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In the second half of their exploration of disruption, Helen and Elizabeth dive into the tricky world of social friction, authenticity, and the ethics of sharing creative work. Helen reflects on her commitment to honesty in her graphic diaries and the responsibilities that come with featuring real people in personal storytelling.Together they explore how changes to routine can spark new creative possibilities, the challenges of navigating boundaries when art involves others, and how autistic values such as justice and honesty can shape the creative process. The conversation also examines rejection sensitive dysphoria, people-pleasing behaviours, and practical strategies for building healthier boundaries.In this episode:Finding creative opportunities through disruptionThe ethics of sharing stories that involve other peopleJustice, honesty, and autistic cultureUnderstanding rejection sensitive dysphoriaPeople-pleasing and the fawn responseStrategies for recognising and reducing harmful people-pleasing behavioursResources and LinksHelen's graphic diary archive: https://arted.online/blog/diaries/Graphic diary template: https://arted.online/toolbox/resource-diary-template/The 10 Pillars of Autistic Culture: https://www.autisticculturepodcast.com/p/the-10-pillars-revisited-episodeInformation about the fawn response: https://ndconnection.co.uk/blog/fawn-the-trauma-response-that-is-easiest-to-missContact: creativebecomingpod@gmail.comSupportIf you are experiencing distress, please contact your GP or a relevant support service in your area.DisclaimerCreative Becoming is connected to Helen Shaddock's practice-based PhD, "Welcome to My Messy World": A practice-based, messy auto-ethnographic artistic exploration into multimedia storytelling as an integral method towards creative becoming.
GRAPHIC TESTIMONY @ 00:36-4:12 In today's testimony, jurors heard from doctors who treated Callan and Cora, then trauma ICU nurses about Lindsay Clancy's critical condition after she was transferred following the January 24, 2023 incident.The nurses described Lindsay arriving at the ICU as critically injured and considered a self-harm risk. Shortly after arrival, Lindsay suffered cardiac arrest after her blood pressure dropped. Medical staff performed CPR, administered medications to support her blood pressure, placed chest tubes, and began blood transfusions.The testimony covered the severity of Lindsay's injuries, including spinal fractures, a thoracic spine injury described as a transection, rib fractures, thyroid swelling, blood loss, and wounds to her wrists and neck. Nurses testified about the medical treatment she received, her time on a ventilator, and her gradual recovery.Jurors also heard about Lindsay's behavior while in the ICU, including her confusion after being extubated, what doctors described as ICU delirium, her need for restraints while recovering, and her ability to follow commands and communicate through writing.The last witness before lunch was a psychiatrist who testified about discussions surrounding Lindsay's mental health history, and how she changed her healthcare proxy from Patrick Clancy to her parents.This testimony provided a detailed look at Lindsay's medical condition, the extent of her injuries, and her recovery during her hospitalization.Become a supporter of this podcast: https://www.spreaker.com/podcast/pretty-lies-and-alibis--4447192/support.ALL MERCH 10% off with code Sherlock10 at checkout - NEW STYLES Donate: (Thank you for your support! Couldn't do what I love without all y'all) PayPal - paypal.com/paypalme/prettyliesandalibisVenmo - @prettyliesalibisBuy Me A Coffee - https://www.buymeacoffee.com/prettyliesrCash App- PrettyliesandalibisAll links: https://linktr.ee/prettyliesandalibisMerch: prettyliesandalibis.myshopify.comPatreon: https://www.patreon.com/PrettyLiesAndAlibis(Weekly lives and private message board)
Better Lawns and Gardens Hour 1 – Coming to you from the Summit Responsible Solutions Studios. Landscape designer and garden expert Teresa Watkins welcomes Dana Venrick of Quality Green Specialist Nursery for a discussion on planting edible shrubs and fruit trees to plant in August. Teresa's Top Five (But Not Favorite) common tomato issues. Teresa answers caller's garden questions about amaryllis, getting rid of Bahiagrass, and more. https://rb.gy/0hzjxx Sign up for Teresa's monthly gardening newsletter, “In Your Backyard” where you can read Teresa's what to do in your landscape tips, Landscape Malpractice: How to know when to fire your landscaper,” Teresa's Design Tips; and more. https://rb.gy/gf8k3s Check out Art in Bloom Garden Tours for 2026 and 2027. Come join Teresa on these incredible inspiration and sublime national and international garden tours. You can sign up for the mailing list. Graphic credit: Teresa Watkins Listen every Saturdays from 7am - 9am EST on WFLA- Orlando. Call in with your garden questions and text messages on 1-888.455.2867 and 23680, Miss the live broadcast? Listen on Audioboom podcast 24/7. 0. Join me on Facebook, Instagram. #WFLF #WFLA #FNN #WNDB #BetterLawns #gardening #Florida #planting #gardeninglife #radio #southflorida #northflorida #centralflorida #Deland #SHE #Orlando #Sarasota #Miami #FortLauderdale #podcast #syndicated #BLGradio #WRLN #WiOD #gardening #SummitResponsibleSolutions #QualityGreenSpecialists #BlackKow
Better Lawns and Gardens Hour 1 – Coming to you from the Summit Responsible Solutions Studios. Guest host Tom MacCubbin and producer Lizzie Steele guide listeners through a lively, information‑packed gardening hour focused on navigating Florida's summer conditions and preparing for the upcoming fall season. Tom shares his Top Five vegetables to plant and answers listener's garden questions about declining petunias, blackberry pruning, lubber grasshoppers, leggy plants under grow lights, getting rid of wasps, and more. https://rb.gy/0hzjxxSign up for Teresa's monthly gardening newsletter, “In Your Backyard” where you can read Teresa's what to do in your landscape tips, Landscape Malpractice: How to know when to fire your landscaper,” Teresa's Design Tips; and more. https://rb.gy/gf8k3s Check out Art in Bloom Garden Tours for 2026 and 2027. Come join Teresa on these incredible inspiration and sublime national and international garden tours. You can sign up for the mailing list. Graphic credit: Teresa Watkins Listen every Saturdays from 7am - 9am EST on WFLA- Orlando. Call in with your garden questions and text messages on 1-888.455.2867 and 23680, Miss the live broadcast? Listen on Audioboom podcast 24/7. 0. Join me on Facebook, Instagram. #WFLF #WFLA #FNN #WNDB #BetterLawns #gardening #Florida #planting #gardeninglife #radio #southflorida #northflorida #centralflorida #Deland #SHE #Orlando #Sarasota #Miami #FortLauderdale #podcast #syndicated #BLGradio #WRLN #WiOD #gardening #SummitResponsibleSolutions #QualityGreenSpecialists #BlackKow
Better Lawns and Gardens Hour 1 – Coming to you from the Summit Responsible Solutions Studios. Host Teresa Watkins and producer Lizzie Steele announce that Better Lawns and Gardens has won two Silver Laurel Awards by Garden Communicators International organization. Florida Full Bat Moon occurs on July 29th at 10:36am EST. Teresa's Top Five is Off Beat and Wacky Art I Saw This Week on the Art in Bloom Garden Tour. Teresa's topics include tropical spinaches and what to do in your landscape in August. Teresa answers listener's garden questions about lavender, removing cactus prickly pear, and more. https://rb.gy/0hzjxx Sign up for Teresa's monthly gardening newsletter, “In Your Backyard” where you can read Teresa's what to do in your landscape tips, Landscape Malpractice: How to know when to fire your landscaper,” Teresa's Design Tips; and more. https://rb.gy/gf8k3s Check out Art in Bloom Garden Tours for 2026 and 2027. Come join Teresa on these incredible inspiration and sublime national and international garden tours. You can sign up for the mailing list. Graphic credit: Teresa Watkins Listen every Saturdays from 7am - 9am EST on WFLA- Orlando. Call in with your garden questions and text messages on 1-888.455.2867 and 23680, Miss the live broadcast? Listen on Audioboom podcast 24/7. https://tinyurl.com/bdszsha5 Join me on Facebook, Instagram. #WFLF #WFLA #FNN #WNDB #BetterLawns #gardening #Florida #planting #gardeninglife #radio #southflorida #northflorida #centralflorida #Deland #SHE #Orlando #Sarasota #Miami #FortLauderdale #podcast #syndicated #BLGradio #WRLN #WiOD #gardening #SummitResponsibleSolutions #QualityGreenSpecialists #BlackKow
Finally, straight from the horses mouth. Our caller answers your questions in what can only be described as GRAPHIC detail. https://www.instagram.com/mehiganmark/?hl=en
What belongs at the beginning of your book? Brad and Dave discuss whether an anti-AI statement offers creators any meaningful protection, break down the information that belongs on a copyright page, and explore the many ways cartoonists can approach the first page of a story or chapter. The best opening isn't determined by a universal rule—it should establish the right expectations, reflect the story you're telling, and give readers a reason to keep going. Topics include: Skunk Watch 2026 Do anti-AI statements offer creators legal protection? Why a standard copyright notice may already cover AI training The difference between creating, declaring, and registering a copyright What information belongs on a copyright page Copyright and trademark ownership When to use ™ and when to use ® Print location, printing numbers, and edition information ISBNs and Library of Congress numbers Combining copyright, title, credit, and dedication pages Should a comic begin with a splash page? Does the main character need to appear on page one? Using the opening page to establish tone and make a promise to the reader Why different stories require different kinds of openings Brad's two-page system for beginning a new Evil Inc chapter Creating separate covers for SFW and NSFW editions Using chapter openers as archive markers, promotional art, and production buffers Dave's approach to prologues, chapter openings, and world-building vignettes The difference between the first page and the first chapter ComicLab LIVE at the National Cartoonists Society Reuben Awards You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Welcome to the Tuesday News Day, where we discuss the latest events in nerd news! SUBSCRIBE HERE: https://www.youtube.com/c/themedialunchbreak?sub_confirmation=1 Bluesky: https://bsky.app/profile/themedialunchbreak.bsky.social Patreon: www.patreon.com/TheMediaLunchBreak Youtube: www.youtube.com/c/themedialunchbreak Facebook: www.facebook.com/themedialunchbreak Or email us at: TheMediaLunchBreak@gmail.com Listen and review us on iTunes and YouTube Music! The Media Lunch Break on YouTube: www.youtube.com/c/themedialunchbreak Graphic art by: Melinda Filonuk - www.melgraphics.com www.etsy.com/shop/melgraphicscreations Eric Scotolati - https://twitter.com/ericscotolati
Day 4 of the D4vd, aka David Anthony Burke, preliminary hearing was the most disturbing day of testimony so far. There were audible gasps in the courtroom as the medical examiner showed photos from the autopsy of 14-year-old Celeste Rivas Hernandez, detailing how the young teen was stabbed twice and then dismembered. We also heard testimony from a police detective who went over the sexually graphic and explicit photos and videos between D4vd and Celeste, including text messages describing at least one pregnancy and abortion. See omnystudio.com/listener for privacy information.
Day 4 of the D4vd, aka David Anthony Burke, preliminary hearing was the most disturbing day of testimony so far. There were audible gasps in the courtroom as the medical examiner showed photos from the autopsy of 14-year-old Celeste Rivas Hernandez, detailing how the young teen was stabbed twice and then dismembered. We also heard testimony from a police detective who went over the sexually graphic and explicit photos and videos between D4vd and Celeste, including text messages describing at least one pregnancy and abortion. See omnystudio.com/listener for privacy information.
Day 4 of the D4vd, aka David Anthony Burke, preliminary hearing was the most disturbing day of testimony so far. There were audible gasps in the courtroom as the medical examiner showed photos from the autopsy of 14-year-old Celeste Rivas Hernandez, detailing how the young teen was stabbed twice and then dismembered. We also heard testimony from a police detective who went over the sexually graphic and explicit photos and videos between D4vd and Celeste, including text messages describing at least one pregnancy and abortion. See omnystudio.com/listener for privacy information.
Day 4 of the D4vd, aka David Anthony Burke, preliminary hearing was the most disturbing day of testimony so far. There were audible gasps in the courtroom as the medical examiner showed photos from the autopsy of 14-year-old Celeste Rivas Hernandez, detailing how the young teen was stabbed twice and then dismembered. We also heard testimony from a police detective who went over the sexually graphic and explicit photos and videos between D4vd and Celeste, including text messages describing at least one pregnancy and abortion. See omnystudio.com/listener for privacy information.
Tony Esmond surfs in with a very moving book from Nobrow press. Content note: the book deals with a real life case of a young woman with terminal cancer.Find Tony on the Awesome Comics podcast, at Tribute Press, in the pages of DUI 4, Or on his own podcast Never Iron Anything. He is also a columnist in American Nature Presents and you can find all his links on his website at NeverIronAnything.comYou can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.
With thousands of people having to re-take the DMV written test after a cheating scandal, we decided to take one on the air. The catch: whoever loses has to spend hours alone inside the DMV. How many hours, you say? One hour for every incorrect answer. It came down to two people in the end. There were tantrums, controversies, and a lot of debate on who the loser is. Johnny proved his idiocy is alive and well during Johnny Doesn't Know today when he was asked all Ocean-related questions. A question about how dolphins breathe resulted in Johnny doing a graphic impression of dolphin sex. Ally fell on the treadmill at the fitness center in the building, and it was so bad that a security guard came over to check on her. We are currently on a mission to uncover the surveillance video, with nationwide distribution to follow. Plus another awkward exit interview from another of Jake's first dates. Yes, he had three of them in one week after Ally & Vanessa revamped his dating profile, and they've still received not one THANK YOU!
Prosecutors present horrifying crime scene photos during the preliminary hearing for singer D4vd in the murder of 14-year-old Celeste Rivas Hernandez. Tennessee father arrested for first-degree murder after leading Memphis police to toddler son's body in suitcase. Silicon Valley driver faces murder charges seven months after an extreme high-speed crash killed a mother and her toddler daughter. Sydney Silvagni reports. See omnystudio.com/listener for privacy information.
Cartoonist and author Dylan Meconis joins Dave Kellett to discuss marketing middle-grade webcomics, working with fans who offer to translate your work, and finding the right balance between control and accessibility. They also share practical advice for cartoonists creating an autobiographical avatar — including how simplification, posture, clothing, line quality, and tone can make a character feel unmistakably like you. Topics include: Marketing and monetizing middle-grade webcomics Reaching young readers through parents, newsletters, libraries, and local events Using print editions, zines, and snail-mail clubs to complement online comics Deciding whether to permit fan translations Maintaining quality control with beta readers and creator-hosted translations Balancing copyright concerns with the desire to reach new audiences Designing a cartoon version of yourself for memoir and autobiographical comics You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
In this episode of Creative Becoming, Helen and Elizabeth explore how life's unexpected disruptions can become catalysts for creativity. Elizabeth shares her progress in quieting her inner critic and finding joy in drawing flowers, while Helen reflects on how her graphic art diaries became a lifeline during some of her most challenging experiences.Together they discuss how artists have used uncertainty, chance, and disruption as creative tools, and how adapting to unexpected circumstances can open new pathways for self-expression. The conversation also explores stimming, emotional regulation, and the ways creativity can help us navigate periods of change.In this episode:Creativity through disruption and changeArtists who embrace chance and unpredictabilityHelen's experience of creativity during a long hospital stayFinding creative space while away from homeTurning setbacks into new artistic opportunitiesUnderstanding stimming and emotional regulationResources and LinksHelen's graphic diary archive: https://arted.online/blog/diaries/Graphic diary template: https://arted.online/toolbox/resource-diary-template/The 10 Pillars of Autistic Culture: https://www.autisticculturepodcast.com/p/the-10-pillars-revisited-episodeInformation about stimming from the National Autistic Society: https://www.autism.org.uk/advice-and-guidance/about-autism/repeated-movements-and-behaviour-stimmingContact: creativebecomingpod@gmail.comSupportIf you are experiencing distress, please contact your GP or a relevant support service in your area.DisclaimerCreative Becoming is connected to Helen Shaddock's practice-based PhD, "Welcome to My Messy World": A practice-based, messy auto-ethnographic artistic exploration into multimedia storytelling as an integral method towards creative becoming.
What if you could turn a rough idea, a handful of inspiration images, or even a back-of-the-napkin sketch into a professional design or promotional video—in seconds rather than days?Today's AI design tools can help you create mood boards, photorealistic rooms, 3D objects, architectural visuals, marketing assets, product advertisements, and videos without mastering a long list of complicated creative platforms.The key is to stop treating AI as a one-off image generator. Instead, build repeatable workflows that move from inspiration to finished asset—while dramatically reducing the time, cost, and manual effort involved.In this episode of the Leveraging AI Podcast, Isar Meitis walks through practical AI-powered design workflows that can be applied far beyond interior design.Whether you need visuals for a website, presentation, brochure, proposal, product campaign, architectural project, or social media post, these methods can help you create more options and move from concept to execution faster.In this session, you'll discover:The difference between free 2D-to-3D tools and more detailed paid alternatives.How to move a 3D asset into tools such as SketchUp and create a photorealistic render.How to transform a collection of inspiration images into a professional mood board with ChatGPT.How to preserve a room's layout while changing its furniture, lighting, materials, and atmosphere.How Figma Weave can turn a manual creative process into a repeatable visual workflow.How to place products realistically into new environments with the correct angle, lighting, and shadows.How AI can generate multiple advertising concepts for the same product automatically.How these workflows can support web design, architecture, brochures, proposals, presentations, product marketing, and other business needs.About Leveraging AIThe Ultimate AI Course for Business People: https://multiplai.ai/ai-course/YouTube Full Episodes: https://www.youtube.com/@Multiplai_AI/Connect with Isar Meitis: https://www.linkedin.com/in/isarmeitis/ Join our Live Sessions, AI Hangouts and newsletter: https://services.multiplai.ai/eventsIf you've enjoyed or benefited from some of the insights of this episode, leave us a five-star review on your favorite podcast platform, and let us know what you learned, found helpful, or liked most about this show!
D4vd's preliminary hearing began Tuesday as prosecutors presented graphic evidence while seeking to convince a judge the case should proceed to trial. Hosts: Branson Quirke, Eric Wilson Learn more about your ad choices. Visit podcastchoices.com/adchoices
Ryan Summers (Sarofsky) joins us to discuss how the center of the motion design community was lost and thoughtfully responds to the debate on creativity vs AI based on his personal experience.
It's antiquities week on the pod and we're throwing it back. There's chat about gold panning, the Odyssey controversy, sundials (again), drive-ins, and even this weird old hobby called 'reading'. Plus a new instalment of Michael's dental adventures to cap things off. This episode's mistakes include: Tiring discussion. Graphic descriptions of dental procedures Giving time to more reverse parking propaganda. Egregious factual inaccuracies. Pipette carefully, then like us on Facebook, follow us on Instagram, rate us on Apple Podcasts, and send your questions to deepfought@gmail.com.
Conrad and I have been to the movies to see the new Supergirl movie, and we've also read the Tom King and Bilquis Evely comic it is based on. There are very mild spoilers for film and comic. Please get yourself a copy of the collected edition of Supergirl:Woman of Tomorrow from your local library.You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.
This week, Brad and Dave talk about the best business model for longform webcomics — and why putting your comic online for free is still the strongest way to build a sustainable career. Also: Kickstarter's late-pledge and pledge-manager tools, the difference between market research and mirror research, and how to keep going when your first posts get nothing but crickets. ON THIS WEEK'S SHOW... Dave's backyard skunk problem may or may not require Super Soakers What's the best business model for longform webcomics? Why fear of theft can stop creators from building an audience Why free-to-read comics remain the best foundation for a comics business “First comes the crowd, then comes the funding” Why readers who enjoy your work online are often first in line to buy the book How delayed access and early-access posts fit into a Patreon strategy Why exclusive side stories can work better than paywalling your main archive Avoiding physical rewards on Patreon and Substack Dave will be at San Diego Comic-Con booth 1228 with free ComicLab pins (use the super-easy mnemonic: 1BAT) Kickstarter late pledges and Pledge Manager are bringing in real money Why charging shipping closer to fulfillment can be safer Market research vs. mirror research How to estimate Kickstarter shipping more accurately What to do when you start posting online and get “crickets” Why seven posts is not enough time to expect traction Reframing early work as building an archive for future fans Social-media advice for giving readers a reason to engage Why success in comics is a marathon, not a sprint You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Graphic designer Ashley Watson traded her desk for the open ocean — she joins us on the Inspired by Adventure Podcast to talk about earning her Open Water Scuba certification and her first liveaboard trip aboard the Cayman Aggressor IV.The post My First Liveaboard with Ashley Watson | Inspired by Adventure Podcast | Episode 5.03 first appeared on Aggressor Adventures.
Angus and Sal return from the digital frontier to their physical bodies. The boys will have to readjust to corporeal life and reassess their priorities. The post EP160 – No More Screen Time appeared first on PodCavern.
Quentin Blake Centre for Illustration: In this month’s Panel Borders, Alex Fitch looks into and around the new Quentin Blake Centre for Illustration. Interviewees include Lindsey Glen, Director, Quentin Blake Centre for Illustration, MURUGIAH discussing his solo show in the Centre, and Paul Gravett chatting about curating the opening sequential art exhibition Queer as Comics. […]
Seth and Criss get petty and hear others being petty in the PettyCast. Today they hear UFC Commissioner Dana White criticizing his production staff over putting up the wrong graphic when they showed Shakur Stevenson, Dan Patrick being petty that the WNBA Commissioner no-showed him for an interview, and Patriots fans petty that they think it may be Tom Brady who leaked some "tells" to the Seahawks ahead of the Super Bowl.
Welcome to the Tuesday News Day, where we discuss the latest events in nerd news! SUBSCRIBE HERE: https://www.youtube.com/c/themedialunchbreak?sub_confirmation=1 Bluesky: https://bsky.app/profile/themedialunchbreak.bsky.social Patreon: www.patreon.com/TheMediaLunchBreak Youtube: www.youtube.com/c/themedialunchbreak Facebook: www.facebook.com/themedialunchbreak Or email us at: TheMediaLunchBreak@gmail.com Listen and review us on iTunes and YouTube Music! The Media Lunch Break on YouTube: www.youtube.com/c/themedialunchbreak Graphic art by: Melinda Filonuk - www.melgraphics.com www.etsy.com/shop/melgraphicscreations Eric Scotolati - https://twitter.com/ericscotolati
John Charles returns to discuss his new magazine about comics. Back Insomniax on Kickstarter and follow John on Instagram and Facebook.You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.
Brian Walsh was the last of my Lawless guests and he brought along the complete Luke Kirby from Rebellion books. Find Brian on his website and on Instagram.You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.
Graphic novel summer takes a beautifully strange turn with Jesse Lonergan's “Drome”. The graphic novel functions almost as a creation story for mankind, but that's not the only surprise this book has up its sleeve.
New Boise State assistant basketball coach Will Voigt, previously at BYU, joins Prater and Ballgame for a conversation about his new role in Boise. Why? His two children live here and he's built a relationship with head coach Leon Rice. The goal? A more aggressive, attacking, consistent offense. One additional role? International recruiting. GRAPHIC courtesy of Boise State AthleticsSee omnystudio.com/listener for privacy information.
New Boise State assistant basketball coach Will Voigt, previously at BYU, joins Prater and Ballgame for a conversation about his new role in Boise. Why? His two children live here and he's built a relationship with head coach Leon Rice. The goal? A more aggressive, attacking, consistent offense. One additional role? International recruiting. GRAPHIC courtesy of Boise State AthleticsSee omnystudio.com/listener for privacy information.
Dave Kellett returns from his first-ever college reunion with a full heart — and a renewed appreciation for old friends, running jokes, and the occasional listener washing dishes through the cold open. From there, Brad and Dave dig into one of the trickiest parts of writing comics: how much work should the reader have to do to “get” the punchline? Using Brad's motorcycle-jump-over-a-ravine metaphor, they discuss why wider joke “canyons” can create bigger laughs, why shorter jumps can feel merely “technically funny,” and why the best cartoonists learn how to build strong launching ramps while understanding that every reader brings a different landing ramp. Also in this episode: How to show music in a silent medium, why semi-realistic comics should still embrace comics iconography, a quick San Diego Comic-Con update, Bluesky's expanded image carousel, and why obsessing over analytics can become a form of creative procrastination. Topics covered in this episode include: Writing punchlines that require inference from the reader Brad's “motorcycle jumping a ravine” metaphor for humor Why wider joke gaps can produce bigger laughs The difference between “funny” and “technically funny” Why some jokes land for one reader and miss for another How audience literacy, life experience, and context affect comedy Why “it took me a second” can be a feature, not a bug The danger of making every joke too obvious Why memorable comics often take bigger comedic swings Why being someone's “top three cartoonist” matters more than broad mild approval The difference between newspaper-era comics and webcomics-era audience building Dave's San Diego Comic-Con booth update The free ComicLab pin for listeners at Booth 1228 Bluesky expanding post image limits from 4 images to 10 How the new Bluesky carousel can help sequential artists How to communicate piano music in comics Why floating music notes are not “too cartoony” for semi-realistic comics Using established comics iconography instead of reinventing the wheel Why comics can suggest music but rarely reproduce the experience of music How manga and anime use visual language more freely Using musical notation as a visual “spice,” not the whole dish Why analytics can become creative avoidance Whether it matters how quickly a comic reaches its maximum views Why “magic number” thinking can distract from improving the next comic Why creators should spend less time dusting bookcases and more time making better comics What's better? A simple gag or one that requires the audience to think? UPDATE: Comic-Con International booth 1228 Update: Bluesky update... 10 images per post! Indicating music in a realistic comic How long does it take to achieve maximum views? You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
A Question to Carry: How do we discern God's gentle nudges when our emotions are loud?What if God's guidance is more often a gentle nudge than a dramatic sign? In this episode, Janell explores how discernment grows through quiet attentiveness, gentle acceptance, and learning to walk at the unhurried pace of love. Discover how God accompanies us—not with pressure, but with presence—as we take one faithful step at a time.
If you've ever struggled with procrastination, burnout, or simply need a little nudge to get started on a project, Helen and Elizabeth are here to help. In this episode, they explore how consistency, structure, and experimentation can transform creative energy into a sustainable practice, and how to stay engaged when you're feeling uninspired or overwhelmed.Together they discuss productivity techniques, creative routines, narrative writing, and the ways art can help us process emotions and communicate experiences. They also share practical strategies for overcoming perfectionism and reconnecting with creativity when motivation is low.In this episode:Using the Pomodoro Technique to tackle daunting projectsUnderstanding the Zeigarnik Effect and unfinished tasksNarrative writing and emotional processingComics and graphic storytelling as communication toolsMoving from academic understanding to personal experienceCreative exercises to quiet your inner criticResources and LinksHelen's graphic diary archive: https://arted.online/blog/diaries/Graphic diary template: https://arted.online/toolbox/resource-diary-template/The 10 Pillars of Autistic Culture: https://www.autisticculturepodcast.com/p/the-10-pillars-revisited-episodeThe Pomodoro Technique: https://www.pomodorotechnique.com/Contact: creativebecomingpod@gmail.comSupportIf you are experiencing distress, please contact your GP or a relevant support service in your area.DisclaimerCreative Becoming is connected to Helen Shaddock's practice-based PhD, "Welcome to My Messy World": A practice-based, messy auto-ethnographic artistic exploration into multimedia storytelling as an integral method towards creative becoming.
Spencer Lloyd Thomas, the creative mind behind PlayMonkey Games, shares his journey into tabletop game design, the magic of Magic: The Gathering, the transition from investment banking to family-friendly games, and lessons from the industry, including the mistake of exhibiting at Essen. The conversation covers the impact of global competition, inspiration from board game publishers, knowing when a game is ready for publication, the vulnerability of playtesting, and the role of graphic design in board games. The conversation covers the role of graphic designers in board games, connecting with artists and graphic designers, meeting Reiner Knizia at Essen, and the importance of content creators in the board game industry.TakeawaysJourney into tabletop game designThe impact of Magic: The GatheringTransition to family-friendly gamesLessons from the industry and the mistake of exhibiting at Essen Global competition in the board game industry is fiercePlaytesting is a vulnerable but essential part of game development Graphic designers play a crucial role in board gamesConnecting with artists and graphic designers requires transparency and sample commissionsMeeting industry legends like Reiner Kenizia can be surreal and impactfulContent creators play a significant role in building credibility and promoting board gamesChapters00:00 The Journey into Tabletop Game Design05:58 From Investment Banking to Family-Friendly Games16:02 Lessons from the Industry and the Mistake of Exhibiting at Essen21:09 The Impact of Global Competition32:24 The Vulnerability of Playtesting42:25 The Role of Graphic Design in Board Games52:46 Meeting Reiner Kenizia at Essen59:27 The Importance of Content Creators in the Board Game Industry
Giles Richards earns his fifth star on a journey into The Twilight Zone. Conrad, Giles and I discuss the series as a whole, and its relationship to 2000AD Future Shocks and other twisty story strands from British comics. Then we discuss the following episodes in spoilerific detail: Time Enough at Last, Eye of the Beholder, The Invaders, To Serve Man, and Nightmare at 20,000 feet. You have been warned, and listen out for the Space Spinner air horns!Find Conrad at SpaceSpinner20000.com and check out Giles' record label INH Records and on Bandcamp.You can find a list of all the upcoming books on the Facebook page, follow the podcast on instagram, Threads, Mastodon, and BlueSky. And email me comments and suggestions to MCBCpodcast@gmail.comMusic used in this episode is Circuit Breaker by the artist Robodub. Click here to listen to the episode online. Or Download here Right click and choose save link as to download to your computer.
This week, Brad and Dave discuss one of the easiest traps for independent creators to fall into: Outsourcing important business or creative decisions to reader polls. Audience feedback can be useful, but when creators ask readers to steer decisions about Patreon tiers, Kickstarter rewards, publishing strategy, or creative direction, they often get noisy, contradictory advice that can lead them away from their own best judgment. Topics covered in this episode include: Why readers are experts in consumption, not creation The danger of asking your audience to make business decisions for you Brad's cautionary tale from his early days as a newspaper designer Why negative comments carry more psychological weight than positive ones The difference between listening to readers and asking readers to decide Why feedback should be treated as a compass, not a steering wheel How polling readers can create factions and resentment among backers Why creators should rely first on their own instincts, goals, and judgment The value of seeking advice from trusted peers and experienced professionals Why no single expert — including ComicLab — should be treated as the only authority Dave's hierarchy of advice: Heart and mind first, peers and pros second, passive reader feedback third Erika Moen's thoughtful counterpoint about social-media assistants How a social-media assistant can protect creators from harassment, criticism, and burnout The difference between a social-media assistant as a partner versus a replacement Plans and possibilities for future live ComicLab events Dave's San Diego Comic-Con appearance at Booth 1228, including free ComicLab pins for listeners A listener question about “boomer humor” and whether it should be taken as an insult The difference between old-fashioned joke structure and out-of-touch subject matter Why traditional setup-and-punchline comedy still works How Reddit comments often reflect meme culture more than thoughtful criticism When repeated criticism might be worth filtering for a useful grain of truth Why creators should protect their confidence while staying open to thoughtful feedback You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Seth and Sean talk about a power ranking "If You Could Keep Only 3" graphic that popped up that they were offended by as Texans fans. Why doesn't Arian Foster get his due in things like this?
Seth and Sean talk about Brendan Sorsby's camp laying down their proverbial arms to just focus on the 2027 draft, a graphic on social media that irked them as Texans fans, what jumped out from Chandler Rome's piece on how Tatsuya Imai acclimated to life in America, and see what the ITL question of the day is with Reggie and Lopez.
When twin giants storm Olympus, a prophecy reveals that no god nor man can kill them. Artemis has to find room in her heart to forgive Apollo so they can embark on their most dangerous adventure yet – to save the gods. Will Olympus endure? Live from Mount Olympus is produced by the Onassis Foundation. Karen Brooks Hopkins is executive producer. Our series creator and showrunner is Julie Burstein. Live from Mount Olympus is co-produced by the Brooklyn-based theatre collective The TEAM. Our directors are Rachel Chavkin, Josiah Davis, Joan Sergay, and Keenan Tyler Oliphant.Our actors are: Eric Berryman (Dionysus, Pan, Zephrys); Ato Blankson-Wood (Apollo); Josiah Davis (Ganymede); Jill Frutkin (Aphrodite); Joanne Hernandez (Daphne); Adrienne Hopkins (Nymph); Caroline Hopkins (Zoe); Natalie Hopkins (Nymph); Modesto ‘Flako' Jimenez (Otus); Libby King (Athena); Ian Lassiter (Zeus); Zhailon Levingston (Announcer); Christina Liberus (Artemis); Nehemiah Luckett (Midas); Kimberly Marable (Leto, Fury); Jake Margolin (Orion); Marcel Isaiah Martinez (Hyacinthus); James Harrison Monaco (Marsyas); Xavier Pacheco (Paris, Ephialtes); Kristen Sieh (Python, Fury); Nedra Marie Taylor (Hera); Ching Valdes-Aran (Delos); Daniel Watts (Eros, Silenus)And André De Shields is Hermes (and this season, Eris, goddess of discord!) The TEAM's Producing Director is Emma Orme, and Associate Producer is Diana Khong. We thank the artists and leaders of Epic Theater Ensemble for their continued collaboration! Live from Mount Olympus is written by Nathan Yungerberg with Julie Burstein and Jason Adam Katzenstein. Audio production and mix by John Melillo. Audio editing and sound design by Julie Burstein and David Schulman (E1 and E4). Music and songs composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Instrumental music mixed and mastered by Luca Bordonaro. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett. Jason Adam Katzenstein created our illustrations and is series humor consultant. Series creative advisors: Dr. Michael Cohen and Richard Nodell. Mandy Boikou is Administrative Director and Sofia Pipa is Program Manager at Onassis USA. Amal Biskin is our production assistant. Live from Mount Olympus was recorded with engineers Roy Hendrickson, Mor Mezrich, Matthew Sullivan, Matthew Soares, Omisha Chaitanya and Elizabeth Scott at The Power Station at Berklee NYC. Press by Grand Communications. Graphic design by Onassis Creative Studio. Live from Mount Olympus is distributed by PRX. Since 1975, the Onassis Foundation has been dedicated to culture, community, and education, with projects that can effectively inspire social change and justice across borders. Learn more at www.onassis.org.
Welcome to the Tuesday News Day, where we discuss the latest events in nerd news! SUBSCRIBE HERE: https://www.youtube.com/c/themedialunchbreak?sub_confirmation=1 Bluesky: https://bsky.app/profile/themedialunchbreak.bsky.social Patreon: www.patreon.com/TheMediaLunchBreak Youtube: www.youtube.com/c/themedialunchbreak Facebook: www.facebook.com/themedialunchbreak Or email us at: TheMediaLunchBreak@gmail.com Listen and review us on iTunes and YouTube Music! The Media Lunch Break on YouTube: www.youtube.com/c/themedialunchbreak Graphic art by: Melinda Filonuk - www.melgraphics.com www.etsy.com/shop/melgraphicscreations Eric Scotolati - https://twitter.com/ericscotolati
H.W. Brands new book, 'American Patriarch,' turns to the nation's first president, George Washington. Rather than treating Washington as an untouchable icon, Brands explores the ambition, discipline, and restraint that shaped both the man and the new republic.Award-winning historian Rick Atkinson has spent decades bringing pivotal moments in American history to life through richly researched, compelling narrative. His latest book, The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777–1780, is the second volume of his acclaimed Revolution Trilogy, chronicling the critical middle years of the American Revolution as George Washington's army struggles to survive and the fight for independence hangs in the balance.
Jeffery Lawson discusses his creative journey, from grieving the life you thought you would have to falling into comparison traps.
This week, Brad and Dave discuss what happens after a cartoonist achieves the dream: making a living from comics. They explain why success can create its own time-management problems, how to protect the thing that's already working, and why adding books, Kickstarter campaigns, merch, newsletters, or conventions should happen gradually. They also talk about practical systems for numbering webcomic pages, naming files, and keeping longform comics organized over time. Main topics covered Weird convention-reader encounters, including disputed signatures and free-sketch requests What to do when your comic and Patreon are working, but there's no time for anything else Protecting the “engine” of your business before adding new projects Avoiding concentration risk when most income comes from one platform Adding new business layers slowly instead of trying to do everything at once Using small projects, like enamel pins, as manageable learning experiences Why side projects can derail your main comic if you're not careful Finding extra time without wrecking your life or mental health Dave's San Diego Comic-Con booth and the free ComicLab enamel pin How to number pages for longform webcomics The difference between website numbering and book-page numbering Using SEO-friendly titles, focus keyphrases, transcripts, and alt text File-naming conventions for comics, including dates, chapters, pages, and vertical-scroll segments Planning ahead for long-running comics so your numbering system doesn't break later You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
In this episode, Helen and Elizabeth focus on the first steps of starting a new creative endeavour. Elizabeth shares her search for a creative "cave space", while Helen offers practical advice for sticking with a creative practice when you're still trying to find your groove.Together they explore the role of repetition, routine, and structure in creative work, discussing how frameworks can support creativity rather than restrict it. From graphic diaries and haiku writing to daily habits and artistic rituals, this episode examines how small, consistent actions can help creativity flourish.In this episode:Using SMART goals to focus creative projectsRepetition and pattern-making in artThe work of Yayoi Kusama and Nnena KaluHaiku as a framework for daily reflectionLetting go of perfectionism and self-editingBalancing accountability, routine, and obsessionResources and LinksHelen's graphic diary archive: https://arted.online/blog/diaries/Graphic diary template: https://arted.online/toolbox/resource-diary-template/Helen's daily haiku archive: https://arted.online/haiku/The 10 Pillars of Autistic Culture: https://www.autisticculturepodcast.com/p/the-10-pillars-revisited-episodeContact: creativebecomingpod@gmail.comSupportIf you are experiencing distress, please contact your GP or a relevant support service in your area.DisclaimerCreative Becoming is connected to Helen Shaddock's practice-based PhD, "Welcome to My Messy World": A practice-based, messy auto-ethnographic artistic exploration into multimedia storytelling as an integral method towards creative becoming.
Welcome to Creative Becoming, a podcast for the creative and the curious. If you're ready to swap doomscrolling for doodling, this is the show for you!In this debut episode, hosts Helen and Elizabeth explore the idea of "creative becoming" and how art and storytelling can help us better understand ourselves. Helen shares her experience as a late-diagnosed autistic artist using graphic diaries to navigate identity, while Elizabeth reflects on using creativity to explore a major life milestone.Together they discuss narrative identity, autistic culture, creative practice, and the importance of creating safe spaces where creativity can flourish.In this episode:What "creative becoming" meansGraphic diaries and self-discoveryNarrative identity and storytellingCreativity through an autistic cultural lensCreating spaces that support creative explorationResources and LinksHelen's graphic diary archive: https://arted.online/blog/diaries/Graphic diary template: https://arted.online/toolbox/resource-diary-template/The 10 Pillars of Autistic Culture: https://www.autisticculturepodcast.com/p/the-10-pillars-revisited-episodeContact: creativebecomingpod@gmail.comSupportIf you are experiencing distress, please contact your GP or a relevant support service in your area.DisclaimerCreative Becoming is connected to Helen Shaddock's practice-based PhD, "Welcome to My Messy World": A practice-based, messy auto-ethnographic artistic exploration into multimedia storytelling as an integral method towards creative becoming.
What seems like a simple question about exclamation points opens up a much bigger discussion about the power of comics lettering. Brad and Dave talk about punctuation, word balloons, font choices, and the unique grammar of comics — and why cartoonists have tools that prose writers can only dream of. They also share thoughts on staying creative during major disruptions, from studio moves to home renovations. On today's show... Exclamation points in comics: how many is too many? Whether to use one, two, or three exclamation points Why comics grammar differs from prose grammar Using lettering, font size, bolding, and balloon shape instead of extra punctuation When punctuation becomes unnecessary in comics lettering Nate Piekos's The Essential Guide to Comic Book Lettering Question marks, exclamation points, and the interrobang How punctuation order can affect emotional meaning Writing dialogue for comics: numerals, abbreviations, and natural speech Jim Davis, Garfield, and simplifying comics language Meeting readers where they are through visual storytelling NCS Reuben Awards weekend in Columbus, Ohio Brad and Dave's panel: “Actionable Advice in a Time of Change” Remodeling, moving studios, and creative disruption Setting up a dedicated creative space during chaos Managing the cognitive load of unfinished studio/home projects Why working ahead matters before a move or remodel The danger of putting fun distractions in your studio The temptation of arcade cabinets, pool tables, and other creativity killers You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
When Eris, goddess of discord, crashes the wedding of the mortal Peleus and sea goddess Thetis, she wreaks her usual havoc. Eris throws a golden apple into the party, which is inscribed “For the goddess who is most fair.” Her mischief sparks a tussle between Athena, Hera and Aphrodite that transforms the entire world. Live from Mount Olympus is produced by the Onassis Foundation. Karen Brooks Hopkins is executive producer. Our series creator and showrunner is Julie Burstein. Live from Mount Olympus is co-produced by the Brooklyn-based theatre collective The TEAM. Our directors are Rachel Chavkin, Josiah Davis, Joan Sergay, and Keenan Tyler Oliphant.Our actors are: Eric Berryman (Dionysus, Pan, Zephrys); Ato Blankson-Wood (Apollo); Josiah Davis (Ganymede); Jill Frutkin (Aphrodite); Joanne Hernandez (Daphne); Adrienne Hopkins (Nymph); Caroline Hopkins (Zoe); Natalie Hopkins (Nymph); Modesto ‘Flako' Jimenez (Ephialtes); Libby King (Athena); Ian Lassiter (Zeus); Zhailon Levingston (Announcer); Christina Liberus (Artemis); Nehemiah Luckett (Midas); Kimberly Marable (Leto, Fury); Jake Margolin (Orion); Marcel Isaiah Martinez (Hyacinthus); James Harrison Monaco (Marsyas); Xavier Pacheco (Paris, Otus); Kristen Sieh (Python, Fury); Nedra Marie Taylor (Hera); Ching Valdes-Aran (Delos); Daniel Watts (Eros, Silenus)And André De Shields is Hermes (and in this episode, Eris, goddess of discord!) The TEAM's Producing Director is Emma Orme, and Associate Producer is Diana Khong. We thank the artists and leaders of Epic Theater Ensemble for their continued collaboration! Live from Mount Olympus is written by Nathan Yungerberg with Julie Burstein and Jason Adam Katzenstein. Audio production and mix by John Melillo. Audio editing and sound design by Julie Burstein and David Schulman (E1 and E4). Music and songs composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Instrumental music mixed and mastered by Luca Bordonaro. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett. Jason Adam Katzenstein created our illustrations and is series humor consultant. Series creative advisors: Dr. Michael Cohen and Richard Nodell. Mandy Boikou is Administrative Director and Sofia Pipa is Program Manager at Onassis USA. Amal Biskin is our production assistant. Live from Mount Olympus was recorded with engineers Roy Hendrickson, Mor Mezrich, Matthew Sullivan, Matthew Soares, Omisha Chaitanya and Elizabeth Scott at The Power Station at Berklee NYC. Press by Grand Communications. Graphic design by Onassis Creative Studio. Live from Mount Olympus is distributed by PRX. Since 1975, the Onassis Foundation has been dedicated to culture, community, and education, with projects that can effectively inspire social change and justice across borders. Learn more at www.onassis.org.