Podcast appearances and mentions of aaron rock singer

Aaron Rock-Singer is a fellow at the Harvard Kennedy School's Middle East Initiative. He has published two fantastic books, “Practicing Islam: Egypt's Islamic Revival” and “In the Shade of the Sunna: Salafi Piety in the Twentieth-Century Middle East”. Aaron is truly brilliant, connecting both the macro and the micro. By examining structural shifts in education and urbanisation as well as Islamic print media, he shows how modernisation triggered counter-mobilisation. We discuss: How did colonialism change religiosity and religious practices in Egypt? Why were post-independence leaders relatively secular? What was the Islamic revival? What was new? Did the 1970s economic downturn raise support Islamists? Why was there a global religious revival in the 1970s? Why was female behaviour so central to religious revival? Would Egypt's Islamic revival have occurred in the absence of Saudi funding and migration?

Who are the Salafis, and what are the roots of Salafism? What does it even mean to be Salafi? Why is Salafism concerned with ethics of visibility and bodily regulation? Why, when, and how did Salafism become significant?  In his latest book, In the Shade of the Sunnah: Salafi Piety in the 20th Century Middle East (University of California Press, 2022), Aaron Rock-Singer explores these questions and many more about Salafism. Rock-Singer situates Salafism as a movement whose core logic is shaped by questions that emerge distinctly during modernity even though the movement derives its claims to legitimacy from claims to continuity with early Islamic history. In other words, Salafism is a distinctly modern project that is not rooted in the Islamic legal, textual, or ethical tradition, given that many Salafi practices aren't rooted in Islamic texts. As a result, Salafis finds themselves in a challenging textual position when seeking religious, textual justification for some practices, such as gender segregation or not praying in shoes. How, then, does Salafism legitimate and ground itself? How is their claim to authenticity premised on continuity with the Islamic seventh century? To answer these questions, Rock-Singer takes a few specific issues, such as gender segregation, beards, the length of the robe or pants, as potent ideological sites that are connected in significant ways to Salafism's project to regulate social space. These issues were not applied in the early 20th century or prior but became significant in the mid to late 20th century in a specific social and political context. So, for instance, the beard matters not just because it's an attempt to emulate the Prophet Muhammad but because it's a visual way of identifying the commitment to emulating Muhammad, to make clear who a Salafi is. In our discussion today, Aaron talks about the origins of this book, its major contributions and findings, the roots of Salafism, its ideas of worship and tawhid (i.e., oneness of God), Salafism's textual and political challenges, the significance of the regulation of social space, questions of authenticity and continuity, and the issues of beards, praying in shoes, gender segregation, and the length of one's robe according to Salafi practice. Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at haqqani_s@mercer.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Who are the Salafis, and what are the roots of Salafism? What does it even mean to be Salafi? Why is Salafism concerned with ethics of visibility and bodily regulation? Why, when, and how did Salafism become significant?  In his latest book, In the Shade of the Sunnah: Salafi Piety in the 20th Century Middle East (University of California Press, 2022), Aaron Rock-Singer explores these questions and many more about Salafism. Rock-Singer situates Salafism as a movement whose core logic is shaped by questions that emerge distinctly during modernity even though the movement derives its claims to legitimacy from claims to continuity with early Islamic history. In other words, Salafism is a distinctly modern project that is not rooted in the Islamic legal, textual, or ethical tradition, given that many Salafi practices aren't rooted in Islamic texts. As a result, Salafis finds themselves in a challenging textual position when seeking religious, textual justification for some practices, such as gender segregation or not praying in shoes. How, then, does Salafism legitimate and ground itself? How is their claim to authenticity premised on continuity with the Islamic seventh century? To answer these questions, Rock-Singer takes a few specific issues, such as gender segregation, beards, the length of the robe or pants, as potent ideological sites that are connected in significant ways to Salafism's project to regulate social space. These issues were not applied in the early 20th century or prior but became significant in the mid to late 20th century in a specific social and political context. So, for instance, the beard matters not just because it's an attempt to emulate the Prophet Muhammad but because it's a visual way of identifying the commitment to emulating Muhammad, to make clear who a Salafi is. In our discussion today, Aaron talks about the origins of this book, its major contributions and findings, the roots of Salafism, its ideas of worship and tawhid (i.e., oneness of God), Salafism's textual and political challenges, the significance of the regulation of social space, questions of authenticity and continuity, and the issues of beards, praying in shoes, gender segregation, and the length of one's robe according to Salafi practice. Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at haqqani_s@mercer.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Who are the Salafis, and what are the roots of Salafism? What does it even mean to be Salafi? Why is Salafism concerned with ethics of visibility and bodily regulation? Why, when, and how did Salafism become significant?  In his latest book, In the Shade of the Sunnah: Salafi Piety in the 20th Century Middle East (University of California Press, 2022), Aaron Rock-Singer explores these questions and many more about Salafism. Rock-Singer situates Salafism as a movement whose core logic is shaped by questions that emerge distinctly during modernity even though the movement derives its claims to legitimacy from claims to continuity with early Islamic history. In other words, Salafism is a distinctly modern project that is not rooted in the Islamic legal, textual, or ethical tradition, given that many Salafi practices aren't rooted in Islamic texts. As a result, Salafis finds themselves in a challenging textual position when seeking religious, textual justification for some practices, such as gender segregation or not praying in shoes. How, then, does Salafism legitimate and ground itself? How is their claim to authenticity premised on continuity with the Islamic seventh century? To answer these questions, Rock-Singer takes a few specific issues, such as gender segregation, beards, the length of the robe or pants, as potent ideological sites that are connected in significant ways to Salafism's project to regulate social space. These issues were not applied in the early 20th century or prior but became significant in the mid to late 20th century in a specific social and political context. So, for instance, the beard matters not just because it's an attempt to emulate the Prophet Muhammad but because it's a visual way of identifying the commitment to emulating Muhammad, to make clear who a Salafi is. In our discussion today, Aaron talks about the origins of this book, its major contributions and findings, the roots of Salafism, its ideas of worship and tawhid (i.e., oneness of God), Salafism's textual and political challenges, the significance of the regulation of social space, questions of authenticity and continuity, and the issues of beards, praying in shoes, gender segregation, and the length of one's robe according to Salafi practice. Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at haqqani_s@mercer.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Who are the Salafis, and what are the roots of Salafism? What does it even mean to be Salafi? Why is Salafism concerned with ethics of visibility and bodily regulation? Why, when, and how did Salafism become significant?  In his latest book, In the Shade of the Sunnah: Salafi Piety in the 20th Century Middle East (University of California Press, 2022), Aaron Rock-Singer explores these questions and many more about Salafism. Rock-Singer situates Salafism as a movement whose core logic is shaped by questions that emerge distinctly during modernity even though the movement derives its claims to legitimacy from claims to continuity with early Islamic history. In other words, Salafism is a distinctly modern project that is not rooted in the Islamic legal, textual, or ethical tradition, given that many Salafi practices aren't rooted in Islamic texts. As a result, Salafis finds themselves in a challenging textual position when seeking religious, textual justification for some practices, such as gender segregation or not praying in shoes. How, then, does Salafism legitimate and ground itself? How is their claim to authenticity premised on continuity with the Islamic seventh century? To answer these questions, Rock-Singer takes a few specific issues, such as gender segregation, beards, the length of the robe or pants, as potent ideological sites that are connected in significant ways to Salafism's project to regulate social space. These issues were not applied in the early 20th century or prior but became significant in the mid to late 20th century in a specific social and political context. So, for instance, the beard matters not just because it's an attempt to emulate the Prophet Muhammad but because it's a visual way of identifying the commitment to emulating Muhammad, to make clear who a Salafi is. In our discussion today, Aaron talks about the origins of this book, its major contributions and findings, the roots of Salafism, its ideas of worship and tawhid (i.e., oneness of God), Salafism's textual and political challenges, the significance of the regulation of social space, questions of authenticity and continuity, and the issues of beards, praying in shoes, gender segregation, and the length of one's robe according to Salafi practice. Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at haqqani_s@mercer.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Aaron Rock-Singer of the University of Wisconsin-Madison joins Marc Lynch on this week's podcast to discuss his new book, In the Shade of the Sunna: Salafi Piety in the Twentieth-Century Middle East. The book analyzes how Salafism is a creation of the twentieth century and how its signature practices emerged primarily out of Salafis' competition with other social movements. (Starts at 0:55). Rana Khoury of the University of Illinois at Urbana-Champaign, Lama Mourad of Carleton University, and Rawan Arar of the University of Washington discuss their chapter in The Political Science of the Middle East: Theory and Research Since the Arab Uprisings, which focuses on how the region has governed and been affected by migration after the Arab Uprisings in 2011 (co-authored with Laurie Brand, Noora Lori, and Wendy Pearlman). (Starts at 28:29). Lindsay Benstead of Portland State University and Kristin Kao of the University of Gothenburg discuss female electability in the Arab world and the benefits of intersectionality. (Starts at 45:46). Music for this season's podcast was created by Myyuh. You can find more of her work on SoundCloud and Instagram.

In the Shade of the Sunna: Salafi Piety in the Twentieth-Century Middle East by Dr Rock-Singer https://www.amazon.co.uk/Shade-Sunna-Salafi-Twentieth-Century-Middle/dp/0520382579/ref=sr_1_fkmr1_1?crid=35JU58C2LJ1OY&keywords=Dr+Aaron+Rock-Singer&qid=1665687147&sprefix=dr+aaron+rock-singer%2Caps%2C88&sr=8-1-fkmr1Support this podcast at — https://redcircle.com/blogging-theology/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Salafism has gained a great deal of media attention over the past twenty years, but for all that remains poorly understood. Part of the reason is a paradox at the heart of the name and goals of the Salafis themselves. In taking their name from the pious ‘ancestors' (al-salaf)—the first generations of Muslims in the seventh century—the Salafis are deeply concerned with following the original and authentic Islam practiced by those who were closest to the Prophet Muhammad. But since the Salafi movement developed in the twentieth century, it inevitably emerged in modern settings, begging the question of its relationship with modernity. Focusing on the majority non-violent Salafi movements, this episode begins by defining Salafism, before identifying its key concerns—not least with the outward visible expressions of ‘ancestral' piety that, surprisingly, include wearing shoes within mosques. We'll then dig deeper into the entanglement of Salafi practices with the no less radical transformations of modernity to which the Salafi Muslims have responded.  Nile Green talks to Aaron Rock-Singer, In the Shade of the Sunna: Salafi Piety in the Twentieth-Century Middle East (University of California Press, 2022).

Aaron Rock-Singer of University of Wisconsin-Madison talks about his latest book, Practicing Islam in Egypt: Print Media and Islamic Revival, with Marc Lynch on this week's podcast. The book shows how Islamic activists and institutions across the political spectrum reshaped daily practices [in Egypt] in an effort to persuade followers to adopt novel models of religiosity. (Starts at 27:42). Bassel Salloukh of Lebanese-American University speaks about his new special issue article, "Consociational Power‐Sharing in the Arab World: A Critical Stocktaking," published in the Journal of Studies of in Ethnicity and Nationalism. (Starts at 1:13). Carolyn Barnett, graduate student at Princeton University, and Steve Monroe of Yale-NUS College discuss their new piece (co-authored with Amaney Jamal of Princeton University), "Earned Income and Women’s Segmented Empowerment: Experimental Evidence from Jordan," published in the American Journal of Political Science. You can also read their piece on Remote work and women’s employment in MENA: opportunity or pitfall?" posted in the Economic Research Forum. (Starts at 11:36). Music for this season's podcast was created by Feras Arrabi. You can find more of his work on his Facebook and Instagram page. You can listen to this week’s podcast on Spotify, iTunes, Stitcher, or SoundCloud:

The full episode transcript is available on our website: https://history.wisc.edu/ask-a-historian/ During the Arab Spring, Egyptian women played particularly prominent roles as activists on Tahrir Square and in the political groups that mobilized to debate the future of the Egypt. How did Egyptian feminism develop in the decades leading up to the Arab Spring? Professor Aaron Rock-Singer takes us through the 20th- and 21st-century history of Egypt to trace the ways in which the British colonial project, the secular nationalist state, and Islamist revival movements such as the Muslim Brotherhood and Salafis sought to shape the role of women in Egyptian society. Aaron highlights the contradictions and characteristics of the project of feminism in Egypt's authoritarian political environment. He also reflects on the possibilities and challenges for activists under the current Sisi regime. Timestamps: 03:05 Women in the Egyptian Revolution and the Abdel Nasser period 11:06 The British colonial project to create a quiescent population 16:08 The Sadat and Mubarak periods 22:24 Salafism, authenticity debates, and gender segregation 31:52 Comparing developments in Egypt and elsewhere in the Middle East 36:17 Reflections on the aftermath of the Arab Spring and the Sisi regime Episode links: Aaron Rock-Singer is Assistant Professor of History and the University of Wisconsin—Madison. His first book, Practicing Islam in Egypt: Print Media and Islamic Revival, was published by Cambridge University Press in 2019: https://www.cambridge.org/core/books/practicing-islam-in-egypt/05564917D380AE6C37E3AECD3D6C7316#fndtn-information You can follow Aaron on Twitter @AaronRockSinger. Our music is Pamgaea by Kevin MacLeod. Link: https://incompetech.filmmusic.io/song/4193-pamgaea CC BY 4.0 license: http://creativecommons.org/licenses/by/4.0/ Please send us your questions for a historian: outreach@history.wisc.edu

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there's even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony's College, Oxford (2010) and his Ph.D from Princeton's Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices