Podcast appearances and mentions of George I Gurdjieff

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welkom bij Stokstaartjes Live! In deel 2 van deze speciale bonusaflevering bij de serie over het oude Egypte zijn we live aanwezig in het Rijksmuseum van Oudheden in Leiden, ter ere van het Weekend van de Wetenschap! Midden in de museumzaal zijn we te gast bij Egyptoloog Petra Hogenboom samen met een heleboel nieuwsgierige kinderen die al hun Egyptevragen aan Petra mogen stellen. In deze bonusaflevering hoor je fragmenten uit het muziekstuk ‘Oriental Suite' van de componisten George I. Gurdjieff en Thomas de Hartmann. Word Vriend van de Show! Met jouw steun kunnen we weer nieuwe series maken: vriendvandeshow.nl/stokstaartjes

Welkom bij Stokstaartjes Live! In deze speciale bonusaflevering bij de serie over het oude Egypte zijn we live aanwezig in het Rijksmuseum van Oudheden in Leiden, ter ere van het Weekend van de Wetenschap! Midden in de museumzaal zijn we te gast bij Egyptoloog Petra Hogenboom samen met een heleboel nieuwsgierige kinderen die al hun Egyptevragen aan Petra mogen stellen. Dit is deel 1 van Stokstaartjes Live tijdens het Weekend van de Wetenschap. Deel 2 hoor je in de volgende aflevering! In deze bonusaflevering hoor je fragmenten uit het muziekstuk ‘Oriental Suite' van de componisten George I. Gurdjieff en Thomas de Hartmann. Word Vriend van de Show! Met jouw steun kunnen we weer nieuwe series maken: vriendvandeshow.nl/stokstaartjes

Welkom bij Stokstaartjes! Deze tweede serie gaat over het oude Egypte. Mia en Marin (10) zijn al sinds de kleuterklas beste vriendinnen. Hoe zou hun leven eruit hebben gezien als ze in het oude Egypte hadden geleefd? Zouden ze dan naar school zijn gegaan of moesten kinderen al werken? En wat zouden ze eten? Om daarachter te komen proberen we een echt oud Egyptisch recept na te maken. Ook willen Mia en Marin weten wat naar wat voor muziek de oude Egyptenaren luisteren? In het Rijksmuseum van Oudheden geeft Egyptoloog Petra Hogenboom antwoorden op al deze vragen en laat Noel Franken horen hoe oud Egyptische muziekinstrumenten klinken. In deze aflevering hoor je fragmenten uit het muziekstuk ‘Oriental Suite' van de componisten George I. Gurdjieff en Thomas de Hartmann. Word Vriend van de Show! Met jouw steun kunnen we nieuwe series maken: vriendvandeshow.nl/stokstaartjes

Dit is de eerste aflevering van serie 3 van Stokstaartjes! Leuk dat je er bent! Deze derde serie gaat over het oude Egypte. Saar (6) vraagt zich af waar piramides eigenlijk van zijn gemaakt. Zelf denkt ze van zandblokken. Egyptoloog Petra Hogenboom geeft antwoord. Saar wil ook weten hóé de piramides zijn gebouwd. We proberen er zelf achter te komen op een echt bouwterrein, maar dat blijkt nog niet zo gemakkelijk! In deze aflevering hoor je fragmenten uit het muziekstuk ‘Oriental Suite' van de componisten George I. Gurdjieff en Thomas de Hartmann. Word Vriend van de Show! Met jouw steun kunnen we nieuwe series maken: vriendvandeshow.nl/stokstaartjes

In this first installment of "Kevin on the Couch" our brilliant friend, Kevin Smith, gives a quick overview of the mysterious and somewhat controversial figure George I. Gurdjieff who played an integral part in the development of the Enneagram. Put on your thinking caps as we go to a deeper fathom than we've gone before. “Discovering our inner depths…one fathom at a time.” Links: Books:In Search of the MiraculousFourth WayPeople:Kevin Smith @dialecticspaceGeorge I. GurdjieffPeter D. OuspenskyJohn Godolphin BennettSubmit a question for our upcoming Q & A Episode! You can record your question on Speakpipe: www.speakpipe.com/fathomspodcast OR you can send us a DM on our Instagram account: @fathoms.enneagram  ---** Subscribe to this podcast to make sure you receive future episodes, and help us get the word out by sharing it with your friends.** Editing/Production: Seth Creekmore--Have a question? Drop us a line on Instagram: @fathoms.enneagram--Find us online:Abram--Insta: @integratedenneagramCreek—Web: www.creekmoremusic.com; Insta: @creekmoremusicDrew—Web: www.drewmoser.com; Insta: @enneagrammers; Twitter: @drewmoser [Truthwork Media Studios] - @truth.work.media

"Remember you come here having already understood the necessity of struggling with yourself — only with yourself. Therefore thank everyone who gives you the opportunity." - George I. Gurdjieff Gurdjieff and my interview partner David Korn are both seekers of truth. With his radical honesty David gives us back the question of an imaginary last year. In the face of collapsing biological systems on our earth, David shows himself with intelligent and deep thoughts and vulnerable sensitivity. Shownotes with further information: https://fasterthanexpected.one/fte37

Vancouver-based Canadian author, born and raised in Montreal, esotericist and transpersonal psychologist PT Mistlberger is Rudolf's guest on this new episode. Phil first introduces the listeners to his esoteric background, when as a young man he came across the teachings of Gurdijeff, Ouspensky and Osho. From there he developed a great interest in Eastern and Western teachings, which in the end brought him to his profession as a transpersonal psychologist. In this very deep and personal talk he tells us interesting points about the psychology of Alchemy and the Kabbalah, about the Left Hand Path, about the problem of disconnection between the Esoteric world and psychology, about the risk of ego-inflation and antinomination. Then he gives us an insight in his books, in the history and his personal work in men's groups, and he even tells us what the 4th and the 6th chakras have to do with the porn industry. A really captivating hour. Also check out his three websites (links below), which contain a treasure of information. Show Notes and Links Links and interesting info PT Mistlberger on the Web: Personal WebsiteThe Samurai Brotherhood Information on people mentioned in the interview (Wikipedia): George I. Gurdjieff P.D. Ouspensky  Osho (Rajneesh)     Music played Intro Music: Wendy Rule - from the CD "Deity": Think of the Day Corvus Corax - from the CD "Sverker": Lá í mBealtaine Corvus Corax - from the CD "Sverker": Sverker Corvus Corax - from the CD "Venus Vina Musica": Qui nous demaine Outro Music: Wendy Rule - from the CD "Deity": Night Sea Journey