Podcasts about Sub Pop

Brooklyn-based trio Nation of Language has an ardent-and-ever-expanding international audience for their danceable take on new wave, post-punk, and shoegaze. Expect new music from Nation of Language — now signed to Sub Pop(!) — throughout 2025. It begins with the exuberant “Inept Apollo.”  

The 1980s saw an explosion of independent record labels across the US, shaping the sound and spirit of underground music to this day. This week, Daniel House from Skin Yard and C/Z Records joins us as we dive into some of the finest labels whose DIY ethos, fearless experimentation, and raw energy broke away from the corporate music machine. One of the crucial American indie labels of the era was C/Z Records, the Seattle imprint that will forever be remembered as the second most important label in the burgeoning grunge scene. That being said, it was C/Z, not Sub Pop, who released the defining document of the new sound of the Pacific Northwest with 1986's Deep Six compilation - introducing Soundgarden, The Melvins, U-Men, Green River, Malfunkshun, and Skin Yard. Founded in 1985 by Chris Hanzek and Tina Casale, Skin Yard bassist Daniel House took over operation of C/Z in 1987, subsequently releasing music by Nirvana, Henry Rollins, Built To Spill, The Gits, Hammerbox, Presidents of the United States of America, 7 Year B---h, Coffin Break and many more. Skin Yard was a foundational band in the development of the grunge movement, not only due to the groundbreaking music they recorded between 1985 - 1991, but also the band members' other contributions to Seattle music. Aside from the aforementioned impact that House made with C/Z Records, guitarist Jack Endino would go on to produce and engineer some of the most enduring records of the era - including Nirvana's Bleach, and music by Mudhoney, Tad, Soundgarden, L7, and Screaming Trees. Lead singer Ben McMillan would form the band Gruntruck, and sadly passed away in 2008 at the age of 46. Drummer Matt Cameron is a world class musician who has been behind the kit for Soundgarden and, for the past 25 years, with Pearl Jam. Skin Yard Select is the brand new, limited collection of 14 songs loving curated by Daniel House and Jack Endino, culling tracks from their four studio albums, but also featuring enough rarities to please long-time fans. This beautiful package consists of seven individual 7" singles, each in their own sleeve and pressed on limited edition colored vinyl (or good ol' fashioned black). Get your copy now from https://skinyardselect.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the show, something different: an extra-sized Transmission that's been locked in the vault for years, a two-hour talk with singer/songwriter Damien Jurado.  Way back in 2022, host Jason P. Woodbury sat down with Jurado in the recording studio at Gold-Diggers in Los Angeles for a career spanning conversation, exploring the stories behind his oracular visions, his history, and his collaborators, including the late Richard Swift. The idea was that perhaps the talk would be chopped up for a mini-series, but the project never materialized—and instead this revealing talk was locked away on a hard drive, that is until now, as the time has come to share it via Transmissions. Woodbury been listening to Jurado's music for about 25 years; first encountering his 2000 Sub Pop release Ghost of David, a haunted album of lo-fi folk songs. Years later, Jurado's sound bloomed into psychedelia when he began collaborating with the late Richard Swift for 2010's Saint Bartlett, which was followed by the Maraqopa Trilogy, a series of psychedelic epics. Jurado has been on a tear since—sharing a string of self-produced recordings that include 2021's The Monster Who Hated Pennsylvania, 2022's Reggae Film Star, and three albums in 2023, Sometimes You Hurt the Ones You Hate, Motorcycle Madness, and Passing The Giraffes. Recently, he's expanded the view of these albums with a series of demo collections shared also by his own label, Maraqopa Records.   Jurado's songs are worlds meant to be lived in, full of strange characters in dream states, caught between the static on flickering TV channels, and with this episode, the penultimate, which is a fancy word for “second to last” of our 10th season, we explore those worlds with the man himself. You can read a ⁠⁠⁠⁠full transcript⁠⁠⁠⁠ of this conversation at Aquarium Drunkard, where you'll find 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. ⁠⁠⁠⁠Subscribe at Aquarium Drunkard. ⁠⁠⁠⁠ Stream a ⁠⁠⁠⁠playlist of bumper music featured on Transmissions⁠⁠⁠⁠, as well as selections from our guests. Transmissions is a part of the ⁠⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠⁠. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.

Hosts Jim DeRogatis and Greg Kot talk with author Cary Baker about the musical tradition of street performance, also known as busking. The hosts also review the solo album from TV On The Radio lead singer Tunde Adebimpe and hear feedback from listeners on recent episodes.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Arvella Gray, "John Henry," I Blueskvarter Chicago 1964, Volume Two, Jefferson, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Tunde Adebimpe, "Magnetic," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Ate The Moon," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Pinstack," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Drop," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Blue," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Somebody New," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "ILY," Thee Black Boltz, Sub Pop, 2025Tracy Chapman, "Stand By Me (Live At The Late Show With David Letterman)," Greatest Hits, Elektra, 2015Moondog, "Nocturne Suite Part 1," On The Streets of New York, Mississippi, 2019Cortelia Clark, "Bye, Bye, Love," Blues in the Street, RCA, 1966George Coleman, "Innocent Little Doggy," Bongo Joe, Arhoolie, 1969Fantastic Negrito, "Nobody Makes Money," Fantastic Negrito EP, Blackball Universe, 2014Violent Femmes, "Blister In The Sun," Violent Femmes, Slash, 1983Ted Hawkins, "Strange Conversation," The Next Hundred Years, Geffen, 1994Mary Lou Lord, "St. Swithin's Day," Real, Deep Music, 1993Lucinda Williams, "Ramblin' On My Mind," Ramblin' on My Mind, Folkways, 1979Dom Flemons, "Charmin Betsy," Black Cowboys, Smithsonian Folkways, 2018Emmylou Harris, "Crescent City," Cowgirl's Prayer, Asylum, 1993Stan Rogers, "Barrett's Privateers," Fogarty's Cove, Barn Swallow, 1977Tsunami, "In A Name," Deep End, Simple Machines, 1992See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nuestros adorados Nation of Language están dando un pasito más en su carrera. Acaban de fichar por Sub Pop y desde su nueva casa enseñan 'Inept Apollo', maravilloso como todo lo que han entregado desde que les empezamos a seguir la pista allá por 2018. Puedes apostar por más música nueva de parte de Nation of Language a partir de aquí y en este 2025.Playlist:Nation of Language - Inept ApolloSophia Kennedy - Imaginary FriendDJ Koze, Sophia Kennedy - Die Gondel!Sofia Kourtesis, Daphni - UnidosCaribou - VolumePinkPantheress - StarsKilo Kish - enoughGuitarricadelafuente - BABIECA!Claudio Montana - Life is PerfectoDJ Python, Jawnino, Organ Tapes - Dai BukiErika de Casier - MissArca - PutaObongjayar - JellyfishCheetah, Nia Archives - Get LooseJoe Goddard, SUKU of Ward 21, Dynamite MC - Image and StyleLittle Simz - YoungLoaded Honey - Don't SpeakEscuchar audio

The same year their Seattle cohorts made flannel globally sexy Mudhoney stayed local and loyal to their friends at Sub Pop and released Every Good Boy Deserves Fudge - an unrelenting pounder that sounds the beating heart of the Grunge Hunx Dynasty.

One of the all time great bands, L7 fused laugh out loud humor with a caveman punk aggression that made them stand out like a blistered sore thumb against the L.A. hair metal landscape of the late ‘80s. But they were chicks, man — so rather than be spoken about in the same righteous breath as the Stooges or the Ramones, the members of L7 had to put up with inane questions about Vixen(?!?). No matter. As with most awesome things, L7 are still here and their influence looms larger than ever. On this episode we talk to co-founder Donita Sparks about Matthew Sweet covers, Epitaph records, the siren song of LA surf music, Slash records, Sub Pop, yacht rock, Rock For Choice, Milwaukee book makers, fights at Exit, John Waters, SMELL THE MAGIC, and we play the best round of what's the best ever!

Esta semana, dedicamos una nueva sesión de Rebelión Sónica, al primer álbum del cantante estadounidense Tunde Adebimpe “Thee Black Boltz”, además de material de su banda madre, TV On The Radio. “Thee Black Boltz”, editado el 18 de abril por el sello Sub Pop, fue producido por Tunde Adebimpe y Wilder Zoby, y el productor ejecutivo fue Zoby, con producción adicional y contribuciones de Jaleel Bunton y Jahphet Landis de TV on the Radio. De acuerdo al texto de promoción, “"Thee Black Boltz" es la desesperada captura de Adebimpe de pequeños momentos de alegría en medio de la disonancia y la tristeza (…). Hacer este álbum, dice, fue su manera de procesar todo: “Era mi manera de construirme una roca o una plataforma en medio de este maldito océano””. Adebimpe agrega que “las chispas de inspiración/motivación/esperanza que brotan en medio -y a veces como resultado- de un profundo dolor, depresión o desesperación. Algo así como electrones que se acumulan en nubes de tormenta y chocan hasta que disparan un rayo e iluminan una salida, aunque sólo sea por un segundo”. Al final del programa, vamos al pasado en la historia musical de Adebimpe, ara escucharlo como parte de TV On The Radio, con música del tercer disco de la agrupación: “Dear Science” de 2008. Semana a semana, Rebelión Sónica sale al aire por radio Rockaxis a las 10 y 22 horas, con la conducción de Héctor Aravena.

Seattle's music scene is well known and overflowing with talent across a wide range of genres. But there's one local record label with a worldwide reputation that produced the sound of the city – Sub Pop Records. CEO Megan Jasper sat down with Jon to talk about the evolution of Seattle's music industry; how she came to lead this legendary label; Sub Pop's “no a-holes” policy; her favorite venues; new albums on the horizon and more. Join us for Seattle City Makers with Jon Scholes and guest Megan Jasper. 

Edith Frost, en octobre 2024, sur un banc du Pease Park de sa ville d'Austin, dans le Texas. © Samantha Tellez EDITH FROST. SOMETHING ABOUT THE WAR – 3:00In Space, Drag City, 2025 MARIKA HACKMAN. TEMPORARY LOAN – 3:55Covers, Sub Pop, 2020 TANYA DONELLY. BETWEEN THE BARS – 2:20Say Yes!: A Tribute to Elliott Smith, […] Cet article Errance #185 : de Edith Frost à Michael Kiwanuka est apparu en premier sur Eldorado.

Ihr letztes Album «Up And Away» läutete für die griechische Musikerin Σtella eine neue Ära ein: Vertrag beim Kultlabel Sub Pop und millionenhohe Streamingzahlen. Nun folgt ihr entschleunigter Nachfolger «Adagio»: eine tiefe Meditation über die Kunst der Langsamkeit, erstmals auch auf Griechisch.

On Tuesday August 21, 2012, at 3:30 pm ET, I spoke with Josh Tillman, who'd left a popular band called Fleet Foxes to venture out on his own. He called himself Father John Misty and earlier that spring, Sub Pop had released his acclaimed debut album, Fear Fun. Josh and I had a talk about its meta- and philosophical themes, why he name dropped people like Neil Young and Jean-Paul Sartre, the novel he'd written, why he left Fleet Foxes, his interest in comedy, what his favourite Bob Dylan song was and under appreciated and over discussed aspects of Dylan's work, future plans, and more. To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).Related episodes/links:Ep. #937: Mouth CongressEp. #898: Jon Benjamin – Jazz DaredevilEp. #828: ‘Bob Dylan: Mixing Up the Medicine' with Mark Davidson & Parker FishelEp. #744: Don PyleEp. #691: The Kids in the HallEp. #512: Kevin McDonaldEp. #439: Bruce McCulloch and Paul MyersPatti Smith (2007) – TeaserSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Dans les années 90, Skin Graft s'impose comme l'un des labels les plus emblématiques de l'underground américain, aux côtés de géants comme Dischord, Touch And Go, Amphetamine Reptile ou Sub Pop. Ce label, véritable symbole de musique audacieuse et innovante, est aussi reconnu pour la qualité irréprochable de ses productions. Acquérir un disque SKiN GRAFT, c'est bien plus que découvrir un univers sonore unique, c'est aussi posséder un objet soigneusement conçu, original, et résolument décalé. Avec une identité forte et des choix artistiques audacieux, Skin Graft est devenu une référence incontournable, à la hauteur des groupes qu'il signe, tels que Melt-Banana, Dazzling Killmen, Zeni Geva, Mount Shasta ou Arab On Radar. Skin Graft est né de la collaboration entre Mark Fischer et Rob Syers, tous deux passionnés de punk hardcore et d'arts visuels. En 1986, ils lancent le fanzine Skin Graft Comix, tiré à 500 exemplaires, qu'ils diffusent lors de concerts et dans les boutiques de disques. Ce fanzine pose les bases de l'esthétique unique qui définira plus tard le label. Fischer, déjà passionné de dessin avant même d'apprendre à écrire, quitte sa ville natale pour Chicago après le lycée, où il apprend l'impression offset. Cette technique, qui consiste à transférer l'image d'une plaque métallique à un rouleau en caoutchouc puis sur du papier, offre une impression de haute qualité et une grande précision. Il met cette compétence à profit pour la pochette de la première sortie du label en 1991, un split de Dazzling Killmen et Mother's Day. Si le fanzine était un projet commun, le label devient rapidement une aventure personnelle pour Fischer, qui choisit désormais seul les groupes à signer. Rob Syers, de son côté, apporte sa touche à l'identité visuelle du label en créant des pochettes et en travaillant sur des projets comme la compilation Sounds to Make You Shudder. Très vite, Skin Graft s'impose comme un acteur majeur de l'underground américain. Comme beaucoup d'autres labels, Skin Graft a dû faire face à d'importants défis de production, surtout avec l'allongement des délais de fabrication des disques depuis la pandémie.Malgré ces difficultés, Skin Graft continue d'explorer différents formats, en adaptant ses artworks pour chaque support. Fischer accorde une attention particulière à la conception des pochettes, jouant sur les contraintes et les possibilités offertes par les digipacks, les vinyles et les cassettes. Il adapte chaque artwork en fonction du format, en exploitant au mieux les spécificités de chacun, comme avec l'album Turbo Mattress des Chinese Stars, qui est sorti exclusivement en CD sous la forme d'un shuriken. Skin Graft reste un label dynamique et créatif. Mark Fischer, fidèle à l'esprit du label, continue d'innover tout en explorant de nouveaux horizons. Pour sa 150e référence, le label a sorti en 2023 une compilation d'Halloween, Sounds to Make You Shudder. Une véritable occasion pour Fischer de rassembler des contributions exclusives d'artistes comme Lovely Little Girls et Upright Forms, avec en prime une introduction de David Yow (The Jesus Lizard). Avec cette sortie, Skin Graft prouve qu'il demeure une référence incontournable dans la scène underground américaine. Dazzling Killmen/Bone Fragments Point Line Plane/Adult contempt Cheer Accident/Done Melt-Banana/Plot in a Pot U.S. Maple/Letter to ZZ Top Terms/Long Dead Fog Lovely Little Girls/Shadow of Bees Arab On Radar/Number Five Xaddax/Lives On Nerves Made In Mexico/Solanas Buñuel/Drug Burn

