequel il y avait des chants chamaniques. Il commence à fréquenter les fest-noz et les cercles bretons de Paris. À 18 ans, une fois son bac en poche, Erik Marchand quitte la ville pour s'installer à Poullaouen, un petit village du Finistère, chez un fermier nommé Manu Kerjean qui devient son maître et lui apprend le chant traditionnel comme la langue bretonne. Passionné par le répertoire populaire de la région, Erik Marchand collecte de nombreux chants auprès des anciens et collabore avec l'association Dastum. Il fait ses armes en fest-noz... et l'Histoire a fait le reste ! Mi-mai, c'est à Poullaouen que ses amis des associations Dans Tro, Drom et La Grande Boutique organisaient un grand week-end d'hommage à Erik Marchand avec deux jours de célébrations musicales et la reformation de ses groupes emblématiques. Gwerz, les Roumains du Taraf de Caransebes, les Albanais de l'ensemble polyphonique Mallakaster, la chanteuse galicienne Fransy Gonzalez, la Serbe Svetlana Spajic, Titi Robin et le maître des tablas rajasthani Hameed Khan, Manu Théron, ses anciens élèves de la Kreiz Breizh Akademi... Depuis les quatre coins de l'Europe comme de la Bretagne, tous et toutes ont fait le déplacement pour honorer la vie, l'œuvre et l'héritage d'Erik Marchand qui continue de réunir les mondes et les musiques. « Erik s'intéressait à toutes les musiques du monde, aux musiques traditionnelles, aux musiques des racines » — Fransy Gonzalez « Un oiseau a crié dans l'Atlantique et son cri est parvenu jusqu'à l'Albanie… Ainsi commence notre chanson qui parle d'Erik Marchand et du deuil que nous vivons avec sa mort » — Mallakaster « Avec Erik, on travaillait beaucoup, énormément, on ne comptait jamais le nombre de répétitions. Il était extrêmement perfectionniste, il ne laissait passer aucune erreur. Parfois, il pouvait même se montrer un peu dur ! Mais il était toujours juste » — Costica Olan du Taraf de Caransebes « On peut dire qu'Erik Marchand a été mon maître, même s'il n'aimait pas cette expression, il n'aimait pas se mettre en avant. Pourtant, lui-même disait de Manu Kerjean qu'il avait été son maître... Pourquoi ne pourrions-nous pas dire pareil ? Il a transmis l'amour des musiques bretonnes à des centaines de personnes » — Christophe le Menn alias Krismenn. Titres joués dans l'émission : - Dañs tro poullaouen (Ar paotr disoursi. Ton berr) Erik Marchand · Le taraf de Caransebes extrait de Sag an tan ell (Silex 1997) - Bolom kozh Erik Marchand · Thierry Robin extrait de An Henchou Treuz - Chants du Centre-Bretagne (Ocora Radio-France 1990) - Ar Zoudard Maleurus Erik Marchand · Thierry Robin extrait de An Henchou Treuz - Chants du Centre-Bretagne (Ocora Radio-France 1990) - Ar Froudennou Thierry Robin · Hameed Khan · Erik Marchand · Yann-Fañch Kemener extrait de Erik Marchand Trio – An Tri Breur (Silex 1997) - Heuliad Fisel Erik Marchand · Thierry Robin extrait de Chants Du Centre-Bretagne — « An Heñchoú Treuz » (Ocora. Radio France 1990) - Hanter Dro Loiez Ropars · Yvon Palamour feat. groupe Jabadao, extrait de Bombarde et biniou koz (Mémoire de la Musique Bretonne) (Mouez Breiz 1962) - Côté Pile Gwerz Erik Marchand · Patrick Molard · Jacky Molard · Soig Sibéril · Youenn Le Bihan, extrait de Au-Delà (Escalibur 1987) - A Danza Erik Marchand · Fransy Gonzalez · Mallakaster · Ensemble vocal Tenore de Santu Predu de Sardaigne · Bassé Koné extrait de Kan (RCA Victor & BMG France 2001) - An Dañserien (Polka/Ardeleana/Joc De Doï/Dañs Tro Fañch) Erik Marchand · Le taraf de Caransebes extrait de Sag an tan ell  (Silex 1997). - Télérama, article sur la mort d'Erik Marchand - Facebook Erik Marchand - Naïade Productions  - YouTube - Erik Marchand  - YouTube - Hommage à Erik Marchand.   Sur le même sujet - Erik Marchand à Eurofonik en 2013. À lire sur RFI Musique :  - Rodolphe Burger - Erik Marchand (7 mars 2005) - Erik Marchand (2 juin 2006) - Erik Marchand (3 mai 2004).

