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The Filmmaking Process: Screenwriting, Casting, and Pre-Production November 20th, 2019 Cinepolis Theater, NYC Sal Scamardo (VP FilmRise, company credits include Oscar® nominee MEMENTO, directed by Christopher Nolan; MONSTER, which won a Best Actress Academy Award® for Charlize Theron; the Oscar®-nominated THE ILLUSIONIST, starring Edward Norton; Best Picture Academy Award® winner SPOTLIGHT; and HBO’s Emmy Award®-winning GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF. Televsion titles include such classics as 3rd ROCK FROM THE SUN and ROSEANNE; chef Gordon Ramsay’s immensely popular cooking shows, including HELL’S KITCHEN and KITCHEN NIGHTMARES. Jeffrey Roda (screenwriter/director, Jeff Roda has written screenplays for DreamWorks, Universal, Paramount Pictures, New Regency, TriStar, and television pilots for HBO, CBS, and Warner Bros. Additionally, he was a producer on the Sony Pictures Classics feature, Love Liza, starring Academy Award winning actors Philip Seymour Hoffman and Kathy Bates. Lillian LaSalle (President of Sweet 180 Management, Peabody Award Winning Talent Mgmt and Production company, representing actors, writers and directors. Lillian's producing credits include Southern Belles starring Anna Faris, Just Like the Son starring Mark Webber, American Cannibal - Tribeca Film Festival Jury Award nominee. Lillian's directorial debut, My Name is Pedro, had its NYC premiere at the Big Apple Film Festival) Sara Alexander (Alexander Creatives, represents artists for film, television, commercials, branded entertainment and new media. Sara represents directors, producers, writers, DPs, production designers, costume designers, editors. She also represents literary content including screenplays, books to film, and television series). Donal Lardner Ward (actor, writer, director, producer whose credits include Wes Anderson's The Royal Tenenbaums and Julie Delpy's Looking For Jimmy. He was a staff writer for the HBO series How to Make it in America, produced by Mark Wahlberg and recently directed We Only Know So Much, co-written with Elizabeth Crane. The film, starring Jeanne Tripplehorn, Damian Young, and Loudon Wainwright III, had its NYC premiere at the Big Apple Film Festival.)
Screenwriters Cinco Paul & Ken Daurio (the Despicable Me movies, Secret Life of Pets, etc.) make each other watch movies they've never seen, then discuss them. In this episode Cinco makes Ken watch Wes Anderson's The Royal Tenenbaums, while Ken makes Cinco watch Ron Howard's immigrant epic Far and Away. Did Ken think Margot Tenenbaum was a "corker"? Will Cinco finally like a movie Ken picks? Listen and find out!
Gwyneth Paltrow, Oscar-, Golden Globe-, and Emmy-winning actress, appeared in Wes Anderson's The Royal Tenenbaums in 2001. After a recent screening at UC Santa Barbara, she discussed the film and more. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33950]
Gwyneth Paltrow, Oscar-, Golden Globe-, and Emmy-winning actress, appeared in Wes Anderson's The Royal Tenenbaums in 2001. After a recent screening at UC Santa Barbara, she discussed the film and more. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33950]
Gwyneth Paltrow, Oscar-, Golden Globe-, and Emmy-winning actress, appeared in Wes Anderson's The Royal Tenenbaums in 2001. After a recent screening at UC Santa Barbara, she discussed the film and more. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33950]
Gwyneth Paltrow, Oscar-, Golden Globe-, and Emmy-winning actress, appeared in Wes Anderson's The Royal Tenenbaums in 2001. After a recent screening at UC Santa Barbara, she discussed the film and more. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33950]
It's two of the best American directors; Orson Welles' The Magnificent Ambersons vs. Wes Anderson's The Royal Tenenbaums on this episode of Inner Demons! Velcome! @inner.demons.podcast on instagram innerdemonspod@gmail.com let us know what you think! on itunes!
A slow week for new releases -- it's apparently all "Boss Baby" all the time these days -- gives us only one major new release this week, Ben Wheatley's "Free Fire," starring Brie Larson, Cillian Murphy and Armie Hammer. We disagree on it: One of our critics thinks it's a fun experiment, but the other found it mostly tiresome. Then, in our Reboot segment, we discuss how that Sidney Lumet's "Network" doesn't hold up nearly as well as you might remember, and Wes Anderson's "The Royal Tenenbaums" was a step forward for the filmmaker ... but just a peek at what he'd be able to do even better more than a decade later. Timestamps: 4:30 "Free Fire" 17:40 "Network" 38:58 "The Royal Tenenbaums" We hope you enjoy. Let us know what you think @griersonleitch on Twitter, or griersonleitch@newrepublic.com. As always, give us a review on iTunes with the name of a movie you'd like us to review, and we'll discuss it on a later podcast. Opening Song: "Firestarter," The Prodigy Closing Song: "Judy Is a Punk," The Ramones Learn more about your ad choices. Visit megaphone.fm/adchoices
Katie Schenkel is back because she and Elle realized they have a favorite movie in common: Wes Anderson's The Royal Tenenbaums. The performances, the music, the dialogue, the references to 1970's children's lit. This conversation goes on for a while.
In this episode, we review Wes Anderson's The Royal Tenenbaums and discuss our Top 5 Comeback Performances 01:18:35