Podcasts about Filmmaking

Okay, Hobbitses, it's our last journey through Middle Earth! And Bilbo's first! Dom's back, and so is Peter Jackson, Philippa Boyens, Fran Walsh, Ian McKellan, Andy Serkis, Elijah Wood, and… Radagast the Brown?! Although this is our only episode on the Hobbit trilogy, we're not just covering UNEXPECTED JOURNEY this week. Listen in for some cross examination of the two (troubling) sequels, the many fan edits (especially the one from Maple Films), and Guillermo Del Toro's greatest unmade production. A very special thanks from Dom to all the listeners who reached out with support during his absence. And thanks to Stephen Hilger for pinch hitting! Next week, it's Jackson's final (?) narrative film, MORTAL ENGINES (2018) from director Christian Rivera. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Journey Back to Middle-Earth Riddles in the Dark - Gollum's Cave An Unexpected Party - Bag End A Short Rest - Rivendell & London The Battle of Moria Edge of the Wilderland Durin's Folk: Creating the Dwarves The People and Denizens of Middle-Earth Realms of the Third Age - Hobbiton Realms of the Third Age - Goblin Town The Songs of The Hobbit: An Unexpected Journey Mr. Baggins: The 14th Member The Epic of Scene 88 Home is Behind, The World Ahead Maverick Movies: New Line Cinema and the Transformation of American Film by Daniel Herbert Cinefex #132 Production History Peter Jackson/Guillermo Del Toro Party Chat Legal Issues Settled for The Hobbit Comingsoon.net Guillermo del Toro Interview Lord of the Rings Writing Team Onboard TheOneRing.net Guillermo del Toro Interview Philipa Boyens on Guillermo del Toro's Hobbit Guillermo del Toro Officially Leaves The Hobbit Peter Jackson Wings The Hobbit Guillermo del Toro Gets Haunted The Hobbit Destroys New Zealand Film Industry Lindsay Ellis The Hobbit: The Desolation of Warners (3/2) Video A New Hobbit Film is Born Guillermo del Toro's Version of Bilbo Moviedrone Howard Shore Interview MGM Financial Troubles Imperil The Hobbit A Message From Guillermo Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Host Jeff Goldsmith talks to screenwriter Colby Day about his latest film, In the Blink of an Eye. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

In this episode, GG Hawkins speaks with editor Harrison Atkins about shaping A24's How to Make a Killing with director John Patton Ford. Atkins breaks down his path into editing, his holistic “total filmmaker” approach to storytelling, and the editorial challenges of balancing dark comedy, violence, voiceover, and audience empathy around a morally compromised protagonist. The conversation also explores the realities of studio post-production, from long edit timelines and test screenings to cutting in Adobe Premiere's Productions workflow while collaborating with a London-based post team more accustomed to Avid. In this episode, No Film School's GG Hawkins and guest Harrison Atkins discuss... How Harrison Atkins found his way into editing through directing and making his own films Why he thinks of editing as a holistic, dramaturgical part of filmmaking rather than a purely technical role Reuniting with director John Patton Ford after Emily the Criminal What drew him to the multi-tonal mix of crime, satire, dark comedy, and violence in How to Make a Killing How voiceover created both opportunity and endless editorial possibilities in the cut The difference between an indie sprint like Emily the Criminal and the extended timeline of a studio feature How test screenings and audience response helped refine comedy, pacing, and emotional momentum Why the first reel was crucial to getting audiences aligned with a charismatic but morally gray lead The editorial challenge of shaping an underdog around Glenn Powell's natural confidence and charm How Premiere's Productions workflow supported a collaborative feature edit with multiple people working simultaneously What it was like cutting the film in London with assistant editors adapting from an Avid-heavy post environment How temporary VFX comps in After Effects and Photoshop helped solve story and joke-building problems inside the edit Harrison's philosophy of leadership, collaboration, intuition, and staying present as both an editor and director His advice to emerging filmmakers: fail boldly, work small if necessary, and keep making things instead of waiting for permission Memorable Quotes: “I never really considered myself an editor. I still kind of weirdly don't.” (01:19) “The calendar is really a myth.” (06:59) “The difference between a joke that lands and one that doesn't is often microscopic.” (13:30) “Perfection is the enemy of good.” (33:50) Guests: Harrison Atkins Resources: How to Make a Killing Emily the Criminal Total Filmmaker by Jerry Lewis Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

In this episode, Trent sits down with longtime collaborator Eric Ratinoff of Story First to explore the power of storytelling — in film-making, business, and everyday life.  Eric shares how his work helping organizations tell meaningful stories goes far beyond simply “making a video.” Instead, it's about uncovering the deeper narrative: the problem, the stakes, and the transformation that makes a story resonate with an audience.  Together they discuss the curse of knowledge, why experts often struggle to communicate what they know, and how curiosity and asking the right questions can unlock powerful stories hidden inside organizations and individuals. The conversation moves from filmmaking and editing workflows to the psychology and evolution of storytelling — and why humans are wired to understand the world through narrative. More From Eric: Eric Ratinoff is the founder and Chief Storyteller of Story First, a strategic storytelling firm that helps companies and organizations get clear about their story and tell it more effectively.  Story First works with a wide range of non-profit, corporate, educational, and political clients from across the United States, and Eric brings deep experience as a writer, editor, director, strategist, speaker, teacher, and coach. He's been invited to speak and teach about storytelling in a variety of corporate and college settings, including presenting multiple times at the Centers for Disease Control (CDC)/National Public Health Information Coalition National Conference on Health Communication, Marketing, and Media. Two recent Story First projects, Still Separate, Still Unequal, which examines education inequity in St. Louis, and Transforming 911, which tells the story of what happens after you call 911 in St. Louis, received Gold Telly Awards. Additionally, Eric has taught Technical Writing in the School of Engineering and Applied Science at Washington University in St. Louis; served as the Executive Editor for the Ferguson Commission report, Forward Through Ferguson; co-authored A Seat at the Table, an award-winning column on diversity and inclusion in the New Hampshire Business Review; served as the lead organizer and a speaker coach for TEDxAmoskeagMillyard in Southern New Hampshire; and delivered a talk on storytelling and organizational culture, titled “Once Upon a Time At The Office: How Stories Shape Culture At Work,” at TEDxCapeMay in New Jersey. He's also the head boys' track and field coach at Manchester West High School in Manchester, New Hampshire. Website: https://www.storyfir.st  Linkedin: https://www.linkedin.com/in/ratinoff/  More from us:  Website: www.adppodcast.com  Instagram: http://instagram.com/adppod_

Writer and director Matthew McManus hangs out with us this week to talk about making movies with family, jumping from comedy into genre, and taking on the multiverse. From American Vandal to indie sci-fi with his brother Kevin, Matthew's always had a sharp sense of tone. With Redux Redux, starring his sister Michaela, the McManus siblings build a time bending revenge story that feels intimate, intense, familiar and like something we haven't seen before.  We get into collaborating with your siblings, shifting into darker spaces, handling big sci-fi ideas without losing the feeling, and why revenge stories are so hard to look away from. It's a really fun one. Some laughs, some process, some genuine movie love sooo… Come hang out!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of Completely Machinima, Damien Valentine, Tracy Harwood, and Phil Rice unpack the biggest talking points at the intersection of machinima, AI, and creator rights.We start with a quick birthday nod to id Software's 35th anniversary—a foundational influence on game culture and the machinima scene—before diving into the headline debate: the Disney + OpenAI partnership. Tracy breaks down why Disney choosing licensing over litigation is a major signal for how entertainment giants may handle AI training and generation going forward—raising questions around copyright, compensation, and control. The team explores the ripple effects for fan creators: what stays “safe-ish,” what gets riskier when monetization enters the picture, and why platform policy enforcement (YouTube, TikTok, Steam Workshop) may tighten even before the law catches up.From there, the conversation shifts to practical creator tech: new tools for posing and animation reference, the evolving state of video mocap (including clever ways to capture motion from existing footage), and the emerging frontier of text-to-motion generation. Finally, Phil highlights a standout release for creators: Hytale, a Minecraft-style sandbox game with built-in machinima tools (scriptable cameras, keyframe animation, and more) that could open up huge possibilities for in-engine filmmaking. Damien also points to Surviving Mars as another surprisingly useful source of cinematic footage thanks to its photo mode and camera controls.The episode closes with two community spotlights: a playlist celebrating machinima creator Frank Fox, and a recommendation for the latest Biggs Trek chapter in the Forbidden Planet series.01:43 id Software 35th anniversary (Doom/Quake legacy) 02:47 Disney x OpenAI partnership — what's actually significant 04:10 Copyright, fair use, and why licensing changes the game 06:40 What this could mean for machinima + fan creators 09:10 Platform enforcement & creator program “box” concerns 12:49 Safer inspiration vs risky “Disney-like” framing 14:03 Damien's take: Disney+ fan AI videos & controlled distribution 16:10 Why Disney might pull the plug (fans outperforming “official”) 19:23 Phil: “productizing” AI output + deal fragility 21:39 Is this basically a legal settlement? 24:41 Detection tech: audio is advanced, video is harder (for now) 28:34 AI backlash trend & audience revulsion 30:20 Case study: “Clair Obscur: Expedition 33” AI controversy 32:12 Star Trek Voyager game: fans reject AI voices 33:05 Aronofsky AI series + public reaction 36:54 Phil's line: AI as satire, not “real” storytelling 38:05 Portrait Studio Pro (HAELE 3D) — posing + FBX export potential 40:38 Line of Action (drawing reference resource) 41:27 Motion capture options: suits vs video mocap 43:34 Freedom's tutorial: mocap motion from a video game clip 46:19 Damien's real-world test: video mocap limits & workarounds 48:59 Text-to-motion is here: Cartwheel “Swing” (watchlist) 52:10 Hytale early access — built-in machinima tools (huge) 58:24 Surviving Mars as a cinematics tool (photo mode + recording) 1:01:21 Frank Fox tribute playlist + Forbidden Planet Ep. 2 shout-outCredits -Co-hosts: Phil Rice, Damien Valentine, Tracy Harwood, Ricky GroveProducer: Damien ValentineEditor: Phil RiceMusic: Phil Rice and Suno AI

