Podcasts about Africa

A new report by the Tony Blair Institute for Global Change says that most countries, including those in Africa, will find it difficult to have full autonomy over AI systems. According to the Institute, only 32 countries worldwide host AI-specific data centres, leaving around 160 nations dependent on foreign infrastructure. We hear how the situation is for African countries. And, Nigeria wants to resume oil drilling in Ogoniland in Southern Rivers State; thirty years after environmental activist, Ken Saro-Wiwa and eight others were executed following a protest that saw the killing of four tradional chiefs of an oil producing community known as Ogoni. This led to the suspension of exploration by oil giant Shell – the company accused of causing the environmental damage. We hear the views of the Nigerian government and environmental activists. Presenter: Nkechi Ogbonna Producers: Keikantse Shumba, Bella Twine, Ayuba Ilya and Blessing Aderogba Technical Producer: Maxwell Onyango Senior Producer: Charles Gitonga Editors: Samuel Murunga and Maryam Abdalla

In this episode, Chris Maurice, Co-founder & CEO of Yellow Card, joins us to explore how compliant crypto rails are reshaping everyday money movement across Africa. We dig into stablecoins as practical financial tools, the regulatory groundwork that makes them usable, and what it takes to build a pan-African fintech that can withstand FX volatility, fragmented payment systems, and shifting policy environments. -- Quadrillions brings together the voices defining the next era of finance. From institutional rails to stablecoins and privacy, the series dives into how traditional markets, crypto innovation, and regulatory frameworks are converging to bring the full force of capital markets onchain. Join hosts Jason Yanowitz, Yuval Rooz, and Eric Saraniecki for deep dives with special guests Shaul Kfir, Don Wilson, Mike Belshe, Justin Peterson, Acting Chair Caroline Pham, Eli Ben-Sasson, and more. Produced by Blockworks and Canton Network. For more information, check out https://quadrillionspod.com/ -- Follow Canton: https://x.com/CantonNetwork Follow Yellow Card: https://x.com/YellowCard_App Follow Chris: https://x.com/chrismaurice Follow Eric: https://x.com/wesarn_real Follow Jason: https://x.com/JasonYanowitz Follow Empire: https://twitter.com/theempirepod -- Timestamps: (0:00) Introduction (2:02) Crypto Adoption Worldwide (6:24) What's Blocking Dollar Demand? (9:28) Canton's Focus on Emerging Markets (12:39) Infrastructure Challenges (15:46) The Role of Stablecoins (19:23) L1 Activity and Self-Custody Trends (25:04) FX Challenges (37:15) Regulations in Africa (41:37) Emerging Markets in Crypto -- Disclaimer: “Quadrillions” is a mini-series produced by Blockworks, and is sponsored by Canton Network. Nothing on this show is a recommendation to buy or sell securities or tokens. It's for informational purposes only, and the views expressed by anyone on the show are solely their opinions, not financial advice or necessarily the views of Blockworks. Our hosts, guests, and the Blockworks team may hold positions in companies, funds, or projects discussed, including those related to Canton Network.

Senegal are champions of Africa for the 2nd time in the last 3 tournaments... but somehow, that seems like just a small part of the story. We'll share our thoughts on everything from the controversial calls to ball boys battling for towels to players being pulled off the pitch. Then, it's off to Manchester where the boys break down a dominant showing from Manchester United in Michael Carrick's debut. We'll talk about what we liked from United in this 2-0 win over City and whether or not we think it's sustainable.And finally, following their latest home defeat to West Ham, we'll take a look at Tottenham and ask the question "can it get worse?" in our our newest segment titled "It Can."For even more Caught Offside content, get on over to Caught Offside Plus right now! You can check out our 2nd annual Non-Top 8 Club Player Draft where we select squads consisting only of players who are not on Arsenal, City, Liverpool, United, Chelsea, Spurs, Villa and Newcastle.To sign up, just go to https://caughtoffside.supercast.com! Once you have access to the premium feed, be sure to go back and check out our special "welcome episode" from June 24th, 2024 (we don't think you'll be disappointed)!And for all the latest merch, get over to https://caughtoffsidepod.com/ - IT'S COLD OUT! GET A WINTER HAT!---Reddit: https://www.reddit.com/r/CaughtOffsidePod/X: https://twitter.com/COsoccerpodInstagram: https://www.instagram.com/caughtoffsidepod/Email: CaughtOffsidePod@gmail.comYoutube: https://www.youtube.com/@caughtoffsidepod Hosted on Acast. See acast.com/privacy for more information.

OA1227 - Come play the worst ever round of the Connections game and figure out what on earth Tuskegee Alabama, the CDC, Southern Denmark University, and the West African country of Guinea-Bissau all have in common, as RFK Jr. continues his campaign of “just asking questions” that we already have the answer to. Black men untreated in Tuskegee syphilis study. Heller, J. (July 25, 1972; republished May 10, 2017). Associated Press. The untreated syphilis study at Tuskegee timeline. Centers for Disease Control. (September 4, 2024). 45 CFR 46 Protection of Human Subjects. (Department of Health and Human Services regulations to implement the National Research Act and create Institutional Review Board policies). Hepatitis B. World Health Organization (July 23, 2025). Should the U.S. model its vaccine policy on Denmark's? Experts say we're nothing alike. Godoy, M. (December 26, 2025). NPR. RFK Jr. overhauls childhood vaccine schedule to resemble Denmark's in unprecedented move. Lovelace Jr., B., Edwards, E., Fattah, M., & Bendix, A. (January 5, 2026). NBC News. What is actually the emerging evidence about non-specific vaccine effects in randomized trials from the Bandim Health Project? Støvring, H., Ekstrøm, C.T., Schneider, J.W., & Strøm, C. (2025). Vaccine, 68, 1-4. Notice of award of a single source unsolicited grant to fund University of Southern Denmark (SDU). Department of Health and Human Services. (December 15, 2025). U.S. plan for $1.6m hepatitis B vaccine study in Africa called ‘highly unethical'. Schreiber, M. & Lay, K. (December 19, 2025). The Guardian. CDC awards $1.6 million for hepatitis B vaccine study by controversial Danish researchers. Szabo, L. (December 18, 2025). Center for Infectious Disease Research and Policy. CDC funds controversial hepatitis B vaccine trial in African newborns. Offord, C. (December 18, 2025). Science Insider. Research ethics and compliance support. Southern Denmark University. Further reading: Qiao, H. (2018). A brief introduction to institutional review boards in the United States. Pediatric Investigation, 2, 46-51. U.S. Department of Health and Human Services. International compilation of human research standards. https://www.hhs.gov/ohrp/international/compilation-human-research-standards/index.html University of North Carolina. Nuremberg Code. https://research.unc.edu/human-research-ethics/resources/ccm3_019064/ Torrance, R.J., Mormina, M., Sayeed, S., Kessel, A., Yoon, C.H., & Cislaghi, B. (2024). Is the U.N. receiving ethical approval for its research with human participants? Journal of Medical Ethics, 51, 1-4. Barchi, F. & Little, M.T. (2016). National ethics guidance in Sub-Saharan Africa on the collection and use of human biological specimens: A systematic review. BMC Medical Ethics, 17, 1-25. Salhia, B. & Olaiya, V. (2020). Historical perspectives on ethical and regulatory aspects of human participants research: Implications for oncology clinical trials in Africa. JCO Global Oncology, 6, 959-965. Check out the OA Linktree for all the places to go and things to do!

President Donald Trump keeps insisting that the US "needs" to take over Greenland, which is controlled by Denmark. Protests in both Denmark and Greenland have denounced US threats to seize the territory. Also, Julio Iglesias, the 82-year-old crooner who's sold more than 300 million records over his long career, could soon take center stage in a Spanish courtroom over sexual abuse allegations. And, a look at the life and legacy of Martin Luther King Jr. and his global message against oppression. Plus, the story of a revolutionary woman who led Africa's independence movements. Learn about your ad choices: dovetail.prx.org/ad-choices

What if the most transformative thing you can do for your writing craft and author business is to face what you fear? How can you can find gold in your Shadow in the year ahead? In this episode, I share chapters from Writing the Shadow: Turn Your Inner Darkness Into Words. In the intro, curated book boxes from Bridgerton's Julia Quinn; Google's agentic shopping, and powering Apple's Siri; ChatGPT Ads; and Claude CoWork. Balancing Certainty and Uncertainty [MoonShots with Tony Robbins]; and three trends for authors with me and Orna Ross [Self-Publishing with ALLi Podcast]; plus, Bones of the Deep, Business for Authors, and Indie Author Lab. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. What is the Shadow? The ‘creative wound' and the Shadow in writing The Shadow in traditional publishing The Shadow in self-publishing or being an indie author The Shadow in work The Shadow in money You can find Writing the Shadow in all formats on all stores, as well as special edition, workbook and bundles at www.TheCreativePenn.com/shadowbook Writing the Shadow: Turn Your Inner Darkness Into Words The following chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn. Introduction. What is the Shadow? “How can I be substantial if I do not cast a shadow? I must have a dark side also if I am to be whole.” —C.G. Jung, Modern Man in Search of a Soul We all have a Shadow side and it is the work of a lifetime to recognise what lies within and spin that base material into gold. Think of it as a seedling in a little pot that you're given when you're young. It's a bit misshapen and weird, not something you would display in your living room, so you place it in a dark corner of the basement. You don't look at it for years. You almost forget about it. Then one day you notice tendrils of something wild poking up through the floorboards. They're ugly and don't fit with your Scandi-minimalist interior design. You chop the tendrils away and pour weedkiller on what's left, trying to hide the fact that they were ever there. But the creeping stems keep coming. At some point, you know you have to go down there and face the wild thing your seedling has become. When you eventually pluck up enough courage to go down into the basement, you discover that the plant has wound its roots deep into the foundations of your home. Its vines weave in and out of the cracks in the walls, and it has beautiful flowers and strange fruit. It holds your world together. Perhaps you don't need to destroy the wild tendrils. Perhaps you can let them wind up into the light and allow their rich beauty to weave through your home. It will change the look you have so carefully cultivated, but maybe that's just what the place needs. The Shadow in psychology Carl Gustav Jung was a Swiss psychologist and the founder of analytical psychology. He described the Shadow as an unconscious aspect of the human personality, those parts of us that don't match up to what is expected of us by family and society, or to our own ideals. The Shadow is not necessarily evil or illegal or immoral, although of course it can be. It's also not necessarily caused by trauma, abuse, or any other severely damaging event, although again, it can be. It depends on the individual. What is in your Shadow is based on your life and your experiences, as well as your culture and society, so it will be different for everyone. Psychologist Connie Zweig, in The Inner Work of Age, explains, “The Shadow is that part of us that lies beneath or behind the light of awareness. It contains our rejected, unacceptable traits and feelings. It contains our hidden gifts and talents that have remained unexpressed or unlived. As Jung put it, the essence of the Shadow is pure gold.” To further illustrate the concept, Robert Bly, in A Little Book on the Human Shadow,uses the following metaphor: “When we are young, we carry behind us an invisible bag, into which we stuff any feelings, thoughts, or behaviours that bring disapproval or loss of love—anger, tears, neediness, laziness. By the time we go to school, our bags are already a mile long. In high school, our peer groups pressure us to stuff the bags with even more—individuality, sexuality, spontaneity, different opinions. We spend our life until we're twenty deciding which parts of ourselves to put into the bag and we spend the rest of our lives trying to get them out again.” As authors, we can use what's in the ‘bag' to enrich our writing — but only if we can access it. My intention with this book is to help you venture into your Shadow and bring some of what's hidden into the light and into your words. I'll reveal aspects of my Shadow in these pages but ultimately, this book is about you. Your Shadow is unique. There may be elements we share, but much will be different. Each chapter has questions for you to consider that may help you explore at least the edges of your Shadow, but it's not easy. As Jung said, “One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.” But take heart, Creative. You don't need courage when things are easy. You need it when you know what you face will be difficult, but you do it anyway. We are authors. We know how to do hard things. We turn ideas into books. We manifest thoughts into ink on paper. We change lives with our writing. First, our own, then other people's. It's worth the effort to delve into Shadow, so I hope you will join me on the journey. The creative wound and the Shadow in writing “Whatever pain you can't get rid of, make it your creative offering.” —Susan Cain, Bittersweet  The more we long for something, the more extreme our desire, the more likely it is to have a Shadow side. For those of us who love books, the author life may well be a long-held dream and thus, it is filled with Shadow. Books have long been objects of desire, power, and authority. They hold a mythic status in our lives. We escaped into stories as children; we studied books at school and college; we read them now for escape and entertainment, education and inspiration. We collect beautiful books to put on our shelves. We go to them for solace and answers to the deepest questions of life. Writers are similarly held in high esteem. They shape culture, win literary prizes, give important speeches, and are quoted in the mainstream media. Their books are on the shelves in libraries and bookstores. Writers are revered, held up as rare, talented creatures made separate from us by their brilliance and insight. For bibliophile children, books were everything and to write one was a cherished dream. To become an author? Well, that would mean we might be someone special, someone worthy. Perhaps when you were young, you thought the dream of being a writer was possible — then you told someone about it. That's probably when you heard the first criticism of such a ridiculous idea, the first laughter, the first dismissal. So you abandoned the dream, pushed the idea of being a writer into the Shadow, and got on with your life. Or if it wasn't then, it came later, when you actually put pen to paper and someone — a parent, teacher, partner, or friend, perhaps even a literary agent or publisher, someone whose opinion you valued — told you it was worthless. Here are some things you might have heard: Writing is a hobby. Get a real job. You're not good enough. You don't have any writing talent. You don't have enough education. You don't know what you're doing. Your writing is derivative / unoriginal / boring / useless / doesn't make sense. The genre you write in is dead / worthless / unacceptable / morally wrong / frivolous / useless.  Who do you think you are? No one would want to read what you write. You can't even use proper grammar, so how could you write a whole book? You're wasting your time. You'll never make it as a writer. You shouldn't write those things (or even think about those things). Why don't you write something nice? Insert other derogatory comment here! Mark Pierce describes the effect of this experience in his book The Creative Wound, which “occurs when an event, or someone's actions or words, pierce you, causing a kind of rift in your soul. A comment—even offhand and unintentional—is enough to cause one.” He goes on to say that such words can inflict “damage to the core of who we are as creators. It is an attack on our artistic identity, resulting in us believing that whatever we make is somehow tainted or invalid, because shame has convinced us there is something intrinsically tainted or invalid about ourselves.” As adults, we might brush off such wounds, belittling them as unimportant in the grand scheme of things. We might even find ourselves saying the same words to other people. After all, it's easier to criticise than to create. But if you picture your younger self, bright eyed as you lose yourself in your favourite book, perhaps you might catch a glimpse of what you longed for before your dreams were dashed on the rocks of other people's reality. As Mark Pierce goes on to say, “A Creative Wound has the power to delay our pursuits—sometimes for years—and it can even derail our lives completely… Anything that makes us feel ashamed of ourselves or our work can render us incapable of the self-expression we yearn for.” This is certainly what happened to me, and it took decades to unwind. Your creative wounds will differ to mine but perhaps my experience will help you explore your own. To be clear, your Shadow may not reside in elements of horror as mine do, but hopefully you can use my example to consider where your creative wounds might lie. “You shouldn't write things like that.” It happened at secondary school around 1986 or 1987, so I would have been around eleven or twelve years old. English was one of my favourite subjects and the room we had our lessons in looked out onto a vibrant garden. I loved going to that class because it was all about books, and they were always my favourite things. One day, we were asked to write a story. I can't remember the specifics of what the teacher asked us to write, but I fictionalised a recurring nightmare. I stood in a dark room. On one side, my mum and my brother, Rod, were tied up next to a cauldron of boiling oil, ready to be thrown in. On the other side, my dad and my little sister, Lucy, were threatened with decapitation by men with machetes. I had to choose who would die. I always woke up, my heart pounding, before I had to choose. Looking back now, it clearly represented an internal conflict about having to pick sides between the two halves of my family. Not an unexpected issue from a child of divorce. Perhaps these days, I might have been sent to the school counsellor, but it was the eighties and I don't think we even had such a thing. Even so, the meaning of the story isn't the point. It was the reaction to it that left scars. “You shouldn't write things like that,” my teacher said, and I still remember her look of disappointment, even disgust. Certainly judgment. She said my writing was too dark. It wasn't a proper story. It wasn't appropriate for the class. As if horrible things never happened in stories — or in life. As if literature could not include dark tales. As if the only acceptable writing was the kind she approved of. We were taught The Prime of Miss Jean Brodie that year, which says a lot about the type of writing considered appropriate. Or perhaps the issue stemmed from the school motto, “So hateth she derknesse,” from Chaucer's The Legend of Good Women: “For fear of night, so she hates the darkness.” I had won a scholarship to a private girls' school, and their mission was to turn us all into proper young ladies. Horror was never on the curriculum. Perhaps if my teacher had encouraged me to write my darkness back then, my nightmares would have dissolved on the page. Perhaps if we had studied Mary Shelley's Frankenstein, or H.P. Lovecraft stories, or Bram Stoker's Dracula, I could have embraced the darker side of literature earlier in my life. My need to push darker thoughts into my Shadow was compounded by my (wonderful) mum's best intentions. We were brought up on the principles of The Power of Positive Thinking by Norman Vincent Peale and she tried to shield me and my brother from anything harmful or horrible. We weren't allowed to watch TV much, and even the British school drama Grange Hill was deemed inappropriate. So much of what I've achieved is because my mum instilled in me a “can do” attitude that anything is possible. I'm so grateful to her for that. (I love you, Mum!) But all that happy positivity, my desire to please her, to be a good girl, to make my teachers proud, and to be acceptable to society, meant that I pushed my darker thoughts into Shadow. They were inappropriate. They were taboo. They must be repressed, kept secret, and I must be outwardly happy and positive at all times. You cannot hold back the darkness “The night is dark and full of terrors.” —George R.R. Martin, A Storm of Swords It turned out that horror was on the curriculum, much of it in the form of educational films we watched during lessons. In English Literature, we watched Romeo drink poison and Juliet stab herself in Zeffirelli's Romeo and Juliet. In Religious Studies, we watched Jesus beaten, tortured, and crucified in The Greatest Story Ever Told, and learned of the variety of gruesome ways that Christian saints were martyred. In Classical Civilisation, we watched gladiators slaughter each other in Spartacus. In Sex Education at the peak of the AIDS crisis in the mid-'80s, we were told of the many ways we could get infected and die. In History, we studied the Holocaust with images of skeletal bodies thrown into mass graves, medical experiments on humans, and grainy videos of marching soldiers giving the Nazi salute. One of my first overseas school field trips was to the World War I battlegrounds of Flanders Fields in Belgium, where we studied the inhuman conditions of the trenches, walked through mass graves, and read war poetry by candlelight. As John McCrae wrote: We are the Dead. Short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved, and now we lie, In Flanders fields. Did the teachers not realise how deeply a sensitive teenager might feel the darkness of that place? Or have I always been unusual in that places of blood echo deep inside me? And the horrors kept coming. We lived in Bristol, England back then and I learned at school how the city had been part of the slave trade, its wealth built on the backs of people stolen from their homes, sold, and worked to death in the colonies. I had been at school for a year in Malawi, Africa and imagined the Black people I knew drowning, being beaten, and dying on those ships. In my teenage years, the news was filled with ethnic cleansing, mass rape, and massacres during the Balkan wars, and images of bodies hacked apart during the Rwandan genocide. Evil committed by humans against other humans was not a historical aberration. I'm lucky and I certainly acknowledge my privilege. Nothing terrible or horrifying has happened to me — but bad things certainly happen to others. I wasn't bullied or abused. I wasn't raped or beaten or tortured. But you don't have to go through things to be afraid of them, and for your imagination to conjure the possibility of them. My mum doesn't read my fiction now as it gives her nightmares (Sorry, Mum!). I know she worries that somehow she's responsible for my darkness, but I've had a safe and (mostly) happy life, for which I'm truly grateful. But the world is not an entirely safe and happy place, and for a sensitive child with a vivid imagination, the world is dark and scary. It can be brutal and violent, and bad things happen, even to good people. No parent can shield their child from the reality of the world. They can only help them do their best to live in it, develop resilience, and find ways to deal with whatever comes. Story has always been a way that humans have used to learn how to live and deal with difficult times. The best authors, the ones that readers adore and can't get enough of, write their darkness into story to channel their experience, and help others who fear the same. In an interview on writing the Shadow on The Creative Penn Podcast, Michaelbrent Collings shared how he incorporated a personally devastating experience into his writing:  “My wife and I lost a child years back, and that became the root of one of my most terrifying books, Apparition. It's not terrifying because it's the greatest book of all time, but just the concept that there's this thing out there… like a demon, and it consumes the blood and fear of the children, and then it withdraws and consumes the madness of the parents… I wrote that in large measure as a way of working through what I was experiencing.” I've learned much from Michaelbrent. I've read many of his (excellent) books and he's been on my podcast multiple times talking about his depression and mental health issues, as well as difficulties in his author career. Writing darkness is not in Michaelbrent's Shadow and only he can say what lies there for him. But from his example, and from that of other authors, I too learned how to write my Shadow into my books. Twenty-three years after that English lesson, in November 2009, I did NaNoWriMo, National Novel Writing Month, and wrote five thousand words of what eventually became Stone of Fire, my first novel. In the initial chapter, I burned a nun alive on the ghats of Varanasi on the banks of the Ganges River. I had watched the bodies burn by night on pyres from a boat bobbing in the current a few years before, and the image was still crystal clear in my mind. The only way to deal with how it made me feel about death was to write about it — and since then, I've never stopped writing. Returning to the nightmare from my school days, I've never had to choose between the two halves of my family, but the threat of losing them remains a theme in my fiction. In my ARKANE thriller series, Morgan Sierra will do anything to save her sister and her niece. Their safety drives her to continue to fight against evil. Our deepest fears emerge in our writing, and that's the safest place for them. I wish I'd been taught how to turn my nightmares into words back at school, but at least now I've learned to write my Shadow onto the page. I wish the same for you. The Shadow in traditional publishing If becoming an author is your dream, then publishing a book is deeply entwined with that. But as Mark Pierce says in The Creative Wound, “We feel pain the most where it matters the most… Desire highlights whatever we consider to be truly significant.” There is a lot of desire around publishing for those of us who love books! It can give you: Validation that your writing is good enough Status and credibility Acceptance by an industry held in esteem  The potential of financial reward and critical acclaim Support from a team of professionals who know how to make fantastic books A sense of belonging to an elite community Pride in achieving a long-held goal, resulting in a confidence boost and self-esteem Although not guaranteed, traditional publishing can give you all these things and more, but as with everything, there is a potential Shadow side. Denying it risks the potential of being disillusioned, disappointed, and even damaged. But remember, forewarned is forearmed, as the saying goes. Preparation can help you avoid potential issues and help you feel less alone if you encounter them. The myth of success… and the reality of experience There is a pervasive myth of success in the traditional publishing industry, perpetuated by media reporting on brand name and breakout authors, those few outliers whose experience is almost impossible to replicate. Because of such examples, many new traditionally published authors think that their first book will hit the top of the bestseller charts or win an award, as well as make them a million dollars — or at least a big chunk of cash. They will be able to leave their job, write in a beautiful house overlooking the ocean, and swan around the world attending conferences, while writing more bestselling books. It will be a charmed life. But that is not the reality. Perhaps it never was. Even so, the life of a traditionally published author represents a mythic career with the truth hidden behind a veil of obscurity. In April 2023, The Bookseller in the UK reported that “more than half of authors (54%) responding to a survey on their experiences of publishing their debut book have said the process negatively affected their mental health. Though views were mixed, just 22%… described a positive experience overall… Among the majority who said they had a negative experience of debut publication, anxiety, stress, depression and ‘lowered' self-esteem were cited, with lack of support, guidance or clear and professional communication from their publisher among the factors that contributed.” Many authors who have negative experiences around publishing will push them into the Shadow with denial or self-blame, preferring to keep the dream alive. They won't talk about things in public as this may negatively affect their careers, but private discussions are often held in the corners of writing conferences or social media groups online. Some of the issues are as follows: Repeated rejection by agents and publishers may lead to the author thinking they are not good enough as a writer, which can lead to feeling unworthy as a person. If an author gets a deal, the amount of advance and the name and status of the publisher compared to others create a hierarchy that impacts self-esteem. A deal for a book may be much lower than an author might have been expecting, with low or no advance, and the resulting experience with the publisher beneath expectations. The launch process may be disappointing, and the book may appear without fanfare, with few sales and no bestseller chart position. In The Bookseller report, one author described her launch day as “a total wasteland… You have expectations about what publication day will be like, but in reality, nothing really happens.” The book may receive negative reviews by critics or readers or more publicly on social media, which can make an author feel attacked. The book might not sell as well as expected, and the author may feel like it's their fault. Commercial success can sometimes feel tied to self-worth and an author can't help but compare their sales to others, with resulting embarrassment or shame. The communication from the publisher may be less than expected. One author in The Bookseller report said, “I was shocked by the lack of clarity and shared information and the cynicism that underlies the superficial charm of this industry.” There is often more of a focus on debut authors in publishing houses, so those who have been writing and publishing in the midlist for years can feel ignored and undervalued. In The Bookseller report, 48 percent of authors reported “their publisher supported them for less than a year,” with one saying, “I got no support and felt like a commodity, like the team had moved on completely to the next book.” If an author is not successful enough, the next deal may be lower than the last, less effort is made with marketing, and they may be let go. In The Bookseller report, “six authors—debut and otherwise—cited being dropped by their publisher, some with no explanation.” Even if everything goes well and an author is considered successful by others, they may experience imposter syndrome, feeling like a fraud when speaking at conferences or doing book signings. And the list goes on … All these things can lead to feelings of shame, inadequacy, and embarrassment; loss of status in the eyes of peers; and a sense of failure if a publishing career is not successful enough. The author feels like it's their fault, like they weren't good enough — although, of course, the reality is that the conditions were not right at the time. A failure of a book is not a failure of the person, but it can certainly feel like it! When you acknowledge the Shadow, it loses its power Despite all the potential negatives of traditional publishing, if you know what could happen, you can mitigate them. You can prepare yourself for various scenarios and protect yourself from potential fall-out. It's clear from The Bookseller report that too many authors have unrealistic expectations of the industry. But publishers are businesses, not charities. It's not their job to make you feel good as an author. It's their job to sell books and pay you. The best thing they can do is to continue to be a viable business so they can keep putting books on the shelves and keep paying authors, staff, and company shareholders. When you license your creative work to a publisher, you're giving up control of your intellectual property in exchange for money and status. Bring your fears and issues out of the Shadow, acknowledge them, and deal with them early, so they do not get pushed down and re-emerge later in blame and bitterness. Educate yourself on the business of publishing. Be clear on what you want to achieve with any deal. Empower yourself as an author, take responsibility for your career, and you will have a much better experience. The Shadow in self-publishing or being an indie author Self-publishing, or being an independent (indie) author, can be a fantastic, pro-active choice for getting your book into the world. Holding your first book in your hand and saying “I made this” is pretty exciting, and even after more than forty books, I still get excited about seeing ideas in my head turn into a physical product in the world. Self-publishing can give an author: Creative control over what to write, editorial and cover design choices, when and how often to publish, and how to market Empowerment over your author career and the ability to make choices that impact success without asking for permission Ownership and control of intellectual property assets, resulting in increased opportunity around licensing and new markets Independence and the potential for recurring income for the long term Autonomy and flexibility around timelines, publishing options, and the ability to easily pivot into new genres and business models Validation based on positive reader reviews and money earned Personal growth and learning through the acquisition of new skills, resulting in a boost in confidence and self-esteem A sense of belonging to an active and vibrant community of indie authors around the world Being an indie author can give you all this and more, but once again, there is a Shadow side and preparation can help you navigate potential issues. The myth of success… and the reality of experience As with traditional publishing, the indie author world has perpetuated a myth of success in the example of the breakout indie author like E.L. James with Fifty Shades of Grey, Hugh Howey with Wool, or Andy Weir with The Martian. The emphasis on financial success is also fuelled online by authors who share screenshots showing six-figure months or seven-figure years, without sharing marketing costs and other outgoings, or the amount of time spent on the business. Yes, these can inspire some, but it can also make others feel inadequate and potentially lead to bad choices about how to publish and market based on comparison. The indie author world is full of just as much ego and a desire for status and money as traditional publishing. This is not a surprise! Most authors, regardless of publishing choices, are a mix of massive ego and chronic self-doubt. We are human, so the same issues will re-occur. A different publishing method doesn't cure all ills. Some of the issues are as follows: You learn everything you need to know about writing and editing, only to find that you need to learn a whole new set of skills in order to self-publish and market your book. This can take a lot of time and effort you did not expect, and things change all the time so you have to keep learning. Being in control of every aspect of the publishing process, from writing to cover design to marketing, can be overwhelming, leading to indecision, perfectionism, stress, and even burnout as you try to do all the things. You try to find people to help, but building your team is a challenge, and working with others has its own difficulties. People say negative things about self-publishing that may arouse feelings of embarrassment or shame. These might be little niggles, but they needle you, nonetheless. You wonder whether you made the right choice. You struggle with self-doubt and if you go to an event with traditional published authors, you compare yourself to them and feel like an imposter. Are you good enough to be an author if a traditional publisher hasn't chosen you? Is it just vanity to self-publish? Are your books unworthy? Even though you worked with a professional editor, you still get one-star reviews and you hate criticism from readers. You wonder whether you're wasting your time. You might be ripped off by an author services company who promise the world, only to leave you with a pile of printed books in your garage and no way to sell them. When you finally publish your book, it languishes at the bottom of the charts while other authors hit the top of the list over and over, raking in the cash while you are left out of pocket. You don't admit to over-spending on marketing as it makes you ashamed. You resist book marketing and make critical comments about writers who embrace it. You believe that quality rises to the top and if a book is good enough, people will buy it anyway. This can lead to disappointment and disillusionment when you launch your book and it doesn't sell many copies because nobody knows about it. You try to do what everyone advises, but you still can't make decent money as an author. You're jealous of other authors' success and put it down to them ‘selling out' or writing things you can't or ‘using AI' or ‘using a ghostwriter' or having a specific business model you consider impossible to replicate. And the list goes on… When you acknowledge the Shadow, it loses its power Being in control of your books and your author career is a double-edged sword. Traditionally published authors can criticise their publishers or agents or the marketing team or the bookstores or the media, but indie authors have to take responsibility for it all. Sure, we can blame ‘the algorithms' or social media platforms, or criticise other authors for having more experience or more money to invest in marketing, or attribute their success to writing in a more popular genre — but we also know there are always people who do well regardless of the challenges. Once more, we're back to acknowledging and integrating the Shadow side of our choices. We are flawed humans. There will always be good times and bad, and difficulties to offset the high points. This too shall pass, as the old saying goes. I know that being an indie author has plenty of Shadow. I've been doing this since 2008 and despite the hard times, I'm still here. I'm still writing. I'm still publishing. This life is not for everyone, but it's my choice. You must make yours. The Shadow in work You work hard. You make a living. Nothing wrong with that attitude, right? It's what we're taught from an early age and, like so much of life, it's not a problem until it goes to extremes. Not achieving what you want to? Work harder. Can't get ahead? Work harder. Not making a good enough living? Work harder. People who don't work hard are lazy. They don't deserve handouts or benefits. People who don't work hard aren't useful, so they are not valued members of our culture and community. But what about the old or the sick, the mentally ill, or those with disabilities? What about children? What about the unemployed? The under-employed? What about those who are — or will be — displaced by technology, those called “the useless class” by historian Yuval Noah Harari in his book Homo Deus? What if we become one of these in the future? Who am I if I cannot work? The Shadow side of my attitude to work became clear when I caught COVID in the summer of 2021. I was the sickest I'd ever been. I spent two weeks in bed unable to even think properly, and six weeks after that, I was barely able to work more than an hour a day before lying in the dark and waiting for my energy to return. I was limited in what I could do for another six months after that. At times, I wondered if I would ever get better. Jonathan kept urging me to be patient and rest. But I don't know how to rest. I know how to work and how to sleep. I can do ‘active rest,' which usually involves walking a long way or traveling somewhere interesting, but those require a stronger mind and body than I had during those months. It struck me that even if I recovered from the virus, I had glimpsed my future self. One day, I will be weak in body and mind. If I'm lucky, that will be many years away and hopefully for a short time before I die — but it will happen. I am an animal. I will die. My body and mind will pass on and I will be no more. Before then I will be weak. Before then, I will be useless. Before then, I will be a burden. I will not be able to work… But who am I if I cannot work? What is the point of me? I can't answer these questions right now, because although I recognise them as part of my Shadow, I've not progressed far enough to have dealt with them entirely. My months of COVID gave me some much-needed empathy for those who cannot work, even if they want to. We need to reframe what work is as a society, and value humans for different things, especially as technology changes what work even means. That starts with each of us. “Illness, affliction of body and soul, can be life-altering. It has the potential to reveal the most fundamental conflict of the human condition: the tension between our infinite, glorious dreams and desires and our limited, vulnerable, decaying physicality.” —Connie Zweig, The Inner Work of Age: Shifting from Role to Soul The Shadow in money In the Greek myth, King Midas was a wealthy ruler who loved gold above all else. His palace was adorned with golden sculptures and furniture, and he took immense pleasure in his riches. Yet, despite his vast wealth, he yearned for more. After doing a favour for Dionysus, the god of wine and revelry, Midas was granted a single wish. Intoxicated by greed, he wished that everything he touched would turn to gold — and it was so. At first, it was a lot of fun. Midas turned everything else in his palace to gold, even the trees and stones of his estate. After a morning of turning things to gold, he fancied a spot of lunch. But when he tried to eat, the food and drink turned to gold in his mouth. He became thirsty and hungry — and increasingly desperate. As he sat in despair on his golden throne, his beloved young daughter ran to comfort him. For a moment, he forgot his wish — and as she wrapped her arms around him and kissed his cheek, she turned into a golden statue, frozen in precious metal. King Midas cried out to the gods to forgive him, to reverse the wish. He renounced his greed and gave away all his wealth, and his daughter was returned to life. The moral of the story: Wealth and greed are bad. In Charles Dickens's A Christmas Carol, Ebenezer Scrooge is described as a “squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner.” He's wealthy but does not share, considering Christmas spending to be frivolous and giving to charity to be worthless. He's saved by a confrontation with his lonely future and becomes a generous man and benefactor of the poor. Wealth is good if you share it with others. The gospel of Matthew, chapter 25: 14-30, tells the parable of the bags of gold, in which a rich man goes on a journey and entrusts his servants with varying amounts of gold. On his return, the servants who multiplied the gold through their efforts and investments are rewarded, while the one who merely returned the gold with no interest is punished: “For whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them.” Making money is good, making more money is even better. If you can't make any money, you don't deserve to have any. Within the same gospel, in Matthew 19:24, Jesus encounters a wealthy man and tells him to sell all his possessions and give the money to the poor, which the man is unable to do. Jesus says, “It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.” Wealth is bad. Give it all away and you'll go to heaven. With all these contradictory messages, no wonder we're so conflicted about money! How do you think and feel about money? While money is mostly tied to our work, it's far more than just a transactional object for most people. It's loaded with complex symbolism and judgment handed down by family, religion, and culture. You are likely to find elements of Shadow by examining your attitudes around money. Consider which of the following statements resonate with you or write your own. Money stresses me out. I don't want to talk about it or think about it. Some people hoard money, so there is inequality. Rich people are bad and we should take away their wealth and give it to the poor.  I can never make enough money to pay the bills, or to give my family what I want to provide. Money doesn't grow on trees.  It's wasteful to spend money as you might need it later, so I'm frugal and don't spend money unless absolutely necessary. It is better and more ethical to be poor than to be rich. I want more money. I read books and watch TV shows about rich people because I want to live like that. Sometimes I spend too much on things for a glimpse of what that might be like.  I buy lottery tickets and dream of winning all that money.  I'm jealous of people who have money. I want more of it and I resent those who have it. I'm no good with money. I don't like to look at my bank statement or credit card statement. I live off my overdraft and I'm in debt. I will never earn enough to get out of debt and start saving, so I don't think too much about it. I don't know enough about money. Talking about it makes me feel stupid, so I just ignore it. People like me aren't educated about money.  I need to make more money. If I can make lots of money, then people will look up to me. If I make lots of money, I will be secure, nothing can touch me, I will be safe.  I never want to be poor. I would be ashamed to be poor. I will never go on benefits. My net worth is my self worth. Money is good. We have the best standard of living in history because of the increase in wealth over time. Even the richest kings of the past didn't have what many middle-class people have today in terms of access to food, water, technology, healthcare, education, and more. The richest people give the most money to the poor through taxation and charity, as well as through building companies that employ people and invent new things. The very richest give away much of their fortunes. They provide far more benefit to the world than the poor.  I love money. Money loves me. Money comes easily and quickly to me. I attract money in multiple streams of income. It flows to me in so many ways. I spend money. I invest money. I give money. I'm happy and grateful for all that I receive. The Shadow around money for authors in particular Many writers and other creatives have issues around money and wealth. How often have you heard the following, and which do you agree with? You can't make money with your writing. You'll be a poor author in a garret, a starving artist.  You can't write ‘good quality' books and make money. If you make money writing, you're a hack, you're selling out. You are less worthy than someone who writes only for the Muse. Your books are commercial, not artistic. If you spend money on marketing, then your books are clearly not good enough to sell on their own. My agent / publisher / accountant / partner deals with the money side. I like to focus on the creative side of things. My money story Note: This is not financial or investment advice. Please talk to a professional about your situation. I've had money issues over the years — haven't we all! But I have been through a (long) process to bring money out of my Shadow and into the light. There will always be more to discover, but hopefully my money story will help you, or at least give you an opportunity to reflect. Like most people, I didn't grow up with a lot of money. My parents started out as teachers, but later my mum — who I lived with, along with my brother — became a change management consultant, moving to the USA and earning a lot more. I'm grateful that she moved into business because her example changed the way I saw money and provided some valuable lessons. (1) You can change your circumstances by learning more and then applying that to leverage opportunity into a new job or career Mum taught English at a school in Bristol when we moved back from Malawi, Africa, in the mid '80s but I remember how stressful it was for her, and how little money she made. She wanted a better future for us all, so she took a year out to do a master's degree in management. In the same way, when I wanted to change careers and leave consulting to become an author, I spent time and money learning about the writing craft and the business of publishing. I still invest a considerable chunk on continuous learning, as this industry changes all the time. (2) You might have to downsize in order to leap forward The year my mum did her degree, we lived in the attic of another family's house; we ate a lot of one-pot casserole and our treat was having a Yorkie bar on the walk back from the museum. We wore hand-me-down clothes, and I remember one day at school when another girl said I was wearing her dress. I denied it, of course, but there in back of the dress was her name tag. I still remember her name and I can still feel that flush of shame and embarrassment. I was determined to never feel like that again. But what I didn't realize at the time was that I was also learning the power of downsizing. Mum got her degree and then a new job in management in Bristol. She bought a house, and we settled for a few years. I had lots of different jobs as a teenager. My favourite was working in the delicatessen because we got a free lunch made from delicious produce. After I finished A-levels, I went to the University of Oxford, and my mum and brother moved to the USA for further opportunities. I've downsized multiple times over the years, taking a step back in order to take a step forward. The biggest was in 2010 when I decided to leave consulting. Jonathan and I sold our three-bedroom house and investments in Brisbane, Australia, and rented a one-bedroom flat in London, so we could be debt-free and live on less while I built up a new career. It was a decade before we bought another house. (3) Comparison can be deadly: there will always be people with more money than you Oxford was an education in many ways and relevant to this chapter is how much I didn't know about things people with money took for granted. I learned about formal hall and wine pairings, and how to make a perfect gin and tonic. I ate smoked salmon for the first time. I learned how to fit in with people who had a lot more money than I did, and I definitely wanted to have money of my own to play with. (4) Income is not wealth You can earn lots but have nothing to show for it after years of working. I learned this in my first few years of IT consulting after university. I earned a great salary and then went contracting, earning even more money at a daily rate. I had a wonderful time. I traveled, ate and drank and generally made merry, but I always had to go back to the day job when the money ran out. I couldn't work out how I could ever stop this cycle. Then I read Rich Dad, Poor Dad by Robert Kiyosaki, a book I still recommend, especially if you're from a family that values academic over financial education. I learned how to escape the rat race by building and/or accumulating assets that pay even when you're not working. It was a revelation! The ‘poor dad' in the book is a university professor. He knows so much about so many things, but he ends up poor as he did not educate himself about money. The ‘rich dad' has little formal education, but he knows about money and wealth because he learned about it, as we can do at any stage in our lives. (5) Not all investments suit every person, so find the right one for you Once I discovered the world of investing, I read all the books and did courses and in-person events. I joined communities and I up-skilled big time. Of course, I made mistakes and learned lots along the way. I tried property investing and renovated a couple of houses for rental (with more practical partners and skilled contractors). But while I could see that property investing might work for some people, I did not care enough about the details to make it work for me, and it was certainly not passive income. I tried other things. My first husband was a boat skipper and scuba diving instructor, so we started a charter. With the variable costs of fuel, the vagaries of New Zealand weather — and our divorce — it didn't last long! From all these experiments, I learned I wanted to run a business, but it needed to be online and not based on a physical location, physical premises, or other people. That was 2006, around the time that blogging started taking off and it became possible to make a living online. I could see the potential and a year later, the iPhone and the Amazon Kindle launched, which became the basis of my business as an author. (6) Boring, automatic saving and investing works best Between 2007 and 2011, I contracted in Australia, where they have compulsory superannuation contributions, meaning you have to save and invest a percentage of your salary or self-employed income. I'd never done that before, because I didn't understand it. I'd ploughed all my excess income into property or the business instead. But in Australia I didn't notice the money going out because it was automatic. I chose a particular fund and it auto-invested every month. The pot grew pretty fast since I didn't touch it, and years later, it's still growing. I discovered the power of compound interest and time in the market, both of which are super boring. This type of investing is not a get rich quick scheme. It's a slow process of automatically putting money into boring investments and doing that month in, month out, year in, year out, automatically for decades while you get on with your life. I still do this. I earn money as an author entrepreneur and I put a percentage of that into boring investments automatically every month. I also have a small amount which is for fun and higher risk investments, but mostly I'm a conservative, risk-averse investor planning ahead for the future. This is not financial advice, so I'm not giving any specifics. I have a list of recommended money books at www.TheCreativePenn.com/moneybooks if you want to learn more. Learning from the Shadow When I look back, my Shadow side around money eventually drove me to learn more and resulted in a better outcome (so far!). I was ashamed of being poor when I had to wear hand-me-down clothes at school. That drove a fear of not having any money, which partially explains my workaholism. I was embarrassed at Oxford because I didn't know how to behave in certain settings, and I wanted to be like the rich people I saw there. I spent too much money in my early years as a consultant because I wanted to experience a “rich” life and didn't understand saving and investing would lead to better things in the future. I invested too much in the wrong things because I didn't know myself well enough and I was trying to get rich quick so I could leave my job and ‘be happy.' But eventually, I discovered that I could grow my net worth with boring, long-term investments while doing a job I loved as an author entrepreneur. My only regret is that I didn't discover this earlier and put a percentage of my income into investments as soon as I started work. It took several decades to get started, but at least I did (eventually) start. My money story isn't over yet, and I keep learning new things, but hopefully my experience will help you reflect on your own and avoid the issue if it's still in Shadow. These chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn  The post Writing The Shadow: The Creative Wound, Publishing, And Money, With Joanna Penn first appeared on The Creative Penn.

European allies rebuff Trump over Greenland -- we'll hear the case FOR a US takeover. Dozens dead in Spain as in a high-speed train crash. We speak to a survivor Was it thrilling or was it shameful? The sensational conclusion to Africa's top football tournament. and the Italian fashion legend - Valentino - has died.

African Psychoactive Plants: Dreams, Ancestors, and Healing In this episode of The Psychedelic Podcast, Paul F. Austin speaks with Jean-Francois Sobiecki, a South African ethnobotanist, clinical nutritionist, and healer whose work challenges the assumption that Africa lacks psychoactive plant traditions. Find full show notes and links here: https://thethirdwave.co/podcast/episode-339/?ref=278  Drawing from over two decades of research and a 15-year apprenticeship with a Northern Sotho healer, Jean-Francois explores dream-enhancing medicines like Ubulawu, ancestral healing systems, and cross-cultural parallels with Amazonian plant traditions. The conversation also examines conservation, initiation, and the role of African psychoactive plants in global mental health. Jean-Francois Sobiecki is a South African ethnobotanist, clinical nutritionist, and healer with over two decades of experience researching African psychoactive plant traditions. A research associate at the University of Johannesburg and founder of Phytoalchemy, he has documented more than 300 psychoactive plant species and completed a 15-year apprenticeship under Northern Sotho healer Leti Maponya. He is the author of African Psychoactive Plants: Journeys in Phytoalchemy. Highlights: Challenging myths about African visionary plants Ubulawu and dream-based healing Psychoactive vs psychedelic distinctions African and Amazonian initiation parallels Archaeological evidence of psilocybin in Africa Conservation and healing gardens Episode Links: Jean-Francois Sobiecki's Website Jean-Francois book, African Psychoactive Plants: Journeys in Phytoalchemy These show links may contain affiliate links. Third Wave receives a small percentage of the product price if you purchase through the above affiliate links. Episode Sponsors: The Practitioner Certification Program by Third Wave's Psychedelic Coaching Institute. The Microdosing Practitioner Certification at Psychedelic Coaching Institute. Golden Rule - Get a lifetime discount of 10% with code THIRDWAVE at checkout Third Wave occasionally partners with or shares information about other people, companies, and/or providers. While we work hard to only share information about ethical and responsible third parties, we can't and don't control the behavior of, products and services offered by, or the statements made by people, companies, or providers other than Third Wave. Accordingly, we encourage you to research for yourself, and consult a medical, legal, or financial professional before making decisions in those areas. Third Wave isn't responsible for the statements, conduct, services, or products of third parties. If we share a coupon code, we may receive a commission from sales arising from customers who use our coupon code. No one is required to use our coupon codes."

Thanks to Conner, Tim, Stella, Cillian, Eilee, PJ, and Morris for their suggestions this week! Further reading: Extinct Hippo-Like Creature Discovered Hidden in Museum: ‘Sheer Chance' The golden lion tamarin has very thin fingers and sometimes it’s rude: The golden lion tamarin also has a very long tail: The cotton-top tamarin [picture by Chensiyuan – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=153317160]: The pangolin is scaly: The pangolin can also be round: The East Siberia lemming [photo by Ansgar Walk – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=52651170]: An early painting of a mammoth: Show transcript: Welcome to Strange Animals Podcast. I'm your host, Kate Shaw. This week we're going to look at some mammals suggested by Conner, Tim, Stella, Cillian, Eilee, PJ, and Morris. Let's jump right in, because we have a lot of fascinating animals to learn about! We'll start with suggestions by Cillian and Eilee, who both suggested a monkey called the tamarin. Tamarins live in Central and South America and there are around 20 species, all of them quite small. Cillian specifically suggested the golden lion tamarin, an endangered species that lives in a single small part of Brazil. It has beautiful golden or orange fur that's longer around the face, like a lion's mane but extremely stylish. Its face is bare of fur and is gray or grayish-pink in color, with dark eyes and a serious expression like it's not sure where it left its wallet. It grows about 10 inches long, or 26 cm, not counting its extremely long tail. The golden lion tamarin spends most of its time in trees, where it eats fruit, flowers, and other plant material, along with eggs, tree frogs, insects, and other small animals. It has narrow hands and long fingers to help it reach into little tree hollows and crevices where insects are hiding, but if it can't reach an insect that way, it will use a twig or other tool to help. The golden lion tamarin lives in small family groups, usually a mated pair and their young children. A mother golden lion tamarin often has twins, sometimes triplets, and the other members of her family help take care of the babies. Because the golden lion tamarin is endangered, mainly due to habitat loss, zoos throughout the world have helped increase the number of babies born in captivity. When it's safe to release them into the wild, instead of only releasing the young tamarins, the entire family group is released together. Eilee suggested the cotton-top tamarin, which lives in one small part of Colombia. It's about the same size as the golden lion tamarin, but is more lightly built and has a somewhat shorter tail. It's mostly various shades of brown and tan with a dark gray face, but it also has long white hair on its head. Its hair sticks up and makes it look a little bit like those pictures of Einstein, if Einstein was a tiny little monkey. Like the golden lion tamarin, the cotton-top tamarin lives in small groups and eats both plant material and insects. It's also critically endangered due to habitat loss, and it's strictly protected these days. Next, both Tim and Stella suggested we learn about the pangolin. There are eight species known, which live in parts of Africa and Asia. The pangolin is a mammal, but it's covered in scales except for its belly and face. The scales are made of keratin, the same protein that makes up fingernails, hair, hooves, and other hard parts in mammals. When it's threatened, it rolls up into a ball with its tail over its face, and the sharp-edged, overlapping scales protect it from being bitten or clawed. It has a long, thick tail, short, strong legs with claws, a small head, and very small ears. Its muzzle is long with a nose pad at the end, it has a long sticky tongue, and it has no teeth. It's nocturnal and uses its big front claws to dig into termite mounds and ant colonies. It has poor vision but a good sense of smell. Some species of pangolin live in trees and spend the daytime sleeping in a hollow tree. Other species live on the ground and dig deep burrows to sleep in during the day. It's a solitary animal and just about the only time adult pangolins spend time together is when a pair comes together to mate. Sometimes two males fight over a female, and they do so by slapping each other with their big tails. Unfortunately for the pangolin, its scales make it sought after by humans for decoration. People also eat pangolins. Habitat loss is also making it tough for the pangolin. All species of pangolin in Asia are endangered or critically endangered, while all species of pangolins in Africa are vulnerable. Pangolins also don't do well in captivity so it's hard for zoos to help them. Next, Conner wants to learn about the lemming, a rodent that's related to muskrats and voles. Lots of people think they know one thing about the lemming, but that thing isn't true. We'll talk about it in a minute. The lemming grows up to 7 inches long, or 18 cm, and is a little round rodent with small ears, a short tail, short legs, and long fur that's brown and black in color. It eats plant material, and while it lives in really cold parts of the northern hemisphere, including Siberia, Alaska, northern Canada, and Greenland, it doesn't hibernate. It just digs tunnels with cozy nesting burrows to warm up in, and finds food by digging tunnels in the snow. Lemmings reproduce quickly, which is a trait common among rodents, and if the population of lemmings gets too large in one area, some of the lemmings may migrate to find a new place to live. In the olden days people didn't understand lemming migration. Some people believed that lemmings traveled through the air in stormy weather and that's why a bunch of lemmings would suddenly appear out of nowhere sometimes. They'd just drop out of the sky. Other people were convinced that if there were too many lemmings, they'd all jump off a cliff and die on purpose, and that's why sometimes there'd be a lot of lemmings, and then suddenly one day not nearly as many lemmings. Many people still think that lemmings jump off cliffs, but this isn't actually true. They're cute little animals, but they're not dumb. Next, let's learn about two extinct animals, starting with PJ's suggestion, the woolly mammoth. We actually know a lot about the various species of mammoth because we have so many remains. Our own distant ancestors left cave paintings and carvings of mammoths, we have lots of fossilized remains, and we have lots of subfossil remains too. Because the mammoth lived so recently and sometimes in places where the climate hasn't changed all that much in the last 10,000 years, namely very cold parts of the world with deep layers of permafrost beneath the surface, sometimes mammoth remains are found that look extremely fresh. The woolly mammoth was closely related to the modern Asian elephant, but it was much bigger and covered with long fur. A big male woolly mammoth could stand well over 11 feet tall at the shoulder, or 3.5 meters, while females were a little smaller on average. It was well adapted to cold weather and had small ears, a short tail, a thick layer of fat under the skin, and an undercoat of soft, warm hair that was protected by longer guard hairs. It lived in the steppes of northern Europe, Asia, and North America, and like modern elephants it ate plants. It had long, curved tusks that could be over 13 feet long, or 4 meters, in a big male, and one of the things it used it tusks for was to sweep snow away from plants. The woolly mammoth went extinct at the end of the last ice age, around 11,000 years ago, although a small population remained on a remote island until only 4,000 years ago. Our last animal this week is Morris's suggestion, and it's actually not a single type of animal but a whole order. Desmostylians were big aquatic mammals, and the only known order of aquatic mammals that are completely extinct. When you think of aquatic mammals, you might think of whales, seals, and sea cows, or even hippos. Desmostylians didn't look like any of those animals, and they had features not found in any other animal. Desmostylians lived in shallow water off the Pacific coast, and fossils have been found in North America, southern Japan, parts of Russia, and other places. They first appear in the fossil record around 30 million years ago and disappear from the fossil record about 7 million years ago. They were fully aquatic animals that probably mostly ate kelp or sea grass, similar to modern sirenians, which include dugongs and manatees. Let's talk about Paleoparadoxia to find out roughly what Desmostylians looked and acted like. Paleoparadoxia grew about 7 feet long, or 2.15 meters, and had a robust skeleton. It had short legs, although the front legs were longer and its four toes were probably webbed to help it swim. It probably acted a lot like a sirenian, walking along the sea floor to find plants to eat. Its nostrils were on the top of its nose so it could take breaths at the surface more easily, and it had short tusks in its mouth, something like modern hippos. It may have looked a little like a hippo, but also a little like a dugong, and possibly a little like a walrus. One really strange thing about Desmostylians in general are their teeth. No other animals known have teeth like theirs. Their molars and premolars are incredibly tough and are made up of little enamel cylinders. The order's name actually means “bundle of columns,” referring to the teeth, and the bundles point upward so that the tops of the columns make up the tooth's chewing surface. Actually, chewing surface isn't the right term because Desmostylians probably didn't chew their food. Scientists think they pulled plants up by the roots using their teeth and tusks, then used suction to slurp up the plants and swallow them whole. We still don't know very much about Desmostylians. Scientists think they were outcompeted by sirenians, but we don't really know why they went extinct. We don't even know what they were most closely related to. They share some similarities with manatees and elephants, but those similarities may be due to convergent evolution. Then again, they might be related. Until we find more fossils, the mysteries will remain. You can find Strange Animals Podcast at strangeanimalspodcast.blubrry.net. That's blueberry without any E's. If you have questions, comments, corrections, or suggestions, email us at strangeanimalspodcast@gmail.com. Thanks for listening!

David Belden was born into a family of Oxford Group leaders and committed activists. The Group set out “to change the world” and throughout his early years David devoted himself wholeheartedly to this challenge.  But while “carrying the message” in Africa, his life took an unexpected turn that led to his questioning some of principles and practices he had once taken uncritically for granted.David returned to Oxford University to write his doctoral dissertation on the Group's history, influence and shortcomings. He recently published a still more intimate account of his own journey toward personal and social transformation and change: The World Remakers' Child.This series affords a rare insider's view of the Group responsible for contributing no fewer than ten of A.A.'s Twelve Steps and yields fresh insights and challenges throughout. Mahatma Gandhi's grandson praised David's book for its “steady candor,” “humor about himself,” and “a thirst for a less harsh, more loving, and fairer world.”This third episode traces the origins of many of the 12 Steps as they were practiced among members of the Group. Remember, Bill Wison said he derived no fewer than ten of his twelve Steps straight from his experience within the Oxford Group. They had no Steps, but they were well on their way to finding the Answer!Show notes:David Belden's book: The World Remakers' ChildDave's Oxford University Doctoral Thesis:https://www.academia.edu/27545723/The_Origins_and_Development_of_the_Oxford_Group_Moral_Re_Armament_

Send us a textDownload study notes for this chapter.Download study notes for this entire book.**********Scriptures taken from the Holy Bible, New International Version ®, NIV ® Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc. Used with permission. All rights reserved worldwide.The “NIV”, “New International Version”, “Biblica”, “International Bible Society” and the Biblica Logo are trademarks registered in the United States Patent and Trademark Office by Biblica, Inc.  Used with permission.BIBLICA, THE INTERNATIONAL BIBLE SOCIETY, provides God's Word to people through Bible translation & Bible publishing, and Bible engagement in Africa, Asia Pacific, Europe, Latin America, the Middle East, and North America. Through its worldwide reach, Biblica engages people with God's Word so that their lives are transformed through a relationship with Jesus Christ.Support the show

This 2020 episode covers Paul Cuffe, who protested taxation, built wealth for himself in whaling, became a Quaker and used his fortune for the betterment of others. He also advocated creating a colony in Africa for of African ancestry to immigrate to.See omnystudio.com/listener for privacy information.

Chronic diseases are rising fast in Africa — and the same lifestyle factors driving illness in the U.S. are now impacting communities around the world. In this powerful episode of The Exam Room, host Chuck Carroll speaks with Dr. Samba Nyirenda, a lifestyle medicine physician in Botswana and the country's only certified Food for Life Instructor. Together, they explore how urbanization, processed foods, and the loss of traditional diets are fueling diabetes, heart disease, obesity, and hypertension — and how plant-based nutrition is offering real hope.

In Part 2 of our interview with Pastor Hassan Abduraheem Taour, he shares how his heart remained upbeat, even as the judge pronounced him guilty and sentenced him to 12 years in prison. He'll talk about how reading the Bible is different inside prison than when you're free. Hassan says he experienced persecution as a blessing from God—a blessing that brought him tears of joy. "It is really a privilege to be persecuted," he says. Pastor Hassan recounted how fellow members of the Body of Christ in Sudan encouraged him in prison with faith that the Lord would release him. His prayer life also grew in prison, as he became a prayer warrior, quoting Bible verses as he prayed with tears. Your faith will be encouraged and you'll be challenged to pray for Sudan, Christians imprisoned for Christ, and their families as you hear Pastor Hassan's amazing testimony this week on VOM Radio. Hear Part 1 of our conversation here. Pastor Hassan was imprisoned alongside VOM's Africa regional director, Petr Jasek. You can hear Petr's side of the story here. Pastor Hassan's story was also featured in the I Am N virtual event, which you can watch online. The VOM App for your smartphone or tablet will help you pray daily in 2026 for persecuted Christians in nations like North Korea, Nigeria and Bangladesh, as well as provide free access to e-books, audiobooks, video content and feature films. Download the VOM App for your iOS or Android device today.

Truly you all have no idea how lucky you are that we didn't record this episode after the OTHER Minnesota bullshit. 10 days before Christmas I was joined by Navy Corpsman Kiefer; sharing social circles since I can remember he was a small beacon of hope that thinking for yourself and not adhering to the pack political mentality might still serve you well. It'll always puzzle me how traditional values seemed to be the odd-man-out in terms of moral and social networking with the cesspool of self-loathing, sanctimonious, trendwhore sycophants we all socialized with. But no one is bad mouthed here; just two drunk dorks jabbering over our similarities and disimilarities. Excursions to Africa, lessons in storytelling, drug-free bodybuilding, and more from a fellow Patriot. 

This week, we're discussing the winner of our latest Patreon poll, Senegalese auteur Djibril Diop Mambéty's Hyenas. Adapting Swiss-German playwright Friedrich Dürrenmatt's 1956 satirical tragicomedy The Visit and transposing its story onto post-colonial Senegal, the film tells the story of Dramaan Drameh, a grocer in the poor town of Colobane, whose life is upended when a former flame, Linguère Ramatou, returns to the town after decades. Having amassed a large fortune in the intervening years, Ramatou makes the township a disquieting offer - she will bestow her fortune onto Colobane in exchange for the murder of Drameh as revenge for abandoning her following a pregnancy during their brief love affair. Gorgeously-lensed, blackly satirical, and ultimately tragic, Hyenas imbues its tense tale of vengenace and greed with resonances examining Senagal's (and the greater continet of Africa's) subjugation under western capitalism in the post-colonial period. We begin with a discussion of Senegal's cinema, its anti-colonial dimensions, and how the rhythms of Mambéty's film antagonize western modes of narrative and filmmaking. Then, we examine the film's exploration of the corrupting nature of capital, and how forces like the International Monetary Fund and World Bank acted as coercive mechanisms for privatization and neoliberal policy in Africa and throughout the developing world. Finally, we discuss the film's sexual politics, where we feel its metaphors break down in its exploration of the character of Ramatou, and where fidelity to source material occasionally muddles the film's incisive colonial critique. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish.

Stephen Grootes speaks to Ayabonga Cawe, Chief Commissioner of ITAC about the path that led him to development economics, Siphiwe Moyo, Organisational Behavior Specialist on ways to reclaim optimism as a strategic resource at work, Warren Ingram, Certified Financial Planner at Galileo Capital, on key lessons for investors from 2025 fiscal year and Bronwyn Williams, Partner at Flux Trends about how misreadings of African trade, innovation and institutions continue to shape global policy and investment decisions today. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape.    Thank you for listening to a podcast from The Money Show Listen live Primedia+ weekdays from 18:00 and 20:00 (SA Time) to The Money Show with Stephen Grootes broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/7QpH0jY or find all the catch-up podcasts here https://buff.ly/PlhvUVe Subscribe to The Money Show Daily Newsletter and the Weekly Business Wrap here https://buff.ly/v5mfetc The Money Show is brought to you by Absa     Follow us on social media   702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/CapeTalk 702 on YouTube: https://www.youtube.com/@radio702   CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/Radio702 CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Our first episode back and we have a return guest! Astrologist Laura Chung tells us what the planets have in store for the US empire in 2026 and it's not as simple as you may think! We also break down the multi-pronged approach to revolution through the Minneapolis resistance, Iran and Chilean protests. For the PSA (Public Seales Announcement) I'm tryna hip ya'll to Africa's power BEYOND just resources!Watch “Views from AmandaLand” Wed 10a EST at Youtube.com/AmandaSealesTV!Listen to the podcast streaming on all podcast platforms.Keep up with my releases and appearances!Subscribe to my newsletter for free at AmandaSeales.comThis is a Smart Funny & Black Production

From Aries Spears: Comedy Blueprint https://www.comedydynamics.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kirk kicks off Strong Songs Season Eight with a second helping of Toto, whose song "Africa" got the very first episode of Strong Songs he ever made. This time around he's focusing on 1982's "Rosanna," a song that shows just what Toto could do when every member of the band gave it their all.Written by: David PaichAlbum: Toto IV, 1982Listen/Buy via Album.LinkALSO REFERENCED/DISCUSSED:Guess That Record Interview with David PaichToto Live at the Montreaux Jazz Festival, 1991Music Radar interview with Porcaro and Paich about the synth soundsJeff Porcaro explains the Rosanna groove to DrummerworldYacht Rock: A Dockumentary on HBO, 2024“Home At Last” from Aja and “Babylon Sisters” from Gaucho by Steely Dan“Fool In The Rain” by Led Zeppelin from In Through The Out Door, 1979“Lido Shuffle” by Boz Scaggs and David Paich from Silk Degrees, 1977“Hold the Line” by David Paich from Toto, 1978“Ain't No Woman (Like the One I've Got) by Lambert/Potter, sung by the Four Tops, 1973“Give ‘M Time” by Sammy Nestico recorded by Count Basie Big Band, 1975--------------------JANUARY 2026 WHOLE NOTE PATRONSDave Florey - AccessViolation - Jeremy Dawson - Sami Samhuri - Paul Delaney - Nathaniel Bauernfeind - Jenness Gardner - Melanie Andrich - Ken Hirsh - Joe Laska - David Mascetti - Christopher McConnell - Jamie White - Christopher Miller - Daniel Hannon-Barry - Rush - Jay Swartz - Damon White - Catherine Warner - Ben Barron - Corpus Frisky - Cesar - Robyn Metcalfe - Elizabeth Culver - Rick Keeler - Lisa Crotty - Andy - Thomas McIlheran - Melissa Lucas - Greg - Julie Rowe - Rich FishJANUARY 2026 HALF-NOTE PATRONSColin Hodo - Paul De Surra - James Johnson - Arjun Sharma - Justin McElroy - Alexander Polson - Richard Toller - Melanie Stivers - Matt Betzel - Jeffrey Olson - Brett Douville - Brian Amoebas - Bill Thornton - Andrew Fair - Andrew Baker - Amanda Furlotti - Brad Callahan - Jennifer Bush - AJ Schuster - Tanner Morton - Gavin Doig - Chris K - Alexander - David - Naomi - Dave Sharpe - Caro Field - Jonathan Daniels - Eric Helm - Melmaniac - Dhu Wik - Tom Coleman - Diane Turner - Clare Holberton - Randy Souza - Pascal Rueger - Joshua Hill - Stephen Tsoneff - Michael Casner - Diane Hughes - Angela Livingstone - cbalmain - Eric Prestemon - Lauren Reay - Nathan Gouwens - Nell Morse - Karma Jay - Dallas Hockley - M Shane Borders - Kevin Potter - Eoin de Burca - Bonnie Prinsen - Linda Duffy - Ryan Rairigh - Achint Srivastava - Dermot Crowley - Doug Belew - Abbie Berg - Jason Pratt - Geraldine Butler - David Noah - Bernard Khoo - David Joske - Donald Mackie - Steve Paquin - Mino Capossela - Kelli Brockington - Adam W - Josh Singer - Rob Tsuk - Ailie Fraser - JRRJ - Jeffrey Bean - Rishi Sahay - Zak Remer - Adam Stofsky - Kenneth Jung - Bruno Gaeta - Paul Wayper - Lisa Turner - Wendy Gilchrist - Doreen Carlson - Janice Berry - Christian Hessmann - Richard Sneddon - Portland Eye Care - Deebs - Jamie - David Futter - Jeff Ulm - Aaron Wade - KenIsWearingAHat - Ethan Bauman - Catherine Clause - Charles McGee - Tim Sheehan - E Margaret Warton - Luigi Boccia - Matt Baxter - Gary Pierce - Dr Arthur A Gray - Steve Martino - Stu Baker - Martín Salías - Kayla Russell - Dubmarine - Peter Harding - John Halpin - Douglas H Frazer - Alan Maass - Dave Malloy - Robert Granat - Kaya Woodall - Kellen Steffen - Sean Murphy - Grettir Asmundarson - Jim Sellers - Ben Stein - Dick Morgan - Lee R. - Abraham Benrubi - Misty Haisfield - Carlos Lerner - Dent Earl - Aaron Wilson - Chris Remo - Brian Johan Peter - Ethan Laser - James McMurry - Anthony Mentz - Thomas - Matthew Jones - Eric Sp - Max - Rand LeShay - Stephen Wolkwitz - Paul Bigelman - Monica St. Angelo - Henry Mindlin - Dave Kolas - Lauren Knotts - Joe Gallo - Merv Adrian - Michael Singer - Inmar Givoni - Mordok's Vape Pen - Clint McElroy - John Berry - Ol Parker - Joseph Romero - Dan Cutter - Jeff - Michael - James - Kevin Marcelo - Seattle Trans And Nonbinary Choral Ensemble - Ashley - Melissa Kuhns - Jordan Gatenby - Andrew Hofer - Ian Pidd - Irritable - Meryl Allison - Sy Jacobs - Lawrence - Praline - Kevin Stafford - Daniel Nervo - Philip Kelly - Bea - Julie Kellman - Wiggy Hash - Daniel Kaberon - TB - Aruni Jayatilleke - Rachel - Kym Griffith - PhantomMare - Suzanne Crawford - Dave Douglass - Princess of Whales - Alison Dugan - Margaret McReynolds - Betsy Barre - HiddenJester - Brian Rinckenberger - RsP - Lottie Aron - Alex Miller - Jez - Steve B - Ian Karmel - Zach Putnam - Edward Steen - Adam Clark - Freddy Freeman - Erik - Mathias Schmidt - Cheryl Wilke - Tucker Ped - Sarah Vetters - Aaron Cain - Daniel Markoff - LG - MJS - Alex - Eric Stone - Alan Kress - R J Helow - Max Barnes - Michael Martin - John Domina - Maddie S - James - Andrew Knutson - Doug - Sam Grogan - EwokEater42 - MT ----LINKS-----

(TRIGGER WARNING: Sexual Assault, Child Murder, Racism, Bodily Fluids, Cannibalism and a Contagious Virus. Please skip this episode and this movie if any of those subjects are a deal breaker for you) In this episode Jef, Josh and Brian are put to the test with another Top Dawg Patreon Pick! This time around the poison chosen for the guys is 1996's "Ebola Syndrome". This flick is filled with one of the worst villains in cinema history, doing some of the most fucked up crimes in cinema history. This dastardly man Kai San is portrayed by the one and only Anthony Wong. No person is safe in Hong Kong or Africa when this guy is doing his dirty work. Jef, Josh and Brian had a hard time with this one but being the podcast professionals that they are, they toughed it out and brought you the episode that lies before you. So strap in, because this is gonna be a rough ride. Maybe wear a mask for this episode, the FM3 are afraid just talking about this horrible man's shenanigans will infect you wonderful listeners. Enjoy? 

Think back to when you were younger, what did you want to do when you grew up? A recent study in Kenya found that many young people would choose to be a TikToker or a YouTuber over a more conventional career, like a doctor or a lawyer.Nowadays, content creators have become as influential as athletes and artists, but while Africa's content creator ecosystem is growing rapidly, more than half of the continent's creators earn less than $70 a month.Focus on Africa: The Conversation host Charles Gitonga sat down with Chef Abbys - a Ghanaian TikToker with millions of followers - to find out what it takes to make it big in the industry.Presenter: Charles Gitonga Producers: Fana Negash and Carolyne Kiambo Senior Producer: Priya Sippy Technical Producer: Terry Chege Editors: Samuel Murunga and Maryam Abdalla

While global attention was fixed on the fallout from U.S. intervention in Venezuela and rising tensions between Washington and Tehran, Chinese Foreign Minister Wang Yi quietly toured three African countries in a notably low-profile visit. Eric, Cobus, and Géraud unpack why this understated trip mattered despite attracting little media attention, and examine its timing alongside a controversial BRICS naval exercise held off the coast of South Africa.

In this blockbuster episode, Tara breaks down a jaw-dropping admission that most of the mainstream media is ignoring: “We will control the Venezuelan oil.” This isn't a war. It isn't a seizure. And it isn't illegal. It's a strategic, sanctions-backed move that may have just ended America's dependence on OPEC, kneecapped China's energy supply, and reshaped global geopolitics—without losing a single U.S. soldier.

In this explosive breakdown, Tara unpacks what may be the boldest foreign-policy and energy strategy in modern U.S. history. From rare earth minerals and Chinese leverage to Venezuela's oil ports and the unraveling of OPEC, this episode lays out how sanctions, indictments, and energy dominance intersect. At the center of it all: a blunt declaration—the United States will control Venezuelan oil—and a global power shift that could kneecap China, collapse hostile regimes, and end America's dependence on the Middle East once and for all.

Send us a textDownload study notes for this chapter.Download study notes for this entire book.**********Scriptures taken from the Holy Bible, New International Version ®, NIV ® Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc. Used with permission. All rights reserved worldwide.The “NIV”, “New International Version”, “Biblica”, “International Bible Society” and the Biblica Logo are trademarks registered in the United States Patent and Trademark Office by Biblica, Inc.  Used with permission.BIBLICA, THE INTERNATIONAL BIBLE SOCIETY, provides God's Word to people through Bible translation & Bible publishing, and Bible engagement in Africa, Asia Pacific, Europe, Latin America, the Middle East, and North America. Through its worldwide reach, Biblica engages people with God's Word so that their lives are transformed through a relationship with Jesus Christ.Support the show

Africa gets the final it deserves as Morocco and Senegal meet for the AFCON crown, while Oceania makes history with the launch of its first professional league. Jason Longshore also breaks down the NWSL's 2026 schedule, MLS roster moves, and what's ahead for Atlanta United as preseason continues. A global snapshot of where the game is headed, all in today's Morning Espresso.

Following the outbreak of World War I, tens of thousands of men from the British Caribbean volunteered as soldiers to fight on behalf of the British Empire. Despite living far from the bloody battlefields of Europe, these men enlisted for a variety of reasons—to affirm their masculine honor, pursue economic mobility, or enhance their standing as colonial subjects. Democracy's Foot Soldiers: World War I and the Politics of Empire in the Greater Caribbean (Princeton UP, 2025) by Dr. Reena Goldthree offers a sweeping account of the British West Indies Regiment, the military unit established in 1915 for Caribbean volunteers, documenting their service during the war and their dramatic battles for racial equality and fair treatment in the armed forces and on the home front.Drawing on previously overlooked archival sources in the Caribbean, England, and United States, Dr. Goldthree demonstrates how wartime military mobilization spurred heightened demands for social, economic, and political reform in the colonial Caribbean. She recovers the forgotten contributions of Afro-Caribbean troops during the war, following their harrowing journeys to military camps in Europe, Africa, and the Middle East. Goldthree chronicles how, after the war, soldiers, their families, and their civilian allies launched their own “war for democracy,” strategically using the rhetoric of imperial patriotism—rather than the more militant language of anticolonial nationalism—to fight for respect and equality.Democracy's Foot Soldiers places these soldiers at the forefront of popular struggles over race, labor, and economic justice in the early twentieth-century Caribbean, showing that the war years were a crucial period of political ferment and mass mobilization in the region. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Raquel Graham, "Shark Tank" winner, CEO of Roq Innovation, and host of "Entrepreneuring with Raquel Graham" on KBLA Talk 1580 gives her insight on Black-led investment funds thriving despite DEI rollbacks, the benefits of franchising and why Africa is the next frontier for Black entrepreneurs.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Xavi Curtis is the brains behind Go Further, a tour company that takes curious travelers around Africa. Xavi tells Brent about the unique cuisine of Ethiopia including a grain so small they say you can’t see it, a carb heavy dish with an Italian twist, an unusual drink called Turbo. Plus, the birthplace of coffee and why most Ethiopian coffee is exported. [Ep 372] Show Notes: Destination Eat Drink foodie travel guide ebooks Destination Eat Drink blog Go Further tours in Ethiopia

On today's show, host Esty Dinur is joined by Alfred W. McCoy to talk about his latest book, Cold War on Five Continents: A Global History of Empire and Espionage, available from Haymarket Books. His book offers an intimate portrait of both covert operatives and antiwar activists, thus humanizing a history often told in impersonal terms of nuclear arsenals or diplomatic ententes. Turning away from the usual focus of the Moscow-Washington stalemate, McCoy looks at the regions of the world where the Cold War was actually fought, arguing that Southeast Asia experienced the worst of Cold War violence. From South Vietnam to the Middle East, to Africa and Latin America the major world powers fought surrogate wars amounting to 20 million deaths.  McCoy describes how the US spread its military around the world and operated covertly in Afghanistan, Angola, and elsewhere. He says that the first success of “the man on the spot,” Kermit Roosevelt Jr., was in Iran where he helped to install the Shah in “a spectacularly successful exhibit of regime change.” McCoy says that we're currently seeing a “radical shift in US geopolitical posture” moving away from “an international system of law and commerce to becoming a regional hegemony” as seen in what McCoy calls Trump's “tri-continental strategy.” Trump has decided to concentrate US power in the Americas, from Canada to Greenland and Venezuela. He says that Trump views oil and power as synonymous, but this is a miscalculation on Trump's part. McCoy sees the era of oil as over and the next horizon is in renewables and will be dominated by China.  Alfred W. McCoy holds the Harrington chair in history at the University of Wisconsin-Madison. Since earning a history doctorate in 1977, his teaching and writing have focused on Southeast Asian history, modern empires, and the covert netherworld of syndicate crime and state security. Featured image of the cover of Cold War on Five Continents: A Global History of Empire and Espionage, available from Haymarket Books. Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post From the Cold War to the Trump Regime's Geopolitics with Alfred McCo... appeared first on WORT-FM 89.9.

Following the outbreak of World War I, tens of thousands of men from the British Caribbean volunteered as soldiers to fight on behalf of the British Empire. Despite living far from the bloody battlefields of Europe, these men enlisted for a variety of reasons—to affirm their masculine honor, pursue economic mobility, or enhance their standing as colonial subjects. Democracy's Foot Soldiers: World War I and the Politics of Empire in the Greater Caribbean (Princeton UP, 2025) by Dr. Reena Goldthree offers a sweeping account of the British West Indies Regiment, the military unit established in 1915 for Caribbean volunteers, documenting their service during the war and their dramatic battles for racial equality and fair treatment in the armed forces and on the home front.Drawing on previously overlooked archival sources in the Caribbean, England, and United States, Dr. Goldthree demonstrates how wartime military mobilization spurred heightened demands for social, economic, and political reform in the colonial Caribbean. She recovers the forgotten contributions of Afro-Caribbean troops during the war, following their harrowing journeys to military camps in Europe, Africa, and the Middle East. Goldthree chronicles how, after the war, soldiers, their families, and their civilian allies launched their own “war for democracy,” strategically using the rhetoric of imperial patriotism—rather than the more militant language of anticolonial nationalism—to fight for respect and equality.Democracy's Foot Soldiers places these soldiers at the forefront of popular struggles over race, labor, and economic justice in the early twentieth-century Caribbean, showing that the war years were a crucial period of political ferment and mass mobilization in the region. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

According to the New Yorker writer Nicholas Niarchos, Africa is rich in both raw materials and tragic paradox. We know about the continent's wealth in the rare earth minerals that enable our global transition from fossil fuels to clean energy. But it's contemporary African paradoxes that Niarchos describes in his important new book, The Elements of Power. There's the paradox of clean energy's dirty secret — the horrifying cost in African suffering of our insatiable thirst for the minerals that power our electric vehicles and solar panels. Then there's the paradox of the new scramble for Africa between what he calls the "amoral" Chinese and the "immoral" Americans. And finally there's Niarchos' own personal paradox (which he doesn't disguise) of being the scion of two of the wealthiest and most powerful families in Europe while writing a book about some of the poorest and most exploited people on the planet.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Uncle Si re-creates a chilling Vietnam moment when he braced himself for what he believed was imminent combat, only to later realize the situation was not at all what he thought. Rucker opens up about his nerves ahead of a trip to Africa and admits he's still amazed Uncle Sam handed a passport to an ex-con, which earns him a more relentless ribbing than usual from John-David. Martin briefly steps away from Si's spiraling theories and hands over the reins to Hunter from Kentucky, a young man the guys have been covering with prayer for months. Duck Call Room #518 is sponsored by: https://trybeef.com/duck — Get 10% off your first TriTails box straight from their ranch to your door. Protect your family with life insurance from Ethos. Get up to $3 million in coverage in as little as 10 minutes at https://ethos.com/DUCK. Application times may vary. Rates may vary. https://preborn.com/duck or dial #250 and say the keyword BABY — Just $28 can help save a life! https://www.mypillow.com/duck — Get the best deals on all MyPillow's products, including the classic MyPillow for just $17.98, with code DUCK at checkout! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Earth Rangers, it's time for the ultimate conservation competition!This season, we're following an epic around-the-world race where environmental champions battle it out across continents, testing their knowledge of wildlife, ecosystems and sustainable travel. From the savannas of Africa to the rainforests of South America, competitors will face challenges that push their Earth Ranger skills to the limit.But plot twist – not everything goes as planned! Expect surprise substitutions, fierce rivalries with returning fan favourites and jaw-dropping moments that'll keep you guessing who'll cross the finish line first.The challenge? Getting there the greenest way possible while outsmarting the competition.Who will navigate the toughest terrain, ace the wildest animal encounters, and prove they're the ultimate Earth Ranger? There's only one way to find out, so stay tuned!If you're a kid who loves learning science and animal facts, you'll love Earth Rangers! Visit earthrangers.com to learn more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Donate (no account necessary) | Subscribe (account required) Join Bryan Dean Wright, former CIA Operations Officer, as he dives into today's top stories shaping America and the world. In this Thursday Headline Brief of The Wright Report, Bryan covers escalating violence against ICE officers in Minneapolis, mounting legal trouble for Democratic lawmakers, high-stakes global deal-making by President Trump, and shifting power dynamics involving Iran, China, Greenland, Ukraine, Africa, and Venezuela. Another ICE Officer Attacked in Minneapolis: An ICE officer was hospitalized after being beaten with a shovel by an illegal Venezuelan migrant and accomplices during a traffic stop. The attack followed Governor Tim Walz's public calls for resistance against ICE. Riots broke out as the officer defended himself by firing a single shot. Both the officer and attacker are expected to survive. Democrats on Defense Over the Renee Good Shooting: New medical reporting confirms the ICE officer previously shot by activist Renee Good suffered internal bleeding after being struck by her vehicle. Despite video evidence and DHS confirmation, Democratic leaders remain silent. The family has hired the attorney who represented George Floyd, signaling a civil lawsuit ahead. Slotkin Investigated and FBI Moves on Media Leaks: Senator Elissa Slotkin is under criminal investigation related to the "Seditious Six" video urging troops to refuse lawful orders. Separately, the FBI raided the home of a Washington Post reporter after a Navy veteran contractor was caught leaking classified Venezuela-related intelligence. Supreme Court Skeptical of Trans-Sports Lawsuit: Justices signaled strong resistance to claims that biological males with gender dysphoria must be allowed to compete in women's sports. Attorneys failed to define what constitutes male or female under Title IX, suggesting state-level bans will likely stand. Trump Pressures Iran Through Back-Channel Diplomacy: The Pentagon evacuated some personnel from Middle East bases as Trump delayed strikes after receiving assurances that Iran would halt executions of protesters. Brazil and the UAE signaled they may curtail trade with Iran to avoid U.S.-imposed tariffs, while China remains silent. Xi Floats a Hemisphere-Level Grand Bargain: China is reportedly open to pulling back from Central and South America if the United States reduces its commitment to Taiwan. Bryan asks whether reclaiming the Western Hemisphere would be worth that trade-off. Greenland and Ukraine Become Linked Leverage Points: Trump signaled that U.S. support for Ukraine may depend on concessions from Europe over Greenland. Denmark pushed back, but Trump argued Venezuela proved America will act decisively where Europe cannot. Big Wins in Armenia, Congo, and Venezuela: The United States secured a forty-nine-year lease for a strategic trade corridor along Iran's border through Armenia, gained access to Congolese copper from a Chinese-run mine, and received its first five hundred million dollars from Venezuelan oil sales. New polling shows strong Venezuelan public support for Maduro's removal and optimism about Trump's leadership.   "And you shall know the truth, and the truth shall make you free." - John 8:32     Keywords: January 15 2026 Wright Report, ICE officer attacked Minneapolis, Tim Walz resist ICE remarks, Renee Good internal injuries update, Elissa Slotkin investigation, classified leak Washington Post FBI, Supreme Court trans-sports Title IX, Iran executions Trump tariffs Brazil UAE, China Taiwan Central-America deal, Greenland leverage Ukraine war, Armenia trade corridor long-term lease, Congo copper Chinese-run mine, Venezuelan oil five-hundred-million dollars poll support

This week, we hear from retired Washington D.C. police sergeant and pastor Dale Sutherland, who shares how his faith carried him through dangerous undercover work, false accusations, and ultimately inspired him to launch a ministry that brings hope to families in crisis. Later in the episode, we’ll hear from Haley Scully, who has spent nearly fifteen years with Hope for the Heart, equipping people to offer compassionate care within their communities. Through her own journey of navigating disappointment and renewal, she’s gained a deep understanding of the struggles others face—and a passion to restore their confidence and hope. Links, Products, and Resources Mentioned: Jesus Calling Podcast Jesus Calling Jesus Always Jesus Listens Past interview: Clarissa and Fiona Moll Upcoming interview: Chris Blair Dale Sutherland Ephesians 2:10 2 Corinthians 1:9 Boost Others www.boostothers.org www.theundercoverpastor.com Haley Scully Hope for the Heart www.hopefortheheart.org The Care and Counsel Handbook Interview Quotes: “I’ve been shot at, robbed, and threatened a lot of times. But by God’s grace, I’m here.” - Dale Sutherland “[Being a police officer] was intense, yes, but the great thing is knowing Jesus the Lord went with me on all those calls. When I got ready to do an undercover, I prayed and asked the Lord for help. I really think any success I’ve received or been blessed with has truly been a result of the Lord’s work and answering all those prayers.” - Dale Sutherland “The Lord helped me a tremendous amount so that I could do my job but not let my own worries or feelings about what might happen or what has happened—almost like an on and off switch.” - Dale Sutherland “That time of trying to understand the goodness of God and His calling, in spite of some of the biggest disappointment and hurt in my life, that was certainly a time that I didn’t feel uncertain of Him, but I was feeling afraid and definitely stretched. I had to search through His Word with Him and really dig in to believe that He is good in spite of those disappointments.” - Haley Scully “When we allow God to use the gifts that He’s given us and we allow Him to shape that, it takes off all the pressure. That’s when the burden is light, when the yoke is on the Lord. I just get to help lead people to His Word.”- Haley Scully “Whether we are in a village in Africa or we’re in a high rise in Hong Kong, it does not matter where we are, the struggles of the human heart are the same.” - Haley Scully “We know that people are carrying quite a load as they try to care for others, and we want to help them be the most prepared to do that so they can still have joy in their calling and that they truly can trust in God to be the One to manage these things and be a vessel of help and hope.” - Haley Scully ________________________ Enjoy watching these additional videos from Jesus Calling YouTube channel! Audio Episodes: https://bit.ly/3zvjbK7 Bonus Podcasts: https://bit.ly/3vfLlGw Jesus Listens: Stories of Prayer: https://bit.ly/3Sd0a6C Peace for Everyday Life: https://bit.ly/3zzwFoj Peace in Uncertain Times: https://bit.ly/3cHfB6u What’s Good? https://bit.ly/3vc2cKj Enneagram: https://bit.ly/3hzRCCY ________________________ Connect with Jesus Calling Instagram Facebook Twitter Pinterest YouTube Website TikTok Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

My guest is Robyn Curnow, a native South African who spent over two decades at CNN, where she hosted CNN's Newsroom, and anchored The International Desk with Robyn Curnow. Prior to that, she served as the network's Africa correspondent out of Johannesburg and covered Europe out of CNN's London Bureau. If you don't recognize her name, I bet you'll recognize her distinctive voice because you likely saw her interviews with some of the most prominent people of our lifetimes, including Nelson Mandela, Jimmy Carter, Bill Clinton, George W. Bush, Michelle Obama, Oprah Winfrey, and Archbishop Desmond Tutu. Robyn has covered news stories as diverse and dynamic as Africa's HIV/AIDS epidemic, the rise of Boko Haram, the 2010 World Cup, and the murder of Jammal Khashoggi. This work earned her and her colleagues multiple Emmy nominations, the Royal Television Society Award, and the duPont-Columbia Award. On her new podcast, Searching for America—which I love—Robyn explores our society and culture through the eyes of a new-comer. Like a modern-day de Tocqueville, she offers a sincerely interested outsider's perspective on the quirks of American life, including the Halloween Industrial complex, the obsession with high school graduation and college acceptance, turducken, and—most importantly—our collective love of Dolly Parton. She lives in Atlanta where she and I serve on a school board together. Rate and Review Reasonably Happy: https://ratethispodcast.com/paulopod Read Paul's Substack essays here: https://words.paulollinger.com/ Listen to Searching for America here: https://open.spotify.com/show/3j83wBMdUQnOcQTfK2pg9I

1.14.2026 #RolandMartinUnfiltered: Day of Truth Boycott vs. Trump. Africa-Targeted Visa Freeze. White Nationalist Agenda Exposed. Minneapolis faith leaders and community activists are calling for a Day of Truth and Freedom boycott in response to Trump's Operation Metro Surge. I'll talk to one of the organizers about how boycotting work, schools, and shopping will help bring awareness. In an effort to maintain a predominantly white America, the Trump administration is pausing immigrant visa processing for 75 countries. I talk to an expert about this sweeping move, which is primarily targeted at African countries. The Trump administration has launched a campaign across various departments that utilizes images and ideas borrowed from right-wing and white nationalist circles. Heckling the convict-in-chief not only results in being flipped off by the orange man, but it can also lead to suspension. The Senate honors gospel icon Richard Smallwood. #BlackStarNetwork partner: Fanbasehttps://www.startengine.com/offering/fanbase This Reg A+ offering is made available through StartEngine Primary, LLC, member FINRA/SIPC. This investment is speculative, illiquid, and involves a high degree of risk, including the possible loss of your entire investment. You should read the Offering Circular (https://bit.ly/3VDPKjD) and Risks (https://bit.ly/3ZQzHl0) related to this offering before investing. Download the Black Star Network app at http://www.blackstarnetwork.com! We're on iOS, AppleTV, Android, AndroidTV, Roku, FireTV, XBox and SamsungTV. The #BlackStarNetwork is a news reporting platform covered under Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.See omnystudio.com/listener for privacy information.

Kevin Robertson shares some insights on gemsbok hunting in this podcast interview, focusing on gemsbok biology, where they live, what they eat (and how that affects their behavior), how trophy quality varies from region to region, and some fascinating stories involving gemsbok hunting in Africa. Sponsor: Get in touch with me to make your Africa hunting dreams come true on a hunt in South Africa. We offer outstanding hunting safaris, simplified hunt logistics, assistance with many of the pain points associated with a hunt, and up front pricing with no extra fees. We just opened bookings for 2027 and still have a few spots remaining for May, October, and November 2026. Visit bestsafarihunt.com or email me at john@thebiggamehuntingblog.com to learn more. Make sure to state that you're a podcast listener and I'll give you a special bonus! Join the Big Game Hunting Podcast tribe for the potential opportunity to have a future podcast guest answer one of your questions on the air along with access to all my bonus material at www.patreon.com/biggamehunter  I highly recommend purchasing a copy of Kevin Robertson's books It Shouldn't Happen and The Perfect Shot II. You will not be disappointed with either book. Get copies of each one on Amazon here (affiliate link, commissions earned). Please hit that "SUBSCRIBE" or "FOLLOW" button in your podcast app to receive future episodes automatically! Resources Below are links to Kevin Robertson's previous appearances on the show: Ep 97: Africa Hunting Bullets 101 With Kevin Robertson Ep 103: Africa Hunting Rifles 101 With Kevin Robertson Ep 124: Cape Buffalo Hunting 101 With Kevin Robertson Ep 125: Cape Buffalo Hunting 101 Part 2 With Kevin Robertson Ep 154: Leopard Hunting 101 With Kevin Robertson Ep 155: Lion Hunting 101 With Kevin Robertson Ep 176: Elephant Conservation With Kevin Robertson Ep 177: Elephant Hunting 101 With Kevin Robertson Ep 178: Crocodile Hunting 101 With Kevin Robertson Ep 179: Hippopotamus Hunting 101 With Kevin Robertson Ep 205: Hunting Africa With A Lever Action Rifle With Kevin Robertson Ep 206: Classic Africa Hunting Cartridges With Kevin Robertson Ep 207: Hyena Hunting 101 With Kevin Robertson Ep 250: Africa Hunting Trackers 101 With Kevin Robertson Ep 252: How To Become A Professional Hunter With Kevin Robertson Ep 300: .40 Caliber Safari Cartridges With Kevin Robertson Ep 329: .50, .60, & .70 Caliber Safari Cartridges With Kevin Robertson Ep 357: Kevin Robertson's Two Near Death Experiences From Sable Ep 374: Kudu Hunting 101 With Kevin Robertson

In the music of the French Antilles - the islands of Martinique and Guadeloupe - you can hear influences that range from the traditional béle and gwo ka drumming of the islands' rural communities, to European additions like polka and French chanson. But when these islands produced a pop genre that took much of the Caribbean and African world by storm - the smooth and sexy dance music zouk, which exploded in the 1980s - it was an entirely new blend that uniquely reflected the complex layers of identity in these Caribbean communities that are, administratively, a full-fledged part of France. Still colonies? Many think so. Either way the Antilles have long produced artists and thinkers with deep sensitivity to the gradations of race, class, migration, and relationship to a powerful, distant metropolis. Now, musicians in Guadeloupe and Martinique are re-exploring their roots, celebrating rhythms that go back to slavery days without pulling back from the cosmopolitanism of recent years. Our guide to this music - and the rich history and ongoing debates that it reflects - is Brenda Berrian of the University of Pittsburgh, whose book, Awakening Spaces: French Caribbean Popular Songs, Music and Culture, is a definitive - and enthusiastic - treatment of the subject. Hip Deep by Siddhartha Mitter. APWW #570 Produced by Siddhartha Mitter in 2009

Focus on Africa's Charles Gitonga joined The Global Story podcast hosts Asma Khalid and Tristan Redman to explain why the United States, Russia and China are so interested in Africa. The US recently moved to extend the African Growth and Opportunity Act (AGOA), a major trade deal allowing many African countries to export goods to the American market tariff-free, while also tying promises to end the conflict in eastern DR Congo to access rare earth minerals. China sees Africa as a key part of its Belt and Road Initiative, investing heavily in infrastructure across the continent. Meanwhile, Russia has positioned itself as an alternative partner to the Central African Republic and Sahel countries, particularly in security and military cooperation.Presenter: Charles Gitonga Producers: Keikantse Shumba and Hannah Moore Senior Producer: Blessing Aderogba Technical Producers: Terry Chege and Philip Bull Editors: Samuel Murunga and Maryam Abdalla

Africa by Axe/Lynx (1995) + Gaultiero Jiacopetti and Franco E. Prosperi's Africa Addio (1966) and Goodbye Uncle Tom (1971) with Matthew David Wilder 1/14/25 S8E5 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Join Anthony In Ghana: Https://www.anthonyoneal.com/travel (Seats are limited) What if everything you've heard about Africa is wrong? In this episode, Anthony O'Neal sits down with Jay to break down the real numbers, the myths, and the massive money opportunities in Ghana. From buying luxury condos for $140K and flipping them for $300K, to building generational wealth and launching a financial literacy school, this is the truth about how to make money in Africa—no hype, just facts.ABOUT ANTHONY ONEAL:Anthony O'Neal is a nationally bestselling author, speaker, and host of The Table with Anthony O'Neal. He holds a Bachelor of Science in Finance & Banking and is a professor of Consumer Economics at Virginia Union University. Since 2014, he's helped millions of people get out of debt, build wealth, and break generational poverty. His mission is to help you maximize your income, eliminate debt, and create a life of freedom and legacy.

Today's guest isn't just a living legend.He's one of the architects of modern music.As a songwriter and producer, he's discovered artists, shaped careers, and defined entire eras.This one is required listening.A once-in-a-generation legendary hybrid of songwriting and production,And The Writer Is... David Foster!In this episode, David breaks down what actually makes music last, the cost of greatness, and what it really takes to survive and stay relevant in the music business over decades, not moments.Not to mention his best advice for people in the business right now...We talk songwriting vs. production, discovering artists like Céline Dion and Michael Bublé, working with legends like Whitney Houston and Paul McCartney, the mistakes artists make chasing hits, and why longevity matters more than hype.Oh, and the only artist who could pull him out of retirement...A special thank you to our sponsors…Our lead Sponsor, NMPA— the National Music Publishing Association.Your support means the world to us.And @splice — the best sample library on the market. Period.Chapters:00:00 Mount Rushmore of Producers02:00 Canadians03:42 David Foster's Parents05:23 Discovering Perfect Pitch07:03 Musical Roots and Learning Jazz07:40 Jazz Voicings Explained10:24 “Leave Songwriters Alone” – Publishing Talk11:20 Writing His First Songs12:21 Advice He'd Give His Younger Self17:00 David Foster's Trick for Reading People17:58 Surviving a Plane Crash20:22 The Start of His Early Career22:00 Is “Africa” by Toto a Perfect Song?27:20 The Greatest Songwriters Ever30:25 Kanye West's “Through the Wire” Sample Story32:27 Songwriting vs Sampling (Blurred Lines Case)34:21 His Documentary, Workflow, and Band Relationships38:53 How David Foster Writes Songs42:42 How Seven People Write One Song43:39 Presented by NMPA & Splice48:19 The Critical Mistake in “Uptown Funk”49:49 “Unforgettable” with Nat King Cole51:08 Paul McCartney55:17 Whitney Houston's “I Will Always Love You”57:10 Top Five Singers He's Worked With59:06 Discovering Céline Dion59:56 How David Foster Sees His Life1:05:13 What Makes a Song Great?1:09:40 The “Nashville No”1:11:51 The Arc: A Holistic Approach to Songwriting1:12:42 Discovering Michael Bublé1:15:29 Star vs Superstar1:16:39 Andrea Bocelli & Josh Groban1:19:04 The Cost of Greatness1:19:46 How to Make It in the Music Business1:24:11 Family Life (Katharine McPhee & Kids)1:25:50 “I Told Céline the Titanic Song Would Ruin Her Career”1:31:01 Songs He Wishes He Wrote1:31:39 Artists He Passed OnHosted by Ross GolanProduced by Joe London and Jad SaadPost production by Pratik Karki Hosted on Acast. See acast.com/privacy for more information.

From the BBC World Service: China has announced record export numbers and the largest trade surplus in global history: $1.2 trillion. Despite the impact of President Donald Trump's tariffs, China has been able to pivot to other international trading partners, including countries in Africa, Southeast Asia, and Latin America. Then, global bond markets are where governments go to raise money to pay for services, but have they become too powerful?

From the BBC World Service: China has announced record export numbers and the largest trade surplus in global history: $1.2 trillion. Despite the impact of President Donald Trump's tariffs, China has been able to pivot to other international trading partners, including countries in Africa, Southeast Asia, and Latin America. Then, global bond markets are where governments go to raise money to pay for services, but have they become too powerful?

Have you ever heard of Lake Natron? It’s located in Tanzania, Africa, and, if you believe the internet, it can instantly petrify anything that touches it. Lucky for us, we have a direct line to the Hoax Hunters (aka Sanden and Marc) - they love myths, and they hate getting tricked. Along the way to saying yea or nay to this stoney phenomenon, the Hoax Hunters speak with Neovitus Sianga. Not only does he have firsthand knowledge of the lake, but he works for African People and Wildlife, where he helps protect the environment around Lake Natron. We also have a brand new Mystery Sound… and Marc and Sanden start a cleaning service?!? Guest: Neovitus Sianga Want to support Brains On and all of the shows in the Brains On Universe? Sign up for Smarty Pass. You'll get ad-free episodes of all our shows, bonus content, virtual hangouts, discounts on merch and more! Click here for a transcript of this episode. See omnystudio.com/listener for privacy information.

Steven Rinella talks with Brody Henderson, Janis Putelis, Randall Williams, Phil Taylor, and Corinne Schneider. Topics discussed: Canadian hunters helping Canadian hunters; Corrections!; go see Steve's talk about his first trip to hunt in Africa at Safari Club International's 2026 Convention; how skunks can ruin a marriage; a Massachusetts lobster heist; results from the Florida black bear hunt; Alaska's subsistence program under review; a mountain lion kills a hiker; Colorado's wolf program in trouble; and more. Enter the raffle for an Alaska mountain goat hunt: https://ohfak.org/raffles/chugach-mountain-goat/ Enter the raffle for an Alaska buffalo hunt: https://ohfak.org/raffles/delta-bison/ Connect with Steve and The MeatEater Podcast Network Steve on Instagram and Twitter MeatEater on Instagram, Facebook, Twitter, and YouTubeSee omnystudio.com/listener for privacy information.

Trevor Wallace is a stand-up comedian, content creator and podcaster. You can see him live on his “Alpha Beta Male” tour happening now.  Trevor returns to talk about visiting Africa for the first time, the new trend of OnlyFans bootcamps, and why we need to investigate the Wonka tapes. Trevor Wallace: https://www.instagram.com/trevorwallace/  ------------------------------------------------ Tour Dates! https://theovon.com/tour New Merch: https://www.theovonstore.com ------------------------------------------------- Sponsored By: Celsius: Go to the Celsius Amazon store to check out all of their flavors. #CELSIUSBrandPartner #CELSIUSLiveFit https://amzn.to/3HbAtPJ  Prize Picks: Prize Picks: Go to https://link.prizepicks.com/LME0/THEO and use code THEO to get $50 in lineups when you play your first $5 lineup! Play Responsibly.  Tecovas: Go to http://tecovas.com/theo to get 10% off when you sign up for email and texts. Blue Chew: Visit https://BlueChew.com for 10% off your first month of BlueChew Gold with code THEO. Ryl Tea: the tea that cleaned up its act and still tastes like the good old days. Refresh yourself now at www.drinkryl.com  ------------------------------------------------- Music: “Shine” by Bishop Gunn Bishop Gunn - Shine ------------------------------------------------ Submit your funny videos, TikToks, questions and topics you'd like to hear on the podcast to: tpwproducer@gmail.com Hit the Hotline: 985-664-9503 Video Hotline for Theo Upload here: https://www.theovon.com/fan-upload Send mail to: This Past Weekend 1906 Glen Echo Rd PO Box #159359 Nashville, TN 37215 ------------------------------------------------ Find Theo: Website: https://theovon.com Instagram: https://instagram.com/theovon Facebook: https://facebook.com/theovon Facebook Group: https://www.facebook.com/groups/thispastweekend Twitter: https://twitter.com/theovon YouTube: https://youtube.com/theovon Clips Channel: https://www.youtube.com/c/TheoVonClips Shorts Channel: https://bit.ly/3ClUj8z ------------------------------------------------ Producer: Zach https://www.instagram.com/zachdpowers Producer: Trevyn https://www.instagram.com/trevyn.s/  Producer: Nick https://www.instagram.com/realnickdavis/ Producer: Andrew https://www.instagram.com/bleachmediaofficial/  Learn more about your ad choices. Visit megaphone.fm/adchoices