Podcasts about graphic

How much of a successful comics career depends on being temporarily delusional? Brad and Dave suspect it may be more than anyone wants to admit.Then, a listener asks about creating a style guide for a comic. Brad and Dave discuss the small decisions that help lettering remain clear, consistent, and easy to read — from spelling out numerals and avoiding hyphenated line breaks to shaping word balloons, using all-caps lettering, and deciding whether “livestream” is one word or two.Finally, they look back at the pivotal “sliding doors” moments that could have sent their careers in entirely different directions. Dave talks about leaving Mattel, choosing webcomics over syndication, and the friendships that helped him become a better cartoonist. Brad remembers the collapsed newspaper job offer that sent him back to comics, the syndicate pitch that deserved to fail, and the leap that finally made cartooning his full-time career.ON THIS WEEK'S SHOW...Why every creative career requires a little temporary delusionWhat belongs in a comic-specific style guideWhy Brad spells out numbers in Evil IncPunctuation, abbreviations, and the Oxford commaWhy hyphenating words inside balloons hurts readabilityHow line breaks affect the shape and flow of a word balloonAll caps versus sentence-case letteringUsing colloquial spellings without making dialogue difficult to readThe pivotal decisions that changed Brad and Dave's careersLeaving a secure job to become a full-time cartoonistChoosing webcomics over newspaper syndicationHow a community of fellow cartoonists can accelerate your growthComicLab is made possible through the support of our Patreon members. Join us at Patreon.com/ComicLab for more than 200 hours of bonus episodes, including our exclusive Pro Tips podcast, and access to the ComicLab Discord community.Share your thoughts on the ComicLab Confab Line: 1-609-379-3520. We may play your message on a future episode! You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Dave and Brad return from the 80th Annual National Cartoonists Society Conference and Reuben Awards with stories to tell! They look back on ComicLab LIVE and a private tour of the newly redesigned Billy Ireland Cartoon Library & Museum! Then it's on to the Reuben Awards, where Mark Tatulli finally won the Reuben Award after years of nominations. But some of the best moments happened between the scheduled events. Brad gets the chance to sit down with 95-year-old cartooning legend Mort Gerberg and hear stories about the golden age of magazine cartooning — including an incredible story about a newly arrived Sergio Aragonés taking Manhattan by storm. Jim Davis shares the story behind Garfield's famous suction-cup dolls, along with his surprisingly strict 25-word rule for writing the strip. And the farewell brunch turns into an exchange of sketches, original art, and some wonderful reminders of why cartoonists come back to this event year after year. Finally, an old collection of America's “best college cartoonists” offers an unexpected lesson about making a career in comics: You don't have to start out at the front of the pack. You just have to keep going. ON THIS WEEK'S SHOW... • ComicLab LIVE at the NCS Conference • The newly redesigned Billy Ireland Cartoon Library & Museum • Which original would you save from a museum fire? • The Reuben Awards • Katie Cook and Mark Tatulli take home awards • Lunch with Dave and Eileen Blazek • Brad's conversation with Mort Gerberg • Mort's stories about Sergio Aragonés • Jim Davis on writing Garfield • The accidental origin of the Garfield suction-cup doll • Rick Kirkman and Jerry Scott • Original art at the farewell brunch • ComicLab listeners at the NCS • The NCS Cartoonist Showcase • Why persistence matters more than being the best You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

New Series: Becoming a Modern-Day MatriarchSometimes clarity doesn't arrive as an answer. Sometimes it arrives as a recognition: Oh. I think I see what has been taking shape here. I see hints and am beginning to make sense of it all.As A Birth Season comes to a close, Janell reflects on an unexpected realization: two book projects she has been developing for years—Moving Day and Modern-Day Matriarchs—are no longer simply ideas she is writing about. She is living them.In this tender transition episode, she explores what she is being invited to leave behind, what she hopes to carry forward, and how a possible move to Kansas has awakened a deeper calling to become an intentional matriarch for the generations she loves. It's the beginning of a new conversation—and perhaps a new season. Connect with Janell & The Heartlifter Way on SubstackWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠janellrardon.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@janellrardon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theheartlifterway⁠⁠⁠⁠⁠⁠⁠⁠YouTube: Heartlift WellnessRevisit ⁠⁠⁠⁠⁠"When God Speaks in Metaphors"⁠⁠⁠⁠⁠Revisit ⁠⁠⁠"Unlearning with The Waiting Room"⁠⁠⁠Download the "Principles of Discernment" PDF: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Trust What is Taking Shape⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Download the "Discernment Prayer" to use during our Birth Season: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Prayer PDF⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Download ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"The Three Pots" ⁠⁠⁠⁠⁠⁠⁠⁠Graphic to use during the meditative exercise.Download ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"The G.E.N.T.L.E. Path"⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ PDF

Welcome to the Tuesday News Day, where we discuss the latest events in nerd news! SUBSCRIBE HERE: https://www.youtube.com/c/themedialunchbreak?sub_confirmation=1 Bluesky: https://bsky.app/profile/themedialunchbreak.bsky.social Patreon: www.patreon.com/TheMediaLunchBreak Youtube: www.youtube.com/c/themedialunchbreak Facebook: www.facebook.com/themedialunchbreak Or email us at: TheMediaLunchBreak@gmail.com Listen and review us on iTunes and YouTube Music! The Media Lunch Break on YouTube: www.youtube.com/c/themedialunchbreak Graphic art by: Melinda Filonuk - www.melgraphics.com www.etsy.com/shop/melgraphicscreations Eric Scotolati - https://twitter.com/ericscotolati

Paul Trimble returns to discuss the fantastic 2000AD vs Battle Action merger that never happened. Get your copy from the 2000AD store. Find Paul on the Enniskillen Comic Fest Facebook page and on Instagram, as well as in the Battle Fans group. You can find Paul's latest Kings Reach Commandos story in the Faces of War anthology from Sector 13 comics.You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.

CONTENT WARNING! Graphic descriptions of violence, sexual discussions, and adult language are featured. Welcome to the 200th episode extravaganza! Where has the time gone? It feels like only yesterday that these two decided to switch from penguins to ponies.  Thank you all, if you've been watching from the start or even if this is your first episode, we truly appreciate everyone who enjoys what we do, and here's to another 200 episodes! P.S. Apologies for this episode being off-schedule, it was Wizzy's turn to pay the editor, and he spent all his money on collagen injections... AGAIN!

Angus picks up some boxes he had stored at Sal's place. The two delve into each other's keepsakes for some mutually assured embarrassment. The post EP163 – A Walk Down Memory Lame appeared first on PodCavern.

Yara Khoury Nammour interviews Lebanese graphic designer and educator Leen Charafeddine. They start the conversation discussing her entry into the field of Graphic design which stemmed from her interest as a teenager in the advertising profession. Later she unrolls in the graphic design program at the Amrican University of Beirut (AUB), then goes on to receive two masters degrees from the Royal College of Art (RCA) in London and the School of Poetic Computing (SPC) in New York. After a short stint in advertising, Leen's work shifts to graphic design and creative coding.   Leen discusses in detail her work with the Lebanese children's publisher Dar Onboz. At Dar Onboz she is reintroduced to the Arabic language and script, and her interest in multidisciplinary and experiential education is triggered. This lead her to pursue an MA degree at RCA with a thesis project for teaching math in an alternative and visual way. This interest further launches her into creative coding and she joins the School for Poetic Computation in New York.   Leen talks about a few of the publication design projects she worked on with Dar Onboz, and elaborates on how she incorporated her experiences with the children in her family in these publication projects. One of the focuses in her work became teaching the Arabic language in alternative ways, and looking into playful ways to underline connections between science, art and making. After her RCA graduation she started working on a paper engineering project with her nephews and nieces that used math and building to describe how things grow in the real world. Based on that project she was approached by the Palestinian museum to create more paper engineering works for The History of Palestine Through Everyday Objects project which consisted of a series of pop-up books and a box of activities. Further collaborations with the Palestinian Museum included the Sanasel Arabic language educational online platform developed with the accessibility for the Palestinian diaspora and building connections in mind.   The conversation revolved around Leen's interest in language, mathematics, creative coding and how these can define how we see and practice design in the future. She expresses her interest in learning new skills and technologies, and using them to empower marginalised communities and amplify the voices of those that are being silenced. The conversation ends with a discussion about an Arabic coding language and the current challenges that coders face when working with Arabic typography in a dynamic way, and in real time.     @khattfoundation @khatt_chronicles @khatt_books @leencharafeddine www.khtt.net www.khattbooks.com       Leen Charafeddine is a graphic designer based in Beirut, Lebanon. Her practice is focused on creating alternative pedagogical tools. She graduated with a BA in Graphic Design from the American University of Beirut, and an MA in Visual Communications from the Royal College of Art, London. She is a self-taught creative coder in Processing, and attended online courses at The School for Poetic Computation in New York to learn OpenFrameworks.   Connect with Leen Charafeddine

Once again, Dave and Brad brought their podcast to the stage at the annual National Cartoonists Society Conference and Reuben Awards. They were joined by Dee Fish, Terri Libenson, and Jamar Nicholas — three cartoonists with very different creative paths and a wealth of hard-earned advice to share. Dee Fish Dee Fish is a cartoonist, illustrator, and writer best known for Finding Dee, her semi-autobiographical webcomic about navigating life after coming out as a transgender woman. Dee was nominated for a Reuben Award in the Best Online Shortform category. Terri Libenson Terri Libenson is the cartoonist and author behind the New York Times bestselling Emmie & Friends graphic-novel series. Before moving into graphic novels, she created the syndicated comic strip The Pajama Diaries and worked as a writer and illustrator for greeting cards. Her tenth Emmie & Friends book, Seriously, Celia?, arrives in September 2026. Jamar Nicholas Jamar Nicholas is an award-winning cartoonist, graphic novelist, and educator whose work includes the Leon series from Scholastic Graphix, beginning with Leon the Extraordinary. He also adapted Geoffrey Canada's memoir Fist Stick Knife Gun into a graphic novel and has spent much of his career teaching and encouraging young people to tell stories through comics. The third Leon graphic novel, Leon and the Big, Big Problem, is scheduled for January 2027. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Join Creative & Coin: https://link.motionhatch.com/matt-pod Get the free guide: https://link.motionhatch.com/200k-free-guide-pod Matt Carr Jr: https://mattcarrjr.com/ Connect with Motion Hatch:✉️ Subscribe to our newsletter

What if finding our way home has less to do with hurrying toward an address—and more to do with trusting the quiet instincts God has placed within us?In Episode 27, Janell reflects on the box turtle that keeps returning to her Virginia garden and its remarkable homing instinct. As A Birth Season draws toward its close, this little creature becomes a beautiful metaphorical mirror for transition: move slowly, carry home with you, and trust the way forward even when you cannot yet see where you will land.Perhaps home isn't something we have to chase.Perhaps, in its own mysterious way, home is finding us.Connect with Janell & The Heartlifter Way on SubstackWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠janellrardon.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@janellrardon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theheartlifterway⁠⁠⁠⁠⁠⁠YouTube: Heartlift WellnessRevisit ⁠⁠⁠"When God Speaks in Metaphors"⁠⁠⁠Revisit ⁠"Unlearning with The Waiting Room"⁠Download the "Principles of Discernment" PDF: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Trust What is Taking Shape⁠⁠⁠⁠⁠⁠⁠⁠⁠Download the "Discernment Prayer" to use during our Birth Season: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Prayer PDF⁠⁠⁠⁠⁠⁠⁠⁠Download ⁠⁠⁠⁠⁠⁠⁠⁠"The Three Pots" ⁠⁠⁠⁠⁠⁠Graphic to use during the meditative exercise.Download ⁠⁠⁠⁠⁠⁠⁠⁠"The G.E.N.T.L.E. Path"⁠⁠⁠⁠⁠⁠⁠⁠ PDF

Not everything that carried you through one season is meant to come with you into the next.In Episode 26 of The Heartlifter Way, we continue our Five Gentle Conversations from “A Birth Season” by exploring the sacred practice of release. Like the acorn that nourishes the emerging oak until its work is complete, some patterns, expectations, roles, and burdens may have served a purpose—and now be ready to be released.Today, we gently ask:What has completed its work in your life—and what are you ready to leave behind?Because sometimes letting go isn't loss.It's making room for what is becoming.Connect with Janell & The Heartlifter Way on SubstackWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠janellrardon.com⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@janellrardon⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@theheartlifterway⁠⁠⁠⁠⁠YouTube: Heartlift WellnessRevisit ⁠⁠"When God Speaks in Metaphors"⁠⁠Revisit "Unlearning with The Waiting Room"Download the "Principles of Discernment" PDF: ⁠⁠⁠⁠⁠⁠⁠⁠Trust What is Taking Shape⁠⁠⁠⁠⁠⁠⁠⁠Download the "Discernment Prayer" to use during our Birth Season: ⁠⁠⁠⁠⁠⁠⁠⁠Prayer PDF⁠⁠⁠⁠⁠⁠⁠Download ⁠⁠⁠⁠⁠⁠⁠"The Three Pots" ⁠⁠⁠⁠⁠Graphic to use during the meditative exercise.Download ⁠⁠⁠⁠⁠⁠⁠"The G.E.N.T.L.E. Path"⁠⁠⁠⁠⁠⁠⁠ PDF

Graphic designers are trained to solve the problem sitting right in front of them. New website? Design it. New logo? Make it. New campaign? Get to work.But what if the problem you were handed isn't the problem at all?Sometimes you have to stop designing long enough to figure out what actually needs to be fixed.In this episode of The Angry Designer Podcast, we explore the surprising connection between a cottage renovation, graphic design, creative problem solving, and design strategy, and why the best designers don't just make better solutions. They know where to look for the real problem.In this episode, you'll discover:- Why great graphic designers look beyond the problem a client hands them- How curiosity and strategic thinking uncover better design solutions- The 3 questions designers should ask before they start designingAnyone can make the obvious solution look better.Great designers dig deeper.Stay Angry our Friends –––––––––––Join Anger Management for Designers Newsletter at https://tinyurl.com/mr4bb4j3Want to see more?  See uncut episodes on our YouTube channel at youtube.com/theangrydesigner Read our blog posts on our website TheAngryDesigner.comJoin in the conversation on our Instagram Instagram.com/TheAngryDesignerPodcast

A Question to Carry: What can you see now that you couldn't see at the beginning of our "Birth Season: 90-Days of Discernment?"We begin a Five-Day Closing of a Birth Season in Episode 24. Over the next five days, we will look back over the past 90 days, not to analyze, but to remember. Together, we'll gather the moments, the gentle nudges, the unexpected turns, and the surprising metaphorical mirrors that appeared along the path. We will consider what they might be revealing now. Sometimes we can only recognize what God has been quietly forming in us when we take the time to turn around and look at all that has been on the path behind us. Isn't that why they say, "Hindsight is 20/20?"Connect with Janell & The Heartlifter Way on SubstackWebsite: ⁠⁠⁠⁠⁠⁠⁠janellrardon.com⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠@janellrardon⁠⁠⁠⁠⁠⁠⁠Substack: ⁠⁠⁠⁠⁠⁠⁠@theheartlifterway⁠⁠⁠YouTube: Heartlift WellnessRevisit "When God Speaks in Metaphors"Download the "Principles of Discernment" PDF: ⁠⁠⁠⁠⁠⁠Trust What is Taking Shape⁠⁠⁠⁠⁠⁠Download the "Discernment Prayer" to use during our Birth Season: ⁠⁠⁠⁠⁠⁠Prayer PDF⁠⁠⁠⁠⁠Download ⁠⁠⁠⁠⁠"The Three Pots" ⁠⁠⁠Graphic to use during the meditative exercise.Download ⁠⁠⁠⁠⁠"The G.E.N.T.L.E. Path"⁠⁠⁠⁠⁠ PDF

In this episode, Audrey Havey shares her journey from freelancing to co-owning a creative studio with her husband, Justin. They discuss the challenges and strategies of running a small studio, balancing multiple roles, and navigating the evolving creative industry.

As always, there are spoilers ahead.  You can follow the podcast on social media on Threads, Instagram and Bluesky.  If you have an air of gravitas and money to spend and would like to be a patron of the podcast, please do! You can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm  Graphic novels and comics were widely considered to be for children in the early 1960s. It was a relatively small number of artists and publishers who were working to have comics seen as a viable form of art as well as making comics for adults.  Although the history of comics for adults is definitely older, this period marks a surge in European interest in the medium. Famous film producer Dino de Laurentiis helped this when he bought the filming rights to adult comics Diabolik (from Italy) and Barbarella (from France) turning them both in to movies in the 1960s. De Laurentiis originally wanted Bridget Bardot for the title role and after she turned it down, he looked to Sophia Loren who did the same. His third choice was Jane Fonda who initially rejected the script until her then husband Roger Vadim convinced her to take it. Vadim joined as Director and the rest is kitschy sci-fi history. I have two fantastic guests to talk through this swinging 60s sci-fi space opera oddity.  Lisa Yaszek is Regents' Professor of Science Fiction Studies at Georgia Tech and has written/edited extensively on science fiction.  Hugo Frey is Professor of History at the University of Chichester. He has a special interest in graphic novels and is co-author of the 2026 book The Look of the 1960s. Barbarella and the Pulp Pop Comics. CORRECTION: In the question about the legacy of Barbarella I say Star Trek when I mean Star Wars.     Chapters 00:00 Introduction 02:17 Sci-fi precedence 03:45 Barbarella comic origins 06:31 1960s France and the rise of adult comics 09:37 Jane Fonda playing it straight 10:59 Jean Claude Forest 12:22 Jane Fonda: Body dysmorphia and sexploitation 14:01 Censorship 19:19 Pop Art and design 26:56 Big hair and science fiction 32:24 Terry Southern 35:50 UK vs US reception 41:48 Government girl with a gun 44:22 A progressive Barbarella? 46:48 Masculinity and femininity 55:37 Recommendations   Recommendations: Born in Flames (1983) Bardot, Deneuve and Fonda: The Memoirs of Roger Vadim Catching Fire: The Story of Anita Pallenberg (2024)   NEXT EPISODE! Next episode we will be talking about The Planet of the Apes (1968). Planet of the Apes is available to rent or buy from major online platforms including Apple TV. It is also available on Disney+ in the UK. You can check the Just Watch website to find where it may be streaming in your region.

If you support us on Patreon, you may know that we have been doing Aftershows weekly for many years. We are releasing Aftershows from the past (two years old) on Fridays for everyone's enjoyment. https://www.youtube.com/live/s6YzeDxVQPI Graphic Bot Nudity Aftershow We've got a Jeopardy game inspired by the band Steely Dan from listener Adrian—but wait! It's not what you're thinking. If you have an idea for a game we can play in the Aftershow, email it to us at playeronepodcast@gmail.com! Thanks for your support!

Your brain already made up its mind about today's episode, and you haven't even heard the topic yet. That's not a guilt trip; that's neuroscience. In the next few seconds, your mind will label this video interesting or skip it, useful or not, right up your alley or not, and it will do all of that before you have any real information. Today we're calling that out by name. It's called Whole-O-Graphic Vision, and it might be the most useful three minutes you spend all week. Makes sense? Good. Let's get into it. Follow Dr. JC Doornick and the Makes Sense Academy:► Makes Sense Substack - https://drjcdoornick.substack.com ► Instagram: / drjcdoornick ► Substack: / drjcdoornick ►Facebook:  / makessensepodcast ►YouTube:  / drjcdoornick MAKES SENSE PODCAST Welcome to the Makes Sense with Dr. JC Doornick Podcast. This podcast explores topics that expand human consciousness and enhance performance. On the Makes Sense Podcast, we acknowledge that it's who you are that determines how well what you do works, and that perception is subjective and an acquired taste. When you change the way you look at things, the things you look at begin to change. Welcome to the uprising of the sleepwalking masses. Welcome to the Makes Sense with Dr. JC Doornick Podcast. SUBSCRIBE/RATE/REVIEW & SHARE our new podcast. FOLLOW Podcast: You will find a "Follow" button in the top right. This will enable the podcast software to alert you when a new episode launches each week. Apple: https://podcasts.apple.com/ca/podcast/makes-sense-with-dr-jc-doornick/id1730954168 Spotify: https://open.spotify.com/show/1WHfKWDDReMtrGFz4kkZs9?si=003780ca147c4aec Podcast Affiliates: Kwik Learning: Many people ask me where I get all these topics, which I've been covering for almost 15 years. I have learned to read nearly four times faster and retain information 10 times better with Kwik Learning. Learn how to learn and earn with Jim Kwik. Get his program at a special discount here: https://jimkwik.com/dragon OUR SPONSORS: Operly - Take Back Control of Your Work Day and Get Rid of All Your AI Apps - Welcome to the new world of Time Freedom and Unlimited Scaling and Success with Operly -  https://go.getoperly.ai/video?ref=jean-claude-claude-d-2a95 Blue Blinds Bakery - Handcrafted with all-natural ingredients - www.blueblindsbakery.com 0.00.00 - Teaser 0.14.00 - Intro 1:07.00 - Whole O Graphic Vision Intro 2:34.00 - Great Morning 4:09.00 - The Story Making Machine 6:14.00 - Whole-O-Graphic Vision and the IRS 10:44.00 - The Bouncer 18:43.00 - What is Whole - O - Graphic Vision 25:10.00 - The Question that Changes Everything 31:29.00 - Recognizing the limitations of your vantage point 33:22.00 - Why Certainty Feels So Good 36:18.00 - Add the Algorithm of Social Media 39:53.00 - Closed vs. Open Circuit Mindset 40:31.00 - Makes Sense Glasses 44:10.00 - The Good Shift Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today's show is brought to you by Hogan's Alley, the fantastic magazine devoted to comics history, cartoonists, and the art form we love. Visit HoganMag.com and use the discount code COMICLAB10 for 10% off. Dave Kellett is back from San Diego Comic-Con 2026, and he brought receipts! After 27 years of exhibiting at the show, Dave just had his best Comic-Con ever — including an absolutely bonkers $6,000 Sunday. But a big gross number doesn't necessarily mean a big payday. Brad and Dave dig into the actual economics of exhibiting at one of the world's biggest conventions: booth fees, sales tax, travel, merchandise, lost studio time, and the advantages Dave has because he lives within driving distance of San Diego. After roughly $19,600 in gross sales, Dave estimates his actual profit at about $11,000. Then, they get into the stuff you can actually use at your next convention: Track your sales throughout the day When sales slow down, get active Use drawing as theater Pay attention to your product mix Think about revenue per square inch Let the market prune your merchandise Your merchandise should say something about the buyer — not about you SPONSORED BY HOGAN'S ALLEY This week's episode is sponsored by Hogan's Alley, the fantastic magazine devoted to comics history, cartoonists, and the art form we love. Visit HoganMag.com and use the discount code COMICLAB10 for 10% off. MORE COMIC-CON ADVICE ON PRO TIPS Dave had another 15–20 Comic-Con topics he wanted to cover, so we're continuing the conversation on ComicLab Pro Tips with a deeper dive into conventions, exhibiting, merchandising, and Dave's approach to making a convention financially worthwhile. To hear those episodes, join us at Patreon.com/ComicLab. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Enterprise AI is moving beyond experimentation toward a harder question: where does it actually create measurable business value? In this episode of Technovation, Peter High speaks with Nikhil Narvekar, CIO and SVP of Global Business Services at Graphic Packaging Holding Company, about building an AI strategy around tangible outcomes. Narvekar explains how Graphic Packaging is applying AI to supply chain and logistics, reconsidering the need for a single ERP after 23 acquisitions and counting, and democratizing AI through fusion teams and employee training. Why Graphic Packaging took a cautious approach to enterprise AI How AI is helping optimize supply chain and logistics decisions Why a common data layer could change the ERP consolidation equation How fusion teams bring business and IT together around AI outcomes Why human domain knowledge remains essential as AI matures This episode is presented by ElevenLabs — Bringing technology to life. Learn more at elevenlabs.io This episode is also presented by Retool — Build internal software better, with AI. Learn more at retool.com

There is a graphic circulating on Facebook that claims to explain how to determine if you should do an event or not. Guess what it's garbage. Real-world food truck training in about 10 minutes. Profit, pricing, food cost, speed of service, marketing, events, and smart systems—no hype, just what works.Enjoyed this episode? Please do two things for me. First hit "Follow" on Spotify so you never miss a new one.Second go to https://www.nsfva.org/join and become a member today!

Welcome to the Tuesday News Day, where we discuss the latest events in nerd news! SUBSCRIBE HERE: https://www.youtube.com/c/themedialunchbreak?sub_confirmation=1 Bluesky: https://bsky.app/profile/themedialunchbreak.bsky.social Patreon: www.patreon.com/TheMediaLunchBreak Youtube: www.youtube.com/c/themedialunchbreak Facebook: www.facebook.com/themedialunchbreak Or email us at: TheMediaLunchBreak@gmail.com Listen and review us on iTunes and YouTube Music! The Media Lunch Break on YouTube: www.youtube.com/c/themedialunchbreak Graphic art by: Melinda Filonuk - www.melgraphics.com www.etsy.com/shop/melgraphicscreations Eric Scotolati - https://twitter.com/ericscotolati

Superintendent Zorka Dunstan from the North West Metro Region joined Jacqui Felgate.See omnystudio.com/listener for privacy information.

Deb Cohen is an award winning investigative journalist and correspondent who trained as a physician and has worked with the BBC and BMJ. She just published BAD INFLUENCE, a book which takes us deep into the wellness-industrial complex—the confluence of the supplement, testing, tech, and pharma industries, and how they sell health anxiety to healthy people. Here are some of the points we discussed:—The big market in healthy, well people. Tests, wearables, imaging, supplements, etc—Algorithms feed the health anxiety in an amplifying, vicious loop on the social media platforms. When the algorithm knows you better than you.—The special qualities of influencers, likable, relatable, vulnerable, appearance as friends, certainty, cultivating parasocial relationships. “I understand you, I see you, I hear you.” Often with financial conflicts of interest. Plus hidden financial benefits. —The inverted pyramid of evidence and displacement of trust. Anecdotes believed and accepted as best evidence instead of rigorous randomized trials. A big flip, doctors losing trust to influencers and the sponsors of influencers. —The Nocebo effect of harm through expectations—The epidemic of neurologic tics during the pandemic traced back to TikTok, a viral contagion with 5.8 billion views (Figure made with Notebook LM)—Potential for regulation of patient/consumers/prosumer influencers —Celebrity influencers and the recent NEJM paper—Many ideas for how we can mitigate this mess (Graphic by Notebook LM)—Many illuminating patient examples: Femtech, silicon breast implant illness (BII), beta blocker experiment, a bogus bioresonance of hair test in a woman with GI symptoms, full-body MRI of brain lesions (transmitted to the patient by an automated message) that were a false positive.—The term “wellness”—Concierge physiciansThank you jojofinance, Vote Against Billionaires, Gretchen Faucett, Mary Powers, Jessica Coffman, and hundreds of others for tuning into my live video with Bad Influence! Join me for my next live video in the app.Ground Truths has subscribers from every US state and 214 countries. There are over 302,000 followers of Ground Truths so nearly 90,000 folks who can easily convert to be free subscribers. Your subscription to these free essays and podcasts makes my work in putting them together worthwhile. If you're not a subscriber, please join!If you found this interesting PLEASE share it!A couple of other things to note:—Thanks to the voluntary paid subscribers who support our summer internship program for high school, college, and grad school students. On August 6th, we had a poster session with our SRTI summer interns (pictured below) which was an extraordinary event with about 100 posters!—I hit a publication milestone that I had not ever envisioned. More than 400,000 citations with an h-index of 259, as tallied by Google Scholar Thanks to all for your support of Ground Truths. Get full access to Ground Truths at erictopol.substack.com/subscribe

Cristian Aluas joins the book club to discuss Alan Moore and Dave Gibbons' work on Superman: For the Man Who Has Everything. We also cover Whatever Happened to the Man of Tomorrow? and Alan Moore's Writing for Comics.You can find Cristian's own work on his website Masterpiece Art School where you will also find all of his books. You can also follow him on Substack and Instagram.You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.

It's been a minute since the last episode...here's why. Music - "Dynamic" Prod. by MOONLIGHT Rate & review this podcast and subscribe to stay up to date with every episode drop! Follow us on Instagram @nesmaniavisuals Graphic design by Leiha Garcia

Cartoonist Fran Sundblad, creator of Tiff & Eve, joins Brad for a wide-ranging conversation about creating character-driven comics, finding an audience on Reddit, and learning when not to chase the algorithm. Fran traces Tiff & Eve from its beginnings in her sketchbook to a comic that regularly reaches thousands of readers. She explains how Tiff and Eve represent two very different impulses — Tiff as the superego and Eve as the id — and shares a terrific character-development exercise: Lock your character in a room and ask what they do next. If you don't know the answer, you probably don't know the character well enough yet. Fran and Brad also talk about finding humor in the characters themselves rather than building every strip around a traditional punchline. That approach has helped Tiff & Eve explore Fran's experiences as a trans woman while remaining first and foremost a funny comic about two friends. In this episode: How Tiff & Eve grew out of Fran's sketchbook Writing two characters as opposing parts of your own personality Fran's “locked room” test for determining whether a character is fully developed Character-driven humor vs. setup/punchline comedy Using comedy to make personal experiences relatable What happens when readers interpret your comics differently than you intended Why Fran refuses to explain a joke Surviving hostile comments, Reddit Cares abuse, and the stranger side of online audiences Why cartoonists should post comics to their Reddit profile, not only to individual subreddits Learning the culture of each subreddit instead of treating Reddit as one giant audience Formatting comics differently for different communities — including designing images so Reddit's mobile crop doesn't hide important information Why fewer clicks usually means more readers The danger of chasing trends, politics, and viral Reddit “meta” events simply for upvotes Why a huge viral hit may produce surprisingly few new followers or Patreon supporters Why effort and artistic complexity don't necessarily translate into social-media success The value of clarity, brevity, and consistency on Reddit Knowing when a topical comic is nevertheless necessary because it's true to the characters Sunday Comix, a webcomic collective and email newsletter designed to help cartoonists reach readers without depending entirely on social-media algorithms Fran's experience offers an especially useful reminder for cartoonists trying to build an audience online: don't confuse attention with audience growth. A trendy comic might earn tens of thousands of upvotes, but the work that builds a lasting readership is the work that gives people a reason to come back for your characters. Find Fran Sundblad and Tiff & Eve: Website: FranSundblad.com Bluesky / Instagram: @TiffAndEveComics Reddit: u/CrazyGnomenclature Sunday Comix: https://sundaycomix.com/ You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Angus and Sal seek professional help to address the toll stress has been taking on them. They meet Stannis Slimefoot (Josh Mayo) a professional in stress relief but does he have a secret motive? The post EP162 – Wild Masseuss Chase appeared first on PodCavern.

Graphic testimony - 3:44-5:09After lunch, the defense called two expert witnesses: forensic pathologist Dr. Elizabeth Laposata and psychologist Dr. Paul Zeizel.Become a supporter of this podcast: https://www.spreaker.com/podcast/pretty-lies-and-alibis--4447192/support.ALL MERCH 10% off with code Sherlock10 at checkout  - NEW STYLES Donate: (Thank you for your support! Couldn't do what I love without all y'all) PayPal - paypal.com/paypalme/prettyliesandalibisVenmo - @prettyliesalibisBuy Me A Coffee - https://www.buymeacoffee.com/prettyliesrCash App- PrettyliesandalibisAll links: https://linktr.ee/prettyliesandalibisMerch: prettyliesandalibis.myshopify.comPatreon: https://www.patreon.com/PrettyLiesAndAlibis(Weekly lives and private message board)

In this episode, Helen and Elizabeth explore the bittersweet subject of endings. Whether it's the final episode of a favourite TV show, the end of a relationship, or deciding whether to continue a project that no longer brings you joy, letting go can be difficult.Together they discuss why endings can feel so challenging, how periods of transition can create opportunities for growth, and the importance of embracing change as part of the creative process. Through personal reflections and creative examples, they explore how one chapter ending can become the beginning of another.In this episode:Understanding the sunk cost fallacyNavigating change with Bridges' Transitional ModelCreative becoming through life's transitionsHow artists and collaborators approached endingsCollecting, curiosity, and autistic cultureFinal reflections, lessons, and creative tipsResources and LinksHelen's graphic diary archive: https://arted.online/blog/diaries/Graphic diary template: https://arted.online/toolbox/resource-diary-template/The 10 Pillars of Autistic Culture: https://www.autisticculturepodcast.com/p/the-10-pillars-revisited-episodeBridges' Transitional Model overview: https://www.changequest.co.uk/resources/bridges-transition-model/Understanding the sunk cost fallacy: https://greatergood.berkeley.edu/article/item/how_the_sunk_cost_fallacy_can_drive_bad_decisionsContact: creativebecomingpod@gmail.comSupportIf you are experiencing distress, please contact your GP or a relevant support service in your area.DisclaimerCreative Becoming is connected to Helen Shaddock's practice-based PhD, "Welcome to My Messy World": A practice-based, messy auto-ethnographic artistic exploration into multimedia storytelling as an integral method towards creative becoming.

Conrad returns from SpaceSpinner2000.com to discuss the latest cinematic adventures of the Friendly Neighbourhood Spider-Man. Slight spoilers for the identity of one of the new X-Men start at 12:45You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.

Ben Lueders joins The Reflex Blue Show after doing a breakout session at the 2026 OnBrand Conference in Omaha last month. Longtime listeners will remember Ben as the co-host of most of Seasons 5 and 6. Ben’s session, The Collaborative Design[…]↓ Read the rest of this entry... The post Ben Lueders: The Reflex Blue Show #283 appeared first on 36 Point.

Although we typically focus on the bright side of being independent cartoonists, a listener asks us to address the downside of webcomics. We'll talk about time management, burnout, financial insecurity, and reader interactions. Then we realize that all those drawbacks have one very important thing in common — and it's not what you'd expect! TODAY'S SHOW ComicLab gets someone engaged! The worst parts of being a webcartoonist. Creativity isn't always consistent. Success doesn't eliminate insecurity. The business work never disappears. Webcomics demand interaction. The drawbacks are the flip side of the benefits! Is the direct market disappearing? Grieve the comic-shop dream—and move forward. Getting outside your comfort zone. Comedy can strengthen dramatic storytelling. Beware the shiny object. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Welcome to the Tuesday News Day, where we discuss the latest events in nerd news! SUBSCRIBE HERE: https://www.youtube.com/c/themedialunchbreak?sub_confirmation=1 Bluesky: https://bsky.app/profile/themedialunchbreak.bsky.social Patreon: www.patreon.com/TheMediaLunchBreak Youtube: www.youtube.com/c/themedialunchbreak Facebook: www.facebook.com/themedialunchbreak Or email us at: TheMediaLunchBreak@gmail.com Listen and review us on iTunes and YouTube Music! The Media Lunch Break on YouTube: www.youtube.com/c/themedialunchbreak Graphic art by: Melinda Filonuk - www.melgraphics.com www.etsy.com/shop/melgraphicscreations Eric Scotolati - https://twitter.com/ericscotolati

Sen and Erica talk with Steenz (www.oheysteenz.com), a St. Louis cartoonist and professor, about the graphic novel she illustrated, "Side Quest: A Visual History of Roleplaying Games". In the book, Steenz and co-creator Samuel Sattin take readers on a journey through time and space as they look at the historical roots of Roleplaying Games around the globe. Steenz talks about her own relationship with RPGs as well as what she found most fascinating while doing the research for the book. 

Luke Aldred returns to discuss the life and work of Brett Ewins, with a particular focus on The Haunting of Sector House 9. Chase down a copy of The Art of Brett Ewins.You can find Luke's work on covers at Daft Notions and on his Instagram.You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.

Cairo, in the winter season, when the wealthy of Europe come for the warmth and the ruins. A young woman falls under the spell of a scholar unlike any other — a man treated with strange deference by those who know him best, a man whose knowledge of the dead seems to run deeper than any book could teach. She will walk beside him through moonlit halls where the pharaohs sleep in glass cases, "A Professor of Egyptology" first appeared in The Graphic on 10 December 1904, and was collected that same year in Guy Boothby's volume The Lady of the Island. Boothby was an Australian-born novelist best known for his Dr Nikola thrillers, a writer of ferocious productivity who dictated up to six thousand words a day. He died suddenly in 1905, only months after this story appeared, at the age of thirty-seven. Search the archive here www.classicghost.com

Tyler Robinson's attorneys filed an objection to the prosecution's proposed Exhibit 4.1, a close-range color video with audio showing the shooting of Charlie Kirk. Prosecutors intended to introduce the video during a February 3, 2026, hearing on Robinson's motion to disqualify the Utah County Attorney's Office. The defense argued that the footage had no relevance to the actual issue before the court: whether a conflict of interest existed because a family member of someone on the prosecution team had reportedly witnessed the shooting at Utah Valley University. Robinson's lawyers said still photographs and diagrams already showed Kirk's position, the audience and the witness's alleged location, making the graphic video unnecessary under Utah's evidentiary rules.The defense also argued that publicly playing the footage during a televised hearing would create enormous unfair prejudice and threaten Robinson's constitutional right to an impartial jury in a capital case. His attorneys described the video as graphic, disturbing and likely to be immediately circulated nationally and internationally, further intensifying pretrial publicity surrounding the case. They also criticized media coverage that focused on close-up images of Robinson and speculation about his facial expressions or conversations with counsel. The filing asked Judge Tony F. Graf Jr. to exclude the video entirely, prevent it from being publicly displayed and, should the court admit it, keep it sealed until trial.to contact me:bobbycapucci@protonmail.comsource:Tyler Robinson Court Filing, Jan. 27 | PDF | Relevance (Law) | Legal Procedure

Huda Smitshuijzen AbiFarès interviews Egyptian graphic designer Nora Aly. They start the conversation discussing her entry into the field of Graphic design and her studies and masters project at the German University in Cairo (GUC). They discuss her interest in Arabic lettering and typography that engage with language and help shape collective identity.       They discuss in detail her discovery of the Nubian culture in Egypt, its endangered language and script, and the revival of the Nubian script. Nora talks about her design research project for a Nubian stencil font, a henna tool kit, and a publication, and elaborates on the importance of publishing and developing creative tools that raise awareness on the topic and that contribute to the livelihood of women in the Nubian community in Egypt.       The conversation moves forward to address Nora's interest in exploring the Arabic script's structure and flexibility, manipulating the letterforms to create lettering that visualize meaning. She discusses as case study the Cairo Art Book Fair, and the ideas behind its dynamic logotype and visual identity. She then talks about her recent publication, "7 Years of Rejections," which embodies her belief in the importance of embracing rejections and documenting failed ideas and concepts. Nora stresses on the importance of publishing these work with explanations; she believes that they help advance the discourse on the challenges and imperfections of the creative process.       She voices her fears that in the future relying on AI might dilute the personality in the work of graphic designers. However, she hopes that this might also be a moment that will revive an appreciation for the handmade and for human labor. Nora closes the conversation with a recommendation to make "A note to ourselves to be truthful to our creative process."       Nora Aly is one the visual artists and graphic women featured in the book, Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa (Amsterdam: Khatt Books, 2024).       @khattfoundation   @khatt_chronicles   @khatt_books   @nora_aly   www.khtt.net   www.khattbooks.com FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

Patreon backers have access to an exclusive ComicLab Churn Rate spreadsheet — it does the math for you! Is your Patreon actually growing—or are new members disguising a retention problem? Brad walks Dave through the process of calculating churn rate and shows how one number can unlock a much clearer understanding of a membership business. They discuss subscriber retention, lifetime value, onboarding, well-timed interventions, and how to determine whether advertising or convention appearances are truly worth the investment. Then, Dave asks whether publishing a children's book page by page on his existing webcomic could finally help him finish it. Topics include: Skunk Watch 2026 What churn rate means for a Patreon creator Why total membership and revenue can give you an incomplete picture Finding the necessary numbers in Patreon Insights Two methods for calculating churn rate What constitutes a healthy churn rate Why one month of data isn't enough Calculating your average churn rate over time Calculating your retention rate Estimating average subscriber lifetime Calculating average monthly revenue per member Determining the lifetime value of a Patreon backer Why retaining a current member is cheaper than acquiring a new one Using Patreon Autopilot to reduce cancellations Evaluating the quality and value of your Patreon rewards Improving the onboarding experience for new members Welcome messages, digital gifts, and personalized Bonjoro videos Brad's one-week Patreon check-in Helping new backers navigate a complicated archive Using average subscriber lifetime to schedule a retention intervention Brad's 18-month check-in and longtime-backer gift Repackaging older work into valuable digital rewards Rewarding and recognizing your longest-serving supporters Exclusive livestreams, previews, and “inner circle” benefits Calculating an acceptable customer-acquisition cost Evaluating paid advertising with lifetime-value data Tracking whether a comic convention was financially worthwhile Why free webcomics may still be the best customer-acquisition strategy Dave's productivity tip: drawing to Brazilian Carnival music Using a webcomic schedule to force yourself to complete a children's book Why serialized children's-book pages may not satisfy online readers Publishing complete thematic sections instead of individual pages Building a new project into an established comic's schedule The difficulty of building an audience for an independent children's book When a traditional children's-book publisher may be helpful Creative control, editorial notes, and refusing unwanted revisions Breaking publishing rules and trusting your own experience Releasing a finished independent book before seeking wider distribution Why experienced cartoonists may resist redrawing or revising completed work ComicLab LIVE at the National Cartoonists Society Reuben Awards   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Tyler Robinson's attorneys filed an objection to the prosecution's proposed Exhibit 4.1, a close-range color video with audio showing the shooting of Charlie Kirk. Prosecutors intended to introduce the video during a February 3, 2026, hearing on Robinson's motion to disqualify the Utah County Attorney's Office. The defense argued that the footage had no relevance to the actual issue before the court: whether a conflict of interest existed because a family member of someone on the prosecution team had reportedly witnessed the shooting at Utah Valley University. Robinson's lawyers said still photographs and diagrams already showed Kirk's position, the audience and the witness's alleged location, making the graphic video unnecessary under Utah's evidentiary rules.The defense also argued that publicly playing the footage during a televised hearing would create enormous unfair prejudice and threaten Robinson's constitutional right to an impartial jury in a capital case. His attorneys described the video as graphic, disturbing and likely to be immediately circulated nationally and internationally, further intensifying pretrial publicity surrounding the case. They also criticized media coverage that focused on close-up images of Robinson and speculation about his facial expressions or conversations with counsel. The filing asked Judge Tony F. Graf Jr. to exclude the video entirely, prevent it from being publicly displayed and, should the court admit it, keep it sealed until trial.to contact me:bobbycapucci@protonmail.comsource:Tyler Robinson Court Filing, Jan. 27 | PDF | Relevance (Law) | Legal ProcedureBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In the second half of their exploration of disruption, Helen and Elizabeth dive into the tricky world of social friction, authenticity, and the ethics of sharing creative work. Helen reflects on her commitment to honesty in her graphic diaries and the responsibilities that come with featuring real people in personal storytelling.Together they explore how changes to routine can spark new creative possibilities, the challenges of navigating boundaries when art involves others, and how autistic values such as justice and honesty can shape the creative process. The conversation also examines rejection sensitive dysphoria, people-pleasing behaviours, and practical strategies for building healthier boundaries.In this episode:Finding creative opportunities through disruptionThe ethics of sharing stories that involve other peopleJustice, honesty, and autistic cultureUnderstanding rejection sensitive dysphoriaPeople-pleasing and the fawn responseStrategies for recognising and reducing harmful people-pleasing behavioursResources and LinksHelen's graphic diary archive: https://arted.online/blog/diaries/Graphic diary template: https://arted.online/toolbox/resource-diary-template/The 10 Pillars of Autistic Culture: https://www.autisticculturepodcast.com/p/the-10-pillars-revisited-episodeInformation about the fawn response: https://ndconnection.co.uk/blog/fawn-the-trauma-response-that-is-easiest-to-missContact: creativebecomingpod@gmail.comSupportIf you are experiencing distress, please contact your GP or a relevant support service in your area.DisclaimerCreative Becoming is connected to Helen Shaddock's practice-based PhD, "Welcome to My Messy World": A practice-based, messy auto-ethnographic artistic exploration into multimedia storytelling as an integral method towards creative becoming.

Graphic novelist Emil Wilson joins Kevin Johns to discuss his stunning debut, The Nightingales, a sketchbook-style, semi-autobiographical story about family, memory, AIDS, queer identity, and empathy. They dive into visual storytelling, composition, colour, humanizing “antagonists,” and how Emil's background in advertising and design shaped this powerful, genre-bending book.

GRAPHIC TESTIMONY @ 00:36-4:12 In today's testimony, jurors heard from doctors who treated Callan and Cora,  then trauma ICU nurses about Lindsay Clancy's critical condition after she was transferred following the January 24, 2023 incident.The nurses described Lindsay arriving at the ICU as critically injured and considered a self-harm risk. Shortly after arrival, Lindsay suffered cardiac arrest after her blood pressure dropped. Medical staff performed CPR, administered medications to support her blood pressure, placed chest tubes, and began blood transfusions.The testimony covered the severity of Lindsay's injuries, including spinal fractures, a thoracic spine injury described as a transection, rib fractures, thyroid swelling, blood loss, and wounds to her wrists and neck. Nurses testified about the medical treatment she received, her time on a ventilator, and her gradual recovery.Jurors also heard about Lindsay's behavior while in the ICU, including her confusion after being extubated, what doctors described as ICU delirium, her need for restraints while recovering, and her ability to follow commands and communicate through writing.The last witness before lunch was a psychiatrist who testified about discussions surrounding Lindsay's mental health history, and how she changed her healthcare proxy from Patrick Clancy to her parents.This testimony provided a detailed look at Lindsay's medical condition, the extent of her injuries, and her recovery during her hospitalization.Become a supporter of this podcast: https://www.spreaker.com/podcast/pretty-lies-and-alibis--4447192/support.ALL MERCH 10% off with code Sherlock10 at checkout  - NEW STYLES Donate: (Thank you for your support! Couldn't do what I love without all y'all) PayPal - paypal.com/paypalme/prettyliesandalibisVenmo - @prettyliesalibisBuy Me A Coffee - https://www.buymeacoffee.com/prettyliesrCash App- PrettyliesandalibisAll links: https://linktr.ee/prettyliesandalibisMerch: prettyliesandalibis.myshopify.comPatreon: https://www.patreon.com/PrettyLiesAndAlibis(Weekly lives and private message board)

What belongs at the beginning of your book? Brad and Dave discuss whether an anti-AI statement offers creators any meaningful protection, break down the information that belongs on a copyright page, and explore the many ways cartoonists can approach the first page of a story or chapter. The best opening isn't determined by a universal rule—it should establish the right expectations, reflect the story you're telling, and give readers a reason to keep going. Topics include: Skunk Watch 2026 Do anti-AI statements offer creators legal protection? Why a standard copyright notice may already cover AI training The difference between creating, declaring, and registering a copyright What information belongs on a copyright page Copyright and trademark ownership When to use ™ and when to use ® Print location, printing numbers, and edition information ISBNs and Library of Congress numbers Combining copyright, title, credit, and dedication pages Should a comic begin with a splash page? Does the main character need to appear on page one? Using the opening page to establish tone and make a promise to the reader Why different stories require different kinds of openings Brad's two-page system for beginning a new Evil Inc chapter Creating separate covers for SFW and NSFW editions Using chapter openers as archive markers, promotional art, and production buffers Dave's approach to prologues, chapter openings, and world-building vignettes The difference between the first page and the first chapter ComicLab LIVE at the National Cartoonists Society Reuben Awards You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Day 4 of the D4vd, aka David Anthony Burke, preliminary hearing was the most disturbing day of testimony so far. There were audible gasps in the courtroom as the medical examiner showed photos from the autopsy of 14-year-old Celeste Rivas Hernandez, detailing how the young teen was stabbed twice and then dismembered. We also heard testimony from a police detective who went over the sexually graphic and explicit photos and videos between D4vd and Celeste, including text messages describing at least one pregnancy and abortion. See omnystudio.com/listener for privacy information.

Day 4 of the D4vd, aka David Anthony Burke, preliminary hearing was the most disturbing day of testimony so far. There were audible gasps in the courtroom as the medical examiner showed photos from the autopsy of 14-year-old Celeste Rivas Hernandez, detailing how the young teen was stabbed twice and then dismembered. We also heard testimony from a police detective who went over the sexually graphic and explicit photos and videos between D4vd and Celeste, including text messages describing at least one pregnancy and abortion. See omnystudio.com/listener for privacy information.

Day 4 of the D4vd, aka David Anthony Burke, preliminary hearing was the most disturbing day of testimony so far. There were audible gasps in the courtroom as the medical examiner showed photos from the autopsy of 14-year-old Celeste Rivas Hernandez, detailing how the young teen was stabbed twice and then dismembered. We also heard testimony from a police detective who went over the sexually graphic and explicit photos and videos between D4vd and Celeste, including text messages describing at least one pregnancy and abortion. See omnystudio.com/listener for privacy information.

With thousands of people having to re-take the DMV written test after a cheating scandal, we decided to take one on the air. The catch: whoever loses has to spend hours alone inside the DMV. How many hours, you say? One hour for every incorrect answer. It came down to two people in the end. There were tantrums, controversies, and a lot of debate on who the loser is. Johnny proved his idiocy is alive and well during Johnny Doesn't Know today when he was asked all Ocean-related questions. A question about how dolphins breathe resulted in Johnny doing a graphic impression of dolphin sex. Ally fell on the treadmill at the fitness center in the building, and it was so bad that a security guard came over to check on her. We are currently on a mission to uncover the surveillance video, with nationwide distribution to follow. Plus another awkward exit interview from another of Jake's first dates. Yes, he had three of them in one week after Ally & Vanessa revamped his dating profile, and they've still received not one THANK YOU!

Cartoonist and author Dylan Meconis joins Dave Kellett to discuss marketing middle-grade webcomics, working with fans who offer to translate your work, and finding the right balance between control and accessibility. They also share practical advice for cartoonists creating an autobiographical avatar — including how simplification, posture, clothing, line quality, and tone can make a character feel unmistakably like you. Topics include: Marketing and monetizing middle-grade webcomics Reaching young readers through parents, newsletters, libraries, and local events Using print editions, zines, and snail-mail clubs to complement online comics Deciding whether to permit fan translations Maintaining quality control with beta readers and creator-hosted translations Balancing copyright concerns with the desire to reach new audiences Designing a cartoon version of yourself for memoir and autobiographical comics You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.