Podcasts about graphic

Zohran Mamdani, New York City mayor, takes questions from listeners and talks about the big news in the city, and other issues important to New Yorkers, including trans healthcare, pedestrian safety and childcare. Graphic by WNYC Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

An encounter in the forest leads to divine musical powers – and dangerous hubris – for the satyr Marsyas. And Midas, King of Phrygia, discovers that his lust for gold has the power to destroy what he truly loves. Live from Mount Olympus is produced by the Onassis Foundation. Karen Brooks Hopkins is executive producer. Our series creator and showrunner is Julie Burstein. Live from Mount Olympus is co-produced by the Brooklyn-based theatre collective The TEAM. Our directors are Rachel Chavkin, Josiah Davis, Joan Sergay, and Keenan Tyler Oliphant.Our actors are: Eric Berryman (Dionysus, Pan, Zephrys); Ato Blankson-Wood (Apollo); Josiah Davis (Ganymede); Jill Frutkin (Aphrodite); Joanne Hernandez (Daphne); Adrienne Hopkins (Nymph); Caroline Hopkins (Zoe);  Natalie Hopkins (Nymph); Modesto ‘Flako' Jimenez (Ephialtes); Libby King (Athena); Ian Lassiter (Zeus);  Zhailon Levingston (Announcer); Christina Liberus (Artemis); Nehemiah Luckett (Midas); Kimberly Marable (Leto, Fury); Jake Margolin (Orion); Marcel Isaiah Martinez (Hyacinthus); James Harrison Monaco (Marsyas); Xavier Pacheco (Paris, Otus); Kristen Sieh (Python, Fury); Nedra Marie Taylor (Hera); Ching Valdes-Aran (Delos); Daniel Watts (Eros, Silenus)And André De Shields is Hermes (and this season, Eris, goddess of discord!) The TEAM's Producing Director is Emma Orme, and Associate Producer is Diana Khong. We thank the artists and leaders of Epic Theater Ensemble for their continued collaboration! Live from Mount Olympus is written by Nathan Yungerberg with Julie Burstein and Jason Adam Katzenstein. Audio production and mix by John Melillo. Audio editing and sound design by Julie Burstein and David Schulman (E1 and E4). Music and songs composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Instrumental music mixed and mastered by Luca Bordonaro. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett. Jason Adam Katzenstein created our illustrations and is series humor consultant. Series creative advisors: Dr. Michael Cohen and Richard Nodell. Mandy Boikou is Administrative Director and Sofia Pipa is Program Manager at Onassis USA. Amal Biskin is our production assistant. Live from Mount Olympus was recorded with engineers Roy Hendrickson, Mor Mezrich, Matthew Sullivan, Matthew Soares, Omisha Chaitanya and Elizabeth Scott at The Power Station at Berklee NYC. Press by Grand Communications. Graphic design by Onassis Creative Studio. Live from Mount Olympus is distributed by PRX. Since 1975, the Onassis Foundation has been dedicated to culture, community, and education, with projects that can effectively inspire social change and justice across borders. Learn more at www.onassis.org. 

Welcome to the Tuesday News Day, where we discuss the latest events in nerd news! SUBSCRIBE HERE: https://www.youtube.com/c/themedialunchbreak?sub_confirmation=1 Bluesky: https://bsky.app/profile/themedialunchbreak.bsky.social Patreon: www.patreon.com/TheMediaLunchBreak Youtube: www.youtube.com/c/themedialunchbreak Facebook: www.facebook.com/themedialunchbreak Or email us at: TheMediaLunchBreak@gmail.com Listen and review us on iTunes and YouTube Music! The Media Lunch Break on YouTube: www.youtube.com/c/themedialunchbreak Graphic art by: Melinda Filonuk - www.melgraphics.com www.etsy.com/shop/melgraphicscreations Eric Scotolati - https://twitter.com/ericscotolati

Drowning Pool guitarist CJ Pierce joins Barnaby on The DJ Force X Podcast for a deep‑dive conversation celebrating the 25th anniversary of Sinner — the album that helped define a generation of heavy music. With the band returning to the UK and Europe this June for a full‑album anniversary tour, CJ talks legacy, evolution, and why Sinner still hits as hard today as it did in 2001.CJ reveals exclusive details about the limited‑edition smoky‑purple vinyl reissue (only 500 copies), complete with bonus tracks including the Triple X remix and the Rob Zombie collaboration Man Without Fear — even showing Barnaby the very first copy on camera, complete with a paper‑cut bloodstain from opening it (“Paper cut… that's good luck right there” ).The conversation also covers Drowning Pool's resurgence with a new generation — from the Offset & JID “Bodies” sample and their live performance together on Jimmy Fallon (“we plugged in and played… it was awesome” ) to their collaboration with Sorry X, and even an unexpected EDM twist thanks to Sophie Tucker's dance remix now closing their live sets.CJ also teases progress on the new Drowning Pool album, written by the original core trio during Ryan McCombs' soil‑tour downtime (“all this music started coming out… nothing's forced” ).Plus: tour stories, nu‑metal nostalgia, baggy jeans, vinyl collecting, electrical‑work zen, and CJ's three pivotal albums that shaped his life.If you're catching Drowning Pool at Download Festival, Frome, Bexhill, Cardiff, Guildford, or the EU dates — this episode is the perfect warm‑up.

I met Rob Ellis at the Lawless convention to talk about a recent Image comic by James Tynion IV and Fernando Blanco. Find it on Image or in your local bookstore. You can also head to Dynamite comics for details of Silvia Califano's book Elvira in Horrorland.You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.

I sit down with Teruko Tsubaki and Kelsey Scofield to discuss graphic designers in Omaha once again having a monthly reason to meet-up. Sometime last year, they created an event called Working Title, and like all great events, have already[…]↓ Read the rest of this entry... The post Working Title – Teruko Tsubaki & Kelsey Scofield: The Reflex Blue Show #281 appeared first on 36 Point.

Leila Rahimi and Mark Grote welcomed on Matt Spiegel and Laurence Holmes for the daily transition segment.

With both Brad and Dave nominated for awards this year, the guys spiral into a surprisingly deep conversation about awards, marketing, ego, and whether creators should plaster “award nominee” stickers all over their books. Later, they tackle a listener question about using 3D models, digital sets, and reference material in comics production — leading to a fascinating behind-the-scenes look at how both creators actually build comics pages in tools like Clip Studio Paint and Photoshop. Along the way, they discuss why imperfections matter in cartooning, how typography affects visual storytelling, and why “cheating” is often just another word for “working smarter.” Today's Show Should you put an award nomination on a book cover? UPDATE: Hugo Award voter packet "WSFS Membership"  Using sets and other pre-made background materials  UPDATE: Patreon Quips is now available on desktop You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Shining Apollo may be the god of music, healing and the sun - but he's definitely not the god of love.  His sister Artemis urges Apollo to learn from his mistakes.Live from Mount Olympus is produced by the Onassis Foundation. Karen Brooks Hopkins is executive producer. Our series creator and showrunner is Julie Burstein. Live from Mount Olympus is co-produced by the Brooklyn-based theatre collective The TEAM. Our directors are Rachel Chavkin, Josiah Davis, Joan Sergay, and Keenan Tyler Oliphant.Our actors are: Eric Berryman (Dionysus, Pan, Zephrys); Ato Blankson-Wood (Apollo); Josiah Davis (Ganymede); Jill Frutkin (Aphrodite); Joanne Hernandez (Daphne); Adrienne Hopkins (Nymph); Caroline Hopkins (Zoe);  Natalie Hopkins (Nymph); Modesto ‘Flako' Jimenez (Ephialtes); Libby King (Athena); Ian Lassiter (Zeus);  Zhailon Levingston (Announcer); Christina Liberus (Artemis); Nehemiah Luckett (Midas); Kimberly Marable (Leto, Fury); Jake Margolin (Orion); Marcel Isaiah Martinez (Hyacinthus); James Harrison Monaco (Marsyas); Xavier Pacheco (Paris, Otus); Kristen Sieh (Python, Fury); Nedra Marie Taylor (Hera); Ching Valdes-Aran (Delos); Daniel Watts (Eros, Silenus)And André De Shields is Hermes (and this season, Eris, goddess of discord!) The TEAM's Producing Director is Emma Orme, and Associate Producer is Diana Khong. We thank the artists and leaders of Epic Theater Ensemble for their continued collaboration! Live from Mount Olympus is written by Nathan Yungerberg with Julie Burstein and Jason Adam Katzenstein. Audio production and mix by John Melillo. Audio editing and sound design by Julie Burstein and David Schulman (E1 and E4). Music and songs composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Instrumental music mixed and mastered by Luca Bordonaro. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett. Jason Adam Katzenstein created our illustrations and is series humor consultant. Series creative advisors: Dr. Michael Cohen and Richard Nodell. Mandy Boikou is Administrative Director and Sofia Pipa is Program Manager at Onassis USA. Amal Biskin is our production assistant. Live from Mount Olympus was recorded with engineers Roy Hendrickson, Mor Mezrich, Matthew Sullivan, Matthew Soares, Omisha Chaitanya and Elizabeth Scott at The Power Station at Berklee NYC. Press by Grand Communications. Graphic design by Onassis Creative Studio. Live from Mount Olympus is distributed by PRX. Since 1975, the Onassis Foundation has been dedicated to culture, community, and education, with projects that can effectively inspire social change and justice across borders. Learn more at www.onassis.org. 

Seth and Sean discuss a fun graphic that laid out the worst coach ever for each NFL team, who it listed for the Texans, and if it's right. (It is, and you'll totally guess who).

TeeJay is a certified shirt head. Print Engineer at Pine Printshop by day, and your friendly neighborhood garage printer after hours. His enthusiasm for this craft is infectious, and while his story has only just begun, it's pretty damn good so far. Topics of discussion include: Graphic design education, 4 day work weeks, Dads, his journey to becoming lead printer at Pine Print Shop, finding out management isn't for everybody, painful lessons in sales, learning the business beyond printing, printing with water based inks, the bandana market, gatekeepers, appreciating automation, and Mind Freak.

The first of two interviews with Garth about The Boys. In psrt one from October 2020 Dynamite Editor Joe Ryband interviews Garth during the covid era. They also discuss Garth's Graphic novel Sara from TKO. 

In this episode of The DJ Force X Podcast, DJ Force X connects with  @Mercersband  , the new alternative rock band formed from the long‑running creative partnership behind Fony. Vocalist Ollie and guitarist/producer Phil dive deep into the origins of Mercers, the emotional and creative fallout from their Phony years, and how their debut EP The Liminal Tapes became both a purge and a rebirth.The band discuss rediscovering their love for music after burnout, the realities of ageing as musicians, the pressures of the industry, and the catharsis of finally reclaiming their sound. They also break down their politically charged new single 'Cleanse / Repeat', exploring themes of global conflict, Western complicity, and the collapse of democratic values.A raw, honest, and often funny conversation about creativity, identity, politics, and the long road back to making music that feels true.Olly has also asked if you enjoyed the podcast and would love to support those not as fortunate as us then please donate to https://chooselove.org charity. ❤️

Angus tries to work exposing wrong doers into articles about animals and Sal goes over the changes he has made as Workplace Safety Officer. The post EP156 – The Highs and Lows of a Safe Workplace appeared first on PodCavern.

Welcome to the Tuesday News Day, where we discuss the latest events in nerd news! SUBSCRIBE HERE: https://www.youtube.com/c/themedialunchbreak?sub_confirmation=1 Bluesky: https://bsky.app/profile/themedialunchbreak.bsky.social Patreon: www.patreon.com/TheMediaLunchBreak Youtube: www.youtube.com/c/themedialunchbreak Facebook: www.facebook.com/themedialunchbreak Or email us at: TheMediaLunchBreak@gmail.com Listen and review us on iTunes and YouTube Music! The Media Lunch Break on YouTube: www.youtube.com/c/themedialunchbreak Graphic art by: Melinda Filonuk - www.melgraphics.com www.etsy.com/shop/melgraphicscreations Eric Scotolati - https://twitter.com/ericscotolati

Graphic design already changed long before AI entered the conversation. Canva, templates, cheap execution work, and accessible design tools started reshaping the industry years ago. AI is simply accelerating a shift that was already happening.The real separation now is not between designers who use AI and designers who do not. It is between execution level designers and strategic creative thinkers. Because businesses do not pay premium prices for someone to make things look nice anymore. They pay for positioning, decision making, customer psychology, branding strategy, and creative direction that actually helps a business grow.This conversation explores AI, Canva, Claude Design, branding, creative work, graphic design, business strategy, positioning, and the future of the design industry from the perspective of someone actively running a premium branding agency. Not from fear, hype, or internet opinions, but from real observations inside the industry as it changes in real time.Links to Connect:Media & speaking: ⁠https://kadysandel.com⁠My skincare branding studio: ⁠https://aventivestudio.com⁠For designers: ⁠https://aventiveacademy.com/profit⁠Instagram: ⁠https://www.instagram.com/kadysandel/⁠

BUY TICKETS TO DOPEY SHORT FILM FESTIVAL: https://buytickets.at/thedopeyfoundation/2216905 Join Patreon For Cheap Tickets and much more: www.patreon.com/dopeypodcast Long Summary Notes: Dave opens the Dopey Total Replay by revisiting Episode 27, “Detox Withdrawal,” one of the earliest foundational episodes of Dopey. He explains how the episode introduced both graphic designer Ryan — creator of the iconic nodding Dopey logo — and Todd Curry, Dave's longtime using buddy who would later die in 2018, just weeks before Chris. Dave reflects on Chris's original idea for a “Dopey Stories” book made up of listener submissions and stories from the show. He talks about failed attempts to pitch the project to publishers and wonders whether self-publishing a Dopey book on Amazon might finally make sense. He invites listeners to resend their best stories to dopeypodcast@gmail.com. Disclaimer: I think I called Spanish People Stupid - but it was meant totally with love. Dave then shifts into a recap of Music on the Mountain in Vermont, where he attended with Linda and the kids. He talks about seeing Anders Osborne, Daniel Donato, Jackie Greene, Karina Rykman, Eggy, Lamp, and others. Susan celebrates her eighth birthday and hilariously insists on introducing bands onstage after Dave lets her introduce Karina Rykman. Dave admits Susan might actually be a better MC than him. Dave promotes the upcoming Dopey Short Film Festival at the SVA Theater, mentioning Mountainside as a possible title sponsor and joking about Katz's desserts and Othello cookies potentially being involved. He reads Patreon and Spotify comments reacting to the previous replay episode, including discussion of Rush, Basketball Diaries, Knicks playoff hopes, bread basket addiction, and people missing Chris. Dave goes on multiple tangents about bread, fitness, the Knicks, and Cleveland versus Detroit. The replay itself begins with Chris and Dave just starting to record when Todd randomly calls in. Todd immediately launches into a story about getting arrested while allegedly trying to buy weed in a housing project. Chris and Dave immediately question the story while Todd insists he was only trying to buy marijuana. The conversation spirals into stories about community service, Delancey Street cleanup duty, reverse discrimination jokes, airport profiling, Todd's history with Dave, and their years selling drugs together. Chris openly campaigns for Todd to become a recurring Dopey guest while Dave resists because Todd is still actively using heroin and weed. Graphic designer Ryan joins the conversation and explains why he loved Dopey from the beginning — because it wasn't a traditional recovery podcast. He says recovery shows felt too church-like, while Dopey mixed active addiction stories with recovery in a way that could actually reach addicts. Todd and Dave argue about whether active users should appear on Dopey. Ryan attempts to sober coach Todd live on the air, asking him what heroin does for him emotionally. Todd admits heroin covers feelings of loneliness, insecurity, and self-hatred. He describes failed relationships, yoga classes, women, and using heroin to cope with emotional pain. Ryan explains the basics of abstinence and recovery while Todd half-jokes and half-confesses his inability to stop using. Chris mostly eggs the entire thing on while enjoying the chaos. The episode shifts into stories about Mountainside and the infamous “Phase Four” extended-care house. Ryan explains how he entered treatment planning only to save money for heroin afterward, but somehow ended up getting sober instead. Dave admits he originally thought Ryan would never stay sober, while Dave himself eventually relapsed despite appearing more serious about recovery at the time. Ryan tells wild detox stories involving escaping treatment during withdrawal, trading a $2,500 laptop for heroin bundles, walking through snowstorms, and eventually landing at Mountainside. The group discusses relapse, sobriety, AA sponsorship disasters, yoga, heroin addiction, and the randomness of getting sober. The episode eventually devolves into jokes about Dave's disgusting toenail, Instagram photos, podcast structure, and arguments about whether episodes should be one hour long. Chris insists on ending every episode with “Good So Bad,” while Dave complains nobody wants long podcasts — ironic considering modern Dopey episodes often run three hours. Back in present-day narration, Dave reflects emotionally on hearing Todd and Chris together again. He reveals that Todd eventually appeared on Dopey multiple times, including once when he left mid-recording to go downstairs and shoot heroin before returning to finish the episode high. Dave closes by talking about Ryan's later recovery work at Berkshire Transition Network and how foundational he was to early Dopey. He reflects on the pain, foreshadowing, and innocence captured in the episode before ending with “Good So Bad” and a tribute to Chris and Todd. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Did you know that even Apollo had a music teacher? The satyr Pan shows Apollo how to get out of his head and really feel the beat, and then leads him into a mysterious dream world.Live from Mount Olympus is produced by the Onassis Foundation. Karen Brooks Hopkins is executive producer. Our series creator and showrunner is Julie Burstein. Live from Mount Olympus is co-produced by the Brooklyn-based theatre collective The TEAM. Our directors are Rachel Chavkin, Josiah Davis, Joan Sergay, and Keenan Tyler Oliphant.Our actors are: Eric Berryman (Dionysus, Pan, Zephrys); Ato Blankson-Wood (Apollo); Josiah Davis (Ganymede); Jill Frutkin (Aphrodite); Joanne Hernandez (Daphne); Adrienne Hopkins (Nymph); Caroline Hopkins (Zoe);  Natalie Hopkins (Nymph); Modesto ‘Flako' Jimenez (Ephialtes); Libby King (Athena); Ian Lassiter (Zeus);  Zhailon Levingston (Announcer); Christina Liberus (Artemis); Nehemiah Luckett (Midas); Kimberly Marable (Leto, Fury); Jake Margolin (Orion); Marcel Isaiah Martinez (Hyacinthus); James Harrison Monaco (Marsyas); Xavier Pacheco (Paris, Otus); Kristen Sieh (Python, Fury); Nedra Marie Taylor (Hera); Ching Valdes-Aran (Delos); Daniel Watts (Eros, Silenus)And André De Shields is Hermes (and this season, Eris, goddess of discord!) The TEAM's Producing Director is Emma Orme, and Associate Producer is Diana Khong. We thank the artists and leaders of Epic Theater Ensemble for their continued collaboration! Live from Mount Olympus is written by Nathan Yungerberg with Julie Burstein and Jason Adam Katzenstein. Audio production and mix by John Melillo. Audio editing and sound design by Julie Burstein and David Schulman (E1 and E4). Music and songs composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Instrumental music mixed and mastered by Luca Bordonaro. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett. Jason Adam Katzenstein created our illustrations and is series humor consultant. Series creative advisors: Dr. Michael Cohen and Richard Nodell. Mandy Boikou is Administrative Director and Sofia Pipa is Program Manager at Onassis USA. Amal Biskin is our production assistant. Live from Mount Olympus was recorded with engineers Roy Hendrickson, Mor Mezrich, Matthew Sullivan, Matthew Soares, Omisha Chaitanya and Elizabeth Scott at The Power Station at Berklee NYC. Press by Grand Communications. Graphic design by Onassis Creative Studio. Live from Mount Olympus is distributed by PRX. Since 1975, the Onassis Foundation has been dedicated to culture, community, and education, with projects that can effectively inspire social change and justice across borders. Learn more at www.onassis.org. 

SMJC FULL Class 35 LIVE Demo 2: Create a Quote Graphic in Adobe Express (Export + Organize Workflow) … This is a BONUS FULL CLASS from our Private Classes for Social Media Jungle Club!Learn More and Join Us at https://socialmediajungle.club/ … This is our regular SMJC check-in with a BONUS DEMO (Demo 2) you can copy anytime you need to create content quickly. Watch me create another Quote Graphic in Adobe Express, then export it and organize both the image and the caption text so it's ready to schedule later. Listen https://www.askawebgeek.com/wp-content/uploads/35-SMJC-Class-35-YT-DEMO-2-Quote-Graphic.mp3 Download Episode In this class, you'll see: How I build a clean quote graphic in Adobe Express How I export and name the file for easy organization How I save and organize the caption text for reuse How I prep everything so posting later is fast and painless Want to watch me schedule the post in Buffer too? Check out LIVE Demo: Create a Quote Graphic and Schedule It in Minutes (Adobe Express + Buffer) Ask a Web Geek: Join our FB group: See Ask a Web Geek (@FB) Jump into our ongoing conversations! What are YOUR questions? How can we HELP YOU? More Resources: More Resources & links at Jungle-Studios.com/resources BONUS Trainings and Resources! Refer to / Browse https://jungle-studios.com/meet-cj Related Episodes SMJC35 – LIVE Demo 2: Create a Quote Graphic in Adobe Express (Export + Organize Workflow) by CJ Gilbert | May 18, 2026 | EpisodesSMJC FULL Class 35 LIVE Demo 2: Create a Quote Graphic in Adobe Express (Export + Organize Workflow)... This is a BONUS FULL CLASS from our Private Classes for Social Media Jungle Club!Learn More and Join Us at https://socialmediajungle.club/ ... This is our regular... SMJC33 – LIVE Demo: Create a Quote Graphic and Schedule It in Minutes (Adobe Express + Buffer) by CJ Gilbert | May 4, 2026 | EpisodesSMJC FULL Class 33 LIVE Demo: Create a Quote Graphic and Schedule It in Minutes (Adobe Express + Buffer)... This is a BONUS FULL CLASS from our Private Classes for Social Media Jungle Club!Learn More and Join Us at https://socialmediajungle.club/ ... Want a repeatable... New Topics Discussed Weekly Join our Facebook Group Today! Want to Join Us? Join our FB Group to Ask a Question and Participate LIVE Play / Watch / Listen 1.) Join Us on Facebook 2.) Watch on YouTube 3.) Follow Us on Twitter 4.) Listen by Podcast Apple Podcasts | Google Podcasts | RSS

In this episode, Barnaby sits down with Andreas Clark of SELF DECEPTION to explore the band's journey from their early days on Swedish music forums to releasing their Napalm Records debut One Of Us.Andreas opens up about writing on tour, the emotional core of the album, the story behind tracks like ONE OF US, TIME'S UP, THE WEDDING, and DON'T B E L O N G, and the importance of talking openly about mental health.They also discuss the band's upcoming festival season, including their appearance at Download Festival, and Andreas shares the three pivotal records that shaped him as an artist.A powerful, honest, and energetic conversation with one of Sweden's most exciting modern rock bands.

Back in the UK! Conrad Leiden from the wonderful Space Spinner 2000 podcast joins me at the Lawless convention to celebrate ten years of podcasting about the galaxy's greatest comic. And then we count down our personal top ten Judge Dredd epics. Send me your own lists to MCBCpodcast@gmail.comYou can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.

Angus can't get his fix with flatlining anymore and has hit a new low. Sal calls in Dr. Amadeus Personae (Joël Paulin) to help Angus cultivate a new better personae. The post EP155 – Falter Ego appeared first on PodCavern.

Today's show is sponsored by Huion, makers of the Huion Kamvas 22 (Gen 3) — a 21.5" pen display with a gorgeous 2.5K screen and really smooth performance. Bottom line: it feels great to draw on — and it punches way above its price. • Check it out at https://comiclabshop.com • Use code COMICLAB5 for an exclusive 5% discount! (Valid through June 14th) Brad and Dave tackle a listener question that gets to the heart of creative careers: Can you make a living telling shorter stories, or does success demand long-form work? As always, the answer is equal parts practical advice and creative philosophy — grounded in real-world experience and delivered with ComicLab's signature mix of humor and honesty. TODAY'S SHOW • Can you build a career on individual short stories? • Market expectations around story length (comics, film, TV) and perceived value • Creative problem-solving as a business tool — making unconventional formats work • Strategies for packaging short stories (genre consistency, shared setting, through-lines) • Examples of experimental storytelling formats (anthologies, vignette structures) • PROMO: Huion Kamvas 22 (Gen 3) — features, workflow integration, and discount code ComicLab5 at https://comiclabshop.com • Estate planning for cartoonists — what happens to your IP after death? • Debate: Should creative work become public domain sooner? • Should kids continue your comic… or make their own work? • The reality of legacy comics vs. modern independent publishing You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Welcome to the Dear Nikky Podcast – where real people share their steamiest confessions, wildest fantasies, and hottest true stories with zero judgment. In this episode, Nikky dives deep into forbidden thrills, risky public sex, group encounters, and angry hate-fuck office sex that turns frustration into explosive orgasms.Episode HighlightsSecret public masturbation: 24-year-old woman rubbing her clit and wearing titty-beads in her panties while secretly watching her friend's hot artistic momFootball team shower gangbang: Former beauty queen and sports reporter ends up naked in the men's locker room shower surrounded by a dozen players, grabbing cocks as hands explore every inch of her bodyAngry office hate sex: Frustrated employee bent over the conference table and filled with cum by her hated supervisor in a raw, passionate creampie releaseIf you love public sex confessions, voyeurism, group sex, locker room fantasies, office affairs, hate sex, creampie stories, and risky outdoor or semi-public masturbation, this episode is packed with exactly what you're craving.Content WarningExplicit NSFW adult content. Graphic descriptions of consensual sex between adults, including public play, multiple partners, voyeurism, and intense hate-lust dynamics. All participants are 18+. Stories are fictionalized for privacy. 18+ only. Listener discretion strongly advised.Topics & Keywords: public masturbation, clit rubbing, titty beads, voyeur sex, friend's mom fantasy, locker room gangbang, football team shower sex, group hands, multiple partners, sports reporter fantasy, office hate sex, angry fucking, bent over desk, creampie, workplace affair, forbidden lust, steamy confessions, real sex storiesJoin the conversation and submit your own anonymous confession!

DJ Force X chats with UK metalcore trio Cobra Mouth about their new single “Cesspit”, the chaotic feedback‑driven writing process, and the lyrical themes of panic and drowning. They discuss their Cornwall roots, the explosive growth of their DIY Homecoming Festival, and landing major festival slots including Nordsig and Sanctum Fest. A deep dive into modern metalcore, scene‑building, and pushing heaviness to the limit.www.cobermouth.uk

Guests: Jalen Thomas and Chris MetzgerHost:  Christopher KardambikisRecorded on February 27, 2026This is the third of three episodes focusing on the recent publication: Even the Score, guest edited by Lindsay Buchman and published by Homie House Press.Jalen Thomas is an interdisciplinary artist from Prince George's County, MD. Her work combines photography, quilting, and design to examine Black girlhood and Black feminine domestic identity.  Operating in the intersections between creative play and domestic labor, Thomas' work is inspired by her mother often creating in collaboration with and for her. Working primarily with textiles and archival family photos Thomas participates in liberatory Black homemaking practices and oral storytelling traditions that have been passed down through generations of Black mothers, sisters, and friends. Currently serving as an Americorp Artist in Residence at 901 Arts in Baltimore, MD, Thomas continues to pass along these traditions to youth by teaching with a commitment to care, joy, and radical imaginative creation. She holds a BS in Graphic design from Stevenson University and an MFA in Community Art from the Maryland Institute College of Art.Christopher Metzger is a socially engaged artist/educator living and working in Baltimore, MD. As Professor and Department Chair of Art and Graphic Design at Stevenson University, his creative practice often engages communities in collaborative-based projects that encourage an exploration of self within larger social frameworks. Centered on fostering community and the investigation of representational justice through a historical and contemporary lens, his work often critiques and challenges the status quo while developing critical perspectives and an urgency to bring about social change through acts of creative resistance.Working primarily within photographic media and design, Metzger's personal work is deeply rooted in, and informed by, his relationship to his wife and kids, a Black woman and two biracial sons. Often dealing with themes related to race, class, and identity, they examine their lived experiences through their individual identities and memories, while navigating places and spaces collectively as a family in search of joy, love, and truth.As an artist/educator, Metzger has come to embrace the symbiotic nature of his creative practice. His art is his teaching, and his teaching is his art. For Metzger, these identities are one in the same. Guided by community, agency, justice, and care and informed by his research into decolonizing art and design education, Metzger's work is committed to the process of un/learning and interrogating the narratives, structures, and systems that have historically been put in place to divide and exclude.Episode artwork by Homie House Press“Paper Cuts Theme” by The Early@theearly_band // http://theearly.net

Thirty days from the start of the 2026 FIFA Men's World Cup, Tim Bryson sits down with Gabby Turner, Vice President of Marketing and Innovation for the Bay Area Host Committee.In this episode, Gabby shares her story, her path into sport, and her role helping shape one of the most historic years in Bay Area sport. In 2026, the region will host Super Bowl LX and FIFA Men's World Cup matches in the same calendar year, marking the first time this has ever happened.This conversation explores what it takes to bring global sporting events to life, the power of storytelling and innovation, and how the Bay Area Host Committee is serving as a forcing function for collaboration and coalition building across cities, sectors, industries, communities, and institutions.From marketing and regional identity to legacy, impact, and the future of global sport, Gabby offers an inside look at what it means to host the world.It's happening. We walking!!Graphic art designed by LeRoid David.

In episode 109 of "Philosophy from the Front Line," host Rob Robinson welcomes author, poet, and entrepreneur Peter Gunn for an in-depth conversation about his multifaceted journey from military service to creative entrepreneurship.The episode begins with Gunn sharing his origin story, including his early awakening after a near-death experience at age seven, which profoundly shaped his worldview and later inspired his book, "The Ascension Paradox." Gunn explains that the book is both a personal map of internal transformation and a philosophical exploration of how adversity and suffering can catalyze growth, particularly for veterans transitioning to civilian life. He critiques modern notions of perfection and the tendency for society to seek shortcuts, emphasizing instead the value of resilience, hard work, and honest self-reflection.The discussion delves into the challenges veterans face when leaving the military, including unrealistic expectations for civilian employment and the loss of structure and purpose. Gunn and Robinson discuss the importance of developing marketable skills, maintaining a growth mindset, and preparing for the emotional and practical realities of transition. Gunn shares his experience of being forced into retirement for refusing the COVID-19 vaccine, highlighting the personal and professional difficulties that can arise from standing by one's principles.Gunn also discusses his creative projects, including Linked Lyrical Poetry (LLP), which fuses elements of rap and traditional poetry to engage younger audiences, and his efforts to write epic poetry with strong female protagonists, inspired by his desire to create empowering stories for his daughter. He describes the process of developing the graphic novel series "Sigma Squad," which uses the accessible format of graphic novels to address societal issues and encourage readers to question reality and awaken from complacency.The conversation touches on the importance of continuous personal growth, the dangers of over-identifying with external labels (such as sports fandom or social media personas), and the need for veterans to find new purpose and community after leaving the military. Gunn shares practical advice for aspiring veteran entrepreneurs, such as forming an LLC and leveraging tax deductions for creative projects, and describes his collaborative approach to producing audiobooks and music, including working with international partners to create immersive, high-quality content.Throughout the episode, Robinson and Gunn emphasize the value of challenging oneself, building networks, and pursuing creative and entrepreneurial endeavors to achieve fulfillment and make a positive impact. Gunn concludes by encouraging listeners to choose the "pain of discipline" over the "pain of regret," underscoring the episode's central themes of resilience, self-discovery, and purposeful action.Become a supporter of this podcast: https://www.spreaker.com/podcast/philosophy-from-the-front-line--4319845/support.Disclaimer: The content of the "Philosophy From the Front Line" podcast is intended for informational and educational purposes only. The views and opinions expressed by the hosts and guests are their own and do not necessarily reflect those of any affiliated organizations or sponsors. This podcast does not offer legal, financial, or professional advice. Listeners are encouraged to consult appropriate professionals before making decisions based on the content presented. "Philosophy From the Front Line" assumes no responsibility or liability for any errors or omissions in the content or for actions taken based on the information provided during the podcast episodes. Fair Use Statement: This podcast may contain copyrighted material not specifically authorized by the copyright owner. "Philosophy From the Front Line" is making such material available to educate, inform, and provide commentary under the "Fair Use" provisions of U.S. copyright law (Section 107 of the U.S. Copyright Act). We believe this constitutes a fair use of any such copyrighted material as it is:Used for non-commercial, educational, or research purposes.Critically analyzed, reviewed, or discussed.Used in a transformative way that adds new meaning or message to the original work.If you own any content used and believe it infringes on your copyright, please contact us directly, and we will address the matter promptly. 

I'm always asking questions.  The fun begins when you start researching for answers. Such as…   How many published book authors are relying on AI technology for added digital support?  Plus…How are advertising agencies reacting to Chat GPT, Gemini and Grok creating free logos, commercial copy and more?   I'm Arroe…  I am a daily writer.  A silent wolf.  I stand on the sidelines and do nothing but watch, listen study then activate.  I call it The Daily Mess.  A chronological walk through an everyday world.  Yes, it's my morning writing.  As a receiver of thoughts and ideas, we as people tend to throw it to the side and deal with it later.  When a subject arrives, I dig in.  It's still keeping a journal!  By doing the research the picture becomes clearer.  This is the Daily Mess…    Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

I'm always asking questions.  The fun begins when you start researching for answers. Such as…   How many published book authors are relying on AI technology for added digital support?  Plus…How are advertising agencies reacting to Chat GPT, Gemini and Grok creating free logos, commercial copy and more?   I'm Arroe…  I am a daily writer.  A silent wolf.  I stand on the sidelines and do nothing but watch, listen study then activate.  I call it The Daily Mess.  A chronological walk through an everyday world.  Yes, it's my morning writing.  As a receiver of thoughts and ideas, we as people tend to throw it to the side and deal with it later.  When a subject arrives, I dig in.  It's still keeping a journal!  By doing the research the picture becomes clearer.  This is the Daily Mess…    Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

When Zeus's twins are ready to be born, no land on earth will allow their mother Leto to rest. Pursued by the ancient dragon Python, Leto searches for a place, sacred and safe, where she can give birth. Four days after being born, Apollo hunts down Python to avenge his mother – which makes the Furies, well, furious!Live from Mount Olympus is produced by the Onassis Foundation. Karen Brooks Hopkins is executive producer. Our series creator and showrunner is Julie Burstein. Live from Mount Olympus is co-produced by the Brooklyn-based theatre collective The TEAM. Our directors are Rachel Chavkin, Josiah Davis, Joan Sergay, and Keenan Tyler Oliphant.Our actors are: Eric Berryman (Dionysus, Pan, Zephrys); Ato Blankson-Wood (Apollo); Josiah Davis (Ganymede); Jill Frutkin (Aphrodite); Joanne Hernandez (Daphne); Adrienne Hopkins (Nymph); Caroline Hopkins (Zoe);  Natalie Hopkins (Nymph); Modesto ‘Flako' Jimenez (Ephialtes); Libby King (Athena); Ian Lassiter (Zeus);  Zhailon Levingston (Announcer); Christina Liberus (Artemis); Nehemiah Luckett (Midas); Kimberly Marable (Leto, Fury); Jake Margolin (Orion); Marcel Isaiah Martinez (Hyacinthus); James Harrison Monaco (Marsyas); Xavier Pacheco (Paris, Otus); Kristen Sieh (Python, Fury); Nedra Marie Taylor (Hera); Ching Valdes-Aran (Delos); Daniel Watts (Eros, Silenus)And André De Shields is Hermes (and this season, Eris, goddess of discord!) The TEAM's Producing Director is Emma Orme, and Associate Producer is Diana Khong. We thank the artists and leaders of Epic Theater Ensemble for their continued collaboration! Live from Mount Olympus is written by Nathan Yungerberg with Julie Burstein and Jason Adam Katzenstein. Audio production and mix by John Melillo. Audio editing and sound design by Julie Burstein and David Schulman (E1 and E4). Music and songs composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Instrumental music mixed and mastered by Luca Bordonaro. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett. Jason Adam Katzenstein created our illustrations and is series humor consultant. Series creative advisors: Dr. Michael Cohen and Richard Nodell. Mandy Boikou is Administrative Director and Sofia Pipa is Program Manager at Onassis USA. Amal Biskin is our production assistant. Live from Mount Olympus was recorded with engineers Roy Hendrickson, Mor Mezrich, Matthew Sullivan, Matthew Soares, Omisha Chaitanya and Elizabeth Scott at The Power Station at Berklee NYC. Press by Grand Communications. Graphic design by Onassis Creative Studio. Live from Mount Olympus is distributed by PRX. Since 1975, the Onassis Foundation has been dedicated to culture, community, and education, with projects that can effectively inspire social change and justice across borders. Learn more at www.onassis.org. 

Wait With Him

Austin guitarist and songwriter Emily Wolfe joins the show to talk about her new single “Lips” featuring Jesse Hughes of Eagles of Death Metal. We get into how the collaboration came together, her creative evolution, her partnership with Gibson/Epiphone, and the shift from albums to single‑driven releases.Emily also shares stories from her early musical life, her upcoming tour dates with YUNGBLUD and The Warning, and the three pivotal records that shaped her as an artist — from The Temptations to Dashboard Confessional to Deftones.A conversation full of honesty, humour, guitar talk, and real insight into the life of a modern rock artist.Listen to “Lips”: https://ffm.to/emilylips More from Emily: https://www.emilywolfemusic.com/

A listener asks whether some words are inherently funnier than others—and it opens the door to a deep dive on word choice, dialogue, and how to make jokes land harder. Brad and Dave break down why shorter, punchier words tend to win, how sound and rhythm affect comedy, and why you should always end on the funniest word. They also walk through their real-world writing process—cutting aggressively, reading dialogue out loud, and constantly swapping in better word choices. From there, the conversation expands into how to write strong dialogue (hint: it's not about realism—it's about impact), plus a list of pitfalls to avoid, including gimmicky accents, overstuffed word balloons, and writing that slows the reader down. They also revisit a past take on political cartoons (turns out, they're thriving on Reddit), talk about the return of Web 1.0 strategies like guest comics, and reinforce a core principle: own your platform and your audience. TODAY'S SHOW • Writing funny words: Why word choice makes or breaks a joke • Psychologist vs. psychiatrist — choosing the funnier word (it's "shrink") • How to edit your way to stronger, tighter dialogue • Dialogue pitfalls: accents, gimmicks, and readability traps • Political cartoons are thriving on Reddit (and what that means) • The return of Web 1.0 tactics: Guest comics and cross-promotion • Reclaiming your platform: Why websites still matter You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

In the Insta360 boot at NAB 2026, Global PR Manager Poppy Zhang gives us a preview of a new creator-oriented wireless mic system that features not only high-quality recording but also a customizable screen that can display logos, emoji, or brand identities. The unit also features a compact charging case, with pricing to be announced soon.  Show Notes: Chapters: 0:03 Introduction from NAB 20260:12 Why the Insta360 booth is a must-stop0:37 New creator and media offerings introduced1:30 Product overview and professional use cases2:45 Workflow improvements and app integration3:40 Custom branding and logo uploads4:10 Ease of use and setup demonstrations5:00 Creator-focused production capabilities6:15 Closing thoughts from the Insta360 booth Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

In the Insta360 booth at NAB 2026, Global PR Manager Poppy Zhang gives us a preview of a new creator-oriented wireless mic system that features not only high-quality recording but also a customizable screen that can display logos, emoji, or brand identities. The unit also features a compact charging case, with pricing to be announced soon.  Show Notes: Chapters: 0:03 Introduction from NAB 2026 0:12 Why the Insta360 booth is a must-stop 0:37 New creator and media offerings introduced 1:30 Product overview and professional use cases 2:45 Workflow improvements and app integration 3:40 Custom branding and logo uploads 4:10 Ease of use and setup demonstrations 5:00 Creator-focused production capabilities 6:15 Closing thoughts from the Insta360 booth Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Nous sommes toujours ravis de pouvoir accompagner le lancement d'une nouvelle maison d'édition et l'avons fait à de multiples reprises au cours des dernières années, que ce soit avec 404 Comics (rebaptisé 404 Graphic depuis), Seidkona Press et il n'y a pas si longtemps avec Morgen. Chose amusante, la structure qui nous intéresse aujourd'hui a quelques points communs avec cette dernière, notamment sur le fait de proposer des créations originales faites par des auteurs venus des comics. Le projet s'appelle Astrolabe, c'est de la création, et le navire se lance en librairie aujourd'hui !De la créa' avec des auteurs de comics !Vous avez eu l'habitude de le retrouver pour discuter des bilans Urban Comics, mais cette fois-ci François Hercouët ne dira pas une seule fois (ou presque) le nom de cette maison d'édition, puisque c'est bien lui que l'on retrouve à la tête d'Astrolabe en compagnie de Thierry Fraysse et Sarah Chantepie (que nous avons déjà reçu dans le podcast et que nous retrouverons prochainement assurément). Le directeur nous présente les lignes de cette nouvelle structure avec les projets à venir cette année, dont les nouveaux albums de Sean Murphy et Matteo Scalera, mais aussi et surtout pour ce lancement de la première créa' originale qu'il édite, le superbe Pourpre-Sang Tome 1 de Léo Cherel. Une discussion sur le temps long des enjeux et des spécificités du projet à découvrir en podcast !Vous pouvez commander Pourpre-Sang Tome 1 à ce lien !Si vous appréciez notre travail et souhaitez le soutenir, ne manquez pas de partager ce podcast, d'en parler autour de vous à toutes celles et ceux qui sont férus de bande dessinée, ou encore en contribuant à notre page Tipeee ! Merci à toutes et tous de votre écoute et à bientôt pour le prochain podcast !Soutenez First Print - Votre podcast comics (& BD) préféré sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

After 12 years and several refreshes, the PESO Model® has a new graphic — and Gini is drawing the line between free use and theft. In this episode, she discusses what changed, what the four outcomes (Authority, Credibility, Discovery, Growth) actually mean, how to read the graphic correctly, and what now requires a license. Download the graphic at spinsucks.com/peso-model-graphic. Use it well.

Welcome to the Tuesday News Day, where we discuss the latest events in nerd news! SUBSCRIBE HERE: https://www.youtube.com/c/themedialunchbreak?sub_confirmation=1 Bluesky: https://bsky.app/profile/themedialunchbreak.bsky.social Patreon: www.patreon.com/TheMediaLunchBreak Youtube: www.youtube.com/c/themedialunchbreak Facebook: www.facebook.com/themedialunchbreak Or email us at: TheMediaLunchBreak@gmail.com Listen and review us on iTunes and YouTube Music! The Media Lunch Break on YouTube: www.youtube.com/c/themedialunchbreak Graphic art by: Melinda Filonuk - www.melgraphics.com www.etsy.com/shop/melgraphicscreations Eric Scotolati - https://twitter.com/ericscotolati

Segment 1 • A federal court just disrupted abortion pill access—does this finally close the “mail-order” loophole? • Lawmakers press the uncomfortable question: if you advocate abortion, will you actually defend the methods used? • Graphic realities surface—what does it say about a nation that funds and normalizes this? Segment 2 • Are cultural elites trying to turn your kids against you—and calling it “justice”? • A new push claims older generations are the problem… but is this just recycled Marxism? • What happens when society blames grandma instead of bad policy, debt, and inflation? Segment 3 • Why are pastors apologizing for Scripture—and what does that reveal about modern preaching? • If God commands something the culture hates, who do you trust: your instincts or His authority? • One word—“likewise”—could reshape how you understand roles, submission, and obedience Segment 4 • Are churches discipling kids—or just entertaining them to keep families coming back? • What if youth ministry isn't broken—but fundamentally misaligned with Scripture? • Could older believers—not programs—be the missing key to lasting faith in the next generation? ___ Thanks for listening! Wretched Radio would not be possible without the financial support of our Gospel Partners. If you would like to support Wretched Radio we would be extremely grateful. VISIT https://fortisinstitute.org/donate/ If you are already a Gospel Partner we couldn't be more thankful for you if we tried!

In the mid-1930s the amateur French ethnographer and filmmaker Bernard de Colmont ventured into the mountainous state of Chiapas to study the Lacandón people and broadcast their way of life to a curious European public. Considered a “lost tribe,” the Lacandón were thought to be the closest living relatives of the ancient Maya.De Colmont became a celebrity explorer whose adventures generated considerable attention. The Lacandón themselves, however, were silenced in his tale. Nearly a century later, in In the Land of the Lacandón: A Graphic History of Adventure and Imperialism (McGill-Queen's UP, 2025), Dr. Richard Ivan Jobs and Dr. Steven Van Wolputte have taken up this story in all its complexity, creating a graphic history from de Colmont's narratives and images in the form of a heroic adventure comic. An essay contextualizing and historicizing the tale follows, as does an evocative, reflective poem by Tsotsil writer Manuel Bolom Pale, which offers an Indigenous perspective on the encounter. A captivating experiment in form, the book puts an immersive new spin on studying the past.In the Land of the Lacandón illuminates de Colmont's expedition against the backdrop of late imperialism on the eve of the Second World War in Europe. It investigates the history of exploration, science, and media, revealing how these narratives represented and constructed Indigenous Peoples for the public – and how such representations continue to resonate. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the mid-1930s the amateur French ethnographer and filmmaker Bernard de Colmont ventured into the mountainous state of Chiapas to study the Lacandón people and broadcast their way of life to a curious European public. Considered a “lost tribe,” the Lacandón were thought to be the closest living relatives of the ancient Maya.De Colmont became a celebrity explorer whose adventures generated considerable attention. The Lacandón themselves, however, were silenced in his tale. Nearly a century later, in In the Land of the Lacandón: A Graphic History of Adventure and Imperialism (McGill-Queen's UP, 2025), Dr. Richard Ivan Jobs and Dr. Steven Van Wolputte have taken up this story in all its complexity, creating a graphic history from de Colmont's narratives and images in the form of a heroic adventure comic. An essay contextualizing and historicizing the tale follows, as does an evocative, reflective poem by Tsotsil writer Manuel Bolom Pale, which offers an Indigenous perspective on the encounter. A captivating experiment in form, the book puts an immersive new spin on studying the past.In the Land of the Lacandón illuminates de Colmont's expedition against the backdrop of late imperialism on the eve of the Second World War in Europe. It investigates the history of exploration, science, and media, revealing how these narratives represented and constructed Indigenous Peoples for the public – and how such representations continue to resonate. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

In the mid-1930s the amateur French ethnographer and filmmaker Bernard de Colmont ventured into the mountainous state of Chiapas to study the Lacandón people and broadcast their way of life to a curious European public. Considered a “lost tribe,” the Lacandón were thought to be the closest living relatives of the ancient Maya.De Colmont became a celebrity explorer whose adventures generated considerable attention. The Lacandón themselves, however, were silenced in his tale. Nearly a century later, in In the Land of the Lacandón: A Graphic History of Adventure and Imperialism (McGill-Queen's UP, 2025), Dr. Richard Ivan Jobs and Dr. Steven Van Wolputte have taken up this story in all its complexity, creating a graphic history from de Colmont's narratives and images in the form of a heroic adventure comic. An essay contextualizing and historicizing the tale follows, as does an evocative, reflective poem by Tsotsil writer Manuel Bolom Pale, which offers an Indigenous perspective on the encounter. A captivating experiment in form, the book puts an immersive new spin on studying the past.In the Land of the Lacandón illuminates de Colmont's expedition against the backdrop of late imperialism on the eve of the Second World War in Europe. It investigates the history of exploration, science, and media, revealing how these narratives represented and constructed Indigenous Peoples for the public – and how such representations continue to resonate. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode, Lily from The Meffs talk all things Business — their explosive new album and its lead single that takes aim at identity, pressure, and the chaos of modern life. We get into the writing, the politics, the vulnerability behind the noise, and how a two‑piece can sound like a full‑scale riot.We also chat about their newly announced tour with Joan Jett & The Blackhearts, life on the road, and what's coming next for one of the UK's most exciting bands.

Sloe Smycz returns from Warsaw to discuss Brink book 4 by Dan Abnett and INJ Culbard. Get your copy from the 2000AD store.Click for links to the Avangarda association  and the Bazyliszek convention. And follow Sloe on Instagram to see their latest cap!You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.

This episode examines a Bluesky thread where cartoonists self-reported their financial realities. While the original question was thoughtful — seeking insight into full-time and part-time comic careers — the resulting discussion revealed a common problem: an echo chamber of discouragement. Brad and Dave emphasize that these threads often skew negative due to self-selection bias. Many successful creators don't participate—either because they're busy, uncomfortable sharing income, or wary of backlash. The result? A distorted picture where it appears that no one is succeeding, even though many are. TODAY'S SHOW Nobody makes a living in comics ComicLab LIVE at the NCS Conference and Reuben Awards, Aug. 6-8, Columbus, Ohio — nationalcartoonists.com Tattoos Baby Blues and Zits announce retirement Death of syndication   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

What if a picture book could help children feel brave in the face of something bigger than themselves? In this episode of the Adventures in Learning podcast, Dr. Diane talks with Hudson Valley author/illustrator Kerry McQuaide about The Biggest, Highest Wave, the power of read-alouds, and why picture books can help young readers see themselves as resilient.SummaryIn Episode 187 of the Adventures in Learning podcast, Dr. Diane welcomes Kerry McQuaide, an author/illustrator based in New York's Hudson Valley whose picture book The Biggest, Highest Wave, was inspired by surfing, powerful ocean imagery, and the way we recover after getting knocked down. Kerry shares how an early classroom book-making experience helped spark her love of books as objects, why picture books are like poetry, and how she uses a simple visual structure to help children tell their own stories.They also discuss the emotional power of read-alouds, the role of school visits and book festivals, and why print books still offer something digital media cannot. This conversation is full of practical ideas for teachers, librarians, parents, and anyone who wants to invite children into storytelling, creativity, and courage.Timestamps00:00:Welcome and introduction to Kerry McQuaide.00:56:How she became an author-illustrator.02:17:Teaching lessons for writers and illustrators.03:50:The inspiration behind The Biggest, Highest Wave.06:04:Reading a passage from the book.07:43:Graphic style, color, and visual scale.09:23:Children's reactions during readings.10:10:Book festivals, libraries, and reader connection.13:05:How to engage readers in a digital age.15:28:Read-alouds, relationships, and resilience.17:48:What currently brings hope.Call to ActionIf this episode speaks to you, share it with a teacher, librarian, parent, or young reader. Subscribe to the Adventures in Learning podcast, leave a review, and keep the conversation going about picture books, read-alouds, and the power of stories that help children feel brave.Please check out Kerry McQuaide's website and follow her on Instagram,  LinkedIn, and Facebook.Support the showShare this episodeIf this conversation sparked wonder, gave you a helpful strategy, or offered a needed reminder of hope, please share it with a friend or colleague.Subscribe • Download • Review • Tell a friendStay updated with our latest episodes and follow us on Instagram, LinkedIn, and the Adventures in Learning website. Don't forget to subscribe on Apple Podcasts, Spotify, or wherever you get your podcasts! *Disclosure: I am a Bookshop.org. affiliate.

Today's show is sponsored by Huion, makers of the Huion Kamvas 22 (Gen 3) — a 21.5" pen display with a gorgeous 2.5K screen and really smooth performance. Bottom line: it feels great to draw on — and it punches way above its price. *Check it out here: https://comiclabshop.com *Use code COMICLAB5 for an exclusive 5% discount! (Valid through June 14th) On Today's Show: Your comic is gaining traction — but now readers want answers faster than you can tell the story. Brad and Dave explain why that's actually a great sign — and how to turn audience curiosity into a powerful engine that keeps readers hooked instead of overwhelming your narrative. PLUS — CONGRATULATIONS TO DAVE KELLETT FOR HIS HUGO AWARD NOMINATION! TOPICS Dave Kellett has been nominated for a Hugo Award How much to share with an eager audience ComicLab Confab (609) DRY-ELB-0 Update: USPS fuel surcharge will *not* affect Media Mail prices New tariff worries NCS conference and Reuben Awards Aug. 6-8, Columbus, Ohio Different ways to present a scene A listener question leads into the episode's central topic: what to do when a new project suddenly starts attracting attention and readers begin asking lore questions faster than the story can answer them. Brad and Dave frame this as the best possible problem for a storyteller to have — not a crisis, but proof that the story is working. Their advice is to resist the urge to dump exposition too early, and instead use reader curiosity as fuel to keep them engaged and coming back for more. Another listener question asks how to make necessary exposition more entertaining in a history comic, and the hosts widen that into a general storytelling discussion. They explore how to handle “problem panels” — moments where important information must be conveyed, but the raw facts feel static or dull. Their answer is that exposition does not need to be delivered plainly: creators can change the point of view, alter the tone, insert found documents, frame facts through action, or even break into totally different storytelling modes if it makes the comic more engaging. The episode also includes a couple of business updates for cartoonists. Brad shares good news about USPS fuel surcharges not applying to Media Mail, which matters for creators shipping books, while Dave warns that new tariffs may affect imported book shipments and advises cartoonists to build more buffer into Kickstarter budgets for 2026. It's a practical reminder that making comics also means staying alert to the changing realities of fulfillment and production costs. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

He didn't just kill himself… he made sure it worked.In this episode, a Grant, a funeral director's assasistant, shares one of the most disturbing and confusing calls of his life. A man everyone loved. A house that should have been filled with Christmas lights. And a suicide so extreme it didn't make sense.He slit both of his arms open.And then started his car.Just in case.But this story isn't just about how he died.It's about trying to understand why.Why someone who seemed happy would do something so violent.Why some suicides feel impulsive… and others feel calculated.And what goes through your mind when you're standing over the body of someone you actually knew.After years working in a funeral home, Grant has seen death in every form. But some scenes don't leave you. This is one of them.And what happened after the call might be even worse.A desperate lie.A moment of guilt. And the realization that sometimes the living don't handle death much better than the dead.This is a raw, unfiltered, true story from inside the funeral industry. Graphic, honest, and deeply human. ⚠️ Listener discretion advised. This episode contains graphic descriptions and discussions of suicide. $ - This episode was previously locked behind a paywall.

He wound the clock… then pulled the trigger.In this episode of My Funeral Home Stories, a real funeral director shares one of the most unsettling calls of his career. A late-night police pickup. A shotgun suicide. A silent house. And one detail that doesn't make sense. A perfectly polished grandfather clock.But this story isn't just about what happened in that bedroom.It's about what happens after.What happens to the body.What happens to the people left behind.And the question no one wants to ask out loud:What happens to you if you do it?After years working in a funeral home, Grant has seen more death than most people will in a lifetime. But some calls don't leave you. This is one of them.Raised in religion but surrounded by real death, he wrestles with a question that never really goes away.Can a good person make one irreversible decision and lose everything?Do suicides really go to hell?Or is that just something we tell ourselves to survive the unknown?This is a raw, unfiltered, true story from inside the funeral industry. Graphic, honest, and deeply human.⚠️ Listener discretion advised. This episode contains graphic descriptions and discussions of suicide.# - This episode was previously behind a paywal, it has been unlocked. ENJOY!