Poem Present - Lectures

Sherry Poet-In-Residence Series: Ann Lauterbach Lecture (audio)

Play Episode Listen Later Nov 16, 2012 71:19

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Ann Lauterbach, the David and Ruth Schwab Professor of Languages and Literature; Faculty, Milton Avery Graduate School of the Arts, Bard College; and the University of Chicago's Sherry Poet-in-Residence, 2012-2013, gives a lecture on her poetry as a part of the The Pearl Andelson Sherry Memorial Poetry Reading and Lecture series. Ann Lauterbach has published several volumes of poetry, including Many Times, but Then (1979), Before Recollection (1987), Clamor (1991), And, for Example (1994), On a Stair (1997), If in Time (2001), Hum (2005), and Or to Begin Again (2009), which was a finalist for the National Book Award. As described by Thomas Fink in the Boston Review: “Lauterbach has found new forms for expressing the continuousness of change: its ways of summoning and disrupting intimacy, of evoking and subverting the position of perceptions and the framing and decentering play of language itself.” In addition to poetry, Lauterbach has published a book of essays, The Night Sky: Writings on the Poetics of Experience (2005). She has received fellowships from the Guggenheim Foundation, the Ingram Merrill Foundation, and the MacArthur Foundation. For more than 15 years, she has taught at Bard College and codirected the Writing Division of the MFA program. She has also taught at the Graduate Center of the City University of New York, Columbia University, Princeton University, and the University of Iowa. Learn more at creativewriting.uchicago.edu/writers/sherry-memorial

Sherry Poet-In-Residence Series: Ann Lauterbach Lecture

Play Episode Listen Later Nov 16, 2012 71:15

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Ann Lauterbach, the David and Ruth Schwab Professor of Languages and Literature; Faculty, Milton Avery Graduate School of the Arts, Bard College; and the University of Chicago's Sherry Poet-in-Residence, 2012-2013, gives a lecture on her poetry as a part of the The Pearl Andelson Sherry Memorial Poetry Reading and Lecture series. Ann Lauterbach has published several volumes of poetry, including Many Times, but Then (1979), Before Recollection (1987), Clamor (1991), And, for Example (1994), On a Stair (1997), If in Time (2001), Hum (2005), and Or to Begin Again (2009), which was a finalist for the National Book Award. As described by Thomas Fink in the Boston Review: “Lauterbach has found new forms for expressing the continuousness of change: its ways of summoning and disrupting intimacy, of evoking and subverting the position of perceptions and the framing and decentering play of language itself.” In addition to poetry, Lauterbach has published a book of essays, The Night Sky: Writings on the Poetics of Experience (2005). She has received fellowships from the Guggenheim Foundation, the Ingram Merrill Foundation, and the MacArthur Foundation. For more than 15 years, she has taught at Bard College and codirected the Writing Division of the MFA program. She has also taught at the Graduate Center of the City University of New York, Columbia University, Princeton University, and the University of Iowa. Learn more at creativewriting.uchicago.edu/writers/sherry-memorial

Elizabeth Bishop and the New Yorker

Play Episode Listen Later Feb 17, 2011 61:02

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. American poet Elizabeth Bishop possessed an extensive relationship with The New Yorker over the duration of her writing career, publishing the vast majority of her poems in the magazine's pages. During forty-years of correspondence, hundreds of letters passed between Bishop and her editors, Charles Pearce, Katharine White, and Howard Moss. In these letters Bishop discussed the ideas and inspiration for her poems while sharing news about her travels and life in Brazil. In return, her editors offered generous support, commentary, and friendship. Elizabeth Bishop and The New Yorker, masterfully edited by Biele, provides an unparalleled look into Bishop's writing process, the relationship between a poet and her editors, the internal workings of The New Yorker, and the process of publishing a poem. http://www.fsgpoetry.com/fsg/2010/04/elizabeth-bishop-and-the-new-yorker.html

american brazil new yorker elizabeth bishop