Podcasts about Rhapsody

Hoy vamos a escuchar una perla olvidada llamada Miss Rhapsody de la cantante Viola Wells, catálogo SDM 227 de Saydisc Matchbox, editado en 1972. Este vinilo captura una sesión única el 22 de abril de ese año en un estudio neoyorquino, con una banda que es puro fuego: Viola Wells al frente con esa voz de terciopelo rasgado, Reuben Jay Cole y la gran Mrs. Grace Gregory turnándose al piano –¡imaginaos el dúo!–, Eddie Wright a la guitarra, Ivan Rollé anclando el bajo y Danny Gibson martilleando la batería. Producido por Gef Lucena, con ingeniería de Jim Chion y notas eternas de Sheldon Harris.

World Premiere: O: A Rhapsody In Divorce @ Outside In Theatre - 8.7 out of 10! Great Show! LA Theatre Bites Recommended! June 1 - 16, 2026. www.latheatrebites.com

The Arizona Pops Orchestra presents its "Americana Homage" concert June 17th & 18th at the Tempe Center for the Arts. KBACH's Greg Kostraba recently talked with the orchestra's President & CEO John Doney about the concert, which includes George Gershwin's Rhapsody in Blue plus works by John Williams & Michael Kamen. Assistant Concertmaster Morganne McIntyre and guitarist Megan Marshall were also in the studio to perform two selections that will be on the program. Tickets are available from the Arizona Pops Orchestra website.

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is live on Kickstarter NOW. Become a backer at https://avantr.is/neon-rpg-yt  

Il Mago dell'Heavy Metal, Fabio Lione, torna in Brasile e torna a parlare della sua storia su Buongiorno San Paolo! Una vera storia di Made in Italy musicale, un orgoglio nazionale incredibile tra Rhapsody of Fire, Angra, Labyrinth, Vision Divine, Kamelot, Athena e molte altre band internazionali. E per noi una storia ancor più incredibile, una storia di metal italo-brasiliana unica: 14 anni come cantante degli Angra, 3 album all'attivo più la pubblicazione di un live acustico formidabile.Fabio Lione lascia gli Angra per continuare la sua carriera da Mago del Metal italiano e internazionale; il suo percorso ci riserva delle sorprese spettacolari e misteriose. IL MAGO è QUI! ----------O Mago do Heavy Metal, Fabio Lione, retorna ao Brasil e conta sua história no Buongiorno São Paulo!Uma verdadeira história da música Made in Italy, uma incrível fonte de orgulho nacional, que abrange bandas como Rhapsody of Fire, Angra, Labyrinth, Vision Divine, Kamelot, Athena e muitas outras bandas internacionais.E para nós, uma história ainda mais incrível, uma história única do metal ítalo-brasileiro: 14 anos como vocalista do Angra, três álbuns lançados e um formidável show acústico ao vivo.Fabio Lione está deixando o Angra para continuar sua carreira como um Mago do metal italiano e internacional; sua jornada reserva algumas surpresas espetaculares e misteriosas para nós.Agradecemos aos nossos parceiros, sem os quais tudo isso seria impossível:⚙️ Indústria tecnológica italiana

Something's coming, something good -- a podcast all about musicals, RPGs, musical RPGs, and RPG musicals. Featuring a uniquely qualified guest; director of People of Note, Jason Wishnov! He joins Victor and Nadia as they talk about the parallels of these two "love-it-or-hate-it" mediums and how to transpose the world of musical theatre into digital space. All that and more on this episode of Axe of the Blood God! Subscribe for bonus episodes and discord access at ⁠https://www.patreon.com/bloodgodpod⁠ and get merch at ⁠https://shop.bloodgodpod.com⁠ Also in this episode: The thing that holds up great music AND great RPGs: math! What musicals would make great RPGs What RPGs would make great musicals Eternal Sonata, Rhapsody, Tokyo Mirage Sessions, Final Fantasy X-2, Final Fantasy XIV, and many others Timestamps: It's just all interview, man Music Used in this Episode: Axe of the Blood God Theme - [Lena Raine] Whirls Generation - Big Giant Circles - [People of Note] Learn more about your ad choices. Visit megaphone.fm/adchoices

Johan Svendsen: Norwegian Rhapsody No. 2, Op. 19South Jutland Symphony Orchestra Bjarte Engeset, conductorMore info about today's track: Naxos 8.570322Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is live on Kickstarter NOW. Become a backer at https://avantr.is/neon-rpg-yt  

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is coming to Kickstarter this May. Become a VIP to unlock free Neon Nights Dice and other exclusive rewards at https://avantr.is/neon-rpg-yt  

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is coming to Kickstarter this May. Become a VIP to unlock free Neon Nights Dice and other exclusive rewards at https://avantr.is/neon-rpg-yt  

Haldane graduate bringing quartet to St. Mary's Robert Freimark is best known for two things: his complicated jazz piano compositions and his hair, which is so long and straight that it serves as curtains over his face when he plays. The look resembles that of Yes keyboardist Rick Wakeman. "Someone told me that recently, but I had no idea who he is," says Freimark, 18, a 2025 Haldane High School graduate who is studying music at William Patterson University in New Jersey. "It makes me more recognizable." On Saturday (May 9), Freimark will perform in Cold Spring as part of the Music at St. Mary's series with his quartet: Carter Stein on saxophone, Maria Kolesnik on drums and Gabriel Balado on bass (stepping in for Marcelo Díaz). Earlier this year, Freimark won a Young-Arts National Competition Award in jazz, one of 741 musicians selected from some 13,000 applicants. His goal is to make a living as a professional musician. He started playing piano at age 7, taking lessons in classical repertoire, but shifted to jazz when his teacher, Jesse Stecken at Forte Piano Studio in Beacon, encouraged him to improvise. A turning point, Freimark says, is when he nailed a solo arrangement of "Rhapsody in Blue" during his sophomore year at Haldane. Conversant with standard and more obscure repertoire, his style is subtle but sophisticated. His goal is to reel off any of hundreds of instrumental jams on the fly. "That's what being a jazz musician is, and I'm going through acute ear identification training," he says. "Another skill is listening and being able to identify chord changes on the spot, even if you don't know the song — 'ear-balling it,' as some people say." Freimark arranged a version of "My Favorite Things," adapting John Coltrane's sax rendition for piano, changing the time signature and delivering a straightforward groove. He can replicate and build on the style of odd-bird Thelonius Monk, whose wobbly, off-kilter phrasing shook up jazz in the 1950s and '60s. "Just You Wait," an original Freimark composition, which sounds like it's dredged from the classic Monk era, opens with a bebop-influenced passage in which the bass, played by Stecken on keyboard in a video shot at the Howland Cultural Center, doubles the piano's left hand through a few bars of Freimark's solo, then shifts into swinging, walking phrases to provide a launch pad for the pianist to modulate the timing and make other low-key modifications. "A bunch of notes came to me so fast; I figured I should write them down immediately," Freimark says. "From that draft, not much has changed. There are abstractions, but it still feels grounded." Reflecting the influence of his mother, Sandy McKelvey, a guitarist who is passionate about the music of Central and South America, Freimark also explores Latin Jazz, executing his feathery touch to "Soñando con Puerto Rico." On Saturday, he and his bandmates will perform an extended version of "Just You Wait," along with a mix of "songbook standards and compositions that are important to jazz musicians," he says. Though he began playing at a young age, Freimark never considered himself a prodigy. "There were always kids half my age who could play more difficult music," he says. "I'm just trying to do my own thing." St. Mary's Church is located at 1 Chestnut St. in Cold Spring. The concert, which begins at 2 p.m., is free, but donations for Music at St. Mary's are welcome.

Hoy escuchamos: Hadadanza- Bertie Bott, Hadadanza- Ritualis, Rhapsody of Fire- Challenge the wind, Killus- Feel the monster XXV, Vamos con Todo- Rompan filas, Red Wire- Old city, Magik- You make me feel wrong, Corazones Eléctricos- Bang bang, Canciones con Historia: Stratovarius- Götterdämmerung, Korn- Reward the scars, Elder- Through zero.Escuchar audio

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is coming to Kickstarter this May. Become a VIP to unlock free Neon Nights Dice and other exclusive rewards at https://avantr.is/neon-rpg-yt  

大家都知道，听爵士乐和研究爵士乐是我的一大爱好之一。在有了女儿之后，琢磨女儿的教育问题也成了我的另一大爱好。而如今，我将两个爱好结合在一起，借助AI（ChatGPT 和 Gemini），发展出了一套爵士乐育儿指南。这是据我所知，全国，乃至全世界，第一份爵士乐育儿指南，敬请收听。节目最后 Tutti 跟女儿一起跳舞的视频可在小红书搜索 Tutti 并关注。今年十一假期，Why for Jazz 联合 SEAIC 法国中欧艺术创新中心发起了一个针对巴黎和波尔多的法国旅行团。我将与建筑艺术学者，我的太太 Tutti 联合带队，深入法国，开启一趟沉浸式的以爵士乐，建筑，红酒和文化学习交流为主线的全景之旅。旅行团即可开始报名，计划招募15位同行者。有兴趣的朋友可以点击上面链接，或直接添加下面二维码进行咨询。期待十一相见。扫码开启法国之旅Playlist of the Show:[23:09] What'd I Say - Ray Charles[26:30] Early Summer - Ryo Fukui[28:52] Hymn to Freedom - Oscar PetersonAI建议的爵士乐育儿歌单（20月龄-36月龄）20个月：高保真钢琴触键（物理建模期） ● 曲目： Midnight Sugar (山本刚), C-Jam Blues (Red Garland), Linus and Lucy (Vince Guaraldi), Bag's Groove (MJQ) ● 深度分析： ○ 脑神经科学： 20个月的孩子，内耳耳蜗的**音调映射（Tonotopic map）**正在进行最后的物理微调。山本刚这类钢琴录音拥有极高的“瞬态响应（Transients）”，每一个音符的起始极其清晰。这种“干净”的声音信号能最大程度减少听觉系统解码的噪音，帮助大脑建立“钢琴”这种复杂音色的高质量统计模型。 ○ 发展心理学： 此时孩子处于感知运动阶段的尾声，通过“敲击”产生的声音最能吸引其注意力。钢琴的打击乐属性最能引起这种因果关系的共鸣。21个月：行走贝斯与前庭系统平衡 ● 曲目： 1. Work Song (Nat Adderley) 2. Killer Joe (Benny Golson) 3. Blues in the Closet (Bud Powell) 4. Strollin' (Horace Silver) ● 深度分析： ○ 脑神经科学： 这一组曲目强调 Walking Bass（行走贝斯）。稳定的、如同心跳般的低音提琴拨奏（Quarter-note pulse）能直接激活基底神经节，这是人类处理节奏与运动控制的核心。 ○ 发育心理学： 21个月的孩子正处于走路重心从摇晃趋向平稳的阶段。这种稳定的低频驱动能与她的身体运动产生神经夹带（Entrainment），通过前庭系统感知重力与节奏的重合，建立起最早的“摇摆感（Swing Feeling）”。22个月：硬波普（Hard Bop）与社交对话逻辑 ● 曲目： 1. Moanin' (Art Blakey) 2. Song for My Father (Horace Silver) 3. The Sidewinder (Lee Morgan) 4. Watermelon Man (Herbie Hancock) 5. What'd I Say (Ray Charles) ● 深度分析： ○ 脑神经科学： 此时孩子正经历语言词汇量的激增，**布罗卡区（Broca's area）**极度活跃。这些曲目中经典的 Call & Response（呼唤与回应） 结构，完美契合了大脑对社交性沟通的生理渴望。 ○ 发育心理学： 此时孩子开始理解“轮流”的概念。通过这种音乐结构，她在无意识中练习了沟通的节奏感，激活了镜像神经元系统，这不仅是音乐启蒙，更是共情能力的早期培养。23个月：Jazz Hip Hop 与持续注意力的构建 ● 曲目： 1. Aruarian Dance (Nujabes) 2. Luv(sic) Part 3 (Nujabes) 3. Waltz for Life Will Born (Uyama Hiroto) 4. Feather (Nujabes) ● 深度分析： ○ 脑神经科学： 稳定的 Loop（循环）能给大脑提供极强的“神经安全性”。当背景节奏是高度可预测的，而上层的钢琴即兴是流动的，这能训练**前额叶皮层（Prefrontal Cortex）**在稳定的背景中提取细微的变化信号。 ○ 发育心理学： 这个阶段孩子开始能进行较长时间的专注游戏。高质量的循环乐句能降低皮质醇水平，延长其**深度探索（Deep Play）**的时间窗口。24个月：奇数拍与认知弹性（两岁里程碑） ● 曲目： 1. Take Five (Dave Brubeck) 2. Unsquare Dance (Dave Brubeck) 3. Blue Rondo à la Turk (Dave Brubeck) 4. Eleven Four (Paul Desmond) ● 深度分析： ○ 脑神经科学： 两岁是突触剪枝（Synaptic Pruning）剧烈发生的节点。如果此时只听 4/4 拍，大脑会认定 5/4 或 9/8 为“不可理解信号”。输入奇数拍是为了保持神经系统的认知弹性（Cognitive Flexibility），训练大脑在不对称中寻找更高阶的数学规律。 ○ 发育心理学： 此阶段孩子自我意识觉醒（Terrible Twos），非对称的节奏正好契合了这种不安分的探索精神，帮助她建立对“不平衡”的心理包容力。第二阶段：和声色彩与审美拓宽（25m - 30m）核心目标： 引入复杂和弦（9, 11, 13音），在听觉皮层建立高维度的“美学坐标系”。25个月：三拍子的流体感知（空间感知进阶） ● 曲目： 1. Waltz for Debby (Bill Evans) 2. Bluesette (Toots Thielemans) 3. Alice in Wonderland (Bill Evans) 4. Up with the Lark (Bill Evans) ● 深度分析： ○ 脑神经科学： 三拍子会强烈刺激小脑的前庭系统。Bill Evans 的“无根音和弦（Rootless Voicings）”让声音听起来是“悬浮”的。根据 Robert Zatorre 的研究，这种高级和声能精细化音调映射（Tonotopic map），训练大脑不依赖低音根音去寻找调性中心。 ○ 发育心理学： 3/4 拍的圆舞曲感能带给孩子优雅、流动的感官体验，有助于精细动作的优雅化发育。26个月：Bossa Nova 与多线信号处理 ● 曲目： 1. The Girl from Ipanema (Stan Getz) 2. Wave (Antônio Carlos Jobim) 3. Desafinado (Stan Getz) 4. Corcovado (Cannonball Adderley) ● 深度分析： ○ 脑神经科学： Bossa Nova 的底层节奏是平直的八分音符，而上层爵士和弦极其复杂。这种矛盾感要求大脑进行听觉场景解构（Auditory Scene Analysis）。 ○ 发育心理学： 这种轻松的氛围是训练情绪调节（Emotional Regulation）的绝佳工具。在神经科学上，它能激活边缘系统中的愉悦中枢而不产生过度亢奋。27个月：调式爵士（Modal Jazz）与深度观察 ● 曲目： 1. So What (Miles Davis) 2. Maiden Voyage (Herbie Hancock) 3. Little Sunflower (Freddie Hubbard) 4. Flamenco Sketches (Miles Davis) ● 深度分析： ○ 脑神经科学： 调式爵士和弦变化极慢。根据 Bregman 的理论，这种“低变化率”会迫使大脑将注意力转向**音色（Timbre）**的微观纹理。 ○ 发育心理学： 培养“静谧感”。这种音乐能训练孩子在无外部剧烈刺激的环境中进行内在的深度观察，是建立长时注意力的基石。28个月：冷爵士（Cool Jazz）与边缘系统开发 ● 曲目： 1. My Funny Valentine (Chet Baker) 2. You'd Be So Nice to Come Home To (Art Pepper) 3. Autumn Leaves (Cannonball) 4. Django (MJQ) ● 深度分析： ○ 脑神经科学： 略带忧郁、克制的音色能激活**边缘系统（Limbic system）**中的杏仁核与海马体连接。研究表明，幼儿能感知到音乐中的哀伤情绪，这能丰富其大脑的情感皮层。 ○ 发育心理学： 28个月的孩子开始萌发初级共情。通过理解音乐中的“忧郁”，她在学习处理复杂的人类情感。29个月：Bebop 与神经放电频率挑战 ● 曲目： 1. Scrapple from the Apple (Charlie Parker) 2. A Night in Tunisia (Dizzy Gillespie) 3. Donna Lee (Charlie Parker) 4. Salt Peanuts (Dizzy Gillespie) ● 深度分析： ○ 脑神经科学： 极速音阶挑战了听觉神经元的放电频率（Firing Rate）。这是一种神经层面的“高强度间歇训练（HIIT）”，旨在提高大脑对高密度信息的即时处理带宽。 ○ 发育心理学： Bebop 的多变与灵动契合了孩子此时精力旺盛、喜欢探索事物边界的行为逻辑。30个月：日本爵士 - 叙事建模（情感深度期） ● 曲目： 1. Early Summer (Ryo Fukui) 2. Scenery (Ryo Fukui) 3. Blow Up (Isao Suzuki) 4. Girl Talk (Tsuyoshi Yamamoto) ● 深度分析： ○ 脑神经科学： J-Jazz 具有独特的旋律线条。30个月的孩子正致力于将碎片化的信息拼凑成故事，此时大脑的**默认模式网络（DMN）**开始在音乐欣赏中起作用。 ○ 发育心理学： 建立文化认同感。通过这些具有东方美学色彩的爵士乐，她在潜意识中完成了一种审美的文化建构。第三阶段：结构解构与即兴逻辑（31m - 36m）核心目标： 识别主题与变奏的边界，培养长时记忆与宏观思维构架。31个月：人声爵士与语言-音乐桥梁 ● 曲目： 1. L-O-V-E (Nat King Cole) 2. Cheek to Cheek (Fitzgerald & Armstrong) 3. Fly Me to the Moon (Sinatra) 4. How High the Moon (Ella Fitzgerald) ● 深度分析： ○ 脑神经科学： SSIR 假说（Shared Syntactic Integration Resource）指出，语言与音乐共享神经资源。此时利用人声爵士独特的韵律感（Prosody），可以极大地加速她对词汇节拍的内化。 ○ 发育心理学： 模仿是此阶段的核心。Scat（拟声唱法）能锻炼她口腔肌肉的精细化控制，对发音清晰度有显著提升作用。32个月：工作记忆与“主题追踪” ● 曲目： 1. St. Thomas (Sonny Rollins) 2. Moritat (Sonny Rollins) 3. Cantaloop (Us3) 4. Mercy, Mercy, Mercy (Cannonball) ● 深度分析： ○ 脑神经科学： 训练工作记忆（Working Memory）。大脑需要记住开头的“主题（Hook）”，并在复杂的即兴独奏中，保持对这个逻辑原点的潜意识追踪。 ○ 发育心理学： 训练解决问题的策略——在复杂变幻的环境中寻找“恒定点”。33个月：拉丁爵士（Latin Jazz）与听觉分流 ● 曲目： 1. Mambo Inn (George Shearing) 2. Manteca (Dizzy Gillespie) 3. Afro Blue (Mongo Santamaría) 4. Tequila (Wes Montgomery) ● 深度分析： ○ 脑神经科学： 拉丁爵士包含大量的多声部打击乐。根据 Bregman 的理论，这要求大脑完成最高难度的流提取（Stream Segregation）。 ○ 发育心理学： 狂欢节般的节奏能释放孩子的压力，增强其在运动中的爆发力与协调性。34个月：现代融合（Fusion）与认知弹性 ● 曲目： 1. Spain (Chick Corea) 2. Birdland (Weather Report) 3. Chameleon (Herbie Hancock) 4. 500 Miles High (Chick Corea) ● 深度分析： ○ 脑神经科学： 引入非自然音色（合成器）。大脑需要重新识别这些信号，刺激腹侧注意网络（Ventral Attention Network）。 ○ 发育心理学： 培养对新奇事物的包容度，不让其听觉审美固化在单一的木质乐器上。35个月：极限和声（Coltrane Changes）算法建模 ● 曲目： 1. Giant Steps (John Coltrane) 2. Naima (John Coltrane) 3. Speak No Evil (Wayne Shorter) 4. Round Midnight (Thelonious Monk) ● 深度分析： ○ 脑神经科学： Coltrane Changes 是爵士乐中最复杂的数学矩阵。此时输入这种极限逻辑，就像是在给计算机预装最强的算法底座，挑战其处理信息的深度。 ○ 发育心理学： 训练对“高张力”的承受力。在极度复杂的声音中寻找内在平衡，是培养未来演奏家“大将之风”的必经之路。36个月：自由即兴与全球脑连接（启蒙圆满） ● 曲目： 1. Rhapsody in Blue (Gershwin) 2. Hymn to Freedom (Oscar Peterson) 3. The Köln Concert (Keith Jarrett) 4. My Favorite Things (Coltrane 1961) ● 深度分析： ○ 脑神经科学： 激活默认模式网络（DMN）。这种长篇幅、大跨度的自由即兴曲目，能让大脑在不同脑区间建立长程连接，实现想象力与自我意识的统一。 ○ 发育心理学： 此时她已经拥有了一套完整的“爵士底层操作系统”。无论以后学不学琴，这套系统都将成为她认知世界、理解“自由”的底色。

When Ron Bradley won an all-expense paid cruise to the Caribbean in 1998, it seemed like a great opportunity to have one last family vacation with his wife, Iva, and his kids, twenty-three-year-old Amy and twenty-one-year-old Brad. In March, the family flew to Puerto Rico, where they boarded “Rhapsody of the Seas,” a Royal Caribbean cruise ship, and set off for the island of Curacao. The trip was everything Ron and his wife had hoped for, but just two days after departing from Puerto Rico, Amy went missing and their lives would never be the same again. If anyone has any information about the whereabouts of Amy Bradley, they are encouraged to contact the family through their website amybradleyismissing.com or the FBI at tips.fbi.gov. Mentioned in this episode: Buy Tickets to our LIVE SHOW at Radio City Music Hall on June 27th! Want a signed copy of THE BUTCHER LEGACY?Click here to order from Premiere Collectibles!   Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is coming to Kickstarter this May. Become a VIP to unlock free Neon Nights Dice and other exclusive rewards at https://avantr.is/neon-rpg-yt  

Somehow, we attended Epic Fest for a third time. Against all odds and common sense we descended upon the now familiar Roskilde in Denmark for a weekend of pure power metal fun with some incredible bands and the best people we can think of. Lets talk about it!   Playlist with all the songs performed at the fest by purejoyandhappiness https://open.spotify.com/playlist/4h1LiKU1fPTxiON4ZtYWgq?si=SuDg8LkWQqSC2mQIiP2VgA&pi=6knfggJ8SRyin   For the impatient: 00:00:00 Intro 00:00:14 Sup Nerds 00:06:08 We almost didn't get the guitar picks in time 00:10:29 Pre Fest - Roskilde Cathedral Organ Show 00:18:08 Epic Fest - Day 1 ------------------------ 00:18:41 Miniature Painting and D&D Tables 00:23:12 Angus McSix 00:26:22 Top 4 Power Metal Bands? Manowar 00:26:57 Dragony 00:28:09 When a Fest has 2 Venues 00:29:32 Ipomonia 00:32:20 Sirenia 00:34:40 Trick or Treat 00:40:19 Sorry Mercenary 00:40:38 Lineup Clashes 00:41:05 Rhapsody of Fire (Staropoli) 00:48:36 Food break 00:49:35 Fairyland 00:53:38 Mob Rules 00:54:51 Merch at Epic Fest 00:56:42 Ensiferum 00:58:38 The Big Stage Area is Real Big 01:02:29 Masterplan 01:05:30 The Afterparty (preview) 01:07:03 Epic Fest - Day 2 ------------------------ 01:07:48 Lost Dawning 01:10:28 Victorius 01:12:26 Sorry Fury 01:13:41 Twilight Force 01:22:47 Seven Spires 01:30:15 Sorry Moonlight Haze 01:31:00 Sonata Arctica 30th Anniversary 01:35:38 Dark Moor 01:38:44 Sorry Innerwish 01:40:01 Roy Khan - The Black Halo - aka Khanelot 01:50:53 Hagane 02:02:43 Afterparty 02:10:55 2027 Line Up so far --------------------- 02:19:33 Wrapping Up   Support us on Patreon!https://www.patreon.com/powerfulpodcast Follow us! Spotify, Apple Podcasts, etc - powerful. a power metal podcastFacebook - https://www.facebook.com/powerfulpodcastInstagram - https://www.instagram.com/powerfulpodcastTwitter - https://twitter.com/powerfulpm Music by Fernando ReyEdited by Fernando Rey

Jeffrey BiegelTake a walk with me down Fascination Street as I get to know Grammy winning classical concert pianist, and national treasure Jeffrey Biegel. In this episode, Jeffrey and I chat about his learning how to play piano from some of the greatest teachers in the history of the instrument, what he chose to go the classical route instead of a more pop focus, and some of his inspirations. Jeffrey shares stories involving Billy Joel, Morton Estrin, Lalo Schifrin, Ellen Taaffe Zwilich, the late Neil Sedaka, Liberace, Peter Tork, the late Richard Lewis, Lucy Arnaz Luckinbill, Lucille Ball, Dan Lauria, Barry Manilow, Zsa Zsa Gabor, and Peter Boyer. This episode is a walk down Memory Lane, as well as Fascination Street! We discuss some of the orchestras and symphonies Jeffrey has played with and continues to play with. Then we talk about some of his own projects, and why they are so important to him. Jeffrey shares some insight on projects like: Waltz of Hope I & II, Reflection of Freedom (JFK), Reflection of Equality (MLK), Rhapsody in Red, White and Blue, The Millenium Project, and so much more. I cannot stress enough how grateful I am to Jeffrey for sitting down with me on his way to teach a Master Class in Wichita. Thank you, Jeffrey, you are a MENSCH!

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is coming to Kickstarter this May. Become a VIP to unlock free Neon Nights Dice and other exclusive rewards at https://avantr.is/neon-rpg-yt  

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is coming to Kickstarter this May. Become a VIP to unlock free Neon Nights Dice and other exclusive rewards at https://avantr.is/neon-rpg-yt  

En storanalys av Rhapsody in blue av George Gershwin.Vad tänkte han? Vad var inspirationen? Vilken stil kom han ifrån?ÄR det möjligt att gestalta en hel stad med en symfoniorkester?FIlmmusik får åter en revival i programmet, mycket genom Ludvig Göranssons 3 Oscars.Är ”Hörhåll” ett faktiskt begrepp? Och kan AI:musikens nya kategorisering på Streamingtjänsterna göra att annan, vanlig musik också får möjlighet att finnas i framtiden,och inte trängas undan?Så himla kul att du lyssnar!Vill du ha din låt uppspelad direktmed tillhörande analys.Maila oss låtlänk + info om projektet till: Musiksnacket@iwm.seLänk till Spellista:https://open.spotify.com/playlist/25dSufz7mpKXI0vbMclpgz?si=77c7b74518db43fd#recension #analyser #musik #analys #spotify #Podcast #podd #musiksnacket #Artist #Musiker #scen #studio #AI

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is coming to Kickstarter this May. Become a VIP to unlock free Neon Nights Dice and other exclusive rewards at https://avantr.is/neon-rpg-yt  

Recorded April 2, 2026 on progrock.com Unity Gain – Stand Up (1985) – Steve Morse Band Blue Rondo à la Turk – Time Out (1959) – Dave Brubeck Quartet Seventeen Again – The Void (2012) – Beardfish Barque at the Lune – Out of the Barnyard (2013) – Fright Pig Don't Know Yet – Standard Deviation (2025) – Sons of Ra Clumps of Dirt – echolyn (1991) – echolyn Mirage – Enigmatic Ocean (1977) – Jean Luc Ponty What's the Use – Live from Las Vegas, NV 19 April 2024 – Phish Pesadelo – The Phoenix (2020) – Derek Sherinian Love's Theme – Rhapsody in White (1974) – The Love Unlimited Orchestra

Episode 97: Gershwin Prize Winner! Winner, Winner, Got A Spinner! March 30, 2026 From May 2024: The aging process on humans is real. What we do and don't do may play a big part in how that process affects us or not. The vinyl LPs of that era and the new ones being purchased today will last a lot longer than the color in our hair or our smooth and youthful skin. All I'm saying is that the age of rock is so wide and varied, from Elvis to Zappa, we have a lot of ground to cover in these short one-hour shows. And, who knows, maybe listening to the music of our youth may give a moment in time when we can enjoy those times or not. Admit it, it wasn't all bad. If you have some input, like my friend, Puh-mella did, let me know your taste in music, who/what/when. Email all your comments to me at TalesVinylTells@gmail.com. There are many ways to hear these great tunes: Live on RadioFreeNashville.org Wednesdays at 5 pm Central time, all the podcasts of the radio program(many times extended versions) can be listened to anytime, anywhere at StudioMillsWellness.com/tales-vinyl-tells, on podbean.com, iHeart podcasts, Player FM podcasts, Listen Notes podcasts and many other podcast places. PLAYLIST: 97.1 Rhapsody in Blue-Gershwin/ Bela Fleck 97.2 60 Years On-Elton John 97.3 Come Down in Time-Sting 97.4 Madman Across The Water-Elton John 97.5 Happy House-Shuggie Otis 97.6 Strawberry Letter 23-Shuggie Otis 97.7 Closer to the Ground-Joy of Cooking 97.8 JIMJAM-Powderfinger-Neil Young & Crazy Horse 97.9 Heart of Rock and Roll-Huey Lewis & The News 97.10 Perfect World-Huey Lewis & The News 97.11 Jacob's Ladder-Bruce Hornsby & The Range 97.12 Ain't No Sunshine-Bill Withers

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is coming to Kickstarter this May. Become a VIP to unlock free Neon Nights Dice and other exclusive rewards at https://avantr.is/neon-rpg-yt  

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is coming to Kickstarter this May. Become a VIP to unlock free Neon Nights Dice and other exclusive rewards at https://avantr.is/neon-rpg-yt  

Our heroes, with a new crew member, set out to talk to Rex Maxim, "REAL" Space Cowboy... Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is coming to Kickstarter this May. Become a VIP to unlock free Neon Nights Dice and other exclusive rewards at https://avantr.is/neon-rpg-yt  

Recorded live at HIMSS in Las Vegas, Michael sits down with Sagnik Bhattacharya, CEO of Rhapsody, about the infrastructure healthcare needs to support the next wave of AI innovation. Together, they discuss the debut of Rhapsody Axon, the industry's growing shift toward agent-driven workflows, why solving interoperability challenges remains essential to scaling AI across clinical and operational systems, and much more. Learn more about Rhapsody at rhapsody.health.

Amy Lynn Bradley, Longwood basketball '96, went missing from the Royal Caribbean's Rhapsody of the Seas cruise ship on March 24, 1998. In this episode, Amy's brother Brad critiques the recent Netflix documentary, Amy Bradley is Missing.  He also discusses how the case has affected his family for 28 years.  Brad shares how the Amy Team is seeking help for future missing persons on cruise ships. This is the first episode of a three-part series. 

Amy Lynn Bradley went missing from the Royal Caribbean's Rhapsody of the Seas cruise ship on March 24, 1998. In this episode, her brother, Brad, talks about trying to find Amy through IP addresses, Amy's experience at Longwood-on and off the basketball court, the equity of resources for missing person cases, and much more.  This is the second episode of a three-part series. 

The rescue continues...   You do NOT need to listen to Overture to enjoy Anthem! If you have the appetite to listen to both, we recommend starting with Anthem, then going back to listen to Overture!   Gain access to an exclusive campaign, Shroud Over Saltmarsh, over on Patreon: https://legendsofavantris.com/patreon The Crooked Moon, a folk horror supplement for 5e, is available for preorder! Get the Crooked Moon at: https://thecrookedmoon.com/ Watch more D&D adventures in the world of Avantris live on Twitch: https://www.twitch.tv/legendsofavantris Check out our merch store: https://shop.legendsofavantris.com  Join our community on Discord: https://legendsofavantris.com/discord Watch our many campaigns on YouTube: https://legendsofavantris.com/youtube  All other links: https://linktr.ee/legendsofavantris   Watch the full episode here: https://youtu.be/IPkD5Mem5lE?si=Siz0OhlF__O_v61C

Pixel is in trouble! The crew rushes to save her...   You do NOT need to listen to Overture to enjoy Anthem! If you have the appetite to listen to both, we recommend starting with Anthem, then going back to listen to Overture!   Gain access to an exclusive campaign, Shroud Over Saltmarsh, over on Patreon: https://legendsofavantris.com/patreon The Crooked Moon, a folk horror supplement for 5e, is available for preorder! Get the Crooked Moon at: https://thecrookedmoon.com/ Watch more D&D adventures in the world of Avantris live on Twitch: https://www.twitch.tv/legendsofavantris Check out our merch store: https://shop.legendsofavantris.com  Join our community on Discord: https://legendsofavantris.com/discord Watch our many campaigns on YouTube: https://legendsofavantris.com/youtube  All other links: https://linktr.ee/legendsofavantris   Watch the full episode here: https://youtu.be/IPkD5Mem5lE?si=Siz0OhlF__O_v61C

The crew meets Pixel Pop!   You do NOT need to listen to Overture to enjoy Anthem! If you have the appetite to listen to both, we recommend starting with Anthem, then going back to listen to Overture!   Gain access to an exclusive campaign, Shroud Over Saltmarsh, over on Patreon: https://legendsofavantris.com/patreon The Crooked Moon, a folk horror supplement for 5e, is available for preorder! Get the Crooked Moon at: https://thecrookedmoon.com/ Watch more D&D adventures in the world of Avantris live on Twitch: https://www.twitch.tv/legendsofavantris Check out our merch store: https://shop.legendsofavantris.com  Join our community on Discord: https://legendsofavantris.com/discord Watch our many campaigns on YouTube: https://legendsofavantris.com/youtube  All other links: https://linktr.ee/legendsofavantris   Watch the full episode here: https://youtu.be/T0JYc4sUzmU?si=Y2Hnmyn55iUEP1rH

One Vision of Queen with Marc MartelSaturday, February 28, 20267:00 PMWe Will Rock You, Crazy Little Thing Called Love, We Are the Champions, and the legendary Bohemian Rhapsody are songs that just scratch the surface of Queen's legacy. There was only one Freddie Mercury. His unique vocals have made it nearly impossible to perform his music as he did.Finally, we are able to present Marc Martel and One Vision of Queen performing Freddie's music as it should be. Legendary Queen drummer Roger Taylor remarked to the Daily Record: “That voice. You listen, close your eyes, and you think it's Freddie. It's really uncanny.”You may have already heard Marc as he performed vocals on the Oscar-winning Queen biopic film Bohemian Rhapsody. With a unique theatrical performance style and eye-popping production, One Vision of Queen gives you a front row seat to one of the greatest bands of all time.Get Tickets here: Become a supporter of this podcast: https://www.spreaker.com/podcast/back-to-the-80s-radio--5883226/support.

The TWENTY30's co-hosts Hanaa Almoaibed and Lucien Zeigler sit down with Saud Alturki, Saudi music producer, curator, and founder of Brij Entertainment ahead of the release of his third album, High Octane. A project two and a half years in the making, the track list reads like a love letter to hip hop royalty. Busta Rhymes. Swizz Beatz. West Side Boogie. Rhapsody, whom Saud calls his favorite female MC alive today.    Working with his creative director Chindi, who turned every production conversation into something closer to a therapy session, Saud landed on a concept that's deeply rooted in where he's from, the Eastern Province of Saudi Arabia.   Saud takes us back to the beginning: a freshman at McGill in Montreal, freezing through his first Canadian winter and discovering that music wasn't just something he loved — it was something he could do. A move to LA, a chance encounter at a Verizon store with a gospel-tinged R&B singer named Bernard, and seven years of patience later, he finally put out his first single. That story alone sets the tone for everything that follows: Saud is someone who builds slowly, deliberately, and for keeps.   But the conversation doesn't stop at the album. Saud talks about what it really takes to build a music industry in Saudi Arabia — not just a music scene. Venues, labels, studios, government support, festivals like Middle Beast that have built an entire ecosystem around artists. He's careful to say Saudi isn't quite an industry yet, but the infrastructure is finally arriving, and the talent — including his Brij Entertainment artist Hajaj, the first Saudi to perform at Grammy weekend in LA — is already outpacing it.   There's also a sharp, honest take on the streaming era, why dropping albums in 2025 is "not the best move" (and why he's doing it anyway), the emerging Saudi genre Hoppe — a fusion of Sambri and hip hop that he wishes he'd invented — and what he tells young artists in Riyadh who have every resource he never had at 17.   High Octane drops after Ramadan.

Wherein Eric and John unleash their inner chaotic neutral bard and lawful evil cleric and explore the D&D-laced fantasy world of power metal through bands including: Manowar, Helloween, Hammerfall, Stratovarius, Rhapsody, Nightwish, and more!Click on the links below for all the music listening/video breaks in this episode:Listening Break #1: Manowar- "Hail and Kill" from Kings of Metal (1988) https://www.youtube.com/watch?v=T6zOT3IZ90UListening break #2: A Helloween choose your own adventure!A) "Twilight of the Gods" from Keeper of the Seven Keys Pt. 1 (1987)-⁠ ⁠https://www.youtube.com/watch?v=qk-FNnMzVAYB) "I Want Out" from Keeper of the Seven Keys Pt. 2 (1988)- https://www.youtube.com/watch?v=KMhL9NZ0KdwListening break #3: Blind Guardian "Mirror Mirror" from Nightfall in Middle-Earth (1998)- https://www.youtube.com/watch?v=CNGCvI9dpZYListening break #4: Rhapsody "Emerald Sword" from Symphony of Enchanted Lands (1998)- https://www.youtube.com/watch?v=y5kLxQGbRYgListening break #5: Nightwish "Sacrament of Wilderness" from Oceanborn (1998)- https://www.youtube.com/watch?v=EGEQ-MEOTQsPlease do consider joining us at our Patreon page! Not only will you gain access to exclusive content, but you'll also get that sense of pure joy that can only come from supporting the world's wackiest, most insightful heavy metal podcast. Link below:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ http://patreon.com/HeavyMetal101⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/heavymetal101podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠(you can leave us a voicemail if you're so inclined!)Contact us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠heavymetal101podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Social media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/HeavyMetal101Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/heavy_101⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@heavymetal101podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heavymetal101podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠New episodes of Heavy Metal 101 are always released monthly on the 3rd Monday of each month!Underscore credits:Free Fantasy Epic Music (For Videos) - "Short But Strong!" by Savfk

After Nina “sings” the theme song to The Electric Company and Cori talks about his cats, we discuss last week's news: gender-critical lawyer Glenna Goldis's hiring by the FTC post-firing by NY State Attorney General Letitia James, and detransitioner Fox Varian's $2M lawsuit victory. Living up to our promise of quality content, we look up things on the Internet while recording. Then it's time to talk Terffles: artisanal chocolates handmade (not handmaiden!) by a canceled TERF witch but inclusive of everyone. Will the Urbana Farmer's Market accept Nina's delicious Amaretto Amarena Amazeballs? Plus: “The age of Free Software is ending,” DEI parasites, PaleGray Labs, team names for a cat Cute-Off, Cory's real name, and more!Links:Glenna Goldis hired by FTC: https://www.dailywire.com/news/trump-admin-hires-glenna-goldis-lawyer-fired-by-letitia-jamesFox Varian $2M lawsuit: https://www.economist.com/united-states/2026/02/06/lawsuits-over-transgender-medicine-for-minors-could-be-hugeBenjamin Ryan, journalist: http://www.benryan.net/ASPS Statement: https://www.plasticsurgery.org/documents/health-policy/positions/2026-gender-surgery-children-adolescents.pdfAMA statement: https://www.usnews.com/news/health-news/articles/2026-02-06/american-medical-association-says-gender-surgeries-for-minors-should-waitThe Banality of Stupid (2017): https://ninapaley.com/2017/03/23/the-banality-of-stupid/Hannah Ahrendt: https://www.goodreads.com/quotes/tag/banality-of-evilInformed Dissent podcast: https://informeddissentpodcast.substack.com/The Lunduke Journal: https://lunduke.com/Rhapsody in BlueVirtuoso tap dancing:Disabling Impairments cards: https://store.ninapaley.com/product/disabling-impairments/ Get full access to Heterodorx Podcast at heterodorx.substack.com/subscribe

Our heroes go undercover...   You do NOT need to listen to Overture to enjoy Anthem! If you have the appetite to listen to both, we recommend starting with Anthem, then going back to listen to Overture!   Gain access to an exclusive campaign, Shroud Over Saltmarsh, over on Patreon: https://legendsofavantris.com/patreon The Crooked Moon, a folk horror supplement for 5e, is available for preorder! Get the Crooked Moon at: https://thecrookedmoon.com/ Watch more D&D adventures in the world of Avantris live on Twitch: https://www.twitch.tv/legendsofavantris Check out our merch store: https://shop.legendsofavantris.com  Join our community on Discord: https://legendsofavantris.com/discord Watch our many campaigns on YouTube: https://legendsofavantris.com/youtube  All other links: https://linktr.ee/legendsofavantris   Watch the full episode here: https://youtu.be/T0JYc4sUzmU?si=Y2Hnmyn55iUEP1rH

Hoy escuchamos: Orion Child- Por siempre, Vhaldemar- 1366, Rhapsody of fire- Challenge the wind, Serious Black- Rise of Akhenaton, Crematory- Destination, Porretas- La hemos cagao 2026, Haches- Vamos a romperlo todo, Polar- Tenue, Canciones con Historia: Daphne- Laika, Madvice- The legacy of the serpent god, Karelian Warcry- Horisontit.Escuchar audio

This episode of The Other Side of the Bell, featuring Mariachi trumpet performer and recording artist José Hernández, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "José Hernández trumpet interview" And, find the expanded show notes, transcript and more photos here   Few people have had a greater impact on Mariachi music over the past 50 years than José Hernández, and today José joins us to share his musical upbringing, his influences and education, his passion for education and some very interesting insights on balancing a professional music career with business ventures, such as his restaurants.   José is a composer, arranger, performer and recording artist, including being a key musical coordinator on Linda Ronstadt's landmark 1987 Spanish album, Canciones de Mi Padre, where he helped guide her pronunciation and the Mariachi direction of the music.   Plus, he continues to inspire younger generations through his educational programs, and founding two world-famous ensembles: Mariachi Sol de México®, and Reyna de Los Ángeles®, America's first all-female professional mariachi ensemble.   José is, relatively speaking, just down the road from us here at Bob Reeves Brass in Valencia, CA, so if you're in LA make sure to drop by both our shop and the Casa del Sol Cocina down in Irvine, for amazing food and entertainment! On Saturdays, the master could be there himself! About José Hernández: José Hernández is an internationally renowned Mariachi musician, composer, educator and cultural ambassador. He is the founder and musical force behind Mariachi Sol de México, the trailblazing Mariachi Reyna de Los Ángeles, the Mariachi Heritage Society and the Mariachi Rams, in partnership with the Los Angeles Rams.   Born on August 27, 1958, in Mexicali, Baja California, José comes from a proud lineage of mariachis and musicians, with family musical roots tracing back to the 1700s. He was named after his grandfather, José Hernández, a musician born in 1901 in Jalisco, Mexico, who helped lay the musical foundation that would inspire future generations.   In 1981, José founded Mariachi Sol de México® with a bold vision: to expand the boundaries of mariachi music and elevate the genre beyond its traditional roots in ranchera and golden-age Mexican cinema. Under his leadership, the ensemble has become a global ambassador for Mariachi, known for its musical excellence and genre-blending innovation.   Throughout his illustrious career, José has been nominated for four American Grammy Awards and nine Latin Grammys. He has collaborated with a remarkable roster of artists, including Vicente and Alejandro Fernández, Luis Miguel, Marco Antonio Solís, Lola Beltrán, Celia Cruz, Selena, Vikki Carr, Linda Ronstadt, Arturo Sandoval, José Feliciano, the City of Prague Philharmonic Orchestra and The Beach Boys.   Today, José Hernández continues to perform, compose, and educate while working on his highly anticipated autobiography, which will reflect on his 50-year career and the profound impact of mariachi music on American culture and the global stage. Episode Links: Website: mariachisoldemexico.com Restaurant: casadelsoloc.com Instagram @mariachisoldemexicodejosehdz Instagram @jh_maestro_sol Facebook @mariachisoldemexicodejosehernandez Rhapsody for Mariachi La Voz de Mi Trompeta Doc Severinsen & Jose Hernandez - Concierto de Aranjuez Linda Ronstadt album, Canciones de Mi Padre   Bob Reeves Brass Upcoming Events and Appearances: Texas Music Educators Association Conference, Feb. 11-14, San Antonio, Texas https://trumpetmouthpiece.com/products/tmea-valve-alignment-special Dillon Music, Feb. 26-28, Woodbridge, New Jersey sales@dillonmusic.com National Trumpet Festival, March 20-22, University of Iowa, Iowa City, IA https://trumpetmouthpiece.com/products/national-trumpet-competition-valve-alignment-special Metropolitan Music, April 10-11, Seattle, WA https://metropolitan-music.com Arkansas Trumpet Day, April 18th, Arkansas State University, Jonesboro, AR   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - José Hernández Audio Engineer - Ted Cragg

The crew pursues a bounty in a high speed chase...   You do NOT need to listen to Overture to enjoy Anthem! If you have the appetite to listen to both, we recommend starting with Anthem, then going back to listen to Overture!   Gain access to an exclusive campaign, Shroud Over Saltmarsh, over on Patreon: https://legendsofavantris.com/patreon The Crooked Moon, a folk horror supplement for 5e, is available for preorder! Get the Crooked Moon at: https://thecrookedmoon.com/ Watch more D&D adventures in the world of Avantris live on Twitch: https://www.twitch.tv/legendsofavantris Check out our merch store: https://shop.legendsofavantris.com  Join our community on Discord: https://legendsofavantris.com/discord Watch our many campaigns on YouTube: https://legendsofavantris.com/youtube  All other links: https://linktr.ee/legendsofavantris   Watch the full episode here: https://youtu.be/hX9cE_YFGoI?si=s09CS_YTVG5qtloq

Send us a textIntro: Tea For Two by Marion Harris (1925)5. Rhapsody in Blue by Paul Whiteman & His Orchestra (1924)4. My Blue Heaven by Gene Austin (1927)3. Ol' Man River by Paul Robeson (1928)2. Ain't Misbehavin' by Fats Waller (1929)1. Swanee by Al Jolson (1920)Outro: Someone to Watch Over Me by Gertrude Lawrence (1927)

A wonderful teen violinist who has lived all over the world performs Debussy. A 17-year-old saxophone player from Texas shares how he found his first instrument in a pawn shop and hasn't put the sax down since. He performs an exquisite Rhapsody by André Waignein.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In Part Three of Amy Bradley: Vanished at Sea, Dr. Phil sits down with Amy's younger brother, Brad Bradley, the last person to see her alive for a deeply personal examination of what really happened in the final hours before she disappeared.Brad revisits the night on board the Rhapsody of the Seas, clarifying long-misreported details about Amy's state of mind, her fear of the ocean, and the precise 30-minute window in which she vanished. He challenges the long-standing “overboard” theory with ship-speed calculations, docking procedures, and firsthand observations that place the vessel at Curaçao, not open sea, when Amy went missing.From missing photographs and unexplained crew behavior to critical details about the cabin scene that were altered before investigators arrived, this episode reframes the case through the eyes of someone who lived it and raises unsettling questions about what was known, when it was known, and who may have known more than they admitted.https://www.drphilpodcasts.com/amy-bradley-vanished-at-seaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vacations are supposed to be carefree—a time to disconnect from stress and reconnect with loved ones. But for the Bradley family, a Caribbean cruise aboard Rhapsody of the Seas became the start of a nightmare. Just three days into their trip, 23-year-old Amy Lynn Bradley vanished without a trace. No signs of struggle. No clear answers. How does someone disappear from a ship filled with thousands of people? And why, decades later, are there still whispers that Amy may be alive? This is the story of a young woman who set sail with her family… and never came home. Please consider supporting the pod by joining us over on our Patreon page! Are you up-to-date on all our regular content? Be a part of the C & C Fam by going to https://www.patreon.com/coffeeandcases to register! Learn more about your ad choices. Visit megaphone.fm/adchoices