Podcasts about translations

The team arrives at a particular inn... And steps inside. Check out the PDF for ⁠⁠Wick Whittaker's Wares⁠⁠! Story by Travis Vengroff & K.A. Statz (Game Masters) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Travis Vengroff & Florian Seidler Cast: Narrator / Co-Game Master – Travis Vengroff Narrator / Co-Game Master – K.A. Statz Balmur - Jeff Goldblum Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike / Glóey Westpike – Hem Brewster Soren Arkwright – Peter Joeseph Lewis Ildrex Mystan – Russ D. More Devoir – Melchior Riemens Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Lá "Empty Hearts" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "Theme of the Realmweaver" - Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Lyrics & Translations by Travis Vengroff, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring "Chain Dance" – Written and Performed by Andrey Vinogradov "Devil's Gamble" - Written and Performed by Steven Melin, Lyrics and arrangement by Travis Vengroff with Cello by Sam Boase-Miller, Hurdy Gurdy, Lutes, and Dulcimer by Enzo Puzzovio, and Choir by the Budapest Scoring ChoirWritten and Performed by Steven Melin, feat. Hammered Dulcimer Enzo Puzzovio and Cello by Sam Boase-Miller "Blood Red Ice" Written and performed by Enzo Puzzovio, rearranged and performed by Ryan McQuinn, with Budapest Strings & Choir by Musiversal Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Death, Eating Sounds, Gaslighting, Torture (References to) Learn more about your ad choices. Visit megaphone.fm/adchoices

#top .av-special-heading.av-gs9o3p-cede098beb8960b4523eca4cae995c9a{ padding-bottom:10px; } body .av-special-heading.av-gs9o3p-cede098beb8960b4523eca4cae995c9a .av-special-heading-tag .heading-char{ font-size:25px; } .av-special-heading.av-gs9o3p-cede098beb8960b4523eca4cae995c9a .av-subheading{ font-size:15px; } Through My Bible Yr 03 – February 28Genesis 4 – 5 LISTEN HERE Through My Bible – February 28 Genesis 4 – 5 (EHV) https://wels2.blob.core.windows.net/tmb-ehv/03-0228db.mp3 See series: Through My Bible The First Children: Cain and Abel Genesis 4 1 The man was intimate with Eve, his wife. She conceived and gave birth to Cain. She said, “I have gotten a man with the Lord.” [1] 2 She also gave birth to Cain's brother Abel. Abel tended sheep, but Cain worked the ground. 3 As time passed, one day Cain brought an offering to the Lord from the fruit of the soil. 4 Abel also brought some of the firstborn of his flock and their fat portions. The Lord looked favorably on Abel and his offering, 5 but he did not look favorably on Cain and his offering. Cain was very angry, and his face showed it. 6 The Lord said to Cain, “Why are you angry? Why do you have that angry look on your face? [2] 7 If you do good, will you not be lifted up? If you do not do good, sin is crouching at the door. It has a strong desire for you, but you must rule over it.” 8 Cain said to Abel, his brother, “Let's go into the field.” [3] When they were in the field, Cain attacked Abel, his brother, and killed him. 9 The Lord said to Cain, “Where is Abel, your brother?” He said, “I don't know. Am I my brother's keeper?” 10 The Lord said, “What have you done? The voice of your brother's blood is crying to me from the soil. 11 Now you are cursed and sent away from the soil [4] which has opened its mouth to receive your brother's blood from your hand. 12 When you work the soil, it will no longer give its strength to you. You shall be a fugitive and a wanderer on the earth.” 13 Cain said to the Lord, “My punishment is too great for me to bear. 14 Look, today you have driven me away from the soil. I will be hidden from your face, and I will be a fugitive and a wanderer on the earth. And whoever finds me will kill me.” 15 The Lord said to him, “No! [5] If anyone kills Cain, he will face sevenfold revenge.” And the Lord appointed a sign for [6] Cain, so that anyone who found him would not strike him down. The Descendants of Cain 16 Cain went out from the Lord's presence and lived in the land of Nod, [7] east of Eden. 17 Cain was intimate with his wife. She conceived and gave birth to Enoch. Cain built a city and named the city after his son Enoch. 18 To Enoch, Irad was born. Irad became the father of Mehujael. Mehujael became the father of Methushael. Methushael became the father of Lamech. 19 Lamech took two wives. The name of one was Adah, and the name of the other was Zillah. 20 Adah gave birth to Jabal, who was the predecessor [8] of those who dwell in tents and have livestock. 21 His brother's name was Jubal, who was the predecessor of all who play the lyre and flute. 22 Zillah also gave birth to Tubal Cain, who made all kinds of tools and weapons from bronze and iron. Tubal Cain's sister was Na'amah. 23 Lamech said to his wives: Adah and Zillah, hear my voice. You wives of Lamech, listen to my speech. Look, I have killed a man for wounding me, a young man for bruising me. 24 If Cain will be avenged seven times, then Lamech will be avenged seventy-seven times. The Family Line of Seth 25 Adam was intimate with his wife again. She gave birth to a son and named him Seth, [9] because she said, “God has set another child in place of Abel for me, since Cain killed him.” 26 Later a son was born to Seth, and he named him Enosh. This is when people began to proclaim [10] the name of the Lord. Genesis 5 1 This is the account about the development of Adam's family: In the day that God created man, he made him in the likeness of God. 2 He created them male and female and blessed them, and on the day they were created, he named them “mankind.” [11] 3 Adam lived 130 years, and he became the father of a son in his own likeness, according to his own image, and he named him Seth. 4 The days of Adam after he became the father of Seth were 800 years, and he became the father of sons and daughters. 5 All the days that Adam lived were 930 years. Then he died. 6 Seth lived 105 years, and he became the father of Enosh. 7 Seth lived 807 years after he became the father of Enosh, and he became the father of sons and daughters. 8 All the days of Seth were 912 years. Then he died. 9 Enosh lived 90 years, and he became the father of Kenan. 10 Enosh lived 815 years after he became the father of Kenan, and he became the father of sons and daughters. 11 All the days of Enosh were 905 years. Then he died. 12 Kenan lived 70 years, and he became the father of Mahalalel. 13 Kenan lived 840 years after he became the father of Mahalalel, and he became the father of sons and daughters. 14 All the days of Kenan were 910 years. Then he died. 15 Mahalalel lived 65 years, and he became the father of Jared. 16 Mahalalel lived 830 years after he became the father of Jared, and he became the father of sons and daughters. 17 All the days of Mahalalel were 895 years. Then he died. 18 Jared lived 162 years, and he became the father of Enoch. 19 Jared lived 800 years after he became the father of Enoch, and he became the father of sons and daughters. 20 All the days of Jared were 962 years. Then he died. 21 Enoch lived 65 years, and he became the father of Methuselah. 22 After he became the father of Methuselah, Enoch walked with God 300 years, and he became the father of sons and daughters. 23 All the days of Enoch were 365 years. 24 Enoch walked with God. Then, he was not there, for God took him. 25 Methuselah lived 187 years, and he became the father of Lamech. 26 After he became the father of Lamech, Methuselah lived 782 years, and he became the father of sons and daughters. 27 All the days of Methuselah were 969 years. Then he died. 28 Lamech lived 182 years and became the father of a son. 29 He named him Noah [12] and said, “This one will bring us comfort during our work and the hard labor that we must perform with our hands because the Lord has cursed the soil.” 30 Lamech lived 595 years after he became father of Noah, and he became the father of sons and daughters. 31 All the days of Lamech were 777 years. Then he died. 32 Noah was 500 years old, and Noah became the father of Shem, Ham, and Japheth. [13] Footnotes Genesis 4:1 Or, following Luther's translation, I have gotten a man, the Lord. The Jerusalem Targum reads I have acquired a man, the Angel of the Lord. Cain means get or acquire. Genesis 4:6 Literally why has your face fallen Genesis 4:8 The words let's go into the field, which are missing from the Hebrew text, are supplied from the ancient versions. Genesis 4:11 Here and in verse 14 the Hebrew word adamah, which can be translated ground or land, refers to the soil that Cain worked. Genesis 4:15 The translation no is supported by the ancient versions. The Hebrew reads very well then. Genesis 4:15 Or placed a mark on Genesis 4:16 Nod means wandering. Genesis 4:20 Literally father, that is, the founder of this way of life Genesis 4:25 Seth sounds like the Hebrew word for set or place. Genesis 4:26 Or call on Genesis 5:2 Hebrew adam Genesis 5:29 The name Noah sounds similar to the Hebrew words for rest and comfort. Genesis 5:32 It does not seem that all of Noah's sons were born in the same year. Translations disagree whether the sons were born by the time Noah was 500 years old or after he was 500 years old. #top .hr.hr-invisible.av-aocsdx-89cb4ca21532423cf697fc393b6fcee0{ height:10px; } The Holy Bible, Evangelical Heritage Version®, EHV®, © 2019 Wartburg Project, Inc. All rights reserved. #top .hr.hr-invisible.av-4vzadh-3f04b370105df1fd314a2a9d83e55b26{ height:50px; } Share this entryShare on FacebookShare on LinkedInShare by MailLink to FlickrLink to InstagramLink to Vimeo