Reportage en Bretagne de Jeanne Lacaille sur l'hommage rendu à Erik Marchand. Jamais sans son chapeau ni sa belle moustache : Erik Marchand, grande voix et grand passeur des musiques bretonnes, est mort en octobre 2025 à l'âge de 70 ans dans son pays de cœur, la Roumanie. Mais c'est là où il a vécu, en Centre-Bretagne, que nous emmène la reporter Jeanne Lacaille. La Bretagne, c'était sans doute le destin d'Erik Marchand qui est né à Neuilly-sur-Seine dans une famille modeste. Son père jouait de la guitare manouche et son grand-père chantait, mais c'est grâce au disque du bagad de Redon puis En passant par la Bretagne d'Eugène Grenel et Albert Bolloré qu'Erik Marchand tombe love des musiques traditionnelles bretonnes. Très tôt, ce dernier cultive aussi un goût prononcé pour les musiques du monde et les cultures d'ailleurs. Sur son tourne-disque, il écoute surtout des disques Ocora qu'il achète avec son argent de poche : des collectages de musiques et chants du pays dogon, de Madagascar, de Haute-Volta, les musiques des Indiens boni et wayana de Guyane dans lequel il y avait des chants chamaniques. Il commence à fréquenter les fest-noz et les cercles bretons de Paris. À 18 ans, une fois son bac en poche, Erik Marchand quitte la ville pour s'installer à Poullaouen, un petit village du Finistère, chez un fermier nommé Manu Kerjean qui devient son maître et lui apprend le chant traditionnel comme la langue bretonne. Passionné par le répertoire populaire de la région, Erik Marchand collecte de nombreux chants auprès des anciens et collabore avec l'association Dastum. Il fait ses armes en fest-noz... et l'Histoire a fait le reste ! Mi-mai, c'est à Poullaouen que ses amis des associations Dans Tro, Drom et La Grande Boutique organisaient un grand week-end d'hommage à Erik Marchand avec deux jours de célébrations musicales et la reformation de ses groupes emblématiques. Gwerz, les Roumains du Taraf de Caransebes, les Albanais de l'ensemble polyphonique Mallakaster, la chanteuse galicienne Fransy Gonzalez, la Serbe Svetlana Spajic, Titi Robin et le maître des tablas rajasthani Hameed Khan, Manu Théron, ses anciens élèves de la Kreiz Breizh Akademi... Depuis les quatre coins de l'Europe comme de la Bretagne, tous et toutes ont fait le déplacement pour honorer la vie, l'œuvre et l'héritage d'Erik Marchand qui continue de réunir les mondes et les musiques. « Erik s'intéressait à toutes les musiques du monde, aux musiques traditionnelles, aux musiques des racines » — Fransy Gonzalez « Un oiseau a crié dans l'Atlantique et son cri est parvenu jusqu'à l'Albanie… Ainsi commence notre chanson qui parle d'Erik Marchand et du deuil que nous vivons avec sa mort » — Mallakaster « Avec Erik, on travaillait beaucoup, énormément, on ne comptait jamais le nombre de répétitions. Il était extrêmement perfectionniste, il ne laissait passer aucune erreur. Parfois, il pouvait même se montrer un peu dur ! Mais il était toujours juste » — Costica Olan du Taraf de Caransebes « On peut dire qu'Erik Marchand a été mon maître, même s'il n'aimait pas cette expression, il n'aimait pas se mettre en avant. Pourtant, lui-même disait de Manu Kerjean qu'il avait été son maître... Pourquoi ne pourrions-nous pas dire pareil ? Il a transmis l'amour des musiques bretonnes à des centaines de personnes » — Christophe le Menn alias Krismenn. Titres joués dans l'émission : - Dañs tro poullaouen (Ar paotr disoursi. Ton berr) Erik Marchand · Le taraf de Caransebes extrait de Sag an tan ell (Silex 1997) - Bolom kozh Erik Marchand · Thierry Robin extrait de An Henchou Treuz - Chants du Centre-Bretagne (Ocora Radio-France 1990) - Ar Zoudard Maleurus Erik Marchand · Thierry Robin extrait de An Henchou Treuz - Chants du Centre-Bretagne (Ocora Radio-France 1990) - Ar Froudennou Thierry Robin · Hameed Khan · Erik Marchand · Yann-Fañch Kemener extrait de Erik Marchand Trio – An Tri Breur (Silex 1997) - Heuliad Fisel Erik Marchand · Thierry Robin extrait de Chants Du Centre-Bretagne — « An Heñchoú Treuz » (Ocora. Radio France 1990) - Hanter Dro Loiez Ropars · Yvon Palamour feat. groupe Jabadao, extrait de Bombarde et biniou koz (Mémoire de la Musique Bretonne) (Mouez Breiz 1962) - Côté Pile Gwerz Erik Marchand · Patrick Molard · Jacky Molard · Soig Sibéril · Youenn Le Bihan, extrait de Au-Delà (Escalibur 1987) - A Danza Erik Marchand · Fransy Gonzalez · Mallakaster · Ensemble vocal Tenore de Santu Predu de Sardaigne · Bassé Koné extrait de Kan (RCA Victor & BMG France 2001) - An Dañserien (Polka/Ardeleana/Joc De Doï/Dañs Tro Fañch) Erik Marchand · Le taraf de Caransebes extrait de Sag an tan ell  (Silex 1997). - Télérama, article sur la mort d'Erik Marchand - Facebook Erik Marchand - Naïade Productions  - YouTube - Erik Marchand  - YouTube - Hommage à Erik Marchand.   Sur le même sujet - Erik Marchand à Eurofonik en 2013. À lire sur RFI Musique :  - Rodolphe Burger - Erik Marchand (7 mars 2005) - Erik Marchand (2 juin 2006) - Erik Marchand (3 mai 2004).

durée : 00:41:35 - Le téléphone sonne - par : Célia Quilleret - En 2025, la fréquentation des musées de la ville de Paris a enregistré une hausse de 6,56 % par rapport à 2024, témoignant d'un réel regain d'intérêt. Quels sont les futurs défis des musées français, et quelles stratégies pourront être mises en place pour y répondre ? - équipe : Marius Serieys, Benjamin Dussy, Baptiste Piquée - invités : Aurélie Clemente-Ruiz Directrice du Musée de l'Homme, François Mairesse Muséologue, titulaire de la Chaire UNESCO pour l'étude de la diversité muséale et professeur à l'Université de la Sorbonne Nouvelle., Matteo Merzagora Directeur de l'association TRACES. Directeur de l'Espace des Sciences Pierre-Gilles de Gennes, lieu culturel de l'ESPCI Paris et de PSL, Etienne Tornier Directeur adjoint du musée des Arts Décoratifs et du Design de Bordeaux Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

On this Thursday, three people are dead following a plane crash near McCarthy on Monday. We find out who they were.   Traces of the measles virus were found in multiple samples of Anchorage wastewater over the course of July, according to the Alaska Department of Health.   Federal investigators are expected to release the National Transportation Safety Board’s final report Thursday on the crash of a Bering Air commuter flight near Nome in February 2026 that killed 10 people.

Pour Jolène, la lecture a toujours été un refuge. Mais lorsque son quotidien familial bascule dans l'instabilité et la solitude, son monde s'écroule. Tout change lorsque sa passion pour la littérature lui fait croiser la route de Nathan, sur un forum dédié à leur auteur préféré. De cette amitié virtuelle naît l'envie de réaliser un projet fou : partir sur les traces de leur héros de roman préféré.Cet épisode de Passages a été tourné par Pauline Gabinari, le montage est de Kiana Von Schoen, la réalisation et le mix sont de Théo Boulenger, Louise Hemmerlé est à la production.Si vous aussi vous voulez nous raconter votre histoire dans Passages, écrivez-nous en remplissant ce formulaire. Pour avoir des news de Louie, des recos podcasts et culturelles, abonnez-vous à notre newsletter en cliquant ici. Publicités et Partenariats : creative@louiemedia.com Vous souhaitez soutenir la création et la diffusion des projets de Louie Media ? Vous pouvez le faire via le Club Louie. Vous pouvez aussi vous abonner à Louie+ sur Apple Podcasts pour écouter les épisodes sans publicités et nos séries en avant-première. Chaque participation est précieuse. Nous vous proposons un soutien sans engagement, annulable à tout moment, soit en une seule fois, soit de manière régulière. Au nom de toute l'équipe de Louie : MERCI !Suivez Émotions sur Apple Podcasts, Spotify, Deezer.Suivez Louie Media sur Instagram, Facebook, et YouTube.Mots-clés : littérature - amitié - aventure - adolescence - témoignage - histoires vraies Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Barry Strauss traces the fracturing of the Second Triumvirate as Octavian utilizes his sister, Octavia, who marries Antony to seal a peace treaty in 40 BC. While depicted as a devoted housewife, Strauss suggests she remained loyal to Octavian, potentially providing intelligence. In Rome, Octavian builds power by marrying into the high nobility and cultivating talent, specifically his "secret weapon," Marcus Agrippa. Agrippa, a brilliant military strategist, builds a new navy to defeat Sextus Pompey, a naval threat based in Sicily. Meanwhile, Antony's reputation suffers after a failed campaign against the Parthian Empire, resulting in the loss of 25% of his army. By 33 BC, the triumvirate expires, and Octavian launches an information war. He portrays Antony as an "unmanned" traitor enslaved by Cleopatra, mocking his adoption of Eastern luxuries like mosquito nets. (3)

durée : 01:39:07 - Les Nuits de France Culture - par : Albane Penaranda - Dans toutes les sociétés vivant à son contact, l'ours a suscité diverses représentations et légendes. En 1981, dans "La matinée des autres", Roberte Hamayon, Altan Gokalp et Laurence Delaby se penchaient sur la symbolique de l'ours particulièrement présente chez les peuples de Sibérie. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:20:28 - Les interviews d'Inter - par : Céline Asselot - "En France, sur les pas des personnages de roman", de Marie-Clémence Régnier et Ismaël Jude (éditons Autrement) est un livre qui propose de découvrir les différentes régions françaises en suivant les traces de personnages de roman. - invités : Ismaël Jude Romancier et docteur en littérature , Marie-Clémence Régnier Maîtresse de conférences à l'université d'Artois, en délégation à l'Institut universitaire de France Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

How do we love those we have lost? In two essays, Mike Foote and Natasha Buffo explore how the memory of their parents guide them through life's biggest moments—from a grueling hundred-mile run to the choice to become a mother. Support comes from ⁠Oboz⁠ Darn Tough Free shipping on any order with code DIRTBAG Kodiak Find Kodiak at kodiakcakes.com or your local grocery store Ka'Chava Go to https://kachava.com and use code DIARIES for 15% off your next order.  Diaries+ Members-- Their support is powering the Diaries- thank you! You can join today.

