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Au programme de votre samedi, un mystère à résoudre dans la série "Sur tes traces" sur Netflix . Sur Prime vidéo, la romance "À contre-sens 2 : Londres " est à découvrir.
The Creative Process in 10 minutes or less · Arts, Culture & Society
Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Déversement d'eaux usées à Pointe-aux-Sables : des traces de mercure détectées by TOPFM MAURITIUS
Entretien avec Andrea Šteflová, professeure de français à Český Těšín – Courir le long de la Vltava – Des étudiants français sur les traces de Václav Havel à Prague
Entretien avec Andrea Šteflová, professeure de français à Český Těšín – Courir le long de la Vltava – Des étudiants français sur les traces de Václav Havel à Prague
The Claude Fable 5/Mythos 5 System Card has a section in which they talk about illegible reasoning, and provide an "extreme" example thereof. Models developing their own uninterpretable, unmonitorable internal language has been a major theoretical concern for a while, and when o3 was released last year with its disclaim overshadow disclaim vantage style word salad CoT, it seemed like the problem had become real and immediate. And yet, since o3, other model families have not appeared to have similar issues. If Mythos is having that issue, it would be a big deal. Looking at the section of the System Card which describes the allegedly illegible reasoning, the system card says [Transcript 6.2.2.A] An extreme example of illegible reasoning. Near the end of training, Mythos starts solving a card puzzle with human understandable language that gradually becomes incomprehensible in most episodes with long reasoning. The illegible reasoning is the most extreme and at the highest rate in this card puzzle environment. about the following excerpt: 7♣-removal-IS-the-prerequisite-for-10♠/9♥!!)-⟹-OVERLAP-(ii)+(iv):-{6♠ J♦ 9♥ 2♣}-=-FOUR-
Josh Blackman traces the modern history of the death penalty from the 1972 Furman case to 1976's Gregg v. Georgia. He critiques the "evolving standards of decency" doctrine used by the Warren Court, arguing it reflects the views of elites rather than the constitution or the broader American general voting public. (13)1888 SCOTUS
“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Sanctuary on the Moon est une initiative internationale visant à créer une capsule temporelle. Il s'agit de graver sur des disques des dessins et des textes qui reflètent « ce que l'on est, ce que l'on sait, ce que l'on fait aujourd'hui » pour ensuite les déposer sur la Lune avec une prochaine mission de la NASA et qu'ils y restent « pour qu'un jour des archéologues puissent les retrouver et comprendre comment notre civilisation était en 2020, 2030 ».L'objectif est de garder des traces de l'humanité telle qu'elle existe aujourd'hui dans des milliers, voire des millions, d'années à venir. Des collégiens de notre partenaire Eco Radio, du collège Vincent Van Gogh, à Blénod-lès-Pont-à-Mousson, en France, ont reçu trois invités pour parler du projet et du concours « Les enfants de la planète Terre » : Hélène Pierson, rédactrice scientifique de Sanctuary on the Moon, Juliette Sardet de la Commission nationale française pour l'UNESCO, et Guillaume Monnain, illustrateur spécialisé dans la vulgarisation scientifique.Dans cet entretien, ils expliquent ce qu'est le projet Sanctuary on the Moon etcomment les enfants sont impliqués dans ce projet à travers un concours sélectionnant des dessins qui seront envoyés sur la Lune.
When journalists, activists and commentators are being silenced, independent reporting matters more than ever.In this episode of Palestine Deep Dive, Ahmed Al-Naouq and Hala Hanina are joined by journalists Jeremy Scahill and Sharif Abdel Kouddous of Drop Site News to discuss independent reporting on Gaza, Trump's Gaza "Peace Plan" and the political crackdown on pro-Palestinian speech in the West.Support us by becoming a paid subscriber from as little as £1 a month. Your support helps us build independent Palestinian-led media in a world which has never needed it more urgently:https://donorbox.org/support-palestine-deepdive Follow us:https://x.com/PDeepDivehttps://instagram.com/palestinedeepdive https://facebook.com/palestinedeepdive
Samuel Gonin, 43 ans, divorcé, deux enfants, ancien prof de menuiserie dans un lycée technique. Cet homme est aujourd'hui considéré comme le suspect numéro un dans la disparition et la mort de Lina Delsarte, 15 ans, évaporée le 23 septembre 2023. Pendant presque un an, la photo de l'adolescente est restée épinglée dans tous les commissariats, jusqu'à ce que sa trace ADN soit retrouvée dans une voiture volée, conduite par un individu qui depuis des mois était en pleine dérive psychologique : Samuel Gonin. Il ne pourra jamais être interrogé. Il s'est donné la mort le 10 juillet 2024. Par quel hasard a-t-il croisé la route de l'adolescente ? Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime avec Jean-Alphonse Richard du 26 août 2024.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
durée : 00:58:05 - Les émissions culturelles de France Culture - par : Marie Richeux - Dans son dernier livre, le romancier Grégoire Bouillier mène une enquête où il entremêle la biographie de Maurice Leblanc, les aventures de son célèbre Arsène Lupin, et sa passion pour ce personnage qui le hante depuis l'enfance. - réalisation : Jeanne Aléos, Mathilde Wagman, Marianne Chassort, Alexandre Alajbegovic, Cyril Marchan, Cassandre Puel, Julie Gastal - invités : Grégoire Bouillier Ecrivain Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Avec : Baptiste des Monstiers, grand reporter. Jérôme Lavrilleux, propriétaire de gîtes en Dordogne. Et Yael Mellul, ancienne avocate. - Accompagnée de Charles Magnien et sa bande, Estelle Denis s'invite à la table des français pour traiter des sujets qui font leur quotidien. Société, conso, actualité, débats, coup de gueule, coups de cœurs… En simultané sur RMC Story.
Oscar and Emmy-nominated actress Rosie Perez takes us on the journey of the birth of salsa in Nueva York and the rebellious, seductive and political label that defined it: Fania Records. The 1960s brings social and political change to the world and to New York City, where a young Johnny Pacheco keeps people dancing with his orchestra and charanga music. The Dominican musician is also going through a divorce and his lawyer, Jerry Masucci, happens to be a fan of Johnny’s music. They formed Fania Records, changing music forever. This is the first episode of Futuro’s new podcast Our Thing: The Birth of Salsa in Nueva York. The first two episodes are out now wherever you listen to your favorite shows. Subscribe and follow so you don’t miss upcoming episodes. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.
Tyler Anbinder traces the migration of Irish families beyond New York City. The Lynch family, for instance, saved money for a decade before moving to Minnesota to establish farms on affordable government land, creating vibrant Irishenclaves in the wilderness. In the West, Irish immigrant Edmund Butler became a prominent military figure, leading troops against Crazy Horse after the Battle of Little Bighorn. In California, the Ruddick family moved from gold mining into real estate, eventually becoming successful landlords. These stories emphasize the resourcefulness of the famine Irish, who repeatedly adapted and started new businesses when faced with failure. (7)1863 DRAFT RIOTS
After getting lost in the back corner of the editing bay, we finally arrive at the final part of Caleb's look at the books he read in 2025. This one includes the last few books he read, as well as some of the stand out short stories. Included in this episode: 1. Alien vs Predator: Hunter's Planet (1994) [David Bischoff] 2. The Haunting of Hill House (1959) [Shirley Jackson] 3. The Haar [2022] [David Sodergren] 4. Raptor Red (1995) [Robert T. Bakker] 5. Hangsaman (1951) [Shirley Jackson] 6. Dune (1965) [Frank Herbert] *Shorts Mentioned: 7. I Have No Mouth and I must Scream (1967) [Harlen Ellison] 8. A Matter of Traces (1958) [Frank Herbert] 9. The Tactful Saboteur (1964) [Frank Herbert] 10. Conan Collection [Robert E Howard] 11. Nightfall [1941] [Isaac Asimov]
“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
54 - Kwasny Bothers and Traces of VictoryThis episode can be found on pushingcardboard.com, as well as wherever you get your podcasts. (On youtube, it's still audio-only.)Some links to things mentioned in the episode:New from Nuts: Guerre EclairSanta Cruz 1797 from Bellica 3gColumbia's East Front is coming to PCCube4Me now has magazine traysOsprey Games to be soldFlying Pig's new OST France and Poland games now available, as well as the latest issue of Yaah! Magazine.Game mORe convention in Albany OregonSolo system for Combat CommanderKo-FiSign up to support the show monthly, or with a one-time donationCube4Me Storage SolutionsCube4Me are a revolution in trays for games. Multiple sizes, configurations, and depths!Noble Knight GamesThe best place to find out of print games without paying Ebay prices!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Кінострічка "Сліди", що підкорила Berlinale та отримала нагороду в Ґаазі, нарешті постане перед австралійськими глядачами у Сіднеї у рамцях популярного кінофестивалю 2026 Sydney Film Festival, що пройде 3 -14 червня. Українська кінорежисерка і документалістка Аліса Коваленко розповідає для SBS Ukrainian не тільки про Traces (Сліди) та події навколо нього, а й про її волонтерську роботу в правозахисній організації Sema Ukraine...
