Podcasts about Poetics

Dr Adam Koontz recommends books about preaching. Books mentioned - Aristotle's Poetics and Rhetoric Book 4 of Augustine's On Christian Doctrine Reinhold Pieper's Evangelical Lutheran Homiletics J. Michael Reu's Homiletics H. Grady Davis's Design for Preaching Gerhard Aho's The Lively Skeleton John Broadus's Treatise on the Preparation and Delivery of Sermons Jean Claude's Essay on the Composition of a Sermon The Heart of the Yale Lectures The sermons of John Chrysostom and Martin Luther Visit our website - A Brief History of Power Dr Koontz - Redeemer Lutheran Church Music thanks to Verny

Laurence Kirmayer is one of the most influential figures in cultural psychiatry today. A psychiatrist, researcher, and theorist, he serves as James McGill Professor and Director of the Division of Social and Transcultural Psychiatry at McGill University and Editor-in-Chief of Transcultural Psychiatry. Across decades of work bridging anthropology, psychiatry, and cognitive science, Kirmayer has advanced a complex view of mental health as inseparable from culture, history, language, and political power. His research ranges from Indigenous youth resilience and narrative medicine to the diagnostic metaphors—such as “chemical imbalance” or “trauma”—that reshape identity and possibility. He has helped pioneer integrative approaches that unite phenomenology and neuroscience, including a biopsychosocial model grounded in enactive and embodied cognition, as well as a person-centered, ecosocial framework for understanding suffering beyond reductive biological paradigms. His critiques extend to how psychiatric categories reflect colonial histories and obscure social causes, as well as how attempts to localize mental health interventions may still impose Western norms. Kirmayer's scholarship on narrative, metaphor, and cultural psychiatry aligns with ongoing efforts by Indigenous psychologists and anthropologists to reframe trauma and healing through culturally grounded practices, as reflected in recent collaborative work calling for a decolonial turn in psychology. Drawing on 4E cognitive science, he proposes that metaphors are not simply rhetorical tools but embodied and enacted processes embedded in local social worlds. These shape how people experience distress and how clinicians make sense of it. His forthcoming book, Healing and the Invention of Metaphor: Toward a Poetics of Illness Experience (Cambridge University Press, July 2025), extends these themes by exploring how metaphor, narrative, and imagination shape suffering and healing across cultures, while offering a critical account of the symbolic and political frameworks embedded in contemporary psychiatric and biomedical practice. In this wide-ranging conversation, Kirmayer explores the politics of diagnostic language, the structural roots of suffering, and the poetic potential of metaphor to disrupt conformity and open new avenues for healing. From the medicalization of culturally normative expressions of distress to the reification of trauma, Kirmayer shows how dominant frameworks can limit imagination, flatten complexity, and displace political realities with individualized solutions. He calls for a psychiatry that listens not only to symptoms but to the metaphors and metaphysics that animate people's lives. *** Thank you for being with us to listen to the podcast and read our articles this year. MIA is funded entirely by reader donations. If you value MIA, please help us continue to survive and grow. https://www.madinamerica.com/donate/ To find the Mad in America podcast on your preferred podcast player, click here: https://pod.link/1212789850 © Mad in America 2025. Produced by James Moore https://www.jmaudio.org

The Mirror of Ornaments (Alaṅkāradappaṇō) defines and exemplifies 42 figures of speech or “ornaments” in 134 verses. It is the only surviving work of poetics in Prakrit, a literary language closely related to Sanskrit. It is one of the earliest representatives of the larger Indian discourse on poetics, and is especially closely linked to Bhāmaha's Ornament of Literature (Kāvyālaṅkāra). This book includes an introduction, annotated translation, glossary, and diplomatic and critical editions of the single surviving manuscript of the Mirror of Ornaments. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Mirror of Ornaments (Alaṅkāradappaṇō) defines and exemplifies 42 figures of speech or “ornaments” in 134 verses. It is the only surviving work of poetics in Prakrit, a literary language closely related to Sanskrit. It is one of the earliest representatives of the larger Indian discourse on poetics, and is especially closely linked to Bhāmaha's Ornament of Literature (Kāvyālaṅkāra). This book includes an introduction, annotated translation, glossary, and diplomatic and critical editions of the single surviving manuscript of the Mirror of Ornaments. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

The Mirror of Ornaments (Alaṅkāradappaṇō) defines and exemplifies 42 figures of speech or “ornaments” in 134 verses. It is the only surviving work of poetics in Prakrit, a literary language closely related to Sanskrit. It is one of the earliest representatives of the larger Indian discourse on poetics, and is especially closely linked to Bhāmaha's Ornament of Literature (Kāvyālaṅkāra). This book includes an introduction, annotated translation, glossary, and diplomatic and critical editions of the single surviving manuscript of the Mirror of Ornaments. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

This week on ‘The Write Question,' host Lauren Korn speaks with poet Keetje Kuipers, author of ‘Lonely Women Make Good Lovers' (BOA Editions).

This week on ‘The Write Question,' host Lauren Korn speaks with poet Keetje Kuipers, author of ‘Lonely Women Make Good Lovers' (BOA Editions).

Živé Podhoubí o technologiích a americké politice se natáčelo ve výstavě Poetics of Encryption. Současné technologie nejsou jako nástroje, které mají člověku usnadnit život. Stávají se čím dál víc svébytným ekosystémem, který se bez člověka obejde. Ideové směry jako akceleracionismus, technooptimismus nebo neorekcionářství s rapidním technologickým vývojem počítají, mnohdy ale na úkor demokracie. Člověk má být překonán, případně kolonizovat další planety.

Živé Podhoubí o technologiích a americké politice se natáčelo ve výstavě Poetics of Encryption. Současné technologie nejsou jako nástroje, které mají člověku usnadnit život. Stávají se čím dál víc svébytným ekosystémem, který se bez člověka obejde. Ideové směry jako akceleracionismus, technooptimismus nebo neorekcionářství s rapidním technologickým vývojem počítají, mnohdy ale na úkor demokracie. Člověk má být překonán, případně kolonizovat další planety.Všechny díly podcastu Podhoubí můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Marion May Campbell's novels include Lines of Flight (1985), Not Being Miriam (1989), Prowler (1999), Shadow Thief (2006), and konkretion (2013).She has also published the cross-genre collection Fragments from a Paper Witch (Salt, 2008), an experimental memoir The Man on the Mantelpiece (UWA Publishing, 2018), the poetry collections third body (Whitmore Press 2018) and languish (Upswell 2022).Her novels Lines of Flight (1985) and Not Being Miriam (1989) were shortlisted andcommended for major Australian awards and twice for the Canada-Australia Literary Prize;Not being Miriam won WA Week Literary Awards for Prose Fiction (1989), the libretto DrMemory in the Dream Home shared the Patricia Hackett Prize (1992) and Fragments from aPaper Witch was a finalist for the Innovation Category of the South Australian Festival Literary Awards (2010).She has been recipient of nine writer's and residency grants and won the Senses of Cinema Prize for the best essay in 2021 and the joanne burns micro-fiction prize for 2022. Production & Interview: Tina Giannoukos

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.Ethics is the most challenging reading I've done, possibly ever. I'm not sure if it's because I am out of the habit of reading deeply, or my attention span rivals a gnat's, or if this text is actually that hard, but I pushed through. After reading about virtue, and habit, and endurance, and choosing pain because you know it will lead to the good thing, I was not about to stop.We talk a little about the importance of a good translation (more on that to come!) and take a deep dive into note-taking. This is a big project, and I wanted to be sure to retain the big ideas as I went along. I share the things I'm doing, what seems to be working and what I don't do.There is so much to this text. (Maybe that's another reason it was so intense?) In no particular order, just a few notes. There are three basic ways of life: pleasure, politics, and contemplation. Don't confuse pleasure with happiness, because they aren't the same. Contemplation is great—you might be happy—but there's no real action, and that is part of what virtue requires. So, political life, a life lived in relation to others, is the highest good.A virtue is typically the middle way between the vices of too much and too little. For example, courage is the middle way between recklessness and cowardice.Reciprocity is what holds a community together (there's the politics!), and economics is even based on the idea of reciprocity.Friendship. My goodness, I could have used these thoughts at 18, or 24, and can definitely use them now. There are three types of friendships: of utility, of pleasure, and complete. Complete is rare, and so you should attend to it. But it can end if the friends become markedly less equal in some way. Knowing that might help you inoculate against it.Aristotle breaks everything into taxonomies—I mean, the man was obsessed with categorizing everything. It's much more of an engineer's approach to life than Plato's with his ideas about Forms.Regarding Poetics, what amazing guidance about storytelling in tragedy or epic. I wonder if modern filmmakers ever have to read this.Metaphor is the master poet's tool.When I began this project I said I'd read introductions minimally and try to engage solely with the text as much as possible. I needed help with Aristotle, and I highly recommend Larry Arn's series from Hillsdale College.Music this week was Bach's Cello Concertos. Beautiful, lush, varied. I have a real love affair with the cello so this was a pleasure to listen to! You can listen here.This is a year-long challenge! Join me next week as we return for love with Plato and war with Herodotus.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify -

In this episode of High Theory Nasser Mufti talks with us about Brutalism. A twentieth century architectural style featuring imposing structures made of a lot of concrete, brutalist structures tend to provoke strong reactions. People either love it or they hate it – you never get a middling conversation about brutalism. Often used for government buildings, university libraries, and hospitals, Nasser suggests it represents the architecture of the state itself, massive bureaucratic structures in which we get lost, but also perhaps, nostalgia for a state that actually takes care of its citizens. Before we recorded the episode, Nasser sent me this article about the Brutalist campus at the University of Illinois where he works, which is full of beautiful black and white images. In the episode he refers to a line in Charles Dickens's Bleak House (1853), which describes Chesney Wold as “seamed by time.” And he reminds us that verb form “decolonizing” is quite new, even Ngũgĩ Wa Thiong'o Decolonizing the Mind: The Politics of Language in African Literature (1986) only uses the gerund in the title. The neologism “decolonizing” is distinct from the world historical project of decolonization and the historiographic method of decolonial analysis that comes from Latin American studies. Nasser Mufti is an associate professor of English at the University of Illinois, Chicago, where his research and teaching focuses on nineteenth century British and postcolonial literature and theory. He is especially interested in literary approaches to the study of nationalism. His first book, Civilizing War: Imperial Politics and the Poetics of National Rupture (Northwestern University Press, 2018) argues that narratives of civil war energized and animated nineteenth-century British imperialism and decolonization in the twentieth century. You can read it online, open access, which is pretty damn cool! He is working on two new projects, the first, tentatively titled Britain's Nineteenth Century, 1963-4, looks at how anticolonial and postcolonial thinkers from the Anglophone world turned to nineteenth century British literature and culture as a way to think decolonization. The second, titled “Colonia Moralia,” examines the dialectics of postcolonial Enlightenment through comparative readings of T.W. Adorno and V.S. Naipaul. The image for this episode is a photograph of Boston City Hall, a Brutalist building mentioned in the episode. The black and white photograph shows an interior courtyard of the building, a large concrete structure with many windows, located at One City Hall Square, Boston, Suffolk County, MA. It comes from the US Library of Congress Prints and Photographs Online Collections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory Nasser Mufti talks with us about Brutalism. A twentieth century architectural style featuring imposing structures made of a lot of concrete, brutalist structures tend to provoke strong reactions. People either love it or they hate it – you never get a middling conversation about brutalism. Often used for government buildings, university libraries, and hospitals, Nasser suggests it represents the architecture of the state itself, massive bureaucratic structures in which we get lost, but also perhaps, nostalgia for a state that actually takes care of its citizens. Before we recorded the episode, Nasser sent me this article about the Brutalist campus at the University of Illinois where he works, which is full of beautiful black and white images. In the episode he refers to a line in Charles Dickens's Bleak House (1853), which describes Chesney Wold as “seamed by time.” And he reminds us that verb form “decolonizing” is quite new, even Ngũgĩ Wa Thiong'o Decolonizing the Mind: The Politics of Language in African Literature (1986) only uses the gerund in the title. The neologism “decolonizing” is distinct from the world historical project of decolonization and the historiographic method of decolonial analysis that comes from Latin American studies. Nasser Mufti is an associate professor of English at the University of Illinois, Chicago, where his research and teaching focuses on nineteenth century British and postcolonial literature and theory. He is especially interested in literary approaches to the study of nationalism. His first book, Civilizing War: Imperial Politics and the Poetics of National Rupture (Northwestern University Press, 2018) argues that narratives of civil war energized and animated nineteenth-century British imperialism and decolonization in the twentieth century. You can read it online, open access, which is pretty damn cool! He is working on two new projects, the first, tentatively titled Britain's Nineteenth Century, 1963-4, looks at how anticolonial and postcolonial thinkers from the Anglophone world turned to nineteenth century British literature and culture as a way to think decolonization. The second, titled “Colonia Moralia,” examines the dialectics of postcolonial Enlightenment through comparative readings of T.W. Adorno and V.S. Naipaul. The image for this episode is a photograph of Boston City Hall, a Brutalist building mentioned in the episode. The black and white photograph shows an interior courtyard of the building, a large concrete structure with many windows, located at One City Hall Square, Boston, Suffolk County, MA. It comes from the US Library of Congress Prints and Photographs Online Collections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

A studio return from the west coast; Enduro and League racing; the summer road schedule; ice cream

Game streamers and live commentators are producing increasingly comprehensive analyses of gameplay, yet scholarship still tends to flatten the experiential media of video games into text for close reading. By shifting focus toward the immersiveness of video games, Playthrough Poetics: Gameplay as Research Method (Amherst, 2024) makes the case for gameplay as a necessary, alternate method. Contributors to this volume engage widely with the activity of play through autoethnographies, meta-analyses of self-broadcasting, new procedural methods like gamespace soundwalking, as well as the affective aspects of games research.  In doing so, they model new possibilities for academic players and gamers alike. Rigorous scholarship meets cultural practice in this innovative, multi-modal edited collection that includes video essays and offers transcripts of the playthroughs themselves. Readers (and viewers) will come away with a toolkit of models, case studies, and conceptual frameworks for analyzing video games through gameplay. This volume is a fresh return to the joy of play: the poetics of games as contemporary forms of storytelling and interactivity. With contributions from Ashlee Bird, Brandon Blackburn, Milena Droumeva, Kishonna Gray, Robyn Hope, Ben Scholl, Maria Sommers, Ashlyn Sparrow, Christine Tran, and Aaron Trammell. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Game streamers and live commentators are producing increasingly comprehensive analyses of gameplay, yet scholarship still tends to flatten the experiential media of video games into text for close reading. By shifting focus toward the immersiveness of video games, Playthrough Poetics: Gameplay as Research Method (Amherst, 2024) makes the case for gameplay as a necessary, alternate method. Contributors to this volume engage widely with the activity of play through autoethnographies, meta-analyses of self-broadcasting, new procedural methods like gamespace soundwalking, as well as the affective aspects of games research.  In doing so, they model new possibilities for academic players and gamers alike. Rigorous scholarship meets cultural practice in this innovative, multi-modal edited collection that includes video essays and offers transcripts of the playthroughs themselves. Readers (and viewers) will come away with a toolkit of models, case studies, and conceptual frameworks for analyzing video games through gameplay. This volume is a fresh return to the joy of play: the poetics of games as contemporary forms of storytelling and interactivity. With contributions from Ashlee Bird, Brandon Blackburn, Milena Droumeva, Kishonna Gray, Robyn Hope, Ben Scholl, Maria Sommers, Ashlyn Sparrow, Christine Tran, and Aaron Trammell. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Game streamers and live commentators are producing increasingly comprehensive analyses of gameplay, yet scholarship still tends to flatten the experiential media of video games into text for close reading. By shifting focus toward the immersiveness of video games, Playthrough Poetics: Gameplay as Research Method (Amherst, 2024) makes the case for gameplay as a necessary, alternate method. Contributors to this volume engage widely with the activity of play through autoethnographies, meta-analyses of self-broadcasting, new procedural methods like gamespace soundwalking, as well as the affective aspects of games research.  In doing so, they model new possibilities for academic players and gamers alike. Rigorous scholarship meets cultural practice in this innovative, multi-modal edited collection that includes video essays and offers transcripts of the playthroughs themselves. Readers (and viewers) will come away with a toolkit of models, case studies, and conceptual frameworks for analyzing video games through gameplay. This volume is a fresh return to the joy of play: the poetics of games as contemporary forms of storytelling and interactivity. With contributions from Ashlee Bird, Brandon Blackburn, Milena Droumeva, Kishonna Gray, Robyn Hope, Ben Scholl, Maria Sommers, Ashlyn Sparrow, Christine Tran, and Aaron Trammell. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

NB: For those who are interested/concerned, I ended up deciding against the influential-editor-publication strategy discussed in the intro. Slightly long story, but in the end I just didn't have the stomach for it. And don't you start lecturing me about Chubby Checker. He did The Twist. The Beatles did Twist and Shout. So there. SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, check out the SECRET SHOW and join the group chatLeave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!Some of the topics mentioned in this episode:– Literary Matters– Before the Bath by Ismail Kadare (Albanian, not Turkish!)– The University of St. Thomas in Houston– New Verse Review– Paradise Lost by John Milton– Red Scare– Grok– Chubby Checker by M. I. Devine– Regarding your workplace matter by Belinda Rule– Human Math by Tin FogdallFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna PearsonOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah BlumovRatbag Poetics By David Jalal MotamedAlice: Poetry SaysBrian: @BPlatzerCameron: CameronWTC [at] hotmail [dot] comMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

In this thought-provoking episode, I am joined by theologian and philosopher Kevin Hart to discuss the nature of contemplation in both religious and secular contexts. Hart traces the historical origins of contemplation from ancient Rome and Greece through Christian traditions, distinguishing it from meditation and contrasting it with our modern culture of fascination. He draws on phenomenology, particularly Husserl's work, to explain how contemplation offers a way to move beyond the limiting "natural attitude" to experience reality more fully. Hart discusses how poetry, particularly that of Gerard Manley Hopkins, exemplifies contemplative engagement with the world, and explores how Jesus' parables invite a shift from worldly preoccupations to an intimate relationship with God. Throughout the conversation, Hart warns about the dangers of our technology-driven "culture of fascination" that traps our attention and leads to emptiness, while offering practical guidance on contemplative reading through practices like Lectio Divina that might help modern people recover a more enriching way of engaging with texts, the world, and the divine. You can WATCH the conversation on YouTube Dr. Kevin Hart is Jo Rae Wright University Distinguished Professor in the Divinity School. He is a philosopher, phenomenologist, and theologian. His academic work spans the intersection of philosophy, literature, and theology, with particular emphasis on religious experience, contemplation, and phenomenology. Hart is known for his significant contributions to understanding both religious and secular forms of contemplation, drawing on thinkers like Edmund Husserl while engaging deeply with Christian contemplative traditions.  If you are new to Dr. Hart's work, check out Contemplation: The Movements of the Soul, Lands of Likeness: For a Poetics of Contemplation, and Poetry and Revelation: For a Phenomenology of Religious Poetry.   Theology Beer Camp | St. Paul, MN | October 16-18, 2025 3 Days of Craft Nerdiness with 50+ Theologians & God-Pods and 600 new friends. ONLINE CLASS ANNOUNCEMENT: The Many Faces of Christ Today The question Jesus asked his disciples still resonates today: "Who do you say that I am?" Join our transformative 5-week online learning community as we explore a rich tapestry of contemporary Christologies. Experience how diverse theological voices create a compelling vision of Jesus Christ for today's world. Expand your spiritual horizons. Challenge your assumptions. Enrich your faith. As always, the class is donation-based (including 0), so head over to ManyFacesOfChrist.com for more details and to sign up! _____________________ Hang with 40+ Scholars & Podcasts and 600 people at Theology Beer Camp 2025 (Oct. 16-18) in St. Paul, MN. This podcast is a Homebrewed Christianity production. Follow the Homebrewed Christianity, Theology Nerd Throwdown, & The Rise of Bonhoeffer podcasts for more theological goodness for your earbuds. Join over 80,000 other people by joining our Substack - Process This! Get instant access to over 45 classes at www.TheologyClass.com Follow the podcast, drop a review, send feedback/questions or become a member of the HBC Community. Learn more about your ad choices. Visit megaphone.fm/adchoices

Douglas Vigliotti authored "Aristotle for Novelists" with the intention of adapting the timeless principles of Aristotle's Poetics in a way tailored to the needs of novelists. He joins us on this week's Self Publishing Insiders to reflect on how these philosophical lessons can benefit authors looking to improve in their craft.//Draft2Digital is where you start your Indie Author Career//  Looking for your path to self-publishing success? Draft2Digital is the leading ebook publisher and distributor worldwide. We'll convert your manuscript, distribute it online, and support you the whole way—and we won't charge you a dime.  We take a small percentage of the royalties for each sale you make through us, so we only make money when you make money. That's the best kind of business plan.  • Get started now: https://draft2digital.com/• Learn the ins, the outs, and the all-arounds of indie publishing from the industry experts on the D2D Blog: https://Draft2Digital.com/blog  • Promote your books with our Universal Book Links from Books2Read: https://books2read.com  Make sure you bookmark https://D2DLive.com for links to live events, and to catch back episodes of the Self Publishing Insiders Podcast.

“Travel does not require leaving your city or state or country, but it does require leaving your comfort zone. And that can happen a block or two away from where you live.” –Chloe Cooper Jones In this episode of Deviate, Rolf and Chloe talk about why a section about “slum tourism” was cut out of Rolf’s newest book The Vagabond’s Way (2:30); how so much of what we talk about when we talk about travel has industrialized middle-class presumptions (7:30); the motivations and ethical considerations that underpin seeking out disadvantaged neighborhoods as a traveler (15:00); how preconceived narratives and “cultural extraction” often motivates people’s experience in a city, in ways that do not always benefit the city (25:00); what “dark tourism” and “voluntourism” are, and what the ethical ramifications are for travelers (32:00); and the difference between articulating ideals, and the work of acting on those ideals (45:00). Chloe Cooper Jones (@CCooperJones) is the author of Easy Beauty: A Memoir. She has been a Pulitzer Prize finalist in Feature Writing, and was the recipient of a Whiting Creative Nonfiction Grant, as well as a Howard Foundation Grant from Brown University. Notable Links: Integrating love of travel & love of home (Deviate episode 210) The Vagabond's Way, by Rolf Potts (book) The Most Beautiful Walk in the World, by John Baxter (book) Slum tourism (tours to poor areas of a city) Poetics, by Aristotle (dramatic theory) Republic, by Plato (Socratic dialogue) Immanuel Kant (philosopher) Slumdog Millionaire (2008 movie) Apartheid (system of institutionalized racial segregation) Favela (slum in Brazil) Yelp (crowd-sourced business review app) Dark tourism (tourism to places associated with tragedy) 1990 Hesston tornado outbreak (Kansas weather event) Tuol Sleng Genocide Museum (tourism attraction in Cambodia) Saw (movie franchise) Voluntourism (volunteering-themed travel) Hurricane Katrina (2005 Gulf Coast weather event) Lower Ninth Ward (New Orleans neighborhood) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Asian/Other: Life, Poems, and the Problem of Memoir was published in January 2025 by Icon Books. The book considers the political and psychological dimensions of diasporic identity as Ravinthiran leaps imaginatively between memoir and criticism—understanding his life through poetry, and vice versa. Ranging from Andrew Marvell to Divya Victor, Ravinthiran writes both about and through poems, discussing Sri Lanka, experiences of racism and resilience, and pandemic parenting to name a few. Vidyan Ravinthiran is the Gardner Cowles Associate Professor of the Humanities at Harvard University and teaches in the Department of English there. Born in Leeds to Sri Lankan Tamils, Ravinthiran completed his education at the Universities of Oxford and Cambridge, before moving to the US five years ago. His publications include Elizabeth Bishop's Prosaic (2015), Worlds Woven Together: Essays on Poetry and Poetics (2022) and Spontaneity and Form in Modern Prose (2022). Aside from his literary criticism, which has been published in numerous journals, he is also well known as a poet. His collections explore the tensions that arise between being and becoming in diasporic imaginaries. The Million-Petalled Flower of Being Here published by Bloodaxe in 2019 was the winner of the Northern Writers Award, awarded Poetry Book Society Recommendation and was shortlisted for the Forward Prize. An earlier collection, Gru-Tu-Molani published in 2014 was shortlisted for the Forward Prize for Best First Collection, the Seamus Heaney Centre Poetry Prizeand the 2015 Michael Murphy Memorial Prize. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Asian/Other: Life, Poems, and the Problem of Memoir was published in January 2025 by Icon Books. The book considers the political and psychological dimensions of diasporic identity as Ravinthiran leaps imaginatively between memoir and criticism—understanding his life through poetry, and vice versa. Ranging from Andrew Marvell to Divya Victor, Ravinthiran writes both about and through poems, discussing Sri Lanka, experiences of racism and resilience, and pandemic parenting to name a few. Vidyan Ravinthiran is the Gardner Cowles Associate Professor of the Humanities at Harvard University and teaches in the Department of English there. Born in Leeds to Sri Lankan Tamils, Ravinthiran completed his education at the Universities of Oxford and Cambridge, before moving to the US five years ago. His publications include Elizabeth Bishop's Prosaic (2015), Worlds Woven Together: Essays on Poetry and Poetics (2022) and Spontaneity and Form in Modern Prose (2022). Aside from his literary criticism, which has been published in numerous journals, he is also well known as a poet. His collections explore the tensions that arise between being and becoming in diasporic imaginaries. The Million-Petalled Flower of Being Here published by Bloodaxe in 2019 was the winner of the Northern Writers Award, awarded Poetry Book Society Recommendation and was shortlisted for the Forward Prize. An earlier collection, Gru-Tu-Molani published in 2014 was shortlisted for the Forward Prize for Best First Collection, the Seamus Heaney Centre Poetry Prizeand the 2015 Michael Murphy Memorial Prize. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Asian/Other: Life, Poems, and the Problem of Memoir was published in January 2025 by Icon Books. The book considers the political and psychological dimensions of diasporic identity as Ravinthiran leaps imaginatively between memoir and criticism—understanding his life through poetry, and vice versa. Ranging from Andrew Marvell to Divya Victor, Ravinthiran writes both about and through poems, discussing Sri Lanka, experiences of racism and resilience, and pandemic parenting to name a few. Vidyan Ravinthiran is the Gardner Cowles Associate Professor of the Humanities at Harvard University and teaches in the Department of English there. Born in Leeds to Sri Lankan Tamils, Ravinthiran completed his education at the Universities of Oxford and Cambridge, before moving to the US five years ago. His publications include Elizabeth Bishop's Prosaic (2015), Worlds Woven Together: Essays on Poetry and Poetics (2022) and Spontaneity and Form in Modern Prose (2022). Aside from his literary criticism, which has been published in numerous journals, he is also well known as a poet. His collections explore the tensions that arise between being and becoming in diasporic imaginaries. The Million-Petalled Flower of Being Here published by Bloodaxe in 2019 was the winner of the Northern Writers Award, awarded Poetry Book Society Recommendation and was shortlisted for the Forward Prize. An earlier collection, Gru-Tu-Molani published in 2014 was shortlisted for the Forward Prize for Best First Collection, the Seamus Heaney Centre Poetry Prizeand the 2015 Michael Murphy Memorial Prize. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Asian/Other: Life, Poems, and the Problem of Memoir was published in January 2025 by Icon Books. The book considers the political and psychological dimensions of diasporic identity as Ravinthiran leaps imaginatively between memoir and criticism—understanding his life through poetry, and vice versa. Ranging from Andrew Marvell to Divya Victor, Ravinthiran writes both about and through poems, discussing Sri Lanka, experiences of racism and resilience, and pandemic parenting to name a few. Vidyan Ravinthiran is the Gardner Cowles Associate Professor of the Humanities at Harvard University and teaches in the Department of English there. Born in Leeds to Sri Lankan Tamils, Ravinthiran completed his education at the Universities of Oxford and Cambridge, before moving to the US five years ago. His publications include Elizabeth Bishop's Prosaic (2015), Worlds Woven Together: Essays on Poetry and Poetics (2022) and Spontaneity and Form in Modern Prose (2022). Aside from his literary criticism, which has been published in numerous journals, he is also well known as a poet. His collections explore the tensions that arise between being and becoming in diasporic imaginaries. The Million-Petalled Flower of Being Here published by Bloodaxe in 2019 was the winner of the Northern Writers Award, awarded Poetry Book Society Recommendation and was shortlisted for the Forward Prize. An earlier collection, Gru-Tu-Molani published in 2014 was shortlisted for the Forward Prize for Best First Collection, the Seamus Heaney Centre Poetry Prizeand the 2015 Michael Murphy Memorial Prize. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Asian/Other: Life, Poems, and the Problem of Memoir was published in January 2025 by Icon Books. The book considers the political and psychological dimensions of diasporic identity as Ravinthiran leaps imaginatively between memoir and criticism—understanding his life through poetry, and vice versa. Ranging from Andrew Marvell to Divya Victor, Ravinthiran writes both about and through poems, discussing Sri Lanka, experiences of racism and resilience, and pandemic parenting to name a few. Vidyan Ravinthiran is the Gardner Cowles Associate Professor of the Humanities at Harvard University and teaches in the Department of English there. Born in Leeds to Sri Lankan Tamils, Ravinthiran completed his education at the Universities of Oxford and Cambridge, before moving to the US five years ago. His publications include Elizabeth Bishop's Prosaic (2015), Worlds Woven Together: Essays on Poetry and Poetics (2022) and Spontaneity and Form in Modern Prose (2022). Aside from his literary criticism, which has been published in numerous journals, he is also well known as a poet. His collections explore the tensions that arise between being and becoming in diasporic imaginaries. The Million-Petalled Flower of Being Here published by Bloodaxe in 2019 was the winner of the Northern Writers Award, awarded Poetry Book Society Recommendation and was shortlisted for the Forward Prize. An earlier collection, Gru-Tu-Molani published in 2014 was shortlisted for the Forward Prize for Best First Collection, the Seamus Heaney Centre Poetry Prizeand the 2015 Michael Murphy Memorial Prize. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Today's episode features a thought-provoking conversation with Dr. Charles Athanasopoulos, Assistant Professor of African American and African Studies & English at The Ohio State University, about his groundbreaking new book, Black Iconoclasm: Public Symbols, Racial Progress, and Post/Ferguson America. On the show, Alex and Calvin talk with Charles about the intricate relationship he charts between Black freedom struggles, the power of icons (and their destruction), and the complex liminalities of social change in contemporary America. We explore Charles's fresh analysis using his concept of "Black iconoclasm" as a guide - a process of Black radical discernment, which beckons us to constantly questioning established norms and the received wisdom of black liberation and social change more broadly.Our discussion touches upon the personal backdrop that informed Athanasopoulos's work, particularly his religious upbringing, the emergence and mainstreaming of the Black Lives Matter movement during his time as an undergraduate, and some of his observations of the 2020 BLM protests as a graduate student in Pittsburgh. We unpack key concepts from Black Iconoclasm, such as the "twilight of the icons," where the lines between image-making and image-breaking blur. We also explore his insightful application of the work of Frantz Fanon in communication studies, exploring the idea of "Fanonian slips" as accidental rhetorical slippages that reveal deeper investments in racial iconography, using examples like comments from political figures like Joe Biden and Hillary Clinton, as well as Charles's own experiences. We also examine the visual rhetoric of a BLM mural in Pittsburgh through the lens of Édouard Glissant's "poetics of visual relation," considering the transformations and defacements the mural underwent, and its broader symbolic underpinnings. We conclude by hearing the inspiration behind Charles's creative story of “Black Icarus” that interweaves his chapters, reflecting upon his choice to include an innovative mythopoetic narrative as part of his scholarly work.Charles Athanasopolous's Black Iconoclasm: Public Symbols, Racial Progress, and Post/Ferguson America is available now as a free E-Book from Palgrave Macmillan (via SpringerLink)Works and Concepts Cited in this EpisodeBurke, Kenneth. 1970. The rhetoric of religion. City: University of California Press.Fanon, Frantz. 2018. Alienation and freedom. Ed. Jean Khalfa and Robert J.C. Young. Trans. Steven Corcoran. London: Bloomsbury Academic.Fanon, Frantz. 2008. Black skin, white masks. Trans. Richard Philcox. New York: Grove Press.Fanon, Frantz. 1967. The wretched of the Earth. Trans. Constance Farrington. London and New York: Penguin Books.Glissant, Édouard. 1997. Poetics of relation. Lansing: Michigan State University Press.Hartman, S. V. (1997). Scenes of subjection : terror, slavery, and self-making in nineteenth-century America. Oxford University Press.Hartman, S. (2008). Venus in two acts. Small Axe: A Caribbean Journal of Criticism, 12(2), 1-14.Maraj, Louis M. 2020. Black or right: Anti/racist campus rhetorics. Logan: Utah State Press.Matheson, C. L. (2019). The instance of the letter in the unconscious, or reason since Freud. In Reading Lacan's Écrits: From ‘The Freudian Thing'to'Remarks on Daniel Lagache' (pp. 131-162). Routledge.Nietzsche, Friedrich. 1997. Twilight of the idols. Trans. Richard Polt. Indianapolis/Cambridge: Hackett Publishing Company, Inc.Spillers, H. J. (2003). Black, white, and in color: Essays on American literature and culture. University of Chicago Press..An accessible transcript of this episode can be found here (via Descript)

This is an audio version of an essay on my substack, Process This. In it, I explore the tension between contemplation and fascination in the digital age, particularly regarding smartphone use. Inspired by my son's school essay on phone-free schools, I took up a Lenten social media fast. Learning how deeply our digital habits have affected our capacity for genuine connection has been revelatory. Inspired by recent conversations with philosophers Kevin Hart and Norman Wirzba, I develop a distinction between contemplation and fascination. Through their attention-fragmenting design, smartphones ultimately create hollow connections that diminish our ability to be present with others and ourselves. Rather than advocating for complete technological rejection, I think about intentionally cultivating contemplative practices as a counterbalance to digital habituation, suggesting that creating space for more profound attention may be essential to human freedom in our increasingly digitized world. I hope you enjoy it and consider supporting my work by joining 80k+ other people on Process This. If you want to read or watch the essay, you will find it here on SubStack. Related Resources Norman Wirzba Love's Braided Dance: Hope in a Time of Crisis (Book) This Sacred Life: Humanity's Place in a Wounded World (Book) “Attention and Responsibility: The Work of Prayer” in The Phenomenology of Prayer (Article) Farm to Table Theology (HBC Podcast) The Way of Love (HBC Podcast) Kevin Hart Contemplation: The Movements of the Soul (Book) Lands of Likeness: For a Poetics of Contemplation (Book) Hartmut Rosa Being at Home in the World (Podcast) Resonance In An Accelerated Age (Podcast) Related books by Rosa:The Uncontrollability of the World , Resonance: A Sociology of Our Relationship to the World, and his newest book, Democracy Needs Religion. Theology Beer Camp | St. Paul, MN | October 16-18, 2025 3 Days of Craft Nerdiness with 50+ Theologians & God-Pods and 600 new friends. A Five-Week Online Lenten Class w/ John Dominic Crossan Join us for a transformative 5-week Lenten journey on "Paul the Pharisee: Faith and Politics in a Divided World."This course examines the Apostle Paul as a Pharisee deeply engaged with the turbulent political and religious landscape of his time. For details and to sign-up for any donation, including 0, head over here. _____________________ Hang with 40+ Scholars & Podcasts and 600 people at Theology Beer Camp 2025 (Oct. 16-18) in St. Paul, MN. This podcast is a Homebrewed Christianity production. Follow the Homebrewed Christianity, Theology Nerd Throwdown, & The Rise of Bonhoeffer podcasts for more theological goodness for your earbuds. Join over 80,000 other people by joining our Substack - Process This! Get instant access to over 45 classes at www.TheologyClass.com Follow the podcast, drop a review, send feedback/questions or become a member of the HBC Community. Learn more about your ad choices. Visit megaphone.fm/adchoices

Héctor Álvarez | Theater Studies, Emory University "Dilating Time: Tempo as Contemplative Tool in Ota Shogo's Poetics of Deceleration" This talk explores Ota Shogo's groundbreaking wordless play "The Water Station" as a paradigm of temporal expansion in contemporary theater, examining how extreme deceleration creates unique spaces for audience reflection and embodied awareness. Together we'll investigate how slowed theatrical time functions not merely as stylistic choice but as philosophical intervention—challenging our accelerated cultural rhythms and opening possibilities for deeper environmental and existential awareness. ------------------------------------------------------------------------------------------------------ Héctor Álvarez is an interdisciplinary artist and scholar working in performance, theater, film, and contemporary opera, who has recently joined the faculty at Emory in Theater Studies. This event marks the first in a planned series of dialogues between the Center for Mind, Brain, and Culture and the Keio University Centre for Contemplative Studies in Tokyo, Japan, an interdisciplinary group of contemplative scholars, cognitive scientists and artists.    If you would like to become an AFFILIATE of the Center, please let us know.Subscribe to our YouTube channel to get updates on our latest videos.Follow along with us on Instagram | Facebook NOTE: The views and opinions expressed by the speaker do not necessarily reflect those held by the Center for Mind, Brain, and Culture or Emory University.

After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility. Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. GOD BLESS YOU, OTIS SPUNKMEYER is a powerful examination of every day black life—of health and sex, race and punishment, and the gaps between our desires and our politics Joseph Earl Thomas is the author of Sink, a memoir, longlisted for the PEN/Jean Stein Book Award, and shortlisted for the Patrick Saroyan International Writing Prize; the novel God Bless You, Otis Spunkmeyer, longlisted for the Carnegie Medal for Literary Excellence, winner of the Center for Fiction First Novel Prize; and the forthcoming story collection Leviathan Beach. His prose and poetry has been published or is forthcoming in The Kenyon Review, The Paris Review, Harper's, Virginia Quarterly Review, Vanity Fair, The Yale Review, The Massachusetts Review, and Dilettante Army. A graduate of the University of Notre Dame's MFA program in prose, he earned his PhD in English from The University of Pennsylvania. He is a member of the writing faculty at Sarah Lawrence College, and teaches courses in Black Studies, Poetics, Video Games, Queer Theory and more at The Brooklyn Institute for Social Research. Recommended Books: Nell Irving Painter, Old in Art School Yoko Towada, Scattered All Over the Earth Alison Mills Newman, Francisco  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility. Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. GOD BLESS YOU, OTIS SPUNKMEYER is a powerful examination of every day black life—of health and sex, race and punishment, and the gaps between our desires and our politics Joseph Earl Thomas is the author of Sink, a memoir, longlisted for the PEN/Jean Stein Book Award, and shortlisted for the Patrick Saroyan International Writing Prize; the novel God Bless You, Otis Spunkmeyer, longlisted for the Carnegie Medal for Literary Excellence, winner of the Center for Fiction First Novel Prize; and the forthcoming story collection Leviathan Beach. His prose and poetry has been published or is forthcoming in The Kenyon Review, The Paris Review, Harper's, Virginia Quarterly Review, Vanity Fair, The Yale Review, The Massachusetts Review, and Dilettante Army. A graduate of the University of Notre Dame's MFA program in prose, he earned his PhD in English from The University of Pennsylvania. He is a member of the writing faculty at Sarah Lawrence College, and teaches courses in Black Studies, Poetics, Video Games, Queer Theory and more at The Brooklyn Institute for Social Research. Recommended Books: Nell Irving Painter, Old in Art School Yoko Towada, Scattered All Over the Earth Alison Mills Newman, Francisco  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility. Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. GOD BLESS YOU, OTIS SPUNKMEYER is a powerful examination of every day black life—of health and sex, race and punishment, and the gaps between our desires and our politics Joseph Earl Thomas is the author of Sink, a memoir, longlisted for the PEN/Jean Stein Book Award, and shortlisted for the Patrick Saroyan International Writing Prize; the novel God Bless You, Otis Spunkmeyer, longlisted for the Carnegie Medal for Literary Excellence, winner of the Center for Fiction First Novel Prize; and the forthcoming story collection Leviathan Beach. His prose and poetry has been published or is forthcoming in The Kenyon Review, The Paris Review, Harper's, Virginia Quarterly Review, Vanity Fair, The Yale Review, The Massachusetts Review, and Dilettante Army. A graduate of the University of Notre Dame's MFA program in prose, he earned his PhD in English from The University of Pennsylvania. He is a member of the writing faculty at Sarah Lawrence College, and teaches courses in Black Studies, Poetics, Video Games, Queer Theory and more at The Brooklyn Institute for Social Research. Recommended Books: Nell Irving Painter, Old in Art School Yoko Towada, Scattered All Over the Earth Alison Mills Newman, Francisco  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Send your questions or provocations to Adam or Budi here!In the fist book club episode of the year, Adam and Budi discuss The Poetics written by Aristotle, with commentary from David Bruin. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: (Intro) Jack Burmeister, (Outro) https://www.purple-planet.comAdditional compositions by @jack_burmeister

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

What is poetry and could it be magic? In this episode, we explore how poetry can affect and move through us, what "good" art even is, and how to get started creating when the blank page is a void staring back. On Pateron, Callie shares her six-point process of creation and some practical tips for creating writing and tapping into the flow-- or maybe you might call it the muse. Whether you identify as a creative or not, this episode is about empowering you to honor the self beneath the structure.CONNECT WITH THE PODCAST & BEYOND: Stay tuned by following us on Instagram (@pocketcovenpodcast)For extended cuts of every single episode, or just to show your support, join us on Patreon at www.patreon.com/thepocketcovenPodcast artwork by host Callie Little (@goshcallie), www.callielittle.com.Audio engineering by host Amber Huntsman (@bogfetish), www.feralfeelings.net.As always, please remember that this podcast is for entertainment purposes only. While we might be professionals in some respects, we are but simple mortal podcasters and should not be confused for your own therapist or doctor. Please seek professional assistance if you are struggling. For accessible therapy PLUS a discount, check out BetterHelp and use code POCKETCOVEN for 10% off your first month of therapy. We love you!

On this episode, we have a reading from Alisha Dietzman (https://www.alishadietzman.com/work/circuit-y2lht), a discussion of some highlights from the January/February 2025 issue (https://the-american-poetry-review.myshopify.com/collections/issues/products/vol-54-no-1-jan-feb-2025), including Nomi Stone and Luke Hankins essay from their forthcoming anthology Breaking Into Blossom: Poems with Extraordinary Endings and a poem by Samuel Amadon. Plus: what role does poetry play now? And reading recommendations.

In this episode on the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with Tao Leigh Goffe about her new, magisterial Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis. Spanning many fields and disciplines in the natural sciences, social sciences, the humanities, and the arts, Professor Goffe weaves together a historically rich and geographically complex picture of how capitalism and racism undergird the climate crisis in ways made invisible or benign via the work of the west's “dark laboratory.” Writing back through accounts of indigenous bird watching and Black provisional grounds, we talk about things as seemingly different as the massive guano industry built on Chinese and Indian labor in the 19th century to Malcolm X's boyhood vegetable garden in Michigan. We talk in particular about one of the key passages of Dark Laboratory, where Tao writes:“Still, we manage to create a poetics out of that which wishes to destroy us and the planet. How else will we be able to live in ‘the after'? We must reassess what a problem is. Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.”Tao Leigh Goffe is a writer, theorist, and interdisciplinary artist who grew up between the UK and New York City. For the past fifteen years she has specialized in colonial histories of race, geology, climate, and media technologies. Dr. Goffe lives and works in Manhattan where she is an Associate Professor at CUNY in Black Studies. She teaches classes on literary theory and cultural history. Dr. Goffe's book on how the climate crisis is a racial crisis is called DARK LABORATORY (Doubleday and Hamish Hamilton (Penguin UK, 2025). Her second book BLACK CAPITAL, CHINESE DEBT, under contract with Duke University Press, presents a long history of racialization, modern finance, and indebtedness. It brings together subjects of the Atlantic and Pacific markets from 1806 to the present under European colonialism. Dr. Goffe is a fellow at the Harvard University Kennedy School in racial justice. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before earning her PhD at Yale University. Dr. Goffe's research and curatorial work is rooted in literatures and theories of labor that center Black feminist engagements with Indigeneity and Asian diasporic racial formations. Committed to building intellectual communities beyond institutions, she is the founder of the Dark Laboratory, an engine for the study of race, technology, and ecology through digital storytelling. Dr. Goffe is also the Executive Director of the Afro-Asia Group, an organization that centers the intersections of African and Asian diasporas, futurity, and radical coalition towards sovereignty. www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with Tao Leigh Goffe about her new, magisterial Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis. Spanning many fields and disciplines in the natural sciences, social sciences, the humanities, and the arts, Professor Goffe weaves together a historically rich and geographically complex picture of how capitalism and racism undergird the climate crisis in ways made invisible or benign via the work of the west's “dark laboratory.” Writing back through accounts of indigenous bird watching and Black provisional grounds, we talk about things as seemingly different as the massive guano industry built on Chinese and Indian labor in the 19th century to Malcolm X's boyhood vegetable garden in Michigan. We talk in particular about one of the key passages of Dark Laboratory, where Tao writes:“Still, we manage to create a poetics out of that which wishes to destroy us and the planet. How else will we be able to live in ‘the after'? We must reassess what a problem is. Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.”Tao Leigh Goffe is a writer, theorist, and interdisciplinary artist who grew up between the UK and New York City. For the past fifteen years she has specialized in colonial histories of race, geology, climate, and media technologies. Dr. Goffe lives and works in Manhattan where she is an Associate Professor at CUNY in Black Studies. She teaches classes on literary theory and cultural history. Dr. Goffe's book on how the climate crisis is a racial crisis is called DARK LABORATORY (Doubleday and Hamish Hamilton (Penguin UK, 2025). Her second book BLACK CAPITAL, CHINESE DEBT, under contract with Duke University Press, presents a long history of racialization, modern finance, and indebtedness. It brings together subjects of the Atlantic and Pacific markets from 1806 to the present under European colonialism. Dr. Goffe is a fellow at the Harvard University Kennedy School in racial justice. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before earning her PhD at Yale University. Dr. Goffe's research and curatorial work is rooted in literatures and theories of labor that center Black feminist engagements with Indigeneity and Asian diasporic racial formations. Committed to building intellectual communities beyond institutions, she is the founder of the Dark Laboratory, an engine for the study of race, technology, and ecology through digital storytelling. Dr. Goffe is also the Executive Director of the Afro-Asia Group, an organization that centers the intersections of African and Asian diasporas, futurity, and radical coalition towards sovereignty. www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with Tao Leigh Goffe about her new, magisterial Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis. Spanning many fields and disciplines in the natural sciences, social sciences, the humanities, and the arts, Professor Goffe weaves together a historically rich and geographically complex picture of how capitalism and racism undergird the climate crisis in ways made invisible or benign via the work of the west's “dark laboratory.” Writing back through accounts of indigenous bird watching and Black provisional grounds, we talk about things as seemingly different as the massive guano industry built on Chinese and Indian labor in the 19th century to Malcolm X's boyhood vegetable garden in Michigan. We talk in particular about one of the key passages of Dark Laboratory, where Tao writes:“Still, we manage to create a poetics out of that which wishes to destroy us and the planet. How else will we be able to live in ‘the after'? We must reassess what a problem is. Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.”Tao Leigh Goffe is a writer, theorist, and interdisciplinary artist who grew up between the UK and New York City. For the past fifteen years she has specialized in colonial histories of race, geology, climate, and media technologies. Dr. Goffe lives and works in Manhattan where she is an Associate Professor at CUNY in Black Studies. She teaches classes on literary theory and cultural history. Dr. Goffe's book on how the climate crisis is a racial crisis is called DARK LABORATORY (Doubleday and Hamish Hamilton (Penguin UK, 2025). Her second book BLACK CAPITAL, CHINESE DEBT, under contract with Duke University Press, presents a long history of racialization, modern finance, and indebtedness. It brings together subjects of the Atlantic and Pacific markets from 1806 to the present under European colonialism. Dr. Goffe is a fellow at the Harvard University Kennedy School in racial justice. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before earning her PhD at Yale University. Dr. Goffe's research and curatorial work is rooted in literatures and theories of labor that center Black feminist engagements with Indigeneity and Asian diasporic racial formations. Committed to building intellectual communities beyond institutions, she is the founder of the Dark Laboratory, an engine for the study of race, technology, and ecology through digital storytelling. Dr. Goffe is also the Executive Director of the Afro-Asia Group, an organization that centers the intersections of African and Asian diasporas, futurity, and radical coalition towards sovereignty. www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with Tao Leigh Goffe about her new, magisterial Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis. Spanning many fields and disciplines in the natural sciences, social sciences, the humanities, and the arts, Professor Goffe weaves together a historically rich and geographically complex picture of how capitalism and racism undergird the climate crisis in ways made invisible or benign via the work of the west's “dark laboratory.” Writing back through accounts of indigenous bird watching and Black provisional grounds, we talk about things as seemingly different as the massive guano industry built on Chinese and Indian labor in the 19th century to Malcolm X's boyhood vegetable garden in Michigan. We talk in particular about one of the key passages of Dark Laboratory, where Tao writes:“Still, we manage to create a poetics out of that which wishes to destroy us and the planet. How else will we be able to live in ‘the after'? We must reassess what a problem is. Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.”Tao Leigh Goffe is a writer, theorist, and interdisciplinary artist who grew up between the UK and New York City. For the past fifteen years she has specialized in colonial histories of race, geology, climate, and media technologies. Dr. Goffe lives and works in Manhattan where she is an Associate Professor at CUNY in Black Studies. She teaches classes on literary theory and cultural history. Dr. Goffe's book on how the climate crisis is a racial crisis is called DARK LABORATORY (Doubleday and Hamish Hamilton (Penguin UK, 2025). Her second book BLACK CAPITAL, CHINESE DEBT, under contract with Duke University Press, presents a long history of racialization, modern finance, and indebtedness. It brings together subjects of the Atlantic and Pacific markets from 1806 to the present under European colonialism. Dr. Goffe is a fellow at the Harvard University Kennedy School in racial justice. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before earning her PhD at Yale University. Dr. Goffe's research and curatorial work is rooted in literatures and theories of labor that center Black feminist engagements with Indigeneity and Asian diasporic racial formations. Committed to building intellectual communities beyond institutions, she is the founder of the Dark Laboratory, an engine for the study of race, technology, and ecology through digital storytelling. Dr. Goffe is also the Executive Director of the Afro-Asia Group, an organization that centers the intersections of African and Asian diasporas, futurity, and radical coalition towards sovereignty. www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with Tao Leigh Goffe about her new, magisterial Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis. Spanning many fields and disciplines in the natural sciences, social sciences, the humanities, and the arts, Professor Goffe weaves together a historically rich and geographically complex picture of how capitalism and racism undergird the climate crisis in ways made invisible or benign via the work of the west's “dark laboratory.” Writing back through accounts of indigenous bird watching and Black provisional grounds, we talk about things as seemingly different as the massive guano industry built on Chinese and Indian labor in the 19th century to Malcolm X's boyhood vegetable garden in Michigan. We talk in particular about one of the key passages of Dark Laboratory, where Tao writes:“Still, we manage to create a poetics out of that which wishes to destroy us and the planet. How else will we be able to live in ‘the after'? We must reassess what a problem is. Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.”Tao Leigh Goffe is a writer, theorist, and interdisciplinary artist who grew up between the UK and New York City. For the past fifteen years she has specialized in colonial histories of race, geology, climate, and media technologies. Dr. Goffe lives and works in Manhattan where she is an Associate Professor at CUNY in Black Studies. She teaches classes on literary theory and cultural history. Dr. Goffe's book on how the climate crisis is a racial crisis is called DARK LABORATORY (Doubleday and Hamish Hamilton (Penguin UK, 2025). Her second book BLACK CAPITAL, CHINESE DEBT, under contract with Duke University Press, presents a long history of racialization, modern finance, and indebtedness. It brings together subjects of the Atlantic and Pacific markets from 1806 to the present under European colonialism. Dr. Goffe is a fellow at the Harvard University Kennedy School in racial justice. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before earning her PhD at Yale University. Dr. Goffe's research and curatorial work is rooted in literatures and theories of labor that center Black feminist engagements with Indigeneity and Asian diasporic racial formations. Committed to building intellectual communities beyond institutions, she is the founder of the Dark Laboratory, an engine for the study of race, technology, and ecology through digital storytelling. Dr. Goffe is also the Executive Director of the Afro-Asia Group, an organization that centers the intersections of African and Asian diasporas, futurity, and radical coalition towards sovereignty. www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with Tao Leigh Goffe about her new, magisterial Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis. Spanning many fields and disciplines in the natural sciences, social sciences, the humanities, and the arts, Professor Goffe weaves together a historically rich and geographically complex picture of how capitalism and racism undergird the climate crisis in ways made invisible or benign via the work of the west's “dark laboratory.” Writing back through accounts of indigenous bird watching and Black provisional grounds, we talk about things as seemingly different as the massive guano industry built on Chinese and Indian labor in the 19th century to Malcolm X's boyhood vegetable garden in Michigan. We talk in particular about one of the key passages of Dark Laboratory, where Tao writes:“Still, we manage to create a poetics out of that which wishes to destroy us and the planet. How else will we be able to live in ‘the after'? We must reassess what a problem is. Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.”Tao Leigh Goffe is a writer, theorist, and interdisciplinary artist who grew up between the UK and New York City. For the past fifteen years she has specialized in colonial histories of race, geology, climate, and media technologies. Dr. Goffe lives and works in Manhattan where she is an Associate Professor at CUNY in Black Studies. She teaches classes on literary theory and cultural history. Dr. Goffe's book on how the climate crisis is a racial crisis is called DARK LABORATORY (Doubleday and Hamish Hamilton (Penguin UK, 2025). Her second book BLACK CAPITAL, CHINESE DEBT, under contract with Duke University Press, presents a long history of racialization, modern finance, and indebtedness. It brings together subjects of the Atlantic and Pacific markets from 1806 to the present under European colonialism. Dr. Goffe is a fellow at the Harvard University Kennedy School in racial justice. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before earning her PhD at Yale University. Dr. Goffe's research and curatorial work is rooted in literatures and theories of labor that center Black feminist engagements with Indigeneity and Asian diasporic racial formations. Committed to building intellectual communities beyond institutions, she is the founder of the Dark Laboratory, an engine for the study of race, technology, and ecology through digital storytelling. Dr. Goffe is also the Executive Director of the Afro-Asia Group, an organization that centers the intersections of African and Asian diasporas, futurity, and radical coalition towards sovereignty. www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

Today I talk with Tao Leigh Goffe about her new, magisterial Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis.  Spanning many fields and disciplines in the natural sciences, social sciences, the humanities and the arts, Professor Goffe weaves together an historically rich and geographically complex picture of how capitalism and racism undergird the climate crisis in ways made invisible or benign via the work of the west's “dark laboratory.”  Writing back through accounts of indigenous bird watching and Black provisional grounds, we talk about things as seemingly different as the massive guano industry built on Chinese and Indian labor in the 19th century to Malcolm-X's boyhood vegetable garden in Michigan.  We talk in particular about one of the key passages of Dark Laboratory, where Tao writes:“Still, we manage to create a poetics out of that which wishes to destroy us and the planet.  How else will we be able to live in ‘the after'? We must reassess what a problem is.  Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.”Tao Leigh Goffe is a writer, theorist, and interdisciplinary artist who grew up between the UK and New York City. For the past fifteen years she has specialized in colonial histories of race, geology, climate, and media technologies. Dr. Goffe lives and works in Manhattan where she is an Associate Professor at CUNY in Black Studies. She teaches classes on literary theory and cultural history. Dr. Goffe's book on how the climate crisis is a racial crisis is called DARK LABORATORY (Doubleday and Hamish Hamilton (Penguin UK, 2025)). Her second book BLACK CAPITAL, CHINESE DEBT, under contract with Duke University Press, presents a long history of racialization, modern finance, and indebtedness. It brings together subjects of the Atlantic and Pacific markets from 1806 to the present under European colonialism. Dr. Goffe is a fellow at the Harvard University Kennedy School in racial justice. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before earning her PhD at Yale University. Dr. Goffe's research and curatorial work is rooted in literatures and theories of labor that center Black feminist engagements with Indigeneity and Asian diasporic racial formations. Committed to building intellectual communities beyond institutions, she is the founder of the Dark Laboratory, an engine for the study of race, technology, and ecology through digital storytelling. Dr. Goffe is also the Executive Director of the Afro-Asia Group, an organization that centers the intersections of African and Asian diasporas, futurity, and radical coalition towards sovereignty.   

This lecture discusses the ancient Greek philosopher Aristotle' work, the Poetics, focusing on his discussion near the end of the work focused upon the question whether tragedy or epic is superior as a poetic genre. Aristotle argues that tragedy is the superior genre. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Aristotle's Poetics - amzn.to/3UcswRY

This lecture discusses the ancient Greek philosopher Aristotle' work, the Poetics, focusing on his views on what by his time had come to be called "problems" (problemata) mainly of criticism and their "solutions" (luseis) when it comes to poetry, particularly epic poetry. Aristotle's view is that many of these can be addressed by looking carefully at the language and the meanings in passages or compositions that are being criticized. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Aristotle's Poetics - amzn.to/3UcswRY

Candle-extinguishing butts, 3am afterparties, collections of seamen (and semen)--this dishy tour of Langston Hughes's love life will leave you gagging with the gays.Please Support Breaking Form!Review the show on Apple Podcasts here.Pretty Please.....Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:Watch Hughes recite his poem, "The Weary Blues" to jazz accompaniment on tv in 1958.You can check out troves of Hughes's poetry here, here, and here. Read Langston Hughes's poem "Café: 3AM"Listen to Hughes read "Harlem." Langston Hughes's first memoir, The Big Sea, about his seafaring travels--including upon the West Hesseltine where he said he had that fateful encounter with a sailor--can be found here.  It includes  the essay "Spectacles in Color" in which Hughes describes queer ballroom scene and Countee Cullen's wedding  to Yolanda Du Bois (with Harold Jackson, his boyfriend, serving as best man).Faith Berry's biography of Hughes is Before and Beyond Harlem. Her papers are at the Library of Congress.Read more about Arnold Ampersad's biography of Hughes:Volume 1 (which covers 1902-1940 and does have a snazzy subtitle: I, Too, Sing America).Volume 2 (which covers 1941-death and also has a snazzy subtitle: I Dream a World).Other receipts for the episode can be found in the following essays and scholarship:Hilton Als, "The Elusive Langston Hughes" (The New Yorker, 2015)Juda Bennett, "Multiple Passings and the Double Death of Langston Hughes" (Biography, vol 23.4, 2000).Link through Project Muse.Andrew Donnelly, "Langston Hughes on the DL" (College Literature, Volume 44, Number 1, Winter 2017). Link through Project Muse.Mason Stokes, "Strange Fruits: Rethinking the Gay Twenties" (Transition , 2002, No. 92). Link through JSTOR.Shane Vogel, "Closing Time: Langston Hughes and the Poetics of Harlem Nightlife," in Criticism (Vol 48.3, 2006). Link through Project Muse.Jennifer Wilson, "Queer Harlem, Queer Tashkent" (Slavic Review , FALL 2017). Link through JSTOR.Finally, visit Ann Patchett's bookstore online here: https://www.parnassusbooks.net/