Peter Earle traces how the word "trillion" entered the economic lexicon in 1981 when the U.S. passed $1 trillion in public debt. Today, the U.S. national debt approaches $40 trillion, with annual interest payments exceeding $1 trillion. Unlike 19th-century millionaires who faced high risks, modern trillion-dollar figures are often a product of government monetary expansion. We have entered "Trillionstan," where massive quantities of money are common, yet their long-term significance is often overlooked by the public. (5)1945 USS PUGET SOUND

This week we're looking at a hilariously grim foundational text of Christian Zionism: John Hagee's mid-aughts book "Jerusalem Countdown." We discuss the history of non-Jewish Zionism, the nature of the United States and Israel's relationship, and why no one can admit that Iran has gotten the upper hand against Israel and the U.S. We also talk discuss a few other texts in this, including Patrick Wolfe's "Traces of History," Regina Sharif's "Non-Jewish Zionism: Its Roots in Western History," and Adolf von Harnack's "The Expansion of Christianity in the First Three Centuries." Support us on Patreon: www.patreon.com/trillbillyworkersparty

Pat McCrory is one of the most consequential and polarizing political figures in North Carolina history. From mayor of Charlotte to governor of North Carolina, McCrory spent nearly two decades shaping the city before a turbulent term as governor that transformed his career and public image. Journalist and columnist Andrew Dunn focuses on McCrory's rise, reckoning and legacy in a new book, “The Change Agent.”

Dans Capra (une chèvre), Jeanne Candel nous propose d'entrer dans la tête d'une poétesse, sur les chemins de la mémoire… « Capra » : ça veut dire chèvre en latin. C'est aussi le pseudonyme que s'est trouvé la poétesse dont il est question dans la pièce mise en scène par Jeanne Candel. Le nom n'est pas choisi au hasard: la chèvre, c'est l'animal qui cherche sa liberté dans l'enclos. Ils sont huit comédiens et chanteurs sur scène et nous font entrer dans la tête de Capra pour regarder à l'intérieur d'une femme.  Dans ce spectacle, des morts se sont logés dans son corps et ils parlent à travers elle. « On rentre à travers son corps, son esprit, ses obsessions. » Mais le vrai fil directeur de l'histoire, c'est la mémoire. Jeanne Candel et son collectif ont puisé des anecdotes sur la mémoire en lisant L'Art de la mémoire de l'historienne britannique des arts du 19ᵉ siècle, Frances Yates. Dans son essai, elle relate notamment les techniques des anciens pour « se souvenir ». Elle narre Simonide de Céos, poète « à la langue de miel », lyrique grec né en 556 av. J.-C. à Céos et mort en 467 av. J.-C. à Agrigente. Selon la tradition grecque, il est le premier auteur d'épigrammes. Il passe pour avoir inventé l'Art de mémoire. En effet, ses facultés d'observation et de mémorisation lui permirent, après l'effondrement d'une salle où avait lieu un banquet, de contribuer à l'identification de victimes dont les corps étaient extrêmement abîmés, grâce au souvenir très précis qu'il gardait de la disposition des invités et de leurs vêtements avant la catastrophe. Elle affirme même que cet événement aurait incité le poète à rédiger le premier traité de la mémoire. Il comparait sa mémoire à un tableau et disait que « la peinture, c'est de la poésie muette, la peinture, c'est de la poésie qui parle ». La technique de mémorisation des Anciens est simple mais terriblement efficace: il s'agit d'utiliser un lieu qu'on connaît parfaitement et d'y ranger des images très frappantes, avant de composer une image de ces souvenirs.    Invitée :  Jeanne Candel est une metteuse en scène et actrice. Elle a fondé la compagnie La Vie brève en 2009. L'écriture collective et sa recherche sur l'enchevêtrement entre la musique et le théâtre façonnent ses créations comme notamment Robert Plankett en 2010,  Le Crocodile trompeur / Didon et Énée co-mis en scène avec Samuel Achache en 2013, Baùbo – De l'art de n'être pas mort en 2023 ou Fusées présenté au Festival d'Avignon 2025. Depuis 2019, La Vie brève dirige le théâtre de l'Aquarium à la Cartoucherie, à Paris. Capra (une chèvre) est à voir jusqu'au 25 juillet.    Et dans le OFF, Fanny Imbert nous emmène voir Médusée, une pièce cabaretique dans laquelle la créature mythologique Médusa réclame justice après avoir été violée par Zeus. Médusa et ses sœurs gorgones nomment tout : les rêves romantiques, les viols, les combats, les métamorphoses tout en chantant des tubes pop (Dalida, Juliette Armanet...). Programmation musicale :  Le groupe LAS ONDAS MARTELES avec le titre Y despues de todo. 