Roger Barlow is Director of LATAM Translations. He is based in São Paulo, Brazil. Roger is British and has lived in Brazil since 1998. Since 2001 he has focused on helping Brazilian companies engage with a global audience. This involves a significant amount of translation from and to Portuguese. Multilingual CX is a subject we have often covered on CX Files so Mark decided to call up  Roger because of his experience managing a company that is entirely focused on translation. How has AI impacted translation and will we see a complete replacement of translation because AI can now do this work? The answer may be surprising. AI is getting better, but the reality is still that many humans don't understand each other so there are many subtle messages and meanings that may still require human attention. CX leaders considering a complete move to automated multilingual support may need to take these ideas on board - day-to-day basic services can be automated, but it's still not possible to achieve 100% accuracy using AI in translation or interpretation. https://www.linkedin.com/in/roger-barlow-87270991/ http://latamtran.com.br/en/   Summary: Mark Hillary and Peter Ryan discuss the impact of AI on translation services with Roger Barlow, who runs LATAM Translations in São Paulo. Barlow highlights that while AI can handle basic translations, it struggles with nuances and context, especially in complex documents like ESG reports. He notes that most of his work comes via email, and the pandemic led to a permanent shift to remote work - WFH is now normal. Barlow also mentions that AI is often used without permission, leading to errors. He predicts a potential pushback against AI-driven translation due to its limitations in conveying subtle meanings and maintaining document quality.

"American researcher discussing vocabulary and translations of various English words": fieldwork recording of anthropologist Roger Gomm discussing with several men and women the language of the coastal Digo people of south-east Kenya, asking his interlocutors for the translation and precise meaning of many different words in the Digo (Chidigo) language.From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous or individual ethnographic field recordings (rediscovered during a recent research project).Recorded by Roger Gomm.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Various February 15, 2026 PM.Pastor Postiff begins a series of lectures from one of the college courses he teaches. The topic is Translations of the Bible, and the first couple of sessions deal with how the Bible came to us. This material can greatly strengthen the faith of Christians as well as answer the questions or objections of skeptics.

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This bonus content is a reading from Platypus, the CASTAC Blog. The full post by Malcolm Katrak, Anushree Gupta and Debopriya Shome can be read at https://blog.castac.org/2026/02/transnational-translations-an-interdisciplinary-dialogue-on-platforms-and-labor/. About the post: This post is an Interdisciplinary dialog on platforms and labor. We are a group of scholars and researchers who work with gig and platform worker unions in India in various capacities. We form the India chapter of the labor deck research network. We have been meeting regularly from across the globe to share cross-sectoral organizing strategies, track the political landscape around gig and platform movements, and discuss research and reflections from our place-based engagements. Our work sits at the critical intersection of scholarship and activism. It involves amplifying workers' voices, supporting unionization efforts, and supporting workers in their struggles to lead more dignified and just working lives. Our discussions have inspired us to put together this blog series on the politics of writing about platform workers' organizing.

Physiological peace and rewiring a creative soul. Creative pursuits helped my guest, Jaime Townzen, to overcome years of grief and caregiving stress to complete and publish her first novel, but it's not all about writing!In this episode Jaime shares her journey from high-achieving, people-pleasing pre-med student to embracing her passion for storytelling, a transition sparked by a pivotal moment of encouragement from a college professor. A period of caregiving and loss stalled Jaime's writing career, but a spontaneous decision to try watercolour painting during the pandemic provided her with a sense of physiological peace that years of traditional self-care could not reach, while also serving as a bridge to transport her back to writing. Her Masters' thesis became the springboard for her novel, Absorbed, a coming-of-age story that explores themes of 1990s nostalgia, teen identity and the complexities of consent. The conversation also touches on the importance of granting oneself grace during seasons of emotional exhaustion and the value of following the 'spark''of excitement to reignite inspiration. Jaime's story serves as a powerful reminder that creative outlets are not just hobbies, but vital tools for navigating life's most difficult transitions.You might also like:Blossoming in Art with Bianca GiarolaTech, Translations and Storytelling with John GuiverAdventures in all Dimensions with Gina FarrarClick here to buy Samantha EJ Button's poetry collection Not Wholesome Content I would love some financial support to help me to keep making this podcast. Visit buymeacoffee.com/creativityfoundSupport the showFollow @CreativityFoundPodcast on Instagram Want to be a guest on Creativity Found? Send me a message on PodMatch, here Podcast recorded with Riverside and hosted by Buzzsprout

We're living in a golden age of fan community translations and localizations, and one has to wonder whether any of these amazing translation projects could have possibly been commercially viable or even successful, had they been released back during the Saturn's time on the market. Join SaturnDave and Peter for a fun and lighthearted discussion, as they speculate wildly on what might have been... ---------------------------------------------------------------------------------------------------- Follow us on our social media sites: Facebook: https://www.facebook.com/PlaySegaSaturn Twitter: https://mobile.twitter.com/playsegasaturn BlueSky: https://bsky.app/profile/segasaturnshiro.bsky.social Website: https://www.segasaturnshiro.com Buy our merch at: https://www.teepublic.com/user/segasaturnshiro Buy issue #1 of SHIRO Magazine: https://www.segasaturnshiro.com/shiro-magazine Support us on our Patreon at: https://www.patreon.com/shiromediagroup Join our Discord to discuss all things SEGA Saturn: https://discord.gg/UJur5fV8FS

In this live Q&A episode, Josiah Bogue, Chuck Olminsky, and Vinnie Lobello respond to some of the most common questions people have about Christianity.Has the Bible been changed over time?Are there real contradictions in it?Are some translations more trustworthy than others?Why does suffering exist if God is loving?Can you be a “good person” and still end up in hell?These questions come from people inside and outside the church, including skeptics, seekers, and longtime believers. The conversation explores how the Bible was translated, how Christians think about apparent inconsistencies, and how faith intersects with doubt, pain, and free will.If you have ever had serious questions about the credibility of the Bible or the character of God, this episode walks through them in a thoughtful and accessible way.

Are you (unintentionally) alienating your audience? Kate and I had the pleasure of sitting down with Comprehensive Copywriting Academy student and bilingual copywriter Ceci and WOW!  This episode of the Build Your Copywriting Business podcast is a masterclass in connecting with your audience in a meaningful way. And Ceci's story is incredibly inspiring, too. As a Latina copywriter, Ceci notices when copy has been intentionally written for a Spanish-speaking audience … and when it's been haphazardly translated into English.  And that difference is huge.  When you take the time to authentically connect with your audience, they're more likely to take the action you want them to take.  When you don't take the time to connect with your audience? At best, they'll ignore the message. At worst? They'll think negatively of the brand. Listen now for pro tips on building deeper connections. ----------------- Mentioned in the Episode Ceci's LinkedIn ProfileCeci's Portfolio SiteTop Tips for Wildly Effective PitchingFight These 10 Fears with a Systematic Process Related Links Ep. 40: Empowering BIPOC Businesses as a Black, Hispanic Copywriter – Ashley's StoryHow Do You Write for Translations? --------------- Get Free Copywriting Training here

DescriptionChristopher Perrin explores why “classical education” is both widely used and widely misunderstood—and why the language we choose matters. He surveys common assumptions people attach to the word classical (Greek and Roman history, Great Books, elitism, Eurocentrism) and explains why the modern renewal is, for better or worse, “stuck” with the adjective. Perrin argues that we cannot speak clearly about education without metaphor and analogy, since language itself is rooted in metaphor (from lingua, “tongue”). He then turns to the ancient Greek and Latin vocabularies of education—especially paideia (formation) and trophē (nourishment)—to show how earlier cultures understood education as shaping a human person, not merely transmitting information. Using Ephesians 6:4, he compares Greek and Latin renderings (Paul and Jerome) to illustrate how meaning is often “lost in translation” when rich terms are flattened into single English words. Perrin closes by suggesting that if he had to choose one word to gather the tradition, it would be formation—a metaphor that points to education's deepest aim.Episode OutlineWhy “classical education” is misunderstood: common reactions and cultural assumptionsWhy we keep the word classical: branding, public discourse, and the need for clearer definitionMetaphor is unavoidable: language, analogy, and the “dead metaphors” we no longer noticeGreek terms for education: paideia (formation) and paidia (play), plus other educational vocabularyTrophe as nourishment: education as bringing up, feeding, and forming a childEphesians 6:4 as a case study: Paul's Greek terms and Jerome's Latin translation Translation problems: why one English word rarely matches a rich Greek/Latin term The need for “economy with clarity”: using more words (and better words) to describe educationA proposed center-word: formation as the best single term to gather education's aimsWhere to continue learning: the podcast, ClassicalU, and ongoing reflections on definitionsKey Topics & TakeawaysWords carry history—and drift over time: Even identical spellings (like “educate”) may not mean what they once meant.Metaphor isn't optional: We describe complex realities (like education) through images, comparisons, and inherited figures of speech.Education is formation, not mere information: Ancient terms frame schooling as upbringing, cultivation, and shaping character.Greek paideia is richer than a single English equivalent: Translations often require multiple terms (training, discipline, instruction) to approximate meaning.Education is nourishment (trophe): The image of feeding and raising up reinforces education's humane, embodied, relational nature.Translation always involves choices: Comparing Paul's Greek with Jerome's Latin exposes what can be gained—and lost—across languages.Clear speech requires more words, not fewer: When society forgets education's purpose, precision often demands fuller description.Questions & DiscussionWhat does it mean to study the past “in its pastness”?Discuss why people in the past may act in ways we do not recognize—or approve. How can teachers pursue truth without turning history into propaganda or therapy?What do people assume when they hear “classical education” in your context?List the top three assumptions you encounter (e.g., “Great Books only,” elitist, Eurocentric, test-driven). Draft one sentence you could use to clarify what you mean—and what you don't mean.Where do you see metaphor doing “hidden work” in the way educators talk?Identify common metaphors you use (pipeline, outcomes, delivery, rigor, standards, growth). What do those metaphors emphasize—and what might they obscure?If education is “formation,” what exactly is being formed?Name the top three aims you believe education should form (virtue, wisdom, piety, civic responsibility, attention, love of truth). How does your school's daily life (not just its curriculum) support those aims?How does the image of education as “nourishment” challenge modern schooling?What “diet” are students receiving—intellectually, morally, spiritually, culturally? What might “malnourishment” look like in a school (and what would renewal look like)?Suggested Reading & ResourcesMortimer Adler: The Paideia Way of Classical Education by Robert Woods, Edited by David DienerThe Good Teacher: Ten Key Pedagogical Principles That Will Transform Your Teaching by Christopher A. Perrin, PhD and Carrie Eben, MSEd Festive School by Father Nathan CarrAn Introduction to Classical Education: A Guide for Parents by Christopher A. Perrin, MDiv, PhDA Student's Guide to Classical Education by Zoë PerrinThe Liberal Arts Tradition by Kevin Clark, DLS, and Ravi Scott JainLatin Vulgate: Ephesians 6:4 Amplified Bible: Ephesians 6:4Expanded Bible: Ephesians 6:4 ClassicalUClassicalU Course: Introduction to Classical EducationClassicalU Course: ParentU: Is Classical Education Right for Your Children?ClassicalU Course: A Brief History of Classical EducationClassicalU Course: The Liberal Arts TraditionClassicalU Course: Classical Education History and Introduction

