Podcast appearances and mentions of egypt print media

Aaron Rock-Singer of University of Wisconsin-Madison talks about his latest book, Practicing Islam in Egypt: Print Media and Islamic Revival, with Marc Lynch on this week's podcast. The book shows how Islamic activists and institutions across the political spectrum reshaped daily practices [in Egypt] in an effort to persuade followers to adopt novel models of religiosity. (Starts at 27:42). Bassel Salloukh of Lebanese-American University speaks about his new special issue article, "Consociational Power‐Sharing in the Arab World: A Critical Stocktaking," published in the Journal of Studies of in Ethnicity and Nationalism. (Starts at 1:13). Carolyn Barnett, graduate student at Princeton University, and Steve Monroe of Yale-NUS College discuss their new piece (co-authored with Amaney Jamal of Princeton University), "Earned Income and Women’s Segmented Empowerment: Experimental Evidence from Jordan," published in the American Journal of Political Science. You can also read their piece on Remote work and women’s employment in MENA: opportunity or pitfall?" posted in the Economic Research Forum. (Starts at 11:36). Music for this season's podcast was created by Feras Arrabi. You can find more of his work on his Facebook and Instagram page. You can listen to this week’s podcast on Spotify, iTunes, Stitcher, or SoundCloud:

The full episode transcript is available on our website: https://history.wisc.edu/ask-a-historian/ During the Arab Spring, Egyptian women played particularly prominent roles as activists on Tahrir Square and in the political groups that mobilized to debate the future of the Egypt. How did Egyptian feminism develop in the decades leading up to the Arab Spring? Professor Aaron Rock-Singer takes us through the 20th- and 21st-century history of Egypt to trace the ways in which the British colonial project, the secular nationalist state, and Islamist revival movements such as the Muslim Brotherhood and Salafis sought to shape the role of women in Egyptian society. Aaron highlights the contradictions and characteristics of the project of feminism in Egypt's authoritarian political environment. He also reflects on the possibilities and challenges for activists under the current Sisi regime. Timestamps: 03:05 Women in the Egyptian Revolution and the Abdel Nasser period 11:06 The British colonial project to create a quiescent population 16:08 The Sadat and Mubarak periods 22:24 Salafism, authenticity debates, and gender segregation 31:52 Comparing developments in Egypt and elsewhere in the Middle East 36:17 Reflections on the aftermath of the Arab Spring and the Sisi regime Episode links: Aaron Rock-Singer is Assistant Professor of History and the University of Wisconsin—Madison. His first book, Practicing Islam in Egypt: Print Media and Islamic Revival, was published by Cambridge University Press in 2019: https://www.cambridge.org/core/books/practicing-islam-in-egypt/05564917D380AE6C37E3AECD3D6C7316#fndtn-information You can follow Aaron on Twitter @AaronRockSinger. Our music is Pamgaea by Kevin MacLeod. Link: https://incompetech.filmmusic.io/song/4193-pamgaea CC BY 4.0 license: http://creativecommons.org/licenses/by/4.0/ Please send us your questions for a historian: outreach@history.wisc.edu

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there's even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony's College, Oxford (2010) and his Ph.D from Princeton's Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices