Podcast appearances and mentions of art chantry

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than ‘OK,' ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty years ago, a new kind of soda arrived in select stores. Instead of crowing about how spectacular it was, it offered up a liquid shrug, a fizzy irony. OK Soda was an inside joke for people who knew soda wasn't cool. But what exactly was the punchline? In today's episode, we're going to ask how Coca-Cola, a company predicated on the idea that soda is more than "OK," ever bankrolled such a project. It was either a corporate attempt to market authenticity or a bold send-up of consumer capitalism; a project that either utterly, predictably failed or, perhaps more surprisingly, almost succeeded. This episode was written by Willa Paskin. It was edited by Jenny Lawton. It was produced by Willa Paskin and Katie Shepherd, along with Evan Chung. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. You'll hear from Sergio Zyman, Brian Lanahan, Robin Joannides Lanahan, Charlotte Moore, Peter Wegner, Todd Waterbury, Dustin Ness, and Matt Purrington. Special thanks to David Cowles, Art Chantry, Seth Godin, Jeff Beer, Gabriel Roth, Mark Hensley for all the OK Soda commercials and Mark Pendergrast, whose book For God, Country, & Coca-Cola was indispensable. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dive into the second episode of this two-part series as we continue our conversation with graphic designer, Art Chantry, whose stories sparkle as vibrantly as his colorful posters, offering original insights from Seattle's grunge era. These tales span Art's diverse interests and influences: The allure of archaeology; Dadaism & Surrealism; old commercial art by overlooked masters, accidental inking errors. Chantry exposes the misguided muddling of fine art with graphic design and then explains how graphic design underscores propaganda and politics. Art concludes by heralding a new book showcasing Estrus Records, home of bands like The Makers, Mono Men and The Mummies. He confesses that his posters and album covers for these bands were his most liberated. So, this publication is a faithful retrospective for a maverick homegrown genius whose impact is international. "You are standing next to this pond that suddenly emerges and you throw a pebble into the water and this ripple would start. And it got bigger...and before you know, it's a tidal wave; then you hit the shoreline and it's a tsunami and it wipes out half of America; and it's like: 'Wow...I did that....' We were close enough where we could do things like that and actually watch it happen." ~ Art Chantry

Join us in this episode (the first of a two-part series) for a conversation with graphic designer Art Chantry, a national treasure, whose posters are collected by The Smithsonian and The Louvre. Opening with childhood memories of Parkland on the fringes of Tacoma, Washington, Art describes a restless educational path that eventually brought him to Bellingham. He shares experiences of his subsequent arrival to Seattle in the 1980's, including street observations that shaped his aesthetics. He tells of art directing the music biweekly magazine The Rocket on a shoestring budget before launching a one-man graphic design firm, churning out hundreds of posters, logos and album covers for rock bands including Soundgarden and Mudhoney associated with Sub Pop, Estrus and other home-grown record labels. Art's stories reveal the genesis of a vital visual lexicon—subversive, populist and modern—that simultaneously reflected and transformed the Pacific Northwest: From a backwater for “losers,” to the forefront of global popular culture in the 1990's and beyond. "It's black and white. Its scrappy. There's not a straight line on the whole goddamn thing. It looks like it was cut and pasted together out of chunks of Xerox junk. It is just an atrocious mess. And it's beautiful…. It's so alive—You still look at it and it makes your heart jump!” ~ Art Chantry

Fireside Chat with design leader and 2017 AIGA Medalist Art Chantry and AIGA Executive Director Bennie F. Johnson. They discuss best practices and learnings from their career in representing yourself in your work and approaching graphic design as a language we all speak. This episode was originally livestreamed as part of the third annual AIGA Portfolio Festival in July 2022. --- Send in a voice message: https://anchor.fm/aigadesign/message

In this latest installment, our host, Doug Berger, discusses his latest favorite brand update, one of his top typefaces, a logo history lesson you may not learn in school, and some wisdom nuggets you definitely don't learn in school. Plus, design legend and living paradox, Art Chantry drops by!Support the show (https://www.patreon.com/brandshowlive)

David and Tanya from the Tacoma Film Festival join the guys to talk about the upcoming event happening on October 3rd – 10th. Established in 2006, the film festival presents a lively week of films, workshops, events, and discussions. Tacoma Film Festival programming is a unique blend of audience and industry programming that empowers all who attend to connect with creators. 01:35 – Justin shares where listeners can find them online, Scott suggests them having Shroom Brothers print different colored shirts for their Patreon followers, and David talks about how last years film festival went. Justin discusses when the film festival is happening this year, David talks about how many films are showing at the festival this year, and how the virtual reality films work. He shares how long they normally last, how VR is a new medium that they are excited to see what people can do with it, and Justin explains what AR is. 13:34 – Justin talks on the importance of documentaries that help inform viewers about what is going on in their area, David talks on how engaged people were last year in conversation with the creators of the films, and they chat about the recent renovation of Pantages. Justin gives a shout out to Isaac Olsen, David talks on Isaac's involvement with the festival, and Tanya discusses them working with Art Chantry to design the poster for this years event. 25:14 – Brogan asks the guys who they would want to play them if they had an autobiography film made, Scott calls Jason Momoa to play him, and Tanya talks on Tacoma Film Festivals Pacific Northwest highlights. David talks on the films they are showing at The Blue Mouse Theater during the event, the ‘family friendly' program that they have, and Tanya share's info on the free wellness workshops they are also offering. David talks on the comedies they are showing, the nationwide single night screening of the film Mr. America, and Tanya describes what the Danish film Koko-di Koko-da is about. 35:29 – Justin kicks of coater questions asking David and Tanya what their favorite films are, Brogan talks on working at Hollywood Video, and Justin shares that his favorite is Pulp Fiction. Scott shares his love for old weird 80's movies, Tanya talks about the recent showing of Chopping Mall at Weird Elephant, and David talks on Wade that hosts Weird Elephant Series putting together the Short Program at the film festival. Thank you David and Tanya for joining the guys for a great conversation on the Tacoma Film Festival!!! Special Guests: David Dinnell and Tanya Tran.

An interview with seminal Seattle graphic designer ART CHANTRY, art director of the legendary Emerald City monthly mag The Rocket during the rise and fall of the Grunge music explosion. Art discusses the "genius cluster" of cartoonists who, for a shining, brief time, ruled the GenX counter-culture.

Vivian McPeak is joined by Art Chantry, graphic designer often associated with the posters and album covers he did for bands like Mono Man and The Sonics. Art takes us on his career journey and speaks on the changes in graphic designing throughout the years.

Art Chantry works and lives in Seattle where his ideas and personal style branded the look of popular culture, not only in the northwest and its bohemian underground, but also in the pop and alternative culture of the last few decades.

Art Chantry works and lives in Seattle where his ideas and personal style branded the look of popular culture, not only in the northwest and its bohemian underground, but also in the pop and alternative culture of the last few decades.