Podcasts about Bard College

Episode No. 773 is a summer clips episode featuring artist Lotus L. Kang. The Frye Art Museum, Seattle is showing "Lotus L. Kang: I hear the hollow boom of time" through September 27. The installation features large sheets of unfixed industrial film that have been exposed to light sources as part of a process Kang calls 'tanning,' a process that aligns film's surface to skin. Sculptures that include tatami mats as their base take up some of the space between the film sheets, which are suspended from above. The show also includes a kinetic sculpture that evokes the body. "I hear the hollow boom of time" was organized by Georgia Erger. Kang's work often blends sculpture, photography and installation in address of bodies, memories, and histories that change over time. Kang has been featured in exhibitions at the MCA Chicago, the Venice Biennale, the Whitney Museum of American Art, New York, the Hessel Museum of Art, Bard College, and the 2021 triennial at New York's New Museum. This conversation was recorded in 2023 on the occasion of Kang's presentation of a project in the MCA Chicago's atrium. For images, see Episode No. 604. Instagram: Lotus L. Kang, Tyler Green.

Author and classicist Daniel Mendelsohn was teaching a university class on Homer's The Odyssey, when his elderly father decided to enrol in it.Daniel became fascinated by the stories of the ancient world as a child and grew up to study the classics and then write books and essays to share his knowledge with the wider world.Eventually he began teaching the Ancient Greek epic, The Odyssey, to first year university students at Bard College in New York State.But when his elderly father Jay asked to sit in on the course, it led to a big change in their relationship.This episode was first broadcast in 2020Further informationAn Odyssey: A father, a Son, and an Epic is published by KnopfDaniel's latest book is The Odyssey: A New Translation This episode was first broadcast in 2020.It explores the Ancient World, Homer, The Odyssey, the Classics, translation, poetry, writing, teaching, parents, family, fathers, students, New York State, memoir, Odysseus, hero, storytelling, siblings, Winnie the Pooh, emotions, love, books.

**Join us on Tuesday to discuss this episode in our online gathering, Macro 'n Chill. August 25, 8pm ET / 5pm PT. Register here: https://us06web.zoom.us/meeting/register/NGxWl6qMTaKXPhR51uHkwAIf public power repeatedly stands behind private finance when it fails, shouldn't that same power be directed toward employment, productive capacity, and human need? So why isn't it?Economist Eric Tymoigne returns to the podcast to examine the rapid growth of private credit and private equity through Hyman Minsky's theory of money manager capitalism. Eric argues that the expansion of payment-in-kind interest, securitization, layered leverage, and dependence on rising asset prices are signs that Ponzi finance is becoming increasingly embedded in private markets, making the financial system more fragile. He warns that efforts to “democratize” these markets by opening them to ordinary savers will broaden the pool of investors available to absorb risks and losses (which should really be borne by the wealthy.)The conversation then moves from financial instability to political economy. Through an MMT lens, Eric explains the enormous potential capacity of a currency-issuing government to contain financial crises, sustain incomes, and direct investment toward public purposes. Again we must ask why it doesn't happen. This raises the deeper question of whose purposes the state serves. Steve and Eric discuss public investment, community banking, the federal job guarantee, the influence of wealth on political decision-making, and the limits of electoral democracy in a capitalist system. Eric Tymoigne is an Associate Professor of Economics at Lewis & Clark College, Portland, Oregon; and Research Associate at the Levy Economics Institute of Bard College. His areas of teaching and research include macroeconomics, money and banking, and monetary economics.Find him on Twitter @tymoignee

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Stuart Rice Honorary Chair at the University of Massachusetts Amherst's College of Information and Computer Sciences (CICS) and Faculty Associate at the Berkman Klein Center for Internet and Society at Harvard University Fran Berman, a senior fellow and faculty member in the Center for the Advancement of Public Action at Bennington College. She is the President of Beyond Plastics and former EPA Regional Administrator. Judith is co-author of the book 'The Problem with Plastic' Judith Enck, a full professor in the History Department at John Jay College of Criminal Justice (CUNY) Allison Kavey, and Diplomat in Residence at Bard College. She retired from the U.S. Foreign Service in 2025 after over 30 years in public service. Her last post was ambassador to the SE Asian country, Timor-Leste Donna Welton.

Within the sublevels of the temple, the party meets a dangerous ally, facilitates an emotional reunion, and battles an army of familiar foes.Welcome to Patron DnD, where Platinum-level patrons and I get together to play Dungeons & Dragons via Discord and Roll20. Dragonlance: Shadow of the Dragon Queen is published by Wizards of the Coast, and set in the world of Krynn. We are using the updated 2024 5e rules.Recap at RogueWatson.comStarring:Cere, level 10 dwarf Cleric of the Light DomainDarryl, level 10 human Berserker BarbarianEllowyn, level 10 kender Bard College of LoreKazra, level 10 human Champion Fighter/Paladin Oath of DevotionKorl, level 10 dwarf Bard College of DanceShop for tabletop games, CCGs, miniatures, RPG supplies and more at our sponsor, Noble Knight Games: https://www.nobleknight.com?awid=1553Music by Kevin MacLeod https://incompetech.com/music/royalty-free/music.htmlLicensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/Character art by DemnixChat with us in the Official Discord Server: https://discord.gg/AjvtemjSupport the channel at https://www.patreon.com/Roguewatson

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Joseph Palamountain Jr. Chair in Government at Skidmore College Beau Breslin, Associate Professor of Music at Vassar College. He studies music in American politics; sound studies; East Asian art music; and music in the African diaspora Justin Patch, and Diplomat in Residence at Bard College. She retired from the U.S. Foreign Service in 2025 after over 30 years in public service. Her last post was ambassador to the SE Asian country, Timor-Leste Donna Welton.

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Lecturer of Cognitive Sciences at Rensselaer Polytechnic Institute and former Fulbright US Scholar to Egypt Jackie Berry, Dean of the College of Emergency Preparedness, Homeland Security and Cybersecurity at the University at Albany Robert Griffin, Former Times Union Associate Editor Mike Spain, and Diplomat in Residence at Bard College. She retired from the U.S. Foreign Service in 2025 after over 30 years in public service. Her last post was ambassador to the SE Asian country, Timor-Leste Donna Welton.

To reach the Flying Citadel, the party must survive a mounted flight on dragonnels above a raging battle.Welcome to Patron DnD, where Platinum-level patrons and I get together to play Dungeons & Dragons via Discord and Roll20. Dragonlance: Shadow of the Dragon Queen is published by Wizards of the Coast, and set in the world of Krynn. We are using the updated 2024 5e rules.Recap at RogueWatson.comStarring:Cere, level 10 dwarf Cleric of the Light DomainDarryl, level 10 human Berserker BarbarianEllowyn, level 10 kender Bard College of LoreKazra, level 10 human Champion Fighter/Paladin Oath of DevotionKorl, level 10 dwarf Bard College of DanceShop for tabletop games, CCGs, miniatures, RPG supplies and more at our sponsor, Noble Knight Games: https://www.nobleknight.com?awid=1553Music by Kevin MacLeod https://incompetech.com/music/royalty-free/music.htmlLicensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/Character art by DemnixChat with us in the Official Discord Server: https://discord.gg/AjvtemjSupport the channel at https://www.patreon.com/Roguewatson

Artists Katherine Hubbard and Sophie Thun explore how Hubbard's work is positioned within queer feminist art and critically engages with the tradition of analogue photography. The conversation was recorded during the installation of the exhibition on 7 June 2026. Katherine Hubbard The Great Room 12.6. – 30.8.2026 How do you capture the inner life of a person whose reality no longer aligns with the outer world? And how do you remain in relation to someone who is both intimately familiar and irreversibly changing? Katherine Hubbard began her five-year project The Great Room in 2020, at the onset of the Covid-19 pandemic, when her mother, Antonette Berger, became increasingly unwell and the artist became her primary caretaker. It took several months in a time of anxiety and isolation until Berger was diagnosed with LATE (limbic-predominant age-related TDP-43 encephalopathy), a form of dementia. Hubbard has described this diagnosis as both necessary and insufficient: a gesture towards control and classification that ultimately fails to grasp the lived, shifting reality of her mother's condition. It is precisely this gap that the project inhabits. More Katherine Hubbard (b. Philadelphia, PA, 1981) considers analog photography as a mimesis of the body and asks how its procedures might be called upon to investigate social politics, history, and narrative. In her photographs the positioning of one's body has an essential relationship to how one processes images, exploring this encounter as a time-based experience. Hubbard's writing practice forms the core of her performances, harnessing the malleability of vision to frame a politics of looking. Hubbard is a 2024 Guggenheim fellow in photography and received her MFA in 2010 from the Milton Avery Graduate School of the Arts at Bard College. She is Associate Professor and MFA Photography Program Director at Pratt Institute, School of Art in Brooklyn, NY. Solo exhibitions include The great room, Company Gallery, New York (2023); Avoid glancing blows, Company Gallery, New York (2020); Katherine Hubbard, Higher Pictures, New York (2018); stages, Baxter St. Camera Club of New York, New York (2017); and Bring your own lights, The Kitchen, New York (2016). Her work has been exhibited in group exhibitions including Time Management Techniques, The Whitney Museum of American Art, New York; Ecstatic Land, Marfa Ballroom, Texas; A Collection of Slow Events, The Luminary, St. Louis, Missouri; The Artist's Museum, The Institute of Contemporary Art, Boston; and Greater New York, MoMA PS1. Hubbard's performances have been presented at the Chinati Foundation, Marfa, Texas; Konstfack, Stockholm, Sweden; the Metropolitan Museum of Art, New York; and the Whitney Museum of American Art, New York. Her work is included as part of the permanent collection at the Whitney Museum of American Art. Sophie Thun (*1985, lives and works in Vienna) works primarily with analogue photography techniques, their spaces, processes and production and exhibition conditions. Thun grew up in Warsaw and completed her master's degree at the Academy of Fine Arts in both Vienna and Krakow. Thun has been a member of the board of the Secession since 2021, where she had a solo exhibition in 2020; from 2023 to 2025 she was interim professor of the photography class at the Kunstakademie Düsseldorf. Since 2026, she has been Professor of Artistic Photography at the Institute of Fine Arts and Media Art at the University of Applied Arts Vienna. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

Today's guest is Ambassador Frederic C. Hof, Bard College's Diplomat-in-Residence, who served as ambassador and special adviser for transition in Syria under President Obama, and as special coordinator for regional affairs in the US Department of State's Office of the Special Envoy for Middle East Peace. A US Army Vietnam veteran, Ambassador Hof served two tours of duty in the US Department of State. In this episode, Alon and Ambassador Hof discuss his recent Track II diplomacy work in Lebanon regarding the prospects of a future Israeli-Lebanese agreement and the elements of the consensus document developed from this work, and the impact of the war on Iran on this delicate diplomacy work. Full bio Frederic C. Hof, Bard College's Diplomat-in-Residence, has had a distinguished career with the U.S. Army, Department of State, and the international consulting firm AALC, specializing in the Mideast region. He served as ambassador and special adviser for transition in Syria under President Obama and as special coordinator for regional affairs in the U.S. Department of State's Office of the Special Envoy for Middle East Peace, where he conducted a backchannel peace mediation between Israel and Syria. A Vietnam veteran and graduate of the Georgetown University School of Foreign Service and Naval Postgraduate School, Hof also served as president and CEO of AALC (formerly Armitage Associates LC); as a U.S. Army Middle East Foreign Area Officer; as the U.S. Army attaché in Beirut; and as an officer in the Office of the Secretary of Defense. In 2001, he directed the Jerusalem field operations of the Sharm el-Sheikh Fact-Finding Committee, headed by former Senate Majority Leader George Mitchell, and was lead drafter of the committee's report. As an Army officer, he helped draft the Long Commission report investigating the 1983 bombing of the U.S. Marine headquarters at the Beirut airport. Both reports drew international praise for their fairness and integrity. Hof has written extensively on Lebanon, Syria, and Arab-Israeli issues. Publications include Galilee Divided: The Israel-Lebanon Frontier, 1916–1984 (1985); Line of Battle, Border of Peace? The Line of June 4, 1967 (1999); Beyond the Boundary: Lebanon, Israel, and the Challenge of Change (2000); Reaching for the Heights: The Inside Story of a Secret Attempt to Reach a Syrian-Israeli Peace (2022); opinion pieces in Foreign Policy and The Atlantic; and numerous articles on Jordan Valley water issues. Awards and honors include the Purple Heart, Department of State Superior Honor Award, Secretary of Defense Meritorious Civilian Service Medal, and the Defense Superior Service Medal. He has been teaching at Bard since 2018.

The Right has power & money to destroy our worldNick Cohen talks to academic Emma L.Briant about a neglected threat: right-wing attacks on free speech. While acknowledging that left-wing censoriousness has damaged liberal politics, he argues that conservatives who claimed to defend open debate are now adopting authoritarian methods. The central example is the Trump administration's attempt, through Marco Rubio and the State Department, to revoke or threaten visas and immigration status for foreign researchers who study misinformation, disinformation, platform harms, and technology policy. Emma L Briant explains that the Coalition for Independent Technology Research, of which she is a member, advocates for independent access to platform data so researchers can assess harms without depending on tech companies' permission.Emma argues that the real target is not “censorship” but transparency. Researchers, she says, are being punished for measuring and exposing uncomfortable facts about social-media platforms, algorithmic harms, propaganda, and failures of accountability. Tech companies and their political allies frame this research as censorship because governments may use it to inform regulation, but Emma stresses that researchers do not make policy: they analyse evidence. She connects this to a wider alliance between the political Right and powerful technology executives, especially in the United States, who oppose European-style regulation such as the Digital Services Act because it threatens their control over data, platform design, verification systems, and public scrutiny.The interview broadens into a critique of oligarchic power over media and democracy. Briant and Cohen discuss wealthy figures and tech elites using immense resources to shape politics, weaken regulation, influence media institutions, and promote far-right agendas. Emma warns that extreme wealth creates unprecedented political power and a sense of entitlement among billionaire and trillionaire elites, whose interests are increasingly aligned with authoritarian right-wing politics. Her proposed response is tougher, more targeted accountability: not merely media literacy or content moderation, but laws andenforcement aimed at the actors behind disinformation, whether states, platforms, PR firms, or political funders.Read all about it! Dr Emma L. Briant is a leading expert on misinformation and propaganda and a published author. She is Visiting Associate Professor (Research) at University of Notre Dame. She is a Fellow in the Human Rights Program at Bard College, an Associate at the Center for Financial Reporting and Accountability, University of Cambridge and a Fellow of the Media and Journalism Research Centre Previously she held faculty positions.Nick Cohen's @NichCohen4 latest Substack column Writing from London on politics and culture from the UK and beyond. Hosted on Acast. See acast.com/privacy for more information.