This week we are joined by Jay and Clifton of the podcast Your Music Saved Us. We assigned them the year 2006 and they selected The Thermals third full length album, The Body, The Blood, The Machine. CW: there are accusations towards one member of the band that we do address a few times through the episode.https://yourmusicsavedus.com/https://www.facebook.com/groups/yourmusicsaveduspod/https://www.instagram.com/your_music_saved_us/Join our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, written content, outtakes, producer exclusive polls, and moreYou can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopodMajor Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:The Thermals - Here's Your FutureThe Thermals - A Pillar of SaltThe Thermals - Returning to the Fold

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Kim Thayil from Soundgarden, 3rd Secret, and Nudedragons is here to discuss how the roots of Sub Pop and Seattle's sound are in Illinois, growing up as Indian guys in a rather white underground rock world, his foreword for the new Lollapalooza book and the festival's positive and negative impacts on independent culture, the story behind 3rd Secret, whether people got Soundgarden's sense of humour, if Soundgarden's members will play together again, fascinating updates about yet-to-be released Soundgarden material recorded before Chris Cornell's tragic death, Cornell's remarkable coordination as a singer playing complicated guitar parts, future plans, and much more.Support vish on Patreon! Thanks to Blackbyrd Myoozik!Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #953: Steve Moriarty from the GitsEp. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #922: The Saints '73-'78Ep. #910: The Hard QuartetEp. #902: David Yow from The Jesus LizardEp. #868: Kathleen HannaEp. #812: Michael Azerrad on ‘The Amplified Come As You Are – The Story of Nirvana'Ep. #764: MudhoneyEp. #38: Krist NovoselicEp. #24: Steve AlbiniSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Episode 216: with Ronnie Barnett of The Muffs.  He talks to us about Jughead and Ronnie First Meeting on the Buck, Muffs, and Lillingtons tour in 1999, Lisa Marr and Cub, Ronnies Record Store Career and Venturing into Rock Criticism, On Moving to LA for Love and the Beginning of The Muffs, The Influence of Older Brothers, Major Label Talk, Working with Sub Pop and Fat Wreck Chords, Our Mutual Distain for Warped Tour, Kim was a Perfectionist, Kim Shattuck Plays with The Pixies and her Battle with ALS, Small Talk about White Flag, plus much muff muff much more!Jughead's Patreon

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Steve Moriarty from the Gits is here to discuss his book, Mia Zapata & The Gits: A Story of Art, Rock, and Revolution, his literary influences, his issues with the true crime industry and why he wanted to tell the Gits' story from his own perspective, the band's unique rhythm section and why the Gits still stand out, a chaotic attempt to hang out with Nirvana and speak with Kurt Cobain when their bands played together, love from Kathleen Hanna and the Gits' influence on subsequent bands, the Sub Pop reissue of their debut album Frenching the Bully, future plans, and much more. Support vish on Patreon! Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #945: The GitsEp. #922: The Saints '73-'78Ep. #875: Ann PowersEp. #868: Kathleen HannaEp. #812: Michael Azerrad on ‘The Amplified Come As You Are – The Story of Nirvana'Ep. #496: Iggy PopEp. #393: Captain Sensible of The DamnedEp. #38: Krist NovoselicSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Hosts Jim DeRogatis and Greg Kot welcome Eric Johnson of long-running indie folk band Fruit Bats for an interview and performance. The hosts also review the debut album from punk shock activists, Lambrini Girls.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Fruit Bats, "When U Love Somebody," Mouthfuls, Sub Pop, 2003The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Lambrini Girls, "Bad Apple," Who Let the Dogs Out, City Slang, 2025Lambrini Girls, "Nothing Tastes As Good As It Feels," Who Let the Dogs Out, City Slang, 2025Lambrini Girls, "Scarcity Is Fake (communist propaganda)," Who Let the Dogs Out, City Slang, 2025Fruit Bats, "Rushin River Valley (Live on Sound Opinions)," A River Running To Your Heart, Merge, 2023Fruit Bats, "Today," Siamese Dream, Turntable Kitchen, 2020Califone, "Bottles and Bones (Shades and Sympathy)," Roomsound, Perishable, 2001Fruit Bats, "We Used To Live Here (Live on Sound Opinions)," A River Running To Your Heart, Merge, 2023Fruit Bats, "Humbug Mountain Song (Live on Sound Opinions)," Absolute Loser, Easy Sound, 2016Fruit Bats, "When U Love Somebody (Live on Sound Opinions)," Mouthfuls, Sub Pop, 2003Chumbawamba, "Tubthumping," Tubthumper, EMI, 1997See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Matt Dresdner and Andy Kessler from the Gits are here to discuss the 2025 Sub Pop reissue of their excellent 1992 debut album, Frenching the Bully, moving to Seattle in 1989 before Nirvana broke, youthful record store hangouts, rock god encounters, CBGBs shows, and seeing Descendents, why Andy initially despised Matt, recalling their late bandmate Mia Zapata, where the Gits might've taken their music, if they see their influence in younger musicians, whether there're more stories to tell about the Gits, a Bob Dylan tangent, this weekend's Gits celebrations, future plans, and much more. Support vish on Patreon! Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #929: Bill Stevenson from Descendents, ALLEp. #900: Fugazi and Jem CohenEp. #875: Ann PowersEp. #872: Mike Watt and Papa MEp. #868: Kathleen HannaEp. #812: Michael Azerrad on ‘The Amplified Come As You Are – The Story of Nirvana'Ep. #764: MudhoneyEp. #109: Jello BiafraSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

"Run With Me" The Ontario-born Bry Webb formed the underground outfit The Constantines out of the ashes of the emo band Shoulder in 1999. With their jagged guitars, tribal drums, snarling bass lines and Webb's ferocious vocals along with his poetic lyrics, The Guelph-based Constantines were one of those rare bands that seemed to arrive fully formed. From 2004 to 2008, the Juno-award nominated Constantines put out four brilliant albums--their eponymous debut, Shine A Light, Tournament Of Hearts and Kensington Heights. And there's not a false note to be found anywhere--the syncopated rhythms, musical intensity and the sheer muscle and heart that powered every song brought to mind everyone from Fugazi to the Minutemen to The Replacements. This is a partial list of their highlights; they toured with The Tragically Hip and The Weakerthans, were signed to Sub Pop, played Lollapallooza, the Vancouver Olympics and a gig at the legendary Massey Hall. With the band on hiatus, Webb formed a band called The Harborcoats and put out three brilliant solo albums--Free Will, Provider and Run With Me. Redolent with raw intimacy, sensitivity, and poetic grace, Webb's solo work rings with as much conviction as his work with The Constantines. He's been nominated for a Genie Award, he contributed a track to This American Life and he sang back-up on Feist's album Metals. I can't say enough about this guy--he's a towering force and whether he's belting out anthems or staying low in the pocket to deliver some of the most stirring acoustic numbers you've ever heard, Bry Webb is a giant talent who is one of my all-time favorites. His body of work means everything to me and his presence on this show is nothing short of humbling. And he's one of the nicest dudes ever. www.brywebb.com (http://www.brywebb.com) www.brywebb.bandcamp.com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers IG: @emberspodcast Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com

When Scott and William Goldsmith first met in 1993, Local H and Sunny Day Real Estate were sharing a bill at the Avalon in Chicago (RIP). The next day, Sunny Day went into Idful studios with Brad Wood and started recording one of the best and (turns out) most influential indie-rock records of the ‘90s. Who knew? On this episode we talk to Will about Sub Pop, Neil Peart, Emo, hardcore, walking away, coming back, being in a band as a child versus being in a band as an adult, Will's brother Brian, Will's band Assertion, Greg Suran, Lionel Ritchie, and then we pick the best music from David Lynch movies. Silencio!

This week's episode is a Patreon sponsored one brought to us by our friend Zach. He chose The Gits debut full length, Frenching the Bully from 1992.If you too would like to choose an album we dedicate an entire episode to, head over to patreon.com/punklottopod and sign up for our $10 tier. A one time $10 donation and you choose the album we discuss on the show.We also have a $1 bonus audio tier, and a $5 Producer / Listening Club tier Major Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:The Gits - AbsynthThe Gits - Another Shot of Whiskey  The Gits - Slaughter of Bruce

Every year, host Greg Kot makes a mixtape of new songs to express his feelings about the past year. Greg shares a selection of that mix and the rest of the show staff look at other top singles of 2024. Plus, the hosts remember a few other musicians we lost in 2024.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Chappell Roan, "Good Luck, Babe!," Good Luck, Babe! (Single), Island, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967King Crimson, "21st Century Schizoid Man," In the Court of the Crimson King, Island, 1969The Allman Brothers Band, "Ramblin' Man," Brothers and Sisters, Capricorn, 1973Slim Dunlap, "The Ballad of the Opening Band," The Old New Me, Medium Cool/Twin/Tone, 1993Marlena Shaw, "Woman of the Ghetto," The Spice of Life, Cadet, 1969Beyoncé, "16 CARRIAGES," Cowboy Carter, Parkwood and Columbia, 2024Sabrina Carpenter, "Espresso (Mark Ronson x FNZ Working Late Remix)," Espresso (Mark Ronson x FNZ Working Late Remix) (Single), Island, 2024Kabin Crew, "The Spark (feat. Lisdoonvarna Crew)," The Spark (feat. Lisdoonvarna Crew) (Single), Rubyworks, 2024Charli XCX, "Girl, so confusing featuring lorde," Brat and It's Completely Different but Also Still Brat (Single), Atlantic, 2024Geordie Greep, "Holy, Holy," The New Sound, Rough Trade, 2024Shaboozey, "A Bar Song (Tipsy)," Where I've Been, Isn't Where I'm Going, American Dogwood and Empire, 2024Wussy Duo, "Cellar Door," Cellar Door EP, Shake It!, 2024La Luz, "Strange World," News of the Universe, Sub Pop, 2024Trupa Trupa, "Sister Ray," Sister Ray (Single), Self-Released, 2024The Bug Club, "Lonsdale Slipons," On the Intricate Inner Workings of the System, Sub Pop, 2024Lambrini Girls, "God's Country," God's Country (Single), City Slang, 2024Tunde Adebimpe, "Magnetic," Magnetic (Single), Sub Pop, 2024The Unfit, "Who's in Charge," Disconnected EP, Share It Music, 2024The Jesus Lizard, "Hide & Seek," Rack, Ipecac, 2024Shellac, "Chick New Wave," To All Trains, Touch And Go, 2024Horsegirl, "2468," 2468 (Single), Matador, 2024X, "The Hungry Wolf," Under the Big Black Sun, Elektra, 1982See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Daniel House of CZ Records had a pivotal role in the Seattle music scene of the 1980s and early 1990s, including his work with Skin Yard, his time as a key employee at Sub Pop Records, and working with influential bands like Nirvana, Melvins, Soundgarden, the "Deep Six" compilation and lots more. Topics Include: Introduction of Daniel House and CZ Records New Skin Yard seven-inch box set announced History of Ten Minute Warning band Formation of Skin Yard with Jack Endino Forming the seven-inch box set idea Deep Six compilation's initial release discussed UMen added to Deep Six compilation Chris Hanzsek starts CZ Records then transitions out Deep Six compilation initially sells poorly Daniel House takes over CZ Records operations A&M Records purchases Deep Six compilation masters Working simultaneously at Sub Pop and CZ Records Creation of Sub Pop's direct-to-retail store network House builds Sub Pop's international distribution connections Nirvana's Mexican Seafood track on Teriyaki Asthma Confrontation with Geffen Records over Nirvana tracks Missing songs on Bleach cassette recall story Sub Pop focusing marketing efforts on Mudhoney Early Seattle scene was small and intimate Current Skin Yard Select box set details Pink and red vinyl pressing information Production quality control issues at pressing plant Discussion of box set pricing and production costs Interview wrap up Order "Skin Yard Select" box set here. Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

This week, we are joined by legends Jeff & Steven McDonald of REDD KROSS and Andrew Reich, the director of the new Redd Kross documentary ‘BORN INNOCENT: THE REDD KROSS STORY.' A band very close to my heart and record collection, we discussed so much in this episode, including the Elks Lodge Punk Rock riot and the story of their parents rescuing them from it, Andrew's gateway into hearing the band for the first time, Jeff's early hair regiment and the moment the band decided they would cut their hair no more, their shows with Black Flag and The Go-Go's, the brother dynamic and what it's like starting your band at age 11 and 15, convincing their parents to drop them off at punk rock shows and how hard was it to get their parents to agree to be in the movie, how the film took almost 10 years to complete and what made Andrew want to be the one to direct it, the brother dynamic, the magic in how Redd Kross write songs, razzamataz, the cover art of Born Innocent, reclaiming the fun after the traumas of their youth, garbage culture, Beyond The Valley Of The Dolls and discovering Pink Flamingos, how video stores saved our young minds, what it was like acting in the Lovedoll films, Anarchy 6 (The Rutles of hardcore punk), their massive influence on the American underground and what later became grunge, Sub-Pop, working with Geza X and being out of their minds on drugs while recording theTeen Babes from Monsanto LP, the multitude of band members that have gone through the ranks of the band over the years, Bowie being at their first nightclub show, could Redd Kross ever existed anywhere else but L.A., breaking down their tragic show at the legendary CITY GARDENS venue, the night Jeff taunted the Suicidal Tendencies crew, the power and safety of wearing a guitar on stage, who would play Redd Kross in the big screen biopic version of their story and so much more!So blow a kiss in the wind and let your hair grow long on this week's episode of Revolutions Per Movie!!!REDD KROSS: https://www.reddkrossfilm.com/https://reddkross.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

On this week's Talkhouse Podcast we've got a pair of performers—and also friends—who recently collaborated on a great single: Suki Waterhouse and Ashe. Waterhouse came into the public eye as a model and later an actress, but she's always had a passion for music: As you'll hear in this chat, she started recording songs before she had any notion that they might end up out in the world. Her slightly subdued Sub Pop debut came out in 2022, after which she had a sort of unexpected viral hit with an older song called “Good Looking.” A second album, the more upbeat Memoir of a Sparklemuffin, came out just a few months ago, and she's been on tour behind it while also juggling new motherhood. In fact, she Zoomed into this conversation while visiting her movie-star dude in Boston before heading out to play more shows. (You can Google the boyfriend if you must know.) The other half of today's conversation is Ashe, a Nashville-based songwriter who had a pretty big hit with her 2019 song “Moral of the Story” and another a couple of years later with Finneas, “Till Forever Falls Apart.” But the grind of success forced Ashe to hit the brakes on her career for a bit in order to regroup and hang on to her sanity. But a collaboration with Waterhouse lit the spark for Ashe once again, and she came back this year with a great record called Willson—and retook the stage to perform their song, “Pushing Daisies” at the Greek Theater. Check out that song right here. In this lively chat, Waterhouse and Ashe talk about the intensity of performing live in front of thousands of people, about how Suki is having fun playing the more lively songs from her new record, and about the need to not overschedule yourself, even when the pressure is on. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Suki Waterhouse and Ashe for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.

The Gits were an early 90s Seattle band. Seattle's Sub Pop records has recently launched a campaign to rerelease remastered versions of The Gits' catalogue. So much of the band's story has been wrapped around the 1993 rape and murder of The Gits frontwoman Mia Zapata. In a conversation at KEXP's Gathering Space, Emily Fox speaks with The Gits guitarist Andy Kessler and bassist, Matt Dresner about the band's story, legacy and the life of Mia.Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

We recently had the exciting opportunity to engage with Trey Busch, one of the visionary founders of Sleight of Hand Winery nestled in Walla Walla, Washington. Accompanying us was Sommelier Krista French and Robby French from Stylus Wine & Vinyl Bar, our local experts in wine and music. Since its founding in 2007, Sleight of Hand Cellars has emerged as a standout among Washington State's new wave of wineries. Recognized as one of "The Next Cult Wineries" by Seattle Magazine and celebrated in Wine Spectator, several of their superb wines—including the acclaimed 2015 Levitation and 2016 Archimage—have secured spots on various prestigious industry "Top 100" lists. For wine and music enthusiasts, the winery's tasting rooms offer an unforgettable experience. With over 3,000 albums spanning a multitude of genres, both the Walla Walla and Seattle locations feature turntables spinning vinyl records, creating a unique ambiance. At their Walla Walla property, visitors can relax in the Wine Club Lounge while savoring heavenly, high-quality wines. Plus, there's a cozy vinyl shop to explore as you enjoy your tastings. The Wine Illusionist Society is thrilled to partner with the iconic Sub Pop Records in Seattle. With every shipment, the Society delights members by providing the latest and greatest tracks from Sub Pop as digital downloads, ensuring the perfect soundtrack to accompany your wine experience! For more details, visit sofhcellars.com and discover the magic of Sleight of Hand Cellars. A heartfelt thank you goes out to Robby and Krista French and the incredible staff at Stylus Wine and Vinyl Bar. Visit styluswineandvinylbar.com for more information.

This week, we are joined by New Zealand musician & composer LUKASZ PAWEL BUDA (Hunt For The Wilderpeople; The Phoenix Foundation), who picked the Dave Markey music documentary 1991: THE YEAR PUNK BROKE to discuss. We talk about discovering Nirvana & Sonic Youth, what it's like for Luke to compose music for director Taika Waititi's films, 1991's director Dave Markey's history with SST records, Luke taking the teenage trek to see grunge bands live and does Pearl Jam count as a grunge band, how this movement captured in the film eventually became a world wide sensation, the Sonic Youth Goo VHS tape, Thurston's stream of conciousness rants in the movie, the start of documenting everything with film & video, how Sonic Youth did not come off as goofballs on their albums but did in their videos, Meat Puppets Up On The Sun, the Sub-Pop situation, selling out, Jawbreaker, what was selling out in New Zealand like, Flying Nun Records, Bad Moon Rising, the ceiling of the underground, Nirvana's Bleach, hearing Smells Like Teen Spirit for the first time, Chris's Sub-Pop band playing with Mudhoney and Nirvana the day their album went gold, seeing Sonic Youth wearing shorts, The Crucifucks, Steve Shelley's drumming, Markey's knack of knowing where to film at any given moment, the incredible coolness of Kim Gordon, how the film gloriously shows how Sonic Youth actually made these songs come to life, how impressive it is that Sonic Youth could still hold onto what made them singualr while moving into a more accessable world, Miles Davis' Bitches Brew, how Nirvana ecplised Sonic Youth's popularity by the time this film came out, Courtney Love, the overwhelming Redding Festival lineup that year, how the Super 8mm format enhanced the film, blind spots in musical cultutre, The Pixies and the melancholy that happens as your tour ends.So grab the tiny mic and scream straight into the camera on this week's episode of Revolutions Per Movie!!!LUKASZ PAWEL BUDA:https://thephoenixfoundation.bandcamp.comhttps://www.monikermusic.nethttps://lukebuda1.bandcamp.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Father John Misty is a musician currently living in Northern California. His wonderful new record, Mahashmashana, is out today on Sub Pop. We chat about TJ landing in NY and heading straight to Tory Burch for a cosmo, heated floors, failed selfies, a quick rundown of the Coachella lineup, lego biopics, M. Night Shyamalan's Topanga Canyon, disingenuous slacker-rock, radio programmers wish his lyrics were easier to understand, trying to impress Neil Young at Rick Rubin's house, why he bought a hearse, funky drum breaks, more J*lly Roll, the time he won a grammy, Gelson's Market, banging a gong in the desert on mushrooms, and the best sync talk we've ever had. instagram.com/fatherjohnmisty twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It's an election day bonus episode! Today we're gonna be digging way back in the archive to episode 4: Focusing on Margo Guryan. This was recorded in early 2019, when I was still figuring out this show's format.  At that time, it consisted of panelists with a shared interest (Andrew Dorsett and Michael Sean Coleman) nerding out about a favorite artist, and sometimes we'd get the chance to talk to the artist or somebody who was close to them. Margo Guryan passed away three years ago, and at the time of recording she did not agree to an interview, but she and I had some email correspondence that was helpful in researching her, and she put me in touch with her publisher, Jonathan Rosner, who also happens to be her stepson, who joined us about halfway through the show. I've re-edited that admittedly rough episode to make it more digestible, and at the top of the show I spoke with Jonathan again about the latest renaissance of Margo's music- two new reissues, plus a tribute album called “Like Someone I Know" which features Pearl And The Oysters, TOPS, Margo Price, Clairo and many others, available from Sub Pop and Urban Outfitters. Low Profile is supported by you on Patreon.com/lowprofile where you can sign up for flexible monthly donations that afford me the time it takes to research, record and edit this program. If you enjoy this show and can afford to contribute anything at all, it would be extremely helpful. It adds up in a big way. Believe me, I know things are tight, so if you can't chip in financially, please tell somebody you know about a favorite episode of Low Profile and share it on the internet. If you are in a position to donate, that address again is patreon.com/lowprofile  Thanks to this show's in-kind sponsors here in Olympia, including Three Magnets Brewing Company, Rainy Day Records, Old School Pizzeria, San Francisco Street Bakery, and Schwartz' Deli- if you come through Olympia these are all excellent places to visit.

This week, hosts Jim DeRogatis and Greg Kot welcome progressive rock band Umphrey's McGee for a live session recorded at the Goose Island Salt Shed Pub. They also review the new album from Alan Sparhawk of Low.Watch Videos of the performance on our YouTube channel: https://www.youtube.com/user/SoundOpinionsListen to the full, unedited Umphrey's McGee interview and performances on our Patreon: https://bit.ly/3slWZvcJoin our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Umphrey's McGee, "In The Kitchen (Live on Sound Opinions)," Anchor Drops, SCI Fidelity, 2004The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Alan Sparhawk, "Feel Something," White Roses, My God, Sub Pop, 2024Alan Sparhawk, "Heaven," White Roses, My God, Sub Pop, 2024Alan Sparhawk, "Get Still," White Roses, My God, Sub Pop, 2024Umphrey's McGee, "Hourglass (Live on Sound Opinions)," Similar Skin, Nothing Too Fancy, 2014Umphrey's McGee, "Pure Saturation (Live on Sound Opinions)," Asking For A Friend, Ineffable, 2022Umphrey's McGee, "Cut The Cable (Live on Sound Opinions)," Similar Skin, Nothing Too Fancy, 2014R.E.M., "Orange Crush," Green, Warner Bros, 1988See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mac McCaughan of Superchunk and co-founder of Merge Records shares insights into the label, being a record collector, "Peak Vinyl" limited vinyl releases, vinyl production, Superchunk's upcoming tour in Australia and heaps more.  Topics Include: We welcome Mac McCaughan from Superchunk and Merge Records. Mac's upcoming tour in Australia to celebrate Foolish's 30th anniversary. Playing songs from multiple albums instead of full album sets, mixing up live performances. Mac's extensive vinyl collection and love for record collecting. Recent Japan trip, grabbing Japanese jazz records Record store treks while touring and discovering rare finds. Merge Records' inspirations from indie labels like Dischord and Sub Pop. Emphasizing affordable, fan-focused pricing for Merge releases. Mac's approach to managing Merge as an artist-driven label. Importance of creativity and quality in Merge's artist partnerships. Record label survival and growth strategies and adapting to changing music industry landscapes. Evolution of 7-inch singles over last 40 years Mac is kind of surprised on vinyl's comeback and staying power The rising costs of vinyl production. Navigating fan interest in coloured versus black vinyl releases. Merge's “Peak Vinyl” concept for collectors' special editions. Handling vinyl production challenges and partnerships with pressing plants. Vinyl costs are starting to slow down record purchases – capacity of vinyl pressing plants What was difficult about moving from musician to record label owner? Records that fell short of expectations How Mac and Merge team listens to artists for potential Merge engagement Listening past the budget/lo-fi qualities of demo recordings Mac's response to hearing Neutral Milk Hotel Reflecting on follow-ups to “In the Aeroplane Over the Sea”. Australian record stores / Mac's want list Interview wrap up See Superchunk in Australia, here be the tickets Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

This week, hosts Jim DeRogatis and Greg Kot celebrate the spooky season by revisiting their favorite songs about witches and ghosts.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Head and the Heart, "Ghosts," The Head and the Heart, Sub Pop, 2011The Beatles, "With a Little Help from My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Kinks, "Wicked Annabella ," The Kinks Are the Village Green Preservation Society, Pye, 1968Donovan, "Season of the Witch," Sunshine Superman, Epic, 1966Jethro Tull, "The Witch's Promise," The Witch's Promise (Single), Chrysalis, 1970Martha and the Vandellas, "Mobile Lil The Dancing Witch," Dance Party, Motown, 1965Monster Magnet, "19 Witches," Powertrip, A&M, 1998Radiohead, "Burn the Witch," A Moon Shaped Pool, XL, 2016Bettye LaVatte, "Witch Craft in the Air," Witch Craft in the Air (Single), LuPine, 1963Florence + the Machine, "Which Witch (Demo) [Bonus Track]," How Big, How Blue, How Beautiful, Island, 2015Roky Erickson and the Aliens, "If You Have Ghosts," The Evil One, 415, 1981Joy Division, "Dead Souls," Still, Factory, 1981Psychedelic Furs, "The Ghost in You," Mirror Moves, Columbia, 1984Suicide, "Ghost Rider," Suicide, Red Star, 1977Johnny Cash, "(Ghost) Riders in The Sky," Silver, Columbia, 1979Caroline Herring, "Long Black Veil," Golden Apples of the Sun, Signature Sounds, 2009Daniel Johnston, "Casper the Friendly Ghost," Yip/Jump Music, (Self-Released), 1983Robyn Hitchcock & The Egyptians, "My Wife and My Dead Wife," Gotta Let This Hen Out!, Midnight Music, 1985The Raveonettes, "Apparitions," Raven in the Grave, The Raveonettes, 2011Mekons, "Ghosts of American Astronauts," So Good It Hurts, Twin/Tone, 1988Ladytron, "Ghosts," Velocifero, Nettwerk Productions, 2008The Goldstars, "Stroll In Hell," Stroll In Hell (Single), The Goldstars, 2021Black Sabbath, "Black Sabbath," Black Sabbath, Vertigo, 1970Umphrey's McGee, "The Floor," Death By Stereo, ATO, 2011See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From their early Sub Pop eps, to a Metal Grammy nom on their SST debut album, and their major label move to A&M Records, Soundgarden cut their own path. Markus and Ray have different, yet similar tales to tell about how they discovered, and fell in love with, one of their favorite bands. Whether a long-time fan or just discovering the band, enjoy this ride through the decades! Learn more about your ad choices. Visit megaphone.fm/adchoices

From their early Sub Pop eps, to a Metal Grammy nom on their SST debut album, and their major label move to A&M Records, Soundgarden cut their own path. Markus and Ray have different, yet similar tales to tell about how they discovered, and fell in love with, one of their favorite bands. Whether a long-time fan or just discovering the band, enjoy this ride through the decades! Learn more about your ad choices. Visit megaphone.fm/adchoices

Yes, this is our last foray into the 'Dark Side of the 90s' Vice series. In keeping with the total and complete theme of FG itself, we just had to talk more about the birth of the Seattle sound and Sub-Pop records. This episode focuses more on the independent label scene and just how corporations really tried to ruin everything. At least there is a silver lining in the fact that Sub-Pop is still kicking as a label and has become a cultural touchstone to the city of Seattle. This episode talks to Bruce Pavitt (Sub-Pop co-founder), Charles Peterson (photographer), and others to get a more complete picture. Link to watch the episode: https://www.dailymotion.com/video/x83x9km*first on Patreon March 2022----Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @lauren_melanie & Jai @jai_stylefactoryFollow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Join me as I talk to record producer/engineer, Steve Fisk. As a musician, he has been in bands such as the instrumental alternative/indie rock band Pell Mell and the electronic band Pigeonhed. He has long been associated with the Pacific Northwest music scenes recording such artists as Nirvana, Soundgarden, Screaming Trees, Unwound, Ben Gibbard, the Wedding Present, Beat Happening and much more! Fun talk.

Hosts Jim DeRogatis and Greg Kot share new music they're digging that flies under the mainstream radar, buried treasures! They also hear selections from their production staff.Come to our live event in Chicago with Fruit Bats!Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:La Luz, "Strange World," News of the Universe, Sub Pop, 2024The Peawees, "Banana Tree," One Ride, Wild Honey, 2024Penza Penza, "Much Sharper, More Focused," Alto E Primitivo, Funk Night, 2024Half Waif, "Figurine," See You at the Maypole, ANTI, 2024Tigran Hamasyan, "The Kingdom," The Bird Of A Thousand Voices, Yergatun, 2024Chimers, "Glossary," Glossary (Single), 12XU, 2024Angry Blackmen, "The Legend of ABM," The Legend of ABM, Deathbomb Arc, 2024Semifamous, "Pedestal in Hell," Destroy Ourselves, Rare Bird/Duck, 2024Deep Tunnel Project, "Gold Standard," Deep Tunnel Project, Comedy Minus One, 2024Capital Soiree, "Reruns," Reruns - EP, Capital Soiree, 2023Anna Butterss, "Pokemans," Mighty Vertebrate, International Anthem, 2024Noga Erez, "GODMOTHER," The Vandalist, Neon Gold, 2024Sima Cunningham, "Nothing," High Roller, Ruination, 2024Bathe, "Avalon," Inside Voice(s): Side A, MNRK Music Group, 2024Shabazz Palaces, "…Down 155th in the MCM Snorkel (OCnotes 40 Acres and All The Grease Flip)," OCnotes Remixes, Sub Pop, 2024Bob Dylan, "Only a Pawn In Their Game," The Times They Are a-Changin', Columbia, 1964See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The singer-songwriter-model-actress-whatever called Bret to discuss her new album, MEMOIR OF A SPARKLEMUFFIN, her cool label Sub Pop and Taylor Swift.

This week Ari sits down with Tony Kiewel, the President of Sub Pop Records and co-founder of ORCA (Organization for Recorded Culture and Arts). Sub Pop has repped iconic artists like Nirvana, Soundgarden, Beach House, The Postal Service, Flight of the Conchords, Iron & Wine, Father John Misty, and many more. Tony's organization, ORCA, is a “think tank comprised of international independent music labels committed to increasing music's economic, social, and cultural value.” ORCA has done incredible research to demonstrate the tangible value of music in our society. ORCA also works with numerous record labels to increase financial and contractual transparency between labels and artists. In this episode, Tony shares the inner-workings of his experience at Sub Pop. He breaks down how independent record labels function in 2024 and how exactly his label invests in the future of their artists. Ari and Tony discuss how ORCA's research could help influence law and policy changes for the music industry and how the organization helps people outside of the industry understand how things work. Tony talks about what Sub Pop looks for when it comes to signing new artists, how they develop current artists on their roster, and how they go about working with undiscovered artists vs. artist on the cusp of stardom. If you're interested in the inner workings of indie labels, you won't want to miss this episode!ORCA: https://www.orcaformusic.com/ “Setting the Stage: How Music Works” study by ORCA: https://aristake.io/orca00:00 Understanding the New Music Business05:26 The Formation of ORCA and Its Goals10:16 The Importance of Transparency in the Music Industry16:07 The Challenges Facing Independent Artists22:42 The Role of Indie Labels in Artist Development33:56 Artist Development Strategies at Sub Pop42:58 Investments in Emerging Artists51:15 Revenue Streams and Financial Models01:00:19 The Future of Music Distribution and TouringEdited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Welsh duo The Bug Club combine high-energy, melodic garage rock with absurd, witty lyrics on their Sub Pop debut, "On the Intricate Inner Workings of the System." We discuss it in-depth in episode #218 of “For the Record.”

This week, hosts Jim DeRogatis and Greg Kot take another trip to the Desert Island Jukebox. They hear from past guests like Mary J. Blige, The Melvins, Lucy Dacus and more about the songs they can't live without.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Adia Victoria, "Magnolia Blues," A Southern Gothic, Atlantic, 2021Fiona Apple, "Every Single Night," The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do, Epic, 2012Lucy Dacus, "VBS," Home Video, Matador, 2021Molly Drake, "I Remember," The Tide's Magnificence: Songs and Poems of Molly Drake , Bryter, 2018Nick Drake, "Pink Moon," Pink Moon, Island, 1972Nick Drake, "Road," Pink Moon, Island, 1972The Mountain Goats, "No Children," Tallahassee, 4AD, 2002Dionne Warwick, "I'll Never Love This Way Again," Dionne, Arista, 1979Nightwish, "FantasMic," Wishmaster, Spinefarm, 2000The Mountain Goats, "This Year," The Sunset Tree, 4AD, 2005The Melvins, "Honey Bucket," Houdini, Atlantic, 1993Judy Garland, "You Go To My Head," Judy at Carnegie Hall, Capitol, 1961The Rolling Stones, "Jumpin' Jack Flash," Jumpin Jack Flash (Single), Decca, 1968Jimi Hendrix Experience, "If 6 Was 9," Axis: Bold As Love , Track, 1967Wayne and Garth, "Wayne's World Theme," Wayne's World (Music From The Motion Picture), Reprise, 1992Tony Scott, "Za-Zen (Meditation)," Music For Zen Meditation, Verve, 1964Norman Greenbaum, "Spirit in the Sky," Spirit in the Sky, Reprise, 1969Iron and Wine, "Call It Dreaming," Beast Epic, Sub Pop, 2017Van Morrison, "Come Here My Love," Veedon Fleece, Warner Bros., 1974Vic Mensa, "We Could Be Free (feat Ty Dolla Sign)," The Autobiography, Roc Nation, 2017Stevie Wonder, "For Once In My Life," For Once In My Life, Tamla, 1968Jay-Z, "Smile," 444, Roc Nation, 2017Stevie Wonder, "Love's In Need of Love Today," Songs in the Key of Life, Tamla, 1976Mary J. Blige, "I'm Going Down (Live)," The Tour, MCA, 1998Stevie Wonder, "As," Songs in the Key Of Life, Tamla, 1976Stevie Wonder, "Pastime Paradise," Songs in the Key Of Life, Tamla, 1976Stevie Wonder, "I Wish," Songs in the Key Of Life, Tamla, 1976Sam Cooke, "A Change Is Gonna Come," Ain't That Good News, RCA Victor, 1964Television, "Marquee Moon," Marquee Moon, Elektra, 1977Tears For Fears, "Head Over Heels," Songs from the Big Chair, Mercury, 1985Wolf Alice , "Lisbon," My Love Is Cool, Dirty Hit, 2015Buffalo Springfield, "For What It's Worth," For What It's Worth (Single), Atco, 1966The Who, "Baba O'Riley," Who's Next, Decca, 1971Miles Davis, "Blue in Green," Kind of Blue, Columbia, 1959The Beatles, "Tomorrow Never Knows (Mono)," Revolver , Capitol, 1966MC5, "Kick Out the Jams," Kick Out the Jams, Elektra, 1969See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Justin R. Cruz Gallego is a multi-instrumentalist, songwriter and producer based in Tacoma, WA. His newest record and Sub Pop debut, Grim Iconic…(Sadistic Mantra), is a cohesive, hooky noise odyssey laden with powerful beats, electronic layering and analog warmth. Justin shares his process of building the new songs and ultimately taking to a live setting. He also tells us how hitting a production ceiling was a healthy motivator to co-producing the record with Seth Manchester at Machines With Magnets. We hear how the Latin music he grew up listening to seeped into the songs, Joe and Justin discuss the graduation rate of Berklee College of Music students and we hear a couple tunes. J.R.C.G Subpop Machines with Magnets

Blag Dhalia of Dwarves discusses band history, collectible records, the challenges of running a label and the balance of art and business, as well as new and reissued Dwarves vinyl. Topic Include: Dwarves should be a record collector's goldmine Blag's early memories of getting record collections Listening to rap, electronic, industrial – not much punk Dwarves records have an inherent collectability Making the various collectible Dwarves records Ralph Champagne album was a tough sell for Dwarves fans Why hasn't there been a proper Dwarves concept album? Blag is an author – lending those skills to a narrative in music Who is closer to the real person: Blag Dhalia or Ralph Champagne? The Greedy record imprint for Dwarves material The Burger Records scandal missed the Dwarves Blag is very hands-on with creating records He doesn't enjoy running the label – but good help is hard to find Being underwhelmed by publicists Blag would rather write and record and leave the rest to others Dwarves artwork – creating special covers, logos, etc Limited parody covers by John at PunkNews.org Record collectors love the parody covers Time is right for a Dwarves renaissance Hard to find a good booking agent Did any prior labels push back on the vision of Dwarves? Bad feelings about Sub-Pop Did Dwarves ever get approached by major labels in the early 90s Major labels missed aligning with a songwriter like Blag Marilyn Manson has a big budget and industry marketing A Dwarves rebirth would require a movie / documentary Blag controls majority of Dwarves materials Has there been serious discussion of a Dwarves movie? The most collectible Dwarves record Collectible Dwarves Sub-Pop variants Dwarves still do 7” records – not many bands still do Interview wrap up Get Dwarves records and merch Tix for upcoming Australian tour Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

One of the earlier bands to form in what would become the biggest music scene of the 90s, Soundgarden started up in Seattle in 1984 when two friends from Illinois named Kim and Hiro formed a band with a local drummer named Chris. The band blended influences and styles from post punk and new wave to Beatles and metal, slowly forming a sound that was all their own. Along the way Chris Cornell took the front, took off his shirt, and the band started to take off, especially with the addition of a few new band members. Soundgarden brought the founders of SubPop together and brought major labels sniffing around the scene, though they themselves took a more considered and well-paced path to rock stardom. In this episode we are blessed with the presence of returning guest Hanif Aburraqib to help chart the journey of this excellent band, from their earliest days through their third album, Badmotorfinger. Follow Hanif Abdurraqib on Twitter @NifMuhammad Listen to songs we detail in the episode HERE Host: Yasi Salek Guest: Hanif Abdurraqib Producer: Jesse Miller-Gordon Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

For the 30th anniversary of Sunny Day Real Estate's iconic debut album, DIARY, we take a detailed look at how it was made. After Dan Hoerner and Nate Mendel began playing music together in Seattle in 1992, they asked William Goldsmith to join on drums, despite the fact that he was already playing in three other bands at the time. When Mendel went on tour with another band, they asked Goldsmith's high school friend Jeremy Enigk to jam with them. Enigk took over lead vocal duties from Hoerner and when Mendel returned, they decided to continue as a four-piece. In 1993, they played what was only their second show as Sunny Day Real Estate when Jonathan Poneman saw them and immediately signed them to a deal with Sub Pop. Embarking on their first cross country tour, they landed in Chicago at Idful Studios to record with producer Brad Wood. Their debut album, DIARY, was eventually released in 1994. In this episode, Jeremy Enigk, Dan Hoerner and William Goldsmith describe the circumstances of how they first came together and the unique sound they stumbled upon. Goldsmith talks about initially being courted by Hoerner and Mendel after they saw him playing in punk bands around town, and how he learned to adapt his hardcore-influenced drumming style to suit the music they were creating. Hoerner describes taking an experimental approach early on, focusing on drones, feedback and open spaces, contrasting with heavy riffs that were more common in the grunge scene in Seattle at the time. Enigk talks about bringing more of a pop element into the group and how his early acoustic work as a solo artist informed the dynamic music he wanted to create with Sunny Day Real Estate. From the unlikely marriage of a punk band recording with Brad Wood to a grueling tour that led to Enigk's shredded vocals to taking inspiration from Fugazi, Treepeople, R.E.M., U2 and The Beatles to inserting triumphant hugeness into emotionally heavy songs to a high school relationship that informed the heartbroken lyrics, we'll hear the stories of how the record came together.

Hello and Welcome to Jughead's Basement Episode 195 Sub Category LoFi Interviews with HiFi guests.  This week with Blag Dahlia from The Dwarves.  In this episode we talk about such things as Dwarves and Screeching Weasel overlap or lack of overlap in the Chicago Suburbs, Discovering the Cramps and the Ramones and all the music before and after, Self aware punk rock, Sexual content, taboos, and shock value, Leaving Sub Pop, Venn Digram of the Dwarves, Sub Pop to Epitaph, Are You Difficult? Plus much much psycho billy, punk-o-rama dirgey dirty rock-n-roll more more more!www.jugheadsbasementpodcast.comhttps://thedwarves.com/

Amen Dunes is a musician currently living in New York. His newest record, Death Jokes, is out now on Sub Pop. We chat about our trip to Tbilisi, drinking tea is low T, when you gotta kick it with your kid's friends, sleeping temperatures, nail-biting remedies, he doesn't love touring, he uses zero products, liberal arts college, Kid A comparisons, TJ tries to remix the record, and his first job in New York was making sandwiches at a bodega. instagram.com/amendunes twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices