Podcasts about Bard College

Yascha Mounk and Thomas Chatterton Williams explore what the summer of 2020 showed about America. Thomas Chatterton Williams is a staff writer at The Atlantic and the author of Losing My Cool, Self-Portrait in Black and White, and Summer of Our Discontent. He is a visiting professor of humanities and senior fellow at the Hannah Arendt Center at Bard College, a 2022 Guggenheim fellow, and a visiting fellow at AEI.  In this week's conversation, Yascha Mounk and Thomas Chatterton Williams discuss why the summer of 2020 played out as it did, the subsequent backlash, and why ideas core to the 2020 protests have now been quietly abandoned. Podcast production by Jack Shields and Leonora Barclay. Connect with us! ⁠Spotify⁠ | ⁠Apple⁠ | ⁠Google⁠ X: ⁠@Yascha_Mounk⁠ & ⁠@JoinPersuasion⁠ YouTube: ⁠Yascha Mounk⁠, ⁠Persuasion⁠ LinkedIn: ⁠Persuasion Community Learn more about your ad choices. Visit megaphone.fm/adchoices

“In tyranny, you may not have a whole lot of political freedom, but you can still live a pretty free life under tyranny,” says Roger Berkowitz in this week's episode of The World in Time. “In your private world, you can live under a dictator and still read what books you want and talk to people as long as you don't act out in the public sphere. Totalitarianism is quite different. It tries to get inside your head, and make you, and make everyone, believe. And it has secret police, and snitches, and surveillance. And it tries to fully organize society. It's the most organized and successful attack on freedom that one can imagine. And so for Arendt, you can't just be an individual and sit in jail and be free if you're going to protect yourselves from the dangers of totalitarianism and the end of constitutional, free government, which is what she's worried about. You need to act politically, and you need to act politically with a certain amount of power.” This week on the podcast, Donovan Hohn sits down for a conversation with Roger Berkowitz, writer, scholar, and academic director of the Hannah Arendt Center for Politics and Humanities at Bard College. They discuss the life and work of Hannah Arendt and two essays that share a name, “Civil Disobedience”—one by Arendt, the other by Thoreau, both recently collected in a volume that Berkowitz edited and introduced. Their conversation touches broadly on the works of the two writers, on their differences and disagreements, on the political tumults that inspired their famous essays, and on the lessons to be learned from them in the present day.

You can purchase your own copy of The Lives of the Muses: Nine Women and the Artists They Inspired HERE.Francine Prose is a renowned American author and critic. She has published several non-fiction books, including The Lives of the Muses, as well as several novels, essays, and short-stories. She has also contributed works to major publications such as The New York Times and The New Yorker. Her novel Blue Angel was a finalist for the National Book award, and her novel A Changed Man, won the Dayton Literary Peace Prize. Prose is also the former president of PEN American Center and holds the title of Distinguished Writer in Residence at Bard College, where she is currently a professor. If you have not yet listened to ArtMuse's episodes on Elizabeth Siddall and Gala Dali, you can find these episodes by searching for ArtMuse on all streaming platforms, as well as on our website: www.artmusepodcast.com. Be sure to follow ArtMuse on Instagram & TikTok. Donate to ArtMuse HERE.ArtMuse is produced by Kula Production Company.Today's episode was written by host Grace Anna.There are accompanying images, resources and suggestions for further reading on the ArtMuse website and Instagram.

Thomas Chatterton Williams is a writer from New Jersey, currently living in France. He's on staff at The Atlantic and a professor at Bard College. His newest book, Summer of Our Discontent: The Age of Certainty and the Demise of Discourse, is out soon. We chat about Katy Perry and Justin Trudeau on a date in Canada, his dad has never boiled a pot of water, we talk about Twitter for 20 minutes, all the magazines he's written for, the childlike wonder for space exploration, we rank some religious monuments, the emotional effect of incorrect electrical outlets, vaxxed at Dodger's Stadium, and we talk politics for 20 minutes. London, come see us Monday night with our friend Blondey for a live podcast at 100 Club twitter.com/thomaschattwill twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

To what extent has yoga been influenced by socio-political forces, or competition for resources between different groups? Does understanding historical context help to make sense of teachings? What might we learn from the past that's still relevant today?Richard Davis is an emeritus professor of religion at Bard College in New York. His latest book, Religions of Early India: A Cultural History, explores the fluidity of ancient traditions, including interactions between Brahmanical renouncers, Buddhists and Jains. He's also the author of The Bhagavad Gita: A Biography, a fascinating story of how the text has been interpreted over the centuries.Having taught undergraduates for 35 years, Richard writes accessibly about the big picture, so our conversation surfs across several millennia. We focus in particular on tensions between renunciation and social engagement, as well as a history of cultural exchange. Among other questions, we consider:* Where ideas about karma and rebirth originated* What inspired sacred images and religious devotion* Whether the earliest traditions were goddess-focused* Whose voices texts leave out, and how to hear them* Why Siddhartha by Hermann Hesse is insightfulSelections from Richard's work are posted here. For a list of publications, see here.

Editor Brian Kuan Wood talks to Evan Calder Williams about his e-flux journal essay series, “On Paralysis.” Recorded in May 2025 before the launch of e-flux journal issue #152, the conversation discusses stoppage, sabotage, disability, delay, and damage, as well as the critical tools the “On Paralysis” series finds in the hidden intimacies between limited movement and expressive power.  Read all four installments of the series here: Part One, Part Two, Part Three, and Part Four.    Paralysis has become a term and idea inseparable from contemporary understandings of subjectivity, infrastructure, politics, and war. Conjuring associations of indecision, physical immobility, and trauma, it names a breakdown of the normal processes of circulation and information that promise systemwide health and seamless flow. But what if the very smoothness of these circuits of production is precisely what debilitates human bodies and broader systems of relay and exchange? And what are the potentials for refusal and unexpected agency that can be found in the interval when nothing works like it's supposed to? Evan Calder Williams is an associate professor at the Center for Curatorial Studies for Bard College, where he also teaches in the Human Rights program. He is the author of the books Combined and Uneven Apocalypse; Roman Letters; Shard Cinema; and, forthcoming with Sternberg Press, Inhuman Resources. He is the translator, with David Fernbach, of Mario Mieli's Towards a Gay Communism and is a Contributing Editor to e-flux journal, as well as a former member of the editorial collective of Viewpoint Magazine.

News; The US premiere of Smetana's opera Dalibor is being staged at Bard College with all-American cast; Prague Pride is “more important than Christmas” for Czech transgender activist Lenka Králová; Simon Rawlence shares the story of his father-in-law Věněk Šilhán: from Communist Party secretary for a week, to a banished dissident and signatory of Charter 77.

News; The US premiere of Smetana's opera Dalibor is being staged at Bard College with all-American cast; Prague Pride is “more important than Christmas” for Czech transgender activist Lenka Králová; Simon Rawlence shares the story of his father-in-law Věněk Šilhán: from Communist Party secretary for a week, to a banished dissident and signatory of Charter 77.

The arrival of tools like ChatGPT has changed how college students write. Some use A.I. to organize ideas or fine-tune phrasing; others rely on it to complete entire assignments. Professors are adapting in turn, trading take-home essays for blue books, experimenting with oral exams or rethinking their pedagogy to include A.I. from the start. We talk with New Yorker staff writer and Bard College literature professor Hua Hsu about how artificial intelligence is reshaping higher education and what a new generation of students might be losing, and learning, as a result. Guests: Hua Hsu, staff writer, The New Yorker; professor of literature, Bard College Learn more about your ad choices. Visit megaphone.fm/adchoices

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

World War II endures in the popular imagination as a heroic struggle between good and evil, with villainous Hitler driving its events. But Hitler was not in power when the conflict erupted in Asia—and he was certainly dead before it ended. His armies did not fight in multiple theaters, his empire did not span the Eurasian continent, and he did not inherit any of the spoils of war. That central role belonged to Joseph Stalin. The Second World War was not Hitler's war; it was Stalin's war. Drawing on ambitious new research in Soviet, European, and US archives, Stalin's War: A New History of World War II (Basic Books, 2021) by award winning historian, Sean McMeekin, Professor of History at Bard College, revolutionizes our understanding of this global conflict by moving its epicenter to the east. Hitler's genocidal ambition may have helped unleash Armageddon, but as McMeekin shows, the war which emerged in Europe in September 1939 was the one Stalin wanted, not Hitler. So, too, did the Pacific war of 1941–1945 fulfill Stalin's goal of unleashing a devastating war of attrition between Japan and the “Anglo-Saxon” capitalist powers he viewed as his ultimate adversary. McMeekin also reveals the extent to which Soviet Communism was rescued by the US and Britain's self-defeating strategic moves, beginning with Lend-Lease aid, as American and British supply boards agreed almost blindly to every Soviet demand. Stalin's war machine, McMeekin shows, was substantially reliant on American materiél from warplanes, tanks, trucks, jeeps, motorcycles, fuel, ammunition, and explosives, to industrial inputs and technology transfer, to the foodstuffs which fed the Red Army. This unreciprocated American generosity gave Stalin's armies the mobile striking power to conquer most of Eurasia, from Berlin to Beijing, for Communism. A groundbreaking reassessment of the Second World War, Stalin's War is revisionist history at its very best: breaking down old paradigms and narratives and bringing to the fore new understandings of the historical process. All from a historian who has the best claim to be the closest, modern-day American equivalent of A. J. P. Taylor. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

World War II endures in the popular imagination as a heroic struggle between good and evil, with villainous Hitler driving its events. But Hitler was not in power when the conflict erupted in Asia—and he was certainly dead before it ended. His armies did not fight in multiple theaters, his empire did not span the Eurasian continent, and he did not inherit any of the spoils of war. That central role belonged to Joseph Stalin. The Second World War was not Hitler's war; it was Stalin's war. Drawing on ambitious new research in Soviet, European, and US archives, Stalin's War: A New History of World War II (Basic Books, 2021) by award winning historian, Sean McMeekin, Professor of History at Bard College, revolutionizes our understanding of this global conflict by moving its epicenter to the east. Hitler's genocidal ambition may have helped unleash Armageddon, but as McMeekin shows, the war which emerged in Europe in September 1939 was the one Stalin wanted, not Hitler. So, too, did the Pacific war of 1941–1945 fulfill Stalin's goal of unleashing a devastating war of attrition between Japan and the “Anglo-Saxon” capitalist powers he viewed as his ultimate adversary. McMeekin also reveals the extent to which Soviet Communism was rescued by the US and Britain's self-defeating strategic moves, beginning with Lend-Lease aid, as American and British supply boards agreed almost blindly to every Soviet demand. Stalin's war machine, McMeekin shows, was substantially reliant on American materiél from warplanes, tanks, trucks, jeeps, motorcycles, fuel, ammunition, and explosives, to industrial inputs and technology transfer, to the foodstuffs which fed the Red Army. This unreciprocated American generosity gave Stalin's armies the mobile striking power to conquer most of Eurasia, from Berlin to Beijing, for Communism. A groundbreaking reassessment of the Second World War, Stalin's War is revisionist history at its very best: breaking down old paradigms and narratives and bringing to the fore new understandings of the historical process. All from a historian who has the best claim to be the closest, modern-day American equivalent of A. J. P. Taylor. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

World War II endures in the popular imagination as a heroic struggle between good and evil, with villainous Hitler driving its events. But Hitler was not in power when the conflict erupted in Asia—and he was certainly dead before it ended. His armies did not fight in multiple theaters, his empire did not span the Eurasian continent, and he did not inherit any of the spoils of war. That central role belonged to Joseph Stalin. The Second World War was not Hitler's war; it was Stalin's war. Drawing on ambitious new research in Soviet, European, and US archives, Stalin's War: A New History of World War II (Basic Books, 2021) by award winning historian, Sean McMeekin, Professor of History at Bard College, revolutionizes our understanding of this global conflict by moving its epicenter to the east. Hitler's genocidal ambition may have helped unleash Armageddon, but as McMeekin shows, the war which emerged in Europe in September 1939 was the one Stalin wanted, not Hitler. So, too, did the Pacific war of 1941–1945 fulfill Stalin's goal of unleashing a devastating war of attrition between Japan and the “Anglo-Saxon” capitalist powers he viewed as his ultimate adversary. McMeekin also reveals the extent to which Soviet Communism was rescued by the US and Britain's self-defeating strategic moves, beginning with Lend-Lease aid, as American and British supply boards agreed almost blindly to every Soviet demand. Stalin's war machine, McMeekin shows, was substantially reliant on American materiél from warplanes, tanks, trucks, jeeps, motorcycles, fuel, ammunition, and explosives, to industrial inputs and technology transfer, to the foodstuffs which fed the Red Army. This unreciprocated American generosity gave Stalin's armies the mobile striking power to conquer most of Eurasia, from Berlin to Beijing, for Communism. A groundbreaking reassessment of the Second World War, Stalin's War is revisionist history at its very best: breaking down old paradigms and narratives and bringing to the fore new understandings of the historical process. All from a historian who has the best claim to be the closest, modern-day American equivalent of A. J. P. Taylor. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

World War II endures in the popular imagination as a heroic struggle between good and evil, with villainous Hitler driving its events. But Hitler was not in power when the conflict erupted in Asia—and he was certainly dead before it ended. His armies did not fight in multiple theaters, his empire did not span the Eurasian continent, and he did not inherit any of the spoils of war. That central role belonged to Joseph Stalin. The Second World War was not Hitler's war; it was Stalin's war. Drawing on ambitious new research in Soviet, European, and US archives, Stalin's War: A New History of World War II (Basic Books, 2021) by award winning historian, Sean McMeekin, Professor of History at Bard College, revolutionizes our understanding of this global conflict by moving its epicenter to the east. Hitler's genocidal ambition may have helped unleash Armageddon, but as McMeekin shows, the war which emerged in Europe in September 1939 was the one Stalin wanted, not Hitler. So, too, did the Pacific war of 1941–1945 fulfill Stalin's goal of unleashing a devastating war of attrition between Japan and the “Anglo-Saxon” capitalist powers he viewed as his ultimate adversary. McMeekin also reveals the extent to which Soviet Communism was rescued by the US and Britain's self-defeating strategic moves, beginning with Lend-Lease aid, as American and British supply boards agreed almost blindly to every Soviet demand. Stalin's war machine, McMeekin shows, was substantially reliant on American materiél from warplanes, tanks, trucks, jeeps, motorcycles, fuel, ammunition, and explosives, to industrial inputs and technology transfer, to the foodstuffs which fed the Red Army. This unreciprocated American generosity gave Stalin's armies the mobile striking power to conquer most of Eurasia, from Berlin to Beijing, for Communism. A groundbreaking reassessment of the Second World War, Stalin's War is revisionist history at its very best: breaking down old paradigms and narratives and bringing to the fore new understandings of the historical process. All from a historian who has the best claim to be the closest, modern-day American equivalent of A. J. P. Taylor. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

World War II endures in the popular imagination as a heroic struggle between good and evil, with villainous Hitler driving its events. But Hitler was not in power when the conflict erupted in Asia—and he was certainly dead before it ended. His armies did not fight in multiple theaters, his empire did not span the Eurasian continent, and he did not inherit any of the spoils of war. That central role belonged to Joseph Stalin. The Second World War was not Hitler's war; it was Stalin's war. Drawing on ambitious new research in Soviet, European, and US archives, Stalin's War: A New History of World War II (Basic Books, 2021) by award winning historian, Sean McMeekin, Professor of History at Bard College, revolutionizes our understanding of this global conflict by moving its epicenter to the east. Hitler's genocidal ambition may have helped unleash Armageddon, but as McMeekin shows, the war which emerged in Europe in September 1939 was the one Stalin wanted, not Hitler. So, too, did the Pacific war of 1941–1945 fulfill Stalin's goal of unleashing a devastating war of attrition between Japan and the “Anglo-Saxon” capitalist powers he viewed as his ultimate adversary. McMeekin also reveals the extent to which Soviet Communism was rescued by the US and Britain's self-defeating strategic moves, beginning with Lend-Lease aid, as American and British supply boards agreed almost blindly to every Soviet demand. Stalin's war machine, McMeekin shows, was substantially reliant on American materiél from warplanes, tanks, trucks, jeeps, motorcycles, fuel, ammunition, and explosives, to industrial inputs and technology transfer, to the foodstuffs which fed the Red Army. This unreciprocated American generosity gave Stalin's armies the mobile striking power to conquer most of Eurasia, from Berlin to Beijing, for Communism. A groundbreaking reassessment of the Second World War, Stalin's War is revisionist history at its very best: breaking down old paradigms and narratives and bringing to the fore new understandings of the historical process. All from a historian who has the best claim to be the closest, modern-day American equivalent of A. J. P. Taylor. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

World War II endures in the popular imagination as a heroic struggle between good and evil, with villainous Hitler driving its events. But Hitler was not in power when the conflict erupted in Asia—and he was certainly dead before it ended. His armies did not fight in multiple theaters, his empire did not span the Eurasian continent, and he did not inherit any of the spoils of war. That central role belonged to Joseph Stalin. The Second World War was not Hitler's war; it was Stalin's war. Drawing on ambitious new research in Soviet, European, and US archives, Stalin's War: A New History of World War II (Basic Books, 2021) by award winning historian, Sean McMeekin, Professor of History at Bard College, revolutionizes our understanding of this global conflict by moving its epicenter to the east. Hitler's genocidal ambition may have helped unleash Armageddon, but as McMeekin shows, the war which emerged in Europe in September 1939 was the one Stalin wanted, not Hitler. So, too, did the Pacific war of 1941–1945 fulfill Stalin's goal of unleashing a devastating war of attrition between Japan and the “Anglo-Saxon” capitalist powers he viewed as his ultimate adversary. McMeekin also reveals the extent to which Soviet Communism was rescued by the US and Britain's self-defeating strategic moves, beginning with Lend-Lease aid, as American and British supply boards agreed almost blindly to every Soviet demand. Stalin's war machine, McMeekin shows, was substantially reliant on American materiél from warplanes, tanks, trucks, jeeps, motorcycles, fuel, ammunition, and explosives, to industrial inputs and technology transfer, to the foodstuffs which fed the Red Army. This unreciprocated American generosity gave Stalin's armies the mobile striking power to conquer most of Eurasia, from Berlin to Beijing, for Communism. A groundbreaking reassessment of the Second World War, Stalin's War is revisionist history at its very best: breaking down old paradigms and narratives and bringing to the fore new understandings of the historical process. All from a historian who has the best claim to be the closest, modern-day American equivalent of A. J. P. Taylor. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

As the Red Dragon Army crashes into Vogler, the party helps buy the evacuees more time.Welcome to Patron DnD, where Platinum-level patrons and I get together to play Dungeons & Dragons via Discord and Roll20. Dragonlance: Shadow of the Dragon Queen is published by Wizards of the Coast, and set in the world of Krynn. We are using the updated 2024 5e rules.Recap available on RogueWatson.comStarring:Cere, level 3 dwarf Cleric of the Light DomainEllowyn, level 3 kender Bard College of LoreElyas, level 3 human Diviner WizardKazra, level 3 human Champion FighterPy, level 3 gnome Ranger HunterMusic by Kevin MacLeod https://incompetech.com/music/royalty-free/music.htmlLicensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/Chat with us in the Official Discord Server: https://discord.gg/AjvtemjSupport the channel at https://www.patreon.com/Roguewatson

Intrepid guitarist and sound seeker talks about his musical experiences with non-degreed musicians at Bard College and how he unlocked his student's ears in Berlin teaching at the university level.

Welcome to Hot Topics! In this episode, we welcome back Renée Peña Lopez, an early childhood inclusion specialist, to share her journey of living with dyslexia and her surprising recent diagnosis of ADHD (Attention Deficit Hyperactivity Disorder). While our initial focus was on dyslexia, Renée's revelation about her comorbid ADHD adds a fascinating layer to her story.Renée reflects on her childhood experiences marked by perfectionism, where her struggles with comprehension, spelling, and writing were often overshadowed by her grandfather's insistence on academic excellence. She candidly discusses her late dyslexia diagnosis in college and the emotional challenges that accompanied it, including the impact of her learning difficulties on her self-esteem.Throughout the episode, Renée shares her coping strategies, such as utilizing dictation tools and seeking support from mentors, emphasizing the importance of understanding one's learning differences. She explores how her recent ADHD diagnosis intertwines with her dyslexia, offering insights into the unique experiences of women and girls of color navigating these conditions.Renée also dives into the cultural context surrounding learning disabilities, particularly within Black and Afro-Caribbean families, highlighting the need for better awareness and resources to support families dealing with learning differences. She critiques current educational practices regarding spelling and writing instruction and advocates for diverse learning strategies tailored to individual needs.As a parent herself and an educator, Renée reflects on her growth and the importance of empowering children to embrace their learning differences. She concludes the episode by encouraging listeners to seek help and explore their unique learning styles, fostering a culture of curiosity and understanding.Join us for a compelling conversation that champions resilience, empowerment, and advocacy for those navigating the complexities of dyslexia and ADHD.Who is Renée Peña Lopez?Renée Peña Lopez is an Early Childhood Inclusion Specialist, and proud Native New Yorker. She is a licensed special education early childhood teacher who has a passion for quirky learners such as herself. Renée attended Bard College for her B.A. in Dance and Integrated Arts (Video and Arts Education). While on her journey, she fell in love with Early Childhood working at an enrichment school, where the director took a chance on her and suggested she go into the field. She decided to attend Mercy College for (Birth-6th with Student with Disabilities). Now, Renée pulls from her creative background in dance and her vast experience in an array of classrooms from museums to progressive spaces to play-based models. She is also a Mama of a quirky and lovely kiddo who works with Families and Teachers of Littles to help them make sense of their Littles play by finding the magic that makes them shine. Together, we rethink inventions!You can find Renée:On the web: https://www.themagicoflittles.com/On Facebook: https://www.facebook.com/TheMagicOfLittles/On Instagram: https://www.instagram.com/themagicoflittlesOn Threads: https://www.threads.net/@themagicoflittlesOn Pinterest: https://www.pinterest.com/themagicoflittles/On LinkedIn: https://www.linkedin.com/in/renee-pena-lopez-9a93957Download "The Mighty Advocate Guide" for free: https://www.themagicoflittles.com/page/619933Purchase digital "Stay on Top of IEPs" Planner with 50% discount for our audience: https://www.themagicoflittles.com/purchase/212062-Stay-on-Top-of-IEPs-Planner/coupon/ASTEPAHEADRenee has a podcast called "The Magic of Littles with Renee Pena Lopez." Listen and subscribe here: https://podcasts.apple.com/us/podcast/the-magic-of-littles-with-renee-pena-lopez/id1460070377Watch this episode on YouTube: https://youtube.com/live/e_fziDUjflcRate this episode on IMDB: https://m.imdb.com/title/tt37610844/?ref_=ext_shr_lnk********************************************Follow Gabrielle Crichlow:On Facebook: https://www.facebook.com/gabrielle.crichlow On Instagram: https://www.instagram.com/gabrielle.crichlowOn LinkedIn: https://www.linkedin.com/in/gabrielle-crichlow-92587a360Follow A Step Ahead Tutoring Services:On Facebook: https://www.facebook.com/astepaheadtutoringservicesOn Instagram: https://www.instagram.com/astepaheadtutoringservicesOn X: https://www.x.com/ASATS2013On LinkedIn: https://www.linkedin.com/company/a-step-ahead-tutoring-services/On YouTube: https://www.youtube.com/@astepaheadtutoringservicesOn TikTok: https://www.tiktok.com/@asats2013On Eventbrite: https://astepaheadtutoringservices.eventbrite.comVisit us on the web: https://www.astepaheadtutoringservices.comSign up for our email list: https://squareup.com/outreach/a41DaE/subscribeSign up for our text list: https://eztxt.s3.amazonaws.com/534571/widgets/61fc686d8d6665.90336120.htmlCheck out our entire "Hot Topics!" podcast: https://www.astepaheadtutoringservices.com/hottopicspodcastSupport us:Cash App: https://cash.app/$ASATS2013PayPal: https://paypal.me/ASATS2013Venmo: https://venmo.com/u/ASATS2013Become a supporter of this podcast: https://www.spreaker.com/podcast/hot-topics--5600971/support Original date of episode: May 10, 2025

Scientists install first public monitors Eli Dueker pointed to a projected map of the U.S. covered in green dots. Each represented a sensor used to produce air-quality reports on hot summer days, or when Canadian wildfire smoke blows south into New York. "Notice this Hudson Valley-shaped hole here?" asked Dueker, the director of Bard College's Center for Environmental Sciences and Humanities, during a presentation in Poughkeepsie. There were no green dots. Desiree Lyle, who manages the Community Sciences Lab at Bard, explained that the lack of local sensors means that apps must rely on data from elsewhere "and come up with an algorithm that approximates what the air quality might be in the Hudson Valley." This is the problem that Bard is working on through its Hudson Valley Community Air Network (dub.sh/hvair-network). The lab has so far installed four sensors that provide real-time data through justair.app, a website created by JustAir, an environmental justice technology company. The devices, which also measure air temperature and humidity, are located at Bard near Red Hook, Mount Saint Mary College in Newburgh, the Andy Murphy Neighborhood Center in Kingston and the roof of the Adriance Memorial Library in Poughkeepsie, where the June 24 event was held. The program came about after Kingston's Conservation Advisory Council asked Dueker where they could get data on air quality to identify the largest sources of local pollution. Due to the lack of sensors, there was no data. Darren Riley, a computer scientist who co-founded JustAir, had run into the same problem. After moving to Detroit from Houston, where he grew up, Riley developed asthma. His new Michigan neighborhood was within one of the most polluted ZIP codes in the country, and many residents struggled with respiratory health issues even before the pandemic swept through. Riley said that when the community asked local officials to address the air pollution, they kept hearing in response that there was no scientific data to prove that the neighborhood was polluted. He helped create JustAir to obtain it. Along with the four sensors mentioned earlier, Bard has installed about a dozen air-quality monitors made by PurpleAir in the doorways of Hudson Valley libraries. "It's another way that libraries continue to be bastions of knowledge," said Dueker. The data from those monitors is posted by PurpleAir online. There are only a few of the company's sensors in the Highlands, with a notable exception being the tent at Hudson Valley Shakespeare. But they come with challenges. They start at $275 each and are placed wherever someone feels like putting one up; Riley said that he's seen the sensors on back porches next to charcoal grills. And because PurpleAir owns the data, it could disappear if the company shuts down or is sold. PurpleAir charges $500 in annual licensing fees per sensor to allow its data to be posted on a public website such as JustAir. That's a steep price, but over the past few months, the Trump administration has removed an enormous amount of public climate data. "There's no way the Environmental Protection Agency can be with you everywhere you go to make sure that you're safe and healthy," said Dueker. "The only folks who can do that are the people who live and breathe and work and drink water in the town or the city that you live in." During the Poughkeepsie presentation, Riley displayed a map of the JustAir network in Detroit. The sensor readings were shown as brown, reflecting one of the worst possible ratings. "This is what we mean by environmental justice," he said. "For some people, the world is already on fire."

Community News and Interviews for the Catskills & Northeast Pennsylvania

After finding an entire army nearby, the town of Vogler receives distressing news from an armored messenger.Welcome to Patron DnD, where Platinum-level patrons and I get together to play Dungeons & Dragons via Discord and Roll20. Dragonlance: Shadow of the Dragon Queen is published by Wizards of the Coast, and set in the world of Krynn. We are using the updated 2024 5e rules.Recap available on RogueWatson.comStarring:Cere, level 3 dwarf Cleric of the Light DomainElyas, level 3 human Diviner WizardKorl, level 3 dwarf Bard College of DancePy, level 3 gnome Ranger HunterRickard, level 3 human Fighter/WizardMusic by Kevin MacLeod https://incompetech.com/music/royalty-free/music.htmlLicensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/Chat with us in the Official Discord Server: https://discord.gg/AjvtemjSupport the channel at https://www.patreon.com/Roguewatson

Hua Hsu, New Yorker staff writer, professor of English at Bard College and author of the memoir Stay True (September 2022), discusses what college students lose when ChatGPT writes their essays for them and what that says about our evolving understanding of the purpose of higher education.→ What Happens After A.I. Destroys College Writing?

Send us a textJoin Professor Jeffrey Sachs and Professor James Romm, classicist and historian at Bard College, for a captivating discussion on one of the most dramatic and fascinating political experiments of the ancient world: Plato's involvement with power politics in Syracuse (Siracusa). Drawing on Romm's newest book, Plato and the Tyrant, Sachs and Romm explore the extraordinary story of how the great philosopher Plato attempted over the course of three decades to bring philosophy into the heart of government.Together, they delve into Plato's journey to the court of the autocratic ruler Dionysius in ancient Syracuse, where he hoped to transform a tyrant into a philosopher-king. They discuss the political turmoil that unfolded, Plato's close relationship with the philosophically minded Dion, and how Plato's experiences deeply shaped his writing of The Republic.  Romm reveals how Plato's real-world political experiences ultimately informed his later, more sober work The Laws, and how these texts reflect a lifelong quest to define justice, leadership, and the possibility of a virtuous society.This episode offers listeners a rich narrative of political intrigue, philosophical ambition, and the enduring relevance of Plato's quest to unite ethics and power - an ancient story with striking implications for our world today.The Book Club with Jeffrey Sachs is brought to you by the SDG Academy, the flagship education initiative of the UN Sustainable Development Solutions Network. Learn more and get involved at bookclubwithjeffreysachs.org.Footnotes: Ancient Greek PhilosophyPlatoAuthoritarianismAutocracySyracuseAthensDionysius DionPlato's AcademyAristotleThe Republic (by Plato)The Laws (by Plato)CarthagePhilosopher-King⭐️ Thank you for listening!➡️ Sign up for the newsletter: https://bit.ly/subscribeBCJS➡️ Website: bookclubwithjeffreysachs.org

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Former U.S. Army officer and State Department Diplomat who taught at Bard College for six years and is now a Senior Fellow at Bard's Center for Civic Engagement Ambassador Frederic Hof, Political Consultant and lobbyist Libby Post, and Assistant Professor in the Department of Sociology at Vassar Catherine Tan.

In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock 'n' roll that critics would identify as punk rock by the end of the seventies.   Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, Maybe the People Would Be the Times, and Nineteen Reservoirs. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years of teaching at Bard College.  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock 'n' roll that critics would identify as punk rock by the end of the seventies.   Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, Maybe the People Would Be the Times, and Nineteen Reservoirs. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years of teaching at Bard College.  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock 'n' roll that critics would identify as punk rock by the end of the seventies.   Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, Maybe the People Would Be the Times, and Nineteen Reservoirs. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years of teaching at Bard College.  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock 'n' roll that critics would identify as punk rock by the end of the seventies.   Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, Maybe the People Would Be the Times, and Nineteen Reservoirs. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years of teaching at Bard College.  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the premiere episode of Soundscapes N.Y.C., host Ryan Purcell talks with celebrated writer Lucy Sante about the landscape of gender logics within the New York rock scene. It was a nebulous soundscape of counterculture formed around gender explorations and social upheaval set to the soundtrack of an aggressive style of rock 'n' roll that critics would identify as punk rock by the end of the seventies.   Lucy Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, The Other Paris, Maybe the People Would Be the Times, and Nineteen Reservoirs. Her awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy Award (for album notes), an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Center fellowships. She recently retired after twenty-four years of teaching at Bard College.  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Welcome to Hot Topics! Join host Gabrielle Crichlow in this empowering episode featuring fellow tutorpreneur Renée Peña Lopez as they discuss the essential role of advocacy in your child's development. Together, they delve into key developmental markers for preschool and elementary-aged children, providing parents with the insights needed to recognize and address their child's unique needs.In this episode, you'll learn effective strategies for advocating for your child's educational and emotional support, and discover how to navigate the systems in place to ensure they receive the help they require. Gabrielle and Renée share practical takeaways for when you feel overwhelmed or stuck, empowering you to advocate confidently and effectively.Renée, an early childhood inclusion specialist and special education teacher, shares her personal journey of advocating for her daughter who faced developmental delays. The conversation highlights the importance of understanding and navigating the special education system, including terms like "CPSC" (Committee of Special Education) and "EI" (Early Intervention). The episode emphasizes the significance of developmental milestones for children aged 3-5 years, advocating early, and the collaborative relationship between parents and educators. Renée also addresses the cultural considerations surrounding advocacy, including the stigma some parents face regarding labels and special education.Whether you're a parent, educator, or caregiver, this episode is filled with expert advice and actionable tips to help you become a mighty advocate for your child. Tune in and take the first steps toward making a meaningful difference in their educational journey! Key Takeaways:- Understanding your child's developmental markers.- Strategies for effective advocacy in educational settings.- Importance of documentation and early intervention.- Navigating cultural considerations and overcoming stigma.- Building collaborative relationships with educators.Don't miss this insightful discussion that empowers you to support your child's needs!,Who is Renée Peña Lopez?Renée Peña Lopez is an Early Childhood Inclusion Specialist, and proud Native New Yorker. She is a licensed special education early childhood teacher who has a passion for quirky learners such as herself. Renée attended Bard College for her B.A. in Dance and Integrated Arts (Video and Arts Education). While on her journey, she fell in love with Early Childhood working at an enrichment school, where the director took a chance on her and suggested she go into the field. She decided to attend Mercy College for (Birth-6th with Student with Disabilities). Now, Renée pulls from her creative background in dance and her vast experience in an array of classrooms from museums to progressive spaces to play-based models. She is also a Mama of a quirky and lovely kiddo who works with Families and Teachers of Littles to help them make sense of their Littles play by finding the magic that makes them shine. Together, we rethink inventions!You can find Renée:On the web: https://www.themagicoflittles.com/On Facebook: https://www.facebook.com/TheMagicOfLittles/On Instagram: https://www.instagram.com/themagicoflittlesOn Threads: https://www.threads.net/@themagicoflittlesOn Pinterest: https://www.pinterest.com/themagicoflittles/On LinkedIn: https://www.linkedin.com/in/renee-pena-lopez-9a93957Download "The Mighty Advocate Guide" for free: https://www.themagicoflittles.com/page/619933Purchase digital "Stay on Top of IEPs" Planner with 50% discount for our audience: https://www.themagicoflittles.com/purchase/212062-Stay-on-Top-of-IEPs-Planner/coupon/ASTEPAHEADWatch this episode on YouTube: https://youtube.com/live/Tjw69vLdAIYRate this episode on IMDB: https://m.imdb.com/title/tt36940673/?ref_=ext_shr_lnk********************************************Follow Gabrielle Crichlow:On Facebook: https://www.facebook.com/gabrielle.crichlow On Instagram: https://www.instagram.com/gabrielle.crichlowOn LinkedIn: https://www.linkedin.com/in/gabrielle-crichlow-92587a360Follow A Step Ahead Tutoring Services:On Facebook: https://www.facebook.com/astepaheadtutoringservicesOn Instagram: https://www.instagram.com/astepaheadtutoringservicesOn X: https://www.x.com/ASATS2013On TikTok: https://www.tiktok.com/@asats2013On LinkedIn: https://www.linkedin.com/company/a-step-ahead-tutoring-services/On YouTube: https://www.youtube.com/@astepaheadtutoringservicesOn Eventbrite: https://astepaheadtutoringservices.eventbrite.comVisit us on the web: https://www.astepaheadtutoringservices.comSign up for our email list: https://squareup.com/outreach/a41DaE/subscribeSign up for our text list: https://eztxt.s3.amazonaws.com/534571/widgets/61fc686d8d6665.90336120.htmlCheck out our entire "Hot Topics!" podcast: https://www.astepaheadtutoringservices.com/hottopicspodcastSupport us:Cash App: https://cash.app/$ASATS2013PayPal: https://paypal.me/ASATS2013Venmo: https://venmo.com/u/ASATS2013Become a supporter of this podcast: https://www.spreaker.com/podcast/hot-topics--5600971/support Original date of episode: March 16, 2025

Baxie talks with Steely Dan biographer Brian Sweet. His book “Steely Dan: Reeling in the Years” is about to be released on paperback this August. The book is the definitive story about how Donald Fagan and Walter Becker became two of the most unlikely Rock Stars in history. Brian follows the story that took them from being reclusive song writers at Bard College, to reluctantly performing on stage, to refusing to play live so that they could focus all of their attention on writing and producing some of the most flawless albums ever recorded. Such an amazing story! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!

“I'm an essayist, not a podcaster,” says Lapham's Quarterly acting editor Donovan Hohn, “but then the same could be said of Lewis, who took the form and the medium of the podcast and did with it what he'd done all of his adulthood: have conversations with people whose voices he wished to hear. Seasoned listeners to The World in Time may rest assured that similar conversations will resume shortly. This episode, my first behind the microphone, won't be a conversation, but it will be a duet. I'll be sharing the microphone some with Lewis Lapham.” This week on the podcast Donovan Hohn hosts two episodes devoted to the life, career, and memory of our founding editor, Lewis H. Lapham. In this first episode, Hohn announces the Quarterly's plans for Summer 2025, shares excerpts from a keynote address Lapham delivered at Bard College's Hannah Arendt Center for Politics and Humanities in 2011, pays tribute to Lapham the essayist, and gives an account of the months preceding and following Lewis' death in July 2024.

Sonita Alizadeh is an award-winning Afghan rapper, activist, and now published author who's using her voice—through rap and writing—to fight one of the world's most overlooked human rights issues: child marriage. In this unforgettable episode, Ami sits down with Sonita to talk about her extraordinary journey from nearly being sold into marriage twice to becoming a globally recognized artist and advocate whose music and message are transforming lives.With humility and quiet intensity, Sonita opens up about what it was like growing up as an undocumented refugee in Iran, where she wasn't allowed to attend school or even ask for basic rights. She shares how she discovered rap—thanks to Eminem—and how it gave her a way to tell the truth no one else was saying. Her breakout song, Daughters for Sale, was more than viral—it was revolutionary. It not only saved her from marriage but inspired other girls to fight for their freedom too.From the pain of being separated from loved ones, to the slow transformation of her mother—from someone trying to arrange her marriage to someone who now supports her music—Sonita's story is both heartbreaking and full of hope. They also talk about Sonita's new memoir Sonita, her Rhodes Scholarship to Oxford, and her plans to work in immigration and refugee advocacy to create long-term change.From half-bruised faces in music videos to dreams of one day performing in Afghanistan, this episode is a powerful reminder of the resilience it takes to rewrite your destiny—and how one voice can ignite a movement. Reunited in Canada: Sonita shares what it's like living in Toronto with her family, including reflections on Afghan birth records, her sister's undocumented age, and how being together again brings healing. (2:09)Escaping the Taliban—And Losing Her Rights in Iran: Sonita recalls fleeing Afghanistan only to face discrimination and exclusion in Iran as an undocumented refugee, including being denied access to education. (5:17)Why Her Mother Tried to Sell Her: Sonita explains her mother's heartbreaking reasoning for arranging her marriage—how generational trauma, poverty, and cultural norms shaped that decision. (8:14)How Her Family Learned to Love Her Music: From secret recordings to hearing her rap on Afghan national TV, Sonita shares how her family slowly began supporting her artistry—culminating in her mother asking her to write a song for a murdered woman named Farkhunda. (11:00)Discovering Rap in a Gym—and Why She Chose It Over Pop: Inspired by Eminem's rage-filled lyrics, Sonita explains why rap gave her the emotional outlet she needed to tell stories of child labor, child marriage, and injustice. (15:29)Going Viral, Getting Out: Her song Daughters for Sale went viral—terrifying and liberating her. It caught the attention of a U.S. NGO, which helped her secure a scholarship to study in America. (18:31)Freedom, Isolation, and Cheeseburgers: Sonita recounts her first experiences in the U.S.—from language barriers and loneliness to bike rides, fast food, and studio time that finally gave her space to heal. (22:03)From Rap to Rhodes: Her Education Journey: Sonita talks about graduating from Bard College with a double major in music and human rights, and her next chapter: studying forced migration at Oxford as a Rhodes Scholar. (25:04)Why She Wrote Her Memoir—And What's Inside: She shares how her memoir Sonita was born out of a classroom assignment, why she includes music and photos, and how it tells not just her story, but the story of millions of Afghan girls. (26:50)Q&A With Kids—and a Dream to Return Home: In a heartwarming moment, Ami's daughters ask Sonita about her biggest inspiration, her future goals, and her biggest pet peeve (“Telling her story again and again—and seeing no change”). (32:21) Connect with Sonita Alizadeh:WebsiteInstagramFacebookYouTubeX Let's talk Connect:Instagram This podcast is produced by Ginni Media

“Show me the incentives and I'll show you the outcome”. These were the wise words of the late Charlie Munger, Warren Buffett's former business partner. What he meant by that was that if you incentivize good and productive business behavior, your business will grow. If you reward bad and unproductive behavior, your business and, ultimately, the consumer, will suffer. Since the 1980s, the economic and legal frameworks we've used have incentivized bad behavior. Today, we'll discuss Shareholder Primacy, which is the idea that a firm's primary responsibility is to maximize value for its shareholders. Its proponents believe that by maximizing value for shareholders, there is greater accountability, more incentives to invest in productive capabilities, and a higher likelihood of risk-taking leading to innovation. From the 80s to the 2000s, these ideas reigned supreme across economic and legal circles. They helped shape law and policy to create the highly corporatized economy we see today. But now, some of the flaws of this framework are beginning to manifest. Corporate profits as a percentage of GDP remain high relative to prior decades. Corporate profits now make up 12% of GDP, down from its peak of 12.8% in 2021, according to the Federal Reserve Bank of St. Louis. This is at a time when most Americans are still reeling from inflation earlier in the 2020s. A recent report from the Ludwig Institute for Shared Economic Prosperity found that the bottom 60% of households are out of reach of a minimal quality of life. Using the framework of shareholder primacy, a time of high corporate profits should translate to a high standard of living. But we just aren't seeing that.Why? Well, it depends on who you ask. I sat down with Harrison Karlewicz, a P.hD candidate at UMass Amherst, whose work shows that investing in equities doesn't always translate to investment in productive assets that will help companies grow. Instead of efficiently channeling savings to companies that need resources, like we're taught financial markets are for, they have become a place where speculation can lead to rent-seeking. There was a lot of nuance to the conversation. Financial markets weren't all good or all bad. But, I think we have to be realistic about the role financial markets and assets play in the economy. Our conversation touched a lot upon how businesses can be better structured to invest in assets that will help the company grow and provide good-quality products to consumers.Mr. Karlewicz is wrapping up his dissertation at UMass Amherst, where he works with Lenore Palladino, a Political Economist, on projects about corporate governance, industrial organization, and financialization. He is a research assistant at UMass's Political Economy Research Institute and a Fellow at McClave and Associates, an economic consulting firm. He has taught economics and math at Springfield College and Berkshire Community College. His work has been published by multiple outlets such as the Roosevelt Institute and Jacobin. Harrison earned his bachelor's degree in economics and political science from Seattle Pacific University and his master's from Bard College in Economic Theory and Policy. Together, we discussed the Robinhood-Gamestop debacle, the differences between public and private financial markets, and how policy can better incentivize investment in productive capabilities. To check out more of our content, including our research and policy tools, visit our website: https://www.hgsss.org/

Over the years, American colleges and universities have made various efforts to provide prisoners with access to education. However, few of these outreach programs presume that incarcerated men and women can rise to the challenge of a truly rigorous college curriculum. The Bard Prison Initiative is different.In his book, College in Prison: Reading in an Age of Mass Incarceration (Rutgers University Press, 2017), Daniel Karpowitz chronicles how, since 2001, Bard College has provided hundreds of incarcerated men and women across the country access to a high-quality liberal arts education. Earning degrees in subjects ranging from Mandarin to advanced mathematics, graduates have, upon release, gone on to rewarding careers and elite graduate and professional programs. Yet this is more than just a story of exceptional individuals triumphing against the odds. It is a study in how the liberal arts can alter the landscape of some of our most important public institutions giving people from all walks of life a chance to enrich their minds and expand their opportunities.Drawing on fifteen years of experience as a director of and teacher within the Bard Prison Initiative, Daniel Karpowitz tells the story of BPI's development from a small pilot project to a nationwide network. At the same time, he recounts dramatic scenes from in and around college-in-prison classrooms pinpointing the contested meanings that emerge in moments of highly-charged reading, writing, and public speaking. Through examining the transformative encounter between two characteristically American institutions—the undergraduate college and the modern penitentiary—College in Prison makes a powerful case for why liberal arts education is still vital to the future of democracy in the United States. Interviewee: Daniel Karpowitz has worked on public and private sector systems change for over twenty-five years. He is the former director of policy and academics for the Bard Prison Initiative and the cofounder of the Consortium for the Liberal Arts in Prison, an organization that launches and cultivates college-in-prison programs across the country. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Over the years, American colleges and universities have made various efforts to provide prisoners with access to education. However, few of these outreach programs presume that incarcerated men and women can rise to the challenge of a truly rigorous college curriculum. The Bard Prison Initiative is different.In his book, College in Prison: Reading in an Age of Mass Incarceration (Rutgers University Press, 2017), Daniel Karpowitz chronicles how, since 2001, Bard College has provided hundreds of incarcerated men and women across the country access to a high-quality liberal arts education. Earning degrees in subjects ranging from Mandarin to advanced mathematics, graduates have, upon release, gone on to rewarding careers and elite graduate and professional programs. Yet this is more than just a story of exceptional individuals triumphing against the odds. It is a study in how the liberal arts can alter the landscape of some of our most important public institutions giving people from all walks of life a chance to enrich their minds and expand their opportunities.Drawing on fifteen years of experience as a director of and teacher within the Bard Prison Initiative, Daniel Karpowitz tells the story of BPI's development from a small pilot project to a nationwide network. At the same time, he recounts dramatic scenes from in and around college-in-prison classrooms pinpointing the contested meanings that emerge in moments of highly-charged reading, writing, and public speaking. Through examining the transformative encounter between two characteristically American institutions—the undergraduate college and the modern penitentiary—College in Prison makes a powerful case for why liberal arts education is still vital to the future of democracy in the United States. Interviewee: Daniel Karpowitz has worked on public and private sector systems change for over twenty-five years. He is the former director of policy and academics for the Bard Prison Initiative and the cofounder of the Consortium for the Liberal Arts in Prison, an organization that launches and cultivates college-in-prison programs across the country. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Over the years, American colleges and universities have made various efforts to provide prisoners with access to education. However, few of these outreach programs presume that incarcerated men and women can rise to the challenge of a truly rigorous college curriculum. The Bard Prison Initiative is different.In his book, College in Prison: Reading in an Age of Mass Incarceration (Rutgers University Press, 2017), Daniel Karpowitz chronicles how, since 2001, Bard College has provided hundreds of incarcerated men and women across the country access to a high-quality liberal arts education. Earning degrees in subjects ranging from Mandarin to advanced mathematics, graduates have, upon release, gone on to rewarding careers and elite graduate and professional programs. Yet this is more than just a story of exceptional individuals triumphing against the odds. It is a study in how the liberal arts can alter the landscape of some of our most important public institutions giving people from all walks of life a chance to enrich their minds and expand their opportunities.Drawing on fifteen years of experience as a director of and teacher within the Bard Prison Initiative, Daniel Karpowitz tells the story of BPI's development from a small pilot project to a nationwide network. At the same time, he recounts dramatic scenes from in and around college-in-prison classrooms pinpointing the contested meanings that emerge in moments of highly-charged reading, writing, and public speaking. Through examining the transformative encounter between two characteristically American institutions—the undergraduate college and the modern penitentiary—College in Prison makes a powerful case for why liberal arts education is still vital to the future of democracy in the United States. Interviewee: Daniel Karpowitz has worked on public and private sector systems change for over twenty-five years. He is the former director of policy and academics for the Bard Prison Initiative and the cofounder of the Consortium for the Liberal Arts in Prison, an organization that launches and cultivates college-in-prison programs across the country. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the years, American colleges and universities have made various efforts to provide prisoners with access to education. However, few of these outreach programs presume that incarcerated men and women can rise to the challenge of a truly rigorous college curriculum. The Bard Prison Initiative is different.In his book, College in Prison: Reading in an Age of Mass Incarceration (Rutgers University Press, 2017), Daniel Karpowitz chronicles how, since 2001, Bard College has provided hundreds of incarcerated men and women across the country access to a high-quality liberal arts education. Earning degrees in subjects ranging from Mandarin to advanced mathematics, graduates have, upon release, gone on to rewarding careers and elite graduate and professional programs. Yet this is more than just a story of exceptional individuals triumphing against the odds. It is a study in how the liberal arts can alter the landscape of some of our most important public institutions giving people from all walks of life a chance to enrich their minds and expand their opportunities.Drawing on fifteen years of experience as a director of and teacher within the Bard Prison Initiative, Daniel Karpowitz tells the story of BPI's development from a small pilot project to a nationwide network. At the same time, he recounts dramatic scenes from in and around college-in-prison classrooms pinpointing the contested meanings that emerge in moments of highly-charged reading, writing, and public speaking. Through examining the transformative encounter between two characteristically American institutions—the undergraduate college and the modern penitentiary—College in Prison makes a powerful case for why liberal arts education is still vital to the future of democracy in the United States. Interviewee: Daniel Karpowitz has worked on public and private sector systems change for over twenty-five years. He is the former director of policy and academics for the Bard Prison Initiative and the cofounder of the Consortium for the Liberal Arts in Prison, an organization that launches and cultivates college-in-prison programs across the country. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Preview: Author James Romm of Bard College, "Plato and the Tyrant," describes the powerful city state of Syracuse in the 4th century BCE, stage for Plato's descending to the brutal Dionysian conclusion... More later in June.

Preview: Author James Romm of Bard College, "Plato and the Tyrant," comments on the apology for Dion and his revolutionary violence, including political assassination, by both Plato in the 4th century BCE and Plutarch in the 1st century AD.

It is hard to imagine life without sunglasses. So, who came up with the idea – and when? We begin this episode by going way back to the very first pair of sunglasses and I'll reveal how our modern-day sunglasses came about not all that long ago. ago. http://www.glasseshistory.com/glasses-history/history-of-sunglasses/ We have all felt that sense of wonder. It's that feeling you get when you first see the Grand Canyon or an incredible sunset or the stars above against a really dark sky. Sadly, we often lose our sense of wonder as we get older. Still, your sense of wonder is worth holding on to and developing further, according to Monica Parker. She has spent many years helping people discover how to lead lives full of wonder. Monica is author of the book The Power of Wonder (https://amzn.to/3I5F5Y4). Listen as she explains the amazing benefits of finding wonder in your world. What is money and how does it work? It may seem like a simple question yet, there is a lot of misunderstanding about it. One example is that some people worry about the federal government running out of money. What if the government can't pay its bills? Well, that can't happen according to L. Randall Wray, a professor of Economics at Bard College, Senior Scholar at the Levy Economics Institute and author of Money for Beginners: An Illustrated Guide (https://amzn.to/42BuPPG). Listen as he discusses how money works, how it has changed and what the future of money is. Some people claim they can get by on 4 or 5 hours of sleep? Really? What happens when people who sleep very little are tested against people who get a good night's sleep? Listen as I explain what happens to people who try to perform on very little sleep. https://www.restoringhealth.center/how-many-hours-of-sleep-do-you-actually-need PLEASE SUPPORT OUR SPONSORS!!! MINT MOBILE: Ditch overpriced wireless and get 3 months of premium wireless service from Mint Mobile for 15 bucks a month at ⁠⁠⁠⁠⁠https://MintMobile.com/something⁠⁠⁠⁠⁠ ! FACTOR: Eat smart with Factor! Get 50% off at ⁠⁠⁠⁠⁠⁠⁠https://FactorMeals.com/something50off⁠⁠⁠⁠⁠⁠⁠ TIMELINE: Get 10% off your order of Mitopure!  Go to ⁠⁠⁠⁠⁠⁠⁠https://Timeline.com/SOMETHING⁠⁠⁠⁠⁠⁠⁠ ROCKET MONEY: Cancel your unwanted subscriptions and reach your financial goals faster! Go to ⁠⁠https://RocketMoney.com/SOMETHING⁠⁠ QUINCE: Elevate your shopping with Quince! Go to ⁠⁠⁠⁠⁠⁠⁠https://Quince.com/sysk⁠⁠⁠⁠⁠⁠⁠ for free shipping on your order and 365 day returns! INDEED: Get a $75 sponsored job credit to get your jobs more visibility at ⁠⁠⁠⁠⁠⁠⁠https://Indeed.com/SOMETHING⁠⁠⁠⁠⁠⁠⁠ right now! DELL: The power of Dell AI with Intel inside is transforming the world of pro sports! For the players and the fans who are there for every game. See how Dell Technologies with Intel inside can help find your advantage, and power your wins at ⁠⁠⁠https://Dell.com/Wins⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Communications expert and Founder/President of Stanhope Partners Bob Bellafiore, Dean of the College of Emergency Preparedness, Homeland Security and Cybersecurity at the University at Albany Robert Griffin, Former U.S. Army officer and State Department Diplomat who taught at Bard College for six years and is now a Senior Fellow at Bard's Center for Civic Engagement Ambassador Frederic Hof, and Associate Professor of Government at Dutchess Community College and since 2023, she has been President of the World Affairs Council of the Mid-Hudson Valley Dr. Karin Riedl.

Michele Abramowitz (USA, b. 1984, Berkeley, California) received her BA from Pomona College (Claremont, CA), her BFA from the Rhode Island School of Design (Providence, RI), and her MFA from the Milton-Avery School of the Arts at Bard College, (Annandale-on-Hudson, New York). Abramowitz has held solo exhibitions at A.I.R. Gallery, Brooklyn, NY (2021) and Kate Werble Gallery, New York, NY (2022). Her work has been exhibited at venues including the North Loop Gallery, Williamstown, MA (2022), UBS Gallery at Bard College, Red Hook, NY (2016), Falcon's Nest, Los Angeles, CA (2016) and Hart Street Studio, Brooklyn NY (2011). She currently lives and works in Brooklyn, NY. Michele Abramowitz, Ghost Crickets 2025 Oil and black gesso on polyester canvas 80 x 54 inches each panel; 80 x 178 inches total.  Courtesy of the artist and Kate Werble Gallery, New York Michele Abramowitz, Detail, Ghost Crickets 2025 Oil and black gesso on polyester canvas 80 x 54 inches each panel; 80 x 178 inches total. Courtesy of the artist and Kate Werble Gallery, New York Michele Abramowitz, The Living Mud, 2025 Oil and black gesso on polyester canvas 48 x 40 inches Courtesy of the artist and Kate Werble Gallery, New York Michele Abramowitz, The Unworthy Augustina, 2025 Oil and black gesso on polyester canvas 54 x 40 inches.  Courtesy of the artist and Kate Werble Gallery, New York.

News headline roundup. The politics of tyranny.  Find us on YouTube. In this episode of The Bulletin, Mike and Clarissa discuss cruelty, the talks between the US and Russia, the bombing of a fertility clinic in California, former president Joe Biden's cancer diagnosis, and the anniversary of George Floyd's death. Then, Mike talks with Roger Berkowitz about the politics of tyranny.  GO DEEPER WITH THE BULLETIN: Join the conversation at our Substack Find us on YouTube. Rate and review the show in your podcast app of choice. ABOUT THE GUEST:  Roger Berkowitz is founder and academic director of the Hannah Arendt Center for Politics and Humanities and professor of politics, philosophy, and human rights at Bard College. Berkowitz is the author of The Gift of Science, the introduction to On Civil Disobedience by Henry David Thoreau and Hannah Arendt, and The Perils of Invention. His writing has appeared in The New York Times, The American Interest, Bookforum, The Forward, The Paris Review online, and Democracy.  ABOUT THE BULLETIN: The Bulletin is a twice-weekly politics and current events show from Christianity Today moderated by Clarissa Moll, with senior commentary from Russell Moore (Christianity Today's editor in chief) and Mike Cosper (director, CT Media). Each week, the show explores current events and breaking news and shares a Christian perspective on issues that are shaping our world. We also offer special one-on-one conversations with writers, artists, and thought leaders whose impact on the world brings important significance to a Christian worldview, like Bono, Sharon McMahon, Harrison Scott Key, Frank Bruni, and more. The Bulletin listeners get 25% off CT. Go to https://orderct.com/THEBULLETIN to learn more. “The Bulletin” is a production of Christianity Today Producer: Clarissa Moll Associate Producer: Alexa Burke Editing and Mix: Kevin Morris Music: Dan Phelps Executive Producers: Erik Petrik and Mike Cosper Senior Producer: Matt Stevens Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of The Letters and Layers Podcast, I am very excited to share my interview with Nikkya Hargrove, author of Mama: A Queer Black Woman's Story of a Family Lost & Found. This was a rich and thoughtful conversation, and I hope you listen to the end.Nikkya Hargrove is a LAMBDA Literary Nonfiction Fellow and has written about adoption, marriage, motherhood, and the prison system for The Washington Post, the Guardian, the New York Times, Scary Mommy, and Shondaland. She has worked for social impact nonprofits providing support to underserved communities throughout her professional career. She graduated from Bard College and lives in Connecticut with her wife and three children.Mama: A Queer Black Woman's Story of a Family Lost and Found follows Nikkya's journey as she makes the decision to raise her half sibling, Jonathan, after he was born to her mother, who had a crack cocaine addiction and spent time incarcerated while Nikkya was raised by her grandparents. The book traces Nikkya's path toward custody and adoption, her family's perspective on her queerness, and the way she finds love and forms a family.Connect with Nikkya: https://www.nikkyamhargrove.com/https://www.instagram.com/nikkyahargrove/?hl=enhttps://www.instagram.com/obodoserendipitybooks/I'll be going on an extended break soon! The June 15th episode will be the last until we return with new episodes on August 1st.I started a blog! Visit (www.thelettersandlayers.com) and subscribe to the newsletter at the bottom of the homepage. I'd love to offer answers to your questions, real-time life updates and recommendations, and mental health/wellness insight and resources.As always, please share and recommend, and thank you so much for the support!EMAIL: contact@thelettersandlayers.comNew podcast Instagram! @thelettersandlayerspod. Give us a follow!I appreciate you!