Franco Baldasso"Verso quale redenzione"Democrazia, letteratura e memoria dopo il fascismoMarsilio Editoriwww.marsilioeditori.itSe c'è una questione che ancora oggi in Italia travalica i confini tra discorso pubblico e dibattito accademico, questa è la mancanza di una memoria condivisa del fascismo a cui possa far seguito una valutazione critica della sua eredità culturale. Verso quale redenzione si concentra sul periodo storico in cui tale disaccordo ha raggiunto l'apice: quello della transizione verso il post-fascismo, tra la caduta di Mussolini nel luglio del 1943 e la vittoria della Democrazia Cristiana sulle sinistre nelle elezioni del 1948. Franco Baldasso indica nelle pratiche letterarie dei primi anni del dopoguerra uno dei principali veicoli del dissenso intellettuale, gettando nuova luce sul ruolo delle politiche culturali del tempo nell'istituzionalizzare le memorie collettive e marginalizzare il disaccordo. Autori come Morante, Carlo Levi, Moravia, Saba, Flaiano e Malaparte, insieme ad altri oggi ingiustamente ritenuti di secondo piano come Berto, Brancati o Zincone, hanno al contrario concentrato la propria scrittura nel segnalare anche da opposte posizioni politiche le continuità culturali tra la nuova democrazia e il fascismo. Nei loro scritti hanno così rilevato come i pregiudizi sociali, razziali e di genere propri del regime totalitario fossero sopravvissuti alla sua fine istituzionale e alla morte di Mussolini.Franco Baldasso insegna Italian Studies al Bard College di New York, dove dirige l'Italian Program e lo Study Abroad Program in Italy. Ha completato il PhD in Italian Studies alla New York University nel 2014. È Fellow dell'American Academy in Rome, dopo aver ricevuto il Rome Prize 2019 per gli Italian Studies moderni. Allegoria onlineBard CollegeI suoi principali interessi di ricerca riguardano la letteratura, l'arte e la storia delle idee del Novecento: le complesse relazioni tra Fascismo e Modernismo, l'eredità della violenza politica in Italia e l'idea del Mediterraneo nelle estetiche moderne e contemporanee. Allegoria onlineÈ autore di due volumi: Il cerchio di gesso. Primo Levi narratore e testimone (Edizioni Pendragon, 2007) e Curzio Malaparte, la letteratura crudele. Kaputt, La pelle e la caduta della civiltà europea (Carocci, 2019). Ha inoltre curato, con Valerio Angeletti, L'America inedita di Paolo Milano (Mimesis, 2022) e, con Franca Sinopoli, il volume Eredità culturale e memoria dei totalitarismi (Pearson, 2024). Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are public policy and communications expert - Theresa Bourgeois, Dean of the College of Emergency Preparedness, Homeland Security and Cybersecurity at the University at Albany Bob Griffin, Senior Fellow at the American Enterprise Institute Robert Pondiscio, and Diplomat in Residence at Bard College. She retired from the U.S. Foreign Service in 2025 after over 30 years in public service. Her last post was ambassador to the SE Asian country, Timor-Leste Donna Welton.

For many of us, driving is routine - until it isn't. Anne O'Dwyer has spent her career studying how emotion and perception influence behavior. A professor of psychology at Bard College at Simon's Rock, she brings years of classroom experience and scholarly research to her latest work.In her new book, "A Driving Anger: The Psychology of Road Rage," O'Dwyer investigates the psychological forces that make driving such fertile ground for anger. She joined the Roundtable this morning for a detailed discussion about road rage.

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Fran Berman, the Stuart Rice Honorary Chair at the University of Massachusetts Amherst's College of Information and Computer Sciences and faculty associate at the Berkman Klein Center for Internet and Society at Harvard University; Theresa Bourgeois, a public policy and communications expert; and Donna Welton, a diplomat in residence at Bard College who retired from the U.S. Foreign Service in 2025 after over 30 years in public service. Her last post was as ambassador to the Southeast Asian country, Timor-Leste.

The Dragon Army begins the siege of Kalaman, leaving the party helping with defense of the walls — and their plans of a counterattack.Welcome to Patron DnD, where Platinum-level patrons and I get together to play Dungeons & Dragons via Discord and Roll20. Dragonlance: Shadow of the Dragon Queen is published by Wizards of the Coast, and set in the world of Krynn. We are using the updated 2024 5e rules.Recap at RogueWatson.comStarring:Darryl, level 10 human Berserker BarbarianKazra, level 10 human Champion Fighter/Paladin Oath of DevotionKorl, level 10 dwarf Bard College of DancePy, level 10 gnome Ranger HunterRowan, level 10 elf Gloomstalker Ranger/Assassin RogueShop for tabletop games, CCGs, miniatures, RPG supplies and more at our sponsor, Noble Knight Games: https://www.nobleknight.com?awid=1553Music by Kevin MacLeod https://incompetech.com/music/royalty-free/music.htmlLicensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/Character art by DemnixChat with us in the Official Discord Server: https://discord.gg/AjvtemjSupport the channel at https://www.patreon.com/Roguewatson

In 1995, Allen Porter was convicted of a double murder in Queens. He spent nearly 34 years in prison, maintaining his innocence every step of the way. On Jan. 30 of this year, a Queens judge vacated his conviction, but the case is far from over. Porter, who is out on bond and wearing an ankle monitor, and his attorney, Charles Linehan, joined NY1's Errol Louis to discuss why Porter remains in legal limbo as the Queens district attorney appeals the ruling. Linehan explained the judge's findings that prosecutors suppressed significant exculpatory evidence, including notes documenting that a witness said Porter was not at the scene. The prosecutor acknowledged that the evidence had not been disclosed to the defense. Porter reflected on earning his degree from Bard College while incarcerated, his plans to study finance at Baruch College, and what life has been like since his release. They also discussed what comes next in Porter's fight to fully clear his name.

Izzy Barber (b. 1990) is originally from Gowanus, Brooklyn, and lives and works in Queens, New York. Barber paints from life: immediacy and physical presence are at the heart of her practice. Working on-site, in public, often at sunset and into the last light of day and night, her highly impressionistic, at times three-dimensional brushwork charges her paintings with the physical and temporal proximity of their making. Barber earned her MFA from the New York Studio School in 2017 and her BA in Studio Arts & Human Rights from Bard College in 2011. Her exhibition Badlands (2026, Pièce Unique, Massimo De Carlo, Paris) follows her solo exhibitions There Is No Time (2024, James Fuentes, Los Angeles), Waiting Game (2023, Studio d'Arte Raffaelli, Trento), Crude Futures (2022), and Maspeth Moon (2021) (both at James Fuentes, New York). Her work has been shown at James Fuentes, New York; Massimo De Carlo, Milan; Galleria Franco Noero, Turin; David Zwirner Platform; the New Orleans Arts Center; and the 2012 Brucennial, among other venues. She is a three-time recipient of the Elizabeth Greenshields Foundation Grant. Publications include Waiting Game (2023) and JFP03: Izzy Barber (2021). Charles Moffett is pleased to present Clay Pigeons, New York-based artist Izzy Barber's first exhibition with the gallery, organized in collaboration with James Fuentes. In an era defined by speed and digital reproduction, Barber remains committed to observation, material experimentation, and the visceral experience of painting from life. The new body of work includes paintings the artist made during three month-long cross-country road trips taken in 2025 and 2026. Working at the extremities of plein-air painting, Barber placed herself in unfamiliar and, at times, charged environments, allowing direct experience and the inherent limitations of her distinctive practice to shape her work. Her resulting paintings unearth the latent tensions stretching across the empty highways, border walls, and deserts of the United States. Motivated by a relentless drive for exploration, Barber paints with the heightened visual clarity and charged excitement that come from her physical presence with her subject matter. Working on-site in public spaces, she captures compositions swiftly, painting wet-on-wet and infusing her paintings with a luminous quality, often punctuated by vivid flashes of color. Loose, gestural brushwork and a sensitive rendering of light and shadow combine with moments of sharp structure. Barber's aim is never the precise replication of the scene before her, but rather to create paintings that capture and distill the full sensory experience of a place as she feels it. As 2025 began, Barber recognized a profound sense of disconnection from the country, isolated in New York City and consuming news largely alone while staring into a private screen. Out of a need to physically confront our current national reality, Barber went west. The intimately scaled paintings that emerged embody that process of firsthand observation and, when seen together, hold a range of contradictions and complexities that characterize our era. Clear blue skies in Ajo, Arizona, are pierced by the insistent vertical stripes of the U.S.-Mexico border wall. Quiet nights in the rural towns of Cedarville, California, and Bassett, Nebraska, are placed in juxtaposition with paintings of armed National Guard troops on the streets of Washington, D.C. This exhibition does not provide a simplistic or definitive narrative but instead offers a view of one artist's unfolding, firsthand, impressionistic record of contemporary American life. Engaging directly with the potent subject of the nation's immigration system, the paintings in Clay Pigeons expand both backward in time and across geographic locations. Connections emerge between paintings of the historic Japanese internment camp site at Tule Lake, California, the active immigrant detention center in El Paso, Texas, and the immigration court at 26 Federal Plaza in downtown Manhattan. Barber concluded each of her trips by driving back to New York City, at times painting from the passenger seat of a moving vehicle, underscoring the literal ties that connect all of these places. Izzy Barber, Ajo, AZ (2025), photo: Max Yawney Izzy Barber, Coronado National Park, US/Mexico (2026) photo: Max Yawney Izzy Barber, Interstate (2026) photo: Max Yawney

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Joseph Palamountain Jr. Chair in Government at Skidmore College Beau Breslin, a former U.S. Army officer and State Department Diplomat who taught at Bard College for six years and is now a Senior Fellow at Bard's Center for Civic Engagement Ambassador Fred Hof, Diplomat in Residence at Bard College. She retired from the U.S. Foreign Service in 2025 after over 30 years in public service. Her last post was ambassador to the SE Asian country, Timor-Leste Donna Welton, and Wall Street Investment Banker Mark Wittman.

After their lengthy adventure in the Northern Wastes, the party returns to Kalaman to find the city in terrible danger by the Dragon Army.Welcome to Patron DnD, where Platinum-level patrons and I get together to play Dungeons & Dragons via Discord and Roll20. Dragonlance: Shadow of the Dragon Queen is published by Wizards of the Coast, and set in the world of Krynn. We are using the updated 2024 5e rules.Recap at RogueWatson.comStarring:Darryl, level 10 human Berserker BarbarianEllowyn, level 10 kender Bard College of LoreKazra, level 10 human Champion Fighter/Paladin Oath of DevotionKorl, level 10 dwarf Bard College of DanceRowan, level 10 elf Gloomstalker Ranger/Assassin RogueShop for tabletop games, CCGs, miniatures, RPG supplies and more at our sponsor, Noble Knight Games: https://www.nobleknight.com?awid=1553Music by Kevin MacLeod https://incompetech.com/music/royalty-free/music.htmlLicensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/Character art by DemnixChat with us in the Official Discord Server: https://discord.gg/AjvtemjSupport the channel at https://www.patreon.com/Roguewatson

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Lecturer of Cognitive Sciences at Rensselaer Polytechnic Institute and former Fulbright US Scholar to Egypt Jackie Berry, an educator who teaches drama and humanities at Poughkeepsie Day School in Poughkeepsie Stephen Haff, a former U.S. Army officer and State Department Diplomat who taught at Bard College for six years and is now a Senior Fellow at Bard's Center for Civic Engagement Ambassador Fred Hof, and the Arthur Zankel Chair in Management for Liberal Arts at Skidmore College where she teaches International Affairs and Business Management Pushi Prasad.

Harvard University and Bard College are facing renewed congressional scrutiny over whether their relationships with Jeffrey Epstein helped him rebuild his reputation and maintain access to elite academic circles after his criminal conduct was known. Representative Jamie Raskin, the ranking Democrat on the House Judiciary Committee, is demanding a fuller accounting from both schools, arguing that their previous internal investigations were incomplete or misleading. He is seeking records involving Epstein's donations, research funding, faculty relationships, admissions activity and institutional decision-making. At Harvard, the inquiry focuses partly on donations made after the university said it had stopped accepting Epstein's money, as well as his extensive contacts with former Harvard president Larry Summers and other academics. Epstein gave more than $9 million to Harvard and affiliated programs between 1998 and 2008.Bard is also being pressed to make outgoing president Leon Botstein available for a transcribed interview and to release the full findings of its investigation into his dealings with Epstein. Bard's independent review found no illegal conduct by Botstein, but concluded that he was not fully candid about the relationship, failed to recognize the risks Epstein posed to the college and its students, and did not disclose consulting fees received from an Epstein-controlled entity. Raskin cited evidence suggesting Epstein used his higher-education connections not only to rehabilitate himself socially but potentially to maintain and expand his exploitation of women. Harvard and Bard were asked to provide the requested information by July 1, as lawmakers seek to determine how prestigious institutions continued granting Epstein credibility, access and influence.to contact me:bobbycapucci@protonmail.comsource:Harvard and Bard face fresh questions from lawmakers over ties to Epstein | Jeffrey Epstein | The Guardian

Harvard University and Bard College are facing renewed congressional scrutiny over whether their relationships with Jeffrey Epstein helped him rebuild his reputation and maintain access to elite academic circles after his criminal conduct was known. Representative Jamie Raskin, the ranking Democrat on the House Judiciary Committee, is demanding a fuller accounting from both schools, arguing that their previous internal investigations were incomplete or misleading. He is seeking records involving Epstein's donations, research funding, faculty relationships, admissions activity and institutional decision-making. At Harvard, the inquiry focuses partly on donations made after the university said it had stopped accepting Epstein's money, as well as his extensive contacts with former Harvard president Larry Summers and other academics. Epstein gave more than $9 million to Harvard and affiliated programs between 1998 and 2008.Bard is also being pressed to make outgoing president Leon Botstein available for a transcribed interview and to release the full findings of its investigation into his dealings with Epstein. Bard's independent review found no illegal conduct by Botstein, but concluded that he was not fully candid about the relationship, failed to recognize the risks Epstein posed to the college and its students, and did not disclose consulting fees received from an Epstein-controlled entity. Raskin cited evidence suggesting Epstein used his higher-education connections not only to rehabilitate himself socially but potentially to maintain and expand his exploitation of women. Harvard and Bard were asked to provide the requested information by July 1, as lawmakers seek to determine how prestigious institutions continued granting Epstein credibility, access and influence.to contact me:bobbycapucci@protonmail.comsource:Harvard and Bard face fresh questions from lawmakers over ties to Epstein | Jeffrey Epstein | The GuardianBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Harvard University and Bard College are facing renewed congressional scrutiny over whether their relationships with Jeffrey Epstein helped him rebuild his reputation and maintain access to elite academic circles after his criminal conduct was known. Representative Jamie Raskin, the ranking Democrat on the House Judiciary Committee, is demanding a fuller accounting from both schools, arguing that their previous internal investigations were incomplete or misleading. He is seeking records involving Epstein's donations, research funding, faculty relationships, admissions activity and institutional decision-making. At Harvard, the inquiry focuses partly on donations made after the university said it had stopped accepting Epstein's money, as well as his extensive contacts with former Harvard president Larry Summers and other academics. Epstein gave more than $9 million to Harvard and affiliated programs between 1998 and 2008.Bard is also being pressed to make outgoing president Leon Botstein available for a transcribed interview and to release the full findings of its investigation into his dealings with Epstein. Bard's independent review found no illegal conduct by Botstein, but concluded that he was not fully candid about the relationship, failed to recognize the risks Epstein posed to the college and its students, and did not disclose consulting fees received from an Epstein-controlled entity. Raskin cited evidence suggesting Epstein used his higher-education connections not only to rehabilitate himself socially but potentially to maintain and expand his exploitation of women. Harvard and Bard were asked to provide the requested information by July 1, as lawmakers seek to determine how prestigious institutions continued granting Epstein credibility, access and influence.to contact me:bobbycapucci@protonmail.comsource:Harvard and Bard face fresh questions from lawmakers over ties to Epstein | Jeffrey Epstein | The Guardian

Harvard University and Bard College are facing renewed congressional scrutiny over whether their relationships with Jeffrey Epstein helped him rebuild his reputation and maintain access to elite academic circles after his criminal conduct was known. Representative Jamie Raskin, the ranking Democrat on the House Judiciary Committee, is demanding a fuller accounting from both schools, arguing that their previous internal investigations were incomplete or misleading. He is seeking records involving Epstein's donations, research funding, faculty relationships, admissions activity and institutional decision-making. At Harvard, the inquiry focuses partly on donations made after the university said it had stopped accepting Epstein's money, as well as his extensive contacts with former Harvard president Larry Summers and other academics. Epstein gave more than $9 million to Harvard and affiliated programs between 1998 and 2008.Bard is also being pressed to make outgoing president Leon Botstein available for a transcribed interview and to release the full findings of its investigation into his dealings with Epstein. Bard's independent review found no illegal conduct by Botstein, but concluded that he was not fully candid about the relationship, failed to recognize the risks Epstein posed to the college and its students, and did not disclose consulting fees received from an Epstein-controlled entity. Raskin cited evidence suggesting Epstein used his higher-education connections not only to rehabilitate himself socially but potentially to maintain and expand his exploitation of women. Harvard and Bard were asked to provide the requested information by July 1, as lawmakers seek to determine how prestigious institutions continued granting Epstein credibility, access and influence.to contact me:bobbycapucci@protonmail.comsource:Harvard and Bard face fresh questions from lawmakers over ties to Epstein | Jeffrey Epstein | The GuardianBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Joseph Palamountain Jr. Chair in Government at Skidmore College Beau Breslin, a writer and analyst. He recently retired from the presidency of Siena College and was a former NY Congressman. His new book is 'The Spirit of Philadelphia' Chris Gibson, Political Consultant & Lobbyist Libby Post, and Diplomat in Residence at Bard College. She retired from the U.S. Foreign Service in 2025 after over 30 years in public service. Her last post was ambassador to the SE Asian country, Timor-Leste Donna Welton.

Reaching the top of the Threshold of the Heavens, the party faces off against Lohezet and Belephaion for control of the City of Lost Names.Welcome to Patron DnD, where Platinum-level patrons and I get together to play Dungeons & Dragons via Discord and Roll20. Dragonlance: Shadow of the Dragon Queen is published by Wizards of the Coast, and set in the world of Krynn. We are using the updated 2024 5e rules.Recap at RogueWatson.comStarring:Cere, level 9 dwarf Cleric Domain of LightEllowyn, level 9 kender Bard College of LoreKazra, level 9 human Champion Fighter/Paladin Oath of DevotionPy, level 9 gnome Ranger HunterRowan, level 9 elf Gloomstalker Ranger/Assassin RogueShop for tabletop games, CCGs, miniatures, RPG supplies and more at our sponsor, Noble Knight Games: https://www.nobleknight.com?awid=1553Music by Kevin MacLeod https://incompetech.com/music/royalty-free/music.htmlLicensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/Character art by DemnixChat with us in the Official Discord Server: https://discord.gg/AjvtemjSupport the channel at https://www.patreon.com/Roguewatson

Does a strong economy serve the interests of the few or the many? The policy pendulum has swung in either direction over the long term. In his new book, The Menace of Prosperity: New York City and the Struggle for Economic Development, 1865-1981, Dr. Daniel Wortel-London, visiting assistant professor at Bard College, explores the debates over economic development strategies that raged in New York City over more than a century. Punctuated by fiscal crises, the history is one of competing claims on city resources, and more keenly, competing ideas of what policies best serve the city and its people. In support of his work, Wortel-London received funding from the Center for the History of Business, Technology, and Society at the Hagley Museum and Library. For more information, and more Hagley History Hangouts, visit us online at hagley.org. To make a donation underwriting this program and others like it please visit our Eventbrite page: https://www.eventbrite.com/e/underwriting-donation-tickets-1470779985529?aff=oddtdtcreator

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Professor of History and International Relations at Vassar College. He is a specialist on the history of US foreign policy Robert Brigham, Former Vice President for Editorial Development at the New York Press Association and Former Longtime Editor of 'The Daily Gazette' Judy Patrick, and Diplomat in Residence at Bard College. She retired from the U.S. Foreign Service in 2025 after over 30 years in public service. Her last post was ambassador to the SE Asian country, Timor-Leste Donna Welton.

With newly-gained arcane access to the floating island, the party begins exploring the Threshold of the Heavens.Welcome to Patron DnD, where Platinum-level patrons and I get together to play Dungeons & Dragons via Discord and Roll20. Dragonlance: Shadow of the Dragon Queen is published by Wizards of the Coast, and set in the world of Krynn. We are using the updated 2024 5e rules.Recap at RogueWatson.comStarring:Cere, level 9 dwarf Cleric Domain of LightDarryl, level 9 human Berserker BarbarianEllowyn, level 9 kender Bard College of LoreKazra, level 9 human Champion Fighter/Paladin Oath of DevotionRowan, level 9 elf Gloomstalker Ranger/Assassin RogueShop for tabletop games, CCGs, miniatures, RPG supplies and more at our sponsor, Noble Knight Games: https://www.nobleknight.com?awid=1553Music by Kevin MacLeod https://incompetech.com/music/royalty-free/music.htmlLicensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/Character art by DemnixChat with us in the Official Discord Server: https://discord.gg/AjvtemjSupport the channel at https://www.patreon.com/Roguewatson

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Former NY elementary teacher and now 2nd year PhD student at RPI Sophia Acquisto, Former U.S. Army officer and State Department Diplomat who taught at Bard College for six years and is now a Senior Fellow at Bard's Center for Civic Engagement Ambassador Fred Hof, and Wall Street Investment Banker Mark Wittman.

In this NBN episode, host Hollay Ghadery speaks with Wesley Brown about how novella, Looking for Frank Wills (McSweenys, 2026). It's 1972. Tricky Dick is in office, James Brown is on the radio, and Wayne Beasley reluctantly presides over the comings and goings of his barbers and patrons at Wayne's Clip and Trim in Augusta, South Carolina. When one of Wayne's former customers, an unassuming small-town son, is designated 4-F, unfit to serve in Vietnam, he seeks refuge in becoming the next best thing—a security guard for a downtown DC hotel. It is there on a hot summer's night, that Wayne's wayward patron interrupts a break-in that will disrupt the course of a nation's history and his own. Wesley Brown, author of Tragic Magic, Darktown Strutters, and Blue in Green: A Novella, once again remaps the tributaries that run into the stream of our American subconscious, by dipping into the headwaters of pivotal memories and histories to tell the tale from the perspective of the real folks whose stories were too long submerged. Without Frank Wills there is no Watergate. And without Watergate the veil of secrecy and corruption that came to define the Nixon years, warping the very fabric of political discourse from that moment on, would have remained firmly in place. Wesley Brown's re-imagining of the life of Frank Wills reconciles the greatest heist of all—our place in the American story. What was stolen from Wills as he was briefly thrust into the spotlight, while excluded from the annals of history, is reclaimed, as Brown gives voice and breath to the people who loved him and the barber who did his best to guide him. Wesley Brown is an acclaimed novelist, playwright, and teacher. He worked with the Mississippi Freedom Democratic Party in 1965 and became a member of the Black Panther Party in 1968. In 1972, he was sentenced to three years in prison for refusing induction into the armed services and spent eighteen months in Lewisburg Federal Penitentiary. For twenty-six years, Brown was a much-revered professor at Rutgers University, where he inspired hundreds of students. He currently teaches literature at Bard College at Simon's Rock and lives in Chatham, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with Wesley Brown about how novella, Looking for Frank Wills (McSweenys, 2026). It's 1972. Tricky Dick is in office, James Brown is on the radio, and Wayne Beasley reluctantly presides over the comings and goings of his barbers and patrons at Wayne's Clip and Trim in Augusta, South Carolina. When one of Wayne's former customers, an unassuming small-town son, is designated 4-F, unfit to serve in Vietnam, he seeks refuge in becoming the next best thing—a security guard for a downtown DC hotel. It is there on a hot summer's night, that Wayne's wayward patron interrupts a break-in that will disrupt the course of a nation's history and his own. Wesley Brown, author of Tragic Magic, Darktown Strutters, and Blue in Green: A Novella, once again remaps the tributaries that run into the stream of our American subconscious, by dipping into the headwaters of pivotal memories and histories to tell the tale from the perspective of the real folks whose stories were too long submerged. Without Frank Wills there is no Watergate. And without Watergate the veil of secrecy and corruption that came to define the Nixon years, warping the very fabric of political discourse from that moment on, would have remained firmly in place. Wesley Brown's re-imagining of the life of Frank Wills reconciles the greatest heist of all—our place in the American story. What was stolen from Wills as he was briefly thrust into the spotlight, while excluded from the annals of history, is reclaimed, as Brown gives voice and breath to the people who loved him and the barber who did his best to guide him. Wesley Brown is an acclaimed novelist, playwright, and teacher. He worked with the Mississippi Freedom Democratic Party in 1965 and became a member of the Black Panther Party in 1968. In 1972, he was sentenced to three years in prison for refusing induction into the armed services and spent eighteen months in Lewisburg Federal Penitentiary. For twenty-six years, Brown was a much-revered professor at Rutgers University, where he inspired hundreds of students. He currently teaches literature at Bard College at Simon's Rock and lives in Chatham, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

** This Tuesday, May 12, come to Macro ‘n Chill, our online gathering where we listen to and discuss this episode. Bring your questions and insights. 8pm ET/5pm PT. Use this link to register: https://us06web.zoom.us/meeting/register/rn_HAqgaSRGdj8W2UX9aKw Did you think we had abandoned MMT? Well, after a few weeks of tackling some rather prickly topics, we're back to strictly non-controversial macroeconomics. Heh heh. Just kidding. Don't get too comfortable.Our old friend Randy Wray is back, bringing his somewhat optimistic belief that a sound reality-based agenda might possibly succeed in the upcoming Congressional elections. But more on that later. First, he and Steve need to dissect Trump's latest imperialist venture against Iran and expose the bipartisan lie that there are just enough of your tax dollars to pay for war; when it comes to affording social programs, the cupboard is bare.Claims of scarcity are pure ideology. MMT has taught us that the federal government faces no dollar constraints. The real cost of war is measured in diverted labor, wasted resources, destroyed infrastructure, and the steady cannibalization of society's productive capacity. Not to mention human lives, disabled veterans, and a chain reaction leading to starvation in the Global South.Back to Randy's guarded optimism, which Steve does not share. Rather than smooth over their differences, they lean into them.Randy believes an anti-neoliberal program could win congressional seats. It would require candidates to break out of the fiscal austerity frame. Steve counters by referring to the Gilens and Page study – showing policy has near-zero correlation with popular will – and a class-lens analysis of manufactured consent. He sees a theatrical oligarchy, not a reformable political system. Since both parties serve capital, there is no electoral path. No possibility of reallocating resources from bombers to bread.The conversation represents an unresolved, essential tension inside the MMT-Marxist synthesis: is monetary sovereignty a tool for working-class liberation blocked only by bad ideas, or is the entire political theater designed to ensure those ideas are never acted upon?L. Randall Wray is a Senior Scholar and Professor of Economics at the Levy Economics Institute of Bard College, and Emeritus Professor at University of Missouri-Kansas City. He is one of the developers of Modern Money Theory and his most recent book on the topic is Understanding Modern Money Theory: Money and Credit in Capitalist Economies (Elgar, 2025).Find his work at https://www.levyinstitute.org/people/lrandall-wray/

Guest BioAlexander Souri is the founder and executive director of Relief Riders International, an organization he launched in 2004 to combine adventure travel with meaningful humanitarian work. Through Relief Riders, Alexander designs and leads horseback-based missions that deliver medical care, educational programs, and community support to remote villages where access to services is limited. The organization brings together travelers, volunteers, and local partners to create journeys that provide both cultural immersion and tangible aid to underserved communities.Before founding Relief Riders International, Alexander worked as a producer in theater, film, and large-scale special events. His career included involvement in major productions such as The Matrix, X-Men, End of Days, and Back to the Future: The Ride, along with directing commercial and industrial film projects internationally, including work in Beijing. His background in storytelling, logistics, and production now informs the way he organizes complex humanitarian expeditions in remote environments.Born in New York City to a French mother and an Indian father, Alexander grew up with a deeply international perspective. He attended boarding school in the foothills of the Himalayas in India and later studied at an international high school in Sophia Antipolis in southern France before graduating from Simon's Rock of Bard College in Massachusetts. These cross-cultural experiences helped shape his worldview and inspired the mission behind Relief Riders International—creating opportunities for travelers to experience adventure while contributing to positive change in communities around the world.Show SummaryIn this episode of the Big World Made Small Adventure Travel Podcast, host Jason Elkins speaks with Alexander Souri, the founder of Relief Riders International. Alexander shares the story of how his career shifted from film and theater production into humanitarian work after a personal turning point led him to seek a more meaningful path. What began as a search for purpose eventually grew into an organization that delivers aid to remote communities through horseback-based relief missions.Alexander reflects on his internationally shaped upbringing, including formative years spent in Afghanistan, India, and France. These experiences helped shape his cultural identity and gave him a broader understanding of the world at an early age. The conversation explores how these influences, along with the challenges of navigating family expectations and career transitions, ultimately guided him toward creating a mission-driven organization.Jason and Alexander also discuss the unique model behind Relief Riders International, where adventure travel meets humanitarian service. By traveling on horseback into isolated areas of India, Turkey & Ecuador, teams are able to bring medical camps, educational support, and other critical programs to villages that often lack access to basic services. Along the way, Alexander reflects on lessons about burnout, resilience, family relationships, and how travel and exploration often become powerful catalysts for personal growth and self-discovery. Learn more about the Big World Made Small Podcast and join our private community to get episode updates, special access to our guests, and exclusive adventure travel offers on our website.

[@ 2 min] Alright, this week…Conductor David Neely goes Inside the Huddle to share highlights from Des Moines Metro Opera's upcoming festival season! [@ 22 min] And since we're already on the topic of the Summer opera season, in Chalk Talk, the team handicaps the opera festivals here in the US of A… [@ 38 min] Plus, in the ‘Two Minute Drill'…Bard College's Leo Botstein steps down, and Friend of the Show Eric Einhorn steps up! GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are a former NY elementary teacher and now 2nd year PhD student at RPI Sophia Acquisto, Senior Fellow for Health Policy at The Empire Center for Public Policy Bill Hammond, and Diplomat in Residence at Bard College. She retired from the U.S. Foreign Service in 2025 after over 30 years in public service. Her last post was ambassador to the SE Asian country, Timor-Leste Donna Welton.

Leon Botstein announced he would step down as president of Bard College after more than 50 years in the role, with his resignation taking effect June 30, 2026. His departure followed an internal legal review examining his relationship with Jeffrey Epstein. The review found that Botstein had significantly more contact with Epstein than he had previously disclosed, including meetings, correspondence, and fundraising-related interactions tied to Epstein's financial contributions and connections.Although the review did not find criminal wrongdoing, it raised serious concerns about Botstein's judgment and transparency, particularly his continued association with Epstein despite growing warnings and reputational risks. Epstein's donations and his role in connecting Bard to other potential donors further complicated the situation and intensified scrutiny around the institution's handling of the relationship. In response, Bard is moving forward with a leadership transition and has indicated that any funds linked to Epstein will be redirected toward initiatives supporting survivors, while Botstein plans to remain at the college in a faculty and cultural role.to contact me:bobbycapucci@protonmail.comsource:Leon Botstein resigns as Bard College president

Leon Botstein announced he would step down as president of Bard College after more than 50 years in the role, with his resignation taking effect June 30, 2026. His departure followed an internal legal review examining his relationship with Jeffrey Epstein. The review found that Botstein had significantly more contact with Epstein than he had previously disclosed, including meetings, correspondence, and fundraising-related interactions tied to Epstein's financial contributions and connections.Although the review did not find criminal wrongdoing, it raised serious concerns about Botstein's judgment and transparency, particularly his continued association with Epstein despite growing warnings and reputational risks. Epstein's donations and his role in connecting Bard to other potential donors further complicated the situation and intensified scrutiny around the institution's handling of the relationship. In response, Bard is moving forward with a leadership transition and has indicated that any funds linked to Epstein will be redirected toward initiatives supporting survivors, while Botstein plans to remain at the college in a faculty and cultural role.to contact me:bobbycapucci@protonmail.comsource:Leon Botstein resigns as Bard College presidentBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In the Temple of Paladine, a powerful foe stands between the party and reforging the lance.Welcome to Patron DnD, where Platinum-level patrons and I get together to play Dungeons & Dragons via Discord and Roll20. Dragonlance: Shadow of the Dragon Queen is published by Wizards of the Coast, and set in the world of Krynn. We are using the updated 2024 5e rules.Recap at RogueWatson.comStarring:Cere, level 8 dwarf Cleric Domain of LightDarryl, level 8 human Berserker BarbarianEllowyn, level 8 kender Bard College of LoreKazra, level 8 human Champion Fighter/PaladinRowan, level 8 elf Gloomstalker Ranger/Assassin RogueShop for tabletop games, CCGs, miniatures, RPG supplies and more at our sponsor, Noble Knight Games: https://www.nobleknight.com?awid=1553Music by Kevin MacLeod https://incompetech.com/music/royalty-free/music.htmlLicensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/Character art by DemnixChat with us in the Official Discord Server: https://discord.gg/AjvtemjSupport the channel at https://www.patreon.com/Roguewatson

This episode is for anyone interested in ancient Greece, democracy, political history, and rhetoric, especially if you want to understand how the past connects to modern political challenges. You'll learn who Demosthenes was, how he rose to power through oratory and persuasion, and why he became known as democracy's defender during the rise of Macedon under Philip II. This conversation explores the fragility of democracy, the role of speech in politics, and the dangers of misinformation: issues that feel just as urgent today. If you want a deeper understanding of how **ancient political systems worked AND failed** this episode offers powerful insights.KEY IDEAS Who Demosthenes was and why he matters Ancient Athenian democracy explained The rise of Macedon and Philip II Democracy vs monarchy in ancient Greece The power of rhetoric and political persuasion Rivalry between Demosthenes and Aeschines The Battle of Chaeronea and Athens' defeat How misinformation and emotional speech shaped politicsLessons from ancient democracy for today's world Why Demosthenes remains a controversial figure TIMESTAMPS 00:00 Introduction & James Romm 00:50 Setting the stage: Athens in the 4th century BC 04:08 Rise of political oratory in Athens 05:20 Democracy and the power of speech 08:06 Rise of Philip II and Macedon 10:31 Democracy vs monarchy 12:07 Why Athens was treated differently 14:24 Demosthenes' early life and speech training 19:08 Political rivals and propaganda 20:19 Fake news and attacks in ancient politics 22:30 Athens decides to fight Macedon 23:29 The Battle of Chaeronea 24:06 Did Demosthenes fail? 25:13 His legacy and historical debate 26:31 What we can learn from ancient democracy 27:05 Misinformation and political chaos 28:03 Trust, leadership, and public decision-making 29:32 Final reflections on democracyIf you're fascinated by ancient history and its connection to modern politics, subscribe for more deep dives like this. What do you think: was Demosthenes a hero or a misguided idealist? Share your thoughts below. LINKS

In this episode of Occupied Thoughts, FMEP Fellow Peter Beinart speaks with Bard College Professor Ziad Abu-Rish about the roots of Israel's aggression against Lebanon. They discuss why Israel has been attacking Lebanon since 1948, why Hezbollah continues to fight Israel, and why the Lebanese military can't disarm Hezbollah. They draw upon this article that Ziad recently published in The Public Source, “Sovereignty Without Defense: The Army, the State, and Hezbollah's Weapons." Peter Beinart is a Non-Resident Fellow at the Foundation for Middle East Peace. He is also a Professor of Journalism and Political Science at the City University of New York, a Contributing opinion writer at the New York Times, an Editor-at-Large at Jewish Currents, and an MSNOW Political Commentator. His newest book (published 2025) is Being Jewish After the Destruction of Gaza: A Reckoning. He publishes regularly on https://peterbeinart.substack.com/. Ziad Abu-Rish is Associate Professor of Human Rights and Middle Eastern Studies and Director, MA Program in Human Rights and the Arts at Bard College. He is a scholar of the modern Middle East and North Africa (MENA) region. His research centers around state formation, economic development, and popular mobilizations, particularly in Lebanon and Jordan. His teaching experience includes undergraduate and graduate courses in human rights; comparative state formation; various themes in Middle East studies; and research methodologies. Abu-Rish is the author of The State of Lebanon: Popular Politics and Institution Building in the Wake of Independence (Stanford University Press, 2026). He co-created (with artist Tania El Khoury) The Search for Power, a touring lecture performance and sound installation exploring the history of electricity in Beirut. Abu-Rish is also coeditor of The Dawn of the Arab Uprisings: End of an Old Order? (2012) and Critical Voices: A Collection of Interviews from and on the Middle East (2015). Abu-Rish has also authored several articles appearing in Middle East Report and Review of Middle East Studies and chapters in edited volumes on the political economy of the Middle East, the Arab uprisings, and teaching Middle East history. Abu-Rish also serves as coeditor of Arab Studies Journal and Jadaliyya e-zine, and codirector of the Lebanese Dissertation Summer Institute. Original music by Jalal Yaquoub.

When we look beyond our ego-centered view, we see we're not separate from nature. Our survival, sanity, and meaning depend on recognizing the living web of life that sustains us. By tuning into the more-than-human world, we begin to heal the split fueling ecological destruction and remember a more reciprocal way of being. Artist and iconographer Angela Manno, creator of the Sacred Biodiversity Oracle, offers a profound invitation into this awareness through a deck of 36 cards portraying animals and plants from around the world. Her luminous paintings shimmer with quiet, radical devotion to the living Earth, encouraging us to encounter other beings and ecosystems as sacred presences rather than distant “resources.” Environmental leader Bill McKibben has described her work as “Powerful reminders of the beauty and holiness of the world we are destroying, and of our duty to protect what remains.”Angela Manno is an award-winning visual artist based in New York City whose work weaves together spirituality, ecology, and contemporary iconography. A Bard College graduate, she also studied at the San Francisco Art Institute and Parsons School of Design. She has also trained in Byzantine-Russian iconography with master Vladislav Andrejev. Her work has been exhibited at major institutions, including the Smithsonian, the National Museum of Women in the Arts, and NASA's collections. She is especially known for her series Contemporary Icons of Threatened and Endangered Species. She is the creator of The Sacred Biodiversity Oracle (Bear & Company 2026)Interview Date: 1/9/2026 Tags: Angela Manno, Thomas Berry, Byzantine-Russian iconography, Viso Divina, Maasai lion guardians, Jane Goodall, conservation, environmental stewardship, Sundance ritual, Sandra Steingraber, Art & Creativity, Ecology/Nature/Environment, Meditation, Personal Transformation

In today's episode, Claire is joined by Bruce Chilton to discuss his book Aramaic Jesus with Baylor University Press. Bruce Chilton's Aramaic Jesus is a groundbreaking study in pursuit of this "Aramaic Jesus," a pursuit that requires awareness of the kind of Aramaic in play. In the past, sorting out dialects and types of Aramaic relied on sources composed well after the time of the New Testament; this work factors in analysis of the Dead Sea Scrolls and related materials to access forms of Aramaic current during the first century CE. Since the depiction of Jesus in the Gospels involves various intersections with Aramaic, tracing the impact of Aramaic in the depiction of Jesus within the New Testament entails several investigative categories: specific cases in which Aramaic is identifiably transliterated within the Greek Gospels; analysis that accounts for the cultural settings of Aramaic through the technique of retroversion (involving translation back into Aramaic); and assessment of noticeable overlaps between the New Testament and contemporaneous Aramaic literature, where thematic emphases emerge that relate Jesus' movement to Second Temple Judaism.The writings we call the Gospels involved transitions from the au/orality of Jesus and his movement to reliance upon writing, and from their language(s) to written Koine Greek. Those shifts involved an increasing resort to narrative and literary conventions. The extent to which Aramaic is a factor within this process is uncharted, and this volume clarifies the issues that are in play. Chilton's analysis illuminates the Aramaic Jesus and the people and processes that conveyed his memory. Bruce Chilton is Bell Professor of Religion at Bard College in Annandale-on-Hudson and priest at the Free Church of St. John the Evangelist in Barrytown, New York. He is the author of many scholarly articles and books.

Nikkya Hargrove joins Let's Talk Memoir for a conversation about the effects of incarceration on the family system, growing up lost and unsure who her family was, accepting the responsibility of becoming her brother's mother, the spark that got her writing her memoir, gaining the lens to understand our story is worthy of being told, acknowledging the divisions within ourselves, incorporating backstory without slowing the narrative down, holding space for others in our work, allowing ourselves to use the words we couldn't use growing up, normalizing sharing feelings, the gift of found family, the complicated truths within us, and her memoir MAMA: A Queer Black Woman's Story of Family Lost and Found. Ronit's in-person memoir workshop this fall at the Larry McMurtry Literary Center https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story Also in this episode: -starting with the basics -getting to the truth -finding freedom in our story   Books mentioned in this episode: The Glass Castle by Jeanette Walls Just Mercy by Brian Stevenson Somebody's Daughter by Ashley C. Ford  The Prisoner's Wife by Asha Bandele   Nikkya Hargrove is a graduate of Bard College and currently serves as a member of the school's Alumni/ae Board of Governors. A LAMBDA Literary Nonfiction Fellow, she has written about adoption, marriage, motherhood, and the prison system for The Washington Post, The Guardian, The New York Times, Scary Mommy, Psychology Today, Rumpus, and more. Until recently, she has spent her professional career working for social impact organizations. She is now the proud owner of her very own, independent bookstore called Obodo Serendipity Books. She lives in Connecticut with her wife and three children.   Connect with Nikkya: Website: https://www.nikkyamhargrove.com/ Instagram: https://www.instagram.com/nikkyahargrove/ Book purchase via Hachettebookgroup: https://www.hachettebookgroup.com/titles/nikkya-hargrove/mama/9781643751580/   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social

Today's episode is one for the books! Seriously, if there's one conversation you choose to listen to in my body of work, this is the one. My beautiful guest and I went deep into holistic healing in the truest sense of that term, through the lens of systems level change. We talked about what it takes to repair connection within ourselves, with one another, and with the more-than-human world, supporting pathways toward resilience, responsibility, and regenerative futures. Mor Keshet is an Integrative Eco-Art Therapist, systems thinker, and founder of TEVEL, a Nature-based healing platform advancing collective resilience in the face of ecological and societal disruption. Her work lives in the intersection of eco and trauma informed psychology, the science of awe, imagination and living systems. Mor's framework origination has appeared in the journal Ecopsychology, Psychology Today and the Biomimicry Institute. Through TEVEL, Mor is building an ecosystem of regenerative care—developing programs, partnerships, and methodologies that position healing as relational, ecological, and culturally responsive. She works with individuals and institutions including The Nature Conservancy, University of Pennsylvania Weitzman School of Design, the American Art Therapy Association, Bard College and Smart City Expo USA. She is the creator of the Climate Emotions Mandala Project, developed in partnership with the Climate Mental Health Network,and holds leadership and teaching roles within the Climate Psychology Alliance – North America and the Climate Emotional Resilience Institute. At the heart of Mor's work is a simple belief: “healing is not a solitary act - it is a shared unfolding.” Connect with Mor via: Email: mor@morkeshet.com  Website: Mor Keshet IG: @morkeshetarttherapist Linked In: Mor Keshet

Today's episode is one for the books! Seriously, if there's one conversation you choose to listen to in my body of work, this is the one. My beautiful guest and I went deep into holistic healing in the truest sense of that term, through the lens of systems level change. We talked about what it takes to repair connection within ourselves, with one another, and with the more-than-human world, supporting pathways toward resilience, responsibility, and regenerative futures. Mor Keshet is an Integrative Eco-Art Therapist, systems thinker, and founder of TEVEL, a Nature-based healing platform advancing collective resilience in the face of ecological and societal disruption. Her work lives in the intersection of eco and trauma informed psychology, the science of awe, imagination and living systems. Mor's framework origination has appeared in the journal Ecopsychology, Psychology Today and the Biomimicry Institute. Through TEVEL, Mor is building an ecosystem of regenerative care—developing programs, partnerships, and methodologies that position healing as relational, ecological, and culturally responsive. She works with individuals and institutions including The Nature Conservancy, University of Pennsylvania Weitzman School of Design, the American Art Therapy Association, Bard College and Smart City Expo USA. She is the creator of the Climate Emotions Mandala Project, developed in partnership with the Climate Mental Health Network,and holds leadership and teaching roles within the Climate Psychology Alliance – North America and the Climate Emotional Resilience Institute. At the heart of Mor's work is a simple belief: “healing is not a solitary act - it is a shared unfolding.” Connect with Mor via: Email: mor@morkeshet.com Website: Mor Keshet IG: @morkeshetarttherapist Linked In: Mor Keshet Upcoming Workshop: A Community Eco-Art Therapy Experience for Earth Month Friday, April 17th, 10AM PST / 1PM EST Registration: The Earth That Lives in Me Join Art Therapy Lab in collaboration with TEVEL for a creative hour of reflection, art-making, and connection with the natural world. The Earth That Lives in Me is an introductory eco-art therapy experience exploring the idea that we are not separate from nature —we are nature. Through guided prompts and simple materials, participants are invited to slow down, create, and reconnect with the living world within and around them. Cost: $25 per session / 15% of all proceeds will be donated to The Nature Conservancy Grab our free resources here: https://www.morkeshet.com/ Visit https://marinabuksov.com for more holistic content. Music from https://www.purple-planet.com. Disclaimer: Statements herein have not been evaluated by the Food and Drug Administration. Products listed are not intended to diagnose, treat, cure, or prevent any diseases.

Student protests at Bard College have intensified following revelations about longtime president Leon Botstein and his relationship with Jeffrey Epstein, reigniting scrutiny of the school's history with sexual assault cases. Demonstrations in 2026 echo earlier protests dating back to 1991, with students arguing that Botstein's ties to Epstein reflect deeper, longstanding issues in how the college has handled allegations of sexual misconduct. Documents and student accounts suggest Botstein maintained contact with Epstein even after being aware of accusations against him, fueling demands for accountability and, in some cases, his resignation.Beyond the Epstein connection, the controversy has reopened broader criticism of Bard's institutional response to sexual assault over decades. Lawsuits, Title IX complaints, and student testimonies describe a pattern in which accused individuals were sometimes allowed to remain on campus, with Botstein previously holding significant authority over disciplinary outcomes. While the college has implemented reforms and denies systemic failures, many students and alumni argue that these measures fall short, pointing to a persistent culture of mistrust and calling for deeper structural change rather than limited internal reviews.to contact me:bobbycapucci@protonmail.comsource:Bard students say Epstein is just the tip of the iceberg

Why Translate Homer Again? Daniel Mendelsohn on his new OdysseyThis conversation explore's Daniel Mendelsohn's new translation of The Odyssey. Mendelsohn reflects on why this endlessly retranslated text still invites fresh interpretation, describing Odysseus as a “proto-author” whose storytelling shapes reality itself.The discussion delves into the craft of translation; balancing precision with poetic vitality, preserving the strangeness of Homeric Greek while remaining readable, and making deliberate choices about line length, diction, and even spelling. Mendelsohn also highlights the influence of teaching and lifelong engagement with the text, emphasising close reading and the role of students in deepening understanding.Beyond technique, the conversation explores why The Odyssey endures. its themes of homecoming, identity, storytelling, and time continue to resonate across generations, making it both an ancient epic and a strikingly modern work.Buy The Odyssey: https://www.shakespeareandcompany.com/books/the-odyssey-51Memoirist, critic, translator, and frequent contributor of essays to The New Yorker and The New York Review of Books, where he is Editor-at-Large, Daniel Mendelsohn is the author of ten books, including the international bestsellers The Lost: A Search for Six of Six Million, winner of the National Jewish Book Award and the National Book Critics Circle Award, and An Odyssey: A Father, a Son, and an Epic, an NPR and Kirkus Best Book of the Year. His other honors include the Prix Médicis in France and the Premio Malaparte, Italy's highest honor for foreign writers. In 2022 he was made a Chevalier de l'Ordre des Arts et des Lettres by the Republic of France. He is currently the Charles Ranlett Flint Professor of Humanities at Bard College.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

The latest Epstein files to be released exposed more embarrassing revelations for more powerful men, including the president of Bard College, the (former) chairman of the law firm Paul Weiss, and one of the owners of the Giants. Vicky Ward, investigative journalist and author of Kushner, Inc. (St. Martin's Press, 2019) and, with James Patterson, The Idaho Four: An American Tragedy (Little, Brown and Company, 2025), and Steve Eder, investigative reporter for The New York Times, talk about what the new emails reveal about how wealthy and powerful people operate.