Dans Capra (une chèvre), Jeanne Candel nous propose d'entrer dans la tête d'une poétesse, sur les chemins de la mémoire… « Capra » : ça veut dire chèvre en latin. C'est aussi le pseudonyme que s'est trouvé la poétesse dont il est question dans la pièce mise en scène par Jeanne Candel. Le nom n'est pas choisi au hasard: la chèvre, c'est l'animal qui cherche sa liberté dans l'enclos. Ils sont huit comédiens et chanteurs sur scène et nous font entrer dans la tête de Capra pour regarder à l'intérieur d'une femme.  Dans ce spectacle, des morts se sont logés dans son corps et ils parlent à travers elle. « On rentre à travers son corps, son esprit, ses obsessions. » Mais le vrai fil directeur de l'histoire, c'est la mémoire. Jeanne Candel et son collectif ont puisé des anecdotes sur la mémoire en lisant L'Art de la mémoire de l'historienne britannique des arts du 19ᵉ siècle, Frances Yates. Dans son essai, elle relate notamment les techniques des anciens pour « se souvenir ». Elle narre Simonide de Céos, poète « à la langue de miel », lyrique grec né en 556 av. J.-C. à Céos et mort en 467 av. J.-C. à Agrigente. Selon la tradition grecque, il est le premier auteur d'épigrammes. Il passe pour avoir inventé l'Art de mémoire. En effet, ses facultés d'observation et de mémorisation lui permirent, après l'effondrement d'une salle où avait lieu un banquet, de contribuer à l'identification de victimes dont les corps étaient extrêmement abîmés, grâce au souvenir très précis qu'il gardait de la disposition des invités et de leurs vêtements avant la catastrophe. Elle affirme même que cet événement aurait incité le poète à rédiger le premier traité de la mémoire. Il comparait sa mémoire à un tableau et disait que « la peinture, c'est de la poésie muette, la peinture, c'est de la poésie qui parle ». La technique de mémorisation des Anciens est simple mais terriblement efficace: il s'agit d'utiliser un lieu qu'on connaît parfaitement et d'y ranger des images très frappantes, avant de composer une image de ces souvenirs.    Invitée :  Jeanne Candel est une metteuse en scène et actrice. Elle a fondé la compagnie La Vie brève en 2009. L'écriture collective et sa recherche sur l'enchevêtrement entre la musique et le théâtre façonnent ses créations comme notamment Robert Plankett en 2010,  Le Crocodile trompeur / Didon et Énée co-mis en scène avec Samuel Achache en 2013, Baùbo – De l'art de n'être pas mort en 2023 ou Fusées présenté au Festival d'Avignon 2025. Depuis 2019, La Vie brève dirige le théâtre de l'Aquarium à la Cartoucherie, à Paris. Capra (une chèvre) est à voir jusqu'au 25 juillet.    Et dans le OFF, Fanny Imbert nous emmène voir Médusée, une pièce cabaretique dans laquelle la créature mythologique Médusa réclame justice après avoir été violée par Zeus. Médusa et ses sœurs gorgones nomment tout : les rêves romantiques, les viols, les combats, les métamorphoses tout en chantant des tubes pop (Dalida, Juliette Armanet...). Programmation musicale :  Le groupe LAS ONDAS MARTELES avec le titre Y despues de todo. 

Comedian Shapel Lacey discusses the power of music, inspiration and how a 1981 Black Flag video sparked a lifelong punk obsession that shaped his identity, art, and resilience. Shapel Lacey tour dates  |  comedy special  |  Mad Peaceful band Topics Include: Talks local record stores, Amoeba, old Sunset location Discovers deep-cut Swedish hardcore at Eastside Records, Arizona Reflects on pre-streaming era, hunting records in person Notices rosary on Crash's grave, debates his beliefs Traces punk discovery to junior high guitar class Friend introduces him to ska punk, then Black Flag Watches 1981 Target video of Rollins-era Black Flag Rise Above vocals trigger emotional, tearful revelation Explains Black Flag filled a void from turbulent childhood Contrasts Korn/Deftones' anger with punk's empowering message Credits Rollins with teaching self-understanding and personal growth Recalls performing onstage with Rollins at Ohio festival Anger management counselor used Rollins to redirect his aggression Growing up Black, punk, skateboarding in Arizona desert Faced criticism from all sides for musical taste Explored funk, hip-hop, grunge without genre boundaries Connects N.W.A. and Black Flag's shared themes of injustice Discusses punk and hip-hop confronting police brutality parallels Champions open-mindedness across seemingly opposite music scenes Describes local DIY scene at Mesa's Nile basement Panhandled for five dollars to attend all-ages shows Cheerleading came after punk, called "most punk rock" act Discusses tattoos, straight-edge culture, Minor Threat connection Shares personal encounters meeting Henry Rollins and Ian MacKaye Praises Rollins and MacKaye's discipline, historical knowledge, friendship Draws parallels between punk and comedy's DIY authenticity Talks band Mad Peaceful, growing sold-out comedy success Discusses Australia tour interest, interview wrap up High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

durée : 00:07:15 - La commune de La Flèche se relève peu à peu après les violentes intempéries de ce mercredi, où des arbres sont tombés sur les routes. Le quartier Verron a été en partie inondé. Il n'y a aucune victime, mais de gros dégâts matériels. ICI Maine fait l'état des lieux avec le maire Romain Lemoigne. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

'Trace of You' is for anyone who has loved deeply and still carries the quiet imprint of someone they've lost. It speaks to listeners who understand that some relationships never truly disappear, they leave traces in everyday moments, dreams, and memories. With its heartfelt lyrics and emotional atmosphere, it's a comforting anthem for those navigating heartbreak, longing, and the enduring hope that love, even after it's gone, continues to shape who we are.

Growing up in Chattanooga, Tenn., Janjay Lowe tried to forget his early life in Liberia, but survivor's guilt caught up with him.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

It's a snowy night in Anjikuni, and suddenly, poof! The entire village disappears into thin air, like a real-life magic trick gone wrong. No signs of struggle, no footprints in the snow – it's like the people of Anjikuni just vanished into the night, leaving behind an eerie silence. Who did it? What happened there? Nobody knows for sure, and that's what makes this mystery a real head-scratcher. So, get ready to dive into the unknown and explore the chilling enigma of Anjikuni – the case of the disappearing village that still haunts us to this day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Patricia Hudson joins David to discuss her acclaimed historical fiction novel Traces. Traces is a retelling of the Boone saga through the eyes of his wife Rebecca, and their two daughters Susannah and Jemima. They talk about the choice to tell the Boone women's stories through historical fiction, the depth of research that went into the book, and how difficult it can be to trace women's stories through the historical record. Traces is available for checkout from the library and for purchase from your favorite bookstore.Patricia is one of the featured speakers at the Kentucky Genealogy and History Conference hosted by Lexington Public Library on August 6th and 7th, 2026. Registration opened for the conference on June 1st, 2026. You can register on the conference website.

