Livable Futures

Visual artists Amy Youngs and Candace Thompson work closely with ecology and technology to create communal, joyful, and loved filled connections to each other and the more-than-human world with whom we share the planet. Respond to the uncertainty we are experiencing on a planetary scale by becoming deeply embedded in your local community and aware of the plant life around you as you forage for food in your neighborhoods throughout the changing seasons of the year. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit livablefutures.substack.com

Faustin Linyekula is as an important international artist, he's also the founder of Studio Kabakao, a space for young artists in Kisangani and from the African continent to work in collaboration with communities on issues of sustainability and environment. Learn more:My Body My Archive, watch Faustin Linyekula live at the Tate Modernhttps://vimeo.com/399196063NZ Festival of the Arts: Talanoa Mao conferencehttps://www.festival.nz/events/talanoa-mau/In Search of Dinozord performance by Faustin Linyekulahttps://www.festival.nz/events/all/search-dinozord/Faustin Linyekula Biography, University of the Artshttps://www.uarts.edu/node/11791Interview with Brenda Dixon Gottschildhttps://walkerart.org/magazine/my-africa-is-always-in-the-becoming-outside-tNYTimes article: https://www.nytimes.com/2017/09/05/arts/dance/faustin-linyekula-crossing-the-line-congo.html?smid=pin-shareCover Photo adapted from NYTimes image by George Etheredge (link above). This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit livablefutures.substack.com

Andre M. Zachery is the Artistic Director of Renegade Performance Group https://www.renegadepg.com/ and can be found on Instagram @amzrpgCrystal Perkins can be found @cmichelledance and has a beautiful TEDx talk here: https://www.youtube.com/watch?v=-q572zp9EWsAndre mentions the choreographer Bebe Miller. You can learn more about her here: https://bebemillercompany.org/He also talks about Kodwo Eshun, Reggie Wilson, and his work in Afrofuturism, and I mention a couple of favorite feminist Afrofuturist writers, here's a few helpful links:https://www.goodreads.com/author/show/118144.Kodwo_Eshunhttps://fringearts.com/2016/09/01/citizen-reading-list-provided-reggie-wilson/https://blacfoundation.org/deep-meaning-of-kongo-cosmogram/https://www.renegadepg.com/the-afrofuturism-series.htmlhttps://nkjemisin.com/https://www.octaviabutler.com/Crystal Perkins mentions the poetry and practices of Sunni Pattersonhttps://sunnipatterson.com/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit livablefutures.substack.com

Conversation Date and LocationAugust 30, 2019 at The Ohio State University, Columbus, OHSocial Mediawww.instagram.com/cowitchcraftofferings/www.michaeljmorris.co/Show NotesMichael uses they/them pronouns and references several beautiful resources that have come in the podcast many times and others that may be new for listeners. Here are a few links to get you started reading and viewing:From Duke University Press a discussion of: Anthropocene, Capitaloscene, and ChthuluceneRead and listen to:Ursula K. LeGuin www.ursulakleguin.com/Angela Davis www.democracynow.org/2020/6/12/ange…istoric_momentbell hooks www.bellhooksinstitute.com/Alexis Pauline Gumbs www.alexispauline.com/Deleuze and Guattari write about lines of flight and rhizomes in A Thousand Plateaus and other textsDori Midnight: dorimidnight.com/about/Donna Haraway and the documentary on her life and work: vimeo.com/253307449Learn more about Michael Morris and Kelly Klein's “Dancing Body Magic” workshop which premiered with the Livable Futures community.A correction from Michael:Hi everyone. This is Michael. I have a quick addendum to this episode. In our discussion of magic, in my enthusiasm, I misattributed a definition of magic to Doreen Valiente that was actually given to us by Dion Fortune and popularized by Starhawk. Dion Fortune said that magic is the art of changing consciousness at will. Fortune was a British occultist and ceremonial magician who was very influential on later 20th century witches and occultists. Because I consider citation and attribution to be part of a feminist praxis, especially when crediting the work of women who often go uncredited, it felt important to add this note, and I am grateful for Norah including it.So, thank you for listening and be well. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit livablefutures.substack.com

Conversation Date and LocationFebruary 2020. Tāmakimakaurau/Auckland, Aoteoroa/New Zealand.Show NotesAlys refers to her longtime collaborator Val Smith frequently and they have some amazing projects that are worth checking out:news.aut.ac.nz/news/val-smith-na…undation-laureate@valvalvalsmithsmithsmithAlys also talks about her project El Otro País Que Eres created in collaboration with artists Macarena Campbell, Máximo Corvalán-Pincheira and Eduardo Cerón Tillería.She refers to “new materialism” and the work of Jane Bennet on vibrant matter and enchantment, here's a book to get you started if you're excited about these ideas: www.goodreads.com/book/show/7547895-vibrant-matterAnd we talk briefly about adrienne maree brown's book Pleasure Activism and Emergent Strategy:www.goodreads.com/book/show/296339…mergent-strategywww.goodreads.com/book/show/405496…leasure-activismAnd here are some links for more about Auckland, New Zealand/Aoteoroa:www.creative.auckland.ac.nz/people/a-longleymaoridictionary.co.nz/www.kaitiakitanga.org/ (safeguarding our future)And links to find out more about Alys and her projects:tisch.nyu.edu/performance-studie…stic-research-in-aFluid City: alyslongleymoving.com/past-projects/fluid-city/Mistranslation Laboratory: alyslongleymoving.com/past-projects/…on-laboratory/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit livablefutures.substack.com

Conversation Date and LocationOctober 31, 2019. Columbus, Ohio on the campus of The Ohio State UniversitySocial Media: (Instagram handles)Complex Movements @cmplxmvmnts is a Detroit-based artist collective composed of @westiv, @jeedo47, @invincibleDET, @sagesense, @L05_and @_fakejonesSHOW NOTESWorks referenced often in the show include:Beware of the Dandelions an existing piece and Tower and Dungeon, a new piece by Complex Movements based on the book Tower and Dungeon: A Study of Place and Power in American Culture by Dr. [Gloria] House (aka Mama Aneb).Listen to Dr. House's keynote lecture. Find out more about Complex Movements through the Allied Media Projects website: alliedmedia.org/projects/complex-movements.Complex Movements was at The Ohio State University for a one week artistic residency funded by Livable Futures with funding from the Global Arts and Humanities Discovery Themes and supported by the facilities and interdisciplinary research staff, faculty, and students at the Advanced Computing Center for the Arts and Design (ACCAD). This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit livablefutures.substack.com

An activist, writer and dancer from Waimea, Hawaiʻi, Emalani Case is deeply engaged in issues of indigenous rights and representation, dietary colonialism, and environmental and social justice. Her current research focuses on Hawaiian articulations of identity and nationalism, sovereignty, and decolonising indigenous minds and bodies. She is a lecturer in Pacific Studies at Victoria University of Wellington in New Zealand/Aoteoroa.Read more about her here: people.wgtn.ac.nz/emalani.caseRead about the event we attended together in February 2020: Talanoa Mao, New Zealand Festival of the Arts: www.festival.nz/events/all/talano…mau-we-need-talk/SHOW NOTES:Recorded February 2020 in Wellington, New Zealand:Emalani shares the Samoan concept of Va:openrepository.aut.ac.nz/handle/10292/366She references the work of:Epeli Hau`ofa (1939-2009)creativetalanoa.com/2012/06/07/insp…t-epeli-hauofa/Bryan Kamaoli Kuwada, “We Live in the Future. Come Join Us”hehiale.com/2015/04/03/we-live-…uture-come-join-us/dlnr.hawaii.gov/mk/files/2017/02/…m-exhibit-J-9.pdfAnd talks about the importance of the Kalo/Taro Plantwww.farmtokeiki.org/taro-kalo/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit livablefutures.substack.com

Host Norah Zuniga Shaw discusses some of the ideas and lineages for the Livable Futures projects, introduces the Arrivals tactic for living and connecting to where and when we are, and offers a posthuman thought exercise. Short introductory episode to kick-off the first season.Queer and Black feminist and postman theory and practice are important influences in the Livable Futures project and referenced in this episode, follow the links below to learn more and get inspired:adrienne maree brown:  http://adriennemareebrown.net/Alexis Pauline Gumbs:  https://www.alexispauline.com/bell hooks:  https://bellhooksbooks.com/Sara Ahmed: https://www.saranahmed.com/Katherine Hayles: https://press.uchicago.edu/Misc/Chicago/321460.html This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit livablefutures.substack.com