Podcasts about dadaism

In this episode of The Postscript Show, Brandon Briscoe sits down with Dan Reneau, pastor, artist, and art history professor, to explore how the history of Western art reveals the changing worldview of civilization—from medieval Christianity and the Renaissance to modernism, postmodernism, and today's culture.Together they discuss why people create, what art says about the culture that produces it, and how Christians can understand visual culture without compromising biblical truth. Along the way, they examine the theological influences behind major artistic movements and why understanding art can help believers better engage the world with the gospel.In this episode:Why humans are driven to createMedieval art, iconography, and the RenaissanceHumanism, the Reformation, and the Baroque periodThe Enlightenment and RomanticismHow photography changed the art worldImpressionism, Cubism, Dadaism, and Abstract ExpressionismPostmodernism and today's cultural landscapeWhy art reflects the spiritual condition of societyHow Christians can engage culture with biblical discernment and gospel compassion rather than fear.If you enjoy thoughtful conversations on theology, culture, history, and Christian worldview, subscribe to The Postscript. share this episode with someone who loves learning how faith intersects with the world around us.Visit http://lfbi.org/learnmore

What does it really mean to build bridges that last for decades? I want you to meet Bircan Unver, whose lifelong commitment to responsibility, creativity, and global citizenship has shaped more than 25 years of meaningful work through Light Millennium. From growing up as the eldest of seven children in Turkey to creating an internationally recognized nonprofit connected with the United Nations, Bircan shares how art, public media, and open dialogue can bring people together across cultures. We explore why responsibility begins with each of us, how local communities can help solve global challenges, and why issues like water security, environmental stewardship, and human connection matter more than ever. I believe you'll enjoy hearing how one person's unstoppable mindset continues to inspire collaboration, education, and hope for a better future. Highlights: 06:55 - How growing up with responsibility shaped Bircan's lifelong commitment to serving others. 18:30 - Why public access television became the foundation for sharing voices and building community. 26:15 - The story behind founding Light Millennium and creating a nonprofit built on dialogue and education. 36:55 - How local communities can play a meaningful role in advancing United Nations goals. 49:45 - Why water security, cybersecurity, and gender equality are becoming deeply connected. 55:40 - Bircan reflects on preserving ideas through books, creativity, and lifelong learning. About the Guest: Bircan Ünver is the Founder-President of The Light Millennium, a Charitable Global Human Advancement Organization (LMGlobal.Org, 2001, New York); Executive Producer of the LMTV Programs; Multi-Media and Event Producer; Host, Author, Publisher, Public Speaker; [Head] NGO Representative of The Light Millennium to the United Nations Department of Global Communications since 2005 (formerly, UN.DPI); and Chair, Outreach and Partnerships Subcommittee at Global NGO Executive Committee and director for the 2021-2023 term. She has been also a Content Provider at QPTV since 1992, and she is the editor and co-founder of the U.S. Turkish Library & Museum Project. She has undertaken the Organization's e-publications, public programs since its inception in August 1999, and #LightMillenniumTV Series and Specials in all aspects of it since January 2000; along with, the LMGlobal.Org's all UN-related activity and programs since 2005. Bircan is the author and director of the Compulsory Peace & ICTs Education from Kindergarten to K-12, and Beyond Campaign, which she launched it through the Light Millennium Global in support of the Summit of the Future in 2024. The Campaign has delivered its 8th session along with the Coalition for the Campaign, which contains 22 organizations and educational institutions including The Light Millennium Global as the leading organization. Further,  she is also author of the bi-annual international high school project, “J.U.C. Media, Research, Writing & Innovation Awards”. The third of its kind was dedicated to the “Water Action Decade” and was delivered  (virtually) on the World Water Day, March 22, 2025. Bircan served as a mentor to the GPODS for three consecutive terms in Winter'22, Summer'22, and Fall'22 Fellowship Programs; and delivered lectures on “How to associate with the UN-NGO”, Public Access TVs in the U.S., and the latest one was on the #WaterActionDecade and the #2023UNWater Conference. To attach that, on behalf of LMGlobal.Org, she organized and hosted an Outside-UN Side Event ID #W175, titled, “What Is Your Commitment To The #WaterActionDecade? ~ Seven Core Ideas Toward #WaterAwareness, #WaterConscience and #GameChangers” in NYC on March 21, 2023, and was the head delegate of the LMGlobal.Org at the #UN2023WaterConference. Based on LMGlobal.Org's Commitments to the #WaterActionDecade, she launched #OneMinuteWaterActionCommitment during the #W175 Side Event, along with continues to work toward #WaterAwareness toward building up #WaterConscience.  She served as the chair of the ATAA Committee on UN Relations, guided its association to the UNDGC in 2020, and also served as the New York Regional Vice-President of ATAA (Assembly of Turkish American Associations) from October 2019 to January 2022. Furthermore, she served on several Planning Committees of the UN-Civil Society Conferences, and the Planning Committee of the High-Level Forum on the Culture of Peace (HLF-CoP). She has been a strong advocate of the UN Vision, Programs & Sustainable Development Goals (2015-2030) along with the relevant UN Days, which are in line with the LMGlobal.Org's Mission/Purposes since its association with the UNDGC (formerly, UN.DPI/NGO) in December 2005. Currently, Bircan is on the Advisory Board of the Turkish Forum (based in Germany). She encourages and guides interested civil society organizations and members of academia toward their educational institutions' associations with the UN, along with engaging them with the UN Programs that are within her networks and beyond. Further, she is an Ambassador of Peace and Goodwill for Anuvrat (Anuvibha) Global Organization (Jaipur, India, since 2014); and a Member of the Global Movement for the Culture of Peace (GMCoP, since 2012). Bircan is also the founder and president of the IsikBinyili.Org Association based in Istanbul (2010), which is a sister organization and counterpart of the LMGlobal.Org. Author of the following four book titles in print (Turkish): “En Kutsalı Yaratmak” (The Most Sacred is to Create) (1995, 2022), “Sanatın Labirentlerinde” (The Labyrinths of Arts) (2016), and “Işık Yollarında (“The Ways of the Light”) (poetry, 2017), and “Bin Yıl Daha…” (2020, A Thousand Years More…). Also, she is the author of the concept and compilation of the “Hope Never Fades” (English) book (Istanbul, 2023). Bircan initially received her local and studio television production certificates at QPTV.Org in 1992. Based on this capacity, she produced and broadcasted near to 260 television programs through local channels in New York City, which are also available online through www.vimeo.com/channels/LightMillenniumTV including 36 #OneMinute #WaterAction PSAs. Bircan celebrated her 30th Anniversary at QPTV.Org through a video profile, titled, “A Turkish Experience in America” (Duration: ~9 min. Production Year: 2022). Her works through The Light Millennium Global is a recipient of various national (U.S.) and international awards and recognitions including two awards from the Foundation of Alliance Community 2023 Hometown Media Awards (F-ACM-HMA for her “GroundWater” Light Millennium TV program in Web-based Programming and Online Events / Independent Producer categories (received at Brick TV, New York), the Anuvrat Ahimsa Award For International Peace-2023 (received in Mumbai, India), and the 2023 International Volunteer President Award by Institution of Green Engineers (received in Chennai, India), and ashe is also the recipient of the 2024 Best Web-Based Program – Independent Producer for the #HopeNeverFades program by F-ACM-HMA, which was produced based on the 2023 J.U.C. Media, Research & Writing Awards (ACM HomeTown Media Awards, San Jose, CA). Bircan holds a Bachelor of Arts (B.A.) Degree from the Mimar Sinan Fine Arts University (Istanbul, 1988) and a Master's Degree (M.A.) from Media Studies of the New School University (New York City 1999). Ways to connect with Bircan**:** Websites: www.lmglobal.org  (active web site) | www.lightmillennium.org (serves as the organization's web archive)#LightMillenniumTV | www.vimeo.com/LMTV | www.vimeo.com/channels/LightMillenniumTV Social Media: Linkedin: http://www.linkedin.com/in/bircan-ünver-7353207 X@lightmillennium Instagram@lightmillennium About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe? Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingston, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head-on, and show what's possible when we choose curiosity over fear. Together, we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Well, hello everyone, and I want to welcome you to another edition of Unstoppable Mindset, and today we get to talk to a very interesting person with a with a lot of roots in Turkey, but she is also doing a lot of work with the United Nations here in the U.S. and other places. Her name is Birchan Umfer, and I hope I got that right. And Bircan Unver  01:23 thank you. Michael Hingson  01:24 Oh, good. And Berjan is is with us, and is going to talk about a number of things that she is working on. She's working on, and for years has been involved with a program called Light Millennium, and we'll we'll talk about all that, but let's just start and and as usual we'll have a great conversation. So, Bir John, I want to welcome you to Unstoppable Mindset. We're glad you're here. Bircan Unver  01:50 Thank you so much, Michael Hingston. It's great honor and privilege to have your guests. Especially, I love the title Unstoppable Minds. It's really inspiring and triggering the mind. Thank you. Michael Hingson  02:08 Well, my pleasure. We're glad that you have the time to to spend with us, and we will we will we will do it and make it work. Well, let's start. I love to start this way because I really want people to learn about you. Tell us kind of about the early Birchan growing up, and then we'll go from there. So tell us about Birchan and growing up, and and and all of that. Bircan Unver  02:32 Thank you. This will be a little bit different than most people know about me, my work. Well, we'll get to Michael Hingson  02:38 your work. Bircan Unver  02:40 Yeah, I know. I mean, the people who already know my work. What I'm gonna say now is completely too different from Berja. So I am a elder of seven siblings, and I was born in an ancient village in Mid Anatolia, actually nearby the Black Sea region, and I'm proud with my age, 1959, and my family moved to town first from the village, and then Istanbul for our educations for their kids, and but I don't know really as a girl child growing up with seven kids, as especially with a traditional family, being older girl is not a good idea. But but maybe it was a kind of tough childhood as a girl child. I I don't feel that I never been a child. That's really what I feel. But on the other hand, and that was you know when you are growing up, living through like I was a kind of second mom, and also our home was kind of everyone our guest from the village town and stay over not only one night, like or a week, like sometimes months, even years. You won't believe that, and it was not because either. So, but those kind of build up maybe my feeling to be responsible, so I consider myself a responsible person because I was responsible for my sisters, brothers, and also washing dishes, making helping my mom to prepare the meal, lunch, breakfast, and clean up. Like you know, I was kind of second person, second mom at home. So those early things, all those stolen my childhood, but at the same time, provide me being able to do everything from very early age. Even though I remember several times at the time. The bread wasn't, you know, you you weren't buying the bread from the market, but from the bakery, real where they were baking the bread. So she was, and time to time also she was making the the bread at home, and then she she wasn't sending me to school because then I had to stay with my brothers and kids so she can make the you know breads a big amount for a couple days. So that said, also gave my idea. I want to suddenly want to work as soon as you know I'm 17, 1617, So and then I started early working at a bank, and it was my first eight years. I worked at a bank in Istanbul. It is called Istanbul Bank, and then my graphic is like life graphic is a little bit different, like curvy, not like straight line. Then after eight years working at a bank, I started to university and fine arts, and then I had kind of interest art history, especially TV production, art history, arts in in the concept is producing art documentaries. That was kind of my vision. Also, it was also my reason initially coming to the U.S. learning TV production. Of course, English as first. So that was very much my childhood until you know 18 until starting at the bank, and then the rest is another story. I have, I must say, I would have three different life. Michael Hingson  06:48 Well, you had certainly an interesting childhood, needless to say, and I, I can understand what you're saying about being the oldest and all the challenges. I was not. I was the youngest, but we only had two siblings, and neither of us we were we were both males, and so we we did not do a lot in terms of preparing meals and all that sort of stuff. Except my brother and I were both in the Boy Scouts, and so when we went camping and other things like that, we learned how to cook on an open or an open fire and and things like that. But still, I understand that you you had a a lot that you had to do. What lessons did you learn by being the oldest child? What kinds of things do you think that you you carry over to what to your life today, because you were the oldest. Bircan Unver  07:44 I think two different components of that. One is also because it wasn't only I was the as a kid at the home and as a girl, girl, but also at the time there wasn't that kind of awareness which we have today. Which I mean, my mom got married with my dad at the age of 15, and she had birth. She had given me birth at the age of 16, the reason I'm bringing up this, when we were going to shopping Kapolechar, Grand Market of Istanbul, when I was 1516, and literally we were halfway age difference between my mom and myself. And when I was saying mom, and the people were surprised, and she and isn't your sister, other sister? They were asking me, and she was my mom. So, but this is in the long later years. I always become the best friend with my mom, and even my brother was saying, "Oh, now I understood that she, you are the joy of my mom because she can kind of a joke, and the others, my kids, like they are kids, but I'm her friend because they kind of feel similar. That is one, you know, lifetime developed feeling and strong connection, different connection with my mom, and the other also, as I mentioned at the beginning, it really this whole, you know, not selected, but where you, which house you born, which condition you grow up, that build up for me early high level responsibility. I feel responsible to do everything, and I, you know, that's a little bit tiring because that's what I want to say here. You say something in our after our initial Zoom meeting. It's really very inspiring. You say something. I just took note. We can solve all the worst problem. We can. You say you don't say we cannot. You say we can. Solve all the world's problems. So, like, it wasn't possible. It's not possible, but you know, as if I could solve the problems or I could carry everything. So it's kind of you know build up my bricks in my life. Michael Hingson  10:18 One of the things that you certainly, it sounds like you learned as you were growing up, though, was was all about responsibility and and and learning to take charge, but learning about responsibility and and feeling that it was okay to be responsible for others in your family and so on. And I think a lot of people don't necessarily learn a lot of lessons about responsibility, like they should. But you were put in a position where you had to do that, which is is certainly a good thing because you clearly have have done that in your life. Bircan Unver  10:54 That's very true, and also it goes with everything. Let's say sometimes some people think maybe unnecessary action when people cut trees, even in their you know backyard or front yard, whatever trees or any type of trees or fruit trees. I really get mad and upset because it is irresponsible to nature, to their own environment, just feeling they're responsible to trees, loving the trees, loving the you know, for instance, if when I was it was two weeks ago, I was working on at my desk, a bees was you know flying around me, and I don't like you know trying to hit and chase the bees, and I just left the window open, moved the room two hours, and it's gone. So I don't want to hurt things, even though if it bites, it would hurt me, right? So to kind of find a way, being responsible, because also I have a subconscious thinking that if I try to chase a herd, if an insect, any of them, they you know they react sharp. So I'm not a threat to them. So they are not threat to me. So I kind of make a subconscious connection, communication. Michael Hingson  12:22 Well, and it's it's better to to learn to love than than not. So I I hear what you're saying. Now you didn't go to college or university, right? Or you did? Bircan Unver  12:35 Of course, I did. That's what I was just briefly brought this stair at that level. That after eight years working at at Istanbul Bank, from literally actually 17 to 24 or 23 late 23 early 24 then I started at the Fine Arts University in Istanbul, and I mainly study both as major Turkish tradition arts and also along with as a minor. We didn't have a minor, but we had we didn't have the minor degree, but we had a selected course. So I was following up several like four years in a row and also whole year around, not a quarter semester base artist troy and contemporary art. So I started writing on art and exhibit and interviewing artists while I started study at the Fine Arts University, which is top university in Fine Arts in Istanbul, Myanmar, Sinan Fine Arts University. Michael Hingson  13:44 So you learned a lot about fine arts, and Bircan Unver  13:47 yeah, Michael Hingson  13:47 and you had obviously learned about finance from the bank, which Bircan Unver  13:51 is didn't learn that Michael Hingson  13:53 much, huh? Bircan Unver  13:53 Not at all, and I didn't like it. That's why I, you know, I changed all my life line. Michael Hingson  14:00 Right, but but you enjoyed art. Bircan Unver  14:03 Yes, and because also art always for me, and it as it is today. Whatever the life problems we cannot be resolved, art is always for me a branch to hold on and to kind of feel strength, connect with the nature, with the art culture, whom I never might met, or maybe you know through art, through music, through books. So it's kind of really, I think the the best human conscious and what we leave behind is what we produce. Creative might be a little bit another discussion. What is the term defined? And now everyone using like creative for everything, but creativity is like really what stays, you know, central. And something as what is already before, and what you brought it something new, that new perspective, like cubism and faism and expressionism and all that different genres or pop arts and another one Dali's movement. So all the Dadaism, so each of them brought something what is already existed, and then you know moved to different level, and also technology and communication brought where we are today. So and music, I'm not any degree. Degree train or understand, but I love music as most people about music and arts and literature and writing is always for me. Also taking pictures. I don't trust my memory much, but this is not new, not because of my age now. But I somewhat I always like take the pictures, whether I have cell phone, the oldest, you know, digital or the manual photo photographs. So even though when I run into where where was it, where I was, who was with, who next to me? I can't remember. But why I love that? Because really, it brings, it captures your life, even you don't remember, and then reconnect. Also, I I come up with a new concept. I haven't done anything yet, but it's kind of developing in my mind, that we can, we are able to capture the past, but we cannot capture the future, because you know whether you know unexpected the one photo comes up, or an audio recording, or all those movies, musics, and documentaries and paintings throughout artistry, you can really capture the past depending on what you know your background or interest and education, but you cannot capture the future. But you can imagine, we can imagine the future. We can invest into the future. Michael Hingson  17:16 Well, and and the the reality is that that the future is based on so many things that happen in the past, and so you can learn to to use some of that information and and have a better idea of what the future might be like, and that's that's pretty fascinating too. So so, how long did you go to college Bircan Unver  17:42 in in Turkey the basic four university education is annual base, not semester base. It's a four years, and actually when I started it was five years. Then later on they the system education board changed it to like four years plus two years. So I graduated from a four years fine arts, and then I have a master's degree based in New York News School University. Michael Hingson  18:20 Ah, in New York. Bircan Unver  18:21 Yeah. Michael Hingson  18:22 Okay. So that was was that two years. Bircan Unver  18:27 Yes, but it was a little bit different again. Yeah. See, because first when I was here for the first time, 18 919, 89 to 1994, I started and I took to six credits and I love it. But I had to go back to Istanbul, so then I got the you know absence live of absence, and then but coming back three years later, I readmitted, and then I finish it. I got my graduate diploma in 1999 May 1999 Michael Hingson  19:12 Okay, so Bircan Unver  19:14 you've been dealing late. You've been Michael Hingson  19:17 dealing with school for a while, but but while all that was going on, you got interested in, and you started to to do things regarding public access television. And you started that, if I read your biography correctly, in in 1991, you started doing things with public public access TV. Tell us a little bit about that, and why did you do that? Bircan Unver  19:41 That's really the kind of key point in my life. In as for the initial one of the two reasons that I came to the U.S. as the first time, I was you know the first aim to learn English. The second also. To learn the TV production, and then my first year was in the U.S. was in L.A. and then I was looking for the schools and just I'm I I'd like to get the formal education, formal training, and then one of my friends there, whom I met there, she said my aunt is TV producer at Queens Public TV in New York, and she is looking for someone like you who really wants to get in and all that. And then I think a couple months later, I had a very brief trip to New York, and I met with her, and then I met with her at QPTV. Now she is unfortunately not with us, but she was also she was the first Turkish producer at QPTV, and I'm forever grateful in memory of her. She was the one who introduced me QPTV, so I met Victor at QPTV in 1990, and then when I went back to LA, I decided to move to New York. So as soon as I moved to New York and I registered to QPTV's both field production and studio, and at the time, there were seven, eight months waiting list. Eventually, I got it on the list, 1991, and first I got the field production certificate, and it was I think six months something, and we had a group project and solo project, and then studio and studio production. It's when the same group project after you are learning all the equipment and then shooting and everyone is crewing everyone is helping each other within the same group of the class and then also producing group project and then the individual project that it is the similar step for the field production and the studio, that also provides a certificate to enabling us to use QPTV equipment, studios taking out the equipment, inviting studios, studios. Unfortunately, after COVID 19, there has been a long dragging issue. They haven't opened the studios. This is I don't want to get in because it is beyond our concept, but because that was my initial reason also moving to New York. And then once I started producing program and airing, I really loved idea from one idea, just idea, and then put paper and develop it. Bring yes, bring the crew, especially with the manual three-inch tapes, and to present, put everything in a tape, and then submit it an ARC schedule. I really love that. So then, while I was there, and then I said, "Okay, I want to really have a master's degree on TV production. So my master's degree from New Zealand University is in media studies. So and I got my diploma May 1999 So, but New Zealand was amazing. I learned all the first my you know my life although it was 39 maybe 3839 years old when I was Photoshop and Premiere or Evid and all the first offline digital all the software program I learned at the new school and I edited my first program offline at the new circle as well, but when I got diploma, and then I had nowhere no access to continue. Also, you know, it's just I, I never been about the person. My mind and my heart wealthy, but not financial terms. And then, so QPT was always my second home because it provides me continuing the producing and provides me access, provides me equipment. It's like provides the community. That's what it is exists for, especially in support of the Article First Amendment and freedom of expression, and also QPTV format is really, really not well known, or not QPTV loaned. It is public access, pack programming, public education and government programming, non-commercial. So it's it is not much known widely, but it is really one of the best symbol of democracy. And now it's kind of a little bit diminishing because also widespreading out other web streaming platforms like this or other, so that there are so many. Discussion and issues, and also there is one petition to the New York Senate that is called Team New York that could also bring in all the web streaming to this community media access public access media. So then, Michael Hingson  25:19 oh, go ahead. Bircan Unver  25:20 No, I mean the question is so QPTV had has been the longest since 1991. I've been providing content, and as long as I am in the US, if I'm out of the country, even if I am out of the country, my previously submitted programs are rerunning in different, you know, whenever they schedule for my new programs, I determine which time slot because I have a time slot to be scheduled, and whether 28 minutes or one hour. But especially again after COVID 19, I couldn't produce anything at the studio at QPTV, but like this Zoom-based programs, and then for the late million organization, the programs I produce and then edit them, reformat them to schedule for QPTV. But it wasn't as it used to be produced at QPTV, at the studio with the crew, that's the excitement teaming up. It's really, I love it. But Zoom, this type also make more maybe manageable, but also bring more intonation speakers. You know, through online connection. If Speaker 1  26:54 you enjoy Unstoppable Mindset and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the Unstoppable Mindset Community. Michael Hingson  27:28 So you you started in public access television and and and are still doing that essentially. But in 2000 you started Light Millennium TV. Tell us about Light Millennium Television. Bircan Unver  27:42 Thank you so much. Because Late Millennium, I still consider it's my third child because already 25th anniversary. The flyer on my back says 25th That also refers the 25th anniversary of the Light Millennium. I think a the experience and production, and also providing three platform QPTV, Queens Public TV, but actually the 1992 Communication Act and PAC programming, public government public education and government programming; those emerge with my new school education, like Fatrus, Plato, the concept of the two ways of messaging, and for the first time in my life, at the age of I think it was I was 39 I was able 3039, I was able to use. It was very new, also for the war. Internet. We had the internet at the new school as our media class, the open forum. One week media theory class. We have open discussion forum about Greek philosophy, further is communication, media theory. The other class we had the classic format. So all these together merged in my mind, and I really felt I found my medium. That medium is the internet, which me, especially someone is living in New York, who has you know 30 years first life in Turkey, Istanbul, that culture, and then I I didn't want to kind of disconnect from my root cultures, and internet provided me that connections, and also I always like to write and communicate, so so it becomes like natural medium. And then when I just graduated in May 1999 I send out by then like 40 people with my friends. Colleagues, and then I said, "Oh, I want to start a platform. This platform is going to be ours. And everyone wants to say, kind of to expand the QPTV's concept, because when I say QPTV's concept, this is the again First Amendment, and they don't control the content. They don't say anything you can do, you cannot unless it is a threat to someone's life. So it's all the content, or you are responsible as the producer. So I really love that freedom and responsibility again. And then then I was mentoring at the New York Food Moon Finance and Television, and I was kind of trying to find what I want to do, and I was already producing programs at QPTV. I never give up as as long as I could afford to produce the time and edit. Edit is always more time consuming, and then the executive director of the at the time 1999 Woman Film Man Television, she said you can form a nonprofit. I never taught it before, and I'm forever thankful to her. And then I said I don't know what to do where to start because she perhaps she saw the potential because I was producing non-commercial and publishing, trying to promote, you know, through group emails, and whatever the you know social media available at the time. Well, mostly email and group emails, and then she suggested me a volunteer lawyers of arts that she said they can help you, and I never knew and I never thought I if I never came to U.S. maybe I will never had a concept of forming a nonprofit or light minimum. So that U.S. and all combination brought me and news called Queens Public TV, First Amendment, United Nations Article of 19 Universal Declaration of Human Rights. Everything together kind of merged in my mind. Also, the projects I produce, I communicate, is contact with people, I learn from them. So then, when I contacted with them, they ask me, you know, what is my statement this type? And then I drafted all of them, and they put in medical, you know, terms and terminology, and I was lucky that we got a pro bono at the time one of the you know major U.S. law firms. I I think I can say now because they even though I think merged K Shuler, but they took our case and they formed my organization on on a pro bono basis and officially the first as a non profit organization done with the 500 1c T V together. So we officially formed 2001 July 17, and we and then right after that they filed 501c3 for us, and then we granted that in September 18, 2002. Bircan Unver  33:14 My memory is not good, but I I remember that date as of today because it was kind of imprinted in my mind, but also the beauty was that the granted granting 501 c3 was effective of the formation date, which is July 17 2001 So then, since I developed started the light minimum concept, introducing speaking people trying creating an open platform that everyone can you know contribute be part of it, so then I started in January 2000 on January 13 2000 started first monthly the like TV series at like at QP TV. That's how it came about. Michael Hingson  34:02 Yeah, you have certainly created quite a niche in in the whole light millennium and all the other things that you've done, which is pretty fascinating. How did you get connected with the United Nations? Because I know you're doing work with them. Bircan Unver  34:18 Thank you. Actually, the concept with the UN use, I don't do work for them. Michael Hingson  34:29 Right. Bircan Unver  34:29 We do work with them. Right. You're connected Michael Hingson  34:34 with them. You're not working for them. I understand that. Bircan Unver  34:36 Yeah, I just you know one word, but it's key key differences. But as as I mentioned, how the light millennium concept emerged, and also my master's degree program, media studies at the New School, and also there is another person I have to mention here, also in. Separate for her respectful and loving memory, Danielle Camille. She was my advisor for my thesis project advisor at the new school, and all that TV ideas and my thesis project. And she loved, and I got all A. And my first TV ideas project was peace, reality, or utopian dream, and it was 11 minutes or so. It was just before the first Clinton administration election, just October, I think 2002 and then I interviewed many academicians, civil society, non-profits who whose focus area on peace and war and you know against nuclear or all that and and then that actually the concept peace reality or utopian dream that took me to the United Nations I don't know now as a as an outsider, at the time it was so welcoming, and I went to photo department. They share me with photos, and I got all the books I was looking for. Of course, public library. I got all the books about the peace and peace organization. So that 12 minutes program, peace rate or utopian dream, and physically led me to step in the UN for the first time, and then producing this project, searching kind of open to me new horizon, and also my advisor was persistent. Birjan, we know you are great. You produce fundamental programs on arts, but I want you to do something else. So that actually also forced me to move beyond producing something beyond arts. And so then then peace, reality, or utopian dream concept came in, but also it wasn't far topic in my life because my son was born 20 when I was 2022 Now he is 45 His name is Borush, and mean is in Turkish peace. Peace also at the time, you know, Africa hunger, and I was hoping when I get 4050, this will be over. It's not the case, but as a vision, I always look for humanistic positive for the humanity, not you know for myself well-being. Michael Hingson  37:38 Well, you you kind of act as a bridge between UN programs and local communities. Tell me more about that because you view that you view yourself as being a bridge between UN programs and the local community. Why do you why do you view yourself as more of a bridge? Bircan Unver  38:00 That's very nice metaphor, and I think it's very true for me too. Maybe I could take it two three step backs. One is the village I was born. There is a river, and and then there was a bridge, and that bridge was kind of fundamental. Really, going to where you know people are established, living in all the agriculture and large fields, and it was kind of nostalgic to me. It's a bridge, but it's a stone, short bridge. That's the the first part. The second Istanbul. You know, my life main path when I was in Istanbul, Turkey in Istanbul, and Istanbul the Bosphor and then the Istanbul Bridge. Now the name changed, and now three bridges, and not just the bridge itself, but also Turkish geographic Turkey's geographical space place on Earth and especially on in between Europe and Asia and Black Sea and then the Mediterranean Sea and then when you go down North Africa, and then you go up like Russia and North Europe. So you see that that connection physically, geographically, and troy physical bridges. We live, we grow up with this kind of as part of our DNA and vision. When I was working on this, the first the initial need you know in the non-profit world to describe the need need was to connect with my culture, people, friends, family, the internet medium, and then village is also metaphor, and when we associated with the. I let I'm proud to say it. Let the association process. That was also my vision from that small video for the class project. And then, then I realize this is also. I think today is real fact that local communities, even Queens here, people are paying 1000s of dollars to come to New York to get visas. All that trying to get the sponsor, you know, to attend a conference, and I I didn't see much interest within the local nonprofits there, and that little bit was shocking realization for me. So I brought to my programs UN visions programs, MDGs, UN days, sustainable development goals. For instance, when it was announced at the UN for the 2023 agenda, we created dreams for humanity. So we brought people from lots of life, poets, authors, and youths to really share their ideas for humanity, for peace. Michael Hingson  41:12 Well, you-it sounds like, from all that I've read and and studied, you're you're, or at some point, you kind of have moved more into dealing with a lot of things with the environment. So I know that your program has been able to get a credit accredited as an observer observer status with the UN Environment Program. How is how has that affected what you do and all of your work going forward. Bircan Unver  41:43 Thank you. This is also another important, I think, milestone for us. The first in connection with the UN, associated with the in the formerly United Nations Department of Public Information, and then it has changed to Department of Global Communications. Officially, we've been associated since 2005, active and good standing, and we are able to be presented at the UN with six representatives, and therefore we are able also to reflect back to our committee's networks from the UN and it's two ways. I really like the concept two ways messaging, and then always environment in somewhat it involves in our programs. But let's say through water, through energy, through, for instance, when the forest fires really burns my heart. So being sensible and trying to, as much as I could, to attend the meetings, especially MDGs for the first phase of the Millennium Declaration, really, it's. I consider UN is the best school I ever had, and it's for me lifetimes to call, and I learn about so many countries I will never otherwise know them much. Some of the names you hardly hear in media and anywhere else, so it's kind of opens and to see the global spectrum. Also, one of the things I really love at the UN, whether you you are a ambassador or president or prime minister of a country that has maybe a population 1 million or 2 million or 1 billion or two 1.6 billion, the largest one, so you have the same minutes of speaking time, same voting, especially of course, I'm talking about the general assembly. So those things I follow up, and we try to incorporate time to time. And water issue always, I wanted to involve. I want to do something about, but it's just not like because I love the tourists, and I'm not, you know, scientist, so I'm not officially trained. So also, I'm not able to protect the, you know, fires in the forest. And every year it's getting worse and worse. And then I'm sensible, but you know, you can't do much about it. And eventually, although our last name is same, but we are not blood connected. Professor Oljoymer, at the time he was vice president for the UN Water at the UN, and we connected. And I was following up, and I was aware his work before we met. We connected through the UN. So then, especially during the COVID era, then when I've seen his speeches, natural-based solutions, and then his piece on smart water, so I propose him if we can do something. About water, and then he was very supportive, very kind, very modest. We had our first water program on the World Water Day in March 2001 and then it has turned out an annual program, and we kind of made the global connections and collaborations, and especially first three, four of them, Professor Olja led and guide, and also we worked together in a sense that I brought one part of the speakers and he brought other parts. So it was also great, diverse speakers and also the level of the speakers from whether civil society, academia, UN, and youth, all that. So we already presented six of them, and 2023 we were part of the UN Water Conference. We presented a program, and then last year we participated and presented a program site event in Nice on the Ocean Conference, and we kind of we also had previously on the ocean again. So plastic also become whether ocean, whether water, whether land life, like plastic, is becoming a huge in every level. Not plastic, but also chemical, all all sorts of polluters on in environment. So then we become promoting, producing, and there are really great level of academicians and experts, and they also like to share and connect their research and their findings. So it's a platform to break down together, and then when it is a video, when it is posted as both a summary along with the full presentation or speech, so it becomes a really source where you know you can find diverse voices, diverse solutions, diverse ideas, and also we align them in support of the UN days, UN conferences, SDGs, sustainable development goals like Water Days. Also, we collaborate with an organization in India, IGEN Green Institution, Green Engineers Institute of Green Engineers. So they are focusing on energy SDG seven. So we contribute them, bringing speakers. Bircan Unver  47:40 So then they join us to our program. So really, it's an organic volunteer base. So that that actually, I was so proud that we got a call, invitation to submit the application for this accredited status, and it was June 2025 after the ocean conference. I think ocean conference kind of brought them cumulatively and maybe brought their attention. And then October they asked our official documents, the bylaws and and certificate of organization, which is the regular require any formal application at the UN, and then I I submitted them in I think it was October 1525 but I haven't heard anything, and then I thought maybe you know they didn't consider, and then literally a year later, in June, last June, we got approval, and with a, it's not just accredited for a special one particular conference. It is an observer status assembly to contribute draft ideas. I mean, to contribute drafts, draft resolution to observe, to participate, and then also to be responsible to provide every four-year quadrennial report. Let's say if we fail to produce contribution at any level to this cause, then you know we may lose that observed status, but of course we'll do our best to contribute and to continue. Michael Hingson  49:27 With all of the work that you've done in all of this, I want to come back to World Water Day in a moment. But with all the work that you've done and all the the the things that you've done in public television and so on, when you host these meetings or you participate in these meetings, do they get televised? Also, are you able to bring those to to the public through public television? Bircan Unver  49:53 When it is Zoom, then I edit within my time slot within the limits of. Time slots and QPTV provides two different time slots. One is 20-eight minutes, the other one is 50-eight minutes. So then, let's say if it's two-hour session, I you know a little bit edit and then title, etc. and part one, part two, and also depending on the length of the session or 20-eight minutes. So then I schedule them through the local channels, as we spoke at QPTV. Also, I make them available through our vmail.com/lmtv channel on web on the web. Also, when we have a summary or outcomes, so we also provide those links and share through social media. Try our best to make those information available, visible, and reachable. Michael Hingson  50:51 Well, that I'm glad you do that. I'm glad that it gets to be something that is a lot more publicized than you just attending a meeting-that's important, I would think, to do when when you talk about World Water Day and so on. One of the things that that I I understand you do is you compare water security directly with cybersecurity and gender equality. Those are three different sorts of things when you include water security. Tell us more about that. Bircan Unver  51:24 This was our latest program in last March, and we had in our prior program on AI a discussion on AI a public discussion on AI policy or AI arc. So he's a professor and at the SUNY, and he's a mathematician, and he's also teaching cybersecurity. And when I was talking about when we met about the water conference upcoming, actually in this December, in the United Emirates on I think December six to eight. Even I was thinking to attend, but I wanted part a bit this time virtually instead of going there. So when we were talking about and and I really like this idea and I say as I asked exactly what you asked for, and then his really statement explanation made great sense because everything is nowadays control troy some form of electronic or AI or a combination of those systems, right? Competing systems. So if or if there is a technical issues, that's one case. But if there is a hack, especially water is the life source for everyone, whether you are billion or trillion, or you are you know ordinary people on the you know everyday life. So water is the source for everything, including producing the energy. AI. So water is the life itself. So then, when he said, if any hacking, whether you know small you know some you know people with a bad intention or some maybe big corporation because some profit purpose they want to sell more you know bottled water whatever or some international security issues you you may name this many other things. So if a computer system, if the control mechanism, if the AI system, whatever that combination in that system, is hack, then everything is a huge risk, and that's number one. How it connects with the water. Also now you know we smart how everything is electronic. Everything and then when that somewhat the life collapses there. So including water, including energy. So everything is so much you know interconnected. And then how that the gender equality came. Also, we follow Michael the UN annual-based dedication team for each UN Day or conferences. For instance, last year, water and gender equality, because water and gender required is also so inseparable concept and conditions in many parts of the world, and then also our professor Emre Tokus, he also. Make beautiful connection that if woman or when woman, if and when women are more in the security, cyber security, IT technology sectors, they are more sensitive. They are more like maybe natural in their dealings, like mother protection. So more protective, so there is less risk than where it is now. So to increase the gender equality, both not burden on the woman, you know, where it's the water scarcity that woman has to carry the burden. Girls, even five, seven years old, when developing countries, when it comes to developing countries, and then if the girls are, and also that was staggering. Stats he gave sort of shocked me today because he is a professor at SUNY. So what I mean by that, he said one of his class has only four girls out of 31. of his class has only one girl. One of his class doesn't have no girl. So even though if if girls are girls are not getting in this field, how we gonna bring the gender balance in all cross-cutting sectors of society. So that's how both from the UN perspective, the dedication team, also cybersecurity, the profile from a university that girls are not showing attention, interest studying cybersecurity. That was the fact based on his class last semester. One Michael Hingson  56:46 of the things that you have done, as I understand, is you've written several books. Bircan Unver  56:53 Yes, there are more, but hopefully I could get work on them, publish them as well. The my first book was Michael, based on my interviews with artists and my reviews on art exhibits, and also when I had questionnaire surveys like with artists, galleries, academicians, professors, students. When I before my first life prior prior the U.S. So when I went back after four years and I was really eager to get in a job for as a TV producer and somewhat that didn't work despite all my efforts even I my project load and everyone was after me, but they want to take the project, but not give me the role what I deserve for. So then I kind of close myself, and then I said I want to compile my books, my articles, my interviews. So that was how my first book came about in Turkish. To create is the most sacred. So, like the value to give the highest value for the creativity, intellectual production. That is through all those interviews, reviews, and questions. So that's that was the first book. The second book is in a way a bridge again between U.S. and Istanbul, New York and Istanbul, or maybe L.A. New York and Istanbul. Because when I came in, also I've done freelance journalism, so I wrote some you know reviews and the magazine. I used to, you know, send and appear my interviews and reviews. So and it was include not too frequent, but it was include some of major exhibits, both from LA and also from the Metropolitan Museum in MoMA in New York. Also Turkish artists here. So I met them, you know, when I was living. I started living in here. So then I a combination of those, and also that was another metaphor developed in my mind when I was Istanbul. I was feeling like the labyrinths of arts. So that's my second book title in Turkish labyrinths in arts. So like you are like this kind of narrow and small world in Istanbul art worlds and very high competition, and then nobody expanding to New York and LA expansion means bringing some, for instance, Franz Bacon, Thomas Hart Benton, and Max Ernst and Marina Magritte. Those also the last part connecting with the New York Istanbul from my art based on my art background. Michael Hingson  59:51 So, were any of the books published in English? The Bircan Unver  59:54 last 120, 23 is English, but. It is a compilation concept is written me. I directed the project, and of course I have some pieces also beside the concept. But it is a compilation by 24 contributors. It is based on the JUC Media Research Writing Awards 2021 and 2023 High School Awards Project, and also it is also engaging the youth to involve the UN programs at an early age and encourage them award them. So that also the next one is going to be on the Water Action Decatur in the same line, same concept, and also I have a book project since 2022 I couldn't still 2022 2020 actually. I dream, therefore I am. I have 80% of the book manuscript is ready, but I couldn't finalize it, and so the other one also I was hoping but couldn't to have a book for the 25th anniversary of the latentium. Unfortunately, it didn't happen. It's a little bit seemingly not going to happen this year to come up 25th anniversary of late millennium, but I had 20 anniversary of the late millennium in Turkish, and so this is completely different issue because I introduced like Millennium both in Turkish and in English, so it's like Tiffany Sister is the Turkish one, and then I formed Turkish sister in 2010, and then so on the 20th anniversary of the Turkish organization, as it is association, official association. So I compile the first part, the concept vision, very much like Millennium, because it's the system. But the second part based on the programs, activities, and challenges in Istanbul. So this book also in English will be first the the manifesto and the first all the history will be very much in English, the original one. But the second part is going to be completely, you know, selected ideas and projects and programs from the website and public programs from the last 20-five years, and it's hard hard things to do. It it's very challenging. I couldn't do it. Michael Hingson  1:02:47 It's it's a lot of work. Well, Berjan, I I want to tell you that we have now been talking for more than an hour. Time flies when you're having fun. Man, I'm going to go. I'm going to have to go ahead and and end our time, but we'll have to do this again and and continue the discussion. But I really appreciate you taking the time to be here, and I hope that people will monitor your programs and and and read your books if they can read Turkish or English, whichever works. Troy Bircan Unver  1:03:18 has so many English pieces, and now everyone welcome to look out our website. And what's the Michael Hingson  1:03:26 website again? Bircan Unver  1:03:28 lmglobal.org. Michael Hingson  1:03:32 lmglobal.org. Okay. Bircan Unver  1:03:34 Yes, but the whole archive from 2019 to 2000 no, 2019 no. of course not 2019 1999 to 2018 The archive. Our initial website is light millennium.org Millennium is with double N double N. So the everything we are talking about, all the process, our UN programs, and the reports from the UN NGO briefings, some conferences we participated. If anyone has any question, I'll be happy to provide the link and you know to contact them. Michael Hingson  1:04:17 And we will put that information in the show notes, the notes for the podcast. So I want to thank you for being here. This has been absolutely informative. I really appreciate your time, and I hope the programs continue to go well. So I want to thank you again for being here, and this has just been a lot of fun. Bircan Unver  1:04:39 Thank you so much, Michael Kingston, it is great honor and privilege. Especially, you are a hero, and your your story is amazing, and you are also taking really one of the challenges works like producing these programs, and we never met in real life. And then this is also like Millennium and your work. How we connected through? Otherwise, there was no like regular environment or database environment that we could meet. Your work and your dedication and your inspiring contribution really connected us and bring us together in this session. Thank you, and I'm really grateful for that. Michael Hingson  1:05:29 Thank you for being here with me on Unstoppable Mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to michaelhingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset

Hello, Lovelies! Today we welcome "Critique Brutale" Marquise to the show! She & Brian Bell chat T4T Wrestling, Bash Back Wrestling, cutting promos via blogspot, building new edifaces in pro wrestling, how Dadaism and Arthur Cravan influenced her approach to pro wrestling, the beauty of falling down rabbit holes & more!Follow Marquise on Instagram: @marquiseonthemarqueeFollow Brian Bell on Twitter, Instagram & Bluesky: @WonderboyOTMFollow LGBT In The Ring on Twitter, Instagram & Bluesky: @LGBTRingPod Support the show on Patreon: patreon.com/lgbtringpodGrab LGBT In The Ring merch on Brainbuster TeesBig thank you to Edith Surreal (@edithsurreal) for the LGBT In The Ring logoHuge thanks to Sarah & The Safe Word for the show's theme, Formula 666 from the album Red, Hot and Holy. Find them on Twitter, @STSWBand, and check out their music on Spotify and Bandcamp.Check out IndependentWrestling.tv for the best in current and classic independent pro wrestling, including live events from top independent promotions worldwide. Use promo code “LGBTRingPod” or visit tinyurl.com/IWTVLGBT

Cabaret Voltaire are no one thing. Depending on which corner of the internet you found us from, you might know them as the caustic Sheffield noise act who preceded post-punk, the sinister electro-industrial outfit with a penchant for evangelical samples and anti-fascist agitprop, or the dancefloor-adjacent act who fetched up on Factory's Belgian satellite label and made something close to club music. You're all correct.This week, we have a guide. Phil Eaglesham — P6, former front person of Stretchheads and De Salvo, current singer in OMO, musical walking tour operator, man of broad and alarming musical learnings — is here to help us navigate one of the most complex and wilfully uncommercial bands to come out of the UK, via their transitional compilation Eight Crepuscule Tracks.We trace the band's origins in a Sheffield attic in 1973, chart their debts to dub, Black American music, and the sci-fi soundscapes that shaped a generation of working-class ears, and make the case that Cabaret Voltaire — despite their apparent difficulty — were one of the most industrious and fundamentally political bands of their era. We also get into their time at Western Works Studio, which functioned less like a recording facility and more like the gravitational centre of an entire Sheffield scene; their complicated relationship with Rough Trade; and their connections to Joy Division, Lydia Lunch, Clock DVA, and the bands that would become the Human League and ABC.Along the way, Phil brings original artefacts including a signed 1979 TG/Cab Vol/Rema Rema poster from Tottenham Court Road, and the original 12-inches the album is built from. We also ask what would have happened to Cabaret Voltaire without punk — and conclude they'd likely have ended up an academic footnote rather than a foundational text. Highlights: 00:00 Intro03:56 Meet Phil Eaglesham07:47 P6 — The Name and the Character09:29 Queer Identity in the Industrial Scene12:55 Pseudonyms and Rockism17:44 Cabaret Voltaire: The Basics22:32 Sheffield, Western Works, and the Scene25:18 Rough Trade, The Fall, and Being Prolific29:10 Working-Class Roots and Industrial Culture32:33 Sci-Fi Soundscapes and Electronic Prehistory35:11 Musique Concrète to Cab Vol: How Close Were They?36:13 Dadaism, Situationism, and Confrontational Art38:40 Punk's Effect on Audiences (Not Just Music)40:11 The Counterfactual: Cab Vol Without Punk41:43 Black Music, Funk, and the DNA Nobody Talks About43:39 New Wave, No Wave, and New York Connections46:29 Factory Records, Crépuscule, and the Belgian Connection47:49 Original Artefacts: Posters, 12-Inches, and History50:31 Why Eight Crepuscule Tracks?52:54 Looking Towards Next Week and Outro

In this episode, we coin a new term for one of the most interesting creative impulses of our generation: #SWAG Dadaism. Like the original Dadaists responding to the whiplash of industrialization and WWI, a certain subset of young creatives are responding to the vertigo of global instability and breathless technological futurism through fashion assemblage, IP maximalism, and a fearless embrace of all things chopped and random. We conduct a historical survey from Clement Greenberg's theory of kitsch and the avant-garde to the early days of meme culture to explore page fashion parodists of the past decade. We also get into Justin Bieber and Timothée Chalamet's parallel #SWAG rebrands, the collapse of the secondhand market and its unexpected creative upside, and how #SWAG exists as the antithesis of refinement culture. Links: Image boardDada Manifesto by Tristan Tzara (1918)“Avant-Garde and Kitsch” by Clement Greenberg from The Partisan Review (1939)“The First Meme of 2026 Is About Not Explaining Yourself. And Buttons.” by Madison Malone Kircher for The New York TimesChase Rutherford on Instagram (referenced posts one, two, three)Chase Rutherford interview for Perfectly Imperfect@okniceok on Instagram @kalebphobic on TikTok re: digicore sampling Canal Street Research Association and Shanzhai Lyric on Instagram“Bags, Bootlegs and Art: A Quirky Communion on Canal Street” by Siddhartha Mitter in The New York TimesAva Nirui / @avanope interview in Office magazine (2017)“Meet Ava Nirui, The Creative Force Behind Marc Jacobs' Heaven Line” by Eni Subair in Vogue (2020) “Go To The Thrift Store That's Where The Heat Is” on Know Your Meme @harmonytividad “filet minion” post on InstagramMiddle school boy bar crawl on TikTokTung Tung Tung Sahur boxers outfit on TikTok@twylatoktok on TikTok (referenced posts one, two, three)@turtlewithhat_ / Izzy and Emma pink leggings outfits This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nymphetalumni.com/subscribe

3:39:44 – Frank in New Jersey and NYC, plus the Other Side. Topics include: Boards of Canada tickets, base 36, my epic poem New Whychock Revival, vehicles, Dadaism, Times Square Skywalk, James Bond, The Monks, Middlesix of the poem, The Reality Siren, conspiracy theories, vertical hold, time warps, Reason mastering, The Devil Wears Prada 2 (2026), Rabbit […]

3:39:44 – Frank in New Jersey and NYC, plus the Other Side. Topics include: Boards of Canada tickets, base 36, my epic poem New Whychock Revival, vehicles, Dadaism, Times Square Skywalk, James Bond, The Monks, Middlesix of the poem, The Reality Siren, conspiracy theories, vertical hold, time warps, Reason mastering, The Devil Wears Prada 2 (2026), Rabbit […]

Comedy Month wraps up as Mike talks with Rob St. Mary and Heather Drain about Tom Green's Freddy Got Fingered (2001) and Producer Lauren Lloyd joins Mike for an interview about working on the film that was almost universally trashed on release. Green wrote, directed, and stars as Gord Brody, an aspiring cartoonist who heads to Hollywood to sell his drawings as an animated series. After a catastrophic pitch meeting, Gord retreats to live with his parents—long-suffering father Jim (Rip Torn), mother Julie (Julie Hagerty), and younger brother Freddy (Eddie Kaye Thomas). Also along for the ride: Marisa Coughlan as Betty, a wheelchair-using rocket scientist. Closer in spirit to Dadaist provocation than anything else at the multiplex in 2001. Mike, Rob, and Heather dig into Green's career, the film's reception, deleted material from the trailer and behind-the-scenes footage, and the question of what Freddy Got Fingered is actually trying to do.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Comedy Month wraps up as Mike talks with Rob St. Mary and Heather Drain about Tom Green's Freddy Got Fingered (2001) and Producer Lauren Lloyd joins Mike for an interview about working on the film that was almost universally trashed on release. Green wrote, directed, and stars as Gord Brody, an aspiring cartoonist who heads to Hollywood to sell his drawings as an animated series. After a catastrophic pitch meeting, Gord retreats to live with his parents—long-suffering father Jim (Rip Torn), mother Julie (Julie Hagerty), and younger brother Freddy (Eddie Kaye Thomas). Also along for the ride: Marisa Coughlan as Betty, a wheelchair-using rocket scientist. Closer in spirit to Dadaist provocation than anything else at the multiplex in 2001. Mike, Rob, and Heather dig into Green's career, the film's reception, deleted material from the trailer and behind-the-scenes footage, and the question of what Freddy Got Fingered is actually trying to do.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

fWotD Episode 3274: Nihilism Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Wednesday, 22 April 2026, is Nihilism.Nihilism is a family of philosophical views that question the existence of any objectively meaningful purpose, moral value, truth, or knowledge. Nihilistic views span several branches of philosophy, including ethics, value theory, epistemology, and metaphysics. Nihilism is also described as a broad cultural phenomenon or historical movement that pervades modernity in the Western world.Existential nihilism asserts that life has no objective meaning or purpose. The idea that all individual and societal values are ultimately pointless has been associated with various responses. They range from general indifference and existential crises to transformative reinterpretations of established ideals and a creative embrace of personal meaning-making. Moral nihilism, a related view, denies the objective existence of morality, arguing that moral evaluations and practices rest on misguided assumptions without any foundation in external reality.In epistemology or the theory of knowledge, nihilism challenges knowledge and truth. According to relativism, knowledge, truth, or meaning are relative to the perspectives of specific individuals or cultural contexts. This implies there is no independent framework to assess which opinion is ultimately correct. Skeptical interpretations go further by denying the existence of knowledge or truth altogether. In metaphysics, one form of nihilism states the universe could have been empty without any objects. This view holds that there is no fundamental reason for why something exists rather than nothing. Mereological nihilism asserts there are only simple objects, like elementary particles, but no composite objects, like tables. Cosmological nihilism is the view that reality is unintelligible and indifferent to human understanding. Other nihilist positions include political, semantic, logical, and therapeutic nihilism.Some aspects of nihilism have their roots in ancient philosophy in the form of challenges to established beliefs, values, and practices. However, nihilism is primarily associated with modernity, emerging in the 18th and 19th centuries, particularly in Germany and Russia through the works of Friedrich Heinrich Jacobi and Ivan Turgenev. It took center stage in the thought of Friedrich Nietzsche, who understood nihilism as a pervasive cultural trend in which people lose the traditional values and ideals guiding their lives as a result of secularization. In the 20th century, nihilist themes were explored by Dadaism, existentialism, and postmodern philosophy.This recording reflects the Wikipedia text as of 01:01 UTC on Wednesday, 22 April 2026.For the full current version of the article, see Nihilism on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Ruth.

Misha Glenny and guests discuss the provocative artistic phenomenon that first startled audiences in 1916 in Zurich. There, at the Cabaret Voltaire at the Holländische Meierei on the Spiegelgasse, Emmy Hennings and Hugo Ball and others gathered on a small stage, sometimes dressed in cardboard, often performing nonsense poems. This was the start of Dada, a spirit more than a movement which spread to other cities in Europe during the war. In part the Dadas (as they called themselves) were protesting against the inevitability of constant wars on the continent and in part this was an artistic experiment around the absurd; they were creating poems, songs, costumes and art that made no obvious sense, just as the war around them made no sense to the artists, designers and poets at the Cabaret Voltaire.With Dawn Ades Emeritus Professor of Art History and Theory at the University of EssexRuth Hemus Professor of French and Visual Culture at Royal Holloway, University of LondonAndStephen Forcer Professor of French at the University of GlasgowProduced by Martha OwenReading list:Dawn Ades (ed.), The Dada Reader: A Critical Anthology (Tate Publishing, 2006)Hugo Ball (trans. Ann Raimes and ed. John Elderfield), Flight out of Time: A Dada Diary (first published 1927; University of California Press, 1996)Stephen Forcer, Dada as Text, Thought and Theory (Legenda, 2015)Ruth Hemus, Dada's Women (Yale University Press, 2009)David Hopkins, Dada and Surrealism: A Very Short Introduction (Oxford University Press, 2004)Jed Rasula, Destruction was my Beatrice: Dada and the Unmaking of the Twentieth Century (Basic Books, 2015)In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

SD51 in collaboration with Dream Academy and SASUSU Radio Jakob Jakobsen “The Ghost of Jakob Jakobsen” For the first time publicly, we recorded Social Discipline live at Tromsø Kunstforening (TKF) on March 1, 2026, with Henrik Sørlid from Dream Academy and an engaged audience. We begin with Jakobsen's Letter of Resignation (2021), his farewell to the art scene, where he explains his motivations for the first time ever. However his practice has involved not only gestures of negation but also of affirmation. Deeply rooted in the punk ethos of DIY and unskilled practice, the underground industrial tape music networks of the 1980s, and strongly influenced by Dadaism, Surrealism, and Situationism, he has taken the radical proposition that “you can also do it” to the level of institutions, founding a university (Copenhagen Free University) and even a hospital (The Hospital for Self-Mediation). Over many years, he has been engaged in collaborative practices and self-organisation, for example through alternative television (tv tv), publishing initiatives (Infopool Magazine and Nebula), and activist spaces (Info Centre). Jakobsen might have abolished himself as an artist but following Walter Benjamin's conception of history, he understands these projects as unfinished struggles that can be reactivated as revolutionary tools for the present and future. In turn, he has excavated radical experiments that are often forgotten, such as Antiuniversity London and antipsychiatric movements like the Sozialistisches Patientenkollektiv, reactivating their potential. An eerieness frames these practices as animated by the ghosts of unrealised futures, traces of abandoned struggles and suppressed possibilities that continue to unsettle the present and open new possibilities within the limits imposed by the state and capitalism, in opposition to the prevailing sense of doom and gloom. At the same time, he interrogates the darker, exclusionary histories of the Danish welfare state, which he describes as a “work state.” He has a personal experience, specially in regards to mental institutions. He had lived with anxiety and depression since puberty and the last years he has been in and out of this institutions. His whole practice questions the state's production of subjectivity. Situated between activism, art, and everyday life, and informed by psychoanalysis, he engages in creating spaces where knowledge, relations, and forms of life are collectively produced, focusing on the construction of social relations, infrastructures, architectures, and modes of living. This podcast also contains sounds from unpublished tapes that Jakobsen recorded in 1985, a hauntological soundtrack against today's hopelessness. Thank you to the Dream Academy, SASUSU Radio and Tromsø Kunstforening (TKF)

Chris and Rifa visit Tate Modern to check out the Tracey Emin retrospective Second Life and the major show of Nigerian Modernism. We also watch two art history docs on the BBC: Jim Moir's Gaga For Dada about Dadaism and the Irish film Iarsmaí (Remnants) about campaigns in Ireland to persuade museums and institutions to give back stolen artefacts.Rifa is reading Tori Amos' book Resistance and Chris is reading Bettany Hughes' Seven Wonders of the Ancient World.Thanks for listening, find us on Insta @refigureuk.

Send a textThis week the Brians explore the donkey powered compressor and how low cost condominiums were built in the Middle Ages. Also Bevan watches on as Barry is stuffed into a piece of PVC tubing and fired into the desert where he meets a host of hilarious characters who kill and eat him.As well as also, the miracle of Jesus turning lesbians into fish is discussed by a number of historical experts in the nude.In a lighter vein, Bevan is also stuffed into a PVC pipe but is too fat to get out.

Our exit today has us following in the footsteps of the Backwards Man. This week, we are talking about Freddy Got Fingered, written by Tom Green and Derek Harvie and directed by Tom Green.Along the way, we drop many more fancy words than you would expect given the movie: transgressive cinema, Dadaism, surrealism. Does that mean we like the movie? No. But it does give us a chance to talk John Waters, Drew Barrymore, Julie Hagerty, Razzie awards, MTV films, the Marx Brothers, Rip Torn's 1990s, and Tripp's high school car!Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

This week, the girlies tackle rage bait: the content that's engineered to make you mad and keep you scrolling. From gutting historic homes to incendiary Republican rhetoric, they explore how anger became a content strategy and why we keep falling for it. They trace the long history of provocation, once a way to challenge power and now just another feature of your FYP, breaking down how rage bait works, who benefits from it, and why nothing feels shocking anymore. Digressions include the beauty of riding a train, knowing conservative content creators in real life, and the age-old question: does being a woman count as rage bait? We're going on tour!!!! Find tickets at https://linktr.ee/binchtopia This episode was produced by Julia Hava and Eliza McLamb and edited by Allison Hagan. Research assistance from Kylie Finnigan. To support the podcast on Patreon and access 50+ bonus episodes, mediasodes, zoom hangouts and more, visit patreon.com/binchtopia and become a patron today. SOURCES $5.2m for a duct-taped banana: has the buyer of Maurizio Cattelan's artwork slipped up? 10 Works of Art That Made People Really Mad  100 years later Duchamp's ‘Fountain' still influential Against Empathy by Paul Bloom Anger is an approach-related affect: Evidence and implications.  Antisocial Behavior in Online Discussion Communities Ape and Human Cognition: What's the Difference? Chris Ofili: Can art still shock us? Chris Ofili, The Holy Virgin Mary  Emotion Shapes the Diffusion of Moral Content Facebook Manipulated User News Feeds To Create Emotional Responses  How A Urinal Changed Art History: The Duchamp Fountain How Upton Sinclair's ‘The Jungle' Led to US Food Safety Reforms How (and where) does moral judgment work? How the Shock Jock Became the Outrage Jock Marcel Duchamp: The Forefather of Conceptual Art More Transparency and Less Spin Movement, Affect, Sensation Musk's Political Posts Online hate speech victimization: consequences for victims' feelings of insecurity Piss Christ by Andres Serrano  Social Influence Bias: A Randomized Experiment Still Amusing Ourselves The Art of Absurdity: Resurgence of Dadaism through Gen-Z memes. The Attention Merchants: The Epic Scramble to Get Inside Our Heads The Crowd: A Study of the Popular Mind By Gustave Le Bon   The Cultural Politics of Emotion by Sara Ahmed The Dada Era of Internet Memes The Disinformation Dozen The Emotional Dog and Its Rational Tail: A Social Intuitionist Approach to Moral Judgment  “The Great Moon Hoax” is published in the “New York Sun” The Shock Of The New: Art And The Century Of Change  The urinal that changed how we think These Influencers Are Making Content to Make You Angry — And It's Working  Understanding Media - The Extensions of Man  Walter Lippmann and Public Opinion What is rage-baiting and why is it profitable?  Yellow Journalism  YouTube, the Great Radicalizer

This week Jes needs puddles, Jon electrifies a candy, Cody has two emotions, and Dave wants to express himself through art, not surgery. Also, pasta puns! Show Notes:  00:00 - Cold Opening  00:42 - The Beginning  02:05 - Style It!: Dadaism  10:46 - Jon's Segment: 911, What's Your Emergency?  23:43 - Cody's Segment: Simple Continuation  33:15 - Dave's Segment: Paterson's Premises  38:05 - The Ending  39:48 - Is it still an "easter egg" if we tell you it's here? ~~~~ Come hang out on our Discord server! Check out Jes on her Twitch channel Jenga136 for chill art vibes Check out Cody on his Twitch channel PracticalRook for gamer Cody vibes Check out Dave's other audio projects Catch Me Up and Dave's Estate Reserve Podcasts Go bug Jon on "Twitter" @JHansenHimself while he's still not there If you're REALLY bored, go to Patreon and support our timewasting efforts!

In the third and final live episode of Parola Progetto from New York, we sit on the couch at SalottoNYC with a protagonist of contemporary art: Massimiliano Gioni.A visionary curator, artistic director of the New Museum in New York, and director of the Trussardi Foundation in Milan, Massimiliano takes us on a journey into the profession of contemporary art curation.From his teenage passion for pop art to groundbreaking projects like the 2013 Venice Biennale, we explore the world of a professional who has redefined contemporary curatorial practice. We'll uncover the meaning of “uncomfortable art” and how the museum can become a gymnasium for navigating complexity.---------The links of this episode:- The New Museum in New York https://www.newmuseum.org- The Trussardi Foundation https://www.fondazionenicolatrussardi.com- The 55th International Art Exhibition entitled "Il Palazzo Enciclopedico (The Encyclopedic Palace)", curated by Massimiliano Gioni https://www.labiennale.org/en/il-palazzo-enciclopedico- "Arte di frontiera: New York graffiti" by Francesca Alinovi https://bit.ly/4ifyuuB- Lucy R. Lippard, author of the book "Pop Art" (1966) https://en.wikipedia.org/wiki/Lucy_R._Lippard- “What Do Pictures Want?” by W.J.T. Mitchell https://press.uchicago.edu/ucp/books/book/chicago/W/bo3534152.html- “Solaris” by Stanisław Lem https://en.wikipedia.org/wiki/Solaris_(novel)- “Jules et Jim” by Henri-Pierre Roché https://en.wikipedia.org/wiki/Jules_and_Jim

Ralston College presents a talk by Christopher Snook, Lecturer in the Department of Classics at Dalhousie University, on T.S. Eliot's modernist masterpiece The Waste Land. The lecture explores the personal, historical, and literary contexts of Eliot's poem. Through an engagement with the Western tradition that is simultaneously rich and fragmented, The Waste Land confronts cultural and personal crises that have atrophied both memory and desire. Snook finds in Eliot's work a mournful modernism that serves as a serious and searching rejoinder to the more frivolous and enervated responses present in some modernist schools, most notably Dadaism. This lecture was delivered on April 15th, 2024 at Ralston College's Savannah campus, during the final term of the second year of the MA in the Humanities Program. Applications are now open for next year's MA program. Full scholarships are available. https://www.ralston.ac/apply Mentioned in this episdoe:  T. S. Eliot “The Waste Land”The DialKathleen RaineVirgil, AeneidEliot, “The Love Song of J. Alfred Prufrock”Eliot, “Tradition and Individual Talent”Eliot, The Family Reunion Henri BergsonBertrand Russell Virginia Woolf, Jacob's RoomLeonard WoolfEzra PoundJames Joyce, Ulysses Ludwig Wittgenstein, Tractatus Logico-Philosophicus Oswald Spengler, Decline and Fall of the West Marcel Proust, Remembrance of Things Past Claude McCay, Harlem Shadows August Strindberg Neo-impressionism Cubism Dadaism Surrealism Futurism Taxi Driver (film) Filippo Tommaso Marinetti, War, the World's Only Hygiene Hugo Ball, Dada Manifesto “That Shakespearian Rag” William Shakespeare, Hamlet World War I Henry James F. H. Varley Punic Wars Dante Alighieri, The Divine Comedy The Tempest Modernism Collage Pablo Picasso Georges BraqueMarcel Duchamp, Nude Descending Staircase; Fountain Montage F. H. BradleyHegel, Phenomenology of Spirit Plato The Matter of Britain Jessie Weston James Frazer Richard Wagner, Parsifal Augustine, Confessions Charles Dickens, Hard Times Joseph Conrad, Heart of Darkness Eliot, “The Hollow Men” Tower of Babel Petronius, The Satyricon Michelangelo, frescoes of Sistine Chapel Virgil, Eclogues Ovid, Metamorphoses Franz Kafka Chaucer, Canterbury Tales Thomas Middleton, Women Beware Women; A Game at Chess Shakespeare, Antony and Cleopatra Charles Baudelaire, “Au Lecteur” Fredrich Nietzsche, Genealogy of Morals

Generation Alpha has made the uncanny, creepy, and chaotic YouTube series 'Skibidi Toilet' into a viral YouTube sensation, so much so that a famous director may soon be taking it to the big screen, despite the fact that the phenomenon has been called both brainrot and dangerous to the youth. On this episode, we will explain what Skibidi Toilet is, hear about similar internet videos enjoyed by Millennials and Gen X, and learn about famous art movements like net.art, Dadaism, and Surrealism to see if we can fit the seemingly meaningless Skibidi Toilet into an important artistic lineage. Watch some Skibidi Toilet now on our Instagram @americanhysteriapodcast Check out DaFuq!?Boom!'s YouTube channel Become a Patron to support our show and get early ad-free episodes and bonus content Or subscribe to American Hysteria on Apple Podcasts Leave us a message on our Urban Legends Hotline or get your mitts on some merch at americanhysteria.com Sound Designer and Associate Producer: Riley Swedelius-Smith Producer and Editor: Miranda Zickler Voice Actor: Will Rogers Written, Produced, and Hosted by Chelsey Weber-Smith Learn more about your ad choices. Visit megaphone.fm/adchoices

Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/mononeonSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeMonoNeon, aka Dywane Thomas Jr., came up learning the bass from his father in Memphis, Tennessee, but for some reason, he decided to flip his dad's 4-string bass around and play it with the string order inverted—E string closest to the ground and the G on top. That's how MonoNeon still plays today, coming up through a rich, inspiring gauntlet of family and community traditions. “I guess my whole style came from just being around my grandma at an early age,” says Thomas.His path has led him to collaborate with dozens of artists, including Nas, Ne-Yo, Mac Miller, and even Prince, and MonoNeon's solo output is dizzying—trying to count up his solo releases isn't an easy feat. Premier Guitar's Chris Kies caught up with the bassist before his show at Nashville's Exit/In, where he got the scoop on his signature 5-string, Ampeg rig, and simple stomp layout, as well as some choice stories about influences, his brain-melting playing style, and how Prince changed his rig.Shop MonoNeon's Rig:Fender MonoNeon Jazz Bass V - https://sweetwater.sjv.io/QyBQeMAmpeg SVT - https://sweetwater.sjv.io/Jz03zNDigiTech Whammy - https://sweetwater.sjv.io/q4LBROCIOKS SOL - https://sweetwater.sjv.io/jrPL2vFull Rig Info: https://www.premierguitar.com/videos/rig-rundown/mononeonSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar[Brought to you by D'Addario: https://ddar.io/wykyk-rr]0:00 - Blu DeTiger & D'Addario0:15 - MonoNeon Playing Intro1:32 - Chris Kies Intro1:52 - Working with Mavis Staples & George Clinton2:40 - Expanding Songwriting on Quilted Stereo3:49 - MonoNeon Signature Fender Jazz V Bass4:51 - Flipping the Bass5:27 - Family Means Everything to MonoNeon6:37 - MonoNeon Tunings6:50 - Exploring MicroTonal Music7:27 - MonoNeon's String-Bending Style8:15 - Prince Introduced the DigiTech Whammy to MonoNeon8:53 - Impact of Performing & Recording with Prince10:57 - Joe Glaser & D'Addario11:13 - Humbuckers in MonoNeon Jazz V12:27 - Ampeg SVT-CL Half Stack12:51 - MonoNeon Pedalboard14:42 - Making Melodies Out of Viral Videos16:01 - MonoNeon's Love for Dadaism & Grandma's Quilts17:14 - MonoNeon Outro Playing17:59 - D'Addario Strings© Copyright Gearhead Communications LLC, 2024

"Shape Shifters" Hosts: Darren Weeks, Vicky Davis Website for the show: https://governamerica.com Vicky's website: https://thetechnocratictyranny.com COMPLETE SHOW NOTES AND CREDITS AT: https://governamerica.com/radio/radio-archives/22579-govern-america-august-3-2024-shape-shifters Listen LIVE every Saturday at 11AM Eastern or 8AM Pacific at http://governamerica.net or on your favorite app. Text GOVERN to 80123 to be notified of live transmissions that occur outside of our regularly-scheduled Saturday broadcasts. These transmissions are moved when/if circumstances warrant. Communists on the march by the hundreds in Philadelphia. Mockingbird media propagandists whitewash Kamala Harris' record on the border. If elected, Harris plans executive action to take the guns. More details on the Harris Palace Coup. Stacking political rallies with homeless? Elizabeth Warren and the Democrats want to destroy the Supreme Court. Washington Post sets the stage for another stolen election. Is indictment against attorney Michele Fiore another political witch hunt? Cloak of Green and Maurice Strong. Dadaism and the game of chaos. Beginning of our series on the 1990s World Economic Development Congress. Trump assassin was on the radar 90 minutes prior to shooting; video appears to show him running on "sloped roof" building that terrified Secret Service director. New migrant caravan leaves southern Mexico after Biden introduced new amnesty plan. Murders, mayhem, and Mayorkas. Cultural Marxism, the CCP, and more.

In this episode, we touch on the topic of Williams Carlos Williams, the ideas and people of Modernism, Imagism, as well as Dadaism in which they all connect Williams's Work

In this episode we touch on the topic of Williams Carlos Williams, the ideas and people of Modernism, Imagism, as well as Dadaism in which they all connect Williams's work.

This episode explores Dadaism, an avant-garde movement emerging during the aftermath of World War I. Rooted in a rejection of societal norms and traditional art forms, Dadaists aimed to provoke and question Western culture through chaos, irrationality, and anti-art practices. Despite its short lifespan, Dadaism's influence endured in shaping modern and contemporary art movements.

Chava Shapiro is the founder of the Jewish Zine Archive, an archival collection of Jewish zines and a digital Jewish cultural space. They join Lex Rofeberg and Dan Libenson for a conversation related to their upcoming UnYeshiva mini-course, Unraveling Jewish Zines: From Rashi to the Haggadah to Instagram, which will explore the intersection of Jewish identity, DIY ethos, and artistic innovation through the lens of zine culture.Learn more about (and register for) Chava Shapiro's UnYeshiva 3-week mini-course, Unraveling Jewish Zines: From Rashi to the Haggadah to Instagram, which starts on May 22nd! Check out our other 3-week mini-courses via www.judaismunbound.com/classes -- financial aid is available for all of them, just fill out this form.Access full shownotes for this episode via this link. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation -- support Judaism Unbound by clicking here! 

Surrealism or Dadaism can be as simple as having a strange dream and writing it down, or close to it.  Apologies, pun intended, if "Make Up" is merely that simple. I won't try to make it something more with compromise or cosmetics.

We're back, baby! Tuck chats with Lamya H (she/they), author of Hijab Butch Blues. Topics include:  Discovering queer themes (and dykes!) in the Quran  How having a baby helped Lamya assert their own gender identity  TFW someone suggests you read your own pseudonymous memoir  Finding gender euphoria in religious practice Plus: Pinkwashing, Dadaism, and subway speed challenges This Week in Gender: Dakota Hommes reports on union bargaining for trans healthcare.  Find Lamya at lamyah.com and @lamyaisangry. Paperbacks are available for preorder.  We've got three Palestinian solidarity designs (plus trains flag restocks) in the merch shop this month. Submit a piece of Theymail: a small message or ad that we'll read on the show. Today's message was from Luke Dani Blue.  ~~ Join our Patreon (patreon.com/gender) to get access to our bonus podcasts, weekly newsletter, and other perks. Find our FAQ page, starter packs and episode transcripts at genderpodcast.com. We're also on Instagram @gendereveal. Senior Producer: Ozzy Llinas Goodman Logo: Ira M. LeighMusic: Breakmaster CylinderAdditional Music: “Away Game” “Faithless Constellation” “Passages Interlude” & “Copper Halls” by Blue Dot Sessions Sponsors: Aphrodisia Boutique (code: GENDERREVEAL) and DeleteMe (code: TUCK20)

Infinite Inning 268: A Broom of Twigs as Are We All Casey Stengel, Winston Churchill, the 1962 Mets, Lavengro, what a besom is, Theodore Roosevelt, the Reverend Dr. Russell M. Brougher, the efficacy of prayer, Ed Konetchy, infidelity and early marriages, early chocolate beverages, Hernan Cortes, polyamory in the early 20th century Phillies ownership suite, managed by a dentist, dear old dad, Bobo Newsom, Shanty Hogan, Dadaism, the Marx Brothers, and the Beatles, Bob's dad and the 1940 World Series, The Man from C.I.N.C.I.N.N.A.T.I., Pronoun: Bobo, peat-bog mummies and their offspring, Targaryens and Habsburgs, Dad and Bing, Dad and Rickey Henderson, Rickey and postseason shares, ancient Dodgers first basemen with tragic ends, Tim Jordan, Jake Daubert, Del Bissonette, the Chalmers Award, the Vincent Van Gogh exit, Lefty Gomez's last words, and goodbyes. The Infinite Inning is not only about baseball but a state of mind. Steven Goldman, rotating cohosts Jesse Spector, Cliff Corcoran, and David Roth, and occasional guests discuss the game's present, past, and future with forays outside the foul lines to the culture at large. Expect stats, anecdotes, digressions, explorations of writing and fandom, and more Casey Stengel quotations than you thought possible. Along the way, they'll try to solve the puzzle that is the Infinite Inning: How do you find the joy in life when you can't get anybody out?

In questo podcast dedicato all'arte con Sabrina, parleremo di un artista sicuramente al di fuori degli schemi: Salvador Dalí. Anche se Sabrina proviene da un background focalizzato sugli artisti classici, riesce a offrirci un racconto coinvolgente di questo iconico pittore dalle mille sfaccettature. Nel corso degli anni '20 e '30 del XX secolo, l'arte si rinventa con la nascita di due movimenti rivoluzionari: il dadaismo e il surrealismo. In questo periodo, ricco di grandi autori dell'arte, Salvador Dalí emerge come una delle figure più importanti. Ci auguriamo che troviate questa puntata artisticamente interessante. Buon ascolto! Dani & Lia ~~~~ In this art-focused podcast with Sabrina, we'll talk about an artist who is definitely outside the norm: Salvador Dalí. Even though Sabrina comes from a background focused on classical artists, she offers us an engaging narrative about this iconic painter with many facets. In the 1920s and 1930s, art reinvented itself with the birth of two revolutionary movements: Dadaism and Surrealism. In this period, rich with great art authors, Salvador Dalí emerged as one of the most significant figures. We hope you find this episode artistically interesting. 

Get ready to skillfully navigate this posttruth world with so many false realities. We'll find Red Pills in Gnostic comics, books, and television shows that include the Gnostic series Silo. This exploration will cover many alternative movements and philosophies: Dadaism, Postmodernism, Anarchism, and more. And it will summarize the insights of such Gnosis exemplars like Philip K. Dick, Grant Morrison, and Michael Marshall Smith. Ultimately, you'll find that buried treasure that is your higher self under a sea of simulated worlds.Astral Guest – Dr. David Sweeney, author of The OA (Constellations) and lecturer in The Glasgow School of Art's Design History and Theory department.Join the Virtual Alexandria Academy https://thegodabovegod.com/virtual-alexandria-academy/Stream Meet The Archons: https://thegodabovegod.com/access-meet-archons/This is a partial show. For the second half of the interview, please become an AB Prime member: http://thegodabovegod.com/members/subscription-levels/ or patron at Patreon: https://www.patreon.com/aeonbyteGet the simple, effective, and affordable Red Circle Private RSS Feed for all full shows: https://app.redcircle.com/shows/2afbb075-465d-42d2-833b-12fa3bca1c7d/exclusive-contentMore information on David: https://www.gsa.ac.uk/about-gsa/our-people/our-staff/s/sweeney-david/Get the book: https://amzn.to/3QDno58Check our last interview with David: https://thegodabovegod.com/gnostic-themes-in-the-oa-and-other-television/Support this podcast at — https://redcircle.com/aeon-byte-gnostic-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Okay, okay, okay, Cape Town-based artist Dada Khanyisa isn't a Dadaist, so maybe the title here is misleading. But they are having a solo show currently at the Johannesburg Art Gallery and they are part of the roster of the great Stevenson gallery and they are making work that is both politically astute but also about this ideas of what they say is "going out culture, but also going in culture." So even if it's not Dadaism, it's Dada-ism. On this episode of the Radio Juxtapoz podcast, we sit down with the Cape Town-based artist about imagination versus reality and the trickiness of the balance, tolerance training and the continuing emerging career of one of the brightest stars of South African art today. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 123 was recorded in October 2023 in Margate and Cape Town. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠

This movie is not for all tastes, but it IS for Drusilla and Josh. It's Singapore Sling: The Man Who Loved a Corpse by Nikolai Nikolaides. From wiki: “Singapore Sling: The Man Who Loved a Corpse (Greek: Singapore Sling: Ο Άνθρωπος που Αγάπησε ένα Πτώμα, tr. Singapore Sling: O Ánthropos pou Agápise éna Ptóma) is a 1990 Greek black and white horror underground art film directed by Nikos Nikolaidis and regarded as his magnum opus. Considered a difficult film to label while still managing to develop something of a cult following throughout the years nonetheless, it was shot in a bizarre manner somewhat resembling film noir or neo-noir and black comedy as well as the exploitation, thriller, and crime genres mixed with some elements of eroticism and horror with sex being used as a power game and received a theatrical release in Greece on 6 December 1990.[1][2] “Drusilla saw Almodóvar's double feature of shorts, Strange Way of Life and The Human Voice. She also saw: Dicks! The Musical. Josh writes the Darren Criss Halloween Show at A.C.T. in San Francisco. He watched Tod Browning's Freaks. Also mentioned: Under the Rainbow (1981), Fassbinder, Blonde Venus, Story Pirates, Lair of the White Worm, Ticket of No Return, Onibaba, Grey Gardens, Jean Genet's The Maids, Dadaism, Otessa Moshfegh, Pasolini, David Lynch, Pink Flamingos, Angel, and more! NEXT WEEK: Halloween Special Double Feature: Cronenberg's Naked Lunch (1991) and Henenlotter's Brain Damage (1988)Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/ Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Bluesky: https://bsky.app/profile/joshuaconkel.bsky.socialInstagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel  

Things get weird on this Trip into Surrealism, a subject of great interest to ACFM and all historians of the weird left. Nadia, Jem and Keir follow a thread of off-kilter expression from Dadaism and André Breton's manifesto through to Situationism, punk and Afrosurrealism. The gang explore the importance of surrealism to socialist thought and […]

Things get weird on this Trip into Surrealism, a subject of great interest to ACFM and all historians of the weird left. Nadia, Jem and Keir follow a thread of off-kilter expression from Dadaism and André Breton's manifesto through to Situationism, punk and Afrosurrealism. The gang explore the importance of surrealism to socialist thought and […]

Dive into the second episode of this two-part series as we continue our conversation with graphic designer, Art Chantry, whose stories sparkle as vibrantly as his colorful posters, offering original insights from Seattle's grunge era. These tales span Art's diverse interests and influences: The allure of archaeology; Dadaism & Surrealism; old commercial art by overlooked masters, accidental inking errors. Chantry exposes the misguided muddling of fine art with graphic design and then explains how graphic design underscores propaganda and politics. Art concludes by heralding a new book showcasing Estrus Records, home of bands like The Makers, Mono Men and The Mummies. He confesses that his posters and album covers for these bands were his most liberated. So, this publication is a faithful retrospective for a maverick homegrown genius whose impact is international. "You are standing next to this pond that suddenly emerges and you throw a pebble into the water and this ripple would start. And it got bigger...and before you know, it's a tidal wave; then you hit the shoreline and it's a tsunami and it wipes out half of America; and it's like: 'Wow...I did that....' We were close enough where we could do things like that and actually watch it happen." ~ Art Chantry

Mercury rises when Marlene Seven Bremner arrives at the Virtual Alexandria. She will discuss her new book, The Hermetic Marriage of Art and Alchemy: Imagination, Creativity, and the Great Work. She explains how alchemical transmutation is relevant to the creative process and how it can lead to self-knowledge and awakening. In truth, Creative alchemy aligns the Self with natural rhythms for greater creative power. Get ready to understand the principles, elements, and planets involved in creative alchemy and the techniques for increasing insight and imagination. And we'll find out how Hermes appears in various innovative artistic movements like Dadaism, Surrealism, Symbolism, and more.Homepage: https://thegodabovegod.com/Patreon: https://www.patreon.com/aeonbyteAB Prime: https://thegodabovegod.com/members/subscription-levels/Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/Voice Over services: https://thegodabovegod.com/voice-talent/Astro Gnosis (Meet the Archons): https://thegodabovegod.com/meet-archon-replay/Support this podcast at — https://redcircle.com/aeon-byte-gnostic-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Nihilism - the belief that life is meaningless - is frequently associated with twentieth-century movements such as existentialism, postmodernism and Dadaism, and thought to result from the shocking experiences of the two World Wars and the Holocaust.  In A History of Nihilism in the Nineteenth Century: Confrontations with Nothingness (Cambridge UP, 2023), Jon Stewart shows that nihilism's beginnings in fact go back much further to the first half of the nineteenth century. He argues that the true origin of modern nihilism was the rapid development of Enlightenment science, which established a secular worldview. This radically diminished the importance of human beings so that, in the vastness of space and time, individuals now seemed completely insignificant within the universe. The author's panoramic exploration of how nihilism developed - not only in philosophy, but also in religion, poetry and literature - shows what an urgent topic it was for thinkers of all kinds, and how it has continued powerfully to shape intellectual debates ever since. Jon Bartley Stewart is an American philosopher and historian of philosophy. He specializes in 19th century Continental philosophy with an emphasis on the thought of Kierkegaard and Hegel. Stewart currently works as a researcher at the Institute of Philosophy at the Slovak Academy of Sciences Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nihilism - the belief that life is meaningless - is frequently associated with twentieth-century movements such as existentialism, postmodernism and Dadaism, and thought to result from the shocking experiences of the two World Wars and the Holocaust.  In A History of Nihilism in the Nineteenth Century: Confrontations with Nothingness (Cambridge UP, 2023), Jon Stewart shows that nihilism's beginnings in fact go back much further to the first half of the nineteenth century. He argues that the true origin of modern nihilism was the rapid development of Enlightenment science, which established a secular worldview. This radically diminished the importance of human beings so that, in the vastness of space and time, individuals now seemed completely insignificant within the universe. The author's panoramic exploration of how nihilism developed - not only in philosophy, but also in religion, poetry and literature - shows what an urgent topic it was for thinkers of all kinds, and how it has continued powerfully to shape intellectual debates ever since. Jon Bartley Stewart is an American philosopher and historian of philosophy. He specializes in 19th century Continental philosophy with an emphasis on the thought of Kierkegaard and Hegel. Stewart currently works as a researcher at the Institute of Philosophy at the Slovak Academy of Sciences Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Nihilism - the belief that life is meaningless - is frequently associated with twentieth-century movements such as existentialism, postmodernism and Dadaism, and thought to result from the shocking experiences of the two World Wars and the Holocaust.  In A History of Nihilism in the Nineteenth Century: Confrontations with Nothingness (Cambridge UP, 2023), Jon Stewart shows that nihilism's beginnings in fact go back much further to the first half of the nineteenth century. He argues that the true origin of modern nihilism was the rapid development of Enlightenment science, which established a secular worldview. This radically diminished the importance of human beings so that, in the vastness of space and time, individuals now seemed completely insignificant within the universe. The author's panoramic exploration of how nihilism developed - not only in philosophy, but also in religion, poetry and literature - shows what an urgent topic it was for thinkers of all kinds, and how it has continued powerfully to shape intellectual debates ever since. Jon Bartley Stewart is an American philosopher and historian of philosophy. He specializes in 19th century Continental philosophy with an emphasis on the thought of Kierkegaard and Hegel. Stewart currently works as a researcher at the Institute of Philosophy at the Slovak Academy of Sciences Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Nihilism - the belief that life is meaningless - is frequently associated with twentieth-century movements such as existentialism, postmodernism and Dadaism, and thought to result from the shocking experiences of the two World Wars and the Holocaust.  In A History of Nihilism in the Nineteenth Century: Confrontations with Nothingness (Cambridge UP, 2023), Jon Stewart shows that nihilism's beginnings in fact go back much further to the first half of the nineteenth century. He argues that the true origin of modern nihilism was the rapid development of Enlightenment science, which established a secular worldview. This radically diminished the importance of human beings so that, in the vastness of space and time, individuals now seemed completely insignificant within the universe. The author's panoramic exploration of how nihilism developed - not only in philosophy, but also in religion, poetry and literature - shows what an urgent topic it was for thinkers of all kinds, and how it has continued powerfully to shape intellectual debates ever since. Jon Bartley Stewart is an American philosopher and historian of philosophy. He specializes in 19th century Continental philosophy with an emphasis on the thought of Kierkegaard and Hegel. Stewart currently works as a researcher at the Institute of Philosophy at the Slovak Academy of Sciences Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Nihilism - the belief that life is meaningless - is frequently associated with twentieth-century movements such as existentialism, postmodernism and Dadaism, and thought to result from the shocking experiences of the two World Wars and the Holocaust.  In A History of Nihilism in the Nineteenth Century: Confrontations with Nothingness (Cambridge UP, 2023), Jon Stewart shows that nihilism's beginnings in fact go back much further to the first half of the nineteenth century. He argues that the true origin of modern nihilism was the rapid development of Enlightenment science, which established a secular worldview. This radically diminished the importance of human beings so that, in the vastness of space and time, individuals now seemed completely insignificant within the universe. The author's panoramic exploration of how nihilism developed - not only in philosophy, but also in religion, poetry and literature - shows what an urgent topic it was for thinkers of all kinds, and how it has continued powerfully to shape intellectual debates ever since. Jon Bartley Stewart is an American philosopher and historian of philosophy. He specializes in 19th century Continental philosophy with an emphasis on the thought of Kierkegaard and Hegel. Stewart currently works as a researcher at the Institute of Philosophy at the Slovak Academy of Sciences Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Nihilism - the belief that life is meaningless - is frequently associated with twentieth-century movements such as existentialism, postmodernism and Dadaism, and thought to result from the shocking experiences of the two World Wars and the Holocaust.  In A History of Nihilism in the Nineteenth Century: Confrontations with Nothingness (Cambridge UP, 2023), Jon Stewart shows that nihilism's beginnings in fact go back much further to the first half of the nineteenth century. He argues that the true origin of modern nihilism was the rapid development of Enlightenment science, which established a secular worldview. This radically diminished the importance of human beings so that, in the vastness of space and time, individuals now seemed completely insignificant within the universe. The author's panoramic exploration of how nihilism developed - not only in philosophy, but also in religion, poetry and literature - shows what an urgent topic it was for thinkers of all kinds, and how it has continued powerfully to shape intellectual debates ever since. Jon Bartley Stewart is an American philosopher and historian of philosophy. He specializes in 19th century Continental philosophy with an emphasis on the thought of Kierkegaard and Hegel. Stewart currently works as a researcher at the Institute of Philosophy at the Slovak Academy of Sciences Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In the middle of the first world war, a group of artists, poets, and philosophers created an artistic and intellectual movement in response to the war.  While the movement itself didn't last very long, its legacy of it laid the foundation for modern art in the 20th century, and can still be seen in modern art today. Learn more about Dadaism, what it was, and its legacy on this episode of Everything Everywhere Daily. Sponsors Expedition Unknown  Find out the truth behind popular, bizarre legends. Expedition Unknown, a podcast from Discovery, chronicles the adventures of Josh Gates as he investigates unsolved iconic stories across the globe. With direct audio from the hit TV show, you'll hear Gates explore stories like the disappearance of Amelia Earhart in the South Pacific and the location of Captain Morgan's treasure in Panama. These authentic, roughshod journeys help Gates separate fact from fiction and learn the truth behind these compelling stories.   InsideTracker provides a personal health analysis and data-driven wellness guide to help you add years to your life—and life to your years. Choose a plan that best fits your needs to get your comprehensive biomarker analysis, customized Action Plan, and customer-exclusive healthspan resources. For a limited time, Everything Everywhere Daily listeners can get 20% off InsideTracker's new Ultimate Plan. Visit InsideTracker.com/eed. Subscribe to the podcast!  https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Charles Daniel Associate Producers: Peter Bennett & Thor Thomsen   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

We go into deep into our murder dreams to cure our brain demons with Dadaism. It's Alfred Hitchcock's Spellbound! swimfanspod.com

Theresa Duncan, Jeremy Blake, "Theremy," Golden Suicides, Scientology, Alternate reality games, ARGs, Franklin scandal, Johnny Gosch, Paul Thomas Anderson, Beck, Tom Cruise, "Alice Underground," the Duncan Blake Rumor Mill, Brett Easton Ellis, LA, Hollywood, Venice, Chateau Marmont, Chateau d'Amboise, Knights Templar, Leonardo da Vinci, Catherine Di Medici, Black Masses, Johnny Depp, Tim Burton, Courtney Love, Quentin Tarantino, Hunter S. Thompson, Rodney Alcala, Museum of Jurassic Technology, Center for Land Use Interpretation, Bunny Museum, Ray Johnson, Andy Warhol, pop art, Ray Johnson's suicide, Johnson's suicide as art, Mount Lowe, Salvation Mountain, the Salton Sea, Urban exploration, Cacophony Society, Suicide Club, Leonard Knight, Burning Man, Sean Penn, Into the Wild, Noah Purifoy, Joshua Tree, Graham Parsons, Llano del Rio, Job Herriman, utopian communities, faked suicides/deaths, Aztec Motel, Route 66, Wright family, Mayan revival style, Isaac Kappy, Tuesday's Child, Tuesday Weld, Tuesday Weld as Illuminati priestess, Discordianism, neo-Dadaism, underground art currentsFor those interested, Taylor's most recent short film and other work can be found here:https://vimeo.com/686522265Music by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

'...I was always more drawn to modern art. But I love all art. I'll go to any museum; whether they show ancient or modern art. But I specialized in modern art, because it's always excited me; like its new ways of making, new ways of viewing things. That's always fascinated me. And I was always, during my studies, always writing about new art and avant-garde art. Surrealism was a huge interest of mine. Futurism; Dadaism; all these 'isms' from the 20s. And then, of course, conceptual art from the 60s. These new types of ideas have always excited me; made me want to push boundaries, and stretch ideas, of what art is, and can be.' —Anne de Jong For the sixth episode of 'Dutch Art & Design Today', I sat down with Anne de Jong; Gallery Manager and Curator at Upstream Gallery in Amsterdam, the Netherlands. I first became aware of Anne's work when I stopped by the exhibition 'Future Bodies' at the gallery in October of 2022; an exhibit about the human body in relation to technology, as manifested in works created by eight different artists that encompassed the show. The exhibition was the first that Anne has curated at Upstream Gallery, where she has worked since 2015. Anne studied art history, then modern and contemporary art, at the University of Amsterdam, where she received her BA and MA degrees, and where she developed her academic interest in digital art, spurring from her love of art 'isms'. In this episode, we discuss her love of art and how she came to be collaborating with, what is arguably one of the most digitally progressive art galleries in Amsterdam; her ideas behind the curation process of staging the exhibit 'Future Bodies', and why she included the artists she did; her thoughts on art and the blockchain; and what makes Upstream the leading Dutch gallery in the field of digital artist representation. In her role, she collaborates with some of the leading artists working in digital formats—including NFTs—today; such as Jan Robert Leegte and Harm van den Dorpel. To conclude; Anne discusses her thoughts on NFTs; and we both share a moment of joy when we learn we both own an NFT, from Marina Abramovic's genesis Tezos NFT collection, 'The Hero'. You can find out more about Upstream Gallery on their website and Instagram. You can find John on X @johnbezold and at his website johnbezold.com. 'Dutch Art & Design Today' is published by Semicolon-Press.

Adrian Clarke, Amy Lawrence and Michael Cox discuss the 3-1 defeat to Man United. Plus, a look ahead to the trip to Zurich - the home of Dadaism and muesli, no less - and we wonder which Arsenal players past and present would make up the staff room at Gooner High?PART 1a: Fast Times at Gooner High (01m 30s)PART 1b: United 3 - 1 Arsenal (05m 30s)PART 2a: Zurich in the Europa League preview (22m 00s)PART 2b: Dadaist or Zurich player quiz (25m 30s)PART 3: Plugs, songs and farewells Hosted on Acast. See acast.com/privacy for more information.

Adrian Clarke, Amy Lawrence and Michael Cox discuss the 3-1 defeat to Man United. Plus, a look ahead to the trip to Zurich - the home of Dadaism and muesli, no less - and we wonder which Arsenal players past and present would make up the staff room at Gooner High? PART 1a: Fast Times at Gooner High (01m 30s0 PART 1b: United 3 - 1 Arsenal (05m 30s) PART 2a: Zurich in the Europa League preview (22m 00s) PART 2b: Dadaist or Zurich player quiz (25m 30s) PART 3: Plugs, songs and farewells Learn more about your ad choices. Visit megaphone.fm/adchoices

This Is My Milwaukee, alternate reality games, ARGs, Cicada 3301, QAnon, Game23, Discordianism, Jacob Bakkila, Thomas Bender, BuzzFeed, Google, Eric Schmidt, Jared Cohen, Howcast, Youth Alliance Movement, Peter Thiel, Palantir, Voltaire, AI, Miles Davis, cool jazz, Paris 19th century occult scene, Debussy, Birth of the Cool, crisis of capitalism, 2007-2008 financial crisis, G.oD.S.E.E.D., Saturn, Cambridge Analytica, Brittany Kaiser, Jason Liebman, Rosicrucianism, Dadaism, chaosMusic: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Get bonus content on Patreon Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.