Un poil, une écaille, un fragment de peau, une larme ou une crotte... Tout est trace. Tout s'accroche, s'accumule, persiste. L'ADN environnemental traque l'invisible, révélant la présence de chaque être.Des rives du Maroni aux neiges du Montana, notre invité Benjamin Allegrini suit ces empreintes fantômes. Une révolution scientifique qui capte la présence sans la voir, dissèque sans toucher.Entre anecdotes fascinantes et réflexion critique, L'ADN fantôme bouleverse notre rapport à la biodiversité et questionne la façon dont nos outils redéfinissent notre lien au monde.Benjamin en a tiré un livre "L'ADN fantôme - Quand l'invisible laisse des traces", sorti en avril 2025.___
Un poil, une écaille, un fragment de peau, une larme ou une crotte... Tout est trace. Tout s'accroche, s'accumule, persiste. L'ADN environnemental traque l'invisible, révélant la présence de chaque être.Des rives du Maroni aux neiges du Montana, notre invité Benjamin Allegrini suit ces empreintes fantômes. Une révolution scientifique qui capte la présence sans la voir, dissèque sans toucher.Entre anecdotes fascinantes et réflexion critique, L'ADN fantôme bouleverse notre rapport à la biodiversité et questionne la façon dont nos outils redéfinissent notre lien au monde.Benjamin en a tiré un livre "L'ADN fantôme - Quand l'invisible laisse des traces", sorti en avril 2025.___
Un poil, une écaille, un fragment de peau, une larme ou une crotte... Tout est trace. Tout s'accroche, s'accumule, persiste. L'ADN environnemental traque l'invisible, révélant la présence de chaque être.Des rives du Maroni aux neiges du Montana, notre invité Benjamin Allegrini suit ces empreintes fantômes. Une révolution scientifique qui capte la présence sans la voir, dissèque sans toucher.Entre anecdotes fascinantes et réflexion critique, L'ADN fantôme bouleverse notre rapport à la biodiversité et questionne la façon dont nos outils redéfinissent notre lien au monde.Benjamin en a tiré un livre "L'ADN fantôme - Quand l'invisible laisse des traces", sorti en avril 2025.___
Un poil, une écaille, un fragment de peau, une larme ou une crotte... Tout est trace. Tout s'accroche, s'accumule, persiste. L'ADN environnemental traque l'invisible, révélant la présence de chaque être.Des rives du Maroni aux neiges du Montana, notre invité Benjamin Allegrini suit ces empreintes fantômes. Une révolution scientifique qui capte la présence sans la voir, dissèque sans toucher.Entre anecdotes fascinantes et réflexion critique, L'ADN fantôme bouleverse notre rapport à la biodiversité et questionne la façon dont nos outils redéfinissent notre lien au monde.Benjamin en a tiré un livre "L'ADN fantôme - Quand l'invisible laisse des traces", sorti en avril 2025.___
Justin Sorensen is a sports photographer based in New York. He has a book out about the effect of sports on the human body. I wanted to speak to him about how he came to make the book and what's next. You can pick up a copy of the book here.More about this show:A camera is just a tool but spend enough time with photographers and you'll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I'm interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.
In this episode, host Jack Eidt delves into the groundbreaking archaeological discoveries at the Huaca Montegrande site in the Peruvian Amazon with guest Karen Gordon, an associate at ASICAMPE, the nonprofit Association for Scientific Research of the Peruvian Amazon [https://abundantearthfoundation.org/ancientcacao/]. They explore the ancient Marañon culture, their sophisticated agroforestry practices, and the origins of cacao, the plant responsible for the world's chocolate. Traces of cacao have been found in 6,000-year-old ceremonial pottery vessels from what is now recognized as the oldest monumental temple site in Peru, predating the pyramids of Egypt or Mesopotamia. Tune in to learn how these findings are rewriting the history of organized human settlement and spirituality in the ancient Amazon. Nominated as one of the Top 10 Archaeological Discoveries in the World, Montegrande is currently unearthing the story of the ancient Amazonian Marañon Culture and their sophisticated agroforestry practices, social structure, and cosmovision – 3,000 years before the more well-studied Inca and Nazca cultures. These findings completely rewrite the history of organized human settlement and spirituality in the ancient Amazon. Groundbreaking evidence from Montegrande points to the Marañon Culture as being the earliest human stewards of cacao in the world, tending its domestication, cultivation, veneration and trade. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Resources/Articles: https://inboundperu.com/2022/03/11/the-world-will-get-to-know-huaca-montegrande-where-historys-oldest-cacao-was-found%ef%bf%bc/8644/ Ancient Builders of the Amazon on Nova PBS: https://youtu.be/dY82nZTxXQ4?si=UcvfsGJtvJQY_GAs Karen Gordon - Equal parts soul-filled and inspired educator, Karen's work as a restoration ecologist and land steward has spanned California's Channel Islands to the Peruvian Amazon for the last 30 years. She has called Costa Rica's cloud forested mountaintops home for the last two decades. ASICAMPE is a small Peruvian nonprofit research organization led by Dr. Quirino Olivera; making significant contributions to Amazonian and world history. Nevertheless, the Huaca Montegrande project, destined to become and UNESCO World Heritage Site, faces multiple threats and requires protection to continue their work. For more information and to support their work: https://abundantearthfoundation.org/ancientcacao/ Musical interludes by Oscar Jimenez Fernandez. IG: @oscarjimenezfdc Jack Eidt is an urban planner, environmental journalist, and climate advocate, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He writes for a PBS SoCal Artbound project called High & Dry [https://www.pbssocal.org/people/high-dry]. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. He also publishes articles and podcasts on Substack [https://jackeidt.substack.com/]. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 237
Quel héritage Gaël Monfils et Stan Wawrinka laissent-ils sur la terre battue de la Porte d'Auteuil ? Alors que ces deux géants du circuit ATP ont disputé leur dernier match à Paris, l'heure est au bilan. Entre coups de génie, matchs légendaires en 5 sets et émotions gravées à jamais, retour sur l'empreinte laissée par "La Monf" et "Stan The Man" sur la terre parisienne.Personne n'a su faire chavirer les courts français comme Monfils. De sa demi-finale mémorable en 2008 face à Roger Federer à ses moments de transe nocturnes (on se souvient de son combat épique contre Sebastian Baez), Monfils a transcendé le tennis pour en faire un spectacle total. Il ne laisse pas seulement des statistiques, il laisse des frissons. Quel match retenez-vous en particulier ? Qui pourra oublier cette quinzaine magique où "Stan The Man", vêtu de son short à carreaux iconique, a terrassé Novak Djokovic en finale ?Retour sur 2 monstres du tennis sans oublier les tops et les flops et une partie pronostics.Ce podcast est hébergé par Podcastics, la plateforme pour créer et diffuser votre podcast facilement.
Hitting "delete" on your browser history or emails doesn't mean they're gone for good. I'll cover what actually happens when you delete things, and what it really takes to make them disappear.
Build AI agents that meet your standards for quality, safety, and performance using Microsoft Foundry. Trace every run end-to-end, generate synthetic datasets to stress-test on demand, fire automated Red Team attacks at your own agents, and pin down why evaluations fail — all from the Microsoft Foundry control plane. Lock in guardrails that inspect every tool call at runtime, define the risks once, and enforce them across every agent run. Mohammad Abuomar, Responsible AI Principal Architect, shares how to turn a coding agent into production-ready software inside Foundry. ► QUICK LINKS: 00:00 - Microsoft Foundry control plane 00:33 - See a finished agent 02:30 - See where the agent started 03:19 - Traces 04:04 - Built-in monitoring 04:34 - Evaluation types 05:51 - Red team evaluations 07:08 - Evaluation results 08:14 - Built-in Guardrails 08:14 - Wrap up ► Link References Get everything you need in Microsoft Foundry at https://ai.azure.com ► Unfamiliar with Microsoft Mechanics? As Microsoft's official video series for IT, you can watch and share valuable content and demos of current and upcoming tech from the people who build it at Microsoft. • Subscribe to our YouTube: https://www.youtube.com/c/MicrosoftMechanicsSeries • Talk with other IT Pros, join us on the Microsoft Tech Community: https://techcommunity.microsoft.com/t5/microsoft-mechanics-blog/bg-p/MicrosoftMechanicsBlog • Watch or listen from anywhere, subscribe to our podcast: https://microsoftmechanics.libsyn.com/podcast ► Keep getting this insider knowledge, join us on social: • Follow us on Twitter: https://twitter.com/MSFTMechanics • Share knowledge on LinkedIn: https://www.linkedin.com/company/microsoft-mechanics/ • Enjoy us on Instagram: https://www.instagram.com/msftmechanics/ • Loosen up with us on TikTok: https://www.tiktok.com/@msftmechanics
Christopher de Hamel traces his lifelong obsession with medieval manuscripts back to a childhood visit to Dunedin Public Library.