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Selecting a Translation. What kind of reading are you doing?From the Men's Breakfast series entitled: "How God Reveals Himself in the Written Word"(bulletin here)

In December the Church announced an update in the general handbook concerning translations of the bible. So as our Come, Follow Me year of studying the Old Testament gets into swing we invited a couple of bible scholars to share their thoughts on what we can gain from different translations and how they can help us gain appreciation for the ancient context in which the bible was written. For those that are still a little bit afraid of the Old Testament, let this new guidance help you find scriptures that bring you closer to God. For more information on the Church's announcement: https://newsroom.churchofjesuschrist.org/article/holy-bible-translations-editions-church-of-jesus-christ Ben's article on bible translations: https://rsc.byu.edu/vol-15-no-1-2014/why-bible-translations-differ-guide-perplexed  

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Once again, the team journeys from Ilmater's Hope into the Dead Pines... Check out the PDF for ⁠Shores of the Silver Thrum⁠! Story by Travis Vengroff & K.A. Statz (Game Masters) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Travis Vengroff & Florian Seidler Cast: Narrator / Co-Game Master – Travis Vengroff Narrator / Co-Game Master – K.A. Statz Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike / Glóey Westpike – Hem Brewster Soren Arkwright – Peter Joeseph Lewis Ildrex Mystan – Russ D. More Devoir – Melchior Riemens Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Lá "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "Ilmater's Hope" - Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Lyrics & Translations by Travis Vengroff, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring "Sun for Grandpa" - Harp Performed by Steven Melin Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Death, Feelz (you may cry), Gaslighting, Loss (Familial) Learn more about your ad choices. Visit megaphone.fm/adchoices

Friday, 30 January 2026   When Jesus came into the region of Caesarea Philippi, He asked His disciples, saying, “Who do men say that I, the Son of Man, am?” Matthew 16:13   “And Jesus, having come to the allotments – Caesarea, the Phillipi, He entreated His disciples, saying, ‘Whom they say, the men, Me to be, the Son of Man?'” (CG).   In the previous verse, the disciples finally clued in to what Jesus was trying to teach them. His words about the leaven of the Pharisees and Sadducees were speaking of their evil doctrine. Matthew now continues the narrative of their time after arriving on the eastern shore of the Sea of Galilee, saying, “And Jesus, having come to the allotments – Caesarea, the Phillipi.”   A new word, Kaisareia, Caesarea, is introduced. It is derived from Kaisar, Caesar, a Latin word referring to the title of the Roman Emperor. Caesarea refers to two places in the area of Israel. The first is this location, Caesarea Philippi. Of this location, Albert Barnes says –   “There were two cities in Judea called Caesarea. One was situated on the borders of the Mediterranean (See the notes at Acts 8:40), and the other was the one mentioned here. This city was greatly enlarged and ornamented by Philip the tetrarch, son of Herod, and called Caesarea in honor of the Roman emperor, Tiberius Caesar. To distinguish it from the other Caesarea the name of Philip was added to it, and it was called Caesarea Philippi, or Caesarea of Philippi. It was situated in the boundaries of the tribe of Naphtali, at the foot of Mount Hermon.”   Having come to this general area, “He entreated His disciples, saying, ‘Whom they say, the men, Me to be, the Son of Man?'” Translations consider His words in one of two ways. One is “Whom do men say that I am? The Son of Man?”, or “Whom do men say that I, the Son of Man, am?”   The latter is correct. Jesus has referred to Himself as the Son of Man nine times already, making this the tenth. Peter's answer will also show that He is not asking if people say He is the Son of Man. Rather, He is asking what He, the Son of Man, is called by others. He is preparing them for a great pronouncement by asking this probing question first.   Life application: Jesus came to His own country in Matthew 13:53-58. He was rejected by them. In Matthew 14:1-12, the account of the beheading of John the Baptist was given. That was followed by the feeding of the five thousand in Matthew 14:13-21.   Jesus then walked on the sea, as is recorded in Matthew 14:22-33. From there, they came to the area of Gennesaret, at which time He fully saved all who simply touched Him. In Matthew 15:1-20, it then noted the traditions of the Jews which Jesus condemned, explaining that what comes out of a man is what defiles, not what enters into him.   That was then followed by His journey to the allotments of Tyre and Sidon, where the faith of the Canaanite woman was noted, and her daughter was saved. After that, Jesus went around the Sea of Galilee to the eastern side of it. There, He healed many and eventually fed four thousand. After feeding them, they crossed the Galilee, coming to the region of Magdala.   While there, He was accosted by the Pharisees and Sadducees who looked for a sign from heaven. He told them no sign would be given but the sign of Jonah. Once that was complete, they once again crossed the Sea of Galilee to the eastern side, being instructed on the leaven of the Pharisees and Sadducees. Now in the account, they have remained on this eastern side and gone north to the area of Caesarea Philippi.   This crisscrossing of the land and the Sea of Galilee all has a purpose. Jesus' movements are being used as a walking instructional tool in what God is doing in redemptive history. It is good to stop and reconsider where He has gone and where He is at any given time. By considering these things, we can follow what God is doing in reconciling the world to Himself through Jesus.   Each area visited, each topographical marker that is mentioned, and each thing Jesus does is being woven into a marvelous tapestry for us to ponder and learn from. Keep paying attention to the details, both from a micro and macro viewpoint. God is telling us a story of humanity's long trek back to Him, and it is all centered on Jesus.   Lord God, it would make no sense for You to send Your Son into the world unless there was something to be gained from it. His life of trials and burdens, culminating in His cross and resurrection, tells us that there is a great plan that has been put in place to bring Your people to a place we cannot even imagine at this time. We are grateful to be on this journey because of Jesus! Thank You for the sure hope we possess. Amen.

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Pushing deeper into the ship, the team uncover more of the terrible past of the Proteans.Star Raiders is a Starfinder 1E actual-play anthology podcast. Exploring the unknown is part of the job for the members of Drebin Industries' Xenomineral Scout Team. But deep in The Vast they encounter more than they bargained for, turning their galaxy upside down.Of Moons and Men is our Pathfinder 2E podcast.Check out our website for more content, or support us on Patreon! To keep updated follow us on Instagram.Music: Syrinscape and Dreamstate Logic

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As the darkness closes in, Soren makes a wish. Story by Travis Vengroff (Game Master) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Travis Vengroff Cast: Balmur – Jeff Goldblum Narrator / Co-Game Master – Travis Vengroff Narrator / Co-Game Master – K.A. Statz Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike – Hem Brewster Lirril – Tanja Milojevic Elias "Payne" Embertree – Drew Tillman Soren Arkwright – Peter Joeseph Lewis Ildrex Mystan – Russ D. More Glom Vogelberg – Sean Howard Gaelle Vogelberg – Holly Billinghurst Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Lá "The Silent Clan" - Arranged by Travis Vengroff, Performed and Written by Steven Melin "Lament" - Written and Performed by Josh Barron "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "Eastwood in Spring" & "Ilmater's Hope" - Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Lyrics & Translations by Travis Vengroff, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Death, Feelz (you may cry), Gaslighting, Loss (Familial) Learn more about your ad choices. Visit megaphone.fm/adchoices

What do these verses actually say in Hebrew and Greek?How “rulers,” “authorities,” and “cosmic powers” function in Paul's Second Temple worldview?How does this affect how Christians talk about power, evil, and resistance?Support this show!! : https://www.bibspeak.com/#donateGrab your free gift: the top 10 most misunderstood Biblical verses: https://info.bibspeak.com/10-verses-clarifiedJoin the newsletter (I only send 2 emails a week): https://www.bibspeak.com/#newsletterShop Dwell L'abel 15% off using the discount code BIBSPEAK15 https://go.dwell-label.com/bibspeakDownload Logos Bible Software for your own personal study: http://logos.com/biblicallyspeakingSign up for Riverside: https://www.riverside.fm/?utm_campaig...Use Manychat to automate a quick DM! It's great for sending links fast.https://manychat.partnerlinks.io/nd14879vojabStan.Store—way better than Linktree! It lets me share links, grow my email list, and host all my podcast stuff in one place.https://join.stan.store/biblicallyspeakingSupport this show!! : https://www.bibspeak.com/#donate Dr. Kevin Grasso is a biblical scholar, author, and linguist. He holds a PhD in Hebrew Language from the Hebrew University of Jerusalem, as well as an MA in Linguistics (focusing on the Biblical Hebrew verbal system) and an MA in Comparative Religion (focusing on Paul and second temple Judaism). His academic work has appeared in leading journals and edited volumes, where he applies theoretical linguistics to exegetical problems. His current research focus is on the Messiah, law, faith, and justification in Paul's letters. Alongside his academic career, Kevin is the co-founder and CEO of Biblingo, an innovative and effective way to learn biblical Greek and Hebrew. One cool thing about Kevin is that he can actually speak biblical Greek and Hebrew conversationally (something very few people - even scholars - can do). He lived in Israel for several years and knows a lot about the original languages and culture of the Bible.Download the Biblingo App Now:https://biblingo.com/Recommended reading inspired by this episode:

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Bestselling authors William Bernhardt (The Superman Wars) and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview John Phillips, author of the Vietnam-era historical fiction, Dress Whites.Opening ThoughtsThe crew re-examines their predictions for 2025—and didn't do half bad.News1) Readers Rebel Against Titles with Excessive SEO Keywords2) Harlequin Uses AI Translation ServiceCraft CornerBetsey Kulakowski (The Veritas Codex) discusses why you should write the book only you can write.Interview with John PhillipsParting WordsDon't forget to register for the WriterCon Cruise! This time, we're leaving from Ft Lauderdale for an eight-day voyage. So beautiful tropical vistas plus over twenty hours of writing instruction from Lara and I, plus Betsey Kulakowski and an onboard agent (Katherine Sands) who will happily talk to every participant. Don't miss out. Plan now to be with us March 7-15. Visit the WriterCon website for more info.Until next time, keep writing, and remember: You cannot fail, if you refuse to quit.William Bernhardtwww.williambernhardt.comwww.writercon.com

We'd love to hear from you! Please send us a Text Message!One day, not so long ago, I was simply walking across my living room, when a thought hit me and stuck in my head that there was a wealthy elderly man sitting in his den playing a video board game that he had invented. The board game was somewhat magical and most complex. I stopped in my tracks and thought deeper. I realized that he was a God like figure and the board game was us, here on Planet Earth. We were the result of his invention. That was about it. I smiled and moved on across the room. But the notion stuck with me. I laughed at the thought and wrote it down on a slip of paper: Living In My Video Game.Perhaps several years later, here is the result of that pause in life.Theater of the Imagination is presented by Watchfire Music https://watchfiremusic.com/

We went backstage with KARD at their DRIFT Tour stop in New York City and sat down for an exclusive interview to talk about music, creativity, group dynamics, and how their sound has evolved over time.In this special episode, Chris and Chantel Nicole also chatted with fans outside Webster Hall, capturing the energy and love that KARD continues to inspire - and wrapped it all up with our own candid debrief about the concert experience, from the setlist and stage presence to crowd vibes and merch booth chaos.Join us on Patreon!: https://www.patreon.com/CCTVPOPSFollow us on social media: https://linktr.ee/cctvpopsSponsor: ALAND (www.alandusa.com)0:00 - Intro00:47 - Fan Interviews1:43 - KARD Interview10:36 - Debrief Credits:A/V recorded by Stephen Greaves (Mixel Media) ‪@mixel_media‬ Translations provided by Winnie Chung @chungwinsPR by N2O4 Entertainment @n2o4ent

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The Nicene Creed has been a bedrock of Christian orthodoxy for 1700 years. But what is it and why was it written? Does the Nicene Creed still matter today? Stephen Russell describes what led to the formation of the Nicene Creed. He argues that we, like the early Anabaptists, should affirm and use the Nicene Creed in our lives and churches.In this episode Stephen briefly mentions catechesis (instruction class). Subscribe to catch the upcoming episode which will further explore catechesis.The Nicene CreedThe Apostles' CreedThe Way to NicaeaAusbund Hymn #2 from Songs of the Ausbund Volume I History and Translations of Ausbund Hymns by Ohio Amish LibraryDo Anabaptists Affirm Early Church Creeds?This is the 301st episode of Anabaptist Perspectives, a podcast, blog, and YouTube channel that examines various aspects of conservative Anabaptist life and thought.Sign-up for our monthly email newsletter which contains new and featured content!Join us on Patreon or become a website partner to enjoy bonus content!Visit our YouTube channel or connect on Facebook.Read essays from our blog or listen to them on our podcast, Essays for King JesusSubscribe on your podcast provider of choiceSupport us or learn more at anabaptistperspectives.org.The views expressed by our guests are solely their own and do not necessarily reflect the views of Anabaptist Perspectives or Wellspring Mennonite Church.

Sri Lanka has long sat astride the monsoon winds between the Bay of Bengal and the Arabian Sea – a small island at the centre of a very big story. For over a thousand years, Muslim pilgrims, merchants, scholars, and soldiers have passed through “Lanka” or “Sarandib”, leaving traces in Arabic, Tamil, Persian, Malay, Ottoman Turkish, Urdu, Dhivehi, and Sinhala. Serendipitous Translations: A Sourcebook on Sri Lanka in the Islamic Indian Ocean (University of Texas Press, 2026) brings together many of those voices for the first time in English. From medieval travellers marvelling at Adam's Peak to modern novelists and newspaper editors wrestling with reform, nationalism, and civil conflict. Dr. Nile Green holds the Ibn Khaldun Endowed Chair in World History at UCLA. A former Guggenheim Fellow, he is the celebrated author of ten monographs and the editor of seven books and several journal issues, with a particular focus on Islam and the Indian Ocean world. He also hosts the excellent podcast Akbar's Chamber: Experts Talk Islam. Dr. Ahmed AlMaazmi is Assistant Professor of History at the United Arab Emirates University. His research explores the intersections of empire, occult sciences, slavery, law, environmental infrastructures, and material culture in the Arabian Peninsula and the wider Indian Ocean world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sri Lanka has long sat astride the monsoon winds between the Bay of Bengal and the Arabian Sea – a small island at the centre of a very big story. For over a thousand years, Muslim pilgrims, merchants, scholars, and soldiers have passed through “Lanka” or “Sarandib”, leaving traces in Arabic, Tamil, Persian, Malay, Ottoman Turkish, Urdu, Dhivehi, and Sinhala. Serendipitous Translations: A Sourcebook on Sri Lanka in the Islamic Indian Ocean (University of Texas Press, 2026) brings together many of those voices for the first time in English. From medieval travellers marvelling at Adam's Peak to modern novelists and newspaper editors wrestling with reform, nationalism, and civil conflict. Dr. Nile Green holds the Ibn Khaldun Endowed Chair in World History at UCLA. A former Guggenheim Fellow, he is the celebrated author of ten monographs and the editor of seven books and several journal issues, with a particular focus on Islam and the Indian Ocean world. He also hosts the excellent podcast Akbar's Chamber: Experts Talk Islam. Dr. Ahmed AlMaazmi is Assistant Professor of History at the United Arab Emirates University. His research explores the intersections of empire, occult sciences, slavery, law, environmental infrastructures, and material culture in the Arabian Peninsula and the wider Indian Ocean world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Sri Lanka has long sat astride the monsoon winds between the Bay of Bengal and the Arabian Sea – a small island at the centre of a very big story. For over a thousand years, Muslim pilgrims, merchants, scholars, and soldiers have passed through “Lanka” or “Sarandib”, leaving traces in Arabic, Tamil, Persian, Malay, Ottoman Turkish, Urdu, Dhivehi, and Sinhala. Serendipitous Translations: A Sourcebook on Sri Lanka in the Islamic Indian Ocean (University of Texas Press, 2026) brings together many of those voices for the first time in English. From medieval travellers marvelling at Adam's Peak to modern novelists and newspaper editors wrestling with reform, nationalism, and civil conflict. Dr. Nile Green holds the Ibn Khaldun Endowed Chair in World History at UCLA. A former Guggenheim Fellow, he is the celebrated author of ten monographs and the editor of seven books and several journal issues, with a particular focus on Islam and the Indian Ocean world. He also hosts the excellent podcast Akbar's Chamber: Experts Talk Islam. Dr. Ahmed AlMaazmi is Assistant Professor of History at the United Arab Emirates University. His research explores the intersections of empire, occult sciences, slavery, law, environmental infrastructures, and material culture in the Arabian Peninsula and the wider Indian Ocean world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Sri Lanka has long sat astride the monsoon winds between the Bay of Bengal and the Arabian Sea – a small island at the centre of a very big story. For over a thousand years, Muslim pilgrims, merchants, scholars, and soldiers have passed through “Lanka” or “Sarandib”, leaving traces in Arabic, Tamil, Persian, Malay, Ottoman Turkish, Urdu, Dhivehi, and Sinhala. Serendipitous Translations: A Sourcebook on Sri Lanka in the Islamic Indian Ocean (University of Texas Press, 2026) brings together many of those voices for the first time in English. From medieval travellers marvelling at Adam's Peak to modern novelists and newspaper editors wrestling with reform, nationalism, and civil conflict. Dr. Nile Green holds the Ibn Khaldun Endowed Chair in World History at UCLA. A former Guggenheim Fellow, he is the celebrated author of ten monographs and the editor of seven books and several journal issues, with a particular focus on Islam and the Indian Ocean world. He also hosts the excellent podcast Akbar's Chamber: Experts Talk Islam. Dr. Ahmed AlMaazmi is Assistant Professor of History at the United Arab Emirates University. His research explores the intersections of empire, occult sciences, slavery, law, environmental infrastructures, and material culture in the Arabian Peninsula and the wider Indian Ocean world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

Sri Lanka has long sat astride the monsoon winds between the Bay of Bengal and the Arabian Sea – a small island at the centre of a very big story. For over a thousand years, Muslim pilgrims, merchants, scholars, and soldiers have passed through “Lanka” or “Sarandib”, leaving traces in Arabic, Tamil, Persian, Malay, Ottoman Turkish, Urdu, Dhivehi, and Sinhala. Serendipitous Translations: A Sourcebook on Sri Lanka in the Islamic Indian Ocean (University of Texas Press, 2026) brings together many of those voices for the first time in English. From medieval travellers marvelling at Adam's Peak to modern novelists and newspaper editors wrestling with reform, nationalism, and civil conflict. Dr. Nile Green holds the Ibn Khaldun Endowed Chair in World History at UCLA. A former Guggenheim Fellow, he is the celebrated author of ten monographs and the editor of seven books and several journal issues, with a particular focus on Islam and the Indian Ocean world. He also hosts the excellent podcast Akbar's Chamber: Experts Talk Islam. Dr. Ahmed AlMaazmi is Assistant Professor of History at the United Arab Emirates University. His research explores the intersections of empire, occult sciences, slavery, law, environmental infrastructures, and material culture in the Arabian Peninsula and the wider Indian Ocean world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Sindri and Rowena are ambushed by Soren and his team in a bloody battle for the ages. Story by Travis Vengroff (Game Master) Produced, Edited, and with Sound Design by Travis Vengroff Executive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico Villegas Mixing and Mastering by Finnur Nielsen Transcriptions by Travis Vengroff Cast: Narrator / Game Master – Travis Vengroff Balmur – Jeff Goldblum Father Sindri Westpike – Eyþór Viðarsson Rowena Granitepike – Hem Brewster Lirril – Tanja Milojevic Elias "Payne" Embertree – Drew Tillman Soren Arkwright – Peter Joeseph Lewis Ildrex Mystan – Russ D. More Glom Vogelberg – Sean Howard Gaelle Vogelberg – Holly Billinghurst Music: (in order of appearance) Music Director / Arranged by - Travis Vengroff Music Engineer (Musiversal) - Gergő Lá "Theme of the Realmweaver" – Written and Mixed by Steven Melin, Orchestrated by Christopher Siu, with Additional Copyist Catherine Nguyen, Violin by Matheus Garcia Souza, Budapest Strings Recorded by Musiversal, Choir Recorded by Budapest Scoring "Valor" – Written by Nobuo Uematsu & Steven Melin, Orchestrated and Mixed by Steven Melin, Lyrics & Translations by Travis Vengroff & Florian Seidler, Budapest Strings, Choir, and Brass recorded by Musiversal "Conspiracy" Written and performed by Brandon Boone, orchestrated by Christopher Siu & Catherine Nguyen, Budapest Strings (orchestra) recorded by Musiversal, Budapest Choir Recorded by Budapest Scoring, mixed by Steven Melin "Unchecked Ambition" - Co-Written by Travis Vengroff, Co-Written, Orchestrated, and Mixed by Steven Melin, Other credits match ^ "Dark Dice The Musical Excerpt" - by Steven Melin and Mike Pettry "Sufferers' Cant" Written by Hitoshi Sakimoto, Orchestrated by Steven Melin, Copyist Catherine Nguyen, Lyrics by Travis Vengroff & Florian Seidler, Feat. Matheus Souza Garcia (Violin), Kristin Kaigus (Woodwinds), Andrew Dunn (Cello), Johannes Geworkian Hellman (Hurdy), Kyle Paxton (Dulcimer), Budapest Strings, Budapest Choir, & Budapest Brass by Musiversal "The Lucky Die Intro" - Written and Performed by Neil Martin of Blighthouse Studio, Budapest Choir by Musiversal "Sheila" & "Secret Water" - Written and Performed by Dark Fantasy Studio "A Plot Most Sinister" & "Lament" - Written and Performed by Josh Barron "Sun for Grandpa" - Harp Performed by Steven Melin"Danse Sanguis" - Written and Performed by Steven Melin, and Travis Vengroff, arranged and performed by Steven Melin, with Cello by Sam Boase-Miller, and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov "The Silent Clan" - Arranged by Travis Vengroff, Performed and Written by Steven Melin "Empty Hearts" & "Danse Silencieuse" – Arranged and Performed by Travis Vengroff with Cello by Sam Boase-Miller and stock media provided by avinograd/ Pond5, Written and Performed by Andrey Vinogradov Dark Dice art by Allen Morris with lettering by Kessir Riliniki This is a Fool and Scholar Production. For early episodes and bonus content join us at: ⁠⁠⁠⁠⁠https://www.patreon.com/FoolandScholar⁠⁠⁠⁠⁠ Check out our Merch: www.DarkDice.com Free Transcripts are also available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/posts/dark-dice-22460850⁠⁠ Special Thanks to: Our Patreon supporters! | Hem Brewster | Our Fool & Scholar Discord Lampreys! | Carol Vengroff Content Warnings: Agency (Loss of), Animal people (harm to), Death, Feelz (you may cry), Gaslighting, Loss (Familial), Mind Control, Murder Learn more about your ad choices. Visit megaphone.fm/adchoices

Certain translations of the Bible have played an important role in Christian and Jewish history, especially the Septuagint and the Masoretic Text. Why were they created and why are they important?

Chapter Eleven The Universal Form TEXT 1 arjuna uvāca mad-anugrahāya paramaṁ guhyam adhyātma-saṁjñitam yat tvayoktaṁ vacas tena moho 'yaṁ vigato mama TEXT 2 bhavāpyayau hi bhūtānāṁ śrutau vistaraśo mayā tvattaḥ kamala-patrākṣa māhātmyam api cāvyayam TEXT 3 evam etad yathāttha tvam ātmānaṁ parameśvara draṣṭum icchāmi te rūpam aiśvaraṁ puruṣottama TEXT 4 manyase yadi tac chakyaṁ mayā draṣṭum iti prabho yogeśvara tato me tvaṁ darśayātmānam avyayam TEXT 5 śrī-bhagavān uvāca paśya me pārtha rūpāṇi śataśo 'tha sahasraśaḥ nānā-vidhāni divyāni nānā-varṇākṛtīni ca TEXT 6 paśyādityān vasūn rudrān aśvinau marutas tathā bahūny adṛṣṭa-pūrvāṇi paśyāścaryāṇi bhārata TEXT 7 ihaika-sthaṁ jagat kṛtsnaṁ paśyādya sa-carācaram mama dehe guḍākeśa yac cānyad draṣṭum icchasi TEXT 8 na tu māṁ śakyase draṣṭum anenaiva sva-cakṣuṣā divyaṁ dadāmi te cakṣuḥ paśya me yogam aiśvaram TEXT 9 sañjaya uvāca evam uktvā tato rājan mahā-yogeśvaro hariḥ darśayām āsa pārthāya paramaṁ rūpam aiśvaram TEXTS 10-11 aneka-vaktra-nayanam anekādbhuta-darśanam aneka-divyābharaṇaṁ divyānekodyatāyudham divya-mālyāmbara-dharaṁ divya-gandhānulepanam sarvāścarya-mayaṁ devam anantaṁ viśvato-mukham TEXT 12 divi sūrya-sahasrasya bhaved yugapad utthitā yadi bhāḥ sadṛśī sā syād bhāsas tasya mahātmanaḥ TEXT 13 tatraika-sthaṁ jagat kṛtsnaṁ pravibhaktam anekadhā apaśyad deva-devasya śarīre pāṇḍavas tadā TEXT 14 tataḥ sa vismayāviṣṭo hṛṣṭa-romā dhanañ-jayaḥ praṇamya śirasā devaṁ kṛtāñjalir abhāṣata TEXT 15 arjuna uvāca paśyāmi devāṁs tava deva dehe sarvāṁs tathā bhūta-viśeṣa-saṅghān brahmāṇam īśaṁ kamalāsana-stham ṛṣīṁś ca sarvān uragāṁś ca divyān TEXT 16 aneka-bāhūdara-vaktra-netraṁ paśyāmi tvāṁ sarvato 'nanta-rūpam nāntaṁ na madhyaṁ na punas tavādiṁ paśyāmi viśveśvara viśva-rūpa TEXT 17 kirīṭinaṁ gadinaṁ cakriṇaṁ ca tejo-rāśiṁ sarvato dīptimantam paśyāmi tvāṁ durnirīkṣyaṁ samantād dīptānalārka-dyutim aprameyam TEXT 18 tvam akṣaraṁ paramaṁ veditavyaṁ tvam asya viśvasya paraṁ nidhānam tvam avyayaḥ śāśvata-dharma-goptā sanātanas tvaṁ puruṣo mato me TEXT 19 anādi-madhyāntam ananta-vīryam ananta-bāhuṁ śaśi-sūrya-netram paśyāmi tvāṁ dīpta-hutāśa-vaktraṁ sva-tejasā viśvam idaṁ tapantam TEXT 20 dyāv ā-pṛthivyor idam antaraṁ hi vyāptaṁ tvayaikena diśaś ca sarvāḥ dṛṣṭvādbhutaṁ rūpam ugraṁ tavedaṁ loka-trayaṁ pravyathitaṁ mahātman TEXT 21 amī hi tvāṁ sura-saṅghā viśanti kecid bhītāḥ prāñjalayo gṛṇanti svastīty uktvā maharṣi-siddha-saṅghāḥ stuvanti tvāṁ stutibhiḥ puṣkalābhiḥ TEXT 22 rudrādityā vasavo ye ca sādhyā viśve 'śvinau marutaś coṣmapāś ca gandharva-yakṣāsura-siddha-saṅghā vīkṣante tvāṁ vismitāś caiva sarve ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://www.bbtacademic.com/books/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 https://thefourquestionsbook.com/?utm_source=youtube&utm_medium=video&utm_campaign=launch2025 ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #chad #bhgagavadgitarecitation #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality

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To celebrate Melvyn Bragg's 27 years presenting In Our Time, five well-known fans of the programme have chosen their favourite episodes. Author and columnist Caitlin Moran has picked the episode on the English medieval mystic Margery Kempe and recorded an introduction to it. Margery Kempe (1373-1438) produced an account of her extraordinary life in a book she dictated, "The Book of Margery Kempe." She went on pilgrimage to Jerusalem, to Rome and Santiago de Compostela, purchasing indulgences on her way, met with the anchoress Julian of Norwich and is honoured by the Church of England each 9th November. She sometimes doubted the authenticity of her mystical conversations with God, as did the authorities who saw her devotional sobbing, wailing and convulsions as a sign of insanity and dissoluteness. Her Book was lost for centuries, before emerging in a private library in 1934.This In Our Time episode was first broadcast in June 2016. The image (above), of an unknown woman, comes from a pew at Margery Kempe's parish church, St Margaret's, Kings Lynn and dates from c1375.WithMiri Rubin Professor of Medieval and Early Modern History at Queen Mary, University of LondonKatherine Lewis Senior Lecturer in History at the University of HuddersfieldAndAnthony Bale Professor of Medieval Studies at Birkbeck University of LondonProducer: Simon TillotsonReading list:John H. Arnold and Katherine J. Lewis (eds.), A Companion to the Book of Margery Kempe, (D. S. Brewer, 2010)Anthony Bale (trans.), The Book of Margery Kempe (Oxford University Press, 2015)Santha Bhattacharji, God is an Earthquake: The Spirituality of Margery Kempe (Darton, Longman and Todd, 1997)Anthony Goodman, Margery Kempe and her World (Longman, 2002)Karma Lochrie, Margery Kempe and the Translations of the Flesh (University of Pennsylvania Press, 1991)Gail McMurray Gibson, The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages (University of Chicago Press, 1989)Lynn Staley, Margery Kempe's Dissenting Fictions (Pennsylvania State University Press, 1994)Jonathan Sumption, Pilgrimage: An Image of Mediaeval Religion (Faber & Faber, 2002)Brett Whalen, Pilgrimage in the Middle Ages: A Reader (University of Toronto Press, 2011)Barry Windeatt (ed.), The Book of Margery Kempe: Annotated Edition (D. S. Brewer, 2006)Barry Windeatt (ed.), The Book of Margery Kempe (Penguin Classics, 2000)Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the people, ideas, events and discoveries that have shaped our worldIn Our Time is a BBC Studios production

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Marcellinus and Peter died in the early 4th century, but the saints would still be active and on the move in the 9th. This is about their journey. It is also about Charlemagne's biographer, Einhard, the man who wrote about that journey and set it into motion. If you like what you hear and want to chip in to support the podcast, ⁠⁠⁠⁠⁠⁠⁠my Patreon is here⁠⁠⁠⁠⁠⁠⁠. I'm on BlueSky ⁠⁠⁠⁠⁠⁠⁠@a-devon.bsky.social⁠⁠⁠⁠⁠⁠⁠, and I have some things on ⁠⁠⁠⁠⁠⁠⁠Redbubble⁠⁠⁠⁠⁠⁠⁠. Sources: Charlemagne's Courtier: The Complete Einhard. Edited and translated by Paul Edward Dutton. University of Toronto Press, 1998. Charlemagne and Louis the Pious. Lives by Einhard, Notker, Ermoldus, Thegan, and the Astronomer. Translated with introductions and annotations by Thomas F.X. Noble. Penn State Press, 2009. Medieval Travel and Travellers: A Reader. Edited by John F. Romano. University of Toronto Press, 2020. A Short Reader of Medieval Saints. Edited by Mary-Ann Stouck. University of Toronto Press, 2009. Einhard. The History of the Translation of the Blessed Martyrs of Christ, Marcellinus and Peter. Harvard University Press, 1926. Lapidge, Michael. The Roman Martyrs: Introduction, Translations, and Commentary. Oxford University Press, 2018. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What do the world's first letters reveal about life in the Bronze Age?Tristan Hughes is joined by Dr Amanda Podany to uncover the remarkable written culture of ancient Mesopotamia, when clay tablets carried messages across vast distances and a proto-postal system linked cities like Ur and Babylon. From royal correspondence and diplomatic negotiations to worried family notes and furious consumer complaints -including the iconic rant against the merchant Ea-Nasir for terrible copper - these texts offer a vivid, relatable window into everyday life 4,000 years ago. Step into the earliest age of writing and discover how humanity first learned to communicate across time and space.Translations in this episode taken from A. Leo Oppenheim, Letters from Mesopotamia (1967) & J. M. Sasson, From the Mari Archives (2015).Presented by Tristan Hughes. Audio editor is Aidan Lonergan. The producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.