Podcasts about indie films

Ann sits down with Waco Indie Film Festival founders Louis Hunter and Samuel Thomas to discuss this year's fest screenings, attractions and celebrity guest appearances, including Elizabeth Tabish ("The Chosen").See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: OUT OF LOVE (2025)Director: Nathan AmbrosioniWriter: Nathan AmbrosioniStars: Camille Cottin; Monia Chokri; Juliette ArmanetSYNOPSISA woman is forced to take care of her niece and nephew after their mother voluntarily disappears.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Welcome back for another exciting Discovery of Indie Film! Zeshaan Younus came on the podcast to speak about his film “I've Seen All I Need To See,” which was a SOFF 2025 Official Selection: Feature Film – Drama. I’m clearly not the only one who saw what they needed to see to know this was a terrific film because it took home the Grand Jury Award – Best Feature Film –Drama,  Grand Jury Award – Best Director – Feature Film – Zeshaan Younus, Grand Jury Award – Best Score – Feature Film – Benjamin Doherty, Grand Jury Award – Best Sound Design – Feature Film – Aidan Neuner AND the Audience Award – Best Feature Film. You probably want to watch this film right now and you can! Click here to see where to watch Zeshaan’s feature film I’VE SEEN ALL I NEED TO SEE Click here to watch Zeshaan’s previous feature film THE BUILDOUT on Tubi for free. Click here to watch Zeshaan’s short film PREFIGURED on Youtube/Dust. You can also find out more on IG @isaintsfilm _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Links DIF Podcast Website – DIF Instagram – DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Website Sherman Oaks Film Festival Film Invasion Los Angeles

In this episode of Best in Fest, host Leslie LaPage sits down with Elissa Shay. actress, writer, and producer, to break down her journey from struggling to find the right roles in Hollywood to producing and starring in her own feature film, Fractured.After facing challenges as a mixed-ethnicity actress in an industry that often struggles with representation, Elissa took control of her career—writing, producing, and financing projects that aligned with her purpose and creative voice.

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: FIRST GROWTH (2015)Director: Jérôme Le GrisWriters: Vanessa Portal; Rémi Bezançon; Jérôme Le GrisStars: Gérard Lanvin; Jalil Lespert; Alice TaglioniSYNOPSISCharlie must take over operation of his family's vineyard when it nears bankruptcy. He gambles on the farm's future by using traditional methods that went away with the introduction of new technology.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Why do so many indie films fail to find an audience? In this episode, I break down the biggest reasons independent films struggle after release, including oversaturated marketplaces, weak marketing strategies, ineffective artwork and trailers, and relying too heavily on distributors. You'll learn practical ways to improve your film marketing, reach the right audience, and give your movie a better chance of success in today's competitive film distribution landscape.

What does it really take to make an independent film with almost no money, no studio backing, and no guarantees?In this episode, filmmakers Bob Woolsey and Darren Borrowman break down the entire chaotic journey of making their indie feature film Do Something with Your Life—from crowdfunding disasters and broken cameras to film festivals, self-distribution, and the harsh realities of today's indie film marketplace. Along the way, they share invaluable lessons about collaboration, creativity, and why waiting for permission is the fastest way to never make your movie.The conversation dives deep into crowdfunding strategy, low-budget filmmaking hacks, horror film distribution, DSLR filmmaking, building long-term creative teams, and the emotional rollercoaster of surviving post-production. Bob and Darren reveal why modern filmmakers must think beyond just making the movie and start planning distribution from day one. This is a masterclass in DIY filmmaking from two creators who learned everything the hard way—and kept going anyway.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Detroit meets Hollywood on this episode of the Shad Vs Everybody Podcast as Shad chops it up with actor, producer, author and media personality Lester Greene — a true grinder whose story is built on hustle, creativity and persistence. From driving buses in New York City while chasing his acting dreams to landing roles in hit productions like Wu-Tang: An American Saga, Power, Gotham and multiple independent films, Lester Greene proves what happens when talent collides with determination.The conversation goes deep into Lester's journey through the entertainment industry, producing independent films through his company Lubey Jube Productions, hosting The Lester Greene Talk Show on Roku and Fire TV, and balancing acting, writing, music and entrepreneurship all at once. The energy gets real as Shad and Lester discuss surviving the grind, staying creative in a crowded industry, independent Black filmmaking, and what it really takes to build your own lane without waiting for Hollywood to hand you permission.Known for appearances in films like Driving Force, Father May I, Repay It in Blood and more, Lester Greene brings raw insight, motivation and behind-the-scenes stories from the world of indie cinema and television.If you're into independent film, Detroit culture, acting, entrepreneurship, entertainment industry gems, or real conversations with people actually putting in work — this episode is for you.

On this fresh from the grave episode of Death By DVD filmmaker Jeremy Berkowitz returns to Death By DVD to discuss their life one year after releasing their debut feature film, Sydney. Filmmaking, mental health, physical health, growth, change, autism and more is discussed on this episode that dives deep into what its like to make movies, and what art means. Quit reading and hit play, now! Dive into this episode celebrating and exploring independent film and life itself. Watch Sydney by Jeremy Berkowitz now on Amazon : https://www.amazon.com/Sydney-Jeremy-Berkowitz/dp/B0GPD3NXTRVisit the official website of Jeremy Berkowitz : https://www.jeremyberkowitz.com/Official website for Sydney : https://www.sydneythefilm.com/CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

What really stops independent filmmakers from succeeding?According to producer and actress Jenna Edwards, it's not talent, money, or even connections—it's the complete lack of a real plan. In this powerful conversation, Jenna shares the hard truths she learned moving from acting on shows like Buffy the Vampire Slayer and Malcolm in the Middle into producing independent films. From networking mistakes to ego-driven productions, she explains why most projects collapse long before the camera ever rolls.But beneath the filmmaking advice is an even deeper story of resilience. After surviving a horrific tragedy that nearly ended her career, Jenna rebuilt her life from the ground up and discovered a new perspective on storytelling, creativity, and collaboration. This episode becomes more than a conversation about filmmaking—it becomes a blueprint for how artists survive the chaos of the industry without losing themselves in the process.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

When Aimee Kuge set out to make her indie-horror-romance CANNIBAL MUKBANG, she knew that she didn't want her lead to be your typical final girl. And in her "feeling seen" pick, we find another female protagonist that is nothing like anyone else in film (and yet, maybe more like a real-life person than most film characters could ever hope to be). It's Patty, as played by Emily Skeggs, in Adam Carter Rehmeier's 2020 sleeper hit (thanks, TikTokkers!) DINNER IN AMERICA. Then, Jordan has one quick thing about Adam Carter Rehmeier's upcoming new film, CAROLINA CAROLINE. Follow along with Aimee's next project, Trial Separation, on Seed&Spark.   Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfeelingseen Feeling Seen is hosted by Jordan Crucchiola and is a production of Maximum Fun. You can watch video editions of our new episodes on our YouTube Channel!Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Western Australian actor Rose Riley is wonderful on screen, as lead in PROCLIVITAS she's amazing whilst just as cool in person, enjoy our discussion on the romantic psychological horror coming-of-age indie not to be missed. PROCLIVITAS also starring Chloe Brink, George Mason, Hayley McElhinney + Kade Power as the demon. Rent/Buy digital platforms https://youtube.com/@movieanalystshaneadambassett?si=nZyw5fHIS4t_KgXj

Lost with You, starring Disney Channel regular, Jake Short and star of All American, Madison Shamoun. The film is about two people of opposing viewpoints finding one another despite having differing opinions on almost everything. I think given the crazy times we're living in, this is a vibe that audiences are looking for. The film won Best Indie Film at the Los Angeles Film Awards late last year and just got a ridiculously rave review from Film Threat.Written and directed by first-time feature filmmaker Mike Southerly, the film was accomplishment in true guerilla filmmaker style without pulling a single permit despite filming at the Griffith Observatory, the Santa Monica Pier, and the Hollywood sign, among other iconic Los Angeles locales. It's a pretty great story how he was able to get this one into the end zone for under $200K. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

What really stops independent filmmakers from succeeding?According to producer and actress Jenna Edwards, it's not talent, money, or even connections—it's the complete lack of a real plan. In this powerful conversation, Jenna shares the hard truths she learned moving from acting on shows like Buffy the Vampire Slayer and Malcolm in the Middle into producing independent films. From networking mistakes to ego-driven productions, she explains why most projects collapse long before the camera ever rolls.But beneath the filmmaking advice is an even deeper story of resilience. After surviving a horrific tragedy that nearly ended her career, Jenna rebuilt her life from the ground up and discovered a new perspective on storytelling, creativity, and collaboration. This episode becomes more than a conversation about filmmaking—it becomes a blueprint for how artists survive the chaos of the industry without losing themselves in the process.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: FOUR LETTER WORDS (2000)Director: Catherine BreillatWriter: Sean BakerStars: Henry Beylin; David Ari; Darcy Bledsoe; Fred BermanSYNOPSISA study of the post-adolescent male psyche looks at their views, attitudes, and language.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Lost with You, starring Disney Channel regular, Jake Short and star of All American, Madison Shamoun. The film is about two people of opposing viewpoints finding one another despite having differing opinions on almost everything. I think given the crazy times we're living in, this is a vibe that audiences are looking for. The film won Best Indie Film at the Los Angeles Film Awards late last year and just got a ridiculously rave review from Film Threat.Written and directed by first-time feature filmmaker Mike Southerly, the film was accomplishment in true guerilla filmmaker style without pulling a single permit despite filming at the Griffith Observatory, the Santa Monica Pier, and the Hollywood sign, among other iconic Los Angeles locales. It's a pretty great story how he was able to get this one into the end zone for under $200K. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

What if the biggest obstacle to your film career… isn't talent—but misunderstanding how the industry actually works?In this eye-opening conversation, Bill Ostroff—founder of one of the longest-running indie film festivals—pulls back the curtain on the hidden realities of film festivals, distribution, and why most indie films never reach an audience. From the explosion of fake festivals to the harsh economics behind entry fees, Bill exposes the truths filmmakers rarely hear before spending thousands chasing validation instead of strategy. This episode challenges the romantic idea of “just make a film and success will follow.” Instead, it reframes filmmaking as a business of positioning, branding, and audience-building. Bill reveals why 99% of indie films won't get theatrical distribution—and why that's not failure, but reality—and how filmmakers can still win if they understand the system.Because the real question isn't “Is your film good?”It's “Does anyone know it exists?”Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: LAST SUMMER (2023)Director: Catherine BreillatWriters: Catherine Breillat; Pascal Bonitzer; Maren Louise KäehneStars: Léa Drucker; Samuel Kircher; Olivier RabourdinSYNOPSISSuccessful lawyer Anne leads a happy life with her husband Pierre and their two daughters. But when she begins an affair with Theo, Pierre's son from a previous marriage, her career and family life are in jeopardy.

AVOD is where indie films are making money now. In this episode, I break down why ad-based video on demand platforms like Tubi, YouTube, and Pluto are becoming the biggest opportunity for indie filmmakers, why younger audiences prefer free content with ads, and how smart filmmakers can use AVOD strategy to increase revenue and improve film performance.

Masha Ellsworth is a Ukrainian-American storyteller, independent filmmaker, and leader in the animation industry. As a Lead Technical Director in the Characters Department at a top animation studio, she has spent over two decades bringing iconic characters to life in some of the most celebrated animated films.Beyond studio animation, she is deeply committed to independent filmmaking—using her craft to explore untold stories and cultural narratives. Born and raised in northern Ukraine, Masha brings a unique perspective to her work, blending technical expertise with a passion for art and storytelling. She holds dual degrees in Computer Science and Visual Art from Brigham Young University.

Send us Fan MailWe just returned from Iowa, after attending the Farm to Film Fest. Our film "A Connecticut Farmer and the King's Cow", was selected as one of the films to screen over the weekend event. The thing that stood out us, while in the town of Washington, was that it's obvious at this festival and the town itself, is that they love the arts.You know we gotta say it "Are we in Heaven?  Nope - We're in Iowa.Links:https://www.farmtofilmfest.org/Support the show

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: YEAST (2008)Director: Mary BronsteinScreenplay: Mary Bronstein; Greta GerwigStars: Mary Bronstein; Greta Gerwig; Benny SafdieSYNOPSISA maddeningly oblivious, tyrannical and emotionally stunted young woman tries her best to negotiate two toxic friendshipsSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

One of the most anticipated films being screened at the 2026 Dallas International Film Festival, Last Shot tells the story of a young basketball prodigy who faces grief over the death of his father and an estranged relationship with his mother.  Producer/Writer Tod Friedman & Director Andy Palmer join me to talk about this film and the personal elements that are there, especially for Friedman. Follow the film @hemlockcircle on IG and other platforms or go to www.hemlockcircle.com The highlighted charity this month is Kids & Art, using art to help children in cancer treatment. visit www.kidsandart.org to learn more an support their work. New patrons of the Broken Brain will have 50% of their monthly donation go to Kids & Art as long as they remain donors. www.patreon.com/brokenbrain 

486  Overview Daren Smith — indie film producer and founder of Craftsman Films — is back on the show, and he's bringing a whole new level of clarity on what it takes to build a sustainable creative business. He breaks down the MOVIE framework from his new book Blockbuster, shares the LinkedIn strategy that grew his audience from 800 to 12,000+ followers, and offers a totally fresh take on selling that doesn't feel like selling at all. If you've ever struggled with getting clients to say yes, or wondered how to stop spinning your wheels across too many platforms, this one's for you. Key Takeaways Pick one channel and go all in. Daren grew his LinkedIn following from 800 to 12,000+ in about 18 months by showing up consistently and targeting the specific audience he needed to reach — investors, not just filmmakers. Stop convincing, start listening. Rather than pitching what you want to make or sell, "dig for the demand" by asking clients what's frustrating them, what they wish were different, and what's keeping them up at night. Leverage other people's audiences. Getting a column on IndieWire — a site with 10 million monthly visitors — didn't happen overnight, but it started with a single DM and a year of showing up. That's the shortcut that doesn't feel like one. Use a filter for every opportunity. Daren evaluates every project with three questions: Is there leverage? Do I feel compelled to make this? And is it inevitable? If it doesn't clear all three, it's a no. About Daren Smith Daren is an independent film producer based in Utah, USA, who has produced four indie features and four seasons of television. Last year he had TWO films in theaters at the same time, which was a huge milestone. Currently, he's raising Producer Fund I, a $10M fund to produce the next 10 indie features, with the ultimate goal of creating a truly independent film ecosystem that benefits everyone - the investors, the filmmakers, the audience, and the industry at large. He's the founder of Craftsman Films, and the author of a number of books, his most recent being Blockbuster - How Independent Creators Can Build Massively Profitable Businesses. In This Episode [00:00] Welcome to the show! [05:13] Meet Daren Smith [06:47] Blockbuster [13:36] Visibility [16:18] Marketing [22:54] Go All In [26:35] Leverage [29:35] Indie Film [45:49] Having a Checklist [50:26] Connect with Daren [52:49] Outro Quotes "I'm not in the business of convincing people. If you convince somebody, you're running the risk of them being really upset if it doesn't go exactly the way they expected." — Daren Smith "The release of the thing is the start of the marketing. If you're really smart and strategic, you're actually doing marketing leading up to it — creating the tension that gets people to say, I have to have this." — Daren Smith "You're competing against everything else on the internet. Not just other people making movies — it's all of social media, all of AI, all of TV, all of gaming. You can make a really good thing and it can still fail if it doesn't reach enough people." — Daren Smith "I'm doing an exclusively family-friendly, values-based, meaningful media model. When I evaluate a project, I want filmmakers to know how I think — so that you're not saying yes to things you shouldn't be." — Daren Smith "Go all in on one channel until you reach a tipping point where it's kind of working on its own. None of mine were growing when they each got 10% of my time and energy." — Daren Smith Guest Links CraftsmanFilms.co — Daren's main hub (free digital copy of Blockbuster at craftsmanfilms.co/blockbuster) Find Daren online - LinkedIn Links Find out more about the Studio Sherpas Mastermind Join the Grow Your Video Business Facebook Group  Follow Ryan Koral on Instagram Follow Grow Your Video Business on Instagram Join the Studio Sherpas newsletter

Send us Fan MailThe needle is moving faster than ever in the film industry. In this episode of Film Hustlers, host Mark Roberts, Rod "Tuddy" Rinks are joined by veteran exec and producer  Ann Lewis Roberts to break down the radical shift from traditional gatekeepers to independent success.We dive deep into the "ultimate blueprint" for modern filmmakers: the story of Iron Lung, a film made by a YouTuber for $3M that bypassed streamers to gross over $52M globally. Whether you have 40 million subscribers or 400, the lessons on viral hooks, authenticity, and betting on yourself are universal.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: HAPPYEND (2024)Director: Neo SoraWriter: Neo SoraStars: Kurihara Hayato; Hidaka Yukito; Ayumu NakajimaSYNOPSISFriends Yuta and Kou, about to graduate, sneak into school. They pull off a terrible prank and face unforeseen consequences as graduation approaches.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

In Episode 79 of THE FILM SITUATION, Zef Cota sits down with producer, writer, and director Sean A. Reid for a grounded conversation about what it actually takes to get an independent film made. Sean breaks down his experience raising money, structuring deals, and navigating today's distribution landscape. From MGs and tax incentives to the surprising revenue potential of niche films on platforms like Tubi and YouTube, this episode offers a real look at the business side of filmmaking. He also shares insights on building a strong package, understanding your audience, and why investors are often betting on the filmmaker as much as the film itself.

Send us Fan MailJoining us to discuss their new film, Frankie, Maniac Woman, are director/co-writer Pierre Tsigaridis and co-writer and actress Dina Silva. We get into all the themes and personal connections to the film as well as the two creators personal connection to each other.FRANKIE, MANIAC WOMAN will be In Select Theaters April 24, 2026.Follow us on Social Media:  @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

Why do most indie films fail to make money? In this episode, we break down the real reason—filmmakers focus on production, not distribution—and how to build a clear path to sales, investors, and ROI from the start.

Send us Fan MailProduction Design is often the "invisible" art of filmmaking, but Hustler Robert Wise explains that everything the camera sees is a result of his work. Join the Huslers as they dive into the high-stakes world of the Art Department.From his early days on the iconic Blink-182 "All The Small Things" music video to managing Kanye West's Sunday Service with an Amex Black Card, Robert reveals what it really takes to build the world you see on screen.Robert is a production designer currently in consideration for a Guinness World Record for shooting 7 Christmas movies in 2025.If you've ever wondered how to get started as a PA, how to handle a difficult director, or how to "cheat" a shot for the camera, this episode is a class in set survival and creative problem-solving.Featured Guest: Robert Wise (Production Designer) Hosted by: Mark Roberts, Rod Rinks, and Davie Dave.

for the full episode join the Patreon [patreon.com/fashiongrunge] This is one of those films that hits you like a ton of 'bricks' (ha). When I first saw the trailer on a "Focus Features" DVD I knew this was one that I had to see. In Rian Johnson's directorial debut, this modern film noir weaves quite a knot that slowly unties throughout the course of the story. Joseph Gordon-Levitt carries every scene which reminded me of his other indie films in the early 00s that I loved so much. I get into why this story and visual style reminds me of Donnie Darko, how Focus Features was equivalent to A24 back in the day, the minimal normie yet important fashion, and try to work out the illogical parts of what the hell was actually going on. "Throw one at me if you want, hash head. I've got all five senses and I slept last night, that puts me six up on the lot of you." --- Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon!  Host: Lauren @lauren_melanie Follow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack: The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: ADOPT A HIGHWAY (2019)Director: Logan Marshall-GreenStory By: Logan Marshall-GreenStars: Ethan Hawke; Elaine Hendrix; Diane GaetaSYNOPSISWhen an ex-convict finds an abandoned baby in a dumpster, he gains a new lease on life, deciding to dedicate himself to making sure the child has a good life.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Want to get your film distributed by Angel Studios? In this in-depth conversation, Phil Cooke https://philcooke.com sits down with Jared Geesey (EVP of International Distribution at Angel Studios) to break down the Angel Studios submission process, how the Angel Guild works, and what filmmakers need to know to secure a distribution deal. If you're an indie filmmaker looking for film distribution opportunities, this episode reveals how Angel's audience-driven model is changing the industry—giving YOU the chance to get your project reviewed, improved, and potentially released in theaters. Watch now and transform your filmmaking career!

Join us for a conversation with writer/director Matthew Ninaber as we glaze his latest film, the dark fantasy horror flick available now on Prime, A Knight's War(2025)! A Knight's War: https://www.amazon.com/Knights-War-Matthew-Ninaber/dp/B0DVL52D1Y A Knight's War Blu-ray: https://www.amazon.com/Knights-War-Blu-ray-Matthew-Ninaber/dp/B0DPBGQQPZ TNC: https://linktr.ee/thenightclubSpecial Guests: Bostuna and Matthew Ninaber.

What does it really take to make a feature film when you don't have the system behind you?In this episode, SXSW filmmakers Lauren Noll and Dalia Rooni share how Same Same But Different came together, from early concept to production, through persistence, unconventional problem-solving, and complete creative ownership.This is a conversation about building momentum when nothing is guaranteed, and why creating your own work is often the only way forward.

On this episode we talk about the 90s indie film Habit. Directed by indie legend Larry Fessenden, Habit tells the story of Sam, a 30-ish alcoholic living in New York grieving after the loss of his father. Sam falls into a seductive relationship with Anna, a mysterious woman who may be a vampire. As his obsession with Anna continues, and his alcoholism, grief, and loneliness get worse, Sam's reality blurs as he descends into sickness. A pivotal movie of low-budget, indie 90s filmmaking, Habit continues our Degenerate Vampire marathon.Other topics include Fessenden's connection to the indie scene and Scorsese, degenerate vampires in Near Dark, physical media and Vinegar Syndrome, the influence of 90s indie filmmaking, the quality of the Jurassic Park sequels, out-of-print Criterion collection, new artwork, and post-2000s Spielberg movies leading up to Disclosure Day.Songs of the WeekSave You From Yourself by Just DessertsI Don't Know How But I Am by Jimmy LewisRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

What if the biggest obstacle to your film career… isn't talent—but misunderstanding how the industry actually works?In this eye-opening conversation, Bill Ostroff—founder of one of the longest-running indie film festivals—pulls back the curtain on the hidden realities of film festivals, distribution, and why most indie films never reach an audience. From the explosion of fake festivals to the harsh economics behind entry fees, Bill exposes the truths filmmakers rarely hear before spending thousands chasing validation instead of strategy. This episode challenges the romantic idea of “just make a film and success will follow.” Instead, it reframes filmmaking as a business of positioning, branding, and audience-building. Bill reveals why 99% of indie films won't get theatrical distribution—and why that's not failure, but reality—and how filmmakers can still win if they understand the system.Because the real question isn't “Is your film good?”It's “Does anyone know it exists?”Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: THE WOMAN IN THE FIFTH (2011)Director: Pawel PawlikowskiStory By: Douglas KennedyStars: Ethan Hawke; Kristin Scott Thomas; Joanna KuligSYNOPSISTom Ricks, estranged from his wife and daughter, travels to Paris to try and reunite with them, but he's left dejected when his wife slams the door in his face. Then, one evening, he meets Margit, a beautiful and enigmatic widow. They embark on a passionate affair - and she seems to have real faith in his creativity. Before long, a series of disturbing events begin to cast doubt on whether she is all she seems.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

In this episode, we welcome Chris Gore, founder and publisher of Film Threat. Chris shares the story behind building the defining indie film publication, plus his take on the state of independent cinema today. He also provides insights for up-and-coming filmmakers, breaks down many of his personal favorite movies, and much more.“The Making Of” is presented by AJA:MeyerPro bridges long-distance signal transport with AJAGo behind-the-scenes of MeyerPro's Microsoft Ignite live event production with Broadcast Engineer Cole Miller. Explore how he used AJA conversion, frame sync, and recording technology to facilitate seamless production on- and off-site, ensuring smooth signal transmission, support for multiple formats, and high-quality event recordings. Read the full interview.MLB Opening Day 2026YES Network Reimagines Stamford Studio With New LED Wall, Graphics Package, Software-Based WorkflowAs the New York Yankees open another highly anticipated season, YES Network is rolling out a significant upgrade to its Stamford, CT–based studio. Designed not just to modernize the look of its pre/postgame coverage, the tech upgrades will fundamentally enhance how the content is produced.Read more hereSee What's Next for Film & Video Production at NAB 2026OWC is in North Hall, Booth #N2373 with innovations built for the way you work — Thunderbolt 5 solutions, DIT workflow tools, Jellyfish shared storage, Innergize software, and a brand-new product launching exclusively at the show. Join us April 19–22 in Vegas. Learn more hereWhy Video Editors and Filmmakers Attend Post|Production World at NAB ShowPost|Production World is a leading post-production training conference at NAB Show Las Vegas. With 200+ sessions across seven tracks, creative professionals explore AI workflows, video editing, motion graphics, color grading, and emerging production technologies through expert-led sessions and hands-on workshops. Visit hereAJA: A Must-See at NAB 2026 for Production ProsAJA is heading to NAB 2026 with exciting new and field-tested products and updates that production pros won't want to miss out on. Find out why a stop by their booth in the North Hall (N1927) is a must. Check out AJA's What's New Page on Thursday, April 9.Enter the Altitude Awards 2026:The Altitude Awards celebrate exemplary women and gender non-conforming cinematographers, gaffers, & camera operators. Through this recognition, the awards not only honor outstanding craft and artistic excellence, but also spotlight established and emerging talent. Moreover, we're proud to have seen the careers of past finalists accelerate after their wins — they have gained increased visibility, new professional opportunities, and well-deserved recognition across the field. Learn more here ZEISS Aatma – Contemporary Full Frame Primes with a Soulful Legacy LookZEISS introduces the new Aatma, set of nine high-end full frame T1.5 cinema primes (18mm, 25mm, 35mm, 40mm, 50mm, 65mm, 85mm, 100mm, and 135mm) designed to marry the benefits of modern optical design with the nostalgic image characteristics that are popular today. Drawing inspiration from some of the most beloved ZEISS lenses of the 20th century, Aatma combines an emotion-driven look with the mechanical reliability, data integration, and workflow compatibility that's expected for current production. Visit hereA New Solution from Videoguys:Power your most demanding creative workflows with the G-RAID PROJECT 2, a high-performance 2-bay storage system built to handle massive 4K, 8K, and VR video projects with ease. Featuring 7200RPM Ultrastar enterprise-class hard drives, Thunderbolt 3 connectivity, and RAID 0 pre-configured for maximum speed and efficiency, it delivers fast data transfers up to 520MB/s to keep your editing and archiving workflows moving without interruption. If you're ready to expand your storage and streamline your production workflow, learn more about the G-RAID PROJECT 2 and other professional media solutions at Videoguys. Explore herePodcast Rewind:March 2026 - Ep. 126.Partner with The Making Of:Advertise your products or services in The Making Of newsletter and reach 250K film, TV and video industry each week. To learn more, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

In this episode of Filmmaker Mixer, filmmaker J.R. Stokes joins us to discuss Beautiful Pam, a stark and emotionally grounded film following addiction, identity, and survival.Stokes breaks down the creative and practical decisions behind the film—from working within tight constraints to building trust with actors and crafting empathy without sentimentality. Filmmakers will gain insight into portraying difficult subject matter with honesty, restraint, and purpose.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: CAPTAIN FANTASTIC (2016)Director: Matt RossScreenplay: Matt RossStars: Viggo Mortensen; Samantha Isler; George MacKaySYNOPSISBen Cash (Viggo Mortensen), his wife Leslie and their six children live deep in the wilderness of Washington state. Isolated from society, Ben and Leslie devote their existence to raising their kids -- educating them to think critically, training them to be physically fit and athletic, guiding them in the wild without technology and demonstrating the beauty of co-existing with nature. When Leslie dies suddenly, Ben must take his sheltered offspring into the outside world for the first time.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

In this episode of Mission Matters, Adam Torres co-host Stephen David Brooks, and guest Carole Bidault de l'Isle, Producer at MediaFusion Entertainment, discuss the launch of the All Things Indie segment, the evolving independent film landscape, and how meaningful stories get financed and brought to screen. Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: https://missionmatters.lpages.co/podcastguest/ Visit our website: https://missionmatters.com/ More FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

Detroit has always been a city of storytellers… and filmmaker Coke Horner is one of the creatives helping carry that tradition forward. In this episode of Shad vs Everybody, the crew sits down with the Detroit-based writer, actor, and director to talk about the grind of independent filmmaking and building a movie career straight out of the Motor City.Horner has been involved in several film and streaming projects, including titles like Perfect Murder, Street Legal, and Love of Fate, while continuing to produce and develop projects through his own production ventures.As a filmmaker and entrepreneur connected to companies like Yobachi Films and INIKO Entertainment, he's part of a growing wave of Detroit creatives producing independent films and pushing local stories onto streaming platforms.In this episode, Coke Horner breaks down:The journey from Detroit creative to working filmmakerThe realities of independent movie productionBuilding film projects and distribution in the streaming eraWhy Detroit is becoming a serious hub for indie filmmakersThe lessons learned from working both behind and in front of the cameraOf course, this is Shad vs Everybody, so the conversation goes everywhere—from filmmaking gems and Detroit culture to the unpredictable stories that come with chasing your dreams in the entertainment industry.Tap in and hear how Detroit filmmakers are creating their own lanes in Hollywood… without leaving the city.

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. In today's escapism episode, movie maven Hoffman begins with a recommendation of a new, very Jewy podcast, Classical Music Happy Hour with pianist Emanuel Ax. We then discuss the 2025 independent film, "Fantasy Life," written and directed by Matthew Shear. His directorial debut is produced by and stars Amanda Peet, Shear, and a slew of Jewish (or Jew-ish) actors, including Alessandro Nivola, Judd Hirsch, Bob Balaban, Andrea Martin and Zosia Mamet. Next, we turn to the classic Larry David series, "Curb Your Enthusiasm," which Borschel-Dan had never seen. Hoffman assigned her the iconic "Palestinian Chicken" episode. See how she liked it. Check out who got the "oy," the "meh" and the "not bad" marks in this week's The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

This week we're joined by writer/director Ian Tuason, whose new A24 horror film Undertone is creeping into theaters March 13. The film plays with a deceptively simple question: what if the scariest thing in a movie isn't what you see… but what you hear later? We talk with Ian about building tension through sound, the eerie psychology of playback and EVP recordings, and why something as innocent as a children's song can suddenly feel sinister when it's heard through fresh ears. He also tells us about filming the movie in his own childhood home, the challenge of creating tension with minimal visuals, and the trust it takes to let actors experiment when they're carrying so much of the film. Plus, we get into what excites him about stepping into the world of Paranormal Activity next. And of course, Ian builds his Spook'em Scare'em Starter Kit. Headphones recommended... COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Break out the spyglass! It’s time to forecast what is coming in 2026 We’ve got 2025 in the rear view window, and Hollywood has determined to not just relegate horror movies into the fall/Halloween schedule. Springtime apparently is a good time to have a big fear injection. So, we had to get the word out on movies you can anticipate coming to a theater near you! Admittedly, we’re out a little late this year. But, I would suggest we are just in time! Surprisingly, there are a lot of horror movies that are being released in late March. It also happens to be the eve of when many of the big genre film festivals get rolling. Sundance has just completed. SXSW is right on us now. Overlook is around the corner. So is Panic Fest. With these festivals, it sets the table for what you all can expect to come out this year. It becomes a bit of a guessing game for those of us who attend these festivals to predict what films are going to be on the schedule. Horror has proven to be profitable in what used to be a dead period for box office. Already, both Iron Lung ($50 million on a $3 million budget) and Send Help ($92 Million) opened up strong in January, traditionally the dumping ground for cast-off studio films. With the tremendous profitability and critical response to last year’s crop of films, we will see what will become this year’s banner carrier. My guess? Scream 7. There isn’t a studio backed big prestige movie like Sinners or Weapons this year, but I could very easily see a Neve Campbell led Scream 7 into a $300 million earner, much like Final Destinations: Bloodline from last year. If Scream 7 lives up to its potential, it could fly past that number. I don’t think that the effect of last year’s horror boom will be felt until next year’s crop. The studios didn’t have enough time to understand the influence until the season largely wrapped in October, well after prduction had wrapped for most films getting released for 2026. A Good Year for Indie Films? The indie horror films are in abundance this year. SXSW has a huge roster of genre films. Overlook just announced their roster, and so has Panic Fest. Usually there is a lot of overlap, but not so much this year. That suggests a wide variety and a lot of options out there. An that’s not taking into account the large Summer and Fall festivals like Frightfest, Popcorn Frights, and Screamfest. As usual, there will be films that we didn’t see coming because they come with zero fanfare, but end up surprising us with original storytelling or raw savagery. Better yet… both! We always summarize what we did from the previous year, and I think we actually did pretty well in our selections for 2025. You can check out last year’s predictions HERE. Will 2026 be as solid for Scariest Things selections? Listen in, and remember this come the end of the year! Episode 209: Looking Forward to 2026 Note… we announced this one episode off. Looking Forward To 2026: The Candidates Dolly (2026) Ready or Not 2: Here I Come (2026) Evil Dead Burn (2026) Hokum (2026) Hungry (2026) Ice Cream Man (2026) Lestat Season 3 The Mummy (2026) Obsession (2026) Scream 7 (2026) Sender (2026) Undertone (2026) Forbidden Fruits (2026) American Dollhouse (2026) Grind (2026) Drag (2026) Never After Dark (2026) Monitor (2026) And Her Body Was Never Found (2026) The Bride (2026) Buddy (2026) Chili Finger (2026) Cold Storage (2026) Faces of Death (2026) Family Movie (2026) Other Mommy (2026) Saccharine (2026) They Will Kill You (2026) Ugly Cry (2026) Break a Leg (2026) Frogman Returns (2026) Bagworm (2026) Anima (2026)

The mid-budget independent film model is collapsing — and most filmmakers don't see it coming. In this episode, I break down why $750K–$5M films are struggling, how the loss of DVD revenue and platform saturation changed the market, why B-list cast no longer guarantees sales, and why some producers believe $15M films are actually safer investments than $5M films. If you're raising capital or structuring your next indie film budget, this is essential listening.

We made it to Episode 500!

It's Festive Friday and we've got a wild holiday rom-com to discuss today! ABOUT THE CHRISTMAS DECOY A socially awkward man is bribed by his narcissistic best friend to run interference with a woman who won't leave him alone during the holidays. The Christmas Decoy is a rom-com full of mischief, mismatched intentions, and holiday heart. AIR DATE & NETWORK FOR THE CHRISTMAS DECOY August 24, 2025 | Streaming/Rental CAST & CREW OF THE CHRISTMAS DECOY Stephen Fisher as Jeff Wilkins Marguerite Haines as Sophia Wilkins Hope Harvard as Mia Barrett John Allen as Allen Bontrager BRAN'S MOVIE SYNOPSIS We meet Jeff as he jumps out of bed and starts singing Joy to the World. I guess he like owns a hotel and also lives there. He gets a call from someone named Jordan who tells him that she's not coming to help at the hotel this holiday season. Instead, she's sending a girl named Mia...someone who has a massive crush on Jeff since they were kids. The problem is Jeff can't stand Mia. So he's really mad about it so he drives to his buddy Allen's house. He has a request for him - will you work at my hotel for 2 weeks and work alongside her - run interference so I don't have to be around her? He pushes back because he doesn't want to take 2 weeks off of work but ultimately gives in. He starts to like her and they end up going on a date. One date leads to another date which leads to a kiss. Jeff starts getting jealous - he wants her to keep liking him even though he's not interested because he's a psycho. So he texts her to go to a movie and she says sure and then asks if Allen is coming. So he says yes. But at the movie, he tries to hold her hand. She's not interested. She holds Allen's hand instead. The next day, Allen tells Mia the truth about how he was only hired to run interference which makes her mad. He goes after her and tells her he loves her and they kiss. Jeff is forced to move on and says hi to the next girl who walks into the hotel. Who knows what'll happen next. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Writer and director Matthew McManus hangs out with us this week to talk about making movies with family, jumping from comedy into genre, and taking on the multiverse. From American Vandal to indie sci-fi with his brother Kevin, Matthew's always had a sharp sense of tone. With Redux Redux, starring his sister Michaela, the McManus siblings build a time bending revenge story that feels intimate, intense, familiar and like something we haven't seen before.  We get into collaborating with your siblings, shifting into darker spaces, handling big sci-fi ideas without losing the feeling, and why revenge stories are so hard to look away from. It's a really fun one. Some laughs, some process, some genuine movie love sooo… Come hang out!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.