Send us a text or a voicemailA woman, employed as a website content moderator, comes across a series of offensive audio podcasts that have been reported by listeners. She is torn between sending them a take down notification and subscribing. On Episode 720 of Trick or Treat Radio our feature film discussion is the re-imagining of the cult classic Faces of Death from director Daniel Goldhaber! We also talk about the original viral videos from early VHS shockumentaries, we talk about old commercials, and we react to trailers for the films; The Voices of Our Mother, and The Dead Place. So grab your old VHS copy of Faces of Death, try not to imitate any of its videos, and strap on for the world's most dangerous podcast!Stuff we talk about: Horror authors, Stephen King, Edgar Allan Poe, writers of terror, Dan Ackroyd, big twinkies, Bloodsport, Revenge of the Nerds, RIP Donald Gibb, Old Taco Bell commercials, Mike Mignola, Bee Gees, Andy Gibb, King of the Zombies, Nightmare in Wax, Child of Glass, The House Where Evil Dwells, Conan the Barbarian, The Evil Within, Heavy Mental: A Rock and Roll Bloodbath, Sophia Coppola, Frankenweenie, The Entity, The Day the Time Ended, The Amityville Horror, Kingdom of the Spiders, Natasha Ryan, Danny Huston, Clash of the Titans, 30 Day of Night, Tim Roth, Planet of the Apes, Dark Water, Rob Tapert, Robert Zemeckis, The Frighteners, Tales From the Crypt, Joe Zito, Friday the 13th: The Final Chapter, The Prowler, George Lucas, William Friedkin, Victor Miller, Richard Deacon, Howard the Duck, Top Secret, Real Genius, Val Kilmer, Fassbender, X-Men: Apocalypse, Nunsploitation, Mr. Destiny, The Voices of Our Mother, The Dead Place, David Howard Thornton, Destiny Plays the Radio, The Golden Girls, Quentin Tarantino, Dr. Frances B. Gross, Faces of Death, Traces of Death, Shockumentary, Mondo Films, Hackers, Angelina Jolie, Dacre Montgomery, Barbie Ferreira, Charlie XCX, copycat killers, Censor, video nasties, i screen you screen we all screen for green screen, and traumatized and desensitized.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
An urban renewal project in New Plymouth's CBD is revealing traces of the city's past - piece by piece. The derelict Metro Plaza is being demolished to allow a stretch of the Huatoki Stream - which has been hidden from view for about a century - to be uncovered. Taranaki Whanganui reporter Robin Martin was on site.
“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Clara fait partie d'un mystérieux collectif de six cyberenquêteurs appelé "Le Cercle". Depuis deux ans, ces anonymes répartis entre la France et la Belgique consacrent des heures à traquer la moindre trace numérique de Xavier Dupont de Ligonnès, considéré comme l'un des plus grands mystères judiciaires français. Forums, cartes, archives administratives, profils psychologiques... chacun apporte ses compétences pour tenter de retrouver celui qui reste introuvable depuis 2011. Un engagement colossal pour ces enquêteurs amateurs, qui consacrent leurs nuits et leur temps libre à traquer la moindre piste, en parallèle de leur métier et de leur vie de famille. Un travail de fourmi qui a fini par porter ses fruits puisque leurs recherches ont donné naissance à un rapport de plus de 80 pages transmis à la police. Également invitée de l'émission, la journaliste police-justice de RTL Plana Radenovic ! Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
À Rome, Jannik Sinner ne se contente plus de gagner : il écrase tout sur son passage. Après sa démonstration face à Alexei Popyrin (6-2, 6-0), une question brûle les lèvres de tous les observateurs : Sinner est-il en train de suivre la trace exacte de Novak Djokovic pour devenir le nouveau tyran du circuit ?Même froideur chirurgicale, même couverture de terrain, même capacité à dégoûter l'adversaire... La ressemblance devient effrayante. Pendant que Nole gère son calendrier, Sinner récupère les clés du camion et s'installe sur le trône. En quoi le jeu de Sinner est-il devenu une version "améliorée" de celui de Novak ? 30 victoires de suite en Masters 1000... Sinner peut-il effacer les tablettes le record de Djokovic dès cette année ? Comment Jannik a-t-il réussi à installer la même peur dans le vestiaire que le Serbe à son prime ? Si Sinner rafle Rome, Paris est-il déjà promis à l'Italien ? Ce podcast est hébergé par Podcastics, la plateforme pour créer et diffuser votre podcast facilement.
Est-ce que le fascisme a déjà eu son heure de gloire aux États-Unis ? Oui… et pas qu'un peu... Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Script: Guilhem @DHistoiresenHistoire Vignette: Charles Boidin @Boidinch 00:00 Introduction 01:28 Grande dépression 04:33 Imported fascism 12:21 Little Italy 14:44 Homegrown fascism 21:15 Hollywood 24:14 Réactions 27:30 Résistances 33:56 Conclusion Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: OUVRAGES • Johann CHAPOUTOT, Christian INGRAO et Nicolas PATIN, Le Monde Nazi (1919-1945), Tallandier, 2024 • Philippe FORO, L'Italie fasciste, Armand Colin, édition de 2016 • Gavriel David ROSENFELD and Janet WARD, Fascism in America : Past and Present, Cambridge University Press, 2023 • Bernard VINCENT, Histoire des États-Unis, Flammarion, édition de 2016 ARTICLES • Chip BERLET and Stanislav VYSOTSKY, “Overview of U.S. White Supremacist groups” Journal of Political & Military Sociology vol. 34 no. 1, 2006 • Sander A. DIAMOND, “The Years of Waiting: National Socialism in the United States, 1922–1933”, American Jewish Historical Quarterly vol. 59 no. 3, 1970 • David LOBB, “Fascist Apocalypse: William Pelley and Millennial Extremism”, 4th Annual Conference of the Center for Millennial Studies, November 1999 • Fraser M. OTTANELLI, “Mussolini à East Harlem : police fasciste et identité italo-américaine”, dans l'ouvrage : Les Petites Italies dans le monde, édité par Marie-Claude BLANC-CHALEARD et al., traduit par Éric VIAL, Presses universitaires de Rennes, 2007 MEDIAS • Jim BREDEMUS, “American Bund – The Failure of American Nazism”, TRACES, consulté en mars 2026 • Dana FRANK, “You Know About the KKK, but What About the Black Legion?”, Jacobin, octobre 2024 • Jean-Pierre GRATIEN recevant Hélène HARTER, “Années 30 : quelle tentation nazie aux Etats-Unis ? | Les débats de Débatdoc”, La Chaîne Parlementaire (LCP) – Assemblée Nationale (France), 28 oct. 2024 • Arlene STEIN, “America faced domestic fascists before and buried that history”, The Conversation, 17 décembre 2025 INSTITUTIONS • “In Our Own Backyard”, California State University Northridge, University Library Digital Collections, consulté en mars 2026 • “The White Shirts: their history, founder and activity”, FBI Archives, août 1933 • “Le Bund germano-américain”, Encyclopédie Multimédia de la Shoah, United States Holocaust Memorial Museum, consulté en mars 2026 • John KNEEBONE and al., “Mapping the Second Ku Klux Klan, 1915-1940”, Virginia Commonwealth University, consulté en mars 2026 Autres références disponibles sur demande. #histoire #documentaire #usa #fascismeHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Food can be about comfort, craft or culture, but in Brigid Washington's new memoir, it's about survival. Her book traces her unlikely journey into the culinary world, one marked by loss, uncertainty and questions of identity. Geoff Bennett speaks with Washington about "Salt, Sweat & Steam" for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy
durée : 00:56:28 - Le Book Club - par : Marie Richeux - Dans son dernier livre, Deborah Levy fait dialoguer les époques en suivant une narratrice d'aujourd'hui dans une ville traversée par les fantômes : celui de Gertrude Stein et de sa compagne Alice B. Toklas, mais aussi ceux de l'histoire, de la politique et de l'art. - réalisation : Vivien Demeyère - invités : Deborah Levy Ecrivaine
Her funny and frank books for kids, tweens, teens and young adults have sold more than 90 million copies worldwide, resulting in a loyal, multigenerational fandom. So how did Judy Blume, a mother and homemaker, become one of the most successful and beloved children's authors in history? Author Mark Oppenheimer chronicles her life and career in his new biography, “Judy Blume.” It's our May selection for Bookmarked: The "Under the Radar" Book Club.RSVP to our FREE event at Molly's Bookstore in Allston with author Tara Menon! https://bit.ly/utrtaramenon
La polémique autour du projet de destruction d'un ancien bâtiment de loisirs de l'époque communiste pour construire des logements en témoigne, le débat sur les traces de cette période reste vif en Allemagne.
Famine Irish, lace-curtain Irish, shanty Irish: the Irish Diaspora has shaped Connecticut's European immigrant history from the 1840s. Traces of Irish history and culture in the state are not only found in archival and artifact collections but also through the historic buildings, neighborhoods, and cemeteries that stand across the state. Whether they were immigrants, expatriates, refugees, or indentured servants when they arrived from Ireland, 14 percent of Connecticut's current residents claim Irish ancestry. In today's episode, we take you to a new exhibition, A Journey of Hope: The Irish American Immigrant Experience curated by Ireland's Great Hunger Museum of Fairfield now on exhibit at the Lockwood-Mathews Mansion Museum. The exhibit has about 30 art pieces on view ranging from a 1714 map of Ireland to contemporary paintings completed in 2019. For anyone who's watching The Gilded Age television show, a trip to the Lockwood-Mathews Mansion will immerse you in French Second Empire grandeur of the type seen on the show. One of the things that makes the Lockwood-Mathews Mansion perfect for the Irish immigration exhibit is that the mansion had Irish women as domestic servants and tells their story, that of the "Bridget's" as they were known, in the mansion's second floor live-in servants' quarters. Our guest is John Foley, President of Ireland's Great Hunger Museum of Fairfield, a new non-profit dedicated to sharing the story of the Irish Diaspora, picking up where the now closed museum at Quinnipiac University left off after Covid. Foley will share the plans for a new museum building to house the collection. Our thanks to the staff of the Lockwood-Mathews Mansion Museum for the tour of the exhibit and the house. A Journey of Hope: The Irish American Immigrant Experience curated by Ireland's Great Hunger Museum of Fairfield will be up until Sept 6, 2026, so it's the perfect summer day trip! To find out more about the Lockwood-Mathews Mansion Museum go to their website at lockwoodmathewsmansion.com/ I also want to thank my guest John Foley and encourage you to visit the website of Ireland's Great Hunger Museum of Fairfield at ighmf.org/ -------------------------------------------------- Don't forget to subscribe to Connecticut Explored magazine today - our summer issue is full of fun ideas for daytrips and staycations! And set up your monthly donation to Grating the Nutmeg at ctexplored.org This episode of Grating the Nutmeg was produced by Mary Donohue and engineered by Patrick O'Sullivan at highwattagemedia.com. Follow GTN on our socials-Facebook, Instagram, Threads, and BlueSky. Follow executive producer Mary Donohue on Facebook and Instagram at West Hartford Town Historian. Join us in two weeks for our next episode of Grating the Nutmeg, the podcast of Connecticut history. Thank you for listening!
Hidden Killers With Tony Brueski | True Crime News & Commentary
Before Josh Duggar's federal conviction. Before Joseph Duggar's arrest on charges of lewd and lascivious behavior on a child under twelve. Before investigators reportedly found locks on the outside of children's bedroom doors in the Duggar family home. There was a man named Jimmy Lee Duggar — and according to Amy Duggar King, he's where the pattern begins.Amy is Jim Bob Duggar's niece. She grew up close enough to the family to spend nearly every day with her cousins, but was raised outside the strictest rules by her mother Deanna, Jim Bob's sister. In her memoir Holy Disruptor, Amy alleges that Jimmy Lee was violent, predatory, and that his behavior was suppressed by the family for generations. She describes a childhood where her grandmother locked her bedroom door from the inside every night — protection no one ever explained.Jim Bob Duggar grew up in that household. According to Amy, he witnessed the violence firsthand. And then he found IBLP — a religious system that, as Amy describes it, handed him the framework for absolute authority over his wife and children.Now Amy joins retired FBI Behavioral Analysis Program Chief Robin Dreeke to examine the behavioral architecture of control, silence, and suppression that she says defined the Duggar family long before the cameras arrived. She traces the line from her grandfather's alleged abuse to Jim Bob's religious authority to the charges Joseph now faces in Florida. According to the arrest affidavit, a fourteen-year-old girl told law enforcement that Joseph had allegedly molested her multiple times during a family trip to Panama City Beach when she was nine.This is the foundation the public never saw — and the interview the Duggar family doesn't want you to hear.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#DuggarFamily #AmyDuggarKing #JosephDuggar #HolyDisruptor #JimBobDuggar #IBLP #TrueCrime #HiddenKillers #RobinDreeke #GenerationalAbuse
Gali Hernandez of Grimm Artisanal Ales interviews Nick Flores of Evil Twin NYC. Visit AllAboutBeer.com for more podcasts, to read original articles, and to get info on upcoming events.Click here to support independent journalism covering the beer industry.This Episode is Sponsored by:RahrBSGHints of grain, dough, and golden bread greet your nose. Traces of sweet cereal appear alongside nutty and earthy aromas. Rahr To Thee! Pils™ lets hop and yeast character take the spotlight, but it takes its supporting role seriously. Ideal for classic continental lagers and crispy craft lagers, Rahr To Thee! is appropriate wherever you desire low color and low modification. Appearing in pFriem Pilsner, Rahr To Thee! is produced in Alberta with Canadian grown barley. Order from RahrBSG.Keg LogisticsAs an industry-leading keg management partner, Keg Logistics delivers premium stainless-steel kegs with the flexibility you truly need.Whether you're kegging your first batch or scaling your distribution, choose the program that fits: rent-to-own, flexible term leasing, or pay-per-fill. Get top-quality kegs without massive upfront costs, and terms that grow with you. Thousands of brewers, cider makers, and wineries trust Keg Logistics to keep production flowing. Head to keglogistics.com/allaboutbeer for your custom quote. Keg Logistics – Your Kegs. Your Choice.Stomp StickersIf you've been loyal to your current printer for years, we get it. Switching feels risky. That's why StompStickers.com keeps it simple: low minimums for an easy test run, fast print times so you're never stuck waiting, and a 100% satisfaction guarantee on every order. Thousands of brewers have already trusted them for over 30 years, and now you can try them for less. Head to StompStickers.com and use code FIRSTRUN for 15% off your first order.All About BeerAt All About Beer, we're honored to share the stories that define the beer community, and we couldn't do it without the generous support of our underwriting sponsors. Their commitment helps sustain independent beer journalism, allowing us to highlight the people, places, and passion behind every pint. Their partnership ensures these stories continue to inspire, connect, and celebrate the craft we all love. Join our underwriters today and help make an impact on independent journalism covering the beer industry.Host: Gali HernandezGuest: Nick FloresSponsor: RahrBSG, Keg Logistics, Stomp Stickers, All About BeerTags: Brewing, Cellar, Yankees, NYCPhoto Credits: Nick Flores and Gali HernandezThe following music was used for this media project:Music: Hip Hop Intro 06 by TaigaSoundProdFree download: https://filmmusic.io/song/9533-hip-hop-intro-06License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod ★ Support this podcast on Patreon ★
“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Hidden Killers With Tony Brueski | True Crime News & Commentary
The crime scene was released too early. The thermal imaging plane was grounded over a personal dispute. The lead sergeant had reportedly never worked a homicide. Veteran investigators had been moved off the squad before Nancy Guthrie ever disappeared. And the doorbell footage the sheriff's department declared unrecoverable? The FBI found it.Each of those failures is documented. Each connects to leadership decisions made inside the Pima County Sheriff's Department — an office now facing a unanimous no-confidence vote from its own deputies' union, a Board of Supervisors demanding sworn testimony under threat of removal, and multiple lawsuits challenging the sheriff's conduct.Sheriff Chris Nanos publicly contradicted himself in the first days of the investigation, shared specific evidence details with reporters, told the press his guesswork was as good as theirs, and later told a local radio host he's a figurehead who doesn't investigate. People inside the department told a national outlet they wanted him to stop talking.Retired FBI Special Agent Jennifer Coffindaffer examines each documented failure — from evidence handling to the FBI friction to the question of whether a suspect watching this unfold gains an operational advantage from the chaos. She also addresses the prosecution question: with this many investigative breakdowns on the record, can a case against anyone survive what's already been done to it?Nancy Guthrie remains missing. No arrests have been made. No suspects have been publicly named. And the man leading the search just had every deputy under his command who cast a ballot say they don't trust him.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#NancyGuthrie #SavannahGuthrie #ChrisNanos #PimaCounty #FBI #Tucson #MissingPerson #HiddenKillers #TrueCrime #JusticeForNancy
Last time we spoke about the beginning of the first battle of Changsha. From Chongqing, Chiang debated defensive strategies for Hunan, ultimately adopting Plan B after Xue Yue's pleas, focusing on successive resistance north of Changsha to thwart Japanese advances. Japanese forces, under Okamura Yasuji, launched assaults in Jiangxi and Hunan. In Jiangxi, the 106th and 101st Divisions attacked Huibu and Gao'an, where Chinese troops under Luo Zhuoying and Song Kentang fiercely resisted. Gao'an fell briefly but was recaptured by the 32nd Army and the elite 74th Army, with heavy casualties on both sides, as recounted by soldier Liu Qihuai. In Hunan, Japanese units crossed the Xin Qiang River and landed at Yingtian, facing brutal opposition. At Bijia Mountain, Qin Yizhi's 195th Division held for four days; Battalion Commander Shi Enhua's reinforced unit perished entirely, their fragmented remains mourned by locals. Along the Miluo River, Chen Pei's 37th Army fortified positions, repelling waves of Japanese attacks, including suicide squads disguised as civilians. Recruit Yang Peyao's unit endured bombardments, inflicting significant enemy losses before withdrawing at dusk. #197 The First Battle of Changsha Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. Major Luo Wenlang, battalion commander of the 3rd Battalion, 55th Regiment, 19th Division of the 28th Army, harbored a peculiar quirk: he couldn't sleep soundly without unwrapping his leg bindings, a small ritual that anchored him in the chaos of war. Since the war's eruption, such luxuries were rare, and unwrapping his bindings every night became an impossibility, leaving him to endure restless slumbers. Tonight, however, sleep eluded him entirely; he tossed and turned on his makeshift bed, his mind a whirlwind of unrest. Two days after the northern Hunan battle ignited like a powder keg, the 55th Regiment received urgent orders from Division Commander Tang Boyin to race to Wukou in Pingjiang County. Their path wound through Luo Wenlang's hometown of Fulinpu, a twist of fate that stirred conflicting emotions. Entering the village under the cover of night, the entire battalion encamped in the commander's modest family village, with battalion headquarters naturally established in his ancestral home. Luo yearned to step across that familiar threshold but dreaded it, for his parents remained oblivious to a devastating truth. They slaughtered chickens and prepared meat, hosting the battalion staff with drinks and hospitality, after all, this was their son's unit gracing their home. Luo orchestrated door planks and straw for bedding, posted sentries, and deftly evaded his parents until they retired. Before dawn broke, he mustered the troops, ensured they were fed, and led them onward, slipping away like a shadow. By noon on the 22nd, they reached Wukou, only to receive fresh directives: rush to Yingtian to bolster the 95th Division against the enemy's audacious landings. The 3rd Battalion spearheaded the division's reinforcements, marching relentlessly through day and night, arriving at Dongtang, over 30 kilometers southeast of Yingtian—on the 23rd, hearts sinking upon learning Yingtian had already fallen into enemy clutches. Luo Wenlang sought out the retreating 95th Division Commander Luo Qi to beg for a mission, his resolve unyielding. Luo Qi, anticipating his arrival, relayed Commander Guan Linzheng's ironclad instructions: The 19th Division's reinforcements would assume Dongtang's defenses. With the main force still en route, Luo Qi tasked Luo's battalion with relieving a segment held by a replacement regiment. He handed over a map, sketching a line with a pencil, a simple stroke that thrust Luo Wenlang and his men onto the front lines of fate. An operations staff was dispatched to guide them to the position and oversee the handover. As the troops advanced, they encountered scattered soldiers fleeing like startled rabbits; seizing a platoon leader revealed they were indeed from the replacement regiment. Mere minutes from division HQ, the enemy was already closing in, a predator's breath hot on their necks. Luo Wenlang and Deputy Battalion Commander Wu Yacui split the battalion, launching a counterattack on Dongtang from dual routes. Fortune favored them; the Japanese held only an exhausted company, crumbling under a single, ferocious charge. They swiftly deployed two companies to the positions, reserving one as a bulwark. By dusk, the full 55th Regiment arrived, accompanied by the rest of the 19th Division's reinforcements, allowing the battered 95th Division, ravaged at Yingtian, to withdraw for desperate reorganization. The regimental commander positioned Luo's 3rd Battalion on the regiment's vulnerable left wing. In the blink of an eye, it was the 27th, aligning with the 15th of the eighth lunar month. Amid the relentless great battle, few noted the calendar, and the skies hung heavy with clouds. Luo Wenlang twisted on his straw bed, his thoughts a snarled knot of anxiety and memory. At 11 p.m., gunfire shattered the night; a barrage of machine gun bullets riddled the battalion HQ house, raining thatch and dust upon Luo like fallout from a storm. Catastrophe had struck! Luo surged toward the positions with the bugler—his battalion signal chief—and the reserve force, ascending the hilltop in a frenzy. Halfway up, he spotted 8th Company's Lieutenant Platoon Leader Rong Fayu leading over 20 soldiers in retreat. Bellowing "Why unauthorized retreat?" while brandishing his pistol, he compelled Rong to rally and turn back. The Japanese had launched a nocturnal assault; 8th Company Commander Yi Zuitao lay slain by a fatal shot, over a dozen comrades felled in brutal close combat, the survivors scattered like leaves in the wind; the high ground now belonged to the enemy. Upon learning of Dongtang's loss, the regimental commander personally led the regimental reserve, his face etched with urgency. Under flickering lantern light, poring over the map with Luo, Division Commander Tang Boyin telephoned, his voice a whipcrack of command: Recapture it before dawn, or both would face the merciless hand of military justice. After seizing the high ground, the enemy hesitated to press further; Luo surmised the darkness concealed paths, and their numbers were not overwhelming. Forgoing the regimental reserve, he led 7th Company's 4 squads and remnants of the routed 8th Company in a stealthy ascent. Near the position, a ravine concealed over 20 8th Company soldiers, rallied by Sergeant Squad Leader Tan Tianrong, who had lurked in wait for reinforcements, dreading exposure at dawn under the enemy's gaze. Spotting the battalion commander personally spearheading the counterattack, Tan Tianrong's face lit with fierce joy; his men, armed with grenades, surged as the vanguard. Intimate with the terrain even in blindness, they hurled explosives into bunkers, trenches, and works. The commander orchestrated the charge; the Japanese force of 40-50 men crumbled, over half slain or maimed, the remnants fleeing northward to their village stronghold. It was past 4 a.m.; the moon pierced the clouds, bathing the earth in a silvery glow. With positions reclaimed, the night revealed its secret: tonight was Mid-Autumn. Moonlight unraveled the tangled threads of his past; Luo draped his clothes over his shoulders, sat beneath the luminous orb, and wept in solitary anguish. Before the war, devastating news had arrived: his brother Luo Yinong had been killed in Jiangxi. Luo had three brothers; the eldest shouldered half the family's burdens, their bond unbreakable. The brother had enlisted first in the 50th Army, climbing to battalion commander through sheer valor. He and his younger brother had followed suit, inspired by that call to arms. Wartime conscription demanded only one per family, but battling the devils was a duty for the nation and its people. His brother had risen to deputy regimental commander before his end. The 50th Army notified him first. Engulfed in battle, there had been no time to console his grieving parents or tend to the funeral; it weighed on his heart like an unyielding stone. His sister-in-law, diligent and unassuming, cared for a young boy and carried another child; the long, arduous days ahead loomed like an endless shadow. The night dew brought a biting chill, the moon an icy sentinel; Luo shivered uncontrollably, his tears mingling with the frost. The sky hung heavy with overcast gloom, yet the moon lurked beyond the clouds, casting a faint, ethereal light that warded off utter darkness. Along the road, a unit's elongated black shadow snaked southward in hurried silence, a serpent of weary resolve pressing through the night. Qin Yizhi reined in his horse, pausing to gaze back: the queue stretched onward, silent and impeccably orderly, belying the exhaustion of a force scarred by days of ferocious combat, their spirits unbroken amid the shadows. After the Japanese seized the 195th Division's defiant outpost at Bijia Mountain, they surged across the Xin Qiang River in a merciless onslaught. The river, shallow enough to wade knee-deep, offered no true impediment; the real barrier was forged from the defenders' scorching blood, a crimson testament to their unyielding stand. The 195th Division clashed in a maelstrom of cruelty; positions were heaped with corpses time and again, the Xin Qiang's waters churning blood-red in relentless cycles of carnage. From the night of the 23rd to the dawn of the 25th, respite was a forgotten dream; Okamura Yasuji, in a gesture of grim respect, inscribed Qin's name in elegant calligraphy and hung it within his command tent, a haunting trophy of the foe's tenacity. Following their triumphant landing at Yingtian, the Japanese entangled the Ninth War Zone's left-wing defenders in a protracted snare, their advances grinding slowly like a predator toying with prey, menacing the flanks of the frontal troops with insidious intent. On the evening of the 27th, Xue Yue issued the fateful order for the 15th Army Group to withdraw to the precarious ground between the Miluo River and Shangshan City, ushering this blood-soaked force into an all-night march toward the next defensive crucible. Late into the night, a brief halt was called. Soldiers slumped to the ground, adjusting leg wraps and gear with mechanical precision; logistics teams darted through the ranks, distributing rations like lifelines; cooks, having forged ahead, arrived with steaming pots of rice soup, infusing the air with a rare warmth. Though no clamor broke the hush, a quiet camaraderie enveloped the queue, a fleeting balm against the war's chill. The division staff claimed a flat expanse beside a farmhouse yard for their respite. Qin settled onto a stone roller used for grinding grain, nibbling at his meager ration and sipping the hot soup that steamed in the cool air. Suddenly, moonlight pierced the clouds, cascading down in silvery streams; the familiar contours of the farmhouse stirred a flood of warmth in his heart, evoking memories of home. Chongqing, Huangshan Villa. Every window was shrouded in double layers of thick curtains, sealing out any sliver of betraying light, as if the very walls conspired to guard secrets from the encroaching night. Tonight's ethereal protagonist rose languidly from the eastern valley, its orange-red moonlight casting an aura of drowsy reluctance, as though it had not fully shaken off the slumber of the day. The feeble glow dappled the building's roof, balcony, and the surrounding hillsides, intersections, and thickets, where armed shadows lurked, capturing every rustle in the oppressive silence. Only upon close inspection could one discern the faint specks of moonlight glinting off steel helmets. Yet, beyond those fortified walls, another realm pulsed with life, a vibrant contrast to the shadowed vigilance outside. The front hall, living room, and dining room blazed with brilliant light. Vibrant flowers, dominated by chrysanthemums in full, defiant bloom, infused the air with color and fragrance; a phonograph murmured a cheerful Guangdong melody, weaving an atmosphere thick with festive joy, a deliberate illusion amid the storm of war. Chiang Kai-shek, clad in a flowing black silk gown, strode ahead with poised grace, escorting his guests into the dining room alongside the elegantly attired Soong May-ling, their conversation laced with laughter and warmth. At the table, Soong May-ling's smile was a beacon of diplomacy, as she artfully arranged the seating to suit hierarchies and alliances, while servers in crisp white uniforms moved with nimble precision. This was Chiang Kai-shek's intimate Mid-Autumn family banquet; beyond a handful of pivotal military and political figures, the gathering brimmed with relatives. Guests and kin alike noted Chiang's buoyant spirits tonight; his smiles were wide and genuine, his discourse light and expansive, delving into casual topics with uncharacteristic ease. In September 1939, China's War of Resistance Against Japan had entered its grueling third year. After the initial cataclysm of turmoil and disarray, the government and military had clawed their way to stability, adapting to this unprecedented historical crucible, with operations finally aligning into a semblance of order. According to figures proclaimed by Minister of Military Affairs He Yingqin to Chinese and foreign reporters on the 13th of this month, Japanese invaders had seized 521 counties across 12 provinces, a vast swath of conquest. Yet, the Japanese imperialists had exacted this toll at a staggering cost. Just prior, on August 30, the Hirannuma Cabinet, installed a mere eight months earlier, had collapsed in mass resignation. Hirannuma Kiichiro's predecessor, Konoe Fumimaro, had similarly bowed out amid governmental failures, chiefly the unmet ambitions in the Sino-Japanese War that he had boldly promised to parliament, exacerbating domestic political and economic woes. Days ago, when Wang Pengsheng briefed Chiang on Japan's turbulent politics, he quipped: "Konoe said three months to destroy China; three months didn't work, nor three years, who knows about 30 or 300. Hirannuma had no solutions, down in eight months. Does Abe have good ideas? How long can he be prime minister?" Indeed, Abe Nobuyuki, Hirannuma's successor, would endure a mere four and a half months before resigning in ignominy. Tonight's feast showcased Chiang's favored cuisines: delicate Jiangsu-Zhejiang dishes mingled with robust Sichuan flavors. Chiang abstained from alcohol, raising his cup in mere symbolic toasts to his guests. During the meal, as if by unspoken accord, no one broached the raging domestic battles or the volatile international landscape; conversations meandered through trivialities, skirting anything heavy or discordant, a fragile bubble of normalcy. On September 3, Britain and France had declared war on Germany, shattering the global order in a seismic shift. Foreign newspapers already bandied the term "Second World War," a phrase that evoked freshness, exhilaration, and sheer terror in equal measure. China's diplomacy surged with newfound vigor. In April, Ambassador to the US Wang Zhengting had negotiated a $20 million loan with American banks on China's behalf. In May, Stalin responded to Chiang's overtures, agreeing to exchange arms for Chinese tea, wool, raw hides, and more. A month later, the first consignment of light and heavy weapons—including artillery and heavy machine guns—arrived via clandestine routes through Xinjiang and Mongolia, bolstering the central army's frontlines. In August, Hu Shih, Wellington Koo, and Chien Tai represented the Nationalist Government at the 19th League of Nations Assembly, laying bare the Japanese imperialists' atrocities in China before the world and rallying global forces for peace to support China's defiant stand. Soon after, British and American civic groups ignited "China Week" campaigns, pressing their governments to aid the beleaguered nation. Waves of foreign volunteers streamed in from distant shores: doctors, journalists, ordnance engineers, even retired soldiers clamoring to join the fray on the frontlines. "If we could pull America into this war..." Through Soong May-ling's subtle, persuasive influence, Chiang allowed himself to daydream of that prosperous, dynamic young powerhouse across the vast ocean. Thus, on this Mid-Autumn night, his talk turned to America, to his correspondence with President Roosevelt regarding the "tung oil loan." That saga had unfolded the previous October; T.V. Soong had jetted to America, securing a loan with China's tung oil, a commodity scarce in the US, as collateral. China had boldly requested $400 million; America countered with $25 million, a classic tale of "ask high, settle low." Yet, the funds were secured. One success paved the way for many. Soong May-ling had once confided to Chiang: "In mobilizing US aid for China's resistance, I'll make a difference." When Chiang responded with a smile, "Thank you, Madam," he could scarcely foresee how his beautiful wife's extraordinary prowess in fulfilling this solemn vow would astonish him, etching eternal glory for Chinese women worldwide and elevating Soong May-ling to the zenith of her life's achievements. The most direct echo of the First Battle of Changsha's thunderous saga resides in the Ninth War Zone's meticulous report on the northern Hunan and southern Hubei operations, submitted to the Chongqing Military Committee and Chiang Kai-shek himself, a faded relic now entombed amid the vast ocean of Nationalist Government military and political archives in Nanjing's Second Historical Archives of China. This document, a painstaking compilation of combat dispatches from divisions, armies, and army groups, stands as a testament to valor and sacrifice. Tragically, time's relentless march and human folly have ravaged this priceless artifact, leaving only shards and whispers to conjure the heart-wrenching inferno of that bloody clash. "October 24, Year 28. Urgent. To Chongqing. Chairman Chiang. Secret. Submitted by Commander Xue on orders." The rice paper has yellowed to a deep, somber hue, brittle and parched; a careless touch could reduce it to dust. Some pages lie fractured, their remnants affixed to white paper, forever unable to reclaim their original wholeness. Leafing through page by page unleashes a pungent miasma, a scorched, acrid, decayed blend that assaults the senses. Traces of fire and water mar the original rice paper sheets, with countless fragments glued haphazardly to white backings, their sequences lost to eternity. "...The Xin Qiang River spanning from Lujiao to Leishi Mountain, defending a front of over 110 li..." "Enemy 13th and 33rd Divisions, parts of the Hata Detachment, naval units, and artillery, cavalry, engineers totaling..." "...Began attacking us first with artillery... fortifications completely destroyed, then infantry charged; relying on our officers and men all resolved to coexist with the homeland..." "...And launched balloons to direct artillery... our army braved the cannons... repelled them, corpses filling the river, turning the water red..." "Division casualties also reached over a thousand... failed to inflict greater strikes and annihilate... deep inner guilt, besides vigorously training troops awaiting orders to kill the enemy..." "...Attack casualties heavy, then concentrated large forces... artillery fire so dense like continuous firecrackers for hours... released poison gas, Wang Street garrison all heroically sacrificed, then breached... Zhao Gongwu kowtows, October 15" Zhao Gongwu commanded the 2nd Division under Zhang Yaoming's 52nd Army. This unit first held the line along the Xin Qiang River, then fell back to northeast of Fengjiang Bridge to staunch the enemy tide once more; after October 6, it hammered southward-marching Japanese from the west in the Yanglin Street and Dajing Street regions. Through these crucibles, the division bled over half its strength. A fragment of an envelope clings to a sheet of white paper, its words faintly visible: "Changsha 126-3 Zhang Yaoming," "Hunan Jinjing Air Mail," "Combat Process by..." and the like. The stamp remains remarkably intact—a philatelic gem now. Measuring 1.5 cm square, it features Sun Yat-sen's portrait at its center, inscribed "Republic of China Post" below, with "5" in the upper right, "fen" to the left, and "5" in each lower corner. I sat at the long table in the spacious, brightly lit reading room, staring vacantly, my thoughts grinding to a halt. These remnants are all that endure for posterity, of that monumental battle, of the scorching blood and vanished lives of countless unnamed Chinese soldiers. With hands that once gripped a rifle, I gently caressed those pages from a bygone era; they were cold, devoid of any lingering breath. As the full moon of the 15th of the eighth month dissolved into the golden-red blaze of sunrise, Qin Yizhi's 195th Division had already plunged into the rugged mountains and dense forests encircling Fulinpu. Per directives from 15th Army Group Commander Guan Linzheng, the 195th was to forge a new defensive bastion centered on Fulinpu, 40 to 70 kilometers from Changsha. Their mandate: stall the Japanese southward juggernaut, granting precious time for allied forces to muster and fortify around the city. Despite the grueling all-night march, morale soared undimmed. The advance chief of staff doled out positions to each regiment, and the troops dove into fortification labors with fervent zeal. The 195th Division's unyielding stand along the Xin Qiang River had already etched preliminary glory upon this unit in its baptism of fire. "Fame in one battle" echoed as a battle cry throughout the division, where collective honor intertwined with personal valor. Honor and triumph formed the bedrock for soldiers and armies alike. Yet, another fire fueled their resolve. On September 23, amid the Japanese forcing the Xin Qiang River, Guan Linzheng's voice crackled over the phone to Qin Yizhi: "Facing you is the 6th Division." The 6th Division, a name that ignited fury in Chinese troops and civilians, forever linked to the demonic specter of Tani Hisao. Moments later, the whisper spread like wildfire through every trench: "The Japanese army that perpetrated the Nanjing Massacre is right in front." Agitation rippled through the ranks; some donned fresh uniforms and shoes from their packs, casting aside the worn; others flouted discipline to bid farewells to hometown comrades: "Today we fight to the death here; see you in the next life." "Tell my mother I died fighting the Nanjing Massacre enemies." Some company commanders commanded their mess sergeants to expend all funds on hearty feasts. All Japanese were foes, but the 6th Division embodied a blood debt, an unforgivable vendetta; the Chinese nation does not lightly forget its tormentors. In the Xin Qiang River maelstrom, the 195th Division battled with heroic ferocity. Some soldiers, in their final breaths, murmured: "Die then; it's worth it." Others lamented slaying too few devils, gritting teeth, eyes refusing to close in eternal regret. Now under Inaba Shiro's command, the 6th Division splintered southward after breaching the Xin Qiang; roughly a thousand hounded the 195th to Fulinpu. On the morning of September 29, the Japanese blundered into the 195th's meticulously laid ambush. Qin Yizhi, pulse racing with excitement and tension, fumbled the binoculars from his guard's hand. His command sliced the air: "Begin." War history chronicles: "The 6th Division advanced south from the Miluo River along the Xinshi-Liqiao road and Xinshi-Fulinpu routes. The over a thousand reaching Fulinpu were ambushed by the Nationalist 195th Division, suffering heavy losses." As Japanese artillery and aircraft unleashed hell upon the 195th's positions, Qin orchestrated a swift southward withdrawal to the environs of Shangshan City. Again, without pause, they erected fortifications and set deadly traps. On the morning of September 30, the pursuers from Fulinpu closed in on Shangshan, their numbers swollen to over 1,500. Qin Yizhi clenched his jaw, his demeanor icy calm, allowing the Japanese to creep into the kill zone before barking: "Hit them hard!" Combat raged from dawn to dusk, obliterating over 700 foes. Qin ascended a hill, surveying through binoculars, then erupted: "Bad! The enemy is retreating." Upon receiving Qin's telegram, Guan Linzheng scrutinized the map, momentarily stunned, then replied: "Enemy shows no retreat signs yet; proceed per original plan. Your unit to block at Shangshan City line until October 2." Xianning, Okamura Yasuji's 11th Army HQ. Combat maps bristled with markings, staff officers darting amid ringing phones and clattering telegrams. The colossal red arrow in northern Hunan had fractured into tributaries, surging over 100 km southward from the outset; one tendril pierced to Yong'an City, a mere 30 km from Changsha. Vast swaths of northern Hunan lay conquered, yet Okamura sensed the tide turning, it was time to retreat. The Chinese employed their time-honored gradual resistance, battling while retreating with cunning grace. Some units fell back directly, others amassed on flanks—what portent did that hold? In Okamura's shrewd mind loomed an equally shrewd Xue Yue; he envisioned his adversary methodically weaving a snare. Post-Yingtian landing, the 15th Army Group's timely evasion had unraveled his "Xiang-Gan Operation Plan" like fragile thread. If encircling and annihilating the Chinese main force proved unattainable, what purpose in pressing onward? Telegrams from 3rd Division's Fujita Susumu, 6th's Inaba Shiro, and 13th's Tanaka Seiichi piled on his desk, pleading to assault Changsha—for headlines and Imperial accolades, perhaps, but blind to their exposed supply lines vulnerable to enemy thrusts? Ground logistics teetered on collapse; the air force resorted to airdrops for isolated regiments. Venturing further south would stretch lines to breaking; a severed artery spelled doom for the vanguard. When would these commanders mature into true stewards of the Imperial Army? Okamura fretted and pitied them in equal measure. At 4 p.m. on September 30, Okamura decreed a halt to advances at Shangshan and Yong'an. He commenced orchestrating the retreat. Changsha, Yuelu Mountain, Ninth War Zone Command Forward HQ. October 1. Xue Yue stood before the map, Guan's latest telegram clutched in hand. Qin's second missive insisted on Japanese withdrawal, corroborated by 15th Army Group scouts from Yingtian: This morning (October 1), Japanese transports unloaded artillery stowed the previous night, hauling it back to Yueyang; intercepted wires revealed a regiment aborting its southward push, standing idle. Guan assessed the mosaic and commanded counteroffensives: intercept if feasible, pursue relentlessly, deny the Japanese escape; he relayed retreat indicators to Xue. Xue paced the chamber, head bowed in contemplation. Chief of Staff Wu Yizhi, Staff Director Zhao Zili, and their cadre tracked his every step with expectant eyes, awaiting the verdict. Xue's thoughts whirled through military stratagems and beyond. Pre-war, Xue had segmented the war zone's forces into tripartite blocs: Northern Hunan under Guan Linzheng's 15th, Yang Sen's 27th, and Shang Zhen's 20th Army Groups as "A Cluster"; Northern Jiangxi Nanchang with Yunnan Army Lu Han's 1st Army Group and the 74th Army as "B Cluster"; the Wuning, Xiushui, Hunan-Hubei-Jiangxi border guarded by Sichuan Army Wang Lingji's 30th Army Corps, Fan Songpu's Border Advance Army, and 8th Army; augmented by 3 armies' 7 divisions in general reserve. Before the storm broke, Xue pored over maps, tracing every mountain, river, road, and bridge, envisioning burial grounds for the invaders. Now, beneath Changsha, 200,000 troops formed a tightening net. The "decisive battle in Changsha suburbs" blueprint had been wired to Chongqing. Chiang and the nation yearned for a resounding triumph as the resistance pivoted into a new epoch?! A masterful drama, honed over half a month's toil, neared its crescendo; yet that cunning fox appeared to sniff the trap's metallic tang, freezing in place. "Commander, phone from Minister Chen." "Brother Boling, good news." Chen Cheng's voice brimmed with levity, "Your formal appointment published. What? Ninth War Zone Commander! First to congratulate; document tomorrow." Shedding the "acting" prefix was inevitable; Chiang had intimated as much long ago. But for a man and general, true worth lay not in titles, but in forging indelible feats. Splendor was judged not by underlings, colleagues, or superiors, but by peers in the craft of war. Unmoved by the promotion, Xue exhaled a profound sigh. Though the 15th's intelligence couldn't confirm a wholesale retreat, preparations for dual contingencies were imperative. Victories came hard; a splendid battle, harder still. He summoned Wu Yizhi and Zhao Zili to devise countermeasures for the enemy's potential flight. October 2, Sichuan Army Yang Sen's 27th Army Group, Yang Gancai's 134th Division special service company, under Company Commander Wan Mingyu, slogged through the profound mountains and forests on the northern Mufu Mountains' flanks. The 134th's covert mandate: infiltrate enemy rear via treacherous terrain, sabotage supply arteries in the Chongyang-Xianning sector, and deliver a dagger to the Japanese spine when opportunity struck, bolstering frontal defenses. Past 3 p.m., a crystalline mountain stream materialized. Wan decreed a respite. Over 100 soldiers, drained from a half-day's ascent, collapsed like puppets with severed strings. Most propped their torsos with rifles in one hand, fanning hats to ward off the relentless forest mosquitoes with the other. Regaining breath, they devoured rations washed down with stream water. Some unfurled towels and ventured downstream, letting the cool flow rinse away layers of sweat. Then, a muted engine drone encroached from the heavens. Wan peered through the foliage: a low-flying plane vectored southward, its wings emblazoned with the Rising Sun. A transport; Wan recognized the temporary Japanese airfield near Xianning. With lines overextended, airdrops sustained isolated units. Wan was prying open a can with his bayonet, the tip etching a cross on the lid before levering along the edge; paired with a rice ball, it promised a savory repast. His orderly proffered a cup of fresh stream water; 2nd Platoon Leader Hu Yaozong perched nearby on a rock, smirking, poised to pilfer from the opened tin. Wan warded off this Sichuan Pixian compatriot. The plane droned overhead then. Both glanced skyward; the platoon quipped: "Open quick, damn, I'll repay two cans later." Commander: "Want cans? Sky has; shoot plane down, enough for two lifetimes, bloat your mother-in-law first." The can hailed from a prior supply raid. Platoon: "You want me to shoot the plane?" Commander: "Bastard! You shooting or not?" The platoon snatched the light machine gun from a tree fork, jamming the butt against his belly, one hand on the grip, aiming crudely: "Come down, you turtle son!" The other hand squeezed the trigger. Wan assumed jest, resuming his task. "Da-da-da..." Wan jolted; the half-opened can tumbled to his feet, spilling Japanese fish onto Chinese soil. Recoil floored the platoon; he hurled the gun like a branding iron, face ashen. Inspecting the trigger, he snarled: "Whose damn fault, why no safety?!" The gunner dashed over; tall and even-tempered: "Safety was on; how'd it fire without pulling?" Wan's initial panic: "Damn! Position exposed." The company spearheaded the division's reinforced regiment to raze a recent Japanese depot, guarded by a mere company—but exposure doomed the regiment deep in hostile territory. The assault had been plotted for days; pre-departure, Yang Gancai had toasted them. Wan had sworn a blood oath: No return to Sichuan without success. Hu had jested then: "No Sichuan return means wanting Hunan girl as concubine." Banter was fine in peace, but in war's grip, this was no trifling errand. Wan unleashed a torrent of curses, rising to survey the environs. The main force lagged 15 km behind; advance or abort post-blunder? Enemy rear was a labyrinth; this isolated band teetered on a razor's edge. As if to compel a choice, the radio operator approached; Wan itched to lash out. In his fury and indecision, a miracle unfolded. The transport's engines hacked like a consumptive invalid, then a witness spied the plane banking left, plummeting, its nose inexorably toward a colossal rock 3-4 km distant. It rebounded twice on the stone, nose and left wing crumpling; the fuselage, fragile as parchment, tumbled gently, skewing onto the slope amid splintered trees. Wan gaped, then bellowed: "Assemble!" The men snapped from reverie, charging downhill in a frenzied cascade. One hour later, 134th Deputy Commander and Reinforced Regiment Commander Liu decoded Wan's vanguard transmission via radio. Another hour passed before Liu received Yang Gancai's directive: Abort Mountain Leopard operation; return with documents expeditiously. One day hence, October 3, Okamura Yasuji's original retreat order from October 2 dawn, addressed to northern Hunan's 6th, 33rd Divisions, Nara and Uemura Detachments, plus its Chinese translation, landed on Xue Yue's desk. Fifteen days later, at the Changsha Victory Celebration, unit accolades were proclaimed; for "shooting down enemy plane, obtaining vital enemy documents," meritorious honors went to 134th Commander Yang Gancai and Deputy Liu. Each received 1000 yuan and one 3rd Class Baoding Medal. Okamura's October 2 order original: Chinese forces retreated to Miluo and Xiushui Rivers banks assembling; to avoid disadvantage, this army should quickly withdraw to original positions, restore combat strength. Withdrawal plan as follows: … Xue's October 3 order original: "Northern Hunan frontal units with current posture immediately pursue facing enemy fiercely, must capture in Chongyang-Yueyang south area. ... Pursuit units may detach part to monitor and sweep enemy collection troops; main force execute overtaking pursuit... Already deep behind enemy advance units vigorously destroy enemy transport lines, cut escape routes." From October 3, Chinese forces unleashed ferocious counteroffensives against the Japanese on three fronts: northern Hunan, southern Hubei, and the Hunan-Hubei-Jiangxi border; the invaders receded like a vanishing tide, never to reclaim their ground. The 25th and 195th Divisions hounded the 6th Division and Nara Detachment from Fulinpu back to the Miluo River, then to the Xin Qiang River. On October 8, the Japanese fled across the Xin Qiang; the 195th's 566th Brigade surged in pursuit, launching a nocturnal raid on Xitang-Jianshan. Gains were modest, but the enemy, entrenched in their den, resisted with feral tenacity. Qin commanded the brigade's withdrawal southward; northern Hunan operations concluded. In southern Hubei, the 79th Army chased remnants of the 33rd Division from Sanyan Bridge to Pingjiang, across Nanjiang Bridge, hounding them back to their Tongcheng lair. On the Hunan-Hubei-Jiangxi border, 30th Army Group Commander Wang Lingji orchestrated a pincer against Japanese at Xiushui. The foes retreated to Sandu, mounting a stubborn defense. Chinese assaults faltered for three days; on the fourth night's blitz, victory crowned their efforts, expelling the invaders to their original Wuning stronghold. With both armies reclaiming pre-war lines, the First Battle of Changsha drew to its resounding close. Over days, Xue Yue received a deluge of congratulatory telegrams and letters from the Nationalist Government, Military Committee, National Assembly, myriad civic groups, party officials, and social luminaries. As hoped, among them was Chiang Kai-shek's effusive missive, brimming with joy. For Xue Yue, this one sufficed. Chiang Kai-shek's telegram to Xue Yue: "In this northern Hunan campaign, over half the enemy was annihilated. The triumphant news has invigorated the nation, all due to effective command and soldiers' valor; I commend without reservation. Thoroughly investigate and report meritorious personnel from this battle; also report the dead and wounded for awards and relief. With this initial victory foundation laid, our officers and men's responsibilities grow heavier; urge your subordinates to extra vigilance, redoubled effort, avoiding arrogance or complacency, to amass great achievements, my deepest hopes." As if countering Chongqing's high-powered broadcasts, Japanese radios in Wuhan, Nanjing, Beiping, and Manchukuo blared at full volume: "In this Xiang-Gan operation, valiant Imperial forces penetrated over 100 km into northern Hunan, sweeping anti-peace elements, routing Chinese central main forces, inflicting over 40,000 enemy casualties, a pivotal triumph advancing the holy war. Having achieved objectives, Imperial troops have victoriously withdrawn..." In the aftermath of the First Battle of Changsha, the Japanese high command spun a tale of calculated restraint, insisting their assault was merely a spoiling raid, a calculated jab never intended to seize and hold the city indefinitely. With brazen confidence, they downplayed their toll, claiming a mere 850 souls lost to death and 2,700 wounded in the fray, while boastfully asserting they had slain 44,000 Chinese defenders and taken 4,000 captive, painting a picture of overwhelming triumph amid the smoke and ruin. Yet, foreign military observers, peering through the fog of propaganda with detached scrutiny, painted a starkly different canvas. They gauged Chinese losses at a far more tempered 20,000 killed and wounded, a heavy but bearable scar on the nation's resolve, while estimating Japanese casualties soared to around 30,000, a grievous hemorrhage that belied the invaders' claims of minimal sacrifice. Military historian Michael Clodfelter, sifting through the annals of conflict, ventured an even grimmer tally: a staggering 50,000 Japanese casualties endured in the relentless clash, a testament to the ferocity of Chinese resistance and the high price of imperial ambition. In the battle's locale, neither side claimed clear victory, but globally for the resistance, it favored China. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. The First Battle of Changsha unfolded in September 1939 during China's War of Resistance Against Japan. Japanese forces under Okamura Yasuji advanced into Hunan and Jiangxi, crossing rivers and capturing key positions like Yingtian amid fierce Chinese defenses led by Xue Yue.
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