Lone Star Beer has marketed itself as a Texas tradition dating to 1884, but a new book argues the familiar brand grew from two distinct San Antonio breweries operating in different eras.

As Carl Weems conducted research in New Orleans, he documented children's recollections of Hurricane Katrina. When Hurricane Gustav hit, Weems found that those with another negative experience maintained their recollection of trauma during Hurricane Katrina. Those with a more positive experience during Gustav remembered Katrina more positively than before. This is part of the foundation of Weems' new developmental theory that reshapes how experts understand the fluidity of memories and the impact of trauma. Weems joins the program to talk about his theory and the broader impact of traumatic and adverse childhood experiences, or TrACEs. Dr. Padget Skogman, a pediatrician, also joins the hour to share the long-term health impacts of TrACEs. (This show was originally produced November 18, 2025.)

Blues legend Taj Mahal shares rare stories about Jimi Hendrix, the Rolling Stones, and the unreleased Bill Withers song that shaped his stunning new record. Topics Include: Taj Mahal discusses his new album, Time, and its origins Reveals his decades-long friendship and mutual respect with Bill Withers Explains how Bill Withers heard and loved this unreleased demo Bill Withers' wife gave final approval before the song's release Withers walked away from music rather than change his sound Why the industry pushed Withers to sound more commercial Taj shares why vinyl beats digital for capturing real sound Breaks down the "bell curve" problem with digital audio quality Approaches albums as full journeys, not three-minute singles Reveals how effortlessly he sequences songs like a live set Traces his musical roots to a tight-knit 1940s community Recalls learning piano, clarinet, trombone before finding the guitar Explains how guitar evolved from rhythm to lead instrument Names the blues legends who shaped his earliest influences Credits Ray Charles as one of his deepest musical influences Shares rare stories of jamming with Jimi Hendrix live Discusses bootlegs, tape trading, and the ethics of live recordings Compares the Grateful Dead's bootleg policy to other artists Tells the wild story of Rolling Stones' Rock and Roll Circus Recalls dancing Stones and Clapton watching him at the Whisky Explains how British rockers reintroduced blues to American audiences Describes his first-class trip to London and Stones' hospitality Reveals why Labor of Love was released only on vinyl Shares the surprising stat: vinyl never drops below 6% globally Talks new tour dates and hopes to return to Australia Photo by Mike Coeyman High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Daniel Rood, author of In the Shadow of the Great House, traces how the plantation system evolved globally, with Cubabecoming a sugar powerhouse using industrial steam technology after the Haitian Revolution. In modern Brazil, multinational corporations like BP and Cargill run "mammoth sugar farms" using unfree contract labor for ethanol production. Similarly, California's agricultural boom relied on the Bracero program and guest workers who lacked political rights. This modern planter class continues to prioritize investor profits over the stability and rights of their laborers. (15)1867

Toujours sur les traces de Dominique Pelicot, Julien Cernobori est à Mamers dans la Sarthe. Dans cet extrait, il est en conversation avec Denise et Monique qui vont le guider dans son enquête...CERNO est un podcast créé par Julien CernoboriReportage, montage, réalisation et mixage : Julien CernoboriMusique originale : Théo BoulengerEcoutez l'épisode en entier dès maintenant sur patreon.com/cerno !Ecrivez-moi à cernopodcast@gmail.com ou suivez moi sur Instagram @cernopodcast.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Michael Vorenberg traces how Andrew Johnson, initially seen as a radical ally, shifted toward a policy of white supremacy and hasty peace. He vetoed the Civil Rights Act of 1866, leading moderate Republicans to unite with radicals. This intense conflict centered on whether the war had legally ended. (14)1865

55 - Allyn Vannoy, The Far SeasAllyn Vannoy is the designer of Traces of Victory which I looked at last episode, as well as a prolific writer. For a game dive, this time we look at the upcoming  The Far Seas from Vuca.Live Cardboard 34 where Mark Herman teachs me Pacific WarLive Cardboard 33 Games that need more lovePoint Blank's new Rules Reference and Learn to Play guide.Thin Red Line's Dogs of WarGMT June newsletterTrafalgar Editions Afrika Korps 41Noble Knight GamesThe best place to find out of print games without paying Ebay prices!Cube4Me Storage SolutionsCube4Me are a revolution in trays for games. Multiple sizes, configurations, and depths!Ko-FiSign up to support the show monthly, or with a one-time donationDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Wir sind immer noch auf der Loreley, diesmal mit einer Nachmittags-Show unter dem Motto "Matinee Solo Show". Allerdings haben wir auch heute wieder bezaubernde Special Guests dabei und eine unglaubliche Songauswahl! Viel Spaß beim Hören! Folgt uns auch gerne auf unseren Social Media-Seiten: Instagram: www.instagram.com/keeponsinging_podcast Facebook: www.facebook.com/keeponsingingpodcast Oder schreibt uns eine Mail an keeponsinging@gmx.de Wir freuen uns auf euer Feedback! Reguläre Folgen erscheinen alle drei Wochen samstags. "Ein Song, eine Folge" erscheint alle drei Wochen mittwochs. Und bis dahin: Keep on singing!

Die Loreley, ein Sommerabend und Michael Patrick Kelly – eine Kombination, die für Gänsehautmomente sorgt. In dieser Folge nehmen wir euch mit zurück zu einem besonderen Konzert. Wir sprechen über die schönsten Augenblicke, die Songsauswahl, die Stimmung vor Ort und über die Special Guests. Kommt mit und lasst uns gemeinsam den Abend nochmal Revue passieren. Viel Spaß beim Hören! Folgt uns auch gerne auf unseren Social Media-Seiten: Instagram: www.instagram.com/keeponsinging_podcast Facebook: www.facebook.com/keeponsingingpodcast Oder schreibt uns eine Mail an keeponsinging@gmx.de Wir freuen uns auf euer Feedback! Reguläre Folgen erscheinen alle drei Wochen samstags. "Ein Song, eine Folge" erscheint alle drei Wochen mittwochs. Und bis dahin: Keep on singing!

Make Cazarre enchaîné great again de 16h30 à 17h30 en direct du Flora Caffé avec Julien Cazarre & Jean-Christophe Drouet.

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Josh Blackman traces the modern history of the death penalty from the 1972 Furman case to 1976's Gregg v. Georgia. He critiques the "evolving standards of decency" doctrine used by the Warren Court, arguing it reflects the views of elites rather than the constitution or the broader American general voting public. (13)1888 SCOTUS

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Sanctuary on the Moon est une initiative internationale visant à créer une capsule temporelle. Il s'agit de graver sur des disques des dessins et des textes qui reflètent « ce que l'on est, ce que l'on sait, ce que l'on fait aujourd'hui » pour ensuite les déposer sur la Lune avec une prochaine mission de la NASA et qu'ils y restent « pour qu'un jour des archéologues puissent les retrouver et comprendre comment notre civilisation était en 2020, 2030 ».L'objectif est de garder des traces de l'humanité telle qu'elle existe aujourd'hui dans des milliers, voire des millions, d'années à venir. Des collégiens de notre partenaire Eco Radio, du collège Vincent Van Gogh, à Blénod-lès-Pont-à-Mousson, en France, ont reçu trois invités pour parler du projet et du concours « Les enfants de la planète Terre » : Hélène Pierson, rédactrice scientifique de Sanctuary on the Moon, Juliette Sardet de la Commission nationale française pour l'UNESCO, et Guillaume Monnain, illustrateur spécialisé dans la vulgarisation scientifique.Dans cet entretien, ils expliquent ce qu'est le projet Sanctuary on the Moon etcomment les enfants sont impliqués dans ce projet à travers un concours sélectionnant des dessins qui seront envoyés sur la Lune.

When journalists, activists and commentators are being silenced, independent reporting matters more than ever.In this episode of Palestine Deep Dive, Ahmed Al-Naouq and Hala Hanina are joined by journalists Jeremy Scahill and Sharif Abdel Kouddous of Drop Site News to discuss independent reporting on Gaza, Trump's Gaza "Peace Plan" and the political crackdown on pro-Palestinian speech in the West.Support us by becoming a paid subscriber from as little as £1 a month. Your support helps us build independent Palestinian-led media in a world which has never needed it more urgently:https://donorbox.org/support-palestine-deepdive Follow us:https://x.com/PDeepDivehttps://instagram.com/palestinedeepdive https://facebook.com/palestinedeepdive

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

durée : 00:58:05 - Les émissions culturelles de France Culture - par : Marie Richeux - Dans son dernier livre, le romancier Grégoire Bouillier mène une enquête où il entremêle la biographie de Maurice Leblanc, les aventures de son célèbre Arsène Lupin, et sa passion pour ce personnage qui le hante depuis l'enfance. - réalisation : Jeanne Aléos, Mathilde Wagman, Marianne Chassort, Alexandre Alajbegovic, Cyril Marchan, Cassandre Puel, Julie Gastal - invités : Grégoire Bouillier Ecrivain Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Oscar and Emmy-nominated actress Rosie Perez takes us on the journey of the birth of salsa in Nueva York and the rebellious, seductive and political label that defined it: Fania Records. The 1960s brings social and political change to the world and to New York City, where a young Johnny Pacheco keeps people dancing with his orchestra and charanga music. The Dominican musician is also going through a divorce and his lawyer, Jerry Masucci, happens to be a fan of Johnny’s music. They formed Fania Records, changing music forever. This is the first episode of Futuro’s new podcast Our Thing: The Birth of Salsa in Nueva York. The first two episodes are out now wherever you listen to your favorite shows. Subscribe and follow so you don’t miss upcoming episodes. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Tyler Anbinder traces the migration of Irish families beyond New York City. The Lynch family, for instance, saved money for a decade before moving to Minnesota to establish farms on affordable government land, creating vibrant Irishenclaves in the wilderness. In the West, Irish immigrant Edmund Butler became a prominent military figure, leading troops against Crazy Horse after the Battle of Little Bighorn. In California, the Ruddick family moved from gold mining into real estate, eventually becoming successful landlords. These stories emphasize the resourcefulness of the famine Irish, who repeatedly adapted and started new businesses when faced with failure. (7)1863 DRAFT RIOTS

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

54 - Kwasny Bothers and Traces of VictoryThis episode can be found on pushingcardboard.com, as well as wherever you get your podcasts. (On youtube, it's still audio-only.)Some links to things mentioned in the episode:New from Nuts: Guerre EclairSanta Cruz 1797 from Bellica 3gColumbia's East Front is coming to PCCube4Me now has magazine traysOsprey Games to be soldFlying Pig's new OST France and Poland games now available, as well as the latest issue of Yaah! Magazine.Game mORe convention in Albany OregonSolo system for Combat CommanderKo-FiSign up to support the show monthly, or with a one-time donationCube4Me Storage SolutionsCube4Me are a revolution in trays for games. Multiple sizes, configurations, and depths!Noble Knight GamesThe best place to find out of print games without paying Ebay prices!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

In this episode, host Jack Eidt delves into the groundbreaking archaeological discoveries at the Huaca Montegrande site in the Peruvian Amazon with guest Karen Gordon, an associate at ASICAMPE, the nonprofit Association for Scientific Research of the Peruvian Amazon [https://abundantearthfoundation.org/ancientcacao/]. They explore the ancient Marañon culture, their sophisticated agroforestry practices, and the origins of cacao, the plant responsible for the world's chocolate. Traces of cacao have been found in 6,000-year-old ceremonial pottery vessels from what is now recognized as the oldest monumental temple site in Peru, predating the pyramids of Egypt or Mesopotamia. Tune in to learn how these findings are rewriting the history of organized human settlement and spirituality in the ancient Amazon. Nominated as one of the Top 10 Archaeological Discoveries in the World, Montegrande is currently unearthing the story of the ancient Amazonian Marañon Culture and their sophisticated agroforestry practices, social structure, and cosmovision – 3,000 years before the more well-studied Inca and Nazca cultures. These findings completely rewrite the history of organized human settlement and spirituality in the ancient Amazon. Groundbreaking evidence from Montegrande points to the Marañon Culture as being the earliest human stewards of cacao in the world, tending its domestication, cultivation, veneration and trade. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Resources/Articles: https://inboundperu.com/2022/03/11/the-world-will-get-to-know-huaca-montegrande-where-historys-oldest-cacao-was-found%ef%bf%bc/8644/ Ancient Builders of the Amazon on Nova PBS: https://youtu.be/dY82nZTxXQ4?si=UcvfsGJtvJQY_GAs Karen Gordon - Equal parts soul-filled and inspired educator, Karen's work as a restoration ecologist and land steward has spanned California's Channel Islands to the Peruvian Amazon for the last 30 years. She has called Costa Rica's cloud forested mountaintops home for the last two decades. ASICAMPE is a small Peruvian nonprofit research organization led by Dr. Quirino Olivera; making significant contributions to Amazonian and world history. Nevertheless, the Huaca Montegrande project, destined to become and UNESCO World Heritage Site, faces multiple threats and requires protection to continue their work. For more information and to support their work: https://abundantearthfoundation.org/ancientcacao/ Musical interludes by Oscar Jimenez Fernandez. IG: @oscarjimenezfdc Jack Eidt is an urban planner, environmental journalist, and climate advocate, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He writes for a PBS SoCal Artbound project called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. He also publishes articles and podcasts on Substack [https://jackeidt.substack.com/]. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 237

Send us a text or a voicemailA woman, employed as a website content moderator, comes across a series of offensive audio podcasts that have been reported by listeners. She is torn between sending them a take down notification and subscribing. On Episode 720 of Trick or Treat Radio our feature film discussion is the re-imagining of the cult classic Faces of Death from director Daniel Goldhaber! We also talk about the original viral videos from early VHS shockumentaries, we talk about old commercials, and we react to trailers for the films; The Voices of Our Mother, and The Dead Place. So grab your old VHS copy of Faces of Death, try not to imitate any of its videos, and strap on for the world's most dangerous podcast!Stuff we talk about: Horror authors, Stephen King, Edgar Allan Poe, writers of terror, Dan Ackroyd, big twinkies, Bloodsport, Revenge of the Nerds, RIP Donald Gibb, Old Taco Bell commercials, Mike Mignola, Bee Gees, Andy Gibb, King of the Zombies, Nightmare in Wax, Child of Glass, The House Where Evil Dwells, Conan the Barbarian, The Evil Within, Heavy Mental: A Rock and Roll Bloodbath, Sophia Coppola, Frankenweenie, The Entity, The Day the Time Ended, The Amityville Horror, Kingdom of the Spiders, Natasha Ryan, Danny Huston, Clash of the Titans, 30 Day of Night, Tim Roth, Planet of the Apes, Dark Water, Rob Tapert, Robert Zemeckis, The Frighteners, Tales From the Crypt, Joe Zito, Friday the 13th: The Final Chapter, The Prowler, George Lucas, William Friedkin, Victor Miller, Richard Deacon, Howard the Duck, Top Secret, Real Genius, Val Kilmer, Fassbender, X-Men: Apocalypse, Nunsploitation, Mr. Destiny, The Voices of Our Mother, The Dead Place, David Howard Thornton, Destiny Plays the Radio, The Golden Girls, Quentin Tarantino, Dr. Frances B. Gross, Faces of Death, Traces of Death, Shockumentary, Mondo Films, Hackers, Angelina Jolie, Dacre Montgomery, Barbie Ferreira, Charlie XCX, copycat killers, Censor, video nasties, i screen you screen we all screen for green screen, and traumatized and desensitized.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Food can be about comfort, craft or culture, but in Brigid Washington's new memoir, it's about survival. Her book traces her unlikely journey into the culinary world, one marked by loss, uncertainty and questions of identity. Geoff Bennett speaks with Washington about "Salt, Sweat & Steam" for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy