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“We're all in this together.” Join Ian, Megs & Kev for our 318th episode as we lace up the Wildcats, grab the basketball (and the sheet music), and head back to East High for Disney Channel's cultural phenomenon High School Musical (2006). It's jazz hands, jump shots, and mid-2000s sincerity this week — and yes, we're absolutely committing to the choreography. This week we discuss: The lightning-in-a-bottle appeal — how a made-for-TV movie became a generational event - especially for one member of the panel. Zac Efron and Vanessa Hudgens — chemistry, charisma, and the myth-making of teen stardom. Does Hudgens get enough credit for the success of the franchise? Ashley Tisdale's Sharpay Evans — villain, icon, or misunderstood theatre kid with ambition? Is she too good to dislike? Megs breaks down the musical structure — why the songs are catchier than they have any right to be, and which ones still slap. The team talks about the difficulty about the audition process - on both sides of the equation We talk about the differences in social cliques in the North American school system versus the British school system Ian talks about how the whole plot is a conceit that he can't fully buy into - but why? Thematically — identity, peer pressure, and the fear of stepping outside the box. Why this simple message resonated so hard. The “show, don't tell” debate — does the film trust visual storytelling, or does it lean on dialogue and lyrics to do the heavy lifting? The Disney machine — how the film's success reshaped the network's future output. The ending performance — triumphant, predictable, or perfectly engineered for maximum serotonin? And finally, whether High School Musical is the Best Film Ever — or simply the most aggressively rewatchable Disney Channel Original Movie ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KJ. Cole delivers his most ambitious and introspective work yet with The Fall Off, his self-proclaimed final album released February 6, 2026. This double album spans 24 tracks across two discs—Disc 29 and Disc 39—each featuring 11 main songs plus a bonus. Presented by Analytic Dreamz on Notorious Mass Effect, this segment breaks down the project's profound narrative structure.Disc 29 captures J. Cole at age 29, returning to his Fayetteville hometown a decade after moving to New York, reflecting on pivotal crossroads in relationships, career dedication, and city roots. Disc 39 shifts to age 39, offering an older, more peaceful perspective on a similar homecoming, shaped by creative renewal following his 2024 resolution with Kendrick Lamar.Nearly eight years after teasing the concept in KOD's "1985," The Fall Off evolves into a full-circle moment from Cole's debut era. Executive produced by J. Cole, Ibrahim “IB” Hamad, T-Minus, and Dreamville, the album maintains minimal features for a self-driven feel, with standout contributions from Future on “Run a Train,” Tems and Erykah Badu on “Bunce Road Blues,” Burna Boy on “Only You,” Westside Gunn on “The Villest,” and others.The rollout emphasized intimacy and scarcity: announced in January 2026, preceded by the Birthday Blizzard '26 EP (four freestyles hosted by DJ Clue on Cole's 41st birthday), and distributed direct-to-consumer via his official website for stronger fan ownership and data control. Selective press included one major interview, while fan-led listening events in homes, record stores, bars, and spaces like Brooklyn Public Library's Bars & Books gathering amplified community engagement over traditional hype.Thematically, subtle nods to the 2024 lyrical tensions appear, notably in the alternate-history track “What If,” imagining reconciliation. Analytic Dreamz explores how this strategic, narrative-first approach reinforces J. Cole's authenticity, prioritizing depth, loyalty, and legacy over mass exposure in today's industry landscape.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KJ. Cole delivers his most ambitious and introspective work yet with The Fall Off, his self-proclaimed final album released February 6, 2026. This double album spans 24 tracks across two discs—Disc 29 and Disc 39—each featuring 11 main songs plus a bonus. Presented by Analytic Dreamz on Notorious Mass Effect, this segment breaks down the project's profound narrative structure.Disc 29 captures J. Cole at age 29, returning to his Fayetteville hometown a decade after moving to New York, reflecting on pivotal crossroads in relationships, career dedication, and city roots. Disc 39 shifts to age 39, offering an older, more peaceful perspective on a similar homecoming, shaped by creative renewal following his 2024 resolution with Kendrick Lamar.Nearly eight years after teasing the concept in KOD's "1985," The Fall Off evolves into a full-circle moment from Cole's debut era. Executive produced by J. Cole, Ibrahim “IB” Hamad, T-Minus, and Dreamville, the album maintains minimal features for a self-driven feel, with standout contributions from Future on “Run a Train,” Tems and Erykah Badu on “Bunce Road Blues,” Burna Boy on “Only You,” Westside Gunn on “The Villest,” and others.The rollout emphasized intimacy and scarcity: announced in January 2026, preceded by the Birthday Blizzard '26 EP (four freestyles hosted by DJ Clue on Cole's 41st birthday), and distributed direct-to-consumer via his official website for stronger fan ownership and data control. Selective press included one major interview, while fan-led listening events in homes, record stores, bars, and spaces like Brooklyn Public Library's Bars & Books gathering amplified community engagement over traditional hype.Thematically, subtle nods to the 2024 lyrical tensions appear, notably in the alternate-history track “What If,” imagining reconciliation. Analytic Dreamz explores how this strategic, narrative-first approach reinforces J. Cole's authenticity, prioritizing depth, loyalty, and legacy over mass exposure in today's industry landscape.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KJ. Cole delivers his most ambitious and introspective work yet with The Fall Off, his self-proclaimed final album released February 6, 2026. This double album spans 24 tracks across two discs—Disc 29 and Disc 39—each featuring 11 main songs plus a bonus. Presented by Analytic Dreamz on Notorious Mass Effect, this segment breaks down the project's profound narrative structure.Disc 29 captures J. Cole at age 29, returning to his Fayetteville hometown a decade after moving to New York, reflecting on pivotal crossroads in relationships, career dedication, and city roots. Disc 39 shifts to age 39, offering an older, more peaceful perspective on a similar homecoming, shaped by creative renewal following his 2024 resolution with Kendrick Lamar.Nearly eight years after teasing the concept in KOD's "1985," The Fall Off evolves into a full-circle moment from Cole's debut era. Executive produced by J. Cole, Ibrahim “IB” Hamad, T-Minus, and Dreamville, the album maintains minimal features for a self-driven feel, with standout contributions from Future on “Run a Train,” Tems and Erykah Badu on “Bunce Road Blues,” Burna Boy on “Only You,” Westside Gunn on “The Villest,” and others.The rollout emphasized intimacy and scarcity: announced in January 2026, preceded by the Birthday Blizzard '26 EP (four freestyles hosted by DJ Clue on Cole's 41st birthday), and distributed direct-to-consumer via his official website for stronger fan ownership and data control. Selective press included one major interview, while fan-led listening events in homes, record stores, bars, and spaces like Brooklyn Public Library's Bars & Books gathering amplified community engagement over traditional hype.Thematically, subtle nods to the 2024 lyrical tensions appear, notably in the alternate-history track “What If,” imagining reconciliation. Analytic Dreamz explores how this strategic, narrative-first approach reinforces J. Cole's authenticity, prioritizing depth, loyalty, and legacy over mass exposure in today's industry landscape.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KJ. Cole delivers his most ambitious and introspective work yet with The Fall Off, his self-proclaimed final album released February 6, 2026. This double album spans 24 tracks across two discs—Disc 29 and Disc 39—each featuring 11 main songs plus a bonus. Presented by Analytic Dreamz on Notorious Mass Effect, this segment breaks down the project's profound narrative structure.Disc 29 captures J. Cole at age 29, returning to his Fayetteville hometown a decade after moving to New York, reflecting on pivotal crossroads in relationships, career dedication, and city roots. Disc 39 shifts to age 39, offering an older, more peaceful perspective on a similar homecoming, shaped by creative renewal following his 2024 resolution with Kendrick Lamar.Nearly eight years after teasing the concept in KOD's "1985," The Fall Off evolves into a full-circle moment from Cole's debut era. Executive produced by J. Cole, Ibrahim “IB” Hamad, T-Minus, and Dreamville, the album maintains minimal features for a self-driven feel, with standout contributions from Future on “Run a Train,” Tems and Erykah Badu on “Bunce Road Blues,” Burna Boy on “Only You,” Westside Gunn on “The Villest,” and others.The rollout emphasized intimacy and scarcity: announced in January 2026, preceded by the Birthday Blizzard '26 EP (four freestyles hosted by DJ Clue on Cole's 41st birthday), and distributed direct-to-consumer via his official website for stronger fan ownership and data control. Selective press included one major interview, while fan-led listening events in homes, record stores, bars, and spaces like Brooklyn Public Library's Bars & Books gathering amplified community engagement over traditional hype.Thematically, subtle nods to the 2024 lyrical tensions appear, notably in the alternate-history track “What If,” imagining reconciliation. Analytic Dreamz explores how this strategic, narrative-first approach reinforces J. Cole's authenticity, prioritizing depth, loyalty, and legacy over mass exposure in today's industry landscape.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KJ. Cole delivers his most ambitious and introspective work yet with The Fall Off, his self-proclaimed final album released February 6, 2026. This double album spans 24 tracks across two discs—Disc 29 and Disc 39—each featuring 11 main songs plus a bonus. Presented by Analytic Dreamz on Notorious Mass Effect, this segment breaks down the project's profound narrative structure.Disc 29 captures J. Cole at age 29, returning to his Fayetteville hometown a decade after moving to New York, reflecting on pivotal crossroads in relationships, career dedication, and city roots. Disc 39 shifts to age 39, offering an older, more peaceful perspective on a similar homecoming, shaped by creative renewal following his 2024 resolution with Kendrick Lamar.Nearly eight years after teasing the concept in KOD's "1985," The Fall Off evolves into a full-circle moment from Cole's debut era. Executive produced by J. Cole, Ibrahim “IB” Hamad, T-Minus, and Dreamville, the album maintains minimal features for a self-driven feel, with standout contributions from Future on “Run a Train,” Tems and Erykah Badu on “Bunce Road Blues,” Burna Boy on “Only You,” Westside Gunn on “The Villest,” and others.The rollout emphasized intimacy and scarcity: announced in January 2026, preceded by the Birthday Blizzard '26 EP (four freestyles hosted by DJ Clue on Cole's 41st birthday), and distributed direct-to-consumer via his official website for stronger fan ownership and data control. Selective press included one major interview, while fan-led listening events in homes, record stores, bars, and spaces like Brooklyn Public Library's Bars & Books gathering amplified community engagement over traditional hype.Thematically, subtle nods to the 2024 lyrical tensions appear, notably in the alternate-history track “What If,” imagining reconciliation. Analytic Dreamz explores how this strategic, narrative-first approach reinforces J. Cole's authenticity, prioritizing depth, loyalty, and legacy over mass exposure in today's industry landscape.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KJ. Cole delivers his most ambitious and introspective work yet with The Fall Off, his self-proclaimed final album released February 6, 2026. This double album spans 24 tracks across two discs—Disc 29 and Disc 39—each featuring 11 main songs plus a bonus. Presented by Analytic Dreamz on Notorious Mass Effect, this segment breaks down the project's profound narrative structure.Disc 29 captures J. Cole at age 29, returning to his Fayetteville hometown a decade after moving to New York, reflecting on pivotal crossroads in relationships, career dedication, and city roots. Disc 39 shifts to age 39, offering an older, more peaceful perspective on a similar homecoming, shaped by creative renewal following his 2024 resolution with Kendrick Lamar.Nearly eight years after teasing the concept in KOD's "1985," The Fall Off evolves into a full-circle moment from Cole's debut era. Executive produced by J. Cole, Ibrahim “IB” Hamad, T-Minus, and Dreamville, the album maintains minimal features for a self-driven feel, with standout contributions from Future on “Run a Train,” Tems and Erykah Badu on “Bunce Road Blues,” Burna Boy on “Only You,” Westside Gunn on “The Villest,” and others.The rollout emphasized intimacy and scarcity: announced in January 2026, preceded by the Birthday Blizzard '26 EP (four freestyles hosted by DJ Clue on Cole's 41st birthday), and distributed direct-to-consumer via his official website for stronger fan ownership and data control. Selective press included one major interview, while fan-led listening events in homes, record stores, bars, and spaces like Brooklyn Public Library's Bars & Books gathering amplified community engagement over traditional hype.Thematically, subtle nods to the 2024 lyrical tensions appear, notably in the alternate-history track “What If,” imagining reconciliation. Analytic Dreamz explores how this strategic, narrative-first approach reinforces J. Cole's authenticity, prioritizing depth, loyalty, and legacy over mass exposure in today's industry landscape.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KJ. Cole delivers his most ambitious and introspective work yet with The Fall Off, his self-proclaimed final album released February 6, 2026. This double album spans 24 tracks across two discs—Disc 29 and Disc 39—each featuring 11 main songs plus a bonus. Presented by Analytic Dreamz on Notorious Mass Effect, this segment breaks down the project's profound narrative structure.Disc 29 captures J. Cole at age 29, returning to his Fayetteville hometown a decade after moving to New York, reflecting on pivotal crossroads in relationships, career dedication, and city roots. Disc 39 shifts to age 39, offering an older, more peaceful perspective on a similar homecoming, shaped by creative renewal following his 2024 resolution with Kendrick Lamar.Nearly eight years after teasing the concept in KOD's "1985," The Fall Off evolves into a full-circle moment from Cole's debut era. Executive produced by J. Cole, Ibrahim “IB” Hamad, T-Minus, and Dreamville, the album maintains minimal features for a self-driven feel, with standout contributions from Future on “Run a Train,” Tems and Erykah Badu on “Bunce Road Blues,” Burna Boy on “Only You,” Westside Gunn on “The Villest,” and others.The rollout emphasized intimacy and scarcity: announced in January 2026, preceded by the Birthday Blizzard '26 EP (four freestyles hosted by DJ Clue on Cole's 41st birthday), and distributed direct-to-consumer via his official website for stronger fan ownership and data control. Selective press included one major interview, while fan-led listening events in homes, record stores, bars, and spaces like Brooklyn Public Library's Bars & Books gathering amplified community engagement over traditional hype.Thematically, subtle nods to the 2024 lyrical tensions appear, notably in the alternate-history track “What If,” imagining reconciliation. Analytic Dreamz explores how this strategic, narrative-first approach reinforces J. Cole's authenticity, prioritizing depth, loyalty, and legacy over mass exposure in today's industry landscape.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy
Dry (1992) is PJ Harvey's fierce and arresting debut album—an explosive arrival that instantly set her apart from every other voice in early '90s alternative rock. Recorded with her original trio (Rob Ellis and Steve Vaughan), the album is raw, unvarnished, and emotionally unfiltered, driven by jagged guitars, stark arrangements, and Harvey's commanding, shape-shifting vocals.Thematically, Dry plunges into desire, bodily autonomy, vulnerability, and power, often flipping traditional gender roles on their head. Songs like “Dress” expose the expectations placed on women with biting wit, while “Sheela-Na-Gig” merges mythology and sexuality into something both confrontational and darkly humorous. Throughout the album, Harvey wields minimalism like a weapon—the production is rough, the edges deliberately frayed, making every lyric and every tremor in her voice hit with greater force.Despite (or because of) its grit, Dry sounds remarkably self-assured for a debut. It's visceral, urgent, and unafraid of messy emotions, introducing PJ Harvey as an artist who wouldn't just push boundaries—she would explode them. Over time, the album has come to be seen as one of the defining statements of ‘90s indie rock and a blueprint for countless artists who followed.Website Support the show Contact
While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine. This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender. MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries. KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency. Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular.
Daniel Dornel, Head of ETF Research, explains to Chief Market Strategist Daniel Morris why the third quarter was remarkable for inflows into exchange-traded funds. Thematically, defence has remained in the lead, closely followed by artificial intelligence.For more insights, visit Viewpoint: https://viewpoint.bnpparibas-am.com/Download the Viewpoint app: https://onelink.to/tpxq34Follow us on LinkedIn: https://bnpp.lk/amHosted by Ausha. See ausha.co/privacy-policy for more information.
Today was a lot of fun. Great friend of the show Gary joins us again while Shana is out on her (maybe?) crime spree. We play Mister Lister's something or other and it was a rootin' tootin' good time! Thematically awesome with some fun questions. We hope you enjoy! Please subscribe and review today!
fWotD Episode 3058: Alicia (album) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Thursday, 18 September 2025, is Alicia (album).Alicia is the seventh studio album by American singer-songwriter and pianist Alicia Keys. It was primarily recorded at Oven Studios and Jungle City Studios, both in New York, after her 2016 album Here and her judgeship on the singing competition series The Voice, before being released by RCA Records on September 18, 2020. Written and produced largely by Keys, the album also features songwriting and production contributions from Swizz Beatz, Ryan Tedder, Johnny McDaid, Ed Sheeran, and The-Dream, among others. Keys collaborated with more artists on the recording than in her previous albums, enlisting vocalists such as Sampha, Tierra Whack, Diamond Platnumz, Snoh Aalegra, and Jill Scott for certain tracks.Alicia's mostly low-tempo and melodically subtle music reconciles the experimental direction of Here with her earlier work's bass drum-driven R&B and piano-based balladry. Throughout, individual songs incorporate sounds from a wide range of other genres, including orchestral pop, progressive soul, funk, ambient, country, and Caribbean music. Thematically, they explore identity as a multifaceted concept, sociopolitical concerns, and forms of love within the framework of impressionistic lyrics, personal narratives, and self-knowledge. Keys has described the album as therapeutic and reflective of greater introspection in herself, expressing ideas and feelings of hope, frustration, despair, ambivalence, and equanimity shared in her memoir More Myself (2020), which was written during Alicia's recording.The album was originally scheduled to be released on March 20, 2020, then May 15, before being delayed indefinitely in response to the COVID-19 pandemic. It was marketed with an extended traditional rollout campaign that featured various media appearances by Keys and the release of seven singles, including the Miguel duet "Show Me Love", "Time Machine", "Underdog", and "So Done" (with Khalid). After a surprise announcement of its impending release in September, Alicia debuted at number four on the Billboard 200 in its first week and became Keys' eighth top-10 record in the US, while charting in the top 10 in several other countries. However, it fell off the US chart a few weeks later.A critical success, Alicia received praise for Keys' nuanced vocal performances and the music's broad appeal, while her thematic messages were considered balanced, healing, and timely against the backdrop of unfolding world events. The singles "Good Job" and "Perfect Way to Die" resonated especially with the importance of essential workers during the pandemic and with the 2020–2021 racial unrest over police brutality in the US, respectively. The album also won the Grammy Award for Best Immersive Audio Album at the 2022 Grammy Awards. In further support of the album, Keys performed in concert from June to November 2022 and in May 2023 on the Alicia + Keys World Tour, which had been postponed from 2020 and 2021 due to the pandemic.This recording reflects the Wikipedia text as of 00:52 UTC on Thursday, 18 September 2025.For the full current version of the article, see Alicia (album) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Kendra.
Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Associate Editor at Roger Ebert Robert Daniels joins to discuss the latest Spike Lee joint Highest 2 Lowest, a loose reimagining of Akira Kurosawa's 1963 procedural masterpiece High & Low that marks the fifth collaborationg between Lee and the inimitable Denzel Washington. Thematically rich, unabashedly confrontational and occasionally baffling, Highest 2 Lowest is everything you would hope for from a late period Spike Lee picture, as Lee grapples with personal concerns about masculinity, the contradictions of Black capitalism, and the generational divide around the nature of authenticity in art when success has finally come your way.We begin with a discussion of the bold formal choices of Highest 2 Lowest, including the stylistic gambit of dividing the film firmly into two aesthetic halves; the first half marked by an austere, antiseptic, and artificial atmosphere that finally gives way to a more daring, brash and musical rhythm when the film descends on the streets of Spike's native New York, escaping the Dumbo high rise apartment of the film's early chapters. Then, we explore the film as autocritique, with Lee and Washington examining their positions as elder statesmen of Black artistry, and the push-pull of working within systems of capital built upon racialized heirarchies. Finally, we tackle the film's thorny political propositions, its conservative tendencies, and the thrill of trying to parse where exactly an artist like Spike Lee stands on the issues and questions he presents within the text.Read Robert Daniels on Highest 2 Lowest at Roger EbertRead Alphonse Pierre on Highest 2 Lowest at PitchforkFollow Robert Daniels on Twitter.....Our theme song is "Mirror" by Chris Fish
By Selva Ozelli Esq, CPA, Author of Sustainably Investing in Digital Assets Globally. In this interview she talks with Digital Artist Des Lucrece Des Lucrece, Digital Artist interviewed by Selva Ozelli Tell us about your journey to becoming a digital artist and why you prefer the digital art medium over others? My journey into digital art started out of necessity. I didn't have access to traditional materials or studio space growing up, but I did have a tablet, a bootleg copy of Photoshop, and time. Drawing digitally gave me the flexibility to work from anywhere, to experiment without fear of wasting materials, and to iterate endlessly in a way that left no physical traces. Over time, those tools became more than a means to an end - they became an extension of how I think. After earning my BFA with a focus in design, I worked in the branding world, but I never felt creatively fulfilled. On a whim, I applied for an artist residency in Tokyo. I didn't think I was qualified, but I got in - and it changed everything. I lived with five artists from different backgrounds who were years ahead of me in their practices. Their advice was simple but transformative: Make what's true to you and show it to everyone who'll look. That's where the seeds for Des Lucréce were planted. I created the alias as both a shield and a reflection of my identity - a nod to my Vietnamese roots, my love of French philosophy, and the long history of artists adopting personas to carve out their own space. I started posting the work I'd hidden for years, and it found an audience. Going digital wasn't just a practical choice - it was philosophical. The internet, like my identity, is fragmented, contradictory, and constantly under revision. Digital art gave me a space where those contradictions weren't weaknesses - they were the language. Digitized Decentralized Identification seems to be the way of the future https://crypto.news/decentralized-identifier-systems-are-key-to-the-future/. Tell us about your latest series "The Erosion of Time and Neo-Techne: Art in the Age of the Machine" on exhibit at the Art Light Museum which invites audiences to explore themes of identity, displacement, and innovation in the digital age. The Erosion of Time is my most ambitious exhibition to date - a fully immersive, 3,500-square-foot installation that blends animation, light, sound, and architectural scale to explore memory, cultural fragmentation, and the impermanence of digital identity. Exhibited at the Museum of Art + Light, the show is paired with Neo-Techne, a group exhibition that situates my work in dialogue with questions about technology, automation, and what it means to make art in a machine-mediated era. Thematically, the exhibition builds on the idea that our identities - particularly as second-generation immigrants or culturally displaced people - are constantly eroding and being rewritten. We leave traces everywhere, yet feel rooted nowhere. The show uses a combination of celestial imagery, shifting landscapes, and meditative pacing to give form to this emotional terrain. There's also a literal decay built into the projections - subtle loops where forms fall apart and reform, referencing both the fragility of memory and the persistence of digital traces. There's also a physical component to the show. I've created exclusive merchandise - plush figures and wearables - that extend the work beyond the screen. For me, this is about expanding Des Monsters into the everyday: they're not just artworks, they're avatars, totems, and mirrors of the self. It's a way to let the work travel with people, and blur the line between art, identity, and utility. What are your thoughts about the US Government's latest focus on digital assets ? Will this help institutional investment in NFTs in your opinion? It's a double-edged sword. On one hand, regulatory clarity could unlock more institutional investment, which would legitimize NFTs in spaces still resistant to them. It might m...
Resident Evil changed everything. When originally released in 1996, what was once a niche genre for enthusiasts was now a blockbuster staple in every second home. All of a sudden people were craving zombies, horrifying monsters and disturbing themes. It was so popular that Square, far more known for its more traditional JRPGs, decided to throw its hat in the ring and make Parasite Eve.On the surface, the game appeared to be textbook survival horror. But dig a little deeper and you could see that Square was unable to escape its roots. Turn based mode happened in a sphere similar to Vagrant Story, upgrades were plentiful and incremental, and the storytelling had more cutscenes than gameplay at least in the early stages. Thematically this was still horrifying…but under the hood was a different story.Was this blend of genres ultimately successful, giving survival horror a fresh new perspective? Or is it impossible to reconcile grim resources management with the power fantasy that RPGS almost always offer?On this episode, we discuss:StoryHow does Parasite Eve use real world science to lend an air of credibility to the horrific changes that are happening all over Manhattan? Does it execute the smaller details well even if the larger picture is a bit silly at times?CombatHow enjoyable is the moment to moment real time combat of Parasite Eve? The game requires you to dodge attacks, and pick the best moment to strike. Is this too simplistic or does it work well?ProgressionHow do the weapon and armour upgrades work in Parasite Eve? Does it provide the player with a satisfying sense of progression, or is it all just a confusing mess?We answer these questions and many more on the 132nd episode of the Retro Spectives Podcast!—Intro Music: KieLoBot - Tanzen KOutro Music: Rockit Maxx - One point to anotherParasite Eve OST: Yoko Shinomura—What crazy weapon upgrade paths do you like to use? Is the NG+ mode worth playing? How is Parasite Eve 2 different from the original? Come let us know what you think on our discord server!Come let us know what you think or recommend us a new game on our community discord server!If you would like to support the show monetarily, you can buy us a coffee here!
'Tis but a scratch! This week on Cocktails & Classics, we embark on a ridiculous quest with the legendary 1975 comedy, "Monty Python and the Holy Grail." Join us as we laugh our way through King Arthur's absurd journey, killer bunnies, and insulting Frenchmen. We'll dissect the film's unique comedic style, its quotable lines, and its enduring influence on pop culture. Feeling silly? Craft a classic cocktail while you listen! Don't miss this episode for a hilarious deep dive into a timeless comedic masterpiece, fueled by classic cocktails and gloriously silly discussions.Monty Python's Unique Humor: Analyze the distinct comedic style of the Monty Python troupe, including surrealism, silliness, satire, and breaking the fourth wall.Pop Culture Impact: From memorable characters and infinitely quotable lines, we take a look at how the film has permeated pop culture. Low-Budget Brilliance: We discuss how the film's constrained budget led to creative and iconic comedic choices (e.g., coconuts for horses & multiple roles for actors).Thematically, What is it About? Beyond the laughs, is there any underlying commentary or message? (e.g., quest for meaning, absurdity of life, class critique).What's your favorite "Monty Python and the Holy Grail" quote or absurdist moment? Share your thoughts and funniest film experiences on Instagram! #CocktailsAndClassics Don't forget to share this hilariously absurd episode with your friends and family! Subscribe and leave a rating wherever you listen.
At 82, Isabel Allende is one of the world's most beloved and best-selling Spanish-language authors. Her work has been translated into more than 40 languages, and 80 million copies of her books have been sold around the world. That's a lot of books.Allende's newest novel, “My Name Is Emilia del Valle” is about a dark period in Chilean history: the 1891 Chilean civil war. Like so much of Allende's work, it's a story about women in tough spots who figure out a way through. Thematically, it's not that far off from Allende's own story. She was raised in Chile, but in 1973, when she was 31, raising two small children and working as a journalist, her life was upended forever. That year a military coup pushed out the democratically elected president, Salvador Allende, who was her father's cousin. She fled to Venezuela, where she wrote “The House of the Spirits,” which evolved from a letter she had begun writing to her dying grandfather. That book became a runaway best seller and it remains one of her best-known.Allende and Book Review editor Gilbert Cruz spoke about her life and career. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Readers love knowing what to expect from a publisher. Having consistent theming in your titles can help with discovery, trust, and bringing readers back for more.But how do you find your theme? And what happens if you want to diverge from your theme? Jelani Memory of A Kids Co is back on the pod this week to talk about it!
Catch a Fire is the fifth studio album by Bob Marley and the Wailers, released on April 13, 1973. It is widely regarded as one of the greatest reggae albums of all time and a key record in bringing Jamaican music to an international audience.This album was the band's first release under Island Records, with producer Chris Blackwell polishing their raw, roots reggae sound to appeal to rock audiences. The result was a fusion of reggae with rock and soul influences, featuring electric guitar solos, keyboard overdubs, and a more polished production style.Thematically, Catch a Fire blends political consciousness, social struggle, and spirituality, with standout tracks like "Concrete Jungle," "Slave Driver," and "400 Years" addressing issues of oppression and resistance. The album also contains more personal and romantic songs such as "Stir It Up", which became one of Marley's signature hits.Though it wasn't an immediate commercial success, Catch a Fire has since become a landmark album, helping to launch Bob Marley into global superstardom and solidifying reggae's place on the world stage.Listen to the album on Apple MusicListen to the album on SpotifyWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press Discord ServerFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.
“More Deep Thoughts,” the eighth studio album by Chicago rapper Lil Durk, born Durk Derrick Banks, arrived on March 21, 2025, through Alamo Records and Only The Family (OTF), cementing his reign as a drill music titan. Spanning 22 tracks and 63 minutes, this follow-up to 2022's “7220” and its 2023 deluxe, “Almost Healed,” dives deeper into Durk's duality—street-hardened grit meets vulnerable reflection—while showcasing his evolution as a melodic storyteller. Released amid a banner year for the 32-year-old, who saw his Smurkchella festival sell out Chicago's United Center in February 2025, the album reflects both personal triumph and lingering pain, underscored by his ongoing legal battles and the loss of peers like King Von.The album opens with “Turn Up a Notch,” a menacing banger produced by Brizzy on Da Beat and Noc, where Durk's Auto-Tuned flow snarls over eerie keys and thumping 808s, signaling his intent to dominate. Lead single “Monitoring Me,” dropped in October 2024, blends haunting piano with boasts of resilience, peaking at #12 on the Billboard Hot 100 and setting the tone for a project heavy on introspection. Collaborations shine bright: Drake trades verses on the syrupy “Discontinuing Wockhardt,” 21 Savage snarls through “Internet Trolls,” and Future's woozy croon elevates “Late Checkout.” Rising stars like GloRilla and Lil Baby add fire to “Oprah's Bank Account” and “Went Hollywood for a Year,” respectively, while a posthumous King Von feature on “Same Me” delivers a gut punch of nostalgia.Production, helmed by Durk's go-to crew—Touch of Trent, Chopsquad DJ, and Noc—leans into drill's signature sound but softens it with melodic flourishes, a nod to his crossover appeal. Tracks like “Newsroom” and “Stomach Growling” tackle betrayal and hunger, both literal and figurative, with Durk lamenting lost friends and fake love. X posts from @LilDurkDaily praised its emotional heft, with one fan noting, “Durk really poured his soul into this, you can hear the growth.” The album's centerpiece, “Old Days,” a February 2025 loosie turned fan favorite, mourns his pre-fame simplicity over a soulful sample, earning comparisons to “What Happened to Virgil” for its raw honesty.“More Deep Thoughts” isn't without flaws—its 22-track length drags at times, and some cuts like “Bad Guy” feel formulaic. Yet, its highs are undeniable. Thematically, it wrestles with Durk's O Block roots, his role as a father of seven, and the weight of surviving a war-torn scene, all while dodging a 2024 murder-for-hire charge tied to a 2022 L.A. shooting. Rolling Stone gave it 4 stars, calling it “a victory lap with scars,” while Pitchfork lauded its “cinematic scope.” Debuting at #1 on the Billboard 200 with 185,000 units, it's his third chart-topper, proving his commercial clout.As of March 27, 2025, with Durk free on bond and teasing a deluxe via X, “More Deep Thoughts” stands as a testament to his staying power—a bruised, defiant diary of a drill king still fighting to heal.
“More Deep Thoughts,” the eighth studio album by Chicago rapper Lil Durk, born Durk Derrick Banks, arrived on March 21, 2025, through Alamo Records and Only The Family (OTF), cementing his reign as a drill music titan. Spanning 22 tracks and 63 minutes, this follow-up to 2022's “7220” and its 2023 deluxe, “Almost Healed,” dives deeper into Durk's duality—street-hardened grit meets vulnerable reflection—while showcasing his evolution as a melodic storyteller. Released amid a banner year for the 32-year-old, who saw his Smurkchella festival sell out Chicago's United Center in February 2025, the album reflects both personal triumph and lingering pain, underscored by his ongoing legal battles and the loss of peers like King Von.The album opens with “Turn Up a Notch,” a menacing banger produced by Brizzy on Da Beat and Noc, where Durk's Auto-Tuned flow snarls over eerie keys and thumping 808s, signaling his intent to dominate. Lead single “Monitoring Me,” dropped in October 2024, blends haunting piano with boasts of resilience, peaking at #12 on the Billboard Hot 100 and setting the tone for a project heavy on introspection. Collaborations shine bright: Drake trades verses on the syrupy “Discontinuing Wockhardt,” 21 Savage snarls through “Internet Trolls,” and Future's woozy croon elevates “Late Checkout.” Rising stars like GloRilla and Lil Baby add fire to “Oprah's Bank Account” and “Went Hollywood for a Year,” respectively, while a posthumous King Von feature on “Same Me” delivers a gut punch of nostalgia.Production, helmed by Durk's go-to crew—Touch of Trent, Chopsquad DJ, and Noc—leans into drill's signature sound but softens it with melodic flourishes, a nod to his crossover appeal. Tracks like “Newsroom” and “Stomach Growling” tackle betrayal and hunger, both literal and figurative, with Durk lamenting lost friends and fake love. X posts from @LilDurkDaily praised its emotional heft, with one fan noting, “Durk really poured his soul into this, you can hear the growth.” The album's centerpiece, “Old Days,” a February 2025 loosie turned fan favorite, mourns his pre-fame simplicity over a soulful sample, earning comparisons to “What Happened to Virgil” for its raw honesty.“More Deep Thoughts” isn't without flaws—its 22-track length drags at times, and some cuts like “Bad Guy” feel formulaic. Yet, its highs are undeniable. Thematically, it wrestles with Durk's O Block roots, his role as a father of seven, and the weight of surviving a war-torn scene, all while dodging a 2024 murder-for-hire charge tied to a 2022 L.A. shooting. Rolling Stone gave it 4 stars, calling it “a victory lap with scars,” while Pitchfork lauded its “cinematic scope.” Debuting at #1 on the Billboard 200 with 185,000 units, it's his third chart-topper, proving his commercial clout.As of March 27, 2025, with Durk free on bond and teasing a deluxe via X, “More Deep Thoughts” stands as a testament to his staying power—a bruised, defiant diary of a drill king still fighting to heal.
“More Leaks,” the fourth compilation album by Baton Rouge rapper YoungBoy Never Broke Again (Kentrell Gaulden), dropped on March 7, 2025, via Never Broke Again and Motown Records, serving as a gritty send-off before his anticipated prison release later that summer. Clocking in at 48 minutes across 16 tracks, this project arrived while YoungBoy was still incarcerated, serving a 23-month sentence for federal gun charges stemming from a 2020 arrest in Louisiana, with additional legal woes tied to prescription drug fraud in Utah. Billed by his team as his “last project” before freedom, “More Leaks” compiles previously teased snippets and unreleased cuts, offering fans a raw, unfiltered glimpse into his relentless creative output despite confinement.The album kicks off with “Trapped Out,” a menacing opener that sets the tone with booming 808s and YoungBoy's signature raspy aggression, reflecting the claustrophobia of his legal battles. Tracks like “Rich Junkie” and “Cut Throat” maintain this high-octane energy, driven by producers like D-Roc and Jason “Cheese” Goldberg, who amplify the trap-heavy sound YoungBoy's built his empire on. The lead single, “5 Night,” released February 28, 2025, pairs a hypnotic beat with visuals of YoungBoy dancing beside a G-Wagon, a stark contrast to his prison reality. Posts on X from fans like @YoungboySnippet highlight the vault's depth, with one noting, “Shows how crazy his vault is man, stuff [has] been getting leaked for months and still has songs which are very good.” Indeed, the title “More Leaks” nods to this chaotic rollout, embracing the flood of unofficial releases that have kept his name buzzing.While “More Leaks” lacks the polish of albums like “Sincerely, Kentrell” (2021), it compensates with raw intensity. Tracks like “Never Stopping” and “Meet the Reaper,” briefly available before being yanked from Spotify post-leak, resurface here, satisfying diehards who've tracked his every move. The production leans minimalist—think distorted bass and eerie synths—mirroring his isolated mindset, though some criticize its lack of variety. HotNewHipHop called it a “love-it-or-hate-it album,” noting its appeal to fans craving aggression over evolution. Features are sparse, with only a rumored Lil Baby verse on “Lost Soul” making the cut, keeping the focus squarely on YoungBoy's unapologetic delivery.Thematically, “More Leaks” wrestles with fame's weight and street loyalty, though introspection takes a backseat to bravado. Lines like “I'm still thuggin' ‘til I'm gone” from “Cut Throat” underscore his defiance, a sentiment echoed in his legal saga—pleading guilty yet dodging harsher penalties via a global settlement. Billboard reported its debut at #3 on the Top Rap Albums chart, a testament to his loyal fanbase, even as critics argue it's more a stopgap than a statement. Recorded partly before his December 2024 sentencing, the album's sound quality impressed peers like engineer Jason Goldberg, who lauded similar prison-recorded efforts on the “Ray Daniels Presents” show.As of March 27, 2025, with YoungBoy reportedly released early on March 24 from Talladega, Alabama, per HipHopDX, “More Leaks” bridges his incarceration and freedom. It's not his strongest work—lacking the cohesion of “Top” (2020)—but its chaotic energy mirrors his life, making it a fitting cap to a turbulent chapter.
https://music.amazon.com/artists/B0B2L4VCYM/justhutchSpotifyYoutube InstagramDrummer and songwriter JustHutch never set out to launch a career as a recording artist—it simply happened. Her debut album, Maze, features nine tracks that span hip-hop, rap, and various other genres. With a conversational and melodic rap style, she also incorporates her vocal talents, blending rap with singing. Some tracks even include actual conversations, further adding to the album's unique charm.The album's melodies are diverse, ranging from blues and hip-hop to orchestral and funk influences. As a drummer, Hutch brings a distinctive flavor to the beats, which she creates herself as part of her wider musical portfolio. “It's kind of all over,” she explains, reflecting on her genre-bending approach. “But that's just the thing. It's cool to play in different genres and showcase different things.”Thematically, Maze delves into Hutch's personal experiences, particularly her toxic relationships. "A lot of those songs were in the vault, and I just wanted to push them out," she reveals. "I wasn't going to do anything with those songs, but then I thought, I might as well put them out and see where it goes.”The album opens with "Drums Intro," which holds special significance for Hutch, as it marks the moment her musical journey as an artist began. The track was created spontaneously in a friend's studio. "We were just jamming," she recalls, "I didn't even know it was being recorded. I was just having fun with it." After the session, her friend encouraged her to pursue music, and Hutch realized she had something special.Although she's primarily known for her drumming, Hutch has performed with bands, including at LA's Peppermint Club, a venue where Justin Bieber has performed. She also runs Icebox Studios LLC, where she produces and creates her own beats. Despite her extensive background in music, venturing into artist work and songwriting is a new endeavor for her. “This is new to me,” she admits. “I didn't even know I had the potential."Maze is a reflection of her exploration into new artistic territory. The album's varied sounds, unexpected transitions, and eclectic use of instruments, such as the haunting flute in “Drill,” make it a dynamic listening experience. Hutch is also working on other projects and hints that her next album will explore more R&B influences. "Sometimes it's rap, sometimes it's R&B, sometimes it's hip-hop," she shares. “Artistically, I can play guitar, I can play drums, I can produce anything that comes my way. I'm just going to keep doing this and see how much better I can get.”Maze marks the beginning of JustHutch's exciting journey as an artist, and she's eager to continue experimenting and perfecting her craft.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
Spanish Love Songs are one of those bands that define the "millennial struggle." Thematically, they write songs that every millennial can relate to, from job loss and financial struggles to self identity and death. They have quickly been become one of my favourite emo bands. In my chat with Dylan Slocum we discussed: -The nostalgia side of emo and why Dylan is over it -The ups and downs of touring -Being an "older" musician on the road with young bands -Possible new music? -Differences between their records -Why they don't play much from Schmaltz live Check out more from Spanish Love Songs: Spotify: https://open.spotify.com/artist/5DaZV3qmFT3aS57df8KPkV Apple Music: https://music.apple.com/us/artist/spanish-love-songs/982837028 www.spanishlovesongs.com Instagram: https://www.instagram.com/spanishlovesongs/?hl=en Facebook: https://www.facebook.com/SpanishLoveSongs/ Check out more from Matt Vettese: Instagram: www.instagram.com/mattvettese TikTok: www.tiktok.com/@mattvettese -- If you loved the show please remember to follow and leave 5 stars!
Visit our Patreon page to see the various tiers you sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel Comics Solicitations for March 2025!X-ManHunt crossover kicks off in March 2025Marvel sheds light on 'Godzilla vs. Fantastic Four' #1Marvel's next Disney mashup features Mickey & Friends as the AvengersMarvel Rivals Infinity Comic series launches this weekNew advance look at March 2025 Ultimate Universe titlesNew 'Web of...' series to setup SPIDER-VERSE vs. VENOMVERSE'Deadpool Kills the Marvel Universe One Last Time' #1 coming April 2025Marvel kicks off new era with 'Amazing Spider-Man' #1 April 9thMarvel sheds light on 'Predator vs. Spider-Man' #1Deniz Camp's 'Assorted Crisis Events' coming March 2025New four-issue series 'Arcana Royale' coming spring 2025'Monkey Meat: The Summer Batch' coming March 2025New Peter Pan series 'The Last Boy' coming to BOOM! StudiosSpace Ghost & Jonny Quest team up for ‘Space Quest' in March 2025‘Star Wars: Hyperspace Stories—Codebreaker' coming April 2025New horror series 'You'll Do Bad Things' coming March 2025BOOM! sets March 2025 for 'Mouse Guard: Dawn of the Black Axe'DC Comics solicitations for March 2025DC unleashes 'Batman' #158 'Batman: H2SH' preview and coversOur Top Books of the WeekDave:The New Gods #1 (Ram V, Evan Cagle)Absolute Batman #3 (Scott Snyder, Nick Dragotta)Nathan:The New Gods #1 (Ram V, Evan Cagle)Ultimate Spider-Man #12 (Jonathan Hickman, Marco Checchetto)Standout KAPOW moment of the week:Nathan - Absolute Batman #3 (Scott Snyder, Nick Dragotta)Dave - Psylocke #2 (Alyssa Wong, Vincenzo Carratu)TOP BOOKS FOR NEXT WEEKDave: Timeslide #1 (Steve Foxe, Ivan Fiorelli)Nathan: Sabretooth: The Dead Don't Talk #1 (Frank Tieri, Michael Sta. Maria)JUDGING BY THE COVER JR.Dave: The Flash #16 (Mike Del Mundo Cover)Nathan: Timeslide #1 (Mike Del Mundo variant)Interview: J. Holtham teams with Michael Lee Harris talk Motherfu*kin Monsters One-Shot (The Horizon Experiment) - Out December 18, 2024!J, Michael, thanks for joining us on the AIPT comics podcast! Thematically, what inspired the blend of comedic and horror elements in this story, and how do these genres enhance the narrative?We've had Pornsak on, Michael Walsh, and each time I'm curious, how did you guys get in on this exciting project of one-shots?How was your collaboration with Pornsak?The Horizon Experiment introduces complex characters dealing with extraordinary circumstances—how did you approach balancing humanity with the monstrous elements of the plot?Can you share your creative process for developing the visual tone of the comic, and how the artwork complements the story's darker, chaotic themes?The concept of 'monsters' often carries deeper metaphorical weight—what underlying social or personal themes did you aim to explore through this one-shot?Take us through your collaborative process? For instance, what do the action beats look like in a script vs the page?Michael, a lot of the art has an almost fish-eye lens, what was your goal in that approach?Were there any monsters or villains you didn't get to put in here that you've got sketched out?J, you probably get this all the time, but with a few comics series now under your belt, do you approach writing comics differently than with TV?How far out have you planned future chapters?What comics are you currently reading?
"Structurally, I transferred the crow of the cockerels into midi notes and used these for the overall cadence and tonality of the arrangement. This was then transmitted to outboard synthesizers and effects and recorded. A cockerel crow from the original recording was then pitch shifted, stretched and layered texturally into the recorded arrangement. "Thematically, the audio piece made me think a morning brimming with light and suddenly becoming flooded with the warmth and radiance of the sun; a satiating feeling that makes the day feel like a chance to greet life anew." Dusk in Valldemossa reimagined by Twilight Sleep.
March 1984. Prince, Kenny Loggins, and Bruce Springsteen dominated the pop charts, but something heavier was brewing. Hard rock and metal were clawing their way into the spotlight, and MTV was playing a pivotal role in this revolution. Enter Ratt, with their major-label debut, Out of the Cellar. In a year defined by arena-ready riffs and eye-catching videos, Ratt burst onto the scene with an album that captured the spirit of the times and proved that metal could be more than just a passing trend.Ratt's Out of the Cellar is a quintessential snapshot of a band balancing grit and glam at the height of their powers. Released in March 1984, the album combines raw energy with slick production, delivering a sound that's equal parts rebellious and radio-ready. With tracks like “Round and Round” and “Wanted Man,” Ratt crafted an album that helped define the MTV era of glam metal while staying grounded in the Sunset Strip's hard rock roots.A Band Ready for the Big StageBy the time Out of the Cellar dropped, Ratt was no overnight success. Years of grinding it out in the Los Angeles club scene had sharpened their skills, and their 1983 self-titled EP had already sold an impressive 100,000 copies independently—a testament to their undeniable appeal. The band's lineup had solidified around frontman Stephen Pearcy, guitarists Warren DeMartini and Robin Crosby, bassist Juan Croucier, and drummer Bobby Blotzer, creating a dynamic chemistry that carried them to the top of the hard rock heap.Ratt's dual-guitar approach set them apart, with DeMartini's sharp, groove-heavy riffs balancing Crosby's bold, melodic solos. Pearcy's distinctive snarl gave the band a rougher edge compared to many of their contemporaries, adding a layer of grit to their glam. Their sound wasn't just catchy—it had character.The Tracks That Made Out of the Cellar Legendary“Round and Round” remains the standout hit, with its infectious hooks and soaring dual-guitar solo. The track epitomizes Ratt's ability to create music that's equal parts heavy and accessible. Then there's “Wanted Man,” a cinematic opener that channels old-school Western vibes, and “Back for More,” a slow-burning anthem that builds from acoustic introspection to full-on rock power.Ratt's rhythm section deserves its own spotlight. Blotzer's drumming, especially on tracks like “Lack of Communication,” is far more dynamic than your average 80s metal backbeat. His clever use of cymbal accents and syncopated rhythms brings depth to the album, making it as danceable as it is headbang-worthy.A Sound That Defined Its EraRatt hit their stride at the perfect moment, just as glam metal was breaking into the mainstream. Out of the Cellar is a product of its time, but its rawness and unique qualities keep it relevant. While the production leans a little thin by modern standards, it complements the band's high-energy style, letting their dual guitars and blistering solos shine.Thematically, the album balances tales of outlaws (“Wanted Man”) with relationship struggles and party anthems. It's a snapshot of a time when rock bands weren't afraid to have fun, but Ratt did it with a touch more grit and attitude than their more polished peers.The Legacy of Out of the CellarRatt wasn't just another glam band—they were trailblazers for the MTV generation of hard rock. Out of the Cellar went on to sell over 3 million copies in the U.S., cementing the band's place in 80s rock history. Its success wasn't just about “Round and Round” dominating MTV; it was about Ratt's ability to craft songs that could move between stadiums and smoky clubs with equal swagger.This album helped set the stage for the glam metal explosion that defined the mid-to-late 1980s. Its raw edges, blazing guitars, and distinct personality made it stand out in a crowded field, giving Ratt a voice that's still celebrated today.Why Out of the Cellar Still RocksListening to Out of the Cellar today, it's clear why this album endures. Its energy, musicianship, and unapologetic attitude make it more than a nostalgia trip. It's a cornerstone of 80s rock that still feels fresh and fun, especially when tracks like “Back for More” or “Lack of Communication” hit your speakers.Ratt didn't just release an album—they created a moment in time. Out of the Cellar captures the raw ambition of a band poised to take over the world, and for a while, they did.Songs in this EpisodeIntro - Round and Round 30:16 - In Your Direction 35:17 - Lack of Communication 36:08 - Back for More 39:06 - Lack of Communication 44:10 - Wanted Man 1:09:09 - One Like a Son (Vertex) Outro - Round and RoundMake Your Metal Voice Heard!We're on a mission to dig deep into the heart of 80s metal, and we can't do it without you. Your album suggestions fuel the show—whether it's an overlooked classic or a hidden gem that deserves the spotlight. When you join the DMO Union on Patreon, you're not just helping us stay independent and ad-free; you're getting a say in the albums we explore. Together, we'll uncover the anthems, riffs, and stories that shaped a decade. Let's rediscover 80s metal, one listener-driven episode at a time.Thanks for reading Dig Me Out! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit digmeout.substack.com/subscribe
"Whatever happened, you're still part of the team! You're still one of the X-Men!" Much like the comics from which X-Men: The Animated Series drew so much of its inspiration, season 2 would immediately see the show begin to double down on its history and build out an ever-expanding mythology. No longer obligated to present stories at an entry level, the show took full advantage of its serialized format to springboard plots off the backs of its own previous plots. To that end, season 2 opens with a bombshell: the return of Morph, long thought dead since the events of the series' opening two-parter. This came as a shocking and satisfying twist, rewarding loyal viewers for their continued interest. And if it came at the cost of invalidating the show's edgiest, most ground-breaking moment? So what! This was comics, after all, or at least comics-on-Saturday-morning. Further to that, Morph had proven to be an unexpected fan favorite based on initial impressions, so a reversal of fortune was arguably worth it not merely for a big reveal, but to offer a path back to semi-regular appearances for the character. The revolving door of death would be one of the many ways the show was brought more into alignment with the tropes of the comics. More direct echoes could be traced in the form of Scott and Jean's wedding, which would occur in the comics a mere four months later. Likewise, new anti-mutant antagonist Graydon Creed and his homegrown militia, the Friends of Humanity, had made their print debuts a little over six months prior to the airing of "Till Death," part 1. Henchmen the Nasty Boys are utilized prominently beginning in part 2 and throughout the season, despite having appeared in exactly one comics storyline from 1992 (and in lieu of an older and more infamous group that preceded them in the Marauders). All this, with little in the way of reintroductions to our principal cast. From a critical standpoint, this approach for a season premiere might politely be described as "inaccessible" to say the least. Owing to many of these changes was no doubt the arrival of X-Men line editor Bob Harras in an official capacity as Story Consultant. To Harras, inaccessibility was a feature far more than a bug. During his tenure overseeing the X-office at the height of the speculator era, the more tangled, sprawling, and convoluted the storytelling, the better. For the industry's many eager young collectors, the complex nature of the X-Men's history, combined with the present-day storylines whose conclusions typically offered more questions than answers, there was a desperate need to Make It All Make Sense. Helping Jenny and Tim to Make It All Make Sense on this installment of X-Position is Keithie, not unlike Beast, joining the episode in progress. All told, this two-parter delivers a satisfying, intricately-plotted opening salvo that will be representative of the season as a whole. Thematically, the story makes excellent use of deception as a recurring motif. From Wolverine's brawl with a robotic duplicate of Cyclops, to the mutant-impersonating crisis actor disrupting President Kelly's inauguration, Graydon Creed's subsequent manipulation of the media, and right down to Morph's duplicitous divide-and-conquer scheme to use the X-Men to undo the X-Men, truly nothing is as it seems. And that's to say nothing of Morph's return from a seemingly certain death. It's fitting, then, that standing atop all of this subterfuge is the riddle wrapped in a mystery inside an enigma known as Mr. Sinister. His presence will loom large throughout the series following this maleficent animated debut. To its credit, the script makes effective and logical use of Sinister as Morph's corrupting benefactor, and even manages to flesh out his ultimate motives more decisively over the course of 22 minutes than 6-plus years worth of comics appearances had managed. Though taking its cues ever more from the comics, this stands as an example of the finite nature of the animated series imposing a storytelling discipline that occasionally outshined its source material.
Today we present the first episode of Jacob Smith's new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great standalone experience that we think Phantom Power listeners will delight in. It tells a truly unique cultural history of radio, describes important scientific discoveries about bird migration through interviews with key researchers, and continues exploring Smith's singular mode of ecocriticism, combining text-based scholarship with sound art, music, and audio storytelling. Professor Jacob Smith is Director of the Masters in Sound Arts and Industries Program at Northwestern University and author of numerous books. He is a cultural historian focused on media and sound who never fails to come at his subject matter from an oblique and completely original angle. His first three books focused on the relationship between the media technologies that developed over the course of the twentieth century—the phonograph, radio, film, and TV—and the kinds of performance styles we have come to expect from performers. For example, his 2008 book Vocal Tracks tackles questions such as how radio changed acting and why fake laugh tracks developed on television—and why we feel so weird about canned laughter. In recent years, Jacob Smith's work has changed in a couple of ways. Thematically, he took a hard turn towards environmental criticism. His 2015 book Eco-Sonic Media lays out an agenda for studying the negative environmental effects of media culture while also telling a strange alternate history of “green” sound technologies: hand-cranked gramophones with eco-friendly shellac records and needles sourced from cacti instead of diamonds. His next book maintained this eco-critical perspective while revolutionizing the format of the scholarly book. 2019's ESC: Sonic Adventure in the Anthropocene was a 10-part audiobook that mined golden age radio shows and sound art to explore the dawn of the Anthropocene era, in which humans emerged as the primary force affecting earth systems. In episode 12 of this podcast, we played an excerpt of that book and interviewed Jake about the process of crafting a book-length scholarly argument in sound by sampling sounds from other eras. Lightning Birds continues this Smith's work in this innovative vein. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today we present the first episode of Jacob Smith's new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great standalone experience that we think Phantom Power listeners will delight in. It tells a truly unique cultural history of radio, describes important scientific discoveries about bird migration through interviews with key researchers, and continues exploring Smith's singular mode of ecocriticism, combining text-based scholarship with sound art, music, and audio storytelling. Professor Jacob Smith is Director of the Masters in Sound Arts and Industries Program at Northwestern University and author of numerous books. He is a cultural historian focused on media and sound who never fails to come at his subject matter from an oblique and completely original angle. His first three books focused on the relationship between the media technologies that developed over the course of the twentieth century—the phonograph, radio, film, and TV—and the kinds of performance styles we have come to expect from performers. For example, his 2008 book Vocal Tracks tackles questions such as how radio changed acting and why fake laugh tracks developed on television—and why we feel so weird about canned laughter. In recent years, Jacob Smith's work has changed in a couple of ways. Thematically, he took a hard turn towards environmental criticism. His 2015 book Eco-Sonic Media lays out an agenda for studying the negative environmental effects of media culture while also telling a strange alternate history of “green” sound technologies: hand-cranked gramophones with eco-friendly shellac records and needles sourced from cacti instead of diamonds. His next book maintained this eco-critical perspective while revolutionizing the format of the scholarly book. 2019's ESC: Sonic Adventure in the Anthropocene was a 10-part audiobook that mined golden age radio shows and sound art to explore the dawn of the Anthropocene era, in which humans emerged as the primary force affecting earth systems. In episode 12 of this podcast, we played an excerpt of that book and interviewed Jake about the process of crafting a book-length scholarly argument in sound by sampling sounds from other eras. Lightning Birds continues this Smith's work in this innovative vein. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
Today we present the first episode of Jacob Smith's new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only book, Smith uses expert production to craft a wildly original argument about the relations between radio and bird migration. The rest of the book is available, free of charge, from The University of Michigan Press, but this introduction is a great standalone experience that we think Phantom Power listeners will delight in. It tells a truly unique cultural history of radio, describes important scientific discoveries about bird migration through interviews with key researchers, and continues exploring Smith's singular mode of ecocriticism, combining text-based scholarship with sound art, music, and audio storytelling. Professor Jacob Smith is Director of the Masters in Sound Arts and Industries Program at Northwestern University and author of numerous books. He is a cultural historian focused on media and sound who never fails to come at his subject matter from an oblique and completely original angle. His first three books focused on the relationship between the media technologies that developed over the course of the twentieth century—the phonograph, radio, film, and TV—and the kinds of performance styles we have come to expect from performers. For example, his 2008 book Vocal Tracks tackles questions such as how radio changed acting and why fake laugh tracks developed on television—and why we feel so weird about canned laughter. In recent years, Jacob Smith's work has changed in a couple of ways. Thematically, he took a hard turn towards environmental criticism. His 2015 book Eco-Sonic Media lays out an agenda for studying the negative environmental effects of media culture while also telling a strange alternate history of “green” sound technologies: hand-cranked gramophones with eco-friendly shellac records and needles sourced from cacti instead of diamonds. His next book maintained this eco-critical perspective while revolutionizing the format of the scholarly book. 2019's ESC: Sonic Adventure in the Anthropocene was a 10-part audiobook that mined golden age radio shows and sound art to explore the dawn of the Anthropocene era, in which humans emerged as the primary force affecting earth systems. In episode 12 of this podcast, we played an excerpt of that book and interviewed Jake about the process of crafting a book-length scholarly argument in sound by sampling sounds from other eras. Lightning Birds continues this Smith's work in this innovative vein. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture
What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? In Times Square Remade: The Dynamics of Urban Change (MIT Press, 2023), which comes twenty years after her widely acclaimed Times Square Roulette, Dr. Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City's Times Square. Drawing on the history, sociology, and political economy of the place, Times Square Remade examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighbourhoods, particularly Hell's Kitchen. Dr. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theatre building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyses the three main forces that have shaped and reshaped Times Square—theatre, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in colour, Times Square Remade is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
L.A. neo-psych group, Dream Phases, share their new LP Phantom Idol on this episode. On the album, Brandon Graham says, "Phantom Idol is our third full length album that was written and recorded between 2022-2023. It has by far the most collaborative writing of any of our albums so far, as Shane, Keveen and I co-wrote about half of the tracks on the album as opposed to writing the songs individually. We initially recorded demos for all of the songs, and some extra outtakes, and then we brought those to producers Matt Schuessler (Cat Power, Kurt Vile) and Rob Schnapf (Elliott Smith, Beck, Dr. Dog). With Matt and Rob we re-recorded everything, refining tempos and espeically the tones of the instruments. We also had the pleasure of having several guests perform on the album including Jeff Schroeder (ex-Smashing Pumpkins, Dan Gee, Marc Agostini, and Omar Medina as well as having our part time band mates Anthony Marks and Pablo Orue, who have recorded on many of our songs over the years. For the artwork we collaborated with Asuka Watanabe on the album cover and design and Scott Duffey (Toucan Tango) on all of the singles' art. The vinyl and digital release is coming out on Coconut Spaceship Records, while the tape will be released on Mutation Records. We are going to do an initial run of California and Nevada shows, with further dates later this year. Like our previous album, 'New Distractions', this new album was very much conceived as a complete album as opposed to singles compiled together. Thematically the album deals with a good amount of self discovery and self reflection as well as personal relationships. It also continues our influence of living in Los Angeles, and our love of California in general with a healthy dose of escapism mixed in there. 'Phantom Idol' comes the closest to what we initially envisioned both sonically and performance wise, and we can't wait to share the record."
“I came up doing improv where failure is the golden standard. And in improv, if you're not failing, you're doing something wrong. I feel really lucky that that was one of my bridges into entertainment and creativity, to have such a loving relationship with failure because, boy! As a writer, your days are filled with it and rejection and killing your darlings. I think comedy and improv have taught me how wonderful failure can be and how much we can get out of it for sure,” says Carrie Solomon, writer of the new Netflix romantic comedy, A Family Affair starring Nicole Kidman and Zac Ephron. In this episode, Carrie talks about working as an assistant when she first came to Hollywood, calling it a job that can be, “Thankless at times, certainly, but really rewarding in the amount of information that you can absorb.” She also talks about bringing her own life experience – like being an assistant – to her storytelling. “Thematically, I think a lot of lot of the arcs in this movie are certainly my own. It's my own therapy coming to the screen, going to the page. I should probably send my therapist a Netflix., QR code to go check out the movie,” Carrie says. Carrie also shares a lot of advice, including how to get your writing noticed. “For anyone who wants to make a splash or write something crazy or noticeable, write something that's crazy to you. Don't worry about what. If you yourself were entertained or wowed by an idea or you think, oh my god, that's absolutely like ass backwards crazy. Try it. I have a lot of friends that the minute they stop worrying about audiences or development execs or what people want to read, that's when they really found their voice and it clicked. I think being personal is one of the one of the quickest ways to find success.” To hear more about Carrie's writing journey, listen to the podcast.
"Oedipus Rex" (Ancient Greek: Οἰδίπους Τύραννος, Oidipous Tyrannos), also known as "Oedipus the King" or "Oedipus the Tyrant," is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as "Oedipus, King of Thebes"). It was the second in order of Sophocles's composition of his three plays dealing with Oedipus. Thematically, however, it was the first in the trilogy's historical chronology, followed by Oedipus at Colonus and then Antigone. "Oedipus the King" tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall (as opposed to making fate the sole cause). Over the centuries, "Oedipus Rex" has come to be regarded by many as the Greek tragedy par excellence. (Adapted from Wikipedia.)Translated by Gilbert Murray.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
"Oedipus Rex" (Ancient Greek: Οἰδίπους Τύραννος, Oidipous Tyrannos), also known as "Oedipus the King" or "Oedipus the Tyrant," is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as "Oedipus, King of Thebes"). It was the second in order of Sophocles's composition of his three plays dealing with Oedipus. Thematically, however, it was the first in the trilogy's historical chronology, followed by Oedipus at Colonus and then Antigone. "Oedipus the King" tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall (as opposed to making fate the sole cause). Over the centuries, "Oedipus Rex" has come to be regarded by many as the Greek tragedy par excellence. (Adapted from Wikipedia.)Translated by Gilbert Murray.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
For so long, history has been taught chronologically, but does it have to be and should it be? China Harvey and Lisa Herzig would argue that it does not and it should not.They are authors of the brand new book Teaching Beyond the Timeline: Engaging Students in Thematic History. And today we'll hear about their innovative approach to teaching history thematically. We'll explore the motivations behind this instructional shift, the challenges and triumphs they've encountered along the way, and the profound impact it has had on student engagement and understanding.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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In episode 201, Dan and Michael chat about the research project that focuses on thematically teaching public issues with Jeremiah Clabough, Caroline Sheffield, Timothy Litner, & Allie Whitford.
We had the pleasure of interviewing Locket over Zoom video!Canadian alt rock band Locket recently released their new album and second full-length Superluminal.The band's latest single from the album, this time in the form of the power pop anthem "Blame My Brain." It's got big hooks, bold harmonies, and it's brimming with melodies. It's incredibly catchy but also boasts hard-charging guitars to give it an extra edge."This song is about being so used to keeping thoughts to yourself, that by the time you're ready to open up or express yourself, the words escape you," says frontman Brad Garcia. "Almost like the introvert in me is keeping the extrovert at arm's length, but never closer. I'm envious of people I know who are able to express themselves so effortlessly. I'm sure people who grew up in similar households — sharing wasn't really a part of the routine — can relate. Lyrics aside, this song was a perfect exercise for honing in on who we are, or were, when we started writing the record back in 2021. It's familiar territory explored through whatever lens we had at the time. Power chords and vocoders? Sure, why not."Recording their second full-length, Garcia states, "When 'band world' got put on pause back in 2020, it almost felt like a sigh of relief. We found this sense of freedom in being able to just write music for no other reason than writing music. With real pressure we could just write riffs, not overthink anything. And I think because of that, sonically, the record feels so authentically us."He continues, "Thematically, I approached writing this record from this place of not knowing what's next (for the band or for ourselves as individuals). It ended up being this cathartic process of learning to deal with this central part of your life being forced across a tightrope, and ultimately learning to be alright if it slips and falls apart, because it might make way for a new chapter. We started writing this album as band guys in our twenties. By the time it comes out we'll be in our thirties, married, with a clearer understanding of who we are as people that have this insane privilege of making music together where people actually listen. We don't take that for granted. Also, we all think the album fuckin' rocks, so that's probably the most important thing."We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #Locket #Superluminal #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement
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