Podcasts about avchd

第９３回：北澤くん登場！俺のMacはなぜ遅い（後編）◯iMacメモリ32GBになりました。それでもAdobe Bridge遅いです。◯モニタースピーカー◯ZOOM F6買いました。◯Logic Pro X 32bit フロート　入力に対応してなかった、、、、◯Cubaseだったら出来たのに、、、、、◯Final Cut Pro X GPU問題　H264変換マルチカム編集　最適化すると再生されない。AVCHD 変換時間かかる。出力する時のプロキシ、最高画質◯Blu-rayメニュー画面制作◯アマテン　ギフト券取り上げられました。◯HDD 16TB分バックアップしまくってます。○LINEアカウントを消しちゃった話仕事用にLINE＠？

第９２回：北澤くん登場！俺のMacはなぜ遅い（前編）◯iMacメモリ32GBになりました。それでもAdobe Bridge遅いです。◯モニタースピーカー◯ZOOM F6買いました。◯Logic Pro X 32bit フロート　入力に対応してなかった、、、、◯Cubaseだったら出来たのに、、、、、◯Final Cut Pro X GPU問題　H264変換マルチカム編集　最適化すると再生されない。AVCHD 変換時間かかる。出力する時のプロキシ、最高画質◯Blu-rayメニュー画面制作◯アマテン　ギフト券取り上げられました。◯HDD 16TB分バックアップしまくってます。○LINEアカウントを消しちゃった話仕事用にLINE＠？

In this special episode of 1337 Wine TV, Mark pulls out some cool wines that could be used for Christmas. First up is the MV Bruno Paillard Brut Rosé. Next is the 2016 El Enemigo Chardonnay. The third wine is the 2014 Domaine Vacheron Sancerre Rouge. But that's not all! Mark also gets into the holiday spirit with not one, but two different Egg Nogs! First is the Pennsylvania Dutch version, and then he tastes the Santa Clara Rompope from Mexico.Just like the last episode, there are video glitches that really can't be helped. There has been a recent update of the Mac OS and Final Cut Pro X which has caused the return on video glitches for cameras that record in the AVCHD format. We just have to hope that Apple will fix this issue like they've done in the past. The New Year's Eve episode will also have it. I'll just have to switch to using the iPhone 11 Pro for now until this issue is resolved or maybe just not use the camcorder anymore even if they do fix it.Links for the show:Bruno PaillardEl EnemigoDomaine Vacheron - This is the U.S. Importer's page for the winery.History of Egg Nog - No website for Pennsylvania Dutch.History of Rompope - No website for Santa Clara.TTB's page concerning sulfite labeling - basically 10ppm and above requires "Contains Sulfites."

El Códec de vídeo que la competencia ha ocultado... #AVCHD (Advanced Video Coding High Definition) es un formato de grabación y reproducción de video de alta definición lanzado por #Sony y #Panasonic en 2006.https://es.m.wikipedia.org/wiki/AVCHD

El Códec de vídeo que la competencia ha ocultado... #AVCHD (Advanced Video Coding High Definition) es un formato de grabación y reproducción de video de alta definición lanzado por #Sony y #Panasonic en 2006.https://es.m.wikipedia.org/wiki/AVCHD

El Códec de vídeo que la competencia ha ocultado... #AVCHD (Advanced Video Coding High Definition) es un formato de grabación y reproducción de video de alta definición lanzado por #Sony y #Panasonic en 2006.https://es.m.wikipedia.org/wiki/AVCHD

Oppo BDP-103D Blu-ray Player, Darbee Edition Review Oppo Digital has long been a favorite of the HT Guys. There have certainly been more expensive and exotic Blu-ray players built, but we're yet to find a competitor that packs the functionality and features of an Oppo, with the same build quality at the same price. Dollar for dollar, Oppo makes what is probably the best Blu-ray player you should ever need to buy.   Our last Oppo review was the BDP-93 on Podcast 463 back in January of 2011. Since that time, Oppo released a couple new players, the BDP-103 and the BDP-105 that introduced support for 4K up-scaling, 2D-to-3D conversion and an extra HDMI input so you can take advantage of the Oppo video processing capabilities with other video sources. These players were met with the same critical acclaim as their predecessors.   But that wasn't enough for the good folks at Oppo. Sure their players could meet or exceed the specifications of any television or projector you could connect them to, but they kept looking for ways to make them even better. That led to the release of the BDP-103D and the BDP-105D. Both are nearly equivalent to the earlier models, except for the inclusion of Darbees Visual Presence. That D in the name adds an extra $100 to each model, putting them at $599 (Buy Now) and $1299 (Buy Now) respectively.   Features Darbee Visual Presence Universal Blu-ray disc player with Blu-ray, DVD, SACD, DVD-Audio, CD, VCD, HDCD, AVCHD, MP4, AVI, and MKV support Content streaming from Netflix, VUDU, CinemaNow, Pandora, Rhapsody, Film Fresh, YouTube Leanback and Picasa Dolby TrueHD, DTS-HD Master Audio 4k Up-conversion 2D-to-3D Conversion True 24p Video Advanced Picture Controls Dual HDMI Inputs and Outputs MHL-Compatibility DLNA SMB/CIFS Wireless N 7.1-Channel Analog Audio Dual-core processor provides quick startup and fast loading times Darbee Visual Presence Many love it, many hate it, many couldn't care less about it. Whatever you opinion of Darbee Visual Presence, odds are you've met someone with a passionate stance on the technology. Darbee has a different take on video processing that improves depth and detail in an image by increasing or decreasing the local pixel luminance. They essentially use light to increase the details by adding additional light some cases or additional shadow in others, to the image on screen. This is different from the contrast enhancement technologies you may have tried in the past that just adjust the overall white or black levels. Those never work and should always be turned off. But Darbee works at the pixel level, so it is quite different.   Other sharpness or edge enhancing technologies tend to introduce a lot of artifacts to an image. They typically add sharpness where you don't want it and make things just look strange or pixelated. Darbee is different from those as well. Knowing that it is a totally different technology from the picture enhancement options we tell you to always turn off, the question is: will Darbee be something we recommend you leave on, or will it fall in with the rest of them as an option you typically don't want to use.   The technology whitepaper at the Darbee website goes into great detail if you're interested in reading it.   Functionality We don't yet have a 4K television or projector in any of our test setups, which is something we plan to remedy very soon, but due to the lack of a screen for it, we couldn't review the 4k Up-conversion function of the player. Beyond that, we aren't huge fans of 3D, so we opted not to review the  2D-to-3D Conversion either. This review really came down to the Darbee processing and how much we thought it added to or detracted from the standard Blu-ray experience.   To get the Darbee chip into the BDP-103, Oppo had to remove the Marvell QDEO Kyoto-G2H video chip. Fans of the QDEO chips may find that hard to swallow, but it was for a good cause. They added a dedicated Darbee button to the remote so you can have quick access to your Darbee settings to make easy adjustments on the fly. What adjustments? Beyond just on or off, you can choose from three different processing modes, Hi-Def, Gaming, and Full Pop, and within those modes you can dial in the amount of Darbee from 0 to 120%.   The BDP-103D even has a great demo mode that allows you to see a split screen showing the impact Darbee will have on your video. This made the review so much simpler. We could dial up some content, apply Darbee at a ton of different settings and watch the difference. There is no doubt the Darbee has an impact on the video. Those who have said they don't see much impact may be watching on a smaller television or just aren't looking close enough. We did see the most dramatic impact on our 100” projector screen.   Results There were times where we were astonished by the Darbee technology and others were it seemed to make things worse. In some cases, we saw detail we would have had no idea was ever there - skin pocs, whiskers, blemishes. It was astonishing. It almost felt like the Darbee had a way to reveal secret information encoded in the video that our TV or projector didn't know how to display. What you see in the split screen images at the Darbee website aren't just gimmicks, they are for real.   However, there are cases where Darbee did too much. There was so much change in light and shadow that the resulting picture felt fake or cartoony. At full 120, the Darbee ruined just about anything it touched. Dialing it back to 70-80 made some content great, but was too much for other content and in some cases introduced artifacts we don't see with other Blu-ray players without the Darbee technology. Some Amazon reviews complain of motion blur, but we never saw any in our review.   We found that running the Darbee in Hi-Def mode, at somewhere between 20 and 30, gave us the best compromise of being universally applicable to all content without going too far. At that setting we didn't feel like we were getting maximum impact, but we also weren't distracted by it when the technology went a little too aggressive. For $100 extra, we were hoping for a bit more, but there were cases that blew us away, so maybe we got what we wanted.   The decision between the BDP-103 with Marvell QDEO and the BDP-103D with Darbee Visual Presence is entirely subjective. The Marvell chip is an awesome piece of technology that produces, clean, crisp images that you will be more than happy with. The Darbee chip in some cases turns your movies from ordinary to extraordinary, but in others may do the opposite. If you're diligent about adjusting the Darbee on the fly, you'll probably love the 103D. If you just want to sit back and watch, you'll probably set it at a low setting like we did, or just stick to the 103 with QDEO.  

Episode 39 - Featuring Jeff Regan of Shooting Star Video - with host Carl Olson (http://16x9cinema.com) and co-host Chris Fenwick (http://chrisfenwick.com). Jeff Regan is the founder and owner of Shooting Star Video - a provider of high quality video equipment rentals and services in the Bay Area for over 25 years. Having been intimately involved in video technology since the Reagan administration in the early 80's, Jeff adds his unique voice and perspective to the Digital Convergence podcast. We talk about the evolution of video technology, bringing the cinema aesthetic to video, traditional video camcorders vs HDSLR gear, and the vital role collaboration plays in producing creative works. Jeff talks, too, about the new Panasonic AF-100 4/3 micro camcorder and answers a number of our questions about the camera, bit rate obession, AVCHD codec vs other codecs, etc. Jeff's insight into video technology brings a reasoned voice of balance in the near religious wars of HDSLR vs. traditional video. A must-listen episode!

This slick little box gives you HDMI and Analog Component Video I/O for Mac or PC via a single PCIe connection and delivers Matrox Max faster than realtime H.264 encoding. You can take it with you wherever you go. Use it with a desktop system and your favorite applications including Final Cut Pro, Adobe Premiere Pro and Photoshop, and many more. Capture and playback high definition video via HDMI and analog component; or NTSC and PAL via analog component, S-Video, and composite. Convert your standard definition videos to high definition, or vice versa, while capturing or playing out, using Matrox MXO2 Mini's high-quality dedicated hardware. Matrox MAX is a unique technology that implements faster than realtime H.264 encoding for resolutions ranging from iPod to HD. It uses a dedicated hardware processor to accelerate the creation of H.264 files for Blu-ray, the web, and mobile devices. By using specialized hardware acceleration, jobs are finished with amazing speed and system resources are liberated for other tasks. Quality and flexibility are ensured through direct integration with professional applications such as Apple Compressor on the Mac and Adobe Media Encoder on the PC. As an added benefit, the Matrox MAX technology allows direct export to higher-quality H.264 Blu-ray compliant files from Compressor. Turn your HDMI screen into an inexpensive professional-grade video monitor with 10-bit 4:2:2 color precision via Matrox's unique color calibration tool. Controls for hue, chroma, contrast, brightness, and blue-only are provided. You get accurate color representation so that you can use your HDMI monitor even for color grading. Matrox MXO2 Mini provides 1:1 pixel mapping on HDMI displays that support this feature so your video will not be stretched and distorted by the monitor. You get accurate monitoring on your HDMI display in the following resolutions: 720 x 486 (NTSC) 720 x 576 (PAL) 1920 x 1080 1280 x 720 Features Works with Mac and PC, laptops and desktops Small, lightweight, external box that's easily connected to your cameras and monitors Capture and playback high definition video via HDMI and analog component; or NTSC and PAL via analog component, S-Video, and composite Turns your HDMI screen into a professional-grade video monitor with color calibration tools including blue-only High-quality 10-bit hardware scaling engine for realtime upscaling, downscaling, and cross conversion on capture and playback (See Specifications section for scaling features supported on Mac and PC) Stereo RCA and up to 8 channels of HDMI audio input and output 5.1 and 7.1 surround sound monitoring on the HDMI output Easily edit AVCHD footage by capturing into an edit-friendly compressed or uncompressed format Works with your favorite applications including Final Cut Pro, Adobe Premiere Pro, Adobe Photoshop, and many more Three-year hardware warranty and complimentary telephone support Item Includes Matrox MXO2 Mini input/output device Matrox MXO2 PCIe cable (1 meter) Matrox MXO2 Mini external power supply Two S-Video adapters Matrox MXO2 PCIe host ExpressCard/34 adapter (for use with MacBook Pro and PC laptops

In this episode special guest Dave Helmly shows the new support in Premiere CS4 for AVCHD video. This is key for customers moving to tapeless workflows.