Podcasts about Panasonic

This episode is a special one — the first in-studio guest ever joins Danny and Jason: Matt from Lumix UK. If you attended TWVS 2025, you'll remember Matt and the Lumix team letting guests get hands-on with the latest cameras (and the iconic confetti shots).We dive into:Matt's journey from post-production into weddings and his role at Lumix UKA full breakdown of Lumix's exciting S1R II and S1 II launchesReal-world wedding filmmaking features: open gate, hybrid zoom, stabilisation, and frame.io integrationWhy Lumix is crushing the low-light gameThe Lumix Loan programme and how to test the gear before buyingQuick-fire gear chat: underrated lenses, wish-list builds, and prime vs zoomThis is an absolute must-listen for any wedding filmmaker curious about hybrid shooting, simplifying their setup, or switching to Lumix.

We continue discussing Panasonic's recent announcements by talking about the Lumix S1 IIe as well as the new 24-60 f/2.8 L-mount lens. Also, DJI's new Mavic 4 Pro caught our eye, but will we ever be able to buy one? If you enjoy the show and want to contribute to our hosting costs, we'd welcome your support on Patreon. You can check it out here: https://www.patreon.com/cameragearpodcast Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: Synology 8TB BeeStation Plus Panasonic Lumix 24-60 f/2.8 [B&H] DJI Mavic 4 Pro [B&H] Mavic 4 Pro Review from PetaPixel

The AV industry is bracing for impact as tariff chaos threatens to detonate project budgets before InfoComm 2025 even begins. The mic market is in beast mode, thanks to the content creator gold rush that's turning every basement into a broadcast studio. The video version of this podcast can be found here.This week on AVWeek, Tim Albright leads a must-hear conversation with industry pros diving into the real cost of AV tariffs, the need for stability in economic policy to make informed AV decisions, and why the rise of podcasting and the demand for better audio in conferencing are pushing plug-and-play audio gear to dominate boardrooms and bedrooms alike.Host: Tim AlbrightGuests:Mark J. Pescatore – SCNJason Haynie – Q2This Week In AV:AV Network – AVPro Global Acquires RTIStrata-Gee – Harman & Klipsch LitigationrAVe Pubs – Open AV Cloud Launched by Panasonic, Sony, BrightSign & moreAV Magazine – Cisco Fastest Growing Partner for TeamsCommercial Integrator – Visionary Renews Partnership with Resorts World Las VegasRoundtable Topics:AVNation – Tariffs on AV ahead of InfoComm 2025AV Network – Podcast Surge & Audio EquipmentSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 175 Chapter 34, Live Electronic Music— Foundations. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 34, Live Electronic Music— Foundations from my book Electronic and Experimental music.   Playlist: LIVE ELECTRONIC MUSIC FOUNDATIONS   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     John Cage, “Radio Music” (1956) from John Cage. Performed on radios by Gianni-Emilio Simonetti, Juan Hidalgo, Walter Marchetti. Each of these performers used a Panasonic multi-band portable Radio Model RF-1600 B receiver. 04:33 01:40 2.     John Cage, “Cartridge Music” (1960) from Music For Merce Cunningham. Phonograph Cartridges, Amplified Small Objects, David Tudor, Michael Pugliese, Takehisa Kosugi. Recorded at Paris, France in September 1988. 18:53 06:12 3.     Alvin Lucier, “Music for Solo Performer” (excerpt) (1965). Live recording from 1975. Brainwave amplification performed by Alvin Lucier; electronics, Nicolas Collins. 11:46 25:04 4.     Gordon Mumma, “Horn” (1965) from Live-Electronic Music. Electronic modification of horn sounds. Horn, Gordon Mumma; Cybersonic console, designed by Mumma, operated by William Ribbens; Recorded by George Cacioppo; Voice, George Cacioppo, Robert Ashley. For a hornist, two voices, and a cybersonic console operator. 09:36 36:48 5.     John Cage, “Variations V” (1965). Performance on November 11, 1966, Théâtre de Champs Élysées, Paris. Performers, John Cage, David Tudor, Gordon Mumma. 39:57 46:10 6.     David Tudor, “Bandoneon ! (A Combine)” (1966) from The Art Of David Tudor 1963–1992. Composed and performed by David Tudor. 14:15 01:26:43 7.     David Behrman, “Runthrough” (1967–68) from Wave Train. For homemade synthesizers and photocell mixers. Homemade Synthesizer, Photocell Mixer, Alvin Lucier, David Behrman, Gordon Mumma, Robert Ashley. 12:11 01:40:26 8.     Gordon Mumma, “Telepos” (1972) from Music For Merce 1952-2009.  Recorded live on February 2, 1972, La Fenice, Venice. Controlled Sounds Activated By Dancers With Telemetry-accelerometer Belts, Gordon Mumma. 18:38 01:52:34 9.     Pauline Oliveros, Rehearsals for “In Memoriam, Nikola Tesla” (excerpt) (1972). Recorded live September 1972, Köln, Germany.  No performers listed. 11:56 02:11:06 10.   Robert Ashley, “Automatic Writing” (1974–79) from Automatic Writing.  Electronics, Polymoog, Voice, Words, Produce, Recorded, Mixed by Robert Ashley; Mixing Assistance, Rich LePage; Switching Circuit Designed and Built by Paul DeMarinis; Translated by Monsa Norberg; Voice, Mimi Johnson. 46:00 02:23:04   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Panasonic announced the Lumix S1 II, and we just have one question: is this the camera of Daniel's dreams? If you enjoy the show and want to contribute to our hosting costs, we'd welcome your support on Patreon. You can check it out here: https://www.patreon.com/cameragearpodcast Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: New Pebble smartwatches Panasonic Lumix S1 II product page PetaPixel's S1 II review Gerald Undone's S1 II video review CineD S1 II Lab Test Panasonic Lumix S1 II [B&H]

Chuck E. Cheese's Melissa McLeanas joins hosts Damian Fowler and Ilyse Liffreing on The Current Podcast to discuss how Chuck E. Cheese is leveraging its iconic IP for the streaming era, what advertisers are excited about and more. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian FowlerIlyse Liffreing (00:01):And I'm Ilyse Liffreing,Damian Fowler (00:02):And welcome to this edition of The Current Podcast.Ilyse Liffreing (00:09):This week we're thrilled to be joined by Melissa McLeanas, Vice President of Global Media Licensing and Entertainment at Chuck E. Cheese.Damian Fowler (00:18):For people who grew up in the us, Chuck E. Cheese means childhood birthday parties. It's long been a go-to destination for pizza games and the giant mouse that knows every kid's name.Ilyse Liffreing (00:29):In short, it's a pop culture icon with over 500 worldwide venues. But under Melissa's leadership, the brand is leveling up by launching the CEC Media Network in partnership with programmatic platform future. Today,Damian Fowler (00:42):It's a big move that signals a shift from just a physical play space to a full on entertainment platform, think digital storytelling in store screens, branded content and advertising that actually fits into the family experience.Ilyse Liffreing (00:57):We're going to jump in and talk about why in venue media might just be the next big driver of customer loyalty and growth.Damian Fowler (01:07):Chuck E. Cheese is such a nostalgic brand, especially in the United States, but here you are launching a full media network, which is a kind of big new chapter for you. Can you walk us through the vision and the strategy behind the CEC Media network and what is bringing it to life?Melissa McLeanas (01:26):Absolutely. First of all, thank you so much for having me. It is an incredibly exciting time at CEC Entertainment. Then Chuck Cheese, I would say it's a bold new chapter for the company and the Media network is really just a piece of that. The brand has been going through an incredible transformation over the last few years, and really at the heart of that is the vision to establish this brand as a global leader in entertainment. Now, I say that, but it's really reestablished the brand in entertainment. Chuck E. Cheese was born in entertainment. I don't know if you know, but the E in Chuck E. Cheese stands for entertainment. And really when you think back to where we started, we were a leader and really established the category of EAT entertainment. And as that space has evolved and family entertainment centers have really taken that center stage, we've continued to be a leader and an innovator in that space.(02:14):But a few years ago, I would say we probably hit a wall and it was a little bit tired. The bones were good as they would say, but it was really time for a reset and bringing a new leadership team to the forefront with a new background and experience in entertainment. We established several different strategic objectives, one of them being the division that I lead, and that's media licensing and entertainment. So really very simply put, the mission is to really drive incremental value and revenue for the company in a new way. So all US locations, we've invested over 350 million back into the business, a capital investment, and I'm happy to say that right now at this point we've completed the US all US locations, so just under 500, no small feat, and we're about to finish our own Canada locations as well. And what this looks like is cosmetically update to the interior and the exterior, a revamp of menu, all new games, and that entertainment package now features a large video wall. And then of course our character program.Damian Fowler (03:16):That's a lot right there. It's almost like you've had a complete perception shift in terms of what you're doing. It sounds like you are a channel in and of your own right and media channel. You mentioned out of home, but there's also CTV on all those points. This is a kind of multistream content strategy. And could you just talk a little bit more about how that will ultimately reach all of these consumers and how it'll deepen engagement, I guess, for families who go to all these different venues in the US and around the world?Melissa McLeanas (03:50):So yeah, that's a great point. So I guess let me step back and actually talk about what that content looks like. Within our fund centers, we have entertainment programming, let's call it a 90 minute loop, and it consists primarily of entertainment, content, family friendly entertainment content. Of all these initiatives, obviously the first and foremost most important thing for us is to make sure that we're delivering an amazing experience for our guests. And so that content must do that. It has to be relevant for our families, it has to be engaging, and it really has to convey everything that our brand stands for. So that's a mix of our own original content. So I talked about that, the library. And so we continue to create new content and then we pull from our library of content. So we really look for things that are a little young, but it has to be appealing to an older guest.(04:37):At the same time, there can be aspirational content, so maybe some of our 10 year olds and 12 year olds are there with younger siblings, and then you got your parents. So there's a lot of opportunity there. The other thing that digital screens in this update to programming does is it allows us to do regular seasonal updates. And I think that's also really important, especially as we're growing programs like our membership program, our past program, we've got some repeat visitation, we're consistently updating and keeping that fresh throughout the year. Now as part of that, there's a lot of partner opportunities. And so for our entertainment partners, like I said, you can get the latest clips from your newest release for some of the newer content creators. We've got an active captive audience sitting right there paying attention to those screens, and we've created an environment where they're tuning into those screens. And so bringing our characters, since we do all of that content ourselves and working with other content creators to create some co-branded content, there's a lot of different ways for partners to really be a part of that entertainment experience.Ilyse Liffreing (05:38):Now I know it's early days too, but perhaps you can talk about some of those partnerships that you have going on with needy buyers and national advertisers and then how important the media network is to Chuck E. Cheese's broader business evolution.Melissa McLeanas (05:54):Absolutely. I'll actually take that moment to do a quick and talk more specifically on the advertising opportunity. I think a lot of what we're doing with the content and the characters is incredibly exciting, but it's also a really exciting time in the digital out of home and out of home space. So if you look at other venue operators and retailers, they're debuting these owned media networks. And so we've really took a page out of their book and we said, Hey, we've got this updated experience, we have this traffic. How do we really bring this to partners in a big way? And so on the, I would say the tech solutions side, we've had some really strong relationships with Panasonic so that we've got media players in advertising solutions that are going to support the various types of advertisers locally, regionally, nationally. And then we most recently have a relationship with Vista Media, so we were able to integrate their supply side platform directly into that CMS.(06:44):So that gives us access to a wide array of advertisers, and they're coming straight through programmatic, so turnkey solution for those who are buying programmatic space. So we're seeing a lot of advertisers come through there. And then we've got some more strategic relationships in the entertainment space. Kids BOP is one of those. They've been a partner for many, many years. And in addition to some of the entertainment content, they've really leveraged these screens to advertise tours to localize and talk specifically to upcoming tours at a specific venue ahead of that. We've worked with the Harlem Globetrotters to do the same, and then we have a various CPG toy, again, family appropriate, parent appropriate that are really taking advantage of those screens. And then of course we're talking out of home, but I don't want to forget too that we also announced a partnership with Future Today.(07:33):And so in addition to having this opportunity around content in our venues, we also have this content online. So we've had a lot of this on YouTube and YouTube kids. We actually started putting our content there in 2012 and have been doing so in a more meaningful way in the past few years. And with this new relationship with Future Today, a leader in the CTV space, not only are we getting content on their Happy Kids channel and their network alongside the co melons and the Paw trolls, but in the future we're working towards launching our own streaming network. So Chuck E. Cheese branded Fast Channel, so ad supported, but again, leaning into the content and the IP and engaging those guests and those fans and then offering that opportunity to brand safe and family friendly advertisers.Ilyse Liffreing (08:17):I know Chuck E. Cheese has traditionally been mostly about the physical experience before all of this. I remember going there as a kid, my dad brought us there all the time growing up, and obviously that part of the business is not dying down at all. I'm curious how many screens you have at each of the 500 plus venues that will be part of this network.Melissa McLeanas (08:41):So every location has a video wall, and that's going to be the focal point of when you walk into Chuck E. Cheese and it's incredibly important. You really can see that almost anywhere in most locations. Every one of our locations is unique, they're like children. They vary in size and layout, but really that video wall is huge. And then screens and the number of screens is going to depend on that layout and how big the location is. So it can be anywhere from six to 15 to 18 in some of our larger locations. So it's done strategically to make sure that there's visibility no matter where you are. And then audio isn't tied to those screens, so audio is just piped uniformly throughout the entire locations.Ilyse Liffreing (09:21):Besides those giant screens, are there any other ways you guys are blending that physical presence within the new digital touchpoints that you're bringing?Melissa McLeanas (09:30):So like I said, the character program is, I mean the epitome of the live physical experience. And so we really try to find a balance between how we take the digital parts of our brand and our entertainment and balance that with the interactive and the physical. So when the character, when Chucky comes out, whether it be for a birthday or for a dance, there's also supporting content on the screen that really help families follow along, be able to follow and interact with their parents and their friends and all of that. So we want to make sure it's on an interactive dance floor. So there's a lot of different ways to bring that to life. We also just recently launched a STEAM program, and so that is rooted in the media that you see on those screens, but then as part of that curriculum, those kids go off into the game rooms and they're playing with the games and they're doing all the different tasks that they've learned.(10:21):We did that in partnership with stem.org and then just digitally throughout the locations, our menu boards are all digital now. We've done some tremendous and deep upgrades in terms of innovation and technology, so no more tickets, which some people get sad about because that visual of having that bucket of tickets feels so iconic. But etickets are far more efficient for families that are trying to get through the price counter and out the door. So we've got Etic, we've got Play Pass, no more tokens, the menu boards, the games. We're really leaning into digital. It makes us more efficient when we need to make changes. We think about testing menu items in certain local and regional rollouts that's all supported digitally. It's far easier to make those updates on the backside than it is to roll out new point of sale and printed materials. And so we're looking for those digital opportunities throughoutIlyse Liffreing (11:11):Life. Things are certainly changing.Damian Fowler (11:12):They really are. Let's talk a little bit about some of the takeaways from all of these innovations. Now, let's say you're a family, you've been exposed to the video wall and the games room and you go home. How is this exposure being measured across the network, if you like?Melissa McLeanas (11:28):Yes, feedback is everything. We actually have a really active fan base and we do have guests who are reaching out to give us feedback. We have an in-house insights team and we have regular surveys, and then they're asking questions across every element of Chuck E. Cheese because we want to make sure that we're understanding as we update and introduce new exactly what's working, what's not and what can be better and happy to, the screens in the entertainment continues to have a really positive score. A very high guest are seeing it, they're tuning in and they love the entertainment. And so we'll continue to watch that. And when it comes to the advertising campaigns, from a measurement perspective, we're working with companies like Place their AI and an IMP purview to measure the impressions through our door as well as impressions against our screens, both being well-recognized auditors, if you will, in that space.(12:20):We don't sell tickets, so that's important to make sure that when we do these campaigns we can accurately say this is how many folks we're actually exposed to those screens. And then as we continue to work with our partners, and then I think this is something you'll see, especially in the digital out of home space, it's constantly evolving. And so for us it's really important to work with partners on their campaigns and understand those KPIs because we are a unique platform and the guests are engaging with these screens maybe differently than they might and screens out in a different venue. And so we want to make sure that the content that we're delivering, one, again, great guest experience and it's appropriate for our families, but two, it's achieving what our partners are looking to do with these campaigns.Ilyse Liffreing (13:04):So you've spoken about how Chuck E. Cheese as a brand spans generations. How do you ensure that the content and messaging then stay relevant to today's kids while still honoring the brand's legacy from the past?Melissa McLeanas (13:18):It's an amazing gift to have a brand and a character that has touched almost five decades, and that comes with great responsibility first and foremost, at the heart of what we are still, where a kid can be a kid. So as we continue to innovate and evolve for these families, we never lose sight of that. We are a kid first space. So while our content could be developed with co-viewing in mind and there's some Easter eggs that maybe parents will understand, but it's just fun silly songs for kids, we want to make sure that kids still own their space. Chuck E. Cheese is a place for kids. Our parents obviously need to enjoy their space too. And so in addition to how that content comes to life within our fund centers, we take a lot of opportunity to find extensions outside our four walls that pay homage to the rich legacy that this brand has.(14:11):So licensing is an important part of the strategic objective of growing this brand and increasing its value and entertainment. And so we've really grown our license program over the past five years. We've got just over 35 licensees and we've been able to really segment our brand across these decades and offer a classic Chuckie for those who know the OG seventies, eighties, Chuckie with the bowler hat. And we've got our retro Chuckie who's skater and he's the nineties, two thousands, and we offer that up to teen and young adult audiences in various spaces that make sense. We've done a few other things like we've saved our animatronics and in a few different locations, we started that in Northridge, California, wildly successful, lots of feedback there. And so we were able to extend that to four additional stores. And so those animatronics are going to live in those locations.(15:02):They're still fully remodeled, they're still on the media network, they still have all the new, but for fans that want to pilgrimage to see the original band in that format, those are available and we continue to look for opportunities like that. We've announced Chuck Arcade, it's an arcade space that's really geared towards Martine and adult, and there's some really fun touch points. Again, paying ho much to the legacy. And so we want to make sure that, again, our brand is a brand and we're going to take care of those kids and those families, but there's a lot of opportunity to really extend that and talk to the other generations of fans.Ilyse Liffreing (15:36):I certainly appreciate that. I remember Skater, Chuckie, myself, ninetiesMelissa McLeanas (15:41):Chucky, everybody has their Chuckie.Ilyse Liffreing (15:42):Oh yeah. I know it's early days still, but how has the feedback been so far from the brands that you guys are starting to approach about the network? Is there excitement, interest?Melissa McLeanas (15:56):I think a takeaway that is for brands and partners and even a lot of our guests is because just as you said, everyone has their Chuck E. Cheese and this is a brand that has such incredible awareness and strong attachment to a very specific memory and time of when you had your Chuck E. Cheese experience. As we're going through this remodel and introducing the median network, it's a bit of a surprise when they actually go in and they're like, oh my goodness, this is not the Chuck E. Cheese that I used to know. And we hear it from guests and it's why we really lean into reopening events when we remodel a location and then really make a splash in the local community. And I'm hearing that a lot from partners. It's incredibly positive once they see how their brand is coming to life on these screens and we're hosting lunch and learns with agencies, you have to see it to get it because that memory is so strong in so many people and we're doing things so differently. And so it's been really positive and it's been exciting, but it definitely is. It's a space where you've really got to lean in and say, oh, wait a second. You're right. This is incredible.Damian Fowler (17:06):We seem to be in a sort of almost, you mentioned the ip, but we seem to be in a bit of a golden age as it were, of brand storytelling and more and more brands leaning into sort of that owned media channel to tell their stories. How do you see this whole media network fitting into that general trendMelissa McLeanas (17:23):From a brand storytelling perspective? It's funny. We always make this differentiation. Our characters are part of our experience. We never look at them to tell the experience. And so as we debut all of these new channels for our content and open up to a larger audience, we have the opportunity to really dive into these characters, their personalities and invest in telling their story and in a deeper way. And so we've got so much content, but there's so many new formats that we are excited about long form formats, animation, publishing, and so much of that can be supported and come to life on these channels. But when we think about a storytelling opportunity from a character perspective, there's a great path forward to really get these beloved characters out there and to continue to build their world, their ecosystem, and not just in content. How do we take them outside the four walls? How do we create more experiences? We've taken the band out on tour, how do we do that in a bigger way? And I think these channels and this content is the beginning of a much bigger journey for the characters.Damian Fowler (18:31):Yeah, I imagine. Is there a movie in the works?Melissa McLeanas (18:36):No comment. No. In all serious, that's where we're going. That's where we're thinking for these characters. And so while nothing has been announced, I think we've been fairly vocal in the fact that that is what we would like to do and how we are making decisions on content and bringing on partners.Ilyse Liffreing (18:55):It's amazing. Looking even further ahead, if the movie doesn't happen, if the movie does happenMelissa McLeanas (19:03):When the movie happens,Ilyse Liffreing (19:03):When it happens,Melissa McLeanas (19:04):Exactly when the movieIlyse Liffreing (19:06):Happens, I like it. It happens. What else do you see in terms of innovation, whether it's maybe gamified content, augmented reality, personalized experiences, is there anything else that you guys are hoping in the near future to evolve the Chuck E T's experience?Melissa McLeanas (19:26):Gaming is in our DNA. And so I mean we are the largest arcade operator in the world. We buy thousands and thousands of games. We've got 2 billion game plays a year. And so we're always looking and talking to different companies about how we can continue to innovate in that space. And so that's always on our radar. You've seen a change in even some of the games that have come through our doors, things like ar, you need to make sure that it's safe for our young kids, but we're always having those conversations and now that we've got more media driven experiences, there is opportunity to take that to the screens. And with the dance floor personalization, if you think about birthday and how important that is to our brand, personalization is something that we're always looking to do in a bigger way. So from tiering and offering different options to our parents who are booking parties, to giving something personal just to remind or say happy birthday to the kids and how we can do that with our characters and at scale is something that is starting to get more exciting as this technology evolves.Ilyse Liffreing (20:34):Amazing. Let's go into some of rapid fire questions now, some quick fun ones for you. So the first one here is actually about your background. You've held roles across licensing, entertainment and media. What would be one lesson from building these brand partnerships that served you especially well?Melissa McLeanas (20:55):Partnerships can be incredibly powerful and they can serve so many purposes. And I think right now in the industry, you're hearing the word collaboration a lot. And it's refreshing because I also think that if you look back a few decades, it was very rigid of this is the partnership, I need X, you get X, this is how we do it or we don't do it. And I think the openness and the receptiveness across all industries, entertainment, licensing, media of building something that is going to benefit both parties in a bigger way has really changed how a lot of these partnerships have come to life. And for us, and in this journey that we've been in, they've really been a huge benefit to us. And one telling our story, aligning with some of these best in class entertainment brands and putting Chuck E. Cheese in a conversation that frankly people weren't expecting. And as you said, I have been very fortunate to have worked with some amazing partners across my career and bring some of these different programs to life and building them around Chuck E. Cheese has been really fun.Damian Fowler (22:02):What other family or entertainment brand is doing something truly innovative in the media space that inspires you?Melissa McLeanas (22:10):So I'm a theme park nerd, admittedly because of my background, and this almost feels like a cop out, but it has been really exciting to watch Universal grow as a behemoth in this space and even their marketing and from a grassroots perspective of how they've been able to engage their fan base. It's just fun and it's exciting to watch someone in that space grow as they have. But all that said, what I think is even cooler in location-based entertainment is these snackable moments that are kind of emerging outside of these giant theme parks. I think in the beginning it was always like that can only happen if you're paying a high ticket price to go to a Universal or Disney. And now so many of the IP holders and the brands are bringing these really cool experiences to life outside of that, whether it be a mobile tour or a retail experience or maze that's themed for the season. And I think that's really elevating the space and it's giving a lot of us opportunity to activate in these ways that doesn't require a giant theme park build around it. And so I think that the location based entertainment and experiential space in general has been growing and being more creative over the past few years.Ilyse Liffreing (23:22):Do you have a favorite moment from launching the CEC Media network?Melissa McLeanas (23:27):I think something that I could really call out is the feedback from our operators. So when you work for a company that is really the life force is your field and your cast members and your operators on the ground. We've got some cast members and some managers that have been with us for over 30 years and they know this brand and they've been delivering this amazing experience and change is hard. So when this started testing in markets and we got not only good feedback, but outwardly positive feedback and managers were approaching me like, you know what you could do? I'm like, this is fantastic because not only are we updating the entertainment experience, we're delivering on all these new objectives, but we're bringing value to the team that's operating and they see this great opportunity to talk to their guests and to be more efficient. And so that was very satisfying and it made it all the better because they really are the ones that are doing the work on the ground and making sure that this brand is coming to the life in the best of ways.Damian Fowler (24:27):On that point, was there a personal moment that stands out that you've witnessed where the brand genuinely sort of moved you or surprised you in how it was being received?Melissa McLeanas (24:38):So yes, I mentioned this summer concert series, and I'll give you a little bit of context. So during the pandemic, we had to close a lot of locations and as we started to open them, we made the decision to keep Chucky outside the fun centers to our families. That message was that he was recording an album and we didn't realize that he was going to have to record a box set in the end, but when we did get to a place where we were getting comfortable to bring him back to our guests and it wasn't everywhere, we were trying to think of how best to do that. And again, this is still early for me and in my role at Chuck E. Cheese. And so we decided to, for the first time ever, create a fully choreographed scripted show, 30 minute show with our characters, took 'em out on the road, all free concerts, open air outside public parks so all guests could attend no matter where we were in the world in terms of what those restrictions looked like.(25:33):And it was just an amazing team building event. So it's all new music, upbeat, fun, I still have it on my playlist, but we have our birthday song as part of this concert and we do it under the guise of Does anyone have a birthday this year? Which is of course everyone. And if you're familiar with the Chuck E. Cheese birthday song, it's not just Happy Birthday, it's very specific to Chuck E. Cheese. And as it started, every single guest was up and singing along to the lyrics and dancing the food truck vendors, the parents, everybody knew this song. And from a moment that was needed, it was incredible. But from a brand perspective, that's really powerful and that's really something special. And so that really stood out in my mind of like, wow, this is something, we really got something. So that would definitely be it. And if you don't know the birthday song,Ilyse Liffreing (26:25):I do know we can practice it after do birthday song.Damian Fowler (26:28):We should play this podcast out with a birthday song soon.Ilyse Liffreing (26:30):Yes, we should.Damian Fowler (26:32):Well, first off, Melissa was so enthusiastic about this new brand, this new entertainment network that the company's launching. I almost couldn't keep up with the amount of innovation the brand is putting out.Ilyse Liffreing (26:45):So much, so much has happen isDamian Fowler (26:45):Incredible. But I feel like there were a couple of bits there where she almost gave us some news. She talked about Chuck E. Cheese streaming platform potentially on the horizon, and then we sort of joked about this, but Chuck E. Cheese movie. But in an era where IP is everything and we're thinking of Barbie, why not?Ilyse Liffreing (27:05):Yeah, no, there's so much value in it for other advertisers too, when they're building this media network across their 500 plus venues in the US and internationally, that's a lot of screens and advertisers want to be with kids and with their parents especially.Damian Fowler (27:24):Another thought that was interesting to me was the way she talked with the way Melissa talked about the digital out of home and Chuckie, she's venues being almost an extension of that channel that is on the up and up really, and especially when it comes to programmatic media. So that was also something that I found intriguing.Ilyse Liffreing (27:44):It's also nice to know that they're doing a good job of blending their physical footprint with the digital and keeping everything we like about Chuck E. Cheese still alive in some way. Even those who remember the brand from the seventies, eighties, nineties, check that mouse is still there.Damian Fowler (28:05):Yeah, well, I can't say I grew up with it, but I know you did. So it's reassuring that that nostalgia is still alive.Ilyse Liffreing (28:11):And maybe for my birthday next year, are you going to invite me? Yes, Damian, you're invited. Thanks. And that'sDamian Fowler (28:18):It for this edition of the current podcast.Ilyse Liffreing (28:21):This series is produced by Molton Hart. The current podcasts theme is by Love and caliber. The current team includes Kat Vesce and Sydney Cairns.Damian Fowler (28:29):And remember,Melissa McLeanas (28:30):Our characters are part of our experience. We never look at them to tell the experience. I'm Damian and I'm my, we'llIlyse Liffreing (28:38):See you.

Lyngdorf's new amplifier has a touchscreen interface. Is an all-digital screen a selling point or a detriment? Panasonic is cutting its global workforce by 10,000 people. What this means for our industry. LG integrates with Kardome to introduce spatial hearing AI into their devices. How spatial audio's applications in the commercial space is making its way into the home. The video version of this podcast can be found here.Every week we bring you the latest news and information for the residential space. We break down these stories with a panel of experts to find out what integrators need to know surrounding AV. This week have Avi Rosenthal of BlueConnect Partners all to ourselves as we dive into some interesting topics and their effects on the industry.Host: Matt ScottGuests:Avi Rosenthal – BlueConnect PartnersLinks to sources:CE Pro – Lyngdorf TDAI-2210 AmplifierCE Pro – Panasonic to cut 10,000 jobsResidential Systems – LG Partners with Kardome for spatial audio AISee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

בפרסומת האיקונית נגד פיראטיות השתמשו בפונט שהוא שכפול פיראטי של פונט אחר.  יוצר הפונט: זה מצחיק    לפני 20 שנה הייתה פרסומת מאוד איקונית בסרטים על גבי DVD נגד הורדות סרטים, שאמרה שלהוריד סרט זה כמו לגנוב עותק פיזי שלו וזה כמו לגנוב טלוויזיה, תיק או רכב.  פיראטיות היא פשע, ובאנגלית Piracy Is a Crime נכתב באותיות של קידוש לבנה. ואפרופו אותיות האלה, הן כתובות בפונט פיראטי. לפני שבועיים מליסה לואיס, עיתונאית ומתכננת, כתבה ברשת בלוסקיי "היום למדתי שהסרטון נגד פיראטיות משנות ה-2000 השתמש בפונט שעוצב על ידי יוסט ואן רוסום, שאחיו חידו יצר את שפת התכנות פייתון". היא מצאה את זה אחרי שחיפשה מידע על הפונט שמופיע בספר זייטגייסט של ברוס סטרלינג. ואז משתמש אחר בשם ריב, שמציג את עצמו כמשמר מדיה ומשחקים ישנים חקר קצת יותר. באמצעות ה-Waybackmachine הוא גלש לאתר של הקמפיין (piracyisacrime.com) ואיתר מסמך PDF עם שני סוגי גופנים - הלווטיקה (שכולם מכירים בלי לדעת שזה השם מלוגוים של חברות כמו Jeep, Post it, Panasonic ומלא אחרים). ופונט נוסף שנקרא XBAND Rough. ואן רוסום לא קרא לפונט שלו XBAND Rough אלא FF Confidetial, שאפשר למצוא גם היום ולרכוש רשיון עבורו. המסקנה מהדיווחים על הסיפור הזה שהפונט הזה כנראה שוכפל קיבל שם אחר והופץ בחינם, וסביר להניח שיוצרי הקמפיין לא ידעו שמדובר בגופן לא שלהם. יוצר הפונט אמר לרשת סקיי ולטורנט פריק שהוא ידע שיש עותק פיראטי של הפונט שלו, אבל לא ידע שזה העותק שהיה בפרסומת ושזה מצחיק אותו. הפונט כבר לא שייך לו, אז הוא לא יתבע. סקיי פנו גם לארגוני זכויות יוצרים, ובינתיים קיבלו תשובה מ-FACT שאמרו שהפרסומת נעשתה מזמן והאנשים שהיו אז בארגון כבר לא עובדים בו. ועובדת בונוס לסיום - האתר של הקמפיין piracyisacrime.com נסגר לפני כמה שנים ולפי טורנטפריק מתישהו הפך לאתר ביפנית שעוסק בעבודת סיעוד. ואז ב-2021 הוא הוצע למכירה ב-3,000 דולר למישהו שכבר 4 שנים יוצר ממנו רידיירקט לפארודיה שנעשתה על הסרטון המקורי בסיטקום הבריטי IT Crowd. לרלרת אהוד כמעט נדרס על ידי אופניים חשמליים שחר עשה טיפול שורש ולא הרגיש כלום

Harman buys Sound United. Emotiva Pre-Pro Trade-ins AND Upgrades. Panasonic 2025 OLEDs. Sonos ends IKEA Symfonisk. Rob has a sad. The post AV Rant #967: It’s CR8! appeared first on AV Rant.

DJI's new Mavic 4 Pro brings true D-Log to all three cameras and a 360° rotating gimbal – but is it enough to replace your camera? Nino and Johnnie also dive into Panasonic's LUMIX S1II and S1IIE, covering ProRes RAW, a stacked sensor, and CineD's lab test results. Brought to you by CineD.com – your source for filmmaking tech news, reviews, and education. Tune in and get all the details! Sponsor: This episode is sponsored by FUJIFILM. Check it out at (28:13)   Chapters & Articles Mentioned in This Episode:   (00:00) -  Intro (01:53) - DJI Mavic 4 Pro First Look Review – D-Log 10-Bit on All Cameras, 6K Video, and a Fully Rotating Gimbal https://www.cined.com/dji-mavic-4-pro-first-look-review-d-log-10-bit-on-all-cameras-6k-video-and-a-fully-rotating-gimbal/   (29:13) - Panasonic LUMIX S1II Camera Released – Partially Stacked Sensor, 5.9K 60fps, Open Gate, Internal ProRes RAW, and More https://www.cined.com/panasonic-lumix-s1ii-camera-released-partially-stacked-sensor-5-9k-60fps-open-gate-internal-prores-raw-and-more/ Panasonic LUMIX S1II Review - First Impression and a Mini-Documentary https://www.cined.com/panasonic-lumix-s1ii-review-first-impression-and-a-mini-documentary/    (47:26) - Panasonic Future Firmware Updates for the LUMIX S1II, S1IIE and S1RII Annou nced https://www.cined.com/panasonic-future-firmware-updates-for-the-lumix-s1ii-s1iie-and-s1rii-announced/   (48:47) - Panasonic LUMIX S1IIE Camera Announced – the “Essential” Version of the S1II https://www.cined.com/panasonic-lumix-s1iie-camera-announced-the-essential-version-of-the-s1ii/   (52:09) - Panasonic LUMIX S 24-60mm f/2.8 Standard Zoom Lens for L-Mount Released – Compact and Lightweight https://www.cined.com/panasonic-lumix-s-24-60mm-f-2-8-standard-zoom-lens-for-l-mount-released-compact-and-lightweight/   (56:31) - Panasonic LUMIX S1II Lab Test – Rolling Shutter, Dynamic Range, and Exposure Latitude https://www.cined.com/panasonic-lumix-s1ii-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com   

- IEA Lowers U.S. EV Sales Forecast - EVs Won't Displace as Much Oil as Forecast - Panasonic Drops Plans For 3rd U.S EV Battery Plant - Subaru Trailseeker EV Could Get Axed - Vermont Pauses ZEV Mandate - GM Suspends H2 Plant in Detroit - Trump EPA To Get Rid Of “Stop/Start” - GM Also Developing LMR EV Battery - Kia's Wheelchair Accessible PV5 Van - Bosch Emphasizes U.S. Investments - Toyota Drops “4x” From bZ4x, Intros BEV C-HR

- IEA Lowers U.S. EV Sales Forecast - EVs Won't Displace as Much Oil as Forecast - Panasonic Drops Plans For 3rd U.S EV Battery Plant - Subaru Trailseeker EV Could Get Axed - Vermont Pauses ZEV Mandate - GM Suspends H2 Plant in Detroit - Trump EPA To Get Rid Of “Stop/Start” - GM Also Developing LMR EV Battery - Kia's Wheelchair Accessible PV5 Van - Bosch Emphasizes U.S. Investments - Toyota Drops “4x” From bZ4x, Intros BEV C-HR

Welcome to The Collaboration Space podcast. Our guest speaker today is Linda Hess from Panasonic.Projections indicate that by 2026 and beyond, institutions will encounter increased challenges due to shifting demographics and a heightened demand for specialized, engaging educational experiences. How we learn has changed. The ability to cultivate immersive, technologically advanced learning environments will be a critical differentiator. Today, we'll explore how the latest audiovisual technology for education, including advancements in projection and display technology, creates compelling educational spaces. We'll discuss how these tools can attract prospective students and foster an environment that nurtures their academic journey, ultimately promoting student success and institutional loyalty.We'll also go beyond the classroom and talk about educational experiences in simulation environments and venues like museums.Get started with AVI-SPL education technology solutions.Explore Panasonic solutions that power educational experiences.Get AV and unified communications news delivered to your inbox.Follow AVI-SPL: Linkedin X YouTube

As mudanças climáticas já afetam a sociedade de forma muito próxima, afirma Sergei Epof, vice-presidente da Panasonic no Brasil. Era do Clima: Rumo à COP-30 é apresentado por Ambipar, Hydro, JBS, Governo do Pará e SyngentaSee omnystudio.com/listener for privacy information.

Ayako Shotoku, Group General Counsel and Chief Risk Management Officer at Panasonic, shares her journey detailing her unexpected pivot from an international marketing role to go on to become the head of Panasonic's legal team and also an Executive officer and board member.  Ayako opens up about her early career, including her decisive transition into law, the influence of mentors, and the importance of stepping out of one's comfort zone. Ayako also reflects on her challenges, notable mistakes, and the invaluable lessons they taught her. If you are wondering if you are cut out to lead hundreds of people in an organisation, then this is the episode for you.If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here!In this episode you'll hear:What happened when Ayako's marketing section was closed and she was assigned to the legal departmentHer learnings from challenges inside the company and in her leadership roleThe importance of mentoring forward in gratitude for mentorship receivedHer favourite bar, a memorable travel experience and other fun factsAbout AyakoAyako Shotoku is a Director, Member of the Board, and Executive Officer at Panasonic Holdings Corporation, where she serves as Group General Counsel and Chief Risk Management Officer. With a career spanning over three decades at Panasonic, she brings extensive experience in legal, compliance, and risk management to the table.She holds a Bachelor of Arts from the College of Comparative Culture at the University of Tsukuba and an LL.B. from Chuo University. She also obtained an LL.M. from the University of Pennsylvania Law School.Her career at Panasonic has been marked by consistent advancement and leadership. She joined the company, then Matsushita Electric Industrial Co., Ltd., in 1991 and has since navigated the complexities of legal and compliance in a rapidly evolving technological landscape. From serving as General Counsel for various key divisions, including Automotive and Connected Solutions, to her current role overseeing the entire group's legal and risk strategy, she has consistently demonstrated her ability to lead and innovate within a global corporation.In her free time Ayako likes traveling, visiting places she has never been to, slow jogging and watching movies/dramas.Connect with AyakoLinkedIn: https://www.linkedin.com/in/%E5%BD%A9%E5%AD%90-%E5%B0%91%E5%BE%B3-2a98b6163/ LinksBar Augusta https://tabelog.com/osaka/A2701/A270101/27002511/ Connect with Catherine Linked In https://www.linkedin.com/in/oconnellcatherine/Instagram: https://www.instagram.com/lawyeronairFacebook: https://www.facebook.com/catherine.oconnell.148Twitter: https://twitter.com/oconnelllawyer 

Caleb Denison, formerly of Digital Trends, joins eCoustics Editor at Large, Chris Boylan and eCoustics Founder, Brian Mitchell to discuss the best 2025 televisions. In addition, Caleb shares his thoughts on the state of the 2025 TV market and the latest flagship TVs from Sony, Samsung, LG, Panasonic, TCL and Hisense, along with buying advice when shopping for a new OLED or Mini LED TV this year.Caleb also discusses the launch of his new YouTube channel called CalebRated. But after recording this episode, Digital Trends has claimed ownership of Caleb's new channel forcing YouTube to take down his videos. For the latest information on this issue visit:https://www.ecoustics.com/news/calebrated-banned-from-youtube/Caleb now has a GoFundMe to help defray his legal expenses. You can find that here: https://gofund.me/3dbb9fdaOn the panel:Brian Mitchell, eCoustics Founder & CEOChris Boylan, eCoustics Editor at LargeCaleb Denison, CalebRatedThank you to our sponsors SVS and Qacoustics!www.svsound.comwww.qacoustics.comCredits:• Original intro music by The Arc of All. sourceoflightandpower.bandcamp.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comKeep up-to-date with all the latest Hi-Fi, Headphone, Home Theater and Music news by visiting:https://www.ecoustics.com#hifi #ecoustics #audiophile  #highendaudio #breakingthesoundbarrier #vinylcommunity #streamingnews #youtubenews #channeltakedown #calebrated #digitaltrends #musicindustrynews #broadcastmedianews

The changing political landscape around clean energy makes for an uncertain future for Kansas students training for jobs at the multi-billion-dollar Panasonic Energy plant in De Soto, Kansas.

This week's EYE ON NPI is looking at itsy-bitsy-teensy-weensy little rechargeable batteries that can keep your micro-power electronics running for many years without needing any maintenance from your users: it's Panasonic's VL/ML Series Lithium Rechargeable Coin Batteries (https://www.digikey.com/en/product-highlight/p/panasonic/lithium-rechargeable-coin-batteries). These are small, solderable batteries much like the coin cell batteries you're used to replacing in watches, toys, and other gadgets..but this time they can be recharged in-circuit to make maintenance effortless. We've covered lots of batteries and battery holders on EYE ON NPI - from enormous lead acid batteries to tiny coin cells (https://www.digikey.com/en/products/filter/batteries-non-rechargeable-primary/). These are an essential part of the engineer's repertoire as so many products need to work when not plugged into the wall. We use coin cells a lot in our design work: there's nothing as compact and they have great energy density. But they're typically 'primary cells' - not rechargeable. That might be fine if you're using them for something like a remote control (https://support.apple.com/en-us/101261) or a small toy. But they do eventually need to be replaced, which can be a user frustration. For that reason, many products that used to have primary cells like AA's or coin batteries have slowly transitioned to embedding lithium polymer pouches. You can get rechargeable lipoly batteries in 100 mAh or less! (https://www.digikey.com/short/7njnd057) However, there may be some cases where you still want something really really tiny, like say 9mm diameter and under 1mm thick - a size only achievable with a coin cell - but without dealing with removing and replacing a battery every few weeks or months. Especially if we're talking about something that is going to be plugged in once in a while, or where the coin cell is a fall-back. This comes up often with devices that have real time clocks (RTCs) - such as clocks, computers, laptops, tablets, watches, GPS units (https://www.adafruit.com/product/5440), etc. They might have a main battery or power system that can run a microcontroller/CPU and display plus peripherals, but you still want to keep time and maybe an alarm setting when the main power cuts off. Historically, folks have just used coin batteries - ideally replaceable ones - but sometimes not as in the case of the DS1287 (https://theretroweb.com/chip/documentation/ds1287-647b3602989d3299594321.pdf) which had the coin battery sealed inside! If you're designing a product today that needs an RTC battery, we'd say take a good look at the Panasonic's VL/ML Series Lithium Rechargeable Coin Batteries (https://www.digikey.com/en/product-highlight/p/panasonic/lithium-rechargeable-coin-batteries). No holder required: they come with tabs to solder directly onto a PCB in vertical or horizontal orientations. And they come in a variety of sizes from the 20mm / 45mAh to 12mm / 7mAh and even smaller. Note that as expected, you're going to get less capacity than a primary cell, so these are good when you think you'll get recharged every few days or weeks. Don't forget: you will absolutely need a proper lithium charger to recharge these batteries. We've got plenty of charger breakouts you can use, we particularly like the bq25185 (https://www.digikey.com/en/products/detail/adafruit-industries-llc/6091/25805553) which you can easily configure for the 1C current charge rate to match your Panasonic Lithium Rechargeable Coin Batteries (https://www.digikey.com/en/product-highlight/p/panasonic/lithium-rechargeable-coin-batteries) They can all handle 1000+ cycles, we like the bq in particular because it has power-path which will help avoid unnecessary discharging/cycling. Ready for a tiny burst of power to keep your clocks a-tickin'? You can pick up a wide selection of Panasonic's VL/ML Series Lithium Rechargeable Coin Batteries (https://www.digikey.com/en/product-highlight/p/panasonic/lithium-rechargeable-coin-batteries) at DigiKey right now! They're in stock in a range of sizes and configurations for immediate shipment - don't forget that like all Lithium batteries you may need to ship ground, so order now and you'll get those bite-sized batteries shipped within the hour for immediate integration. See it on DigiKey https://www.digikey.com/short/wb83dfff

http://www.sherylkline.com/blogIn the latest Fearless Female Leadership interview, I had the true pleasure of sitting down with Liz Almeida, Chief Human Resources Officer at Panasonic North America. Liz shared an inspiring story of resilience, curiosity, and leadership transformation — and a much-needed reminder that success rarely follows a straight line.Liz's career didn't start in HR. She originally aspired to be a mechanical engineer at NASA, but a tough academic setback in college and the support of a powerful mentor helped her pivot, embrace curiosity, and lean into unexpected opportunities. That openness not only changed her career trajectory but shaped her leadership philosophy today.Throughout our conversation, Liz reflected on the critical importance of culture transformation, psychological safety, and co-creation — especially during times of disruption. She believes the best cultures are intentionally built around clear values and inclusive leadership that invites vulnerability, innovation, and diverse perspectives. Liz is a fierce advocate for mentorship, reverse mentoring, and creating organizations where people feel safe bringing their whole selves to work.Key takeaways from the interview:

部落格圖文版 https://linshibi.com/?p=49571 Panasonic近年出的美容儀滿受注目的，小狸買了刮痧美容儀也用了一段時間，有一些研究和心得，就在這集幫大家分析一下。Panasonic的美容儀分成三大系列：Vitalift（電流拉提）、IonBoost（離子導入）、Photo bright（光美容），在日本要到哪裡買才便宜？可以退稅又用優惠券嗎？ SR86和SR85有什麼不同？快來看小狸的心得吧！ Panasonic近年比較高階的電器在日本各大電器行都是廠商指定價格，原則上僅能退稅，無法再使用優惠券。以下是退稅價。 VITALIFT RF EX EH-SR86：72000yen VITALIFT RF EX EH-SR85：63000yen VITALIFT KASSA：27000yen IONBOOST：54000yen BRIGHT SHOT：63000yen 基本上幾個電器行應該都是僅能退稅，不過還是提供優惠券給大家。 日本電器 服飾 運動用品必備優惠券大集合 https://reurl.cc/OMZVa7 完美行線上網站可以免稅再使用優惠券 接下來提供兩個可能打折的可能。一個是完美行線上網站。 WAmazing完美行網站提供線上免稅購物，機場領取的服務。 https://reurl.cc/WqMa1k 服務介紹 https://reurl.cc/WqMaDO 排行榜 https://reurl.cc/qZ4zLE 高階的Panasonic機種都有機會可以使用優惠券喔。 NC80吹風機 https://reurl.cc/MjxXNX NC50吹風機 https://reurl.cc/kyjqE9 美容儀類別 https://reurl.cc/xN39G4 SR86 https://reurl.cc/AM37qe SR85 https://reurl.cc/qv7NKp 【完美行購物】歡慶母親節快閃折價 ※每個優惠碼1個帳號限用1次，酒類/醫藥品不適用折扣 ※使用期限：2025/05/11 23:59(日本時間) ①滿30,000日圓 再打75折/最高現折1萬★ (前30筆訂單) ※代碼：R6H72R ②滿100,000日圓 現折2萬★ (前10筆訂單) ※代碼：A936AN 林氏璧讀者完美行購物折扣碼，名額有限用完即止 ※使用期限：2025/04/30 23:59(日本時間) ★滿15,000日圓 現折3,000日圓★ ※代碼：GR42K9 ★滿6,000日圓 享9折優惠(折扣上限5000)★ ※代碼：P3YM92 ※使用期限：2025/05/31 23:59(日本時間) ★滿20,000日圓 再打82折，最多現抵1萬日幣 ※代碼：YU2R95 ※使用期限：2025/12/31 23:59(日本時間) ★折扣無上限★滿15,000日圓 再打9折 ※代碼：3PKK67 還有信用卡優惠 https://reurl.cc/GpmRdW 多慶屋也可以看看，有可能可使用優惠券 這是不能說的秘密，我就不多說了。不過多慶屋的庫存可能不多。如果有買到，恭喜你啦！ 多慶屋優惠券 上野必逛必買 JCB卡加優惠券退稅後再12% off！ https://linshibi.com/?p=30709 部落格圖文版 https://linshibi.com/?p=49571

Stop losing clients and simplify your pricing strategy with actionable tips from FlashFilm Academy! In this episode of "Content and Cash," Ty Turner reveals how to revolutionize your photography or videography business by mastering clear and effective pricing strategies. Whether you're a creative struggling with overwhelming proposals or losing clients due to confusing packages, this video is packed with insights to help you turn your passion into profit.Key takeaways from this episode:- Why "simplify and streamline" is the ultimate rule for creating client-friendly pricing packages.- How to structure bronze, silver, and gold packages that sell and add value.- The importance of tying upsells to your process, not just your product.- Why chasing specs and gear could be sabotaging your business growth.- How to leverage AI tools like ChatGPT to boost productivity and stay ahead in content creation.- Insights on industry trends, including Canon's R1, Sony's 8K advancements, and Panasonic's hybrid innovations.- The game-changing approach to building trust and branding for profitable B2B success.This episode isn't just about pricing—it's about transforming how you position your business for long-term success. Learn how to create simple, clear proposals that attract high-ticket clients and avoid common pitfalls in the industry.Ready to take your photography or videography business to the next level? Grab our FREE Capture & Convert Kit and start building a profitable brand today. Join FlashFilm Academy now and turn your creativity into a thriving business!#leadgeneration #contentmarketing #digitalmarketing #b2bmarketing #howtokeepclientslongerCHAPTERS:00:00 - Intro02:19 - Punch You in the Throat05:49 - Question of the Week10:46 - Structuring Your Pricing Strategy18:42 - Selling Upsells to Clients21:03 - Contract Pack and Proposal Inclusion23:10 - Last Minute Questions25:14 - Sponsored by Flash Film Academy

Episode 464 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm. Latest savings at FujfilmCameraSavings.com - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - Great deals on Calibrite gear at Calibrite.com. - More mostly 20% OFF codes at LensShark.com/deals. Stories: Nikon's new Z5 II. (#) This Canon lens can't keep it together. (#) A legend has passed. (#) ProGrade Digital's latest offerings. (#) Key updates for Nikon's Zf. (#) Panasonic finally gets onboard. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

In this travel-prep-focused episode of AwesomeCast, Michael Sorg, Dave Podnar, and Zach Rizza get geeky about all things tech and production as Sorg prepares for a massive livestream event at SAE Aero Design West in California. From wireless HDMI gadgets and Pelican cases to Nintendo's shocking Switch 2 reveal, the team dives into the logistics of pro-level field production and the nerd-worthy new gadgets catching their eye. Plus, exclusive commentary on Nintendo's new game announcements, including open-world Mario Kart and Kirby Riders!

Send us a textAuf der Aircraft Interiors Expo in Hamburg zeigten die großen Player der Branche ihre neuesten Ideen – kompakt, nachhaltig und smarter als je zuvor:

Episode 462 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm. Latest savings at FujfilmCameraSavings.com - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - 20% OFF at SaramonicUSA.com with code SHARKY2025. - More mostly 20% OFF codes at LensShark.com/deals. Stories: Sigma dreams of making this happen, but it's unlikely. (#) Elinchrom's new LED 100 C. (#) Peak Design's latest Kickstarter campaign. (#) Canon is unlikely to do this again anytime soon. (#) WhiteWall adds Shopify integration. (#) Zeiss gets back in the photography game. (#) Panasonic's S1R II is finally out. (#) Tamron makes a smart move. (#) Viltrox's new AF 25mm f/1.7 Air. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

In this episode, Jared & Stephen break down the MASSIVE amount of new camera gear that was announced at CP+ this year including the new Panasonic S1R II, Sigma's unique BF camera and 300-600mm f4 lens, Sony's new 400-800mm super zoom lens & much more! Text us with any thoughts and questions regarding this episode at 313-710-9729. This is RAWtalk Episode 140 !