Host Jeff Goldsmith interviews writers Clint Bentley, Robert Kaplow and Will Tracy about their Oscar® nominated screenplays. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Ep # 106: Consistency Over Perfection: Briana Clearly on Making 12 Films in a YearThis episode was recorded live on Saturday February 28th, 2026 at Lumpen Radio.Summary of the episodeIn this live, unedited episode recorded at Lumpen Radio 105.5 FM in Chicago, I sit down with Chicago filmmaker Briana Clearly to talk about what it really means to choose consistency over perfection.Briana took on the ambitious challenge of making 12 films in 12 months — and then turned that experiment into a community-driven initiative called Filmmakers Mixtape. In this conversation, we unpack how committing to one film a month transforms not just your craft, but your mindset.We talk about creative blocks, releasing work before it feels “ready,” building artistic community without ego, and why making good films is actually a side effect — not the point.If you're an artist stuck in perfectionism, a filmmaker craving momentum, or someone who needs a reminder to just make the thing anyway, this episode is for you.What we talk about (you know… casually)Making 12 films in 12 months (and why you don't need money to do it)Why consistency beats perfection every timeBuilding Filmmakers Mixtape from a personal challenge into a cohortHow community makes better art (and better artists)Briana's journey from the Navy to film schoolMentorship, vulnerability, and learning to take feedbackThe dream of friendship-centered dramediesReleasing work publicly — even when it feels scaryThings We MentionedFilmmakers MixtapeLeague of Their Own ChicagoBrain StudiosLumpen RadioAll about... Briana ClearlyYou're gonna love Briana Clearly — she's a collaborative director, community builder, and the creative force behind Filmmakers Mixtape, a 12-month filmmaking challenge designed to help artists prioritize process over perfection.A former Navy sailor turned Chicago-based filmmaker, Briana is deeply committed to telling stories centered on Black women, friendship, and lived experience — always inviting audiences into conversation rather than spectacle.She believes filmmaking is a practice, not a performance. And honestly? That energy is contagious.Chapters: • 00:00 - Introduction to noseyAF• 09:02 - Exploring Filmmaking and Personal Storytelling • 20:54 - Exploring the Dynamics of Friendship in Storytelling • 31:56 - The Birth of Filmmakers Mixtape • 41:32 - The Importance of Vulnerability in Filmmaking • 50:41 - Exploring New Art Practices • 59:01 - The Art of FilmmakingSponsor Shoutout

Innovating On-Set Communication: A Conversation with Onset Headsets Founder MattIn this episode of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen dive into a discussion with special guest Matt, founder of Onset Headsets. The conversation covers Matt's journey from working in film production as an Assistant Director (AD) to founding a company that innovates communication gear for filmmakers. Matt shares the story behind Onset Headsets, their product offerings, and the entrepreneurial challenges he faced. The podcast also highlights the critical role of customized, high-quality headsets for the film industry, Matt's unique solutions to common on-set problems, and upcoming plans for the company. Listeners can enjoy insights into film production nuances, hear about the camaraderie on film sets, and learn about Onset Headsets' innovative delivery service in Los Angeles. By the end of the podcast, Matt provides listeners with a special discount code for Onset Headsets products. Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) About Christine W Chen:Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.For more information about Christine Chen: christinewchen.com About Adam Rani:Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow. For more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com WEBISODE version of the PodcastTIME SUMMARY:00:00 Introduction to the Role of an AD00:55 Welcome to the Get Reelisms Podcast01:31 Meet Matt from Onset Headsets02:58 The Birth of Onset Headsets05:16 Innovative Headset Solutions07:30 Challenges and Innovations in Filmmaking08:06 Onset Headsets Delivery Service10:45 Customization and User Feedback14:55 Partnerships and New Products20:52 Transition from AD to Entrepreneur24:03 Expanding Onset Headsets25:56 Tech Influence in Austin27:18 Upcoming Events for Onset Headsets29:08 Expanding Nationwide29:48 Innovations in Headset Technology30:44 Customer Experiences and Feedback38:20 Bulk Orders and Customization41:30 Durability and Warranty47:03 Exclusive Discount Code48:13 Conclusion and Housekeeping  Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

This steampunk fantasy world has everything: dæmons, talking polar bears, Daniel Craig with a snow leopard, and Nicole Kidman in her villain era!  Attempting to replicate the success of THE LORD OF THE RINGS, New Line Cinema tries to kick off a new trilogy by adapting Philip Pullman's The Golden Compass, but it… doesn't quite work out. Stephen Hilger returns to help us figure out why! Next week: DOM IS BACK!!! Our king returns just in time for us to talk THE HOBBIT: AN UNEXPECTED JOURNEY! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Production Design: The Emotional Fabric of a Parallel World Armoured Bears: The Panserbjørne of Svalbard Music The Adaptation of Writer/Director Chris Weitz Finding Lyra Belacqua: Introducing Dakota Blue Richards The Alethiometer: Creating the Truth Measure Maverick Movies: New Line Cinema and the Transformation of American Film by Daniel Herbert The Golden Compass: The Official Illustrated Movie Companion by Brian Sibley Cinefex #112 Production History StarLog #362 Production History The Golden Compass Production Notes Fate of New Line Cinema Rests on The Golden Compass Newsweek Production History The Wrap Chris Weitz Interview Variety Chris Weitz Interview Wired Production History The Atlantic Production History The New York Times Production History Slate Philip Pullman Interview Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Conversation with directors Hai-Lam Phan, Olivia Mowry, and writer/producer Margaret Cooney from the award-winning documentary film "Asheville is Calling: A Climate Change Emergency" Extreme weather disasters are becoming more common, more powerful, and more deadly. Today, more than ever, U.S. federal agencies like FEMA that help Americans prepare, respond, and recover from natural disasters need to be fully funded, staffed, and ready to act. Hurricane Helene survivor, Colleen Daly, talks about her harrowing experience both during and after this catastrophic event, and how changes enacted by the current U.S. administration are leaving communities to fend for themselves against extreme weather disasters. Communities deserve better than a government that abandons them when disaster strikes, and refuses acknowledge that climate change is harming people here and now. —— Subscribe to the podcast: Tweets by wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

In the third and final installment of our Lord of the Rings episodes, co-host Nicholas Ybarra and producer Sonja Mereu discuss the epic finale to one of the most impactful trilogies in cinematic history. Return of the King concludes the epic tales of Middle-earth, Frodo, Gollum, Gandalf, Samwise, and Aragorn. Join us as we get Nicholas' final verdict on the trilogy and another gushing tale of love from Sonja. Also, hear loads of trivia and fun facts from Return of the King and the trilogy as a whole. Have you seen Return of the King? Which Lord of the Rings film is your favorite?❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

When your guest talks about the perception of the Kansas City independent film scene and the need to step up. From our Virtual Fringe episode with Jason Turner and Andrea Dover

Send a textThe Godmother of Horror, Lin Shaye, joins us to discuss her upcoming film, Scared to Death. Scared to Death is a horror-comedy about a seance at a haunted house also starring Bill Mosely and Kurt Deimer. Catch Scared to Death in theaters March 13th.Follow us on Social Media: @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

Dropping you into a modern rendition of Tolstoy, like it's the early 2000's, here we are with Bernard Rose's IVANSXTC.  A breakthrough in "digital filmmaking," it became the first feature to be shot on digital HD, revolutionizing what became a very popular aesthetic, especially in television. Starring Danny Huston, we follow the death and final days of Ivan, a popular talent agent in Hollywood who's all about the decadence of the lifestyle and hanging with his most popular client, played by Peter Weller.  Oh, yeah, ROBOCOP himself! If the inclusion of Peter Weller and HD video didn't grab you, literally nothing will!

Oscar‑winning filmmaker Morgan Neville joins Adam to discuss his intimate archival portrait of Paul McCartney’s turbulent and creatively explosive 1970s. Neville reflects on his own documentarian origin story, his lifelong connection to the Beatles and Wings, how he built the film from audio‑only conversations with Paul, and why McCartney’s post‑Beatles decade feels like a sequel to Get Back.See omnystudio.com/listener for privacy information.

Upscaile Partnered with Stanford to Teach a 90-Minute AI for Creativity Masterclass — From Prompting Fundamentals to Full AI Short Film ProductionIn this full Stanford class recording, Arturo Ferreira walks students through the complete creative AI workflow — from foundational prompting techniques to producing a short sci-fi film using only AI tools. The session covers everything from how tokenization and probability engines actually work to building consistent characters and visual styles across an entire production.Arturo demonstrates how he created a multi-character, fully narrated sci-fi short film in just 48 hours using ChatGPT, Sora, Runway ML, 11 Labs, and Final Cut Pro. Students follow along with hands-on exercises, learning the exact prompting frameworks used to go from basic one-line prompts to production-quality AI video output.Key Topics CoveredThe difference between artificial intelligence, machine learning, deep learning, and generative AIWhy AI is a probability engine, not a thinking machine, and why that matters for promptingThree pillars of effective prompting: clarity, context, and specificityHow tokenization works (word-based, character-based, and phrase-based)Using temperature settings to control AI creativity and determinismHashtag prompting technique to create signposts and organize complex promptsRetrieval Augmented Generation (RAG) for uploading references and refining outputTree of Thought technique for generating multiple creative options simultaneouslyCharacter Lock, Style Lock, and Camera Controls for visual consistency across scenesBuilding a complete AI short film workflow from storyboard to final edit in 48 hoursEpisode Timestamps00:00 - Introduction and course overview at Stanford04:18 - How smart is AI? Why AI is fast, not smart06:20 - Tokenization explained: word-based, character-based, phrase-based07:40 - Hallucinations are a feature, not a bug09:59 - Three pillars of prompting: clarity, context, specificity16:41 - Temperature settings for controlling AI creativity21:46 - Retrieval Augmented Generation (RAG) explained27:00 - Hashtag prompting technique for advanced prompt organization32:52 - Tree of Thought technique for multiple creative solutions38:23 - Hands-on with Sora: creating AI video from prompts52:56 - Hashtag prompting vs basic prompting: side-by-side video comparison1:02:37 - Full AI short film reveal: 48-hour sci-fi production1:05:15 - Character Lock, Style Lock, and Camera Controls1:18:46 - Runway ML workflow for reference-shot-to-video production1:19:31 - Using 11 Labs for AI audio and sound effects1:23:09 - System prompts, custom instructions, and persistent memoryAbout Liam LawsonArturo Ferriera is an AI educator and creative technologist who teaches enterprise-level AI training and creative AI workshops. He partnered with Stanford to deliver this masterclass on AI for creativity, covering prompting fundamentals through advanced AI filmmaking techniques. Liam specializes in making generative AI accessible for creative professionals at all skill levels.About UpscaileUpscaile delivers enterprise AI training designed to help teams integrate generative AI into their creative and professional workflows. The company partners with leading institutions like Stanford to provide hands-on AI education that bridges the gap between technical capability and practical creative application.Resources MentionedChatGPT (OpenAI)Sora by OpenAIRunway ML11 LabsFinal Cut Pro / iMovie / Adobe PremiereTree of Thought and Chain of Thought prompting techniquesRetrieval Augmented Generation (RAG)Partner LinksBook Enterprise Training — https://www.upscaile.com/Subscribe to our free newsletter — https://www.theaireport.ai/subscribe-theaireport-youtube#AIFilmmaking #StanfordAI #GenerativeAI #AIforCreatives #PromptEngineering #ChatGPT #Sora #RunwayML #ElevenLabs #AIVideo #AICreativity #AITools #AITraining #Upscaile #ContentCreation

AI is changing filmmaking, because it is shrinking the gap between imagination and a finished frame.

In this episode of And Now for Something Completely Machinima, the team dives deep into the chilling Blender short I Made a Self-Aware Robot by the enigmatic creator Lights Are Off.Tracy brings the film to the table, praising its haunting realism, uncanny robot design, and smart use of found-footage aesthetics. What begins as a seemingly grounded “scientist vlog” quickly spirals into a modern Frankenstein story—raising powerful questions about consciousness, ethics, and the dangers of unchecked technological ambition.Damien highlights how the home-built lab setting makes the horror feel disturbingly close to reality, while Phil marvels at the stunning Blender craftsmanship—from hyper-realistic lighting to meticulous set dressing and believable mechanical detail. The group also unpacks the film's clever use of cameras, surveillance, and direct eye contact to unsettle the viewer.While everyone agrees the short is visually brilliant and deeply atmospheric, Ricky and Phil note that the story follows familiar sci-fi tropes—leaving them wishing for a bigger twist. Still, with millions of views and a sequel already out, it's clear this series has struck a nerve with audiences.Packed with insights on machinima, virtual filmmaking, sound design, horror storytelling, and the ethics of AI and robotics, this episode is a must-watch for creators, filmmakers, and sci-fi fans alike.Timestamps -01:36 — Tracy introduces I Made a Self-Aware Robot03:00 — Plot & Elba explained06:00 — Frankenstein & ethical themes09:30 — Sound, camera, and realism11:43 — Damien on the creepy home lab14:30 — Creepiest moments (CCTV & eye contact)16:37 — Phil's take: story vs. craft21:00 — Blender breakdown (lighting & detail)27:21 — Ricky's reactions & critiques33:40 — Fourth-wall camera moments35:06 — Real 1970s robot “The Sensor”35:14 — Wrap-up & linksCredits -Co-hosts: Ricky Grove, Phil Rice, Tracy Harwood, Damien ValentineProducer: Ricky GroveEditor: Phil RiceMusic: Phil Rice and Suno AI

Synopsis:  Surviving and Thriving in Turbulent Times Third World Newsreel's Enduring Legacy This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description: It's almost unheard of for an independent media collective to survive as long as Third World Newsreel has. Since 1968, they have chronicled some of the most pivotal movements in human history and continue to expand on their collection of over 700 titles. There's lots to learn about how they've adapted through technological revolutions, political persecutions, philanthropic booms and busts — and how the oldest media arts collective in the U.S. is making do in today's “media carnage”, as Laura Flanders puts it. Joining us are JT Takagi, an independent filmmaker, sound recordist, and the longtime executive director of Third World Newsreel. Tami Gold is an artist and activist whose documentaries grapple with everything from imperialism to sex work. Her films include My Country Occupied, Another Brother and Land Rain Fire among many more. Puerto Rican-born Juan Carlos Dávila works in film as well as TV, where he reports on social movements around environmentalism, militarism and the struggles of the working class on the island. His films include The Stand-By Generation, Viequez: An Endless Battle and Drills of Liberation. Join us as we look at the past, present and future of Third World Newsreel and ask how film can be used as a tool for organizing. “I'd say we feel more urgent now than ever before. Every day there's something happening that makes it clear that our rights and liberties, and people's lives all over the world are at stake. Not being in touch with the history and media that shows the truth of what's going on is really decimating people's ability to, as Juan said, know what to follow and what to do.” - JT Takagi “We need to retake the theater, the physical space that is being ignored by the corporations. Perhaps now that is the opportunity that we have . . . A theater is being rented by people who are organizers, and they're using their collective spirit and know-how to organize huge, huge crowds to come.” - Tami Gold “People can shoot stuff with the phone . . . I see a lot in Puerto Rico that people are still wanting to produce with the corporate industry standards. Many young filmmakers like myself tend to think that we need so many personnel to be doing films. Right now we can actually make films with less.” - Juan Carlos Dávila Guests: •  Juan Carlos Dávila: Documentary Filmmaker, Multimedia Journalist, Puerto Rico Correspondent, Democracy Now! •  Tami Gold: Filmmaker, Artist, Activist •  JT Takagi: Executive Director, Third World Newsreel   Watch on YouTube this episode that includes video clips referenced in this episode from Third World Newsreel; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation.  Music Credit:  Music Credit: "Povenier" by Sotomayor from their album WABI SABI courtesy of Wonderwheel Recordings, 'Steppin' by Podington Bear, and original sound design by Jeannie Hopper Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends   RESOURCES:   Full Episode Notes are located HERE. Related Laura Flanders Show Episodes: •  Dolores Huerta & Ellen Gavin: Creative Courage in the Face of Fascism- Watch / Listen:  Full Uncut Conversation and Episode Cut  •  BIPOC Press for the People: Bursting the Corporate Media Bubble- Watch / Listen: Episode Cut •  Meet the BIPOC Press: Is Worker-Owned Media the Future of Journalism?- Watch / Listen:  Episode Cut   Related Articles and Resources: •  Documentaries Ripped From the Headlines Are Becoming Harder to See, by Marc Tracy, December 18, 2024, The New York Times •  My Country Occupied, Documentary by Tami Gold •  La Generación Del Estanbai (The Standby Generation), Documentary by Juan C. Davila and Third World Newsreel, Trailer •  Why Frederick Wiseman Was the Greatest Documentary Filmmaker Ever, by Richard Brody, February, 17, 2026, The New Yorker •. Fredrick Weissman Filmmaker, Producer and Theater Director, Zipporah Films Inc •  Drills of Liberation, Documentary by Juan C. Davila •  Third World Newsreel (TWN) Brings Historic Newsreel Retrospective To BAM, Anthology Film Archives, And DOK Leipzig, October 2025, Third World Newsreel •  Have You Seen It Yet?  The Algorithm Problem In Movie Marketing, by Charity Maxson, January 27, 2026, TR!LL Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

2.25.26 The Heat is On Winter Hoopla (Shelbourne Falls) this weekend: Laura Iveson, Jane Wegscheider Elizabeth Sacktor—Shroudmakers, Undertakers, and hairworkers Mimi Kaplan & Eric Broadbent: Heat Pumps & Electrifying Massachusetts Larry Hott & Anthony Kaufman "Don't Panic" Doc Filmmaking

Treat your art like a startup is fantastic advice from filmmaker Charlotte Siller. She has a lot of great wisdom from her ten year journey into making a documentary. A CURIOUS IDOL is a film about the "life, and truth, of Louise Brooks", a film star but also an intellectual powerhouse.Charlotte and I discuss so many topics we don't normally talk about on the podcast -- an unvarnished take on not showing up for class in college and the blockchain. It is thrilling to share an episode with such a unique filmmaker, Charlotte Siller.In this episode, Charlotte and I talk about:her ten year quest to bring her film, A CURIOUS IDOL: DOCUMENTARY OF A LOST GIRL;her unvarnished and amazing take on school, acting, and how she wound up as a filmmaker;why she didn't connect with acting and how cinema studies set her up to make a documentary;what the film looks like now and when it can expected to be released;why she's putting the film out now, despite the enormous challenges;the opportunities of the blockchain for indie filmmakers and her award from Decentralized Pictures;how marketing helped her filmmaking;what's next for her.Charlotte's Indie Filmmaker Highlight: Wong Kar-Wai; George Cukor; THE MOMENT (2026) dir. by Aidan Zamiri based on a original idea by Charli XCXMemorable Quotes:"The film itself is about Louise Brooks, who was a silent film star, but even more was a writer and like this brilliant self-taught woman.""The hardest thing about being truthful about the world is having to be truthful about yourself.""I think the professors there taught me how to look at film storytelling analytically and how to have a holistic viewpoint on it.""The most important thing to me in this whole process was that I did not put my own bias on it.""This has been a pretty sporadic decade of doing this. Hopefully, this is helpful to young filmmakers who are starting to embark in these journeys. I had to live a life in between all of this.""Filmmaking requires, oh, so much marketing, like a ton of marketing. And I didn't realize that. I had that experience until I started doing marketing and then I was like, oh, wait a minute."Links:Follow A CURIOUS IDOL On InstagramA CURIOUS IDOL WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

In this  conversation, David Bryan speaks with Steve & Rick Simone-Friedland about their recent play, 'Kind Stranger,' which is adapted from Tennessee Williams' memoir. They discuss their creative process, the challenges of performing a one-person show, and the importance of queer narratives in theater. The duo reflects on their personal and professional relationship, the audience's reception of their work, and their plans for future productions.Kind Stranger depicts the poignant journey of Tennessee Williams as the legendary playwright recounts his life, art, and love affairs. Witness his wit and unflinching honesty as he writes his last chapter, revealing how his plays were his life and his life was his plays. Adapted directly from his memoir and using only his words, Kind Stranger could be the last original Tennessee Williams play.Steve and Rick Simone-Friedland, a married couple, went into the project wanting to use the words and humor of one of the greatest American Playwrights as the foundation of this play.Fresh from a successful but all too brief opening in New York, Rick (actor) and Steve (director/writer) are currently actively  working toward bringiing 'Kind Stranger' to audiences in other cities.Steven Simone-Friedland (Adaptation & Direction) is an independent, freelance filmmaker residing in Los Angeles, California. He has directed, written, produced and edited a number of short film and television projects including [sic], Togetherness, and Sunday Cup of Coffee which was awarded the CineEast's. Golden Eagle Award, the Herman Kass Fellowship in Filmmaking, the Rita Morrison Best Director's Award, and the AMPAS Award in Motion Picture Production. As an editor, Steven edited the feature documentary, The Yes Men Are Revolting and Donner Pass, and the television pilots, Group & Techno 3. When not pursuing film & tv projects, Steven serves as series editor on such Bravo shows as Real Housewives of Atlanta, Salt Lake City, Orange County and Dubai, Vanderpump Rules, Below Deck, Family Karma, MTV's Siesta Key and HBO's Queen of Versailles Reigns Again. Steven's Los Angeles theater directing credits include critically acclaimed productions of Ourselves Alone, Oleanna, Betrayal, Scenes of an American Life, and Imagining Rachel, which received its World Premiere at the 2022 Edinburgh Fringe Festival. Steven is a graduate from Northwestern University's theater department and received his MFA in filmmaking at UCLA.Rick Simone_Friedland - Concept & PerformanceEmmy Award© winner, Rick Simone-Friedland, is known to television audiences for his work on, Married People, Just the Ten of Us, A Year in the Life, Life Goes On, KC Undercover, and as Joe Pistone in the Discovery Series Mob Scene. Theatre audiences may know Rick from roles in George C. Wolfe's production of The Me Nobody Knows, Ken Page's production of Elegies for Angels, Punks and Raging Queens, or as Bruno in The Theatre West production of Moose On The Loose. Rick recently completed filming roles in the films How Do You Fall Out of Love With Country Music, Boystown, and Some Sorta' Queerarhttps://www.kindstrangerplay.com/

#youtuber #danmace #caseyneistat #mrbeast #podcast #storytimepodcast In this week's episode of Storytime, Joshua sits down with world-renowned filmmaker and digital storyteller Dan Mace.Dan is a South African director, YouTuber, and creative entrepreneur known for pushing the boundaries of online storytelling. From building his own cinematic YouTube presence to working in New York under legendary creator Casey Neistat, Dan has become one of the most innovative voices in digital filmmaking. He later stepped into the role of Chief Creative Officer for MrBeast Philanthropy, helping shape large-scale impact storytelling on one of the biggest platforms in the world.Joshua and Dan unpack the current state of social media, the evolution of YouTube as a platform, and the disruptive impact of AI in filmmaking and storytelling. Dan shares insights into how content creation has changed, what creators are getting wrong today, and where the future of digital media is heading.The conversation also dives into Dan's childhood, how he discovered his love for filmmaking, the risks he took to pursue creativity full-time, and the lessons he learned working alongside some of the biggest names on the internet.For more information on Knox Hydration & the Founders Legacy Fund visit: http://knoxhydrate.com/founderslegacyfundTabletPOS, your leading mobile point of sale for the hospitality and retail industries within South Africa. Serving the best restaurants in South Africa. For more information visit - https://tabletpos.co.za/

On this episode of She's All Over the Place, host Katie Chonacas sits down with acclaimed filmmaker Cate Shortland, director and pioneering voice for women behind the camera, to discuss her landmark debut feature Somersault. Originally nominated for Un Certain Regard and the Camera d'Or at the Cannes Film Festival, Somersault follows teenage Heidi, who escapes home after a traumatic encounter and attempts to rebuild her identity in a frozen ski town. Through isolation, longing, and fragile connection, the film explores adolescence, intimacy, and the human need for belonging. We go far beyond filmmaking technique. This conversation becomes an honest exploration of creative courage, emotional exposure, and artistic voice, especially for female storytellers navigating an industry that often discourages vulnerability. Cate shares: • How Somersault was conceived and made • Working with early-career actors Abbie Cornish and Sam Worthington • Why vulnerability is a strength in storytelling • Emotional truth vs. performance in film • The responsibility of female filmmakers to tell authentic stories • Finding confidence as a woman director • Creative intuition, sensitivity, and psychological depth in cinema We also discuss the film's new 4K restoration and its continued cultural relevance, over 20 years after its Cannes premiere. More than a film discussion, this episode is a masterclass on owning your voice, telling your story, and making art that feels emotionally truthful. About the Film – Somersault Following a reckless encounter with her mother's boyfriend, teenage Heidi flees home and takes refuge in a motel in the winter town of Jindabyne. She finds work at a petrol station, befriends a coworker, and begins a complicated relationship with Joe, a young man dealing with his own emotional wounds. Together they confront isolation, desire, addiction, and the search for connection. Written & Directed by: Cate Shortland Cast: Abbie Cornish, Sam Worthington, Lynette Curran Genre: Drama Runtime: 106 minutes Restored in 4K from the original 35mm negative by Piccolo Films

Come for the breezy fantasy, stay for Robert De Niro actively trying to speed run himself out of the movie – it's STARDUST! Our very own Sky Pirate, Stephen Hilger, returns to help us drag Claire Danes across the land so that we can finally prove ourselves to Sienna Miller. Ya know, normal fantasy stuff! Next week New Line Cinema tries to jump start another fantasy trilogy adaptation with THE GOLDEN COMPASS. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features What Do Stars Do? They Shine – The Casting Process A Quest of Enormous Importance Stardust: The Visual Companion by Stephen Jones Cinefex #111 Production History Den of Geek Jon Harris Interview Matthew Vaughn on Stardust Sequel Ain't It Cool News Neil Gaiman Interview Los Angeles Times Neil Gaiman Interview Sarah Michelle Gellar Turns Down Role Ilan Eshkeri's Stardust: A Film Score Guide by Ian Sapiro Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Original Release Date: Monday 23 February 2026    Description:   After discussing the latest news regarding Netflix, their attempts to purchase Warner Bros, and what the current President of the U.S.A. is demanding they do, Dean and Phil talk about more of the intriguing movies coming out in 2026 (including period pieces, biopics, and crime films). Hollywood still hasn't recovered from the dual strikes of a few years back, and with the negotiations for new contracts upcoming, the Writers Guild seems to be imploding. Dean and Phil analyze the latest labor strife. The recent movie Anaconda gets reviewed, and the French classic Amelie gets re-appraised in time for its 25th anniversary. In the return of “What We're Reading” the latest by Dan Brown and a work of historical fiction about legendary filmmaker G.W. Pabst get discussed. Finally the murders of two groundbreaking physicists has Phil troubled, so he asks Dean about whether the deaths might be part of a conspiracy. And speaking of conspiracy, Dean and Phil conclude with the latest news surrounding Ryan Coogler's reboot of “The X-Files”.

Writer and director Morgan Cooper on turning a self-funded Bel-Air short into a series, building creative audacity before opportunity arrives, and staying resourceful across drafts, collaboration, and a children's picture book.You'll learn:Why “imperfect action” can be a practical antidote to creative paralysis, especially early in your craft.How he found a compelling dramatic lens by stripping away sitcom expectations and focusing on character archetypes and real-world stakes.What it can look like to invest commercial income back into self-initiated work to build a body of proof.Why “waiting for permission” often hides fear, and how starting anyway can change what's possible.Why the “angle” of your idea matters, and how recalibrating it can be the difference between a draft that stalls and a draft that lands.How identifying the “big question” of a story can give your scenes direction and your revisions momentum.Simple ways to keep the creative channel open using a notes app, project scrap bins, and a journaling method that functions like index cards.How collaboration becomes part of the craft when you treat writing as iterative perspective-building, not a solitary performance.What writing a picture book can teach about economy, structure, and building an arc inside tight page limits.How designing a kid-led mission around resourcefulness can create momentum and emotional payoff in short form.Resources & Links:

This week on ITCAF the guys break down a massive week in Hollywood, from the losses of Robert Duvall and Eric Dane to the WGA strike and the high-stakes Warner Bros. Discovery sale. They also dig into House of the Dragon Season 3, Toy Story 5, Scorsese jumping into the Star Wars universe, Bad Bunny's first leading film role, TV reboots, pilot season chaos, and more. Plus our Top 5 Favorite 2026 Trailers, the latest box office numbers, and IMDb's top trenders.Chapters:0:00 Opening Monologue 0:52 Opening Music1:13 Show Open3:00 Eric Dane4:21 Robert Duvall 5:52 2026 Deaths So Far7:12 WGA Strike9:52 WBD Sale15:43 Disney News23:20 Fox News25:58 Warner Brothers News29:00 Paramount News33:03 NBC News35:38 Sony News37:05 Lionsgate News38:40 Amazon Prime News40:30 Netflix News42:34 Top 2026 Trailers56:49 Box Office1:00:30 IMDb Pro Trending1:01:01 Wrap UpFollow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan (Left)Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin (Right)Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

Welcome to The DMF — Discovering Meaning in Film and Acting. Justin Younts sits down with award-winning filmmaker Jaze Bordeaux to discuss independent filmmaking, cultural perspective, and storytelling craft. From Brooklyn to Toronto, Jaze shares insights on directing, producing, and bringing original films like EFC to life in today's film industry.⁠⁠⁠⁠⁠http://jazebordeaux.com/⁠⁠⁠⁠⁠00:00:00 - Introduction00:00:42 - Guest Background00:04:03 - Cultural Differences00:06:35 - Impact of Diverse Cultures00:09:37 - Entrepreneurial Journey00:14:02 - Inspiration00:15:28 - Understanding Film Financing00:16:39 - The Artwork of Film Structure00:18:25 - Learning from Startup Companies00:19:32 - Preparing for Film Financing00:19:47 - The Importance of Budgeting00:20:37 - Learning from Mistakes and Ventures00:22:19 - Advice for New Filmmakers00:24:23 - The Importance of a Clear Pitch00:28:46 - The Changing Film Industry00:29:58 - Improving the Industry from a Budget Standpoint00:31:12 - Comparing Film Production Costs Globally00:31:40 - Challenges in the American Film Industry00:35:26 - The Impact of Inflation and Human Capital on Film Budgets00:39:37 - The Consequences of Rushed Film Production00:41:06 - Going Outside the System: An Alternative Approach to Film Production00:43:51 - The Vision for a Global Independent Film Platform00:46:31 - The Evolution of Online Streaming00:48:42 - The Challenges of Online Streaming00:49:14 - The Experiment and Lessons Learned00:50:58 - The Issue of Digital Rights Management00:52:33 - The Future of Piracy00:53:57 - The Demand for Physical Copies00:54:35 - The Uncertainty of Digital Ownership00:54:48 - The Return to Physical Media00:59:08 - The Potential of Personalized Streaming00:59:48 - The Future of Media Consumption01:02:04 - On-Set Learning and Experience01:05:08 - The Importance of Acting01:10:57 - The Journey into Filmmaking01:14:11 - Directing Actors: A Collaborative Approach01:16:06 - The Significance of Casting and Performance01:17:38 - The First Notable Film: Excelsis01:17:56 - The Name Change to EFC01:18:10 - The Importance of Film Title01:18:56 - The Challenge of Translating Film Titles01:19:28 - The Marketing Aspect of Film Titles01:20:50 - The Impact of Unexpected Events on Film Production01:25:15 - The Decision Between Story and Action01:28:00 - The Rise of Women's Mixed Martial Arts01:30:00 - The Initial Reception of Women's MMA Film01:32:22 - The Evolution of Women's Roles in Combat Sports Films01:35:00 - Recognition and Awards01:37:00 - The Experience of Winning Best Director01:42:36 - The Story Behind 'Starry-Eyed'01:43:36 - Adapting the Story and Characters01:46:00 - Incorporating Film School Graduates01:47:03 - The Evolution of 'Starry-Eyed'01:48:16 - Supporting Other Filmmakers01:49:23 - Introduction to 'Let Go'01:49:41 - The Making of 'Let Go'01:50:48 - The Role of Carly Rose in 'Let Go'01:53:14 - The Story of 'Let Go'01:53:58 - Release of 'Let Go'01:54:22 - Current Projects of Alex Cruz01:55:00 - Distribution of EFC01:55:34 - Introduction to 'Genesis'01:55:41 - The Evolution of 'Genesis'01:56:18 - The Concept of 'Genesis'01:57:35 - The Writing Process of 'Genesis'01:59:31 - The Genre and Influence of 'Genesis'02:01:58 - Closing Thoughts02:02:38 - Personal Background: Track and Field Experience02:03:26 - Unexpected Journey into Track and Field02:04:10 - Overcoming Initial Challenges and Winning02:05:16 - Facing More Experienced Competitors02:09:31 - Changing Perspective and Winning the Race02:11:15 - Applying Lessons from the Track to Life02:13:55 - Daily Routines and Meditation02:16:53 - Physical Fitness and Taekwondo02:17:42 - Current Reading and Listening Habits02:18:33 - Favorite Film Scores and Tracks02:20:35 - Current Viewing Habits02:21:46 - Impressions on 'Peacemaker' Series02:22:43 - Thoughts on 'The Foundation'02:23:18 - Recent Theater Experience: 'Honey'

Elaine Burke, host of the ‘For Tech Sake' podcast talks to Brendan about the impact of AI on Hollywood; from this week's viral video which showed AI versions of Brad Pitt and Tom Cruise in a fight scene to how AI is being used day to day in filmmaking and content creation.

Producer Zainab Azizi joins GG Hawkins to break down her journey from agency mailroom to President of Raimi Productions and producing studio features like Send Help. Azizi shares how she develops original ideas, packages talent, protects projects through shifting studio mandates, and leads with a collaborative producing style. She also discusses mentoring female producers, balancing creative and financial realities in modern filmmaking, and why theatrical success for original films still matters. In this episode, No Film School's GG Hawkins and guest Zainab Azizi discuss... How Send Help evolved from a logline in 2019 to a theatrical release Moving the project from Columbia Pictures to 20th and navigating studio mandate shifts Why Sam Raimi was essential to directing the film—and how storyboards helped secure studio confidence Packaging as a producer: attaching directors and actors through agency relationships Casting Rachel McAdams and Dylan O'Brien and building chemistry into the film's core dynamic The tension between “social media value” and creative talent in casting decisions What Azizi learned in the WME mailroom and how agencies really function behind the scenes Different types of producers (creative, line, financing, studio producers) and protecting the “PGA” credit Her collaborative leadership style and the “three solutions for every problem” rule Mentorship, promoting female producers, and fostering more women-led sets Why theatrical releases for original films still matter in 2026 Developing a Seshu Hayakawa biopic and why his story feels urgent today The importance of sacrifice, networking, and embracing rejection early in your career Memorable Quotes: “My job is to find three solutions for every problem.” “Rejection is just redirection. We celebrate rejections.” “If it scares you, it means you're headed the right direction.” “You have to put yourself out there.” Guests: Zainab Azizi – President of Raimi Productions and producer of Send Help Resources: LaBelle Foundation (for adopting Cactus the foster puppy) Producers Guild of America (PGA) Producers United Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Synopsis: What's it take for an independent media collective to last for almost 60 years? This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description: It's almost unheard of for an independent media collective to survive as long as Third World Newsreel has. Since 1968, they have chronicled some of the most pivotal movements in human history and continue to expand on their collection of over 700 titles. There's lots to learn about how they've adapted through technological revolutions, political persecutions, philanthropic booms and busts — and how the oldest media arts collective in the U.S. is making do in today's “media carnage”, as Laura Flanders puts it. Joining us are JT Takagi, an independent filmmaker, sound recordist, and the longtime executive director of Third World Newsreel. Tami Gold is an artist and activist whose documentaries grapple with everything from imperialism to sex work. Her films include My Country Occupied, Another Brother and Land Rain Fire among many more. Puerto Rican-born Juan Carlos Dávila works in film as well as TV, where he reports on social movements around environmentalism, militarism and the struggles of the working class on the island. His films include The Stand-By Generation, Viequez: An Endless Battle and Drills of Liberation. Join us as we look at the past, present and future of Third World Newsreel and ask how film can be used as a tool for organizing. “I'd say we feel more urgent now than ever before. Every day there's something happening that makes it clear that our rights and liberties, and people's lives all over the world are at stake. Not being in touch with the history and media that shows the truth of what's going on is really decimating people's ability to, as Juan said, know what to follow and what to do.” - JT Takagi “We need to retake the theater, the physical space that is being ignored by the corporations. Perhaps now that is the opportunity that we have . . . A theater is being rented by people who are organizers, and they're using their collective spirit and know-how to organize huge, huge crowds to come.” - Tami Gold “People can shoot stuff with the phone . . . I see a lot in Puerto Rico that people are still wanting to produce with the corporate industry standards. Many young filmmakers like myself tend to think that we need so many personnel to be doing films. Right now we can actually make films with less.” - Juan Carlos Dávila Guests: •  Juan Carlos Dávila: Documentary Filmmaker, Multimedia Journalist, Puerto Rico Correspondent, Democracy Now! •  Tami Gold: Filmmaker, Artist, Activist •  JT Takagi: Executive Director, Third World Newsreel   Watch on YouTube this episode that includes video clips referenced in this episode from Third World Newsreel; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast February 25th, 2026. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation.  Music Credit:  'Thrum of Soil' by Bluedot Sessions, 'Steppin' by Podington Bear, and original sound design by Jeannie Hopper Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends   RESOURCES:   Full Episode Notes are located HERE. Related Laura Flanders Show Episodes: •  Dolores Huerta & Ellen Gavin: Creative Courage in the Face of Fascism- Watch / Listen:  Full Uncut Conversation and Episode Cut  •  BIPOC Press for the People: Bursting the Corporate Media Bubble- Watch / Listen: Episode Cut •  Meet the BIPOC Press: Is Worker-Owned Media the Future of Journalism?- Watch / Listen:  Episode Cut   Related Articles and Resources: •  Documentaries Ripped From the Headlines Are Becoming Harder to See, by Marc Tracy, December 18, 2024, The New York Times •  My Country Occupied, Documentary by Tami Gold •  La Generación Del Estanbai (The Standby Generation), Documentary by Juan C. Davila and Third World Newsreel, Trailer •  Why Frederick Wiseman Was the Greatest Documentary Filmmaker Ever, by Richard Brody, February, 17, 2026, The New Yorker •. Fredrick Weissman Filmmaker, Producer and Theater Director, Zipporah Films Inc •  Drills of Liberation, Documentary by Juan C. Davila •  Third World Newsreel (TWN) Brings Historic Newsreel Retrospective To BAM, Anthology Film Archives, And DOK Leipzig, October 2025, Third World Newsreel •  Have You Seen It Yet?  The Algorithm Problem In Movie Marketing, by Charity Maxson, January 27, 2026, TR!LL Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Send a textJoining us to discuss their new film Sweetness is Herman Tømmeraas of Netflix's Ragnarok and writer/director Emma Higgins. Sweetness is a coming of age story that highlights what can potentially happen when the line of fandom and obsession are blurred. Sweetness is currently available on Digital & Demand via Saban FilmsFollow us on Social Media: @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

Send a textHow do you turn a technical camera launch into a soulful piece of science fiction? In this episode, director Andrew Kightlinger joins the Rumikay Talks podcast to break down the reality of a career in film. From his unique childhood education in Madagascar—where movies arrived in a traveling "Red Island Video Club" footlocker—to directing a feature for Sylvester Stallone, Andrew shares what it takes to survive and thrive in the industry.In this episode, we discuss:The "Sting" of Rejection: Why the "no's" never stop hurting, but how to stop taking them personally.The Art of the Pitch: How Andrew landed the Fujifilm GFX launch by pitching emotional storytelling over technical specs.Vulnerability on Set: Why being a "benevolent director" and taking acting classes leads to more truthful performances.Grief as Inspiration: How the loss of his grandmother fueled the script for his latest sci-fi short.Atomic Habits: Why small steps and personal growth are essential for staying focused as a creative.✨ Selected links from the episode: ✨Andrew's IG: https://www.instagram.com/andrew.vhsOKAY at Slamdance:https://slamdance.com/26-lineup/Slamdance Film Festival: February 19th–25th in Los Angeles (and virtually!)

How to turn complexity into connection through clear communication.Communication in high-stakes moments isn't about saying more — it's about connecting better. For Jonathan Berek and Phil Polakoff, the most effective communicators don't rely on jargon or performance. They rely on empathy, listening, and stories that resonate.Both longtime Stanford Medicine leaders, Berek and Polakoff have spent their careers translating complex, emotional, and often urgent health issues for patients, colleagues, and the public. And they've learned that the message only lands when it's delivered at the right level, with the right intention. “Know your audience,” Berek says, describing the importance of “leveling” — communicating in language that meets people where they are, without talking down or over their heads.For both Berek and Polakoff, listening is the foundation. “The two most important skills in communication are empathy and listening,” Berek explains — not as soft skills, but as the core mechanics of trust. Polakoff agrees, pushing for directness and clarity: “I like a yes or a no. I don't like ambivalence or ambiguity.” And when it comes to being memorable, he's relentless about simplicity: “Think bold, start small.”In this episode of Think Fast, Talk Smart, Berek and Polakoff join host Matt Abrahams to examine what great communicators actually do: prepare deeply, speak concisely, listen with intention, and use storytelling to bring others along. Because as Berek puts it, “People feel the emotion when they see a story,” and emotion — paired with clarity — is what turns information into impact.Episode Reference Links:Phil PolakoffJonathan BerekConnect:Premium Signup >>>> Think Fast Talk Smart PremiumEmail Questions & Feedback >>> hello@fastersmarter.ioEpisode Transcripts >>> Think Fast Talk Smart WebsiteNewsletter Signup + English Language Learning >>> FasterSmarter.ioThink Fast Talk Smart >>> LinkedIn, Instagram, YouTubeMatt Abrahams >>> LinkedInChapters:(00:00) - Introduction (02:49) - Raising Awareness For Women's Cancer (03:46) - Redefining Health Beyond Disease (05:08) - Why Storytelling is Essential (07:08) - What Makes a Story Memorable (08:45) - Advice for Better Communication (09:46) - Making Complex Ideas Accessible (10:34) - Speaking at Your Audience's Level (11:57) - Listening & Empathy (12:39) - Improving Communication with Improv (14:08) - Communication for Collective Change (16:47) - Mentorship & The Big Picture (17:58) - The Final Three Questions (21:48) - Conclusion  ********Thank you to our sponsors.  These partnerships support the ongoing production of the podcast, allowing us to bring it to you at no cost.This episode is brought to you by Babbel. Think Fast Talk Smart listeners can get started on your language learning journey today- visit Babbel.com/Thinkfast and get up to 55% off your Babbel subscription.Join our Think Fast Talk Smart Learning Community and become the communicator you want to be. 

In today's episode of **Is It Worth It?**, Logan dives deep into the atmospheric and emotionally heavy world of *Train Dreams*, adapted from the novella by Train Dreams. Set against the rugged backdrop of the early 20th-century American West, this story follows day laborer Robert Grainier as he endures love, loss, isolation, and the unstoppable force of modernization sweeping through the frontier.In this review, we explore…✨ How the film interprets Grainier's quiet but devastating journey✨ Themes of loneliness, grief, and the mythic American landscape✨ The power of minimal storytelling✨ Whether the adaptation captures the spirit of the original work✨ And of course… Is it worth watching?If you're a fan of slow-burn frontier stories, emotional character studies, or unique indie adaptations, this review breaks down everything you need to know before hitting play.

In this episode of Now for Something Completely Machinima, the team revisits Ozymandias (1999) — one of the earliest and most controversial works of machinima, created by Hugh Hancock and Strange Company using the experimental LithTech Film Producer toolkit.What begins as a straightforward critique quickly turns into a deeper debate:

What if the only thing standing between you and a 6 figure year was 400 cold calls?In this episode, we sit down with George and Jack of Agrippa Creatives, a brand strategy and filmmaking duo who launched their agency in mid-2025 and built predictable retainer revenue in just six months.Before the Mastermind, there was no real structure - just stacking $500 projects to stay busy but never stable.After? They built $3,500 monthly retainers, a $9,000 premium offer, and backend systems that finally made revenue predictable.And yes… it started with 400 cold calls.In this episode, we dive into:• The “minimum level of engagement” that transformed their pricing• Why stacking small projects quietly stalls growth• How to move from one-off gigs into recurring retainers• The structure that makes scaling sustainable• The shift from “what can we charge?” to “what makes this partnership effective?”Six months ago, $50K this year felt like a stretch.Now they're projecting $200K+ in year one.Follow Agrippa CreativesSAVE THE DATE & REGISTER: Our $10K per Month Creator Workshop is back — happening next Wednesday, February 25th at 4:30pm PST.In this free, live workshop, we're breaking down what's actually working right now to build a creative business that consistently clears $10,000 per month — whether you're a photographer, filmmaker, content creator, or social media manager.We'll cover:The four stages every creative business moves through on the way to six figuresHow to build offers that scale to $10K+/moHow to price your work to maximize every job in 2026How to increase demand so you're not relying on hope or referralsIt's the exact framework we use in our own business day to day, and the workshop is live, free, and interactive with plenty of time for Q&A. Spots are capped.Register here: www.creativrise.com/workshopIf you want to experience the same environment George & Jack grew in, Round 15 starts March 15th. Applications open to the waitlist on February 25th.If you're a photographer, filmmaker, content creator, or social media manager in the wedding or brand space, join the waitlist for a chance at one of the 35 spots to build a six-figure foundation in just six weeks.Learn more and watch real client stories atwww.creativrise.comFollow Along:→ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@creativrise⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@joeyspeers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@christyjspeers⁠

If you're enjoying the content, please like, subscribe, and comment! Manu's Website: https://manurewal.comManu's Top Films: 1. CHAI PANI ETC (FICTION) (90 minutes):https://vimeo.com/ondemand/chaipanietcengsubtitles2. LE CORBUSIER IN INDIA (2x50 minutes) :https://vimeo.com/ondemand/lecorbusierinindia3. INDIAN MODERNITY, the Architecture of RAJ REWAL (5x26 minutes)https://vimeo.com/ondemand/indianmodernity4. THE PARLIAMENT LIBRARY OF INDIA, a Raj Rewal building (42 minutes)Manu Rewal is a multi-award winning Indian-French film writer-director-producer. He occasionally gives lectures on subjects related to his films in museums and at global cultural and academic institutions. He also works as a creative consultant for entrepreneurs who need advice for developing their brand and presenting their businesses in an innovative manner.His most recent fiction is a short film. A proof of concept for a feature, a thriller about the rule of law and freedom. His debut feature, Chai Pani etc, (Love, bribes etc), a coming of age satire, overcame censorship in India, before it was released in the theatres and won the Special Jury Award at the International film festival in Brussels in 2007. His first short fiction, Hollywood ki Pukar (the Call of Hollywood) a comedy, was premiered in the Director's fortnight, global eyes, in Cannes 2002.He has made 15 documentaries on architecture and cities in India. 7 were selected and 3 won awards in international film festivals, including at UNESCO Film Festival on art and education. His most recent documentary Indian Modernity (2017) was co-produced with the Centre Pompidou, Paris. Harvard, MIT, Columbia, Stanford, Cornell, Yale etc. have acquired his films.He has served on juries of film festivals in France, Belgium, Morocco, and Canada.With an Indian father and a French mother, he was born in 1966 and grew up in Delhi, India. He finished his schooling in a boarding school in the south of France. Then studied the arts and film in the Sorbonne University, Paris and filmmaking at New York University._______________________Follow us!@worldxppodcast Instagram - https://bit.ly/3eoBwyr@worldxppodcast Twitter - https://bit.ly/2Oa7BzmSpotify - http://spoti.fi/3sZAUTGYouTube - http://bit.ly/3rxDvUL#film #filmmaking #filmfestival #director #producer #documentary #movie #bollywood #hollywood #architecture #education #studio #arts #subscribe #explore #explorepage #podcastshow #longformpodcast #podcasts #podcaster #podcasting #worldxppodcast #viralvideo #youtubeshorts

Welcome to episode 180 of the Get Reelisms Podcast! Hosted by filmmakers Adam Chase Rani and Christine Chen, this episode dives deep into the realities of working in the film industry. Adam and Christine discuss the inevitable struggles of unpaid work, the importance of resilience, and the value of loving what you do. They also reminisce about their five-year journey of hosting the podcast, recounting the significant changes and growth over the years. From on-set stories to life lessons, this episode is packed with insights for aspiring filmmakers. Stay tuned as they prepare for an exciting interview with Onset Headsets!Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) About Christine W Chen:Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.For more information about Christine Chen: christinewchen.com About Adam Rani:Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow. For more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com WEBISODE version of the PodcastTIME SUMMARY:00:00 The Harsh Realities of the Film Industry00:48 Welcome to the Get Reelisms Podcast01:55 Reflecting on Five Years of Podcasting03:11 The Impact of COVID on the Podcast04:25 Teaching and the Reality Check for Students10:37 The Journey from Student to Co-Host12:01 The Evolution of the Podcast14:37 High School Memories and Acting18:01 The Art of Acting and Directing19:53 The Magic of Improvisation in Film20:20 Iconic Improvised Scenes in The Wolf of Wall Street22:05 Aging and Nostalgia23:12 Interviewing World War II Veterans25:49 Recent Projects and Film Work28:30 The Challenges and Rewards of Film Production30:20 Reflections on Career Growth and Work Ethic37:32 Living and Working in Los Angeles vs. Austin38:07 Wrapping Up and Upcoming Podcast  Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

This Labyrinth has everything: a dude with eyeballs in his hands, a sassy faun, a big ass toad, and bugs that are also fairies! This week our guest host, good friend, and Joe Dirt expert Stephen Hilger helps us get lost in dark heart of Guillermo del Toro's PAN'S LABYRINTH.Next week it's Matthew Vaughn's first foray into blockbuster filmmaking with STARDUST! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special Featuresdel Toro and FunkeThe Power of MythPan and the FairiesThe Color and the ShapeThe Melody Echoes the Fairy TaleDoug JonesGuillermo del Toro's Pan's Labyrinth: Inside the Creation of a Modern Fairy Tale by Mark Cotta Vaz and Nick NunziataCinefex #109 Production HistoryAmerican Cinematographer Production HistoryThe Hollywood Reporter 15th Anniversary Academy Q&AGuillermo Del Toro Writes His Own SubtitlesCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

BONUS DROP: A little extra chaos from episode 319, as Dustin & Logan break down their Top 5 IPs Disney Does Not Own, Yet! The franchises Mickey hasn't swallowed up, but that the guys think he should. Big speculation, bad impressions, wild takes, and the faint sound of a checkbook opening.Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-m...Our film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast...Spotify: https://open.spotify.com/show/1tf6L0e...Everything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast...Spotify: https://open.spotify.com/show/0uMm80M...Social Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21...Instagram: https://instagram.com/itcafpodcast?ig...Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=...Instagram: https://instagram.com/everythingsokp?...Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=2...Instagram: https://instagram.com/crazyantmedia?i...Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/

I'm not speaking from a place of privilege, I'm speaking from a place of survival.Alex McNab has a BA in Cultural Anthropology from Columbia University and an MFA in Film Production from the University of Southern California, where we were classmates and friends.In this conversation, Alex and I talk:* Is film school worth it? The debate between knowledge, network, and cost…* “Sloppy Saturdays” as a low-stakes practice to iterate fast and finish something weekly* Why he sees AI as using available “scraps” to keep making work in a shifting landscape* How he responds to “this is just AI” comments* My short doc Homegirls in Outer Space and Alex's animated documentary proof-of-concept Gullah Binyah: Aisha Been Watts, both playing at the Pan-African Film Festival in Culver City the week of February 16th* Workflow and where AI tools are heading* Keeping the human story so the tool doesn't become the filmYou can subscribe to Alex's Substack here. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

Colleen Foy is back on Inside The Crazy Ant Farm with Dustin for a deep dive into her whirlwind career since her last visit! From her standout work on the Law & Order/Law & Order: SVU crossover, The Hunting Party, and The Lincoln Lawyer, to stepping behind the camera as the acting coach for Netflix's XO, Kitty, Colleen shares the inside scoop on life in Hollywood today.They break down the art of auditioning in an ever-changing industry; how lighting, setting, and mindset can make or break a self-tape, and what actors should never do when going for a role. Colleen opens up about inhabiting characters far removed from herself, including dark, villainous roles, and reveals the types of parts she's still chasing, like that perfect romantic comedy lead.Packed with career insights, storytelling, and unfiltered Hollywood talk, this episode is a masterclass in craft, ambition, and fearless acting.Follow Colleen Here:Instagram: https://www.instagram.com/colleenfoy?igsh=Y2lsYjczc2h0bnIyTikTok: https://www.tiktok.com/@thecolleenfoy?_r=1&_t=ZT-93vAUS7tOObThreads: https://www.threads.com/@colleenfoyFollow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

Host Jeff Goldsmith talks to screenwriter Matthew Robinson about Good Luck, Have Fun, Don't Die. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Elijah Sullivan was born in Lexington, Massachusetts. At the age of six, his parents moved him to the infamous "spiritual vortex" of Mount Shasta. He studied journalism before dropping out of college to pursue his lifelong passion for filmmaking. His day jobs have included stints at video stores, a movie theater, and running a public access television station. THE HOLE STORY is his first feature-length project, and combines his love for film and for the people of Mount Shasta.THE HOLE STORY takes a deep dive into the discovery of a sixty-foot hand-made hole on a California mountain implicates a small town's unusual local industry in a bizarre unsolved crime.More about THE HOLE STORY at these links:Instagram: https://www.instagram.com/theholestorymovieFacebook: https://www.facebook.com/TheHoleStoryMovieIMDB: https://www.imdb.com/title/tt6795868/reference/?ref_=ext_shr_lnkLetterBoxed: https://letterboxd.com/film/the-hole-story-2025/THE HOLE STORY screens at the 10th annual MidWest WeirdFest, which runs March 5-8, 2026, at Micon Downtown Cinema, in Eau Claire, Wisconsin. More details about the fest here: https://www.midwestweirdfest.com/Elijah visits with Talking Weird to chat about the making of his amazing film, the mystery of the "hole", other strange tales from Mount Shasta, and the trials of making a feature documentary. This is a fascinating episode that you do not want to miss!

From the rolling hills of New Zealand to the technical Singapore licensing exams, Simon Josey has seen the world from two wheels. I had a blast sitting down with the host of the REEL Riders podcast to talk about our shared love for German engineering, the upcoming Adventure Motorcycle Film Festival in the UK's stunning Lake District and much more. If you've ever wondered what it's like to cross three international borders before lunch or why some motorcycle films just feel right, this is an episode you won't want to miss.The heartbeat of the episode is the launch of the Adventure Motorcycle Film Festival in the UK's Lake District—a sold-out debut that curated over 50 global submissions down to a dozen standout films. We talk candidly about programming a lineup that moves an audience through tension, humor, and quiet; the logistics of wrangling formats and files across borders; and why keeping the project independent matters to creators and viewers alike. If you've ever wondered why some moto films “just feel right,” you'll leave with a clearer checklist and new favorites to seek out.Threaded through it all is mental health and community. Weekly rides as ritual. Partners who make time possible. Dogs who reshape a work-from-home life. And the steady truth that two wheels can carry more than a rider—they can carry a week's worth of noise away. Subscribe, share this with a rider who needs a lift, and leave a quick review to help more folks find our corner of the road. Then tell us: what motorcycle film captured the feeling best for you?https://reelriders.buzzsprout.com/https://www.instagram.com/reel.riders/https://www.youtube.com/@ReelridersTV#REELRiders #BMWmotorrad #R1250GS #R1250RT #AdventureRiding #MotorcycleCinema #MotoTravel #NewEpisode Tags: Mindfulness, Motorcycle riding, mindful motorcycling, motorcycle therapy, nature connection, peace on two wheels, Rocky Mountain tours, rider self-discovery, spiritual journey, motorcycle community, open road philosophy.

Across the country, film professors have been shocked to find that many students — even students studying the craft of filmmaking — can't get through a movie anymore. They say students are having a hard time watching both the classics and newer releases. From "The Godfather" to recent films, students are distracted by their phones and unable to keep their focus. What does this mean for our collective future? Our guests discuss what they're experiencing. Our guests: Craig Erpelding, teaching faculty at the University of Wisconsin, Madison, and author of "Filmmaking with Intention: A Comprehensive Guide to Creating Engaging Motion Pictures" Amy Adrion, filmmaker and assistant professor in the School of Film and Animation at Rochester Institute of Technology Joy Anderson, filmmaker and MFA student at Rochester Institute of Technology Louisa Duchin, screenwriter and MFA student at Rochester Institute of Technology ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.