Podcasts about thematically

Interview by Kris PetersAfter playing together in high school, guitarist Luke Bentham and drummer Kyle Fisher decided to take on the world by forming The Dirty Nil in 2006. The following year, they won the Juno Award for Breakthrough Group of the Year, kickstarting a career that would see the Canadian band rise to prominence over four albums and setting the band on a collision course with destiny.That meeting of superpowers seems set to transpire with the release of The Dirty Nil's fifth studio album, The Lash, on July 25. Recorded in just over two weeks, The Lash sees The Dirty Nil tap into an urgency of evolution that has been simmering quietly below the surface but has finally set itself free.Thematically, The Lash trades the band's usual romantic optimism for a cathartic scream, tackling everything from music industry burnout to heartbreak in a body of work that has been described as Luke's therapy record by Fisher. Stripping back the glitz and glam, The Dirty Nil go full-throttle on what matters most: no frills, just ferocity and good times in abundance.Bentham recently sat down with HEAVY to tell us more."We are gearing up to release our fifth studio album, The Lash, which unequivocally, in my opinion, is our best album," he began. "And I really do mean that sincerely. I know you probably get a lot of people on here saying that through perhaps gritted teeth, but this one, we do feel very strongly about it, and so we're extremely proud to present it to the world."We mention the more stripped back, raw sound promised on the album."The recording process was much faster and more stripped back than what we've pretty much ever done before," Bentham nodded. "We did it in two weeks with our friend down the street. Traditionally, we've worked with a producer from Seattle, who's an incredible producer with a huge resume of incredible albums, but this time we just did it with our friend down the street. So it was a very different process that way. During the album cycle for the last album, there wasn't a huge break or anything, and I think (with this one) we were just really feeling confident as a band, and the material came together very naturally and easily. I think that's part of the reason why I have such positive feelings about it, is because it wasn't a struggle."In the full interview, Luke highlighted the emotional depth of the album, expressing a connection to the darker aspects of human experience through music, and noted the introduction of strings as a new element in their sound. He shared an anecdote about a visit to the Vatican that inspired his songwriting, particularly a bronze relief that influenced the album's themes, although their attempt to use the artwork for the cover was halted by a cease and desist from the Vatican. He also reflected on the band's growth since their debut, emphasizing their increased musical competence and willingness to experiment, while remaining optimistic about future creative endeavours and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

At 82, Isabel Allende is one of the world's most beloved and best-selling Spanish-language authors. Her work has been translated into more than 40 languages, and 80 million copies of her books have been sold around the world. That's a lot of books.Allende's newest novel, “My Name Is Emilia del Valle” is about a dark period in Chilean history: the 1891 Chilean civil war. Like so much of Allende's work, it's a story about women in tough spots who figure out a way through. Thematically, it's not that far off from Allende's own story. She was raised in Chile, but in 1973, when she was 31, raising two small children and working as a journalist, her life was upended forever. That year a military coup pushed out the democratically elected president, Salvador Allende, who was her father's cousin. She fled to Venezuela, where she wrote “The House of the Spirits,” which evolved from a letter she had begun writing to her dying grandfather. That book became a runaway best seller and it remains one of her best-known.Allende and Book Review editor Gilbert Cruz spoke about her life and career. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Readers love knowing what to expect from a publisher. Having consistent theming in your titles can help with discovery, trust, and bringing readers back for more.But how do you find your theme? And what happens if you want to diverge from your theme? Jelani Memory of A Kids Co is back on the pod this week to talk about it!

Catch a Fire is the fifth studio album by Bob Marley and the Wailers, released on April 13, 1973. It is widely regarded as one of the greatest reggae albums of all time and a key record in bringing Jamaican music to an international audience.This album was the band's first release under Island Records, with producer Chris Blackwell polishing their raw, roots reggae sound to appeal to rock audiences. The result was a fusion of reggae with rock and soul influences, featuring electric guitar solos, keyboard overdubs, and a more polished production style.Thematically, Catch a Fire blends political consciousness, social struggle, and spirituality, with standout tracks like "Concrete Jungle," "Slave Driver," and "400 Years" addressing issues of oppression and resistance. The album also contains more personal and romantic songs such as "Stir It Up", which became one of Marley's signature hits.Though it wasn't an immediate commercial success, Catch a Fire has since become a landmark album, helping to launch Bob Marley into global superstardom and solidifying reggae's place on the world stage.Listen to the album on Apple MusicListen to the album on SpotifyWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press Discord ServerFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

“More Deep Thoughts,” the eighth studio album by Chicago rapper Lil Durk, born Durk Derrick Banks, arrived on March 21, 2025, through Alamo Records and Only The Family (OTF), cementing his reign as a drill music titan. Spanning 22 tracks and 63 minutes, this follow-up to 2022's “7220” and its 2023 deluxe, “Almost Healed,” dives deeper into Durk's duality—street-hardened grit meets vulnerable reflection—while showcasing his evolution as a melodic storyteller. Released amid a banner year for the 32-year-old, who saw his Smurkchella festival sell out Chicago's United Center in February 2025, the album reflects both personal triumph and lingering pain, underscored by his ongoing legal battles and the loss of peers like King Von.The album opens with “Turn Up a Notch,” a menacing banger produced by Brizzy on Da Beat and Noc, where Durk's Auto-Tuned flow snarls over eerie keys and thumping 808s, signaling his intent to dominate. Lead single “Monitoring Me,” dropped in October 2024, blends haunting piano with boasts of resilience, peaking at #12 on the Billboard Hot 100 and setting the tone for a project heavy on introspection. Collaborations shine bright: Drake trades verses on the syrupy “Discontinuing Wockhardt,” 21 Savage snarls through “Internet Trolls,” and Future's woozy croon elevates “Late Checkout.” Rising stars like GloRilla and Lil Baby add fire to “Oprah's Bank Account” and “Went Hollywood for a Year,” respectively, while a posthumous King Von feature on “Same Me” delivers a gut punch of nostalgia.Production, helmed by Durk's go-to crew—Touch of Trent, Chopsquad DJ, and Noc—leans into drill's signature sound but softens it with melodic flourishes, a nod to his crossover appeal. Tracks like “Newsroom” and “Stomach Growling” tackle betrayal and hunger, both literal and figurative, with Durk lamenting lost friends and fake love. X posts from @LilDurkDaily praised its emotional heft, with one fan noting, “Durk really poured his soul into this, you can hear the growth.” The album's centerpiece, “Old Days,” a February 2025 loosie turned fan favorite, mourns his pre-fame simplicity over a soulful sample, earning comparisons to “What Happened to Virgil” for its raw honesty.“More Deep Thoughts” isn't without flaws—its 22-track length drags at times, and some cuts like “Bad Guy” feel formulaic. Yet, its highs are undeniable. Thematically, it wrestles with Durk's O Block roots, his role as a father of seven, and the weight of surviving a war-torn scene, all while dodging a 2024 murder-for-hire charge tied to a 2022 L.A. shooting. Rolling Stone gave it 4 stars, calling it “a victory lap with scars,” while Pitchfork lauded its “cinematic scope.” Debuting at #1 on the Billboard 200 with 185,000 units, it's his third chart-topper, proving his commercial clout.As of March 27, 2025, with Durk free on bond and teasing a deluxe via X, “More Deep Thoughts” stands as a testament to his staying power—a bruised, defiant diary of a drill king still fighting to heal.

“More Deep Thoughts,” the eighth studio album by Chicago rapper Lil Durk, born Durk Derrick Banks, arrived on March 21, 2025, through Alamo Records and Only The Family (OTF), cementing his reign as a drill music titan. Spanning 22 tracks and 63 minutes, this follow-up to 2022's “7220” and its 2023 deluxe, “Almost Healed,” dives deeper into Durk's duality—street-hardened grit meets vulnerable reflection—while showcasing his evolution as a melodic storyteller. Released amid a banner year for the 32-year-old, who saw his Smurkchella festival sell out Chicago's United Center in February 2025, the album reflects both personal triumph and lingering pain, underscored by his ongoing legal battles and the loss of peers like King Von.The album opens with “Turn Up a Notch,” a menacing banger produced by Brizzy on Da Beat and Noc, where Durk's Auto-Tuned flow snarls over eerie keys and thumping 808s, signaling his intent to dominate. Lead single “Monitoring Me,” dropped in October 2024, blends haunting piano with boasts of resilience, peaking at #12 on the Billboard Hot 100 and setting the tone for a project heavy on introspection. Collaborations shine bright: Drake trades verses on the syrupy “Discontinuing Wockhardt,” 21 Savage snarls through “Internet Trolls,” and Future's woozy croon elevates “Late Checkout.” Rising stars like GloRilla and Lil Baby add fire to “Oprah's Bank Account” and “Went Hollywood for a Year,” respectively, while a posthumous King Von feature on “Same Me” delivers a gut punch of nostalgia.Production, helmed by Durk's go-to crew—Touch of Trent, Chopsquad DJ, and Noc—leans into drill's signature sound but softens it with melodic flourishes, a nod to his crossover appeal. Tracks like “Newsroom” and “Stomach Growling” tackle betrayal and hunger, both literal and figurative, with Durk lamenting lost friends and fake love. X posts from @LilDurkDaily praised its emotional heft, with one fan noting, “Durk really poured his soul into this, you can hear the growth.” The album's centerpiece, “Old Days,” a February 2025 loosie turned fan favorite, mourns his pre-fame simplicity over a soulful sample, earning comparisons to “What Happened to Virgil” for its raw honesty.“More Deep Thoughts” isn't without flaws—its 22-track length drags at times, and some cuts like “Bad Guy” feel formulaic. Yet, its highs are undeniable. Thematically, it wrestles with Durk's O Block roots, his role as a father of seven, and the weight of surviving a war-torn scene, all while dodging a 2024 murder-for-hire charge tied to a 2022 L.A. shooting. Rolling Stone gave it 4 stars, calling it “a victory lap with scars,” while Pitchfork lauded its “cinematic scope.” Debuting at #1 on the Billboard 200 with 185,000 units, it's his third chart-topper, proving his commercial clout.As of March 27, 2025, with Durk free on bond and teasing a deluxe via X, “More Deep Thoughts” stands as a testament to his staying power—a bruised, defiant diary of a drill king still fighting to heal.

“More Leaks,” the fourth compilation album by Baton Rouge rapper YoungBoy Never Broke Again (Kentrell Gaulden), dropped on March 7, 2025, via Never Broke Again and Motown Records, serving as a gritty send-off before his anticipated prison release later that summer. Clocking in at 48 minutes across 16 tracks, this project arrived while YoungBoy was still incarcerated, serving a 23-month sentence for federal gun charges stemming from a 2020 arrest in Louisiana, with additional legal woes tied to prescription drug fraud in Utah. Billed by his team as his “last project” before freedom, “More Leaks” compiles previously teased snippets and unreleased cuts, offering fans a raw, unfiltered glimpse into his relentless creative output despite confinement.The album kicks off with “Trapped Out,” a menacing opener that sets the tone with booming 808s and YoungBoy's signature raspy aggression, reflecting the claustrophobia of his legal battles. Tracks like “Rich Junkie” and “Cut Throat” maintain this high-octane energy, driven by producers like D-Roc and Jason “Cheese” Goldberg, who amplify the trap-heavy sound YoungBoy's built his empire on. The lead single, “5 Night,” released February 28, 2025, pairs a hypnotic beat with visuals of YoungBoy dancing beside a G-Wagon, a stark contrast to his prison reality. Posts on X from fans like @YoungboySnippet highlight the vault's depth, with one noting, “Shows how crazy his vault is man, stuff [has] been getting leaked for months and still has songs which are very good.” Indeed, the title “More Leaks” nods to this chaotic rollout, embracing the flood of unofficial releases that have kept his name buzzing.While “More Leaks” lacks the polish of albums like “Sincerely, Kentrell” (2021), it compensates with raw intensity. Tracks like “Never Stopping” and “Meet the Reaper,” briefly available before being yanked from Spotify post-leak, resurface here, satisfying diehards who've tracked his every move. The production leans minimalist—think distorted bass and eerie synths—mirroring his isolated mindset, though some criticize its lack of variety. HotNewHipHop called it a “love-it-or-hate-it album,” noting its appeal to fans craving aggression over evolution. Features are sparse, with only a rumored Lil Baby verse on “Lost Soul” making the cut, keeping the focus squarely on YoungBoy's unapologetic delivery.Thematically, “More Leaks” wrestles with fame's weight and street loyalty, though introspection takes a backseat to bravado. Lines like “I'm still thuggin' ‘til I'm gone” from “Cut Throat” underscore his defiance, a sentiment echoed in his legal saga—pleading guilty yet dodging harsher penalties via a global settlement. Billboard reported its debut at #3 on the Top Rap Albums chart, a testament to his loyal fanbase, even as critics argue it's more a stopgap than a statement. Recorded partly before his December 2024 sentencing, the album's sound quality impressed peers like engineer Jason Goldberg, who lauded similar prison-recorded efforts on the “Ray Daniels Presents” show.As of March 27, 2025, with YoungBoy reportedly released early on March 24 from Talladega, Alabama, per HipHopDX, “More Leaks” bridges his incarceration and freedom. It's not his strongest work—lacking the cohesion of “Top” (2020)—but its chaotic energy mirrors his life, making it a fitting cap to a turbulent chapter.

https://music.amazon.com/artists/B0B2L4VCYM/justhutchSpotifyYoutube InstagramDrummer and songwriter JustHutch never set out to launch a career as a recording artist—it simply happened. Her debut album, Maze, features nine tracks that span hip-hop, rap, and various other genres. With a conversational and melodic rap style, she also incorporates her vocal talents, blending rap with singing. Some tracks even include actual conversations, further adding to the album's unique charm.The album's melodies are diverse, ranging from blues and hip-hop to orchestral and funk influences. As a drummer, Hutch brings a distinctive flavor to the beats, which she creates herself as part of her wider musical portfolio. “It's kind of all over,” she explains, reflecting on her genre-bending approach. “But that's just the thing. It's cool to play in different genres and showcase different things.”Thematically, Maze delves into Hutch's personal experiences, particularly her toxic relationships. "A lot of those songs were in the vault, and I just wanted to push them out," she reveals. "I wasn't going to do anything with those songs, but then I thought, I might as well put them out and see where it goes.”The album opens with "Drums Intro," which holds special significance for Hutch, as it marks the moment her musical journey as an artist began. The track was created spontaneously in a friend's studio. "We were just jamming," she recalls, "I didn't even know it was being recorded. I was just having fun with it." After the session, her friend encouraged her to pursue music, and Hutch realized she had something special.Although she's primarily known for her drumming, Hutch has performed with bands, including at LA's Peppermint Club, a venue where Justin Bieber has performed. She also runs Icebox Studios LLC, where she produces and creates her own beats. Despite her extensive background in music, venturing into artist work and songwriting is a new endeavor for her. “This is new to me,” she admits. “I didn't even know I had the potential."Maze is a reflection of her exploration into new artistic territory. The album's varied sounds, unexpected transitions, and eclectic use of instruments, such as the haunting flute in “Drill,” make it a dynamic listening experience. Hutch is also working on other projects and hints that her next album will explore more R&B influences. "Sometimes it's rap, sometimes it's R&B, sometimes it's hip-hop," she shares. “Artistically, I can play guitar, I can play drums, I can produce anything that comes my way. I'm just going to keep doing this and see how much better I can get.”Maze marks the beginning of JustHutch's exciting journey as an artist, and she's eager to continue experimenting and perfecting her craft.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Spanish Love Songs are one of those bands that define the "millennial struggle." Thematically, they write songs that every millennial can relate to, from job loss and financial struggles to self identity and death. They have quickly been become one of my favourite emo bands.   In my chat with Dylan Slocum we discussed: -The nostalgia side of emo and why Dylan is over it -The ups and downs of touring -Being an "older" musician on the road with young bands -Possible new music? -Differences between their records -Why they don't play much from Schmaltz live   Check out more from Spanish Love Songs: Spotify:  https://open.spotify.com/artist/5DaZV3qmFT3aS57df8KPkV Apple Music: https://music.apple.com/us/artist/spanish-love-songs/982837028 www.spanishlovesongs.com Instagram: https://www.instagram.com/spanishlovesongs/?hl=en Facebook: https://www.facebook.com/SpanishLoveSongs/ Check out more from Matt Vettese: Instagram: www.instagram.com/mattvettese TikTok: www.tiktok.com/@mattvettese -- If you loved the show please remember to follow and leave 5 stars!

Bicurious are Gavin Purcell (Drums) and Taran Plouzané (Guitars/Vox); a confused, loud two-piece from Dublin, Ireland. They've built a loyal fanbase through extensive touring and have won over crowds both at home and abroad, establishing themselves as a recognizable force on the European rock scene. Bicurious released their second album Your Life is Over Now… on the 4th October 2024 via Big Scary Monsters. The record, which was created over 18 months, three countries and five recording studios, draws influence from the likes of Biffy Clyro, Reuben and Thrice, and is a much more lyrical body of work than Bicurious' previous material, as the band tread new sonic ground. The funding of the album was made possible by a crowdfunding campaign, through which fans helped the band raise over €9000. Thematically, the album explores the various facets of the idea of family, and as one can tell from their crowdfunding efforts, their fans play a crucial role in the band's idea of a family. Letty chats with Gavin and Taran about their progress so far, the new album and influences before Bicurious hit the stage to jam filled Grand Social on the first leg of their Irish tour. Band Link: https://bicuriousbandofficial.com Song played: 10 Acrylic Fences © Bicurious, all rights reserved.

Visit our Patreon page to see the various tiers you sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel Comics Solicitations for March 2025!X-ManHunt crossover kicks off in March 2025Marvel sheds light on 'Godzilla vs. Fantastic Four' #1Marvel's next Disney mashup features Mickey & Friends as the AvengersMarvel Rivals Infinity Comic series launches this weekNew advance look at March 2025 Ultimate Universe titlesNew 'Web of...' series to setup SPIDER-VERSE vs. VENOMVERSE'Deadpool Kills the Marvel Universe One Last Time' #1 coming April 2025Marvel kicks off new era with 'Amazing Spider-Man' #1 April 9thMarvel sheds light on 'Predator vs. Spider-Man' #1Deniz Camp's 'Assorted Crisis Events' coming March 2025New four-issue series 'Arcana Royale' coming spring 2025'Monkey Meat: The Summer Batch' coming March 2025New Peter Pan series 'The Last Boy' coming to BOOM! StudiosSpace Ghost & Jonny Quest team up for ‘Space Quest' in March 2025‘Star Wars: Hyperspace Stories—Codebreaker' coming April 2025New horror series 'You'll Do Bad Things' coming March 2025BOOM! sets March 2025 for 'Mouse Guard: Dawn of the Black Axe'DC Comics solicitations for March 2025DC unleashes 'Batman' #158 'Batman: H2SH' preview and coversOur Top Books of the WeekDave:The New Gods #1 (Ram V, Evan Cagle)Absolute Batman #3 (Scott Snyder, Nick Dragotta)Nathan:The New Gods #1 (Ram V, Evan Cagle)Ultimate Spider-Man #12 (Jonathan Hickman, Marco Checchetto)Standout KAPOW moment of the week:Nathan - Absolute Batman #3 (Scott Snyder, Nick Dragotta)Dave - Psylocke #2 (Alyssa Wong, Vincenzo Carratu)TOP BOOKS FOR NEXT WEEKDave: Timeslide #1 (Steve Foxe, Ivan Fiorelli)Nathan: Sabretooth: The Dead Don't Talk #1 (Frank Tieri, Michael Sta. Maria)JUDGING BY THE COVER JR.Dave: The Flash #16 (Mike Del Mundo Cover)Nathan: Timeslide #1 (Mike Del Mundo variant)Interview: J. Holtham teams with Michael Lee Harris talk Motherfu*kin Monsters One-Shot (The Horizon Experiment) - Out December 18, 2024!J, Michael, thanks for joining us on the AIPT comics podcast! Thematically, what inspired the blend of comedic and horror elements in this story, and how do these genres enhance the narrative?We've had Pornsak on, Michael Walsh, and each time I'm curious, how did you guys get in on this exciting project of one-shots?How was your collaboration with Pornsak?The Horizon Experiment introduces complex characters dealing with extraordinary circumstances—how did you approach balancing humanity with the monstrous elements of the plot?Can you share your creative process for developing the visual tone of the comic, and how the artwork complements the story's darker, chaotic themes?The concept of 'monsters' often carries deeper metaphorical weight—what underlying social or personal themes did you aim to explore through this one-shot?Take us through your collaborative process? For instance, what do the action beats look like in a script vs the page?Michael, a lot of the art has an almost fish-eye lens, what was your goal in that approach?Were there any monsters or villains you didn't get to put in here that you've got sketched out?J, you probably get this all the time, but with a few comics series now under your belt, do you approach writing comics differently than with TV?How far out have you planned future chapters?What comics are you currently reading?

"Structurally, I transferred the crow of the cockerels into midi notes and used these for the overall cadence and tonality of the arrangement. This was then transmitted to outboard synthesizers and effects and recorded. A cockerel crow from the original recording was then pitch shifted, stretched and layered texturally into the recorded arrangement.  "Thematically, the audio piece made me think a morning brimming with light and suddenly becoming flooded with the warmth and radiance of the sun; a satiating feeling that makes the day feel like a chance to greet life anew." Dusk in Valldemossa reimagined by Twilight Sleep.

Today I am joined on the podcast by brothers James and Brian Edwards of the two-piece Rock band HUNTINGSI'll be chatting with the guys about their brilliant debut album, 'Songs of Last Resort', which was released on October 24th and features such electrifying singles as 'Turn On', 'Doom' and 'Sparks'Over the course of 9 songs, they explore themes of love and loss, relationship dynamics, dealing with the human condition as well as despair and despondency at the world around them. These are the songs of retaliation, as the brothers try and make sense of the modern world. If there's a soundtrack to the of the world, this is it.Thematically the record is dark and heavy, not afraid to go the recesses of one's psyche or explore the darker side of human existence always with one eye on annihilation, of the self, others, or the world. The gargantuan noise that the two brothers create should take two or three times their number. Guitars move from surfy reverb to buzzsaw distortion drenched destruction. Brian's drums provide purpose and drive to parts, accentuating guitar lines and vocal patterns, almost goading James into pushing harder and further than before. A stunning debut that far exceeds the sum of its partsWe'll also be chatting about our favorite shows of the year, how great Portishead and Massive Attack are and what the band has in store for 2025.HUNTINGS on InstagramSongs of Last Resort on SpotifyOld Crow Promotions Hosted on Acast. See acast.com/privacy for more information.

March 1984. Prince, Kenny Loggins, and Bruce Springsteen dominated the pop charts, but something heavier was brewing. Hard rock and metal were clawing their way into the spotlight, and MTV was playing a pivotal role in this revolution. Enter Ratt, with their major-label debut, Out of the Cellar. In a year defined by arena-ready riffs and eye-catching videos, Ratt burst onto the scene with an album that captured the spirit of the times and proved that metal could be more than just a passing trend.Ratt's Out of the Cellar is a quintessential snapshot of a band balancing grit and glam at the height of their powers. Released in March 1984, the album combines raw energy with slick production, delivering a sound that's equal parts rebellious and radio-ready. With tracks like “Round and Round” and “Wanted Man,” Ratt crafted an album that helped define the MTV era of glam metal while staying grounded in the Sunset Strip's hard rock roots.A Band Ready for the Big StageBy the time Out of the Cellar dropped, Ratt was no overnight success. Years of grinding it out in the Los Angeles club scene had sharpened their skills, and their 1983 self-titled EP had already sold an impressive 100,000 copies independently—a testament to their undeniable appeal. The band's lineup had solidified around frontman Stephen Pearcy, guitarists Warren DeMartini and Robin Crosby, bassist Juan Croucier, and drummer Bobby Blotzer, creating a dynamic chemistry that carried them to the top of the hard rock heap.Ratt's dual-guitar approach set them apart, with DeMartini's sharp, groove-heavy riffs balancing Crosby's bold, melodic solos. Pearcy's distinctive snarl gave the band a rougher edge compared to many of their contemporaries, adding a layer of grit to their glam. Their sound wasn't just catchy—it had character.The Tracks That Made Out of the Cellar Legendary“Round and Round” remains the standout hit, with its infectious hooks and soaring dual-guitar solo. The track epitomizes Ratt's ability to create music that's equal parts heavy and accessible. Then there's “Wanted Man,” a cinematic opener that channels old-school Western vibes, and “Back for More,” a slow-burning anthem that builds from acoustic introspection to full-on rock power.Ratt's rhythm section deserves its own spotlight. Blotzer's drumming, especially on tracks like “Lack of Communication,” is far more dynamic than your average 80s metal backbeat. His clever use of cymbal accents and syncopated rhythms brings depth to the album, making it as danceable as it is headbang-worthy.A Sound That Defined Its EraRatt hit their stride at the perfect moment, just as glam metal was breaking into the mainstream. Out of the Cellar is a product of its time, but its rawness and unique qualities keep it relevant. While the production leans a little thin by modern standards, it complements the band's high-energy style, letting their dual guitars and blistering solos shine.Thematically, the album balances tales of outlaws (“Wanted Man”) with relationship struggles and party anthems. It's a snapshot of a time when rock bands weren't afraid to have fun, but Ratt did it with a touch more grit and attitude than their more polished peers.The Legacy of Out of the CellarRatt wasn't just another glam band—they were trailblazers for the MTV generation of hard rock. Out of the Cellar went on to sell over 3 million copies in the U.S., cementing the band's place in 80s rock history. Its success wasn't just about “Round and Round” dominating MTV; it was about Ratt's ability to craft songs that could move between stadiums and smoky clubs with equal swagger.This album helped set the stage for the glam metal explosion that defined the mid-to-late 1980s. Its raw edges, blazing guitars, and distinct personality made it stand out in a crowded field, giving Ratt a voice that's still celebrated today.Why Out of the Cellar Still RocksListening to Out of the Cellar today, it's clear why this album endures. Its energy, musicianship, and unapologetic attitude make it more than a nostalgia trip. It's a cornerstone of 80s rock that still feels fresh and fun, especially when tracks like “Back for More” or “Lack of Communication” hit your speakers.Ratt didn't just release an album—they created a moment in time. Out of the Cellar captures the raw ambition of a band poised to take over the world, and for a while, they did.Songs in this EpisodeIntro - Round and Round 30:16 - In Your Direction 35:17 - Lack of Communication 36:08 - Back for More 39:06 - Lack of Communication 44:10 - Wanted Man 1:09:09 - One Like a Son (Vertex) Outro - Round and RoundMake Your Metal Voice Heard!We're on a mission to dig deep into the heart of 80s metal, and we can't do it without you. Your album suggestions fuel the show—whether it's an overlooked classic or a hidden gem that deserves the spotlight. When you join the DMO Union on Patreon, you're not just helping us stay independent and ad-free; you're getting a say in the albums we explore. Together, we'll uncover the anthems, riffs, and stories that shaped a decade. Let's rediscover 80s metal, one listener-driven episode at a time.Thanks for reading Dig Me Out! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit digmeout.substack.com/subscribe

"Different Class" is the fifth (yes, fifth) studio album by Pulp, released on March 30, 1995. It is widely regarded as one of the most significant albums of the Britpop era and played a crucial role in establishing Pulp as one of the biggest British acts of the mid-to-late 1990s. The album features a heady blend of pop, rock, and elements of electronic music, showcasing Pulp's eclectic sound.   Thematically, "Different Class" explores issues of class, social dynamics, and the British experience, often with a sharp, satirical edge. The lyrics, written by frontman Jarvis Cocker, are known for their sardonic wit and observational style. On this record are the band's big breakout hits such as "Common People," which is Pulp's signature song alongside "Disco 2000," "Sorted for E's & Wizz," and "Something Changed."   "Different Class" received critical acclaim upon its release, went on to achieve commercial success and won the Mercury Music prize, reaching the top of the UK Albums Charts on its week of release and is often praised for its cultural impact and lyrical depth. The album helped solidify Pulp's place in music history and remains a touchstone for discussions about Britpop and 90s music. On this episode we take it track by track & find a find an absolute gem as well as chat about Jarvis's Jacko incident.   Be our mate by handing out a solid handshake and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too! If you've got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com  You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always, stay away from those seedy clubs, you know the ones x   Produced by Ning@studio2   Title music by StewyD & Del Jones

"Whatever happened, you're still part of the team! You're still one of the X-Men!" Much like the comics from which X-Men: The Animated Series drew so much of its inspiration, season 2 would immediately see the show begin to double down on its history and build out an ever-expanding mythology. No longer obligated to present stories at an entry level, the show took full advantage of its serialized format to springboard plots off the backs of its own previous plots. To that end, season 2 opens with a bombshell: the return of Morph, long thought dead since the events of the series' opening two-parter. This came as a shocking and satisfying twist, rewarding loyal viewers for their continued interest. And if it came at the cost of invalidating the show's edgiest, most ground-breaking moment? So what! This was comics, after all, or at least comics-on-Saturday-morning. Further to that, Morph had proven to be an unexpected fan favorite based on initial impressions, so a reversal of fortune was arguably worth it not merely for a big reveal, but to offer a path back to semi-regular appearances for the character. The revolving door of death would be one of the many ways the show was brought more into alignment with the tropes of the comics. More direct echoes could be traced in the form of Scott and Jean's wedding, which would occur in the comics a mere four months later. Likewise, new anti-mutant antagonist Graydon Creed and his homegrown militia, the Friends of Humanity, had made their print debuts a little over six months prior to the airing of "Till Death," part 1. Henchmen the Nasty Boys are utilized prominently beginning in part 2 and throughout the season, despite having appeared in exactly one comics storyline from 1992 (and in lieu of an older and more infamous group that preceded them in the Marauders). All this, with little in the way of reintroductions to our principal cast. From a critical standpoint, this approach for a season premiere might politely be described as "inaccessible" to say the least. Owing to many of these changes was no doubt the arrival of X-Men line editor Bob Harras in an official capacity as Story Consultant. To Harras, inaccessibility was a feature far more than a bug. During his tenure overseeing the X-office at the height of the speculator era, the more tangled, sprawling, and convoluted the storytelling, the better. For the industry's many eager young collectors, the complex nature of the X-Men's history, combined with the present-day storylines whose conclusions typically offered more questions than answers, there was a desperate need to Make It All Make Sense. Helping Jenny and Tim to Make It All Make Sense on this installment of X-Position is Keithie, not unlike Beast, joining the episode in progress. All told, this two-parter delivers a satisfying, intricately-plotted opening salvo that will be representative of the season as a whole. Thematically, the story makes excellent use of deception as a recurring motif. From Wolverine's brawl with a robotic duplicate of Cyclops, to the mutant-impersonating crisis actor disrupting President Kelly's inauguration, Graydon Creed's subsequent manipulation of the media, and right down to Morph's duplicitous divide-and-conquer scheme to use the X-Men to undo the X-Men, truly nothing is as it seems. And that's to say nothing of Morph's return from a seemingly certain death. It's fitting, then, that standing atop all of this subterfuge is the riddle wrapped in a mystery inside an enigma known as Mr. Sinister. His presence will loom large throughout the series following this maleficent animated debut. To its credit, the script makes effective and logical use of Sinister as Morph's corrupting benefactor, and even manages to flesh out his ultimate motives more decisively over the course of 22 minutes than 6-plus years worth of comics appearances had managed. Though taking its cues ever more from the comics, this stands as an example of the finite nature of the animated series imposing a storytelling discipline that occasionally outshined its source material.

Today we present the first episode of Jacob Smith's new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great standalone experience that we think Phantom Power listeners will delight in. It tells a truly unique cultural history of radio, describes important scientific discoveries about bird migration through interviews with key researchers, and continues exploring Smith's singular mode of ecocriticism, combining text-based scholarship with sound art, music, and audio storytelling. Professor Jacob Smith is Director of the Masters in Sound Arts and Industries Program at Northwestern University and author of numerous books. He is a cultural historian focused on media and sound who never fails to come at his subject matter from an oblique and completely original angle. His first three books focused on the relationship between the media technologies that developed over the course of the twentieth century—the phonograph, radio, film, and TV—and the kinds of performance styles we have come to expect from performers. For example, his 2008 book Vocal Tracks  tackles questions such as how radio changed acting and why fake laugh tracks developed on television—and why we feel so weird about canned laughter. In recent years, Jacob Smith's work has changed in a couple of ways. Thematically, he took a hard turn towards environmental criticism. His 2015 book Eco-Sonic Media lays out an agenda for studying the negative environmental effects of media culture while also telling a strange alternate history of “green” sound technologies: hand-cranked gramophones with eco-friendly shellac records and needles sourced from cacti instead of diamonds. His next book maintained this eco-critical perspective while revolutionizing the format of the scholarly book. 2019's ESC: Sonic Adventure in the Anthropocene was a 10-part audiobook that mined golden age radio shows and sound art to explore the dawn of the Anthropocene era, in which humans emerged as the primary force affecting earth systems. In episode 12 of this podcast, we played an excerpt of that book and interviewed Jake about the process of crafting a book-length scholarly argument in sound by sampling sounds from other eras. Lightning Birds continues this Smith's work in this innovative vein. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we present the first episode of Jacob Smith's new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great standalone experience that we think Phantom Power listeners will delight in. It tells a truly unique cultural history of radio, describes important scientific discoveries about bird migration through interviews with key researchers, and continues exploring Smith's singular mode of ecocriticism, combining text-based scholarship with sound art, music, and audio storytelling. Professor Jacob Smith is Director of the Masters in Sound Arts and Industries Program at Northwestern University and author of numerous books. He is a cultural historian focused on media and sound who never fails to come at his subject matter from an oblique and completely original angle. His first three books focused on the relationship between the media technologies that developed over the course of the twentieth century—the phonograph, radio, film, and TV—and the kinds of performance styles we have come to expect from performers. For example, his 2008 book Vocal Tracks  tackles questions such as how radio changed acting and why fake laugh tracks developed on television—and why we feel so weird about canned laughter. In recent years, Jacob Smith's work has changed in a couple of ways. Thematically, he took a hard turn towards environmental criticism. His 2015 book Eco-Sonic Media lays out an agenda for studying the negative environmental effects of media culture while also telling a strange alternate history of “green” sound technologies: hand-cranked gramophones with eco-friendly shellac records and needles sourced from cacti instead of diamonds. His next book maintained this eco-critical perspective while revolutionizing the format of the scholarly book. 2019's ESC: Sonic Adventure in the Anthropocene was a 10-part audiobook that mined golden age radio shows and sound art to explore the dawn of the Anthropocene era, in which humans emerged as the primary force affecting earth systems. In episode 12 of this podcast, we played an excerpt of that book and interviewed Jake about the process of crafting a book-length scholarly argument in sound by sampling sounds from other eras. Lightning Birds continues this Smith's work in this innovative vein. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Today we present the first episode of Jacob Smith's new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great standalone experience that we think Phantom Power listeners will delight in. It tells a truly unique cultural history of radio, describes important scientific discoveries about bird migration through interviews with key researchers, and continues exploring Smith's singular mode of ecocriticism, combining text-based scholarship with sound art, music, and audio storytelling. Professor Jacob Smith is Director of the Masters in Sound Arts and Industries Program at Northwestern University and author of numerous books. He is a cultural historian focused on media and sound who never fails to come at his subject matter from an oblique and completely original angle. His first three books focused on the relationship between the media technologies that developed over the course of the twentieth century—the phonograph, radio, film, and TV—and the kinds of performance styles we have come to expect from performers. For example, his 2008 book Vocal Tracks  tackles questions such as how radio changed acting and why fake laugh tracks developed on television—and why we feel so weird about canned laughter. In recent years, Jacob Smith's work has changed in a couple of ways. Thematically, he took a hard turn towards environmental criticism. His 2015 book Eco-Sonic Media lays out an agenda for studying the negative environmental effects of media culture while also telling a strange alternate history of “green” sound technologies: hand-cranked gramophones with eco-friendly shellac records and needles sourced from cacti instead of diamonds. His next book maintained this eco-critical perspective while revolutionizing the format of the scholarly book. 2019's ESC: Sonic Adventure in the Anthropocene was a 10-part audiobook that mined golden age radio shows and sound art to explore the dawn of the Anthropocene era, in which humans emerged as the primary force affecting earth systems. In episode 12 of this podcast, we played an excerpt of that book and interviewed Jake about the process of crafting a book-length scholarly argument in sound by sampling sounds from other eras. Lightning Birds continues this Smith's work in this innovative vein. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination?  In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination?  In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination?  In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination?  In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination?  In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination?  In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination?  In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination?  In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

L.A. neo-psych group, Dream Phases, share their new LP Phantom Idol on this episode. On the album, Brandon Graham says, "Phantom Idol is our third full length album that was written and recorded between 2022-2023. It has by far the most collaborative writing of any of our albums so far, as Shane, Keveen and I co-wrote about half of the tracks on the album as opposed to writing the songs individually. We initially recorded demos for all of the songs, and some extra outtakes, and then we brought those to producers Matt Schuessler (Cat Power, Kurt Vile) and Rob Schnapf (Elliott Smith, Beck, Dr. Dog). With Matt and Rob we re-recorded everything, refining tempos and espeically the tones of the instruments. We also had the pleasure of having several guests perform on the album including Jeff Schroeder (ex-Smashing Pumpkins, Dan Gee, Marc Agostini, and Omar Medina as well as having our part time band mates Anthony Marks and Pablo Orue, who have recorded on many of our songs over the years. For the artwork we collaborated with Asuka Watanabe on the album cover and design and Scott Duffey (Toucan Tango) on all of the singles' art. The vinyl and digital release is coming out on Coconut Spaceship Records, while the tape will be released on Mutation Records. We are going to do an initial run of California and Nevada shows, with further dates later this year. Like our previous album, 'New Distractions', this new album was very much conceived as a complete album as opposed to singles compiled together.  Thematically the album deals with a good amount of self discovery and self reflection as well as personal relationships. It also continues our influence of living in Los Angeles, and our love of California in general with a healthy dose of escapism mixed in there. 'Phantom Idol' comes the closest to what we initially envisioned both sonically and performance wise, and we can't wait to share the record."

“I came up doing improv where failure is the golden standard. And in improv, if you're not failing, you're doing something wrong. I feel really lucky that that was one of my bridges into entertainment and creativity, to have such a loving relationship with failure because, boy! As a writer, your days are filled with it and rejection and killing your darlings. I think comedy and improv have taught me how wonderful failure can be and how much we can get out of it for sure,” says Carrie Solomon, writer of the new Netflix romantic comedy, A Family Affair starring Nicole Kidman and Zac Ephron.  In this episode, Carrie talks about working as an assistant when she first came to Hollywood, calling it a job that can be, “Thankless at times, certainly, but really rewarding in the amount of information that you can absorb.”  She also talks about bringing her own life experience – like being an assistant – to her storytelling.  “Thematically, I think a lot of lot of the arcs in this movie are certainly my own. It's my own therapy coming to the screen, going to the page. I should probably send my therapist a Netflix., QR code to go check out the movie,” Carrie says.  Carrie also shares a lot of advice, including how to get your writing noticed. “For anyone who wants to make a splash or write something crazy or noticeable, write something that's crazy to you. Don't worry about what. If you yourself were entertained or wowed by an idea or you think, oh my god, that's absolutely like ass backwards crazy. Try it. I have a lot of friends that the minute they stop worrying about audiences or development execs or what people want to read, that's when they really found their voice and it clicked. I think being personal is one of the one of the quickest ways to find success.” To hear more about Carrie's writing journey, listen to the podcast.

"Oedipus Rex" (Ancient Greek: Οἰδίπους Τύραννος, Oidipous Tyrannos), also known as "Oedipus the King" or "Oedipus the Tyrant," is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as "Oedipus, King of Thebes"). It was the second in order of Sophocles's composition of his three plays dealing with Oedipus. Thematically, however, it was the first in the trilogy's historical chronology, followed by Oedipus at Colonus and then Antigone. "Oedipus the King" tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall (as opposed to making fate the sole cause). Over the centuries, "Oedipus Rex" has come to be regarded by many as the Greek tragedy par excellence. (Adapted from Wikipedia.)Translated by Gilbert Murray.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"Oedipus Rex" (Ancient Greek: Οἰδίπους Τύραννος, Oidipous Tyrannos), also known as "Oedipus the King" or "Oedipus the Tyrant," is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as "Oedipus, King of Thebes"). It was the second in order of Sophocles's composition of his three plays dealing with Oedipus. Thematically, however, it was the first in the trilogy's historical chronology, followed by Oedipus at Colonus and then Antigone. "Oedipus the King" tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall (as opposed to making fate the sole cause). Over the centuries, "Oedipus Rex" has come to be regarded by many as the Greek tragedy par excellence. (Adapted from Wikipedia.)Translated by Gilbert Murray.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For so long, history has been taught chronologically, but does it have to be and should it be? China Harvey and Lisa Herzig would argue that it does not and it should not.They are authors of the brand new book Teaching Beyond the Timeline: Engaging Students in Thematic History. And today we'll hear about their innovative approach to teaching history thematically. We'll explore the motivations behind this instructional shift, the challenges and triumphs they've encountered along the way, and the profound impact it has had on student engagement and understanding.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Original Post

Designer Koltin Thompson joins us on the submarine! Koltin is on the designers of Galactic Cruise and is an lover of literature (except Moby Dick). On the podcast we talk about his story playing Gloomhaven and how it made them scream like little children. We also talk Underwater Cities and details in gaming. All this and more on today's episode!  

Turbofolk is heavy. Not musically. Thematically. You'll notice that, if you've made it through both episodes, that Side B ends with Weezer, so for this week's From the Value episode we thought, let's go back to that episode! The band have a massive back catalogue. One which has only grown since. It's a tough listen at times, but we did it. Rumour has it that Mark still hasn't fully recovered from the near lethal amount of Weezer he had to imbibe for this episode. And he's a fan! What's the half life of that stuff anyway? Who knows. Anyway. Let's go back to the Before Times of 2019 and chat about Weezer (White Album) by Weezer.

Al-Inshiqāq (Arabic: الانشقاق, "The Sundering", "Splitting Open") is the eighty-fourth chapter (surah) of the Qur'an, with 25 verses (āyāt). It mentions details of the Day of Judgment when, according to this chapter, everyone will receive reckoning over their deeds in this world.[2] Summary 1-5 Signs of the Judgment Day 6-15 The books of the righteous and the wicked given into their hands, and the consequence thereof 16-20 Oaths attesting the doctrine of the resurrection 21-25 The unbelievers denounced and threatened [3] The name of the chapter, Al-Inshiqaq, is a noun variously translated as "The Sundering", "The Bursting Asunder", "The Splitting Open", among others. This name comes from the first verse of the chapter which reads When the sky is rent asunder. The verse does not contain the word al-inshiqaq verbatim, but rather it contains a word of the same root. It is a reference to the destruction of the world at the end of days, which the chapter portend. Thematically, the chapter follows a day-of-judgement theme that is present in the preceding chapters, including Al-Infitar (the 82nd chapter) and Al-Mutaffifin (83rd).[4][5][6] The chapter begins (verses 1 to 5) by mentioning events that will happen on the Day of Judgment, including the sundering of the sky and the flattening of all that is on earth. Verses 6 to 15 talk about the disparity between those who in that day will be "given [their] book in [their] right hand" and have a joyful reckoning, and those who will not. A series of oaths (verses 16—18) follows, and then another contrast between the fate of the believers and the unbelievers in the day of judgment.[7] Prostration Further information: Sujud § Sajdah of recitation According to the hadith, Muhammed was prostrated when reciting this chapter, particularly after the verse 21 which reads ... and that when the Quran is recited unto them, they do not prostrate? Therefore, most Islamic scholars consider this verse one of the 15 verses in the Quran where one prostrates after reciting it. In most copies of the Qur'an these are indicated by the symbol ۩.[8] Most Maliki jurists consider it obligatory to prostrate after reciting the verse; Malik ibn Anas, the founder of the Maliki school, was a notable exception.[9][10]

In episode 201, Dan and Michael chat about the research project that focuses on thematically teaching public issues with Jeremiah Clabough, Caroline Sheffield, Timothy Litner, & Allie Whitford.

In a heartfelt and candid conversation on the Dads with Daughters podcast, Mack Brock, a renowned Christian musician, opens up about his fears and hopes as a father raising daughters. Emphasizing the need to protect and nurture his daughters into strong, independent women, Brock highlights the importance of understanding and engaging with each of his three kids in a way that resonates with their unique personalities and interests. Balancing Public and Private Life As both a musician and a parent, Mack Brock acknowledges the challenges of balancing his public persona with his private family life. He discusses the importance of creating a sense of family unity by involving his kids in his work and ministry, providing them with a glimpse into his passion and dedication to music while maintaining a healthy boundary between his public and private life. Embracing Change through Fostering The conversation takes a poignant turn as Brock shares his family's decision to become foster parents. The Brock family's journey began with a temporary foster placement that has since evolved into a long-term arrangement. Mack and his wife have navigated difficult conversations with their biological children about fostering, emphasizing the impact and importance of being adaptable and supportive as a family, irrespective of the changing dynamics. Nurturing Resilience and Emotional Well-being Brock delves into the emotional complexities of fostering and the potential impact of reunification with Z, their foster child, with his biological parents. The family has consciously chosen to shift their mentality from a temporary arrangement to embracing Z as a beloved member of their family, regardless of the duration he stays with them. They discuss the possibility of reunification and the potential need for family and individual child therapy to navigate the emotions and challenges that may arise. Music, Obedience, and Family Unity Mack Brock's music career and success have been a result of taking small obediences to the Lord and being open to opportunities as they arise. His commitment to faith and artistry is interwoven with his dedication to nurturing his family, demonstrating the harmony between his professional pursuits and familial responsibilities. The Brock family's journey reflects the utmost importance of faith, humility, and optimism in overcoming the challenges of parenthood and fostering. Mac Brock's thought-provoking insights and exemplary approach to parenting inspire us to embrace the challenges and joys of nurturing strength, resilience, and compassion in our children, whether biological or foster, amid life's ebbs and flows. His unwavering commitment to music and family shines a light on the transformative power of faith, love, and unwavering devotion in shaping a wholesome and nurturing family environment. If you've enjoyed today's episode of the Dads With Daughters podcast, we invite you to check out the Fatherhood Insider. The Fatherhood Insider is the essential resource for any dad who wants to be the best dad that he can be. We know that no child comes with an instruction manual, and most are figuring it out as they go along. The Fatherhood Insider is full of valuable resources and information that will up your game on fatherhood. Through our extensive course library, an interactive forum, step-by-step roadmaps, and more, you will engage and learn with experts but, more importantly, with dads like you. So check it out today! TRANSCRIPT Dr. Christopher Lewis [00:00:05]: Welcome to Dads With Daughters. In this show, we spotlight dads, resources, and more to help you be the best dad you can be. Dr. Christopher Lewis [00:00:16]: Welcome back to the Dads with Daughters podcast, where we bring you guests to be active participants in your daughters' lives, raising them to be strong, independent women. Really excited to have you back again this week. Every week, I love sitting down with you and going on this journey that you and I both are on in raising those strong, independent women in our lives, and we can't do this alone. We have to have community, we have to be able to listen and learn the stories of other fathers around us. And through those stories, you and I can become stronger fathers ourselves, and we can be more engaged. We can be better intentional fathers to our daughters as well. I love being able to be on this journey with you. Dr. Christopher Lewis [00:01:06]: I love being able to bring you different dads and different people every week from so many different walks of life who are fathering in different ways. I've said this before, and I'll say it again. There's no one right way to father. Every one of us does it a little bit differently, and that's okay. We can learn from each other, though, and know that Even if you started on 1 path toward fatherhood, you can pivot. You can change. You can make adjustments along the way because, Especially as your kids are young, they're gonna be forgiving, and they're going to accept you who you are, but you have to be willing to change too. Dr. Christopher Lewis [00:01:43]: And you have to be willing to move in that other direction and be willing to say, you know what? This is not working. Or, yeah, this is working. And keep going. So this week, we got another great guest with us. Mac Brock is with us, and Mac is a is the CEO of Proverbs 31 Ministries. has 3 kids. He also has a ton of worship songs that you may or may not have already heard, and we're gonna talk about that music too. And that includes Foods, an RIAA-certified double platinum single, Oh Come to the Altar, a platinum-certified Do It Again, which amazingly has over 129,000,000 YouTube views, and a gold track resurrecting that has 49,000,000 YouTube views. I can't even imagine that many YouTube views, But I would love to have that many YouTube views. But we're gonna be talking about his music as well as well as talking about his journey as a father. Mac, thanks so much for being here today. Mack Brock [00:02:41]: So good to be here. I need to correct one thing. It's it's my wife who is the CEO of Proverbs 31. She is the boss lady. I'm just a musician. All I do is write and sing songs. My wife is, like, the superstar, rock star that kinda handles things that are way above my pay grade. Well, I Dr. Christopher Lewis [00:03:00]: appreciate that because we gotta give credit where credit's due. And, Meredith, keep up the awesome work. Keep rocking it. You can tell Mac is on your side, and we're all on your side. The So Mac, what I love starting these opportunities to talk with an opportunity to turn the clock back in time. Wouldn't that be great if we just had the power to snap our fingers and we could go back? But we're gonna turn the clock back in time to that first moment, that first moment that you found out that you were going to be a dad to a daughter. What was going through your head? Mack Brock [00:03:29]: Man, for both of my kids, I have a son first and then a daughter second. And for both of them, I was very wrong on the gender. I thought I was gonna have a daughter first, then I thought for sure I was gonna have another son. And so finding out I was having a daughter, it was just such a little bit panicky because I was like, I don't know what I'm doing. I don't know how to handle girls. I don't know how this it feels very scary and overwhelming. And then when she came, it was even that was even more magnified of like, alright. What am I supposed to do? But over the years, Step by step, day by day, I feel like me and my wife have learned together how to raise our little girl. Dr. Christopher Lewis [00:04:09]: Talking about fear, I talked to a lot of dads. And especially dads with daughters, I hear constantly that there is some fear. There is some fear about stepping into the role of being a father the To a daughter. As you've had your daughter in your life and you reflect back on that, what was your biggest fear or what is your biggest fear in raising a daughter? Dog. Mack Brock [00:04:30]: I think, you know, we naturally have that protection instinct. And so there's just like, I want to protect her from everything. I wanna protect her from the world, the And, and that's not reality. We can do our part, but, eventually, you know, our goal is to raise up women and to raise up strong women who are independent and can go out into the world. And so I think it's still not I don't know if fear is the right word, but it's still on my mind the know my heart a lot of, like, navigating that, and how do I pour continue to pour into her and to steward her magical imagination, her creativity, and then also steward her strength And Steward, we're growing in to be a woman of the lord and and a woman that is confident and believes in herself. Dr. Christopher Lewis [00:05:24]: I did mention you're a father of 3, and you have 3 different kids with different personalities, and different needs. Mack Brock [00:05:31]: All different. Very different. Dr. Christopher Lewis [00:05:33]: As You look at all 3 of your kids, and you look at yourself as a father, I know that even with two kids, I have to Be engaged with my kids in different ways. I have to understand them differently to be able to spend that unique time with them. To be able to build those relationships, what do you have to do to be able to not only, You know, be the father you wanna be, the husband you wanna be, the musician you wanna be, but what do you have to do to be able to build those unique relationships with each of your kids? Mack Brock [00:06:09]: The Yeah. That's such a good point because it is so wild how vastly different my daughter and my son are, the two oldest. They come from, you know, me and my wife, same DNA, same the Same everything, and they are so different. And so I've had to learn just like everybody, they have different interests, different Hobbies and different ways to connect. And so, for my son, it's a lot of playing Fortnite. It's a lot of we have the same sense of humor, so we'll watch Docs YouTube videos where we'll kinda sit and enjoy something together. And my daughter is so different. For my daughter, it's a lot of Reading stories together or sitting down and playing LEGOs together and just having that kind of playtime. Mack Brock [00:06:53]: Dog. And even, like, bedtime routines are, like, way different between my kids. You know, my daughter really likes to, like, lay in bed and snuggle and talk and tell the stories to each other. My son was kinda never that way. But I've realized, man, this is like a small the Way to build, like, a deep connection with my daughter that is hopefully building and planting seeds and building a foundation that will last, Like, the rest of our lives in our relationship. Dr. Christopher Lewis [00:07:20]: I love that because I think you're right. I mean, I think you have to go with the flow in so many ways, and you have to be willing to understand and get to know your kids, what makes them tick, but also what makes them light up the And add more fuel to that fire while at the same time, as you said, stewarding them the in other directions to be able to help them in many different ways. As you look at the fact I said, you are a musician. You live a public life in that way. People know you and your music, and they at least feel like they know you and know your music. Doc. Me about separating that and being able to live the public life while at the same time Protecting the private life while at the same time having your kids see that public life and understanding Who you are publicly versus privately. Mack Brock [00:08:19]: Oh, I totally know if I even know how to answer that question because I feel at the core of what I do, I'm just like a worship leader. Dog. You know, I don't feel like this, like, big artist or anything like that. Like, For my career, and my calling in life is to Lead worship, and sometimes that's at our local church in Charlotte. But a lot of times, it's me traveling out and going out, you know, across the country and across the world to lead worship in other places. I think a big thing for me that's always been at the forefront is that I've been very careful for my kids not to ever feel like it's ministry and the church that takes their dad away, and that's, like, the bad thing. You know? Like, my dad's a pastor, and he was very, very good about that. Like, I grew up not hating the church because it kept my dad busy. Like, my dad was very, very good at Connecting the family to everything that he was doing, and I tried to do the same. And so, you know, whether it's, like, bringing my kids along no travel with me or whether it's just, like, having open, constant conversations about what I'm going to do or what I get to be a part of. And so for us, it doesn't feel totally like there's this public persona, and then there's this private persona as much as it feels like this is what your dad does. This is his calling in life. This is when he goes out, and he sings about Jesus, and he tells people about Jesus. And my kids, in some respect, get to feel like they're a part of what I do. And so it's not just me going out and doing my job. It's like Doc. Our family is a part of this thing. And even with my wife's ministry and her running Proverbs 31, it's one big, like, unit of, like, this is what our family's calling are these different ministries that we get to be a part of. And I think just having conversations, allowing our kids to feel somewhat a part of that. I don't know. It's been really special and cool for us. Dr. Christopher Lewis [00:10:15]: Now, raising sons and raising daughters are very different things in many different ways, And it takes a different touch. It takes a different perspective and a different way of parenting. What's been the hardest part for you in being a father to a daughter? Mack Brock [00:10:34]: I think, going back to what I said earlier, that I want my daughter to be. She's our creative. She's our magical thinker. She lives in, like, this like, her own world of, you know, just constantly creating stories. She's a songwriter. She's only 8, but, like, that's one of the ways that we connect. And so I think, as I said earlier, I think it's like learning to the Steward that and the learning to pour into all the things that make her magical and make her special and the Finding ways to just, like, cultivate and build that into her while at the same time wanting to build strength the in her. And that's one of the things like, my wife is such a strong woman, and she's such a she's just tough. Mack Brock [00:11:17]: And I lean on her of, like, how can we cultivate that in Cyrus' life and in Cyrus is hard. How can we make her have that same kind of bigger that my wife has without the Kind of hardening of the soft parts that Cyrus has? She's such a soft, tender, special spirit. And so it's just navigating those 2 things. Docs. It's tough now, but I think it's gonna be even tougher as she gets older and, like, learning how to just navigate that. I think another hard thing, just to be Totally real, is when you have a busy job and when you have, like, a demanding career, whatever it might be, traveling a lot or just, you know, busy at home. It's those moments where your daughter says like, hey. Mack Brock [00:11:57]: Will you do this with me? I want you, you know, can you come and sit down and play Legos with me? And you're worn out and tired, and you're like, no. Honestly, I just wanna I need to veg out for a minute. And it's hard to say, like, No. I have got to value and treasure these moments that my daughter is like she's verbally requesting, like, I want a connection with you, and it's the putting down your, I guess, your own, like, rest to make sure you're still, like, getting those connections with your kid. Dr. Christopher Lewis [00:12:26]: So important. And I have definitely had those experiences where, as you said, You come home. You're just wiped, and your kid says, will you do this with me? And you just wanna say, I just need to the Sit down. Mack Brock [00:12:42]: And I fail a lot. I'm, you know, I mess I failed that test a lot, but it's something I've been challenging myself with a lot more, too, and just being aware of it And saying like, man, when when your kid is just asking. You know? And it's usually a very simple thing. They're not always asking, like, hey. Will you take me To this or take me to go do this? It's a lot of times it's just like, hey. Will you sit in my room and play with me? Dr. Christopher Lewis [00:13:04]: As they get older, that's when they say, will you take me here? Will you take me there? Right. Mack Brock [00:13:09]: Right. I'm not quite there yet. Yeah. Dr. Christopher Lewis [00:13:10]: I get that. I completely understand that. So I know that one of the other experiences that you and your wife have had has been in the foster arena and that you stepped a number of years back now into the world of being a foster parent too. And you've had a son come into your life that way. And so talk to me about that journey and what made you and your wife choose to step on that path and bring him into your life. Mack Brock [00:13:42]: Yes. Just a quick rundown. So we have, our oldest son, the biological son, Harvey, he's 12. My daughter, Cyrus, is 8. Then in 2020, we decided, we got our foster parents' license and decided to start fostering. And we got a little boy come to live with us named Z, and he's been with us for about three and a half years now. Mack Brock [00:14:02]: Fostering was always something that was on my wife's heart, and it wasn't really on mine. But it was kind of like, I'll take the classes, and I'll read the books and take it one step at a time, and ultimately, It became a big portion of my heart as well of, like, feeling the call to do that. And yeah. And so it was just a lot of little yeses that ultimately led to, like, the big yes of you get the phone call, and they're like, hey. We have this little boy. He's five months old. Mack Brock [00:14:31]: He needs a place to stay for the immediate future, then we'll figure out what's next. In the immediate future, a week turns into a month, turns into six months, turns into three and a half years. And so that has been, it's been a gift for us. It's been a challenge, obviously. I mean, just having a 3-year-old is a challenge. So that is what comes with the territory. But I think one of the things that is talking about parenting and all that aspect is there's been a lot of the healthy but also, like, difficult conversations with our bio kids of saying like, hey. Like, we're bringing in Doubt. Mack Brock [00:15:06]: This other person that's gonna take a lot of our attention, and he's gonna have a lot of things that we have to focus on. And that's gonna take attention away from you, or that's gonna take the time away from you. And so even just being honest about the realities of fostering or the realities of adding another kid to your family. Those have been healthy conversations. It's also just been the reality of, like, they're difficult. Those are difficult things for kids to go through, and it's led to a lot of, like, just good connections. And I think it's interesting because, for my wife and me, that's something that we say yes to. Mack Brock [00:15:42]: And when we decided to say yes to it, we wanted to bring our kids in, explain to them, here's where we're leaning. We want to make sure y'all feel comfortable with this as well. And they're kids, and so it's not like they can totally create here's my consent, and here are all the things of, you know, all these the arguments or whatever, but they were very excited about it. But it's something we've had to continue to have conversations about throughout the whole journey, and the Three and a half years that Z has been with us continue to have conversations about where they're at, how their own heart is feeling, how their own emotions are feeling. Sometimes they're up, and sometimes they're down, but thing is the openness of the conversation has been the best thing for us. Dr. Christopher Lewis [00:16:22]: So talk to me a little bit about being a foster dad and how that differs for you from how you parent your other kids, if it is different. I'm sure that there are people who hear about or know people who have fostered, but they don't know How you have to parent in either the same or different way. Mack Brock [00:16:45]: So when Z first came to live with us, there were a lot of obstacles right from the get-go, but you're loving him like you would love any baby, and and you would love any child that's in your care. And I think to be totally transparent and vulnerable a little bit; there was a time early on where it was like, you know, part of fostering is the goal ultimately is reunification with bio parents. That's the goal. And so it is, by definition, like a temporary thing. And me and my wife, the We felt ourselves a little bit switch into this mentality of almost, like, just caring for this child instead of bringing this child in as our son for the time that he was with us. And we felt that in our hearts even if it was, like, unspoken. And we had to have a conversation with each other very early on of, like, hey. Are you feeling this way? Like, I don't like I don't like that I'm feeling this way. Mack Brock [00:17:38]: And I think that we have to switch our mentality and switch our heart. Like, we can't treat this as temporary. Even if it is temporary, We can't treat we have to treat z as our son, and we had a very open conversation about that as a couple of saying, like, we're gonna make the decision. Like, We're gonna love him like our son. We're gonna treat him like our son. Our mentality, our heart is gonna treat him like he is ours, Whether it's for 6 months or what it's become now, you know, where he's been with us for a long time. And that was such a pivotal switch for us mentally in the way that we were able to, like, just love on him. And he is my son. Mack Brock [00:18:16]: And even if it's temporary, it's something that I had to make sure I felt that in my heart and expressed that to him. Dr. Christopher Lewis [00:18:24]: I can only imagine, especially I mean, he's been there longer than some placements Probably would happen. And as you said, you put your whole heart into him as your son and Not as just caring for someone in a temporary capacity, and you've had your those conversations with your own children the As he came to live with you, but they're seeing him as a part of the family too. And there may come a day when Z goes back and is reunified. And I'm sure that while there's probably some training that they try to put you through, It's not gonna be easy. And have you thought about that in how you and your wife and your family will be able to reconcile with that as well? Mack Brock [00:19:11]: Yeah. I mean, that's the reality with foster care, and those are heavy things for a child to walk through. And so we definitely had a lot of conversations of, like, what if this happens? What if this happens? How how are we gonna handle it? And there are a lot of resources for, like, the Family therapy and group therapy and then individual, like, child therapy to, like, walk through just even, like, the grieving process If you have to walk through something like that. And so we've had a lot of those conversations. We haven't had to walk through that personally. We've had a lot of friends that have a lot of foster Parent friends that have had to go through that. But, yeah, we haven't had to cross that bridge, but we've definitely talked a lot about what are the steps we would need to take. If that came to pass. Dr. Christopher Lewis [00:19:56]: I mentioned at the beginning, you are an artist and, as you said, a worship leader and an artist. So talk to me about that story for yourself, and what drew you into wanting to be not only A worship leader but beyond that, an artist that has 100,000,000 views on YouTube and having people that are really connecting to the music that you're putting out into the world. Mack Brock [00:20:25]: Yeah. I mean, I grew up in the church, like I said before, and so I grew up. My mom's a musician. She's a drummer and grew up around music and ministry. That was, like, my whole life all growing up. And so naturally, kinda led into, It's just a part of my life and one of the things that I was constantly, like, in front of me. Mack Brock [00:20:43]: And when I look back, me and my wife, we've been married for 17 years. And Dog. Even in our marriage, when we look back, we didn't have these grand here's our 5-year plan, our 10-year plan, our 15-year plan for our marriage or for even my career or anything like that, it was it's a lot of the step by step the Small obediences to the lord when they're in front of us that I feel like has led to where we're at now. And so that led to Doubt. We moved to Charlotte to be a part of Elevation Church when it was first getting started to pouring into that ministry and and writing those songs and then stepping Dog. Of Elevation Church into, like, kind of a solo career. It was just something that was, like, always stuff that was always in front of us, saying yes and trying our best to be obedient with what was in front of us. And so now we look back, and we see, wow. Mack Brock [00:21:37]: Look at what the lord has done. Look at it's amazing, and and it's wild. And it's Crazy to to see what he's done, but it was never, and we're both planners. Me and my wife are both type a. We like goals. We like to have a plan. We like to know what's ahead of us, what we're working towards, but it's pretty crazy to see that even with all of our own personal goals or all of our own, like, dreams, It all boils down to what's in front of us, being good stewards of what's right of what we have today, the And being obedient to what we have today, and that's kind of what's led to where we're at now. Dr. Christopher Lewis [00:22:13]: I love that. Now you talked about the fact that you started Elevation Church, and you worked with Elevation the church, and then you broke off into that solo career. And I'm sure there's, as you talked about within foster care, I'm sure that you put all your heart and soul into elevation. And then, as you broke off, there's probably some grieving that happens. And not having that one church that you're there all the time and you're part of, and now you're putting your heart and soul into the solo career in the music itself. But talk to me about the difference there for you And now going from being at the church and worshiping at that church to now being in the solo career, not having the same community that you're constantly being a part of, but you have a broader community now that you're a part of and sharing the gospel with. Mack Brock [00:23:06]: Yeah. I mean, I'm such, and I grew up playing in bands. I love being a part of a team doing, like, Mac Brock, quote, unquote. It's, like, never, like, in the cards for me. I was like, that sounds awful. But when we felt like the lord was calling us to step away from elevation. It wasn't to pursue a solo career. It was just we felt like we were supposed to be obedient to that calling of stepping away, not sure what was next. Mack Brock [00:23:32]: But then it naturally led to me continuing to write songs, me wanting to, like, the Still create music, and so that's kinda what led to even where I'm at now. And, yeah, it is different. It's like you said, there there is a different type of community. No. There's a different type of team that I'm a part of, and I still have lots of musician friends that still travel with me, or it's not necessarily, like, a Part of a specific, you know, worship ministry, church, whatever, but there's still a core group of people that are Still, like, heavily involved in what would I do, and I don't feel like I'm alone or solo in that sense, which I'm very, very grateful Dollar. Dr. Christopher Lewis [00:24:10]: Well, I know you've got a new album out. Just Like You've Always Done is your newest album that's out. And I guess Dog. Talk to me a little bit about the writing process and what you do to Bring these new, not only the new songs but these new albums out into the world, what you have to go through personally To be able to not only come up with the inspiration but be able to put them all together than to create the new album for your fans. Mack Brock [00:24:42]: The hardest part is is, the Like, the songwriting aspect. You know? There's just a lot of writing, and it's a lot of reworking. And, I mean, there's so many songs that come into the process of making, like, a full album, which I'm, like, still, like, kind of in the middle of. I'm still navigating, like, what songs are gonna be on, what's, you know, what songs are getting cut. So there's it's such a long process in that respect. Even today, I was kinda, like, pacing around the house, and Meredith could tell, like, she's the She's like, something's, like, going on with you. I was like, man, I had just had I can't crack this 1 song that I'm, like, working on. There's something about it that I gotta, like, penetrate to fix it, and I can't figure it out right now, and it's bothering me. Mack Brock [00:25:23]: And so there's just a lot of, like, that digging and the the next layer. You know? Because, Basically, there's a lot of songs that start, and you write it with a group of people, you know, hit a couple of people, or you write it by yourself. That's almost like the easy part is to, like, start a song and get it going. But it's the next layer of digging and trying to figure out, like, what's the best version of the song? Am I really communicating in the most efficient way or the best way that I want to communicate? And so it's that digging. And then when you have the song done, then it's like, how do we want it to sound? And, you know, how are we gonna get it out? Doc. So there's just so many different layers. Every step of the way, there are so many different ways to make a song succeed and make a song, like, work or make it not the best version of itself, which I've done several times. Mack Brock [00:26:14]: And so it's just being diligent and persevering through the process, knowing that it is just a process. And so I love the process, as frustrating as it can be, as discouraging as it can be. Like any creative, You go through this cyclical thing of, like, I think this is awesome. Oh, wait. This sucks. Oh, wait. No. It's not as bad as I thought it was. Mack Brock [00:26:36]: The Oh, okay. It's not as great as I thought it was gonna, you know, like, there's just this cyclical thing, but I think being aware of that for me helps me know the This is part of the process. I just gotta, like, push through and keep working, keep digging. And I'm always grateful for when it's finally done and out, and I'm able to, like, release it out into the world. Dr. Christopher Lewis [00:26:54]: I love that. And people have not heard the music on this album. What should they be looking forward to the most, and what do you hope that people are gonna take away from the music? Mack Brock [00:27:03]: So the album is still kind of in progress. I released the song just like you've always done. That's the 1st single for the album. And then the album releases early next year. And there are a lot of songs that I just am, like, so excited for people to hear. But just like you've always done, the song that's out now has been such a great I think that's a great start to the song because it's thematically, or it's a great start to the album because the Thematically, it hits so many things that I'm very passionate about. One of the biggest things that I'm passionate about is remembering and declaring them and helping people focus on just the faithfulness of God. Because if you're a dad out there, you know that seasons come and seasons go, and there are the highs, and there are lows, and there are mountain tops, and there are dollies. Mack Brock [00:27:45]: And it's so easy to get your mind or your eyes off of the Lord no And to be discouraged and to feel like whatever season you're in, if you're in a down season, it's never gonna end. And so just to be reminded of, like, the consistency and the steadiness of who Jesus is in our lives and trusting that, I find so much hope in that. Dog. And there are so many songs on the new album that kinda touches on that as well, and so I'm very excited about it. Dr. Christopher Lewis [00:28:12]: Well, we always finish our interviews with what I like to call our fatherhood five, where I ask you 5 more questions to delve deeper into you as a dad. Are you ready? Mack Brock [00:28:18]: Okay. Let's go. Dr. Christopher Lewis [00:28:19]: In one word, what is fatherhood? Chaos. When was the time that you finally felt like you succeeded at being a father to a daughter? Mack Brock [00:28:27]: Honestly, this past week, I was talking to Cyrus came with me to a band rehearsal. And at the end of the night, we had a big prayer time. And when she was driving home, just hearing her process, what we talked about in our prayer time, how she talks to Jesus and what she does when she's feeling anxious. No Just even having that conversation with her, I don't know if that felt like I've succeeded as a father, but it was a big win. Dr. Christopher Lewis [00:28:50]: If your kids were here and I was talking to all 3 of them, How would they describe you as a dad? Mack Brock [00:28:55]: Not cool. I'm always trying to tell my kids that I'm a cool dad, and They don't believe me. Dr. Christopher Lewis [00:29:02]: Now who inspires you to be a better dad? Mack Brock [00:29:04]: I've got several friends that I look to often and see the way that they're raising their kids and the relationships that they have with their kids that are, like, teenagers now or college that very inspiring, and I'm constantly, like, the Asking. Alright. Help me in this season. What I'm doing now helps me cultivate these relationships that you have with your kids now. Dr. Christopher Lewis [00:29:25]: You've given a lot of pieces of advice, a lot of things people to think about today; as we finish up, what's one piece of advice you'd wanna give to every dad? Mack Brock [00:29:33]: Be as present as possible and be even for me, I travel so much with my work, but I've worked it out in a way that that when I'm home, I can just be present, and I'm home a lot. And so just be present and make yourself, like, seen and known, and make sure that your kids know that you're seeing them and knowing them. It's just so easy, even when you're home, to be on your phone or be locked in on Netflix or whatever it might be, and I do. I'm guilty of all those things too, but I'm challenged myself, and I'm challenged to make sure that my kids know that I see them, that my Them. Kids know that I'm there present with them. Dr. Christopher Lewis [00:30:05]: Well, Mac, I want to say thank you. Thank you for sharing your own journey today and for sharing the things that you've learned as you've gone through fatherhood. If people wanna find out more about you, about your music, or about Meredith's organization, whatever it may be, where should they go to find out more? Mack Brock [00:30:23]: I mean, you can go to MackBrock .com, but there's also just Mac Brock on Instagram or Mara Brock on Instagram. That's where you'll find us. We're there a lot. Dr. Christopher Lewis [00:30:32]: Well, Mac, thank you so much for sharing your story today, and I wish you all the best. Mack Brock [00:30:37]: Thank you. This is great. Appreciate it. Dr. Christopher Lewis [00:30:39]: If you've enjoyed today's episode of the Dads with Daughters podcast, we invite you to check out the fatherhood insider. The fatherhood insider is the essential resource for any dad who wants to be the best dad that he can be. We know that no child comes with an instruction manual, and most dads are figuring it out as they go along. The And the Fatherhood Insider is full of resources and information that will up your game on fatherhood. Through our extensive course library, an interactive forum, step-by-step road maps, and more. You will engage and learn with experts, but more importantly, dads like you. So check it out atfatheringtogether.org. Dr. Christopher Lewis: Dad's with Daughters is a program of fathering together. We look forward to having you back for another great guest next week, all geared to helping you raise strong, empowered daughters And be the best dad that you can be. Dr. Christopher Lewis : We're all in the same boat, and it's full of tiny screaming passengers. We spend the time. We give the lessons. We make the meals. We buy them presents. Bring your A-Game because those kids are growing fast. The time goes by just like a dynamite blast calling astronauts and firemen, carpenters, and musclemen. Get out and be the world to them. Be the best dad you can be. Be the best dad you can be.

The boys are in a new locale and with a special guest in tow it's time to tackle Quentin Tarantino's masterpiece - PULP FICTION"Pulp Fiction" (1994), directed by Quentin Tarantino, is a film that defies conventional storytelling, blending dark humour, graphic violence, and a disjointed narrative to create a cinematic experience that is as unforgettable as it is controversial. This review aims to dissect the elements that make "Pulp Fiction" a landmark in modern cinema.From the opening credits, Tarantino sets the tone with his eclectic soundtrack choice, a staple in his films. The music in "Pulp Fiction" not only complements the action but often juxtaposes it, creating a unique audio-visual experience that enhances the film's impact.The narrative structure of "Pulp Fiction" is unconventional, to say the least. Tarantino abandons the traditional linear storyline, opting instead for a series of interrelated stories that are out of sequence. This narrative choice not only keeps the audience engaged but also allows for a deeper exploration of the characters and themes. The film's structure can initially disorient viewers, but as the stories intertwine and characters reappear in different contexts, a cohesive picture begins to emerge.The characters in "Pulp Fiction" are as diverse as they are memorable. John Travolta's Vincent Vega and Samuel L. Jackson's Jules Winnfield are hitmen with a penchant for philosophical discussions, which provides some of the film's most memorable dialogue. Uma Thurman's Mia Wallace, the wife of a mob boss, is both enigmatic and charismatic, leaving a lasting impression with her dance scene with Travolta. Bruce Willis plays Butch Coolidge, a boxer with a code, whose storyline introduces a different angle to the film's exploration of honor and betrayal.Tarantino's dialogue is sharp, witty, and laden with pop culture references. It serves as a tool for character development, revealing depths and nuances that are not immediately apparent. The conversations between characters are often mundane, yet they are delivered with such flair and charisma that they become riveting.The use of violence in "Pulp Fiction" is both graphic and stylized, a hallmark of Tarantino's directorial style. While the violence may be off-putting to some viewers, it is integral to the film's aesthetic and narrative. It's not violence for the sake of violence, but rather a means to explore the characters' morality and the consequences of their actions.Cinematically, "Pulp Fiction" is a tribute to various genres, from crime noir to black comedy and even a nod to the French New Wave. Tarantino's use of long takes, unconventional camera angles, and his ability to build tension through dialogue and silence is masterful. The film's editing, particularly in the way the stories are intercut, enhances the narrative's complexity and keeps the audience guessing.Thematically, "Pulp Fiction" explores redemption, chance, and the randomness of life. The characters are often faced with choices that lead to unexpected consequences. The film challenges traditional notions of heroes and villains, presenting a world where morality is ambiguous and fluid.The performances in "Pulp Fiction" are outstanding across the board. Travolta and Jackson deliver some of their best work, bringing a combination of intensity and humor to their roles. Thurman's portrayal of Mia Wallace is both alluring and haunting, while Willis brings a grounded toughness to Butch. The supporting cast, including Harvey Keitel, Tim Roth, and Amanda Plummer, contribute significantly to the film's depth and believability."Pulp Fiction" had a significant impact on popular culture and the film industry. It redefined what a mainstream film could be and influenced a generation of filmmakers. The film's success at the box office and its critical acclaim, including winning the Palme d'Or at the 1994 Cannes Film Festival and receiving multiple Academy Award nominations, cemented Tarantino's status as a major director.In conclusion, "Pulp Fiction" is a cinematic tour de force that combines brilliant writing, stellar performances, and innovative filmmaking. It challenges viewers with its unconventional narrative and moral ambiguity, leaving a lasting impact on both the audience and the film industry. This film is not just a product of its time but a timeless piece that continues to resonate and inspire. Whether viewed as a crime drama, a black comedy, or a postmodern masterpiece, "Pulp Fiction" remains a pivotal work in the history of cinema.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew

We had the pleasure of interviewing Locket over Zoom video!Canadian alt rock band Locket recently released their new album and second full-length Superluminal.The band's latest single from the album, this time in the form of the power pop anthem "Blame My Brain." It's got big hooks, bold harmonies, and it's brimming with melodies. It's incredibly catchy but also boasts hard-charging guitars to give it an extra edge."This song is about being so used to keeping thoughts to yourself, that by the time you're ready to open up or express yourself, the words escape you," says frontman Brad Garcia. "Almost like the introvert in me is keeping the extrovert at arm's length, but never closer. I'm envious of people I know who are able to express themselves so effortlessly. I'm sure people who grew up in similar households — sharing wasn't really a part of the routine — can relate. Lyrics aside, this song was a perfect exercise for honing in on who we are, or were, when we started writing the record back in 2021. It's familiar territory explored through whatever lens we had at the time. Power chords and vocoders? Sure, why not."Recording their second full-length, Garcia states, "When 'band world' got put on pause back in 2020, it almost felt like a sigh of relief. We found this sense of freedom in being able to just write music for no other reason than writing music. With real pressure we could just write riffs, not overthink anything. And I think because of that, sonically, the record feels so authentically us."He continues, "Thematically, I approached writing this record from this place of not knowing what's next (for the band or for ourselves as individuals). It ended up being this cathartic process of learning to deal with this central part of your life being forced across a tightrope, and ultimately learning to be alright if it slips and falls apart, because it might make way for a new chapter. We started writing this album as band guys in our twenties. By the time it comes out we'll be in our thirties, married, with a clearer understanding of who we are as people that have this insane privilege of making music together where people actually listen. We don't take that for granted. Also, we all think the album fuckin' rocks, so that's probably the most important thing."We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #Locket #Superluminal #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement

This week on VGP, the new computer is here!! We start off with side notes all about the joys of being able to game in a non-blurry mess, before heading off into the regular news where we discuss a potential new Nintendo console on the horizon, Stardew Valley’s music getting a full on orchestra concert, Microsoft finally cementing the Activision acquisition, Xbox banning third-party controllers, and of course my highly anticipated chance to talk about the Five Nights at Freddy’s movie!! After the news we give our review of Starfield and finish off with talk of food and anime!! All this and more up next on VGP 397!! -Aki Music … Continue reading "VG Pulse 397: Thematically Accurate, Desirably Inaccurate"

While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

Thematically, Chapter 5 is an awkward fit in the book, an insertion that interrupts an otherwise continuous narrative. The subjects that dominated the previous chapters—the wall project and the local opposition—fade to the background in Chapter 5. At some point in Nehemiah's governorship, Judah went through a food shortage crisis. During that time, the dual problems of hunger and poverty trumped everything else. As the memoir of a leader, the book of Nehemiah shows the full range of obstacles he addressed and successfully handled.

We had the pleasure of interviewing Incendiary over Zoom video!Armed with crushing metallic riffs, instantly both fresh and familiar, Incendiary populate each of their four full-length albums with irresistibly energized rhythms and adrenalized urgency. Change The Way You Think About Pain is their leanest and unapologetically meanest yet. The quintet weaned on the Long Island, New York, hardcore scene have more to say than ever. Sharply biting and insightful lyrics sit atop blunt metalcore in a perfect soundtrack to throw a brick through a window.Incendiary delivers a sound of its own, mixing classic passion and modern power. Frontman Brendan Garrone, guitarists Brian Audley and Rob Nobile, and drummer Dan Lomeli, cite East Coast hardcore heroes like Vision Of Disorder, 108, Indecision and Glassjaw as part of Incendiary's formative DNA. Less familiar listeners might liken them to a very heavy Rage Against The Machine.The band returned to Will Putney of Graphic Nature Audio (Knocked Loose, Every Time I Die, Vein.fm) to engineer, mix and master the new release. Many essential genre bands never made a second album, let alone a fourth. “We are kind of in rare territory being a hardcore band on their fourth LP,” Garrone concedes. “It feels like a milestone. By now, you're either ‘supposed' to drastically change your sound or have it be the exact same thing as the record before,” he adds. “We didn't want to do either of those things. Our focus was on refining the sound that we've optimally been working towards rather than any desire to make a huge pivot.” Audley says that in addition to the more focused songwriting on Change The Way You Think About Pain, “we also wanted it to be more aggressive and more abrasive, in terms of songs and production.”Thematically, Incendiary's fourth album confronts the hyper-polarization of American society, those who confuse selfishness with freedom, and the lengths we'll go to in order to avoid pain and maintain comfort. The socio-political pulse found throughout Cost of Living remains, with a deeper exploration of the introspective personal lyrics Garrone started to introduce on Thousand Mile Stare. “The album is a mix of both the socio-politically driven content and darker, more personalized subjects. The album title is meant to conjure the concept of pain avoidance,” Garrone explains. “Most of the songs have some kind of tie back to the things everyone does to avoid feeling any semblance of pain. ‘Pain avoidance' is a phrase me and Brian came across and kept in the back of our minds.”We want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #Incendiary #ChangeTheWayYouThinkAboutPain #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement

How can we talk about Jesus in the Old Testament? Which parts apply to Him? And how should we interpret some of the strange language and figures of speech? A very helpful reference is The Moody Handbook of Messianic Prophecy, edited by Moody professor Michael Rydelnik and Edwin Blum. This book analyzes every OT passage that is considered Messianic! The fulfillment of Messianic prophecies proves that Scripture is one unified story. This would only be possible if the Bible was inspired by the God who is sovereign over history. Today’s reading from the Crucifixion narrative provides two specific examples. First, the Roman soldiers who crucified Christ divided His clothes among themselves (vv. 23–24). The seamless undergarment, however, was too valuable to be torn, so they cast lots for it. Their actions fulfilled the prophecy of Psalm 22:18. Psalm 22 is the prayer of a righteous sufferer, written nearly one thousand years before Christ. This example shows that prophecy can be both thematic and specific. Thematically, Jesus is the perfect example of a righteous sufferer. He even quoted Psalm 22:1 while on the cross (Matt. 27:46). The details about casting lots for His garment cannot be accidental. Fulfilled prophecies like these strengthen our faith. Another example is Jesus’ words “I am thirsty” on the cross (vv. 28–30). They gave Him wine vinegar to drink, fulfilling Psalm 69:21 (see Ps. 22:15). Jesus said it, “so that Scripture would be fulfilled.” After receiving the drink, in total control of the situation, He said, “It is finished,” bowed His head, and gave up His spirit. Psalm 69 is also the prayer of a righteous sufferer. Psalms 69 and 22 are the most quoted psalms in the New Testament! Why not add both of these to today’s reading? >> Would you like to learn more about Messianic prophecy? We encourage you to invest in a good study Bible or get a copy of the Moody Handbook mentioned in today’s opening paragraph.

Sam and I first visited on the podcast back in 2020, episode 134. We tried hard to find the truths we knew were present but couldn't quite get there. We didn't know each other well enough and they were turbulent times when we all felt some heavy emotional and cultural and moral stimulus but couldn't yet make sense of it. During the intervening years we both settled down a bit, or at least discovered ways to manage the stimulus without being overwhelmed into inaction (or too hasty action) by it. I believe we see and understand each other better now.On this occasion, Sam joined me the night before he drove away from Salt Lake City, towing a trailer towards his new home in Kentucky. It was worth making the drive down from Montana to see and speak with him one last time before the frequency of such conversations will drop as the geographic distance between us increases.Thematically, our conversation seemed to follow the arc of a young man into adulthood, passing through a long period of "angsty ambition" and "never enoughness", and how that hungry, thirsty, teeth-gnashing ambition, where commerce influenced behavior, and the need for superlative success was high delivered very little enjoyment. That said as the apogee of trying so hard has passed one may settle into a zone where success may be experienced without superlatives or broadcast, and one may express and experience mastery of skills and self apart from any audience or observation.We close out our visit talking about shooting; the relationship between it and climbing, the possible life or death moments in any movement or manipulation, the risk calculus, and the appreciation for, and of life itself that arrives when we understand that actions have actual consequences. Both activities may be tools for contemplation, lenses that focus appreciation for life and living it.

Remember, we welcome comments, questions, and suggested topics at thewonderpodcastQs@gmail.com. S4E20 TRANSCRIPT:----more----   Mark: Welcome back to the Wonders Science-Based Paganism. I'm your host, mark, and I'm Yucca. And today we're talking about the summer solstice, the longest point in the year in the Northern Hemisphere. The longest day, the shortest night, and we're gonna talk about what that is, what we call it, what some of the metaphorical themes are that go along with it, and some ideas for rituals to do for the, for the summer solstice. Yucca: Right. And it's another one of those that has a lot of names but at least being one of the solstice, we have a name that. That is pretty common that we could refer to it by, and most people know what we're talking about, right? Yeah.  Mark: Yeah. For many, many years, this was referred to in the English speaking world as mid-summer. Mm-hmm. So that's where you get a mid-summer night's dream, all that kind of stuff. And that's what I prefer to call it because I don't like using the, the foreign language names since I've not.  Yucca: They aren't your languages.  Mark: Yeah. And I'm not drawing cultural elements from those cultures, so why should I take their name? Yucca: Right? Mm-hmm. Right. So you'd like to call it mid-summer. Are there any, is that any other names? Southern  Mark: Hemisphere, in which case I would call it  Yucca: mid-winter, right? Yes. For us it's usually summer solstice sometimes refer to hafmas. Haf is summer in Welsh, and it's actually a name we made up because the moss is like the, like from the other side of the year, and it's the flip of that. And so it just kind of sounded nice to us. We're like, oh yes, it's the summer, it's the summer muss, right? Mm-hmm. So we call it that or it's our. First summer, it's not midsummer for our climate. Mm-hmm. You know, that some climates It is. I mean, summer has started, I know in the, on the mirror, the calendar here in the United States, it's the official start of summer. That's right. Yeah. But. Climate, I mean, weather-wise, summer is here already for us. Mm-hmm. It's just not the middle of summer. The middle of summer won't be until August.  Mark: Right. And, and that's true for us too. I wrote a blog post at atheopagan dot org recently about the fog cycle. Because here in, in the coastal zone in Northern California, what happens is it gets blazing hot inland, like in the Sacramento Valley. Mm-hmm. And the air rises and therefore creates a low pressure zone. Mm-hmm. Because it's expanded. And so it pulls cool moisture laden air in from over the ocean, which precipitates out into fog along the coastal area. Mm. So we get this fog cycle and it's why San Francisco is famous for fog. We get this fog cycle in the summertime and when the fog cycle starts. It's really kind of the climatic beginning of summer, and that's been going on now for about three weeks. Mm. Okay. And what'll happen is we'll have these gray days never rains, just gray, overcast, and then eventually, It cools down enough that that thermal cycle doesn't work anymore. Mm-hmm. And we'll get a few days of bright sparkling sun, usually some blazing heat at the end of that, and then it starts the cycle  Yucca: again. Okay. So nice.  Mark: That's, that's how we know that summer has started here. Mm.  Yucca: I like that. Well, for us, we have them monsoons. So in the desert southwest, much of the desert, Southwest has the monsoons, and we've been getting them this year, which is wonderful because we've had quite a few years of, of just not getting, just being in terrible, terrible drought. Mm-hmm. And it's. When I was a kid, the monsoons started earlier, right? They started back in May and they went all the way through September. But now they really are the end of June, July, August is when they'll come and it's we'll get the afternoon rain heavy, rain intense, and then it's gone. But when the rain is coming in, there is. There's the smell of the rain. Yeah, and it's the soil. I think that what's happening is there's soil microbes that are, that are releasing the smell. There's all sorts of things, but it's just, there's nothing like the smell of the rain. And I've, I've been in different areas, different deserts have their own. Smell, but there's something similar between them, right? If you're in the Chihuahua or the Mojave, like they have their own and it's just the most wonderful thing. There's just nothing like it. And right after the rain, there's so much life that just wakes up. We have mosses that go dormant and then it rains and they wake up and they're, this fairy green just pops of fairy green everywhere. And then a few hours later they're back to the brown. And it just, everything wakes up in a way that that is just very different than the rest of the year. So it's just wonderful. And the insects. And one of the really fun things that we love is that after a rain, a day or so after that is when the winged ants will come out. Oh, so they send out that generation because they need the soft ground to be able to start the next colony, and it's too hard to to dig any other time. So that's when you'll see just these, the conventions, these parties of the wing dance. And you know, some of the termites do that as well. And it's just, Alive with insects and creatures, and it's just a very magical time of year. Mark: And there's all then the dramatic lightning storms that come with the rain too.  Yucca: That's right. Yeah. And the clouds, the, the incredible, the thunderheads. Yeah. What is it, CU Cumul. Nimbus, is that what it is? Those ones that just go literally miles into the sky and it's amazing. Yeah, no,  Mark: and what I have enjoyed when I've been in the desert Southwest at this time of year is that typically, The rains will break right before sunset. Yes. So you get these spectacular sunsets, just unbelievable kind of blazing through the remnants of the clouds. Mm-hmm. Really  Yucca: extraordinary. Yeah. And most the sunsets all year round are beautiful, but as we go deeper into summer, the late summer, early fall is when those sunsets are. I don't know why. I don't know quite what's happening. That's different, but they're the ones where the whole sky is just red and golden and mm-hmm. It's just, and they seem to, to last a little longer. It's, it's quite amazing. Hmm. So enchantment. Yep. So that's what's happening for us. This is a great time of year. Yeah. And it's not too hot yet. Uhhuh, it'll get a, we don't actually get that hot. Really. We're, we're fine in terms of heat, but you know, we're, we'll be in hanging out in the eighties, so Uhhuh.  Mark: Yeah. Yeah. I mean, most of the warm days that we get are low nineties, but, You know, some, sometimes when the fog cycle really breaks hard, we'll have days that are, well, we had a, a day that last  Yucca: year, you had crazy  Mark: 15 last year. That was for about a week we had temperatures that were up mm-hmm. Over 110 every day. And that was, that was amazing. Yeah. So, mid-summer. Yeah. And and the summer solstice. What are the kinds of things that we think of thematically that go along with this time of year? I mean, we've, we've talked about what's happening in nature. Mm-hmm. We still, by the way, our birds still have their mating plumage, which is interesting. It seems a little late to me, but they do, I'm seeing that at our  Yucca: feeders. Ours too, as well. Although ours are always, we're a little later. Than you because you warm up so much sooner than we do. Right. So there's still and I, I feed mine meal worms and I see that they're still gobbling up the meal worms as we get later into the summer. They'll kind of leave that alone. But I put out like a little bowl for them to, to and so I assume that they're always doing that when they've got the eggs or the real young mm-hmm. The young birds in the nest. So that makes sense. Yeah. Yeah. Wow. Our hummingbirds are mostly gone though. Ah, there's a few that will hang out in the summer, but they mostly were just a stop for them on their larger journey. Mark: See, we have a number of birds that are actually migratory birds, but they don't migrate where we are because it's so benign. They just like  Yucca: it. They're like, they just  Mark: hang, you know, we have, we have hummingbirds in the middle of the winter, and they're just like, well, if we went anywhere else, it'd be worse than here. Yucca: So they just hang out. Okay. That's great. Why? I mean, yeah. Speaking of the birds The kiddos and I took a trip just last week down to Carlsbad Caverns, and we woke, we woke up really early in the morning to go watch the bats return. So, the. The park is actually open all night. So we got there at like three 30 or four in the morning instead of watching them leave. And so the bats were all coming home. But then there are cave swallows that found the caverns just a few decades ago. Apparently they weren't there before, so now they've made it their home. And so you switch, the bats go in, and then the swallows come out. Oh. And so they're also migratory, so they'll go down south, farther south. Because I mean, from my perspective, Carlsbad is already pretty south, but I'm talking about, you know, down into South America for that. And then they'll come back up from like, April to October. And they're just incredible creatures as they're swooping around. And when they fly next to, it's like, sounds like a, like the sky, like a crackle as they like zip past you. So that was really fun to get to see them in the like hundreds. So hundreds of bats replaced with hundreds of these swallow.  Mark: Wow. That's cool.  Yucca: Yeah. So just a plug for everyone. If you have not been to the caverns, it's, it's unbelievable. They're really unbelievable. You can hike down but they also have an elevator so you can get down. So if you are in a wheelchair or have any mobility challenges, like that's really, really accessible. So it's a great experience. Yeah. Now in term we, we were back on, we were on themes though, right? So you often see this wheel of the year as the life cycle of a human right?  Mark: I do. And this time would be full adulthood, like mm-hmm. In your thirties you know, maybe into your mid forties, kind of at the height of your powers. And. That doesn't entirely square with my understanding of this holiday actually. Mm-hmm. Thematically, because to me this is the holiday of leisure. Mm-hmm. In the agricultural cycle. That's kind of what it is. At least it was in, in European Times and it, and it is where I am locally, all plant. He did  Yucca: all the planting, but it's not time to harvest's been done.  Mark: Stuff is growing. Not time to harvest yet. So really what you do is lie in a hammock and drink beer or mojitos and just kind of relax. So it's a time for going to the beach and other sort of leisure kinds of activities. And that's what I most associate with this holiday actually is. Not formal rituals so much as just getting outside and having recreational activities that, that are enjoyable and relaxing.  Yucca: Mm. Okay. That's wonderful. Mark: How about you? What are, what are the things that you associate with the time of year?  Yucca: Yeah, this is the bugs time of year for us. This is the arthropods are insects and Mya pods and and this is really the, the time of year in our climate where they really are at their. Peak in their height and there's just, oh the wild bees are out and the all kinds of creatures are around. We have, these ones will get a little bit more active later on in the year, but I adore them. We have Carolina Wolf spiders here. Oh. And which are. Wolf spiders, but they are, you know, several inches across. They're, they're big, they're like the sizes of a small little tarantula. And we like to go out on night hikes, and which you have to, of course be. Careful to not step on any animals, but the, the spiders are very shy creatures, right? They don't want to come up and mess with you, but when you shine your light around their eyes, glisten like little, it's a Micah, and they look back at you and so there's just a, a celebration of them and how important they are for our world,  they are just so critical. And it's also a time that we do do gifts as well. So we do gifts on both solstice and we're about, when we're recording this, we're about a, you know, a little bit more than a week out. Mm-hmm. So we haven't put it up yet, but we have a bee garland that we do in our house where we've made. Giant bees out of like a cardboard and some of them have clay and we put it around and decorate the house for the summer. And of course lots of sun motifs as well because there's just so much sun right now. And we put that around the house and, you know, hang little, little trinkets and little gifts. And so the kids will probably get some books and, and things that are often insect related or. Cousin insect, you know, cuz spiders and centipedes and those things aren't insects, but they're close cousins. Right. So. Right. Yeah.  Mark: Well that sounds really fun and wonderfully seasonal. Yeah. The, the sun symbols are obviously a big part of, you know, what I do with my focus, for example, and my altar has lots of sun symbols on it generally, but it gets a lot more sun symbols on it at this time of year. Yeah. It's really, you know, the rain of the, the sun triumphant at this time of year. This, one of my, one of my least favorite summer solstice traditions is that right around this time of year is when I sunburned my scalp and then realized that it's half season. I need to, I need to not do this. Mm-hmm. You know, it's not February anymore. The sun is not weak. The sun is as about as overhead as it's gonna get, and it's strong. And I need to protect myself from Yes. So that's another thing that happens every year. Mm.  Yucca: I enjoy hats. I have some great huge, broad roomed hats. My, my climate is a hat all the time. Climate. Hmm. Because even in the winter it's very, very, very high elevation. But it's cold enough that you need to have a knit hat in the cold half of the year. And then it's just so, there's just so much sun that you've just gotta have something to. Or else you can't see to protect your, your face and neck and, and all of that. Yeah. It's  Mark: not elevation. There's so much uv. You really gotta be careful.  Yucca: Yeah. Well, you know, when you go to the weather page and it'll tell you the, what's the pollen count and the wind, you know, our UV index is almost always 10 all the time. You just don't even look at it. It's 10. Well, So yeah, you can't leave a, the, you know, a tarp won't last a season out there, Uhhuh, the UV just eats it and it turns into those terrible million little pieces of plastic everywhere, so. Well, are there any rituals that you do either for yourself or with your community around this time of year?  Mark: Well, as I said, most of what I want to do with my community at this time of year is to really just kind of hang and. Enjoy one another's company. But there is one ritual that I do every year, which involves my son broom. Mm-hmm. And longtime listeners will have heard me talk about this before. I have a handle, which is a piece of Oak Branch that I gathered in a state park. And on that I have bound long grasses to make a shaggy sort of broom. And I add grasses to it every year. In, in some years, I actually fully replace the grasses. Mm-hmm. I can find enough long grass to cut wherever I am and use that to, to replace the, the, the bristles. And I bind that all up and then I sit it out in the mid-summer sun all day on the day of the solstice. Mm-hmm. And the idea of that is that it's soaking up the, you know, the power of the sun. Mm-hmm. And so long about February, I can wave that thing around the house when it's really dismal and sort of remind myself of the feeling of the sun and the, the energy and the, the warmth and light and all those things that I'm missing in  Yucca: February. That's great.  Mark: Yeah. It's, it's a nice ritual tool to have. You know, there have been times when, like, I've been working with people that have been really feeling down you know, having a really hard time in their life right then and kind of waving a lot of sun around them, it seems to make them feel better. Nice,  Yucca: nice. Yeah. And are the grasses still green for you? No. You have, okay, so you're, you're harvesting. Dry grass then. Yeah, it's  Mark: generally wild oats. Mm-hmm. They grow very tall and so, you know, you can cut 'em off and make a nice long broom. This, this marks. Really mayday kind of marks the demarcation between the gold time of the year and the green time of the year. Mm-hmm. That's what I was remembering. Yeah. Yeah. Things are, are starting to gold up and we've had a few little sprinklings of rain, so there's some remnants of green. Unusually so this year especially because we had this giant rain year, right. Last winter. But by and large, the hills have gone golden by this time. Mm-hmm. And so that's the golden time  Yucca: of the year. Yeah. I, I really just en enjoy how flipped our climates are because this is one of the only times of year that the grass is green. It's gold most of the year, but right now we've got this pop of green and it's just so, it's just beautiful how. Places are so different, right? We're, yeah, we're experiencing, I mean, we're sharing some experiences together because we're going, you know, what's happening astronomically? You know, that's, we're all experiencing that, but what spring is for you and what spring is for me, we're just in these very different worlds, and yet coming together and sharing in an online space and then going back to our. You know, might as well be different planets sometimes.  Mark: Yeah. Well, and of course, I mean, we, I, I just had our Saturday Zoom mixer that we do every Saturday mm-hmm. This morning. And a woman from Argentina was there. Mm-hmm. And of course she's in an entirely different world. Right. You know, it's like it's cold and it's wet and it's dark and you know, all those. Yeah. All those things that we associate with December up here are what's happening for her right now, so. Mm-hmm. Yeah.  Yucca: And that as a country has so many different environments. Yeah.  Mark: Well, yeah, cuz it's so north south and it's got the Andes, which are so high  Yucca: and Right. It's that it's stretched down. It goes, you know, and then you can be in that low, low desert or that high or the, you know, it's, I'm looking at, on the map right now. Yeah. Or  Mark: Patagonia, which is this arctic kind of environment. Yeah. It's, mm-hmm. It's everything. I'd love to go  Yucca: where there are still folks who speak Welsh. Really? Yes, there is a Welsh community there. And so you can, you'll find people with last names of like Evans and, and things like that. Yeah. So it's, they're the, like the Welsh like cowboys in Patagonia. It's, it's, it's a, it's, it's a great country. It's an amazing, we live in just a wonderful world, just so many different places and, and little gems and, yeah.  Mark: Yeah. So, yep. Well, that's kind of part of what we're all about, isn't it? We live in a wonderful world. Me too. It's It's just really cool when you pay attention to it. Yucca: Yeah. I like having the holidays as these touchstones throughout the year. Mm-hmm. Right. Just to kind of come back and think about, you know, what was last year around Solstice and the year before and, and how it's so similar and yet so different this time around. Mm-hmm.  Mark: Well, I think I conjecture that that's why the The, the symbol of the spiral was very attractive to prehistoric people. You know, the, the creators of the megalithic passage, burials and all that kind of stuff, because time really is like a spring, you know, you come around to the same point again, but you're, you're removed from it by a year. Mm-hmm. So it just kind of iterates around and around and around. Yeah. Always in a different place and yet in the same place at the same time. Hmm. So what was I gonna do? I know what I was gonna do. I was gonna close with a poem for the season. Ooh, let me  Yucca: grab Sure. Mark: This is called Dawn Prayer, whose warm love flows across the land each day stirring life, the world's magic arms yearning up, turning each green leaf to follow whose generous balm upon the skin is love's touch. Ah, heated fingers, soothing. Whose Roar boils water from ocean to sky, drawing sweet from salt, becoming rain, snow river lake whose fervor beat upon us is deadly and yet contemplating cold stars. How we miss it? The golden one. Quotidian center of our days Steady companion soer of treasures. Great and small light bringer life. Quickener, dazzling unbearably bright. Hail. Oh, hail the magnificent sun. Yucca: Thank you.  Mark: Hmm. My pleasure. I'm awfully fond of that star. I I would be really bereft without it.  Yucca: Yes. Do you? And all of us. Yeah. So, well, this was a great talk and thank you.  Mark: Sure. Yeah. Everyone have a wonderful mid-summer and or winter or mid-winter. Mm-hmm. And if you come up with cool ideas for rituals for this time of year, shoot us an email at the wonder podcast cues gmail.com. Let us know what you're doing. We're always interested to hear from our listeners. So thanks so much for listening.    

We had the pleasure of interviewing Max Bennett Kelly over Zoom video!Seattle-born/LA-based artist, producer, and multi-instrumentalist Max Bennett Kelly has shared his new single & horror film-inspired music video “2AM,” available to stream now on all DSPs worldwide via AWAL. The song will be included on Max's debut forthcoming EP Junk Male, out June 23rd. The track was co-written and produced by Lil Aaron and Twenty One Pilots guitarist Dan Geraghty, and also features backing vocals from Lil Aaron. “2AM” is a love song from a guy who's addicted to endless arguments and melodrama. In the context of the full EP, it's the low point at which the narrator realizes what was once a casual relationship is beginning to bring out his worst traits.“He needs to exit - fast - but before he does, he's going to throw one last Hail Mary love song and try to salvage the doomed romance,” explains Max. “Except, this isn't the first time he's tried. He's been here before, and he's not going anywhere soon until he realizes the self-destructive loop he's caught in.”The song's corresponding music video is a tribute to found-footage horror films. Picking up where the “Superinlove” video ends, “2AM” reveals more about the Junk Male cinematic universe. Shot on VHS and played in reverse, we see the events of one fateful witching hour as protagonist Hollywood Thompson disposes of the evidence of his crimes from the short film's storyline.Max Bennett Kelly strikes a sweet spot between sticky hooks, unpredictable soundscapes, and cleverly candid storytelling with head-turning lyrics. Amassing tens of millions of streams and earning instant acclaim from fans around the world, he unspools his story on his forthcoming Junk Male EP, its accompanying short film shot entirely on 360 cam, and much more to come.In 2021, Max shared a snippet of “Happy, Healthy, Well-Adjusted,” and it lit up TikTok. Beyond millions of views, he even caught the attention of NETFLIX who made their own TikTok about it. He picked up steam at DSPs, generating north of 11.4 million Spotify streams and allowing him to focus on music full-time. “I was doing crazy shit to get by,” he laughs. “I was even participating in clinical trials and taking pharmaceutical drugs for money.” Surviving any side effects (that he's aware of), he maintained his momentum with “Birthday” in 2022 followed by “Always Never Again” and “Broke.” Throughout 2023, he assembled what would become Junk Male. Taking the reins, he personally produced and mixed the project, recording on vintage gear to achieve a definitive vision. At the same time, he opened up lyrically. The EP details the story of a kid chasing his dream. In a twist, this protagonist transforms into very worst and most toxic version of himself in the process, i.e. “Junk Male”—only to double back around a little wiser and more understanding than before. “I tried to make an authentic 90s album in the 2020s,” Max explains. “I studied all of these classic records. Thematically, it's a hero's journey. I heed the call to adventure, find out it kind of sucks, and end up learning about myself. I don't have to be this Junk Male version of myself anymore. I'm in touch with what's important to me, what I like, and why I came to L.A. in the first place.”We want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #MaxBennettKelly #JunkMale #2am #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement