Podcasts about golden globes

What happens when a memoir promises a reckoning but delivers armor instead?In this Babes in Bookland bonus episode, I'm joined by my friend Lizzie to dig into Hayden Panettiere's memoir, This Is Me: A Reckoning. Lizzie listened to the audiobook first, and warned me it was painful, so I braced for a gutting, Christina Applegate style read, and came out with a completely different experience of the same book. That gap between the two of us became the real story of this episode.Hayden rose to fame before she was old enough to understand what fame meant, from Remember the Titans to Heroes to two Golden Globe nominated seasons of Nashville, all while quietly carrying the pressure of being Hollywood's It Girl. Her memoir promises postpartum depression, addiction, domestic abuse, and loss, and we both went in rooting for her. What we found instead was a book that kept circling its own most painful moments without ever landing on them, a codependent relationship with her mother that never gets fully named, and a custody decision that's never quite explained. We talk through what worked, why the cover and author photo tell you almost everything you need to know before you even open the book, and why they both think the deeper, more vulnerable version of this memoir is still a few years away.Listen to the full episode to hear us work through it, and let us know: would you recommend this one, or wait for the sequel? Hosted on Acast. See acast.com/privacy for more information.

"Just Shoot Me!" is a sitcom that aired on NBC from 1997-2003. The show stars Laura San Giacomo as Maya Gallo, an outspoken journalist who reluctantly goes to work at her father's fashion magazine. Surrounded by an eccentric staff, Maya finds herself constantly clashing with the superficial world she's been thrown into. With its sharp ensemble cast and fast-paced writing, the series carved out its own place during NBC's legendary Must See TV era. Just Shoot Me! was both a critical darling and a commercial hit, earning multiple Emmy and Golden Globe nominations while consistently delivering top-tier ratings across its seven-season run. Though it often lived in the shadow of NBC heavyweights like Friends and Frasier, the show proved it had plenty of laughs of its own. Will the S1E1 boys think this fashion magazine is cover-worthy, or should this issue have stayed on the newsstand? Listen as they deep dive the show's pilot episode, "Back Issues," and find out. Starring: Laura San Giacomo, George Segal, Wendie Malick, Enrico Colantoni, & David Spade www.S1E1POD.com Instagram & X (Twitter): @S1E1POD

A Filmklub podcast szezonális minisorozatában magyar filmkritikusok mesélnek a munkájukról, az életükről, az ars poeticájukról, a hozzáállásukról, az ízlésükről, az álmaikról és vágyaikról.„Utat kell mutatni a zavarosban” – mondja a filmkritika egyik legfontosabb feladatáról a Kritikusok hete új vendége, Csákvári Géza, aki több mint negyedszázada a magyar filmes újságírás egyik meghatározó alakja. 2000 és 2016 között a Népszabadság kulturális újságírója és filmkritikusa volt, 2017 óta a Népszavánál tölti be ugyanezt a pozíciót, emellett a VOX mozimagazin állandó szerzője, de publikált a Filmvilágban is. A 2010-es évek első felében Képszabadság címmel videokritika-sorozatot csinált Köves Gáborral, ebből hét epizód maradt fenn a YouTube-on.Amit egy magyar filmkritikus elérhet, azt szinte mind elérte: az egyik utolsó ember az országban, aki még főállásban írhat filmekről. 2009 óta a CineFest Miskolci Nemzetközi Filmfesztivál művészeti igazgatója, vagyis ő válogatja a fesztivál programjának jelentős részét. Az Európai Filmakadémia szavazati joggal rendelkező tagja, 2023-ban pedig egyedüli magyar újságíróként bekerült a Golden Globe-díjakról döntő nemzetközi zsűribe.Ebben az adásban arról is mesél, milyen érzés, amikor egy filmkritika nemcsak vitát, hanem fizikai konfliktust is kivált: a Blokád rendezője, Tősér Ádám egy veszprémi filmfesztiválon fellökte őt az egyik írása miatt.Saját bevallása szerint frusztrált filmes: két kisfilmet is rendezett (Tékás, Darth Vader ruha nélkül) és szereplőként feltűnt a Most vagy soha! rendezőjének elfeledett első filmjében, a 2003-as Nincs mesében. Letterboxd-fiókja nincs – a megnézett filmeket egy Excel-táblázatban vezeti –, a Facebookon lehet követni.Dolgok, amikről szó van az adásbanGéza Wikipedia-oldala, amit le akartak törölni, mert nem elég híresGöncz Árpád hazaárulásra készülő, bomlott elméjű gonosz, Antall József hős a NER új kurzusfilmjében - Géza írása a Blokádról, amit kifogásolt a film rendezőjeJó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

Maria chats with award-winning producer and director Steven Latham about his latest documentary The New Gold Standard. Executive-produced and narrated by Emmy & Golden Globe-winning actor Edie Falco, the film will capture your attention while educating you on the progress made by scientists. Many people aren't aware of the stats but over 42,000 dogs and over 106,000 monkeys are being experimented on in labs across America, as well as millions of cats, pigs, rabbits, mice and rats! With modern technology and science, animals are no longer needed for this! And the process is more accurate and cheaper than using animals!! For more info and for screenings: thenewgoldstandardfilmSee omnystudio.com/listener for privacy information.

pWotD Episode 3375: Glen Hansard Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 657,637 views on Wednesday, 29 July 2026 our article of the day is Glen Hansard.Glen James Hansard (21 April 1970 – 29 July 2026) was an Irish singer-songwriter and actor. From 1990, he was the frontman of the Irish rock band the Frames, with whom he released six studio albums, four of which reached the top ten of the Irish Album Charts. Hansard was one half of folk rock duo the Swell Season before releasing his debut solo album, Rhythm and Repose, in 2012. His second album, Didn't He Ramble (2015), was nominated for the Grammy Award for Best Folk Album.Primarily a musician, Hansard also acted and wrote music for film. He appeared in the BAFTA-winning comedy-drama The Commitments (1991) and the Golden Globe-nominated romantic drama Cyrano (2021). Hansard starred in the musical drama Once (2007), which earned several major awards including the Academy Award for Best Original Song for "Falling Slowly", with co-writer and co-star Markéta Irglová. The film was later adapted into a musical theatre production.From Ballymun in Dublin, Hansard married Finnish poet Maire Saaritsa in 2022; they had a child. He died in a motorcycle crash at the Strawberry Beds on the outskirts of Dublin in July 2026 at the age of 56.This recording reflects the Wikipedia text as of 04:04 UTC on Thursday, 30 July 2026.For the full current version of the article, see Glen Hansard on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Kajal.

Chosen by Dave, and adapted by David Mamet from his Pulitzer Prize-winning stage play, Glengarry Glen Ross was directed by James Foley and assembled one of the most formidable acting line-ups of the 1990s: Al Pacino, Jack Lemmon, Ed Harris, Alan Arkin, Kevin Spacey, Jonathan Pryce and Alec Baldwin. Made for an estimated $12.5 million, the film turns offices, restaurants and rain-soaked streets into a pressure cooker of desperation, ego and spectacularly aggressive salesmanship. Mamet reportedly received $1 million to adapt his own play, expanding the material specifically for the screen.Despite strong reviews, the film earned approximately $10.7 million at the North American box office and was not an immediate commercial success. Its reputation continued to grow through VHS, television and home-video releases, with Jack Lemmon winning the Volpi Cup for Best Actor at the Venice Film Festival and Al Pacino receiving Academy Award and Golden Globe nominations. It is now regarded as a cult classic, particularly among actors, salespeople and anyone who has ever endured a motivational meeting conducted by someone who clearly despises them.Trailer Guy SynopsisIn a struggling Chicago real-estate office, four salesmen are fighting for their livelihoods.First prize is a Cadillac. Second prize is a set of steak knives. Third prize… is unemployment.With the best leads locked away and the clock running down, every conversation becomes a contest, every customer becomes prey, and every colleague becomes a possible enemy. This week, closing the deal is not merely business.It is survival.Fun FactsDavid Mamet based the original play partly on his own experiences working in Chicago real-estate offices during the late 1960s.Alec Baldwin's character, Blake, does not appear in the original stage play. Mamet created him exclusively for the film adaptation.Baldwin appears in only one scene, yet his performance produced many of the film's most quoted lines and became a lasting part of sales culture.The famous “Always Be Closing” speech has been referenced and parodied in television shows, comedy sketches, advertising and corporate training sessions—sometimes by people who may have missed the fact that the scene is not exactly presenting healthy management advice.The movie's title refers to two fictional property developments: Glengarry Highlands and Glen Ross Farms.Al Pacino was the only member of the principal cast to receive an Oscar nomination, earning a Best Supporting Actor nomination for his performance as Ricky Roma.Jack Lemmon reportedly considered Shelley Levene one of his favourite roles, describing the character as someone who had once been successful but could no longer understand why his methods had stopped working.Jonathan Pryce's character, James Lingk, is the only significant male customer seen in the film, making his uncomfortable conversation with Roma one of the story's few glimpses outside the sales team's competitive world.Much of the cast had extensive theatrical experience, helping the dialogue-heavy production retain the rhythm, precision and intensity of a live stage performance.Support the ShowIf you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Adam C. Briggs is a prolific voice in Australian cinema, with acclaimed films like A Grand Mockery, Boogie Bobby, and his new film, Phillip Philadelphia, arriving over the span of a few years. His films are the result of collaborations with equally vital voices in Australian cinema, whether it be with Sam Dixon who co-directs A Grand Mockery and features in Phillip Philadelphia, or with Sarah Moore, who he made the short film It Flew Once with.Phillip Philadelphia is at once a lurid experience, and yet, a somewhat mournful one as well. It follows Phillip, a Golden Globe nominated British screenwriter who finds himself whiling away his existence with fuckboy boyfriend Antony (Oliver Cameron) on the vibrant Gold Coast. The neon lights of The Pink Poodle bathe Phillip and Antony as they exist in this desperate town that masquerades as a city.Phillip Philadelphia examines colonialism through a modern perspective, with Phillip regularly swilling liquor from the decapitated head of a Captain Cook bottle. There's a garish tone to the film that welcomes you to luxuriate in it, all the while the theme song by Sanfeliu lingers in the background.It's one thing to pontificate over the film, but it's another to ask Adam about the making of it, what his intentions are with the film, and more. I've been fortunate enough to run a couple of Q&A sessions with Adam at Perth's Revelation Film Festival so have an understanding of what kinds of questions Adam likes - or doesn't like - to answer.It's that perspective about how he likes to discuss his work that opens the following interview. We explore the perception of his films, the nose that Phillip has on his face, and engaging with Sanfeliu to create the theme for Phillip Philadelphia.Phillip Philadelphia screens at the Melbourne International Film Festival on 7 & 9 August 2026. Visit MIFF.com.au for tickets.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Hollywood is not trying to stop a monopoly by blocking the Paramount Skydance merger with Warner Bros. It's trying to protect one.If a monopoly means near-complete control over what gets made, promoted, and rewarded, then much of Hollywood and the cultural institutions around it operate under the ideological consensus of the Left and the Democratic Party. Why do the Obamas have a long-running production deal at Netflix? Why do the Emmys consistently elevate late-night hosts whose politics align with that consensus? Jimmy Kimmel, John Oliver, Stephen Colbert, Jon Stewart? Do you think they'd ever nominate Greg Gutfeld, whose show often tops them all in ratings? If that isn't an ideological monopoly, I don't know what is. Why did major awards shows stay silent on Charlie Kirk? Why did so many artists cancel Kennedy Center appearances after its Trump-era changes, and why did multiple acts drop out of America 250 events?David Ellison and Paramount Skydance are attempting something brave and unprecedented: an outside challenge to that consensus. Their roughly $110 billion bid for Warner Bros. Discovery would give them control of a major studio, HBO/Max, CNN, and a large portfolio of cable and streaming assets. While there has been some resistance to the biggest mergers in recent history, we've never seen anything like #blockthemerger. Meet the new resistance, same as the old resistance. 12 state attorneys general, including California, have sued to block the deal. The Writers Guild of America has filed its own antitrust lawsuit. SAG-AFTRA has publicly opposed the merger, though it has not joined the litigation. Opposition also includes the Future Film Coalition (which leads the #BlockTheMerger campaign), Democracy Defenders Fund, Committee for the First Amendment, Free Press, the International Documentary Association, and the American Economic Liberties Project, among others. More than 5,600 industry figures have signed an open letter against the deal, including Mark Ruffalo, Jane Fonda, Javier Bardem, Elliot Page, Emma Thompson, Ben Stiller, and Cynthia Nixon.Paramount Skydance has, for now, delayed closing. Can they hold the line under this unprecedented pressure campaign? Hope springs eternal. But you won't read about that point of view in any of the trades. They're a monopoly, too. Most of them are owned by the same entity, Penske Eldridge. Just today, it was announced that the Hollywood Foreign Press, the former owners of the Golden Globes, are suing Jay Penske for $150 million. They are claiming Penske orchestrated their downfall so he could buy the Golden Globes. Jay Penske already owns Deadline, The Hollywood Reporter, Variety, Indiewire, Gold Derby predicting site, Rolling Stone, a virtual monopoly on the awards race from soup to nuts. Gold Derby shapes the nominees, the trades take ads from the studios and the Golden Globes hand out the awards. But wouldn't you know, when Rebecca Keegan wrote a hit piece on me, she did so in the Hollywood Reporter, owned by Penske Eldridge. I was a vocal and prominent critic of Penske's growing monopolistic power on the awards race and one of the few willing to speak out. With one hit piece, the Penske company took out both a competitor for ad money and a pesky nuisance for the brand. That is what you call a monopoly. A Climate of Fear and A Culture of SilenceI found out firsthand how monopolies work in Hollywood when I was canceled in 2024. The day a Hollywood Reporter story labeled me a “MAGA darling,” one studio pulled its ads from my site that day. The last thing they wanted was to be associated with an accused and condemned witch.It was shocking how many of them fell in line in robotic fashion, gripped with fear. The response was swift and uniform. Every writer on my site left to protect their reputations. Friends of fifteen years ended the friendship. My Oscars ticket was revoked. Jane Fonda's Women's Media Center fired me from their annual Oscars report. Screening and party invitations dried up. I was benched on Gold Derby.Worst of all, the lucrative studio ad buys for the Oscars and Emmys vanished. As it all collapsed, I remembered in 2012, an advertising strategist telling me I could be making far more money if I sold the site better. “You have no baggage to speak of,” she'd said.That was true then. I was one of the few independent Oscar sites left, and still am, known around town for being honest to a fault. I stayed independent even as the ad money made life more comfortable for me and my daughter than it had ever been.There was never any question why my career ended in Hollywood: I had been outed as a Trump voter. I was on the wrong side of Hollywood's progressive orthodoxy, and that meant I was finished.How it started…I started Oscarwatch.com as a single mom with a one-year-old baby living in a studio guest house in Van Nuys, California, in 1999. I was an early web pioneer with a 1200-baud modem and a really good idea. I was already catching the attention of publicists and rocking the boat, as all of us amateurs did back then. We were moving fast and breaking things. Traditional media was not ready. The studios weren't either. They were used to having a monopoly on Oscar FYC ads in Variety and the Hollywood Reporter, their bread and butter. Until the blogs came along.By 2006, I was starting to make money because my little site had birthed a big bang of other Oscar sites, and by then even the New York Times had an Oscar blogger, the late great David Carr, who called himself the Carpetbagger.David Carr became a mentor of sorts and encouraged me to sell ads for myself, rather than piggyback off bigger sites. I was working three jobs by then: as a horoscope writer under a pseudonym (Laura Wilde), a janitor working my dad's routes because he was a good guy and knew I needed the money, and a freelance film critic.Right around then, the Academy of Motion Picture Arts and Sciences sued me for trademark infringement, and my site was renamed AwardsDaily.com. Now I was cleared to start making real money.David Carr was horrified that I was working as a janitor while the trades were raking in millions on Oscar ads and encouraged me to start sending out RFPs. But I didn't have to, because before long the studios were sending them to me. My site became so influential that I never really had to pitch to them. They all wanted real estate on my site. Who could ever have imagined that? Certainly not me, someone who got online in 1994 back when no one thought you could make money on the internet.One of the first studios that bought ads was Fox Searchlight, an awards subsidiary of Fox. I called it Big Fox and Little Fox, and both advertised on my site. When I got my first $15,000 just to run ads, I was stunned. That was more money than I had ever seen on a check. I was just kind of faking it, pretending I knew what I was doing, but I really didn't.Of course, it was also about promoting films the studio wanted to place in the Oscar race, and that's still what it's about. It's not exactly pay-to-play, but most of the bloggers making money in the Oscar game are grateful and help keep the advertisers' movies prominent. I did too.I barely noticed in 2019 when Disney bought Fox for $71 billion. The Writers Guild objected to the merger, just as they have to the Paramount Skydance merger with Warner Bros., but there was nowhere near the same amount of public outcry.Trump praised the Disney/Fox merger after having attempted to stop the 2018 merger of AT&T and Time Warner, leading to a trial, but the judge ruled against the Trump administration, and the deal went through. Again, no major public outcry.At some point after 2020, I'd noticed that Disney had stopped advertising on my site. I wrote it off as their shying away from my comments on “gender affirming care” for kids. I'll never know exactly why, but all I do know is that once the merger went through, Fox and Fox Searchlight also stopped advertising. The Paramount/Skydance merger with Warner Bros. is significantly higher and covers more territory than any of the major corporate mergers we've seen as Hollywood reshuffles the deck amid the shift to streaming. Warner Bros. was selling. The only question was whether Netflix or Paramount Skydance would buy it. Both deals would have had the blessing of the Trump administration.But because it's David Ellison and the team that bought CBS, and because Trump is an ally, the Democrats and the Left have turned #BlockTheMerger into another No Kings protest or battle for the “resistance.”After the story about me broke in the Hollywood Reporter, Netflix also stopped advertising. No other studio except Focus Features, an adjunct of Universal, had the courage to run ads on my site. I was now officially blacklisted. Emails to the various studio reps went unanswered.This past year, Paramount bought a modest ad package on my site for the Emmys to celebrate the success of Landman and The Madison. I felt lucky to get it, and it was a sign, at least to me, that Paramount, like Focus Features, was brave enough to take a chance on someone deemed too toxic by the industry.Landman, Taylor Sheridan's Billy Bob Thornton drama, had become one of Paramount+'s biggest hits: its first season averaged 15.8 million viewers in Nielsen's cross-platform ratings and ranked among the top 10 series of the 2024-25 season. Season 2 opened to a Paramount+ record 9.2 million views in its first few days and continued to dominate the streaming charts, at one point leading all multiplatform viewing with more than 14 million. The Madison, starring Michelle Pfeiffer, launched as Sheridan's biggest series debut yet, drawing 8 million views in its first 10 days.But unfortunately, #blockthemerger had bled into the awards ecosystem, which remains a closed loop. Sure enough, when the Emmy nominations arrived, the Paramount shows were completely blanked—even Billy Bob Thornton in Landman and Michelle Pfeiffer in The Madison. Kathy Bates was similarly overlooked for Matlock.If Gold Derby shapes the Emmy nominations, and they do, they have to similarly play ball by blacklisting all Paramount Plus's most popular shows, proving to American audiences that the industry does not care about what they want or what they watch. Sheridan has transformed much of the television landscape, thanks to Paramount Plus. If Paramount buys Warner Bros., they won't be creating a monopoly but breaking one up. The Death RattleI know I should walk away from this industry and give up the site that took me 26 years to build. But I just can't do that. I can't let them win. Now that I've walked in the shoes of the other half of the country, I can clearly see why Hollywood's empire is collapsing. If ratings and box office don't matter, neither do audiences. None of this is about artistic freedom or making better movies or television shows. This is the Left flexing its muscle in an attempt to keep all of Hollywood to itself, to push its ideology on the people, to convert them, to indoctrinate them, to “correct them,” everything but entertaining them. Most of all, though, it is about one man: Donald Trump and their failure to stop him, destroy him, kill him, or exile him and his supporters. This is one of the most exciting times to be living through in American history, but you'd never know it by the movies and TV shows Hollywood pumps out. Their monoculture, their one-sided point of view, has choked the life out of Hollywood. If they could make fun of themselves, if they could humanize their fellow Americans, they might be able to tell stories that resonate with everyone. Maybe, just maybe, they would breathe new life into a decaying organism.But they can't risk it. Like the Democrats who don't trust the people with elections, Hollywood doesn't trust them with the culture.Elon Musk spent $44 billion to take Twitter out of the hands of its previous gatekeepers. Ellison is now trying to pry open a crack in the thick shell of Hollywood's product and return more of it to market forces and all of those people Hollywood left behind. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Today on the Invest In Her Podcast, host Catherine Gray talks with 6-time Emmy award-wining Actress Tyne Daly of Cagney and Lacey fame and award-winning director Eric Dyson, to talk about their upcoming fundraiser for his important and moving Alta Dena fires film.  On Sept 17, 2026 there will be an Extraordinary Evening of Legacy, Storytelling, and Purpose. Join us at an intimate private theater in West Hollywood for an exclusive Cagney & Lacey Reunion featuring Emmy Award-winning actresses Tyne Daly and Sharon Gless, hosted by Golden Globe-nominated actress Susan Anton.   Limited to just 50 guests, this unforgettable evening includes a premiere short film, a live reunion conversation, audience Q&A, and an auction of rare Cagney & Lacey memorabilia—all in support of an important cause. The event benefits Parable of the Ashes, a feature documentary inspired by the prophetic work of acclaimed author Octavia Butler and the devastating aftermath of the Eaton Fire. This event is sponsored by the Sunset Marquis.   The film explores the profound disparity that left Altadena disproportionately impacted while many surrounding communities were spared—echoing the social inequities and climate realities Butler envisioned decades ago. More importantly, it will help preserve Altadena's history, document its recovery, educate future generations, and serve as a fundraising tool to support the community's rebuilding efforts. Directed by award-winning filmmaker Eric Dyson, whose acclaimed documentary short on the Eaton Fire won Best Documentary Short at the Pasadena International Film Festival and the Burbank Film Festival, will direct a feature will expand this powerful story through the voices of residents, historians, and community leaders.   Your tax-deductible contribution through 501(c)3 From The Heart Productions directly supports the production and distribution of this documentary, ensuring it reaches audiences, schools, and communities while generating awareness and resources for Altadena's continued recovery.   Together, we can preserve an important story, honor an extraordinary community, and transform film into a lasting instrument for education, remembrance, and renewal. A portion of the proceeds will also go to Civic Soul, a non profit stated by Actor John Stamos and his wife Caitlin- that is helping the fire survivors.   We hope you'll join us and become part of this important journey with your donation or investment. For tickets and/or producing opportunities, contact www.EricDyson.net Or reach out to Catherine Gray or Eric Dyson on LinkedIn! Websites Mentioned: Show Her The Money – https://showherthemoneymovie.com She Angel Investors – https://www.sheangelinvestors.com   Follow Us On Social Facebook @sheangelinvestors Twitter (X) @sheangelsinvest Instagram @sheangelinvestors & @catherinegray_investinher LinkedIn @catherinelgray & @sheangels  

Adam C. Briggs is a prolific voice in Australian cinema, with acclaimed films like A Grand Mockery, Boogie Bobby, and his new film, Phillip Philadelphia, arriving over the span of a few years. His films are the result of collaborations with equally vital voices in Australian cinema, whether it be with Sam Dixon who co-directs A Grand Mockery and features in Phillip Philadelphia, or with Sarah Moore, who he made the short film It Flew Once with.Phillip Philadelphia is at once a lurid experience, and yet, a somewhat mournful one as well. It follows Phillip, a Golden Globe nominated British screenwriter who finds himself whiling away his existence with fuckboy boyfriend Antony (Oliver Cameron) on the vibrant Gold Coast. The neon lights of The Pink Poodle bathe Phillip and Antony as they exist in this desperate town that masquerades as a city.Phillip Philadelphia examines colonialism through a modern perspective, with Phillip regularly swilling liquor from the decapitated head of a Captain Cook bottle. There's a garish tone to the film that welcomes you to luxuriate in it, all the while the theme song by Sanfeliu lingers in the background.It's one thing to pontificate over the film, but it's another to ask Adam about the making of it, what his intentions are with the film, and more. I've been fortunate enough to run a couple of Q&A sessions with Adam at Perth's Revelation Film Festival so have an understanding of what kinds of questions Adam likes - or doesn't like - to answer.It's that perspective about how he likes to discuss his work that opens the following interview. We explore the perception of his films, the nose that Phillip has on his face, and engaging with Sanfeliu to create the theme for Phillip Philadelphia.Phillip Philadelphia screens at the Melbourne International Film Festival on 7 & 9 August 2026. Visit MIFF.com.au for tickets.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Constance Wu stars in a new sci-fi thriller, The Outer Threat, filmed right here in Canada. Constance is most recognizable for her role in Crazy Rich Asians, which earned her a Golden Globe nomination. She's also the bestselling author of her memoir, Making a Scene. She joins guest host Garvia Bailey to talk about the new film, her craft, and her memoir.

Pickleball could change your life! So says Mary Steenburgen and her new film star-studded “The Dink” as she talks about the film in this fun conversation about her storied 50-year career in Hollywood including how she chooses projects and roles and what it is about this role in “The Dink” that was unlike any other she has played.

Rosie Perez has long been synonymous with New York and hip hop culture, starting with her appearances on “Soul Train”, her iconic choreographies and her big break with Spike Lee in “Do the Right Thing”. But when the Oscar, Golden Globe, and Emmy-nominated actress received a call to host a podcast about salsa music history, the native Nuyorican immediately said yes. Rosie is the host of Futuro Media’s new podcast “Our Thing: The Birth of Salsa in Nueva York” about the history of salsa in the city, the legends behind the music and Fania Records–often called “the Motown of Salsa”. On this episode of Latino USA recorded in front of a live audience at WNYC’s The Greene Space in New York City, Rosie Perez opens up about the experience. We discuss her love of boxing, what it means to grow up Nuyorican, and what salsa history means to her. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter.See omnystudio.com/listener for privacy information.

Welcome to a very special takeover episode of The Filmmakers Podcast! This week, the founders of the Female Film Club, Nicole Lieberman and Liza Van Der Smissen, take over the mic from Giles and Dom! Founded to champion films told from the female gaze, the Female Film Club is an online platform that connects female filmmakers internationally and provides a safe, dynamic space to network and collaborate. In this packed episode, Liza (an actor and producer who researched flawed female characters in modern film) and Nicole (a producer with a background in human rights law) sit down with two incredible industry experts. Olissa Rogers (Casting Director) Olissa is an Emmy Award-winning casting director, honored for her work on African Queens: Njinga. Her impressive casting credits span across massive television and film hits, including Netflix's Wednesday, Apple TV's Ted Lasso, Damsel, and The Count of Monte Cristo. Olissa dives deep into the casting process, offering vital advice for independent filmmakers on how to attach the right talent to a project and what casting directors look for when building an ensemble. Miriam Spritzer (Journalist & Philanthropist) Miriam is a highly accomplished international journalist reporting for major media outlets across the globe, bringing South American perspectives to the U.S. and vice versa. Alongside her media work, she is an elected board member of the Golden Globe Foundation, an independent nonprofit that donates millions to support underrepresented voices in film, television, and journalism through grants and mentorships. Miriam shares her expertise on how filmmakers can successfully pitch their projects to the press, get media coverage, and navigate the world of international entertainment journalism. Follow and Subscribe: Learn more about the Female Film Club and join their community at their website! https://femalefilmclub.com/ Subscribe to The Filmmakers Podcast for more weekly deep-dives into the craft and business of making movies.

On this episode of Americana Podcast: The 51st State, host Robert Earl Keen welcomes acclaimed singer-songwriter, actor, and Academy Award winner Ryan Bingham for a conversation recorded at the legendary Continental Club in Austin, Texas. Before Hollywood recognition and Yellowstone fame, Bingham's life was shaped by the realities of the American West—rodeo circuits, ranch work, and years spent writing songs rooted in lived experience rather than romanticized myth. That authenticity became the foundation of a career that began with his breakthrough album Mescalito and led to an Academy Award, Golden Globe, and Grammy for "The Weary Kind" from Crazy Heart. Bingham joins REK to discuss his long-awaited return with They Call Us the Lucky Ones, his first studio album in seven years. Created alongside longtime collaborators The Texas Gentlemen, the record emerged from relaxed jam sessions rather than meticulously planned studio work, resulting in an album that feels both spontaneous and deeply personal. Together, REK and Bingham explore songwriting, growing up in the American West, finding an authentic creative voice, and the experiences that continue to shape Bingham's music. It's a conversation about resilience, gratitude, and why the most enduring songs are often the ones that simply tell the truth. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

TVC 743.4: Ed welcomes Jane Seymour, the Emmy Award-winning and Golden Globe Award-winning actress known around the world as Dr. Quinn, Medicine Woman and, more recently, as the star and executive producer of Acorn TV's hit Irish mystery series Harry Wild. Season Five of Harry Wild recently premiered on Acorn TV and is marked by the highly anticipated on-screen reunion between Jane and her longtime co-star on Dr. Quinn, Joe Lando. New episodes of Harry Wild air Mondays exclusively on Acorn TV. Topics this segment include how Joe came to join the cast of Harry Wild this season; the family-like atmosphere among cast and crew; how Jane, like Harry, has reinvented herself more than once throughout her life and career; why Jane enjoys breaking glass ceilings (as she did on Dr. Quinn as well as on Harry Wild); how Jane approaches playing historical figures, which she has done many times in her career; and why Harry Wild continues to be such a fan favorite.

Il était le paléontologue de Jurassic Park, l'époux brutal de La Leçon de piano, l'officier russe d'Octobre rouge ou encore l'inspecteur Chester Campbell dans la serie Peaky Blinders. Notre personnage de la semaine, c'est Sam Neill. L'acteur néo-zélandais nous a quitté ce lundi 13 juillet, à l'âge de 78 ans. Du cinéma d'auteur de Jane Campion aux superproductions de Steven Spielberg, nommé aux Golden Globes et aux Emmy Awards. Sam Neill aura prouvé, cinq décennies durant, qu'il était un acteur caméléon.

pWotD Episode 3359: Sam Neill Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 2,453,026 views on Monday, 13 July 2026 our article of the day is Sam Neill.Sir Nigel John Dermot "Sam" Neill (14 September 1947 – 13 July 2026) was a New Zealand actor and businessman. Known as a leading man in film and television, he has received nominations for three Primetime Emmy Awards and two Golden Globe Awards. He was appointed an Officer of the Order of the British Empire in the 1991 Queen's Birthday Honours, for services as an actor.Born in Northern Ireland to an English mother and a New Zealand father, Neill moved to Christchurch with his family in 1954. He first achieved recognition with his appearance in the film Sleeping Dogs (1977), followed by leading roles in My Brilliant Career (1979), The Final Conflict (1981), Possession (1981), Evil Angels (1988), Dead Calm (1989), Death in Brunswick (1990), The Hunt for Red October (1990), The Piano (1993), In the Mouth of Madness (1994), Event Horizon (1997), The Dish (2000), and Hunt for the Wilderpeople (2016). He came to international prominence as Dr. Alan Grant in Jurassic Park (1993), a role he reprised in Jurassic Park III (2001) and Jurassic World Dominion (2022).On television, he portrayed Merlin in the miniseries Merlin (1998) and Merlin's Apprentice (2006), the former of which earned him nominations for the Primetime Emmy Award and the Golden Globe Award. He was also Golden Globe-nominated for playing Sidney Reilly in Reilly, Ace of Spies (1983) and a British Officer during World War II in One Against the Wind (1991). He also played Thomas Wolsey in The Tudors (2007), and as Major Chester Campbell in Peaky Blinders (2013–2014). He is also known for narrating various documentary projects.This recording reflects the Wikipedia text as of 04:05 UTC on Tuesday, 14 July 2026.For the full current version of the article, see Sam Neill on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Patrick.

Today's episode features a very special guest, Hadassa Candiani, known professionally as Adassa, whom you may recognize as the voice of Dolores Madrigal in Disney's Encanto. In this vulnerable conversation, I get to talk with Adassa about what it means to keep showing up—for your family, your work, and yourself.Adassa shares her experience of surviving a Covid-related paralysis that nearly ended her career and left her unable to sing, move, or care for her children. Her healing came through her faith and husband's support. We also talk about how creative expression through writing her memoir, combined with music, gave her a new outlet for healing, as well as breaking down the stigma around struggles.Adassa is an Oscar, Grammy, and Golden Globe winning artist and a featured vocalist on the Billboard Hot 100 number-one hit “We Don't Talk About Bruno.” A Colombian American mother of seven, she has performed alongside Lin-Manuel Miranda (who is kind of a hero in our household), Pitbull, Snoop Dogg, and Megan Thee Stallion. Her debut memoir, Love Keeps Showing Up: Music, Messes, and Miracles, releases alongside a ten-track country album, both telling the story of a woman who kept going with when everything said stop.If you are facing challenges in your life that seem overwhelming and need a little inspiration to keep going, you will certainly enjoy listening to this delightful interview.And stay tuned for a little extra at the end!Get to know Adassa:WebsiteTikTok @adassaofficialX @adassaofficialFacebook @adassaofficialpageInstagram @adassaofficialLinkedInBook recommendations:The Giver: A Story About Conformity, Control, and Society, by Lois LowryThe Sunshine Mind: 100 Days to Finding the Hope and Joy You Want, by Tanya Radd and Raquelle Stevens Follow me on:Instagram @stacyennisFacebook @stacyenniscreativeLinkedInYouTube @stacyennisauthorTo submit a question, email hello@stacyennis.com or join my email list http://stacyennis.com/join and fill out the form on the page.

Backlash over The Odyssey movie, Dave Landau back in-studio, Justin Verlander retiring, Mackenzie Shirilla: Prison Influencer, OnlyFans top cities, and the Chattanooga outrage train. Dave Landau stops by the studio today. Check out his tour dates. Dave will be on Gutfeld! tomorrow night.  Jaden Smith entered a restaurant while holding on to his junk. Brother Bilaal is still attacking the family. Jada and Will are back living together JLo exited a restaurant in the most annoying way possible. Chattanooga News is up in arms over a part-time train conductor being a bit too patriotic on the job. A couple of tattletales called him out and now he's fired. Graham Platner's ex-girlfriend says he used to removed condoms during sex without consent. It's also known as 'stealthing'. Music: Bon Jovi is back on stage and Jon is center stage. Richie Sambora sounds a little better to be honest. Vince Neil sounded great over the weekend. Nicholas Cage is one of our finest actors. The Odyssey: The trailer for Christopher Nolan's new movie has a lot of views and negative comments.  Elliot Page is super ripped now and getting hate for her role in the film. Lupita Nyong'o is stirring it up. John Leguizamo pretends to be Greek in the film. Supergirl BOMBED and Milly Alcock is not helping. We check out Crack Amico's parody song ripping the Riyadh Comedy Festival comics.  Rainn Wilson has a problem with Ricky Gervais' Golden Globes speech... from 2020. Paige Shiver is the victim and sues the University of Michigan after banging head coach Sherrone Moore. Mackenzie Shirilla is looking good in prison and keeping her Instagram updated. Susan Smith likes to bang in prison. Sarah Pender had a love affair with a corrupt correctional officer. Shout out to Tilly. Charles Barkley and James Taylor wanted nothing to do with Taylor Swift and Travis Kelce's wedding. We can't get over the fact that Dean Blandino was invited. Margaret Qualley has dumped Jack Antonoff. Maybe he'll get back with Lena Dunham. Miami news anchor, Jenise Fernandez, is smoking hot and her spicy pics on Instagram despite her station not being too thrilled about it. Top Ten Simp Cities: Atlanta tops the list for OnlyFans use. Grand Rapids loves the content as well. Jelly Roll and Bunnie Xo are on the outs. Bunnie is ready to bang the young dudes. Emily Ratajkowski is writing a book about all the dongs she has conquered since her divorce. Justin Verlander is hanging up the cleats at the end of this season. Here is some recent video of Justin on the mound. Phil Mickelson is trying to catch Tiger Woods in controversies. Jim's list tomorrow is completely sucking up to Drew Lane. Click for your chance to win Drew's Champions Club tickets! Merch, yo. Check it. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley, BranDon, and Roberto).

REBROADCAST OF EPISODE 222We examine the movie Barbie from the standpoint of social interactions and libertarian principles. We can conclude that Barbie is a wonderful satire with multiple nuances for consideration. The libertarian principle of personal freedom, and the relationship to the freedom of others, is the most important take away.Watch our video: The Movie "Barbie" and Libertarian Principles (ep 222)Barbie is a 2023 fantasy comedy film directed by Greta Gerwig from a screenplay she wrote with Noah Baumbach. Based on the eponymous fashion dolls by Mattel, it is the first live-action Barbie film after numerous animated films and specials. Starring Margot Robbie as the title character and Ryan Gosling as Ken, the film follows them on a journey of self-discovery through Barbieland and the real world following an existential crisis. It is also a commentary regarding patriarchy and the effects of feminism. The supporting cast includes America Ferrera, Michael Cera, Kate McKinnon, Issa Rae, Rhea Perlman, and Will Ferrell.A live-action Barbie film was announced in September 2009 by Universal Pictures with Laurence Mark producing. Development began in April 2014, when Sony Pictures acquired the film rights. Following multiple writer and director changes and the casting of Amy Schumer and later Anne Hathaway as Barbie, the rights were transferred to Warner Bros. Pictures in October 2018. Robbie was cast in 2019, after Gal Gadot turned down the role due to scheduling conflicts, and Gerwig was announced as director and co-writer with Baumbach in 2020. The rest of the cast was announced in early 2022. Principal photography occurred primarily at Warner Bros. Studios, Leavesden, England, and at the Venice Beach Skatepark in Los Angeles from March to July 2022.Barbie premiered at the Shrine Auditorium in Los Angeles on July 9, 2023, and was released in the United States on July 21. Its concurrent release with Universal Pictures' Oppenheimer was the catalyst of the "Barbenheimer" phenomenon, encouraging audiences to see both films as a double feature.The film grossed $1.446 billion and achieved several milestones, including the highest-grossing film of 2023 and the 14th highest-grossing film of all time. Named one of the top 10 films of 2023 by the National Board of Review and the American Film Institute, it received widespread critical acclaim and other accolades, including eight Academy Award nominations (among them Best Picture), winning Best Original Song for "What Was I Made For?"; the song also won Golden Globe Award for Best Original Song while Barbie was awarded Golden Globe Award for Cinematic and Box Office Achievement.Watch the Barbie | Main Trailer Barbie | Main Trailer#barbie #coffee #consideration #freedom #interactions #julie #libertarian #libertarians #mike #movie #nuances #personal #principles #psychology #social #standpoint #talkFollow Us:YouTubeXFacebookBlueskyAll audio & videos edited by: Jay Prescott Videography

What if aging gracefully is not about trying to look younger, but about staying energized, purposeful, healthy, and connected to yourself? In this episode, Dr. Taz sits down with Jane Seymour to talk about healthy aging, beauty from the inside out, energy after 70, and the daily habits that help her keep showing up with vitality.Jane shares how she thinks about sleep, movement, supplements, intermittent fasting, beauty standards, Botox, mindset, and living with purpose. Together, Dr. Taz and Jane explore why aging does not have to mean slowing down, and how women can support their bodies, chemistry, skin, energy, and confidence at every stage of life.If you're listening to this and thinking, “My symptoms feel connected, but no one is helping me connect the dots,” join the Circle here:

Simon and Rachel speak with the novelist and screenwriter Tom Rob Smith. Tom wrote his first novel, "Child 44", about a serial killer in Soviet Russia, at the age of 26. After publication in 2008, the novel went on to sell over two million copies, with translations in 35 languages. It won the International Thriller Writer Award for Best First Novel, the CWA Ian Fleming Steel Dagger Award, and became the first thriller to be longlisted for the Booker Prize. In 2015 "Child 44" was also turned into a film starring Tom Hardy and Gary Oldman. Tom's other novels include "The Farm", "Cold People" and most recently "Twenty Years Together". His work for the screen includes the BBC show "London Spy", which was nominated for a Bafta, and the FX series "American Crime Story: The Assassination of Gianni Versace", which won a Golden Globe. We spoke to Tom about his bestselling debut, his screenwriting projects, and going in a different direction with his new book.  In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.   We've also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We've added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jason Fraley interviews Lou Diamond Phillips, star of the new crime drama “Gangland,” which opens in movie theaters and streaming today. He called in to preview the film and reflect on his career, from his breakthrough role in the Ritchie Valens biopic “La Bamba” to his Golden Globe nomination for the urban high-school drama “Stand & Deliver.” (Theme Music: Scott Buckley's "Clarion")

FRANCE 24's Olivia Salazar-Winspear brings us all the latest from the Avignon performing arts festival, which is celebrating its 80th anniversary. This year, Golden Globe winners, Brazilian actor Wagner Moura and French actress Isabelle Huppert are starring in shows. The festival has also chosen Korean as its language of honour and turns the spotlight on artists from the Mediterranean region. Salazar-Winspear also talks to the co-director of Avignon's fringe program. It's known as the "off" in French and features more than 1,700 shows performed in public spaces around the city. Finally, she gives us her recommendation for a fringe show that is not to be missed.

When Drew Lachey (98 Degrees) and Lea Lachey (Choreographer) asked their students to anonymously write down the ways they didn't feel seen, they had no idea it would change the course of their lives. Those handwritten stories became the foundation for Label•less, the moving new Off-Broadway theatrical experience encouraging audiences to look beyond labels and reconnect through empathy. In this special The Art of Kindness conversation, Drew and Lea join Robert Peterpaul to discuss how kindness shapes every aspect of their work—from directing and teaching to parenting and creating safe spaces where artists can thrive. This podcast podcast episode covers: How their new show Label•less was born out of classroom Redefining labels from educator to parent to pop star and what they really mean Building rehearsal rooms with love instead of fear How kind leaders are better leaders Why they can't shake an interaction with one random security guard, plus more. Label•less is a groundbreaking new 90-minute musical experience that gets real about the challenges we all face in today's world. Created by Drew Lachey (98 Degrees & “Dancing With the Stars”) and choreographer Lea Lachey, Label•less features a wildly talented cast of young adults sharing real-life experiences and taking audiences on an emotional journey packed with soaring vocals and electric dancing. With an original score spanning rock, pop, and R&B, plus hit songs like “Born This Way” and “Rise Up,” Label•less is on a mission to break down barriers, remind us of our shared humanity, and envision life beyond labels. Learn more: labellessmusical.com DREW LACHEY (Creator, Co-Director, Writer, Producer), a proud Cincinnatian, is best known for his multiplatinum pop group 98 Degrees, selling more than 10 million records worldwide and achieving eight top 40 singles in the United States. He also appeared on ABC's “Dancing with the Stars” and was crowned Season 2 Champion. A Broadway veteran, he starred as Mark Cohen in Jonathan Larson's Pulitzer Prize–winning musical Rent and as King Arthur's right-hand man, Patsy, in Mike Nichols' Tony Award–winning production of Monty Python's Spamalot. Additional onstage work includes Corny Collins in Hairspray, Charlie in Kinky Boots, and Zach in A Chorus Line. Drew also hosted ABC's “Dance War: Bruno vs. Carrie Ann,” HGTV's “$250,000 Dollar Challenge,” Design Network's “Date My House,” “America Sings,” “The Price Is Right Live,” “Let's Make a Deal Live,” and the Miss USA Pageant. He currently lives in Cincinnati, where he, along with his wife, Lea, created and run Lachey Arts, a performing arts nonprofit.    LEA LACHEY (Creator, Co-Director, Choreographer, Producer) a native of Cincinnati, has worked professionally in many different areas of the entertainment industry. Whether creating for stage or film, theater or concerts, she believes in the power of storytelling. Over the years, she has worked with organizations and artists including the Radio City Rockettes, 98 Degrees, Missy Elliott, Walt Disney, the NBA, and the NFL. Her work has been seen on “Good Morning America,” the “Today” show, Miss America, Miss Teen USA, MTV, and VH1. Over the last several years, she has had the honor of working as choreographer and dance consultant on multiple films, including Carol, starring Academy Award–winning actress Cate Blanchett and Kyle Chandler; Miles Ahead, starring Golden Globe Award–winning actor Don Cheadle and Emayatzy Corinealdi; and “A Christmas Melody,” directed by and starring Grammy Award winner Mariah Carey and starring Lacey Chabert. Lea is currently the Co-Artistic Director of Lachey Arts, a performing arts nonprofit based in Cincinnati.  Follow us: ⁠⁠⁠@artofkindnesspod⁠⁠⁠ / ⁠⁠⁠@robpeterpaul⁠⁠⁠ Support the show! (⁠⁠⁠https://www.buymeacoffee.com/theaok⁠⁠⁠) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we have a look at the 1981 Slasher film JUST BEFORE DAWN. This is Episode 488! JUST BEFORE DAWN is a 1981 American slasher film directed by Jeff Lieberman and starring Chris Lemmon, Gregg Henry, Deborah Benson, Ralph Seymour, Jamie Rose, and George Kennedy. The film follows a group of hikers who travel into a mountainous region of Oregon to visit property inherited by one of them, only to be hunted by a ruthless backwoods killer. PLUS, once more we are joined by very special guest JOHN LOGAN-- John has been nominated for the Oscar three times and has received Golden Globe, BAFTA, WGA and Edgar awards. His film work includes Skyfall, Gladiator, The Aviator, Hugo, Rango, Sweeney Todd, They/Them, The Last Samurai, and Any Given Sunday. His most recent release is the movie Michael, about Michael Jackson. Michael has been a monumental commercial success, the highest-grossing biopic of all time, the highest-grossing musical biopic and the biggest film in Lions Gate's history. Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

They've got lobster on their mind!  Sam Smith is a BRIT Award, Grammy, Golden Globe and Oscar-winning singer and songwriter. They join us ahead of the release of their new album, Hazel Eyes, which is released on 21 August and features their new single, My Guy. But first, it's time for the long-awaited debut of lobster on Dish, the perfect star ingredient for a guest who once had aspirations to be a fishmonger, and also ideal to help Angela through a small hangover.  Sam lives in New York with their partner Christian, and tells us about the impact the move has had on their tastebuds and their capacity to handle heat. They've also recently started a food blog on Instagram, SamServed, where you can get a glimpse of their favourite dishes including fish and chips, peanut butter and chicken wings. Another favourite is turnip cake, which tastes so good, Sam had it tattooed on their body.   We start with caviar on crisps and ice cold Waitrose Blanc de Noirs Champagne, before Angela serves up lobster rolls with lemon & dill. The Waitrose wine experts paired this meal with a bottle of Famille Brocard Organic Chablis 2025 Burgundy.  Sam loves food (even more than music) and tells us about the addictive joys of touring, where they can combine both passions. We also hear about the time they got ‘Chaka'fied' by Chaka Khan, nights at the Met Gala and a truly unforgettable gift from Ed Sheeran.  You can watch full episodes of Dish on YouTube and on Spotify.  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish If you want to get in touch with us about anything at all, contact dish@waitrose.co.uk  Dish from Waitrose is made by Cold Glass Productions 00:00 Welcome! 03:05 Angela's Hartnett range at Waitrose 05:06 Sam Smith is here!  07:52 Champagne and caviar cheers! 09:57 Sam Smith is a certified foodie  13:49 Sam's food likes and dislikes  17:25 Life in New York  21:45 Food is served!  25:20 Sam's food Instagram  26:40 To gatekeep or not to gatekeep?  28:22 Wine pairing  28:30 New album and the writing process  32:34 Sam's presence in music  33:54 New live shows!  35:13 The influence of Chaka Khan 37:07 The Met Gala  38:54 That outfit at the BRITs… 39:32 Fast food quiz  41:51 End of the show question Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The Lonely Island and Seth Meyers Podcast, we're down an Andy so we're talking some bullshit and doing some QA Q&A. First, a little more follow up on I Just Had Sex, the origins of Mistadobalina, using different actors in Lonely Island songs and they reminisce about Episode 11 of Season 36 hosted by the one and only Jim Carrey. Finally they get to about two questions...so thanks for all the emails! And don't worry...Andy let us know his spelling bee status. I Just Had Sex - Live with Akon and The Roots - from the Comedy Awards | https://youtu.be/elcBrted4bY?si=1ZKN74hU4wZamGgKThe Monkees - Zilch | https://www.youtube.com/watch?v=OedfVXal_Y8Del Tha Funkee Homosapien | Mistadobalina | https://www.youtube.com/watch?v=BQrdjT3GHwEDel Tha Funkee Homosapien | Eye Examination | https://www.youtube.com/watch?v=tgJ8DqOfZBoGlirk | Awesome Town | https://www.youtube.com/watch?v=05Ey7S6IogcLike a Boss | https://www.youtube.com/watch?v=vH-KXk8PZc8Jim Carrey at the Golden Globes | https://www.youtube.com/watch?v=6K2Fzfkx0xwBlack Swan (Jim Carrey) | https://www.youtube.com/watch?v=uwby0YmAXVcMerryville Brothers: Trolley Ride (Jim Carrey) | https://www.youtube.com/watch?v=YqveE1MMZfEThe Merryville Brothers: Haunted Castle (Tom Hanks) | https://www.youtube.com/watch?v=tbIL7kc3YUEI'm On A Boat - Classroom Instruments w Jimmy Fallon & The Roots | https://www.youtube.com/watch?v=sDOIp8Gtx5YSend us an email: thelonelyislandpod@gmail.comSend us a voice note: https://www.speakpipe.com/thelonelyislandSend us stuff:P.O. Box 4024New York, NY 10185Photos and everything else can be found by following us on Instagram @lonelymeyerspod(Not all the clips we mention are available online; some never even aired.)If you want to see more photos and clips follow us on Instagram @lonelymeyerspod. Send us an email! thelonelyislandpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Lou Diamond Phillips broke out in the late 1980s with acclaimed performances as Ritchie Valens in La Bamba and Angel Guzman in Stand and Deliver, earning a Golden Globe nomination and becoming one of Hollywood's most recognizable young actors. Over a career spanning four decades, he has remained a steady presence in film, television, and theater, with notable work in Young Guns, the Broadway revival of The King and I (which earned him a Tony nomination), and TV series such as Longmire. Check out his new movie ‘Gangland' in theaters on July 10th. IN THE NEWS: Armie Hammer's comeback film deemed 'worst movie of all time' as it's banned for millions, Huge brawl erupts at Carnival Cruise ship as guests punch each other in the Customs Line, Democrat congressman smacks reporter's camera when asked why he supports Nazi tattoo guyGET IT ON!FOR MORE WITH LOU DIAMOND PHILLIPS:MOVIE: GanglandIn Theaters July 10thFOR MORE WITH MIKE DAWSON:INSTAGRAM: @dawsangelesLIVE SHOWS: July 9 - Las Vegas, NV (2 Shows)July 10 - Las Vegas, NV (2 Shows)July 11 - Las Vegas, NV (2 Shows)Thank you for supporting our sponsors:BetOnlineMarathonRewards.comoreillyauto.com/ADAMPluto.tvPodcastOneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Professional assassination is the highest form of public service. Remo Williams: The Adventure Begins was sadly both the beginning and the end of a movie franchise that wanted to be the "red, white and blue collar" version of James Bond. But is it better than its reputation lets on or are we desperately trying to force feed a dud? Why does reconstructive facial surgery look like someone just shaved off their moustache? Is the stunt work in this movie objectively spectacular? How did a white actor get a Golden Globe nomination for playing a Korean man? Does your nightingale sing? Learn the secrets of Sinanju on the latest episode of Film Junk.

AMERICA MADE IN VIRGINIA: 250 YEARS TOGETHER celebrates the nation's Semiquincentennial with a star-filled tribute set in the revolutionary capital of Colonial Williamsburg's Historic Area. Blending live performance, music, historic interpretation, and large-scale visual spectacle to create an inspiring national event that connects the nation's founding to the present day, the special is designed as a celebration and a unifying national moment. Produced in partnership with VA250, the two-hour event will honor the past, engage the present, and inspire a season of civic renewal — all from the place where the path to independence began. From the first melodic sounds of a violin to the thunderous pyrotechnic finale, this is a program for all Americans to see themselves reflected in our nation's continuing story.Highlights from the live event include a dazzling variety of musical performances by an outstanding line-up of American artists, including Multi-platinum recording artist, Emmy and Grammy nominee, Tony Award winner and “Ambassador of the Great American Songbook,” Michael Feinstein, three-time Grammy Award-winning opera singer Ryan Speedo Green, Tony winner and Emmy, SAG, Olivier, and two-time Grammy nominee Kelli O'Hara, Tony, Drama Desk, Antonyo and Outer Critics Award winner Adrienne Warren, and legendary Grammy Award-winning singer-songwriter Judy Collins. AMERICA MADE IN VIRGINIA: 250 YEARS TOGETHER will also feature narration by Tony and Golden Globe nominee and Emmy Award-winning actor Richard Thomas and a special greeting from acclaimed documentary filmmaker Ken Burns.  Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Melissa George was just 16 when she became a household name as Angel Parrish on Home And Away. Nearly three decades later, she's built one of Australia's most enduring international acting careers, starring in everything from Friends to The Slap, earning a Golden Globe nomination for her role on In Treatment and working with acclaimed director David Lynch. Now a mother of three boys and living in Paris, Melissa joins Sarrah Le Marquand to discuss her new Binge series Ms. X, becoming a mother again at 47, the loss of her former co-star Dieter Brummer, and why she's finally made peace with the role that made her famous. Ms. X premieres on Tuesday on Binge and Foxtel On Demand. Watch the full episode with Melissa George here. Something To Talk About is a podcast by Stellar, hosted by Sarrah Le Marquand. Find more from Stellar via Instagram @stellar, TikTok @stellar_aus, or stellarmag.com.au.See omnystudio.com/listener for privacy information.

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comToday I'm honored to have back on the show once again: Satanic ritual abuse, sex trafficking, and Harvey Weinstein survivor and whistleblower, acclaimed actress, model, artist and painter, and a brilliant woman who has risked her life to shine a light on the darkness of her life and the lives of other victims and survivors: Paz de la Huerta Here's a little bit about Paz if you are new here, missed her first 2 episodes or need a little recap on her testimony: From the tender age of five, the little girl who adored fairy tales and painted dollhouses as imagined safe havens was plunged into a nightmare of incest, control, jealousy, and betrayal. Her father's abuse began early, fueled by alcohol and twisted into something grotesque and ritualistic. Her mother's envy festered into trafficking, spying through connected apartments rented to Miramax, and the systematic theft of Paz's earnings. A jealous sister, a complicit godmother, and a web of handlers turned every potential refuge into a trap. Yet even then, Paz's spirit refused to be extinguished. She painted interiors and safe spaces as a child, her art becoming the first language of her soul. She danced. She sang. She dreamed of freedom.That same fierce light propelled her onto the screen. At just 14, Paz launched a career that would captivate audiences worldwide. Her performances blended classic Hollywood siren allure with profound depth - beauty and talent weaponized against her by those who saw only dollar signs.But behind the spotlight lay horrors that would break most souls. In 2010, at a Golden Globes afterparty for Blue Valentine, Harvey Weinstein—the very producer connected to her early world—forced his way into her Greenwich Street apartment and raped her, repeating the violent assault weeks later. Her own mother trafficked her to Weinstein, spied on her, and stole millions while living lavishly. Her family paid off lawyers, doctors, and studios to silence her. They wanted her dead, institutionalized, or erased.In 2017, as the #MeToo movement ignited, Paz bravely spoke to The New York Times and Vanity Fair, exposing Weinstein's assaults. Though her case was not part of his conviction, her testimony fueled the global reckoning. They gaslit her in the media for years. But Paz remembered everything.Five years ago, after her father's final brutal rapes in a cheap Madrid hotel, Paz escaped. With the help of the powerful plant medicine iboga, she pieced together her shattered memories and reclaimed her mind. Her art became her salvation and her voice. Her work is not mere expression; it is testimony, rebirth, and prophecy. She continues acting, modeling, and directing, pouring her truth into every frame and canvas.Today, Paz is a walking miracle, a renaissance woman, and a courageous survivor advocate. She dreams of building orphanages, protecting vulnerable children and animals, and helping fellow survivors reclaim their power through art, animals, and truth.Paz has declared: “I've been through hell, but I've remembered everything. We are all angels. These exploiters are Satanists, and I deserve justice.”She is no perpetual victim. She is the siren who survived the storm. The angel who refused to fall. The light that no amount of darkness could extinguish. From the shattered streets of her childhood to the heights of Hollywood and back through the valley of death, Paz has forged unbreakable wings from truth, art, and unyielding courage.Her voice echoes eternally—not in bitterness, but in righteous fire. She calls every survivor to speak, every witness to stand, every soul to remember that even the most broken spirit can rise, reclaim its power, and inspire millions.Paz is living proof that hell cannot claim the pure of heart. Because when one angel rises, the whole world remembers how to fight for the light.DONATE TO PAZ'S GOFUNDME: https://www.gofundme.com/f/justice-for-paz-fundraiser-for-spanish-criminal-lawyers-andPAZ'S ART: -Interview Magazine Feature: www.https://interviewmagazine.com/art/how-paz-de-la-huerta-found-peace-in-her-surrealists-paintingsCONNECT WITH PAZ:TikTok: https://www.tiktok.com/@paz.de.la.huertaIG: https://www.instagram.com/thefugitive1984/CONNECT W/ EMMA:YouTube: https://www.youtube.com/@imaginationpodcastofficialEMAIL: imagineabetterworld2020@gmail.comSubstack: https://emmakatherine.substack.com/BUY ME A COFFEE: https://www.buymeacoffee.com/theimaginationVENMO: @emmapreneurCASHAPP: $EmmaKatherine1204All links: https://direct.me/theimaginationpodcastSupport the show

Want to listen to this episode ad-free? Visit our Patreon! Welcome true believers to X-Men Horoscopes where each week our host Lodro Rinzler is in conversation with a special guest to discuss the X-Men issue that aligns with a significant month and year from their life and what that issue reveals about their future. This week we have Uncanny Experience co-founder Chandler Poling on the show for a very special episode celebrating the community he helped create. We dive into the strip club where the event is held, how it's evolved over time and where the f- it's going. Also in this episode: It's Pogg Ur-Pogg time artist Paul Smith is a mystery shrouded in an enigma Kid Cable is Cable but a kid Moira MacTaggert is a robot person which is just horrible to explain I'm sorry Dr. Stasis is Mr. Sinister but is also absolutely not Mr. Sinister They don't teach spelling at the Xavier Institute Put the alligator man on the Louisiana X-Men team Iceman just wants to go to the club All this plus which X-Men character is NOT invited to the Uncanny Experience? And what does any of this mean about the future of the Uncanny Experience? Tune in to find out! Chandler Poling is one of the founders and producers of The Uncanny Experience. He is a co-host of X-Reads: An X-Men Experience podcast, a DJ with Dublab Radio, and a frequent moderator for panels at San Diego ComicCon and events worldwide. Throughout his career as a publicist with White Bear PR, Chandler has run successful Oscar, Golden Globe, Grammy, BAFTA and Emmy winning campaigns. He served as Vice President of Qweerty Gamers, an LGBTQ non - profit organization and proud to be part of the founding leadership of The Alliance for Women Film Composers. More of Lodro Rinzler's work can be found here and here and you can follow the podcast on Instagram at xmenpanelsdaily where we post X-Men comic panels...daily. His BRAND NEW BOOK is now out: You Are Good, You are Enough. Have a question or comment for a future episode? Reach out at xmenhoroscopes.com Want to listen to these episodes early/ad-free and get your own X-Men Horoscope read/an awesome t-shirt? Check out our brand-new patreon! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rhea Seehorn (Better Call Saul, Pluribus) joins us this week for a candid and grounded conversation about the weight of her recent Golden Globe win, the long road of rejections that shaped her, and the moment Vince Gilligan called to say he had written Pluribus specifically for her. Rhea opens up about watching herself on screen, suppressing her anger until her body forces it out, and finding the heroism in simply getting off the couch. We also talk about her mentor's advice on curtain calls, the brutal feedback she received about her looks early on, and why she believes the best acting comes from her healthiest place. Thank you to our sponsors:

For over a century, Alfred Hitchcock has remained one of cinema’s most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller “The Lodger” (1927) marked the start of his signature style, which was later exemplified in classic films like “Vertigo” (1958), “North by Northwest” (1959), “Psycho” (1960), and “The Birds” (1963). Hitchcock’s work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. https://www.youtube.com/watch?v=0NUJN1fq0Sc Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, “A Century of Hitchcock” challenges the long-standing narratives that have shaped Hitchcock’s legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock’s alleged abuses, scrutinizing biographer Donald Spoto’s interpretations—particularly Spoto’s portrayal of the director’s relationship with actress Tippi Hedren. With his analysis of Spoto’s 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock’s career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock’s first film, “The Pleasure Garden”, and fifty years since his last film, “Family Plot”, Moral reexamines the director’s cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock’s legacy in the post-#MeToo era.

Matthew Rhys stars as Nile Jarvis in the Netflix psychological thriller THE BEAST IN ME, a gripping series centering on a grieving author who finds new purpose unraveling the mystery behind Jarvis' vanished wife and suspicious dealings. Rhys is widely recognized for his Emmy-winning performance opposite Keri Russell in FX's critically acclaimed drama THE AMERICANS, as well as his Golden Globe-nominated lead role in HBO's PERRY MASON reboot, and his work in Apple TV+'s horror-comedy WIDOW'S BAY. In this interview, he talks about the psychology, charm, and complexity of playing Niall Jarvis in THE BEAST IN ME, and how the book THE PSYCHOPATH TEST by Jon Ronson helped shape the role. We also dive into the brilliant acting advice he received from directors Antonio Campos and Hiro Murai, the decade-long journey writer Katie Dippold went on to get WIDOW'S BAY made, and so much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend, as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

00:00:00 – Solo-show kickoff and missing cohosts 00:04:59 – Alex Jones clips of the week 00:09:37 – Spielberg UFO movie lands flat 00:09:37 – Israel tech-sharing buried in the NDAA 00:14:36 – ODNI launches UAP governance board 00:19:02 – Tim Gallaudet joins UAP science council 00:23:03 – David Grusch teases crash-retrieval photos 00:27:48 – Missing Los Alamos worker case turns darker 00:32:34 – Directed-energy weapon theory enters the case 00:37:27 – Badge mystery fuels Missing 411 speculation 00:37:27 – La Brea and Clarkson's Farm recommendations 00:46:06 – Jack Osbourne torched for White House UFC photo 00:50:53 – Earth's core reversal sparks magnetic-field fears 00:55:48 – JD Vance defends Epstein files handling 01:03:17 – Iran deal backlash from Ben Shapiro 01:07:57 – Mike Huckabee's Israel-America claim 01:07:57 – Golden Globes adds best podcast award 01:12:58 – James Franco posts alien-panic videos 01:19:59 – Phones open and paranormal actors teased 01:24:43 – AI robot toilet rolls to your bedside 01:24:43 – Caller talks cigarettes, sugar, and sobriety 01:33:58 – Robot toilet docks, grinds, and self-cleans 01:33:58 – Saturday guest tease and Doom Scrolling plans 01:38:58 – Outro music and end-show chatter Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: http://obdmpod.com ► Twitch: https://www.twitch.tv/obdmpod ► Full Videos at Odysee: https://odysee.com/@obdm:0 ► Twitter: https://twitter.com/obdmpod ► Instagram: obdmpod ► Email: ourbigdumbmouth at gmail ► RSS: http://ourbigdumbmouth.libsyn.com/rss ► iTunes: https://itunes.apple.com/us/podcast/our-big-dumb-mouth/id261189509?mt=2  

"Beef" is an American comedy-drama anthology television series created by Lee Sung Jin for Netflix. Season 1 starred Steven Yeun and Ali Wong and went on to win eight Emmy Awards, including Outstanding Limited or Anthology Series, and acting wins for Yeun and Wong. At the 81st Golden Globe Awards, it won in all three of its nominated categories, including Best Television Limited Series, Anthology Series, or Motion Picture Made for Television. Season 2 stars Oscar Isaac and Carey Mulligan as Joshua Martín and Lindsay Crane-Martín, and Cailee Spaeny and Charles Melton as Ashley and Austin, two couples; after the poor latter two blackmail the rich former two with footage of a heated argument that would threaten their image, a similarly prolonged feud ensues. The second season premiered on April 16th, 2026, and received critical acclaim for its performances, direction, and writing. Season 2 Director and Executive Producer Jake Schreier was kind enough to spend some time talking with us about his work and experience making the series, which you can listen to below. Please be sure to check out the show, which is available to watch on Netflix and is up for your consideration for this year's Emmy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode, best-selling author Maggie O'Farrell joins Róisín Ingle to discuss her new book Land. Set in the 1800s - in the aftermath of the Irish famine - the novel tells the story of a father and his reluctant son, who are tasked with mapping out the island of Ireland for the great Ordnance Survey project. It's a deeply affecting story about family bonds, set against a backdrop of poverty, inequality and life under British rule. In this conversation, O'Farrell tells Ingle about her great-great grandfather who inspired the novel and the work that went into uncovering his story. She also reflects on the global success of Hamnet and the joy of attending this year's Oscars and Golden Globes. But first, Irish Times opinion editor Jennifer O'Connell is here to discuss some of the biggest stories of the week including the backlash over Gwyneth Paltrow's Israeli real-estate ad and the Government's plan to abolish the mandatory three day wait for abortion services in Ireland. Hosted on Acast. See acast.com/privacy for more information.

John Wilson talks to the actor and musician Kiefer Sutherland. The son of Canadian actors Donald Sutherland and Shirley Douglas, he first made his mark in the 1980s and 90s with films including Stand by Me, The Lost Boys, Flatliners and A Few Good Men. His television portrayal of federal agent Jack Bauer in the crime series 24 became his signature role and earned him major awards, including an Emmy and a Golden Globe. He later starred in the political drama series Designated Survivor, playing an American president. Alongside his acting Kiefer Sutherland has also pursued a career as a singer songwriter, releasing a series of country-rock albums and performing live tours. Producer: Edwina Pitman

This week, we're celebrating Pride with the movie that brought the drag queen road trip genre to America! Hot on the high heels of The Adventures of Priscilla, Queen of the Desert from 1994 Australia comes this 1995 American release starring Patrick Swayze, Wesley Snipes, and John Leguizamo. When their car breaks down in small-town Nebraska, three drag queens must win the hearts and minds of the local townsfolk while evading a bigoted sheriff. With supporting turns by Stockard Channing, Blythe Danner, Chris Penn, Arliss Howard, and cameos by RuPaul, Naomi Campbell, Robin Williams, and the titular statuesque actress herself, the film opened at number one at the box office and is considered groundbreaking for being the first mainstream Hollywood production to depict drag queens. Along with RuPaul's popularity, the 1990 documentary Paris is Burning, and the aforementioned Priscila, interest in drag drove audiences to the cinema. Critics, however, were less enthused, but Swayze and Leguizamo were both nominated for Golden Globes, and the film has, of course, endured as an icon of queer cinema. Now the four of us are piling into a yellow convertible 1967 Cadillac DeVille with an autographed copy of the improbably titled To Wong Foo, Thanks for Everything! Julie Newmar to see what in gay hell is going on!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

Gunnar Christensen is a career yacht captain and racing sailor who is in the midst of pivoting to sail solo, nonstop around the world in the upcoming Golden Globe Race. Gunnar and I talked about his origins as a sailor in New England, his varied career on yachts and racing boats and about the prep on his Bob Perry-designed boat for the round-the-world voyage. Gunnar is the first guest we've had on the show who came to record in-person at the new Mission Control in Sweden! Follow his progress in the GGR at gunnarsails.com. -- Support the podcast & become a member of The Quarterdeck, where Andy, August & Mia dive deep on the art of seam'nship. Nerd out with us on our members-only forum and talk boats, gear, safety-at-sea, meet like-minded sailors, find crew, and more. Check it out on quarterdeck.59-north.com. See you there! -- This season of ON THE WIND is supported by our friends at Schooner Woodwind and BVI Yacht Sales. Support the show by supporting our sponsors!

"The Diplomat" is an American political thriller television series created by Debora Cahn. First airing in 2023, it stars Keri Russell as a veteran US diplomat who is unexpectedly appointed as the ambassador to the United Kingdom amid an emerging international crisis. It has aired for three seasons, with a fourth one announced. The drama series has received critical acclaim for its writing, pacing, and performances, particularly those of Keri Russell, Rufus Sewell, and Allison Janney (beginning in season 2). At the 77th Primetime Emmy Awards in 2025, the series was nominated for Outstanding Drama Series. Russell has won an Actor Award and has been nominated for two Primetime Emmy Awards and three Golden Globe Awards. The show has been praised for its nuanced portrayal of foreign policy and the often invisible work of diplomacy, as well as its character-driven storytelling that blends political intrigue with personal drama. Sewell was kind enough to spend some time talking with us about his work and experience making the show, which you can listen to below. Please be sure to check out the show, which is available to watch on Netflix and is up for your consideration for this year's Emmy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Zach Braff's success began with the beloved television series SCRUBS, earning an Emmy nomination and three consecutive Golden Globe® nominations. While on the show, he transitioned behind the camera, directing several episodes before making his feature film debut as the writer, director, and star of the 2004 comedy-drama GARDEN STATE. The film won an Independent Spirit Award for Best First Feature and earned him multiple screenplay and directing nominations. In February 2026, he returned to executive produce, direct the pilot, and star in the ABC SCRUBS reboot, which follows J.D. and Turk as they navigate a modern medical system that has “beaten them down” after 15 years, while J.D. faces the reality of being the “oldie” rather than the “newbie.” In this interview, we talk about the art of improvising comedy on set, working and learning from Bill Lawrence, the revival and production of the new SCRUBS season, directing advice and working with legends like Robert De Niro, Morgan Freeman, and Harrison Ford, alternative writing techniques, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend, as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

The Golden Globes have finally recognized podcasts, but they have yet to recognize OUR podcast, which is what we're setting out to change. This episode is hereby submitted For Your Consideration to the Hollywood Foreign Press, and we are DOWN to bribe. Today's Episode Sponsor: Tiger Wipes™ THIS WEEK'S EPISODES: Dogtanian & The Three Muskehounds Episode 4, "The Three Invincible Musketeers" Cadillacs & Dinosaurs Episode 8, "It Only Comes Out at Night" Join our Discord! https://discord.gg/StaYgR7HW2 Support us on Patreon: https://www.patreon.com/satamtuesdays Our Website: http://www.satamtuesdays.com/ The Hosts: Andrew Eric Davison, Austin Bridges, Rory Voie Fabulous Guest: Shane Kiwini Audio Production: Andrew Eric Davison

Kirk Cameron rose to fame as Mike Seaver on the hit TV series Growing Pains, earning two Golden Globe nominations and becoming one of the most recognizable teen actors of the late 1980s. He later built a successful career in faith-based entertainment through projects including Fireproof, the Left Behind franchise, bestselling books, and television hosting. Most recently, Cameron has been creating and starring in the family-focused children's series Iggy and Mr. Kirk. Check out his new children's book, Built By The Brave, available now from Brave Books.IN THE NEWS: Hasan Piker appears rattled on stream as federal authorities reportedly probe his Cuba trip while Jasmine Crockett continues celebrating the controversy, The View downplays the “very limited destruction” caused during BLM protests, Minnesota parents are accused of faking autism diagnoses in their children as part of a $46 million fraud scheme, and gun violence barricades are being installed along side streets near Seattle's Aurora Avenue.GET IT ON!FOR MORE WITH KIRK CAMERON:BOOK: Built By The Brave (Children's Book)Available on Brave BooksAdventures of Iggy & Mr KirkKid's TV Show Available NOW | Streaming on BRAVE+INSTAGRAM: @kirkcameronofficial TWITTER: @kirkcameronWEBSITE: kirkcameron.comFOR MORE WITH RUDY PAVICH:WEBSITE: RudyPavichComedy.comINSTAGRAM: @ Rudy_Pavich PUNCH UP LIVE: https://punchup.live/rudypavichLIVE SHOWS: June 12 - Oklahoma City, OK (2 Shows)June 13 - Tulsa, OK (2 Shows)June 20 - Santa Ana, CA (KROQ Doc Screening)Thank you for supporting our sponsors:BetOnlineGo to https://hometitlelock.com/adamcarolla and use promo code ADAM to get a FREE title history report and a FREE TRIAL of their Triple Lock Protection! For details visit https://hometitlelock.com/warrantyLimited Time Offer – You Need Fiber. Yes you! Boost your fiber with Huel today using my exclusive offer of 15% OFF online with my code ADAM at https://www.huel.com/ADAM. New Customers Only. Thank you to Huel for partnering and supporting our show!oreillyauto.com/ADAMPluto.tvTRUEWERK.com with code acsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mel Robbins is a New York Times bestselling author, entrepreneur, and Golden Globe nominated podcast host behind The Let Them Theory and The Five Second Rule, two frameworks that have empowered people around the world. Robbins sits down with Willie Geist to break down why other people are the biggest source of stress, how letting go of control creates freedom, and why real change starts with your response, not your circumstances. Plus, she reflects on nearly losing everything, the snowy morning that changed her life forever, and how a single decision set her on an entirely new path. (Original broadcast date January 4, 2026) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rose Byrne starred in big box office comedies like ‘Bridesmaids' and ‘Neighbors,' and, more recently, the indie film ‘If I Had Legs I'd Kick You,' which kind of defies genre. It's about a woman trying to care of her sick daughter while her life is unraveling. “In many ways, it tapped into the monster within and the fear of being a parent and the horror of being a parent – and some of the joy, too.” Her raw performance won a Golden Globe and an Oscar nomination this year. Now Byrne is nominated for a Tony for her performance in a revival of Noël Coward's play ‘Fallen Angels.' She spoke with producer Ann Marie Baldonado. Later, TV critic Davie Bianculli reflects on the end of ‘The Late Show with Stephen Colbert.' The final episode airs tonight. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy