Podcast appearances and mentions of daniel magaziner

80% of South Africa's people own only 4% of the land. These are Black South Africans. In contrast, 75% of the land is privately owned by white South Africans, who comprise about 7% of the population. But apartheid ended in 1994. So why hasn't land been more equitably distributed since then? In this interview, we discuss the following: ►How colonial era Christianity ended the fluidity of societal and power relations among Blacks in South Africa. ►How colonial-imposed land boundaries changed South Africa's culture and allegiances. ►Do white South Africans experience higher crime than Black South Africans? ►How English South Africans supported Afrikaners - their former enemies - and lifted them up in society so that together they could maintain white supremacy. ►Why do Indians of South Africa call themselves Black? ►What happened after the end of apartheid to South Africa's economy and race relations? ►Why did some historians claim that South Africa's decade of 1970s was lost to history? ►Why did it take so long for apartheid to end? ►How did corruption become so pervasive in South Africa? ►Is South Africa a failed state?Read History Behind News blog post on South Africa.

In our last episode of Black History Month, Rachel interviews political theorist Adom Getachew on her new book, which reconstructs an account of self-determination offered in the political thought of Black Atlantic anticolonial nationalists during the height of decolonization in the 20th century.We have lots of great recommendations for listeners this week, including books on race and feminism, a virtual event on African folktales, a virtual resource for those of us missing travel and fieldwork, podcast episodes you should listen to, and more!Books, Links, & ArticlesWorldmaking after Empire: The Rise and Fall of Self-Determination by Adom GetachewWhite Tears/Brown Scars: How White Feminism Betrays Women of Color by Ruby HamadTo Exist Is to Resist: Black Feminism in Europe ed. by Akwugo Emejulu & Francesca SobandeThe Expansion of International Society ed. by Hedley Bull & Adam WatsonNeither Settler nor Native: The Making and Unmaking of Permanent Minorities by Mahmood Mamdani"Africans Want Elections, but Fewer Believe They Work"Reflections on 1960, the Year of Africa"Georgia Southern Offers Program of African Folktales in Virtual Black History Month Event"Digital Fieldwork"My Heart Is in Cairo": Malcolm X, the Arab Cold War, and the Making of Islamic Liberation Ethics"Journal of American History Podcast"Black Moses" Lives On: How Marcus Garvey's Vision Still ResonatesPrevious Episodes We MentionedEp5. A conversation with Dr. T.J. Tallie to kick off Black History MonthEp7. A conversation with Dr. Michelle Moyd on colonial East African soldiersEp8. A conversation with Dr. Daniel Magaziner on an Apartheid-era art schoolEp58. A conversation with Wendell Marsh on the history (and modernity) of Islam and the African world

In the final week of Black History month, we chat with Dr. Daniel Magaziner, Associate Professor of History at Yale University. We talk about his recently published second book, The Art of Life in South Africa. Dr. Magaziner is a historian of 20th century South Africa, and his work focuses on intellectual history. He is also … More Ep8. A conversation with Dr. Daniel Magaziner on an Apartheid-era art school

Daniel Magaziner’s latest book, The Art of Life in South Africa (Ohio University Press, 2016, and UKZN Press, 2017), is a welcome addition to the intellectual history of South Africa. Rich in color images and documentary history, The Art of Life tells the story of African art in white apartheid South Africa, juxtaposing the beauty of an ordinary life well lived, against the random cruelty of the apartheid state. The book follows the story of the Ndaleni Art School in modern-day KwaZulu-Natal from 1952 until its closing in 1981. The school was set up to teach the art teachers of the Bantu education system, but in doing so, it opened up the student’s lives to more complex discussions of creativity, beauty and resilience. Magaziner sets up the tale by spinning the individual lives against the opposing pressures of both the apartheid state and the black consciousness movement. On the one side, rigid oppression, and on the other, the push to fight apartheid or be deemed a collaborator. The individual stories of former Ndaleni students force the reader to see beyond the black and white of these opposing narratives. The people profiled chose to lead fulfilled lives, not because they were defying apartheid, but because their only choice was to simply live. The book is, at its heart, a human story, set against the backdrop of apartheid. Erin Freas-Smith, Ph.D can be reached at efreassmith@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Magaziner’s latest book, The Art of Life in South Africa (Ohio University Press, 2016, and UKZN Press, 2017), is a welcome addition to the intellectual history of South Africa. Rich in color images and documentary history, The Art of Life tells the story of African art in white apartheid South Africa, juxtaposing the beauty of an ordinary life well lived, against the random cruelty of the apartheid state. The book follows the story of the Ndaleni Art School in modern-day KwaZulu-Natal from 1952 until its closing in 1981. The school was set up to teach the art teachers of the Bantu education system, but in doing so, it opened up the student’s lives to more complex discussions of creativity, beauty and resilience. Magaziner sets up the tale by spinning the individual lives against the opposing pressures of both the apartheid state and the black consciousness movement. On the one side, rigid oppression, and on the other, the push to fight apartheid or be deemed a collaborator. The individual stories of former Ndaleni students force the reader to see beyond the black and white of these opposing narratives. The people profiled chose to lead fulfilled lives, not because they were defying apartheid, but because their only choice was to simply live. The book is, at its heart, a human story, set against the backdrop of apartheid. Erin Freas-Smith, Ph.D can be reached at efreassmith@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Magaziner’s latest book, The Art of Life in South Africa (Ohio University Press, 2016, and UKZN Press, 2017), is a welcome addition to the intellectual history of South Africa. Rich in color images and documentary history, The Art of Life tells the story of African art in white apartheid South Africa, juxtaposing the beauty of an ordinary life well lived, against the random cruelty of the apartheid state. The book follows the story of the Ndaleni Art School in modern-day KwaZulu-Natal from 1952 until its closing in 1981. The school was set up to teach the art teachers of the Bantu education system, but in doing so, it opened up the student’s lives to more complex discussions of creativity, beauty and resilience. Magaziner sets up the tale by spinning the individual lives against the opposing pressures of both the apartheid state and the black consciousness movement. On the one side, rigid oppression, and on the other, the push to fight apartheid or be deemed a collaborator. The individual stories of former Ndaleni students force the reader to see beyond the black and white of these opposing narratives. The people profiled chose to lead fulfilled lives, not because they were defying apartheid, but because their only choice was to simply live. The book is, at its heart, a human story, set against the backdrop of apartheid. Erin Freas-Smith, Ph.D can be reached at efreassmith@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Magaziner’s latest book, The Art of Life in South Africa (Ohio University Press, 2016, and UKZN Press, 2017), is a welcome addition to the intellectual history of South Africa. Rich in color images and documentary history, The Art of Life tells the story of African art in white apartheid South Africa, juxtaposing the beauty of an ordinary life well lived, against the random cruelty of the apartheid state. The book follows the story of the Ndaleni Art School in modern-day KwaZulu-Natal from 1952 until its closing in 1981. The school was set up to teach the art teachers of the Bantu education system, but in doing so, it opened up the student’s lives to more complex discussions of creativity, beauty and resilience. Magaziner sets up the tale by spinning the individual lives against the opposing pressures of both the apartheid state and the black consciousness movement. On the one side, rigid oppression, and on the other, the push to fight apartheid or be deemed a collaborator. The individual stories of former Ndaleni students force the reader to see beyond the black and white of these opposing narratives. The people profiled chose to lead fulfilled lives, not because they were defying apartheid, but because their only choice was to simply live. The book is, at its heart, a human story, set against the backdrop of apartheid. Erin Freas-Smith, Ph.D can be reached at efreassmith@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Magaziner’s latest book, The Art of Life in South Africa (Ohio University Press, 2016, and UKZN Press, 2017), is a welcome addition to the intellectual history of South Africa. Rich in color images and documentary history, The Art of Life tells the story of African art in white apartheid South Africa, juxtaposing the beauty of an ordinary life well lived, against the random cruelty of the apartheid state. The book follows the story of the Ndaleni Art School in modern-day KwaZulu-Natal from 1952 until its closing in 1981. The school was set up to teach the art teachers of the Bantu education system, but in doing so, it opened up the student’s lives to more complex discussions of creativity, beauty and resilience. Magaziner sets up the tale by spinning the individual lives against the opposing pressures of both the apartheid state and the black consciousness movement. On the one side, rigid oppression, and on the other, the push to fight apartheid or be deemed a collaborator. The individual stories of former Ndaleni students force the reader to see beyond the black and white of these opposing narratives. The people profiled chose to lead fulfilled lives, not because they were defying apartheid, but because their only choice was to simply live. The book is, at its heart, a human story, set against the backdrop of apartheid. Erin Freas-Smith, Ph.D can be reached at efreassmith@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Magaziner’s latest book, The Art of Life in South Africa (Ohio University Press, 2016, and UKZN Press, 2017), is a welcome addition to the intellectual history of South Africa. Rich in color images and documentary history, The Art of Life tells the story of African art in white apartheid South Africa, juxtaposing the beauty of an ordinary life well lived, against the random cruelty of the apartheid state. The book follows the story of the Ndaleni Art School in modern-day KwaZulu-Natal from 1952 until its closing in 1981. The school was set up to teach the art teachers of the Bantu education system, but in doing so, it opened up the student’s lives to more complex discussions of creativity, beauty and resilience. Magaziner sets up the tale by spinning the individual lives against the opposing pressures of both the apartheid state and the black consciousness movement. On the one side, rigid oppression, and on the other, the push to fight apartheid or be deemed a collaborator. The individual stories of former Ndaleni students force the reader to see beyond the black and white of these opposing narratives. The people profiled chose to lead fulfilled lives, not because they were defying apartheid, but because their only choice was to simply live. The book is, at its heart, a human story, set against the backdrop of apartheid. Erin Freas-Smith, Ph.D can be reached at efreassmith@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

YJIA spoke to Professor Daniel Magaziner about the role of history in understanding African politics today, drawing on the examples of post-apartheid South Africa and post-1994 Rwanda. Professor Magaziner discussed the recent student activism in South Africa and what the current struggles of the ANC reflect about the failures of the post-apartheid liberation movement. He also examined the extent to which western attitudes to 'Africa' as a continent are changing.