Podcasts about mina loy

Send us a textThis week, we're pleased to likely introduce you to poet, writer, actress, lampshade maker, and general adventurer, Mina Loy! We'll traverse away across the world, learning about her unique legacy and the people she inspired along the way. Her work was celebrated, controversial, and compelling. Join us for a splendid time! JOIN US FOR OUR LIVE SHOW ON MARCH 28th at 7pm at the Bramble Arts Loft in Chicago!! Reserve your seat here! 

Founded in Chicago in 1914, the avant-garde journal the Little Review became a giant in the cause of modernism, publishing literature and art by luminaries such as T.S. Eliot, Djuna Barnes, William Butler Yeats, James Joyce, Ezra Pound, Pablo Picasso, Max Ernst, Gertrude Stein, Jean Toomer, William Carlos Williams, H.D., Amy Lowell, Marcel Duchamp, Joseph Stella, Hans Arp, Mina Loy, Emma Goldman, Wyndham Lewis, Hart Crane, Sherwood Anderson, and more. Perhaps most famously, the magazine published Joyce's Ulysses in serial form, causing a scandal and leading to a censorship trial that changed the course of literature. In this episode, Jacke talks to scholar Holly A. Baggett about her book Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review, which tells the story of the two Midwestern women behind the Little Review, who were themselves iconoclastic rebels, living openly as lesbians and advocating for causes like anarchy, feminism, free love, and of course, groundbreaking literature and art. PLUS Phil Jones (Reading Samuel Johnson: Reception and Representation, 1750-1970) stops by to discuss his choice for the last book he will ever read. Additional listening: 600 Doctor Johnson! (with Phil Jones) 564 H.D. (with Lara Vetter) 165 Ezra Pound The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

As a young woman, Mina Loy adventured through many avant-garde artistic scenes in early 20th century, and her series of poems of desire, its attractions and disaffections, "Songs to Joannes," still stands out for its exciting use of language. Here are two small excerpts from that series turned into a song. The Parlando Project has combined over 800 sets of works (mostly literary poetry not intended to be sung) with original music in differing styles. You can hear all of the released pieces and read short reports on our experiences with the word and the music we combine with them at our blog and archives located at frankhudson.org

Charlamos con la cantante Olatz Salvador sobre su nuevo disco, Zainak eman, y con Victoria Calandra sobre la exposición sobre migración que ha comisariado en el Museo del Traje, Huir con lo puesto. Además, el último Nocturama de Sevilla, con Pablo Danubio, el estreno de 'Todos pájaros' en Teatros del Canal y el ensayo de Use Lahoz: 'Cartas de amor a Mina Loy', de Arthur Cravan.Escuchar audio

Arrancamos la mañana -y la semana- con nuestro menú favorito servido por Cristina Moreno. En la Cultura Rápida de hoy hablamos con Isabel Ruiz Lara, que está en el Festival de San Sebastián. Seguimos con Manos Sucias porque hoy Nacho Álvaro visita una fábrica de neones. Continuamos con 'Pacto con el Diablo', un libro de Isadora Puiggené que trata sobre los hábitos saludables de Mick Jagger. Cerramos el programa con nuestra Barra Libre favorita. Aloma Rodríguez nos sirve 'Cartas de amor a Mina Loy' de Artur Cravan.Escuchar audio

Nada mejor que un cóctel de nuestra Barra Libre para cerrar el día de hoy. Aloma Rodríguez nos sirve un libro epistolar cargado de mucho amor. ‘Cartas de amor a Mina Loy’ de Arthur CravanEscuchar audio

All the televised sights from Paris lately put Alicia in a mood, so today she's got the incredible story of Natalie Clifford Barney, a leading light in the Parisian art world in the 19th century, and also a fearless out lesbian in a time when such a thing was inconceivable to most. American born, Natalie's story is fascinating on many levels, not least because of her constant intersections with and contributions to the makers of the culture in which we live - artists and writers like Collette, Romaine Brooks, Renee Vivien, Djuana Barnes, Radclyffe Hall, Janet Flanner, Solita Solano, Mina Loy, Una Troubridge, and Elisabeth de Gramont, to name just a few. Check out more of Alicia's Paris stories on our public Patreon feed. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! To advertise on our podcast, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The impact of light bulbs on cities like New York and Paris at the turn of the twentieth century and the way modernist poets like Mina Loy and Lola Ridge depicted this, is at the heart of research being done by Dr Nicoletta Asciuto. For this New Thinking conversation hosted by Dr Sophie Coulombeau, she joins Dr Jaqueline Yallop, whose book Into the Dark looks at living in dark places and at experiences including "sundowning" - experienced by some people diagnosed with dementia, this is a change in behaviour that occurs in the evening, around dusk as darkness grows, causing agitation and anxiety. When Jacqueline Yallop's father was diagnosed with dementia, he began experiencing exactly that, which prompted Jacqueline's profound self-reflection on the world's relationship to the dark. Dr Jacqueline Yallop is an award-winning author of fiction and creative non-fiction, and her book Into the Dark explores darkness in science, literature, art, philosophy and history. She teaches creative writing at Aberystwyth University. Dr Nicoletta Asciuto is a Senior Lecturer in Modern Literature at the University of York. She is currently working on her first monograph, Brilliant Modernism: Cultures of Light and Modernist Poetry, 1909-1930 which discusses the impact of new lighting technologies on the birth of new avant-garde and modernist poetics. Dr Sophie Coulombeau is an author and academic based at the University of York, and was chosen as a 2014 New Generation Thinker on the scheme run by the BBC and AHRC to put research on the radio.This New Thinking episode of the Arts and Ideas podcast was made in partnership with the Arts and Humanities Research Council, part of UKRI. You can find more on BBC Sounds and in a collection on BBC Radio 3's Free Thinking programme website under the title New Research including conversations about music and disability, language learning, sign language, green thinking and neglected women artists.Producer in Salford: Lola Grieve

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Holly A. Baggett's Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review (Northern Illinois UP, 2023) is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"―Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot―and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on December 2, 2023. www.poets.org

DH Lawrence described outcasts living by the Thames, Mina Loy made art from trash, calling her pieces “refusées", Wyndham Lewis moved from England to America in search of stability after burning many bridges in Britain. In this conversation about new research, Jade Munslow Ong discusses the way widening the canon of writers traditionally labelled as “modernist” might allow a greater understanding of attitudes towards homelessness and poverty in the early decades of the twentieth century. Dr Laura Ryan has a Postdoctoral Fellowship at the University of Galway where she is researching modernism and homelessness investigating the work of writers who were literally homeless, including D. H. Lawrence, Claude McKay, Jean Rhys and Tom Kromer, and also looking at depictions of homelessness in modernist texts by George Orwell, Mina Loy and Samuel Beckett. Dr Nathan Waddell is Associate Professor in Twentieth-Century Literature at the University of Birmingham. He is writing new books about Wyndham Lewis and about George Orwell. He has also edited collections of essays on Lewis, who featured in books already published by Nathan called Modernist Nowheres and Moonlighting. Nathan is also editing The Oxford Handbook of George Orwell. You can hear Nathan in a Free Thinking episode exploring futurism in a collection of discussions about modernism on the website of the Radio 3 Arts and Ideas programme Dr Jade Munslow Ong is a Reader in English Literature at the University of Salford where she is working on a project entitled South African Modernism 1880-2020. You can hear about some of the authors featured in her Essay for Radio 3 called The South African Bloomsberries. She is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to turn research into radio This podcast is made in partnership with the AHRC, part of UKRI. You can sign up for more episodes of the Arts and Ideas podcast wherever you find your podcasts or look at the collection of discussions focused on New Research available via the Free Thinking programme website.

The group gathers at the Writers House's Wexler Studio to discuss two "Love Poems" by Mina Loy, from a recording and interview with Paul Blackburn and Robert Von Dias in 1965.

Post Face, émission littéraire présentée par Josyane Savigneau qui reçoit Mathieu Terence, pour son livre « Les quatres vies d'un amour » aux éditions Grasset. À propos du livre : « Les quatres vies d'un amour » paru aux éditions Grasset Voici le roman vécu d'une communion des âmes et des corps, d'un amour clandestin, insulaire, cérébral et tragique puisqu'il s'interrompt brutalement par la mort de la femme aimée, sur une plage, après qu'elle a porté secours à un enfant qui se noyait. Une brûlante et poignante valse à quatre temps, ou une symphonie en quatre saisons : l'idylle, l'amour, les retrouvailles, puis l'absence. Une passion de sept années, saisie sur le vif de quatre carnets de voyages effectués sur les pas de Lou Andréas Salomé. Avec Nietzsche à Sils Maria, avec Rilke à Duino, avec Dostoievski à Saint Petersbourg, puis dans le brutal désert des années de deuil, quand le narrateur tente de comprendre la tragédie qu'il vit, ce « Nous » qu'elle et lui furent, et comment tout ce à quoi ils ont voulu échapper a fini par les rattraper. Le narrateur déchiffre l'énigme de ce qui l'attache à cette femme déjà plusieurs fois mariée, déjà plusieurs fois mère, lourde de ses secrets et de ceux des patients qu'elle analyse ; de ce qui l'en a détaché ; de ce qui les a fait se retrouver. L'énigme d'une femme complexe, aux prises avec ses contradictions, ambivalente quant à son époque si peu freudienne ou le milieu intellectuel qui est le sien, une femme éperdue de liberté qui pressentait sa fin prochaine. Le narrateur ne s'épargne pas et traque les signes qu'il n'a pas su lire, les indices de la mort qui la travaillait avant de l'emporter. La vie qui se prolonge après qu'elle s'est éteinte. La clandestinité qui se retourne en occultation quand personne ne veut plus vous savoir veuf, puisque c'est à la famille officielle que va la compassion. Point de pensée magique ici : dans un style étincelant, une tentative d'élucidation au scalpel du mystère d'une relation magnifique, de l'amour buissonnier, d'une longue conversation que la mort interrompt mais que la littérature poursuit à l'infini. Mathieu Terence est auteur d'essais, de romans, et de poésies. Il a publié chez Grasset La belle, Le talisman, Mina Loy, éperdument et  Le temps découvre la vérité.

Welcome to Season 4 of The Host Dispatch!!  We're kicking this season off with another pressing question: "What the Hell is Dada?" Annar and Claire dive into the absurdity, revolution, play, and anti-art of the Dada movement, sharing some of their favorite writings from the likes of Tristan Tzara, Til Brugman, and Mina Loy. Here's our curated Dada Reading List, including books we discuss in this episode: Seven Dada Manifestos and Lampistries by Tristan Tzara  The Dada Market Anthology edited by Willard Bohn Dada: Themes and Movements (Phaidon), Rudolf Kuenzli The Lost Lunar Baedeker: Poems by Mina Loy Three New York Dadas and The Blind Man: Marcel Duchamp, Henri-Pierre Roché, Beatrice Wood  The Dada Spirit by Emmanuelle De L'Ecotais 

Readers of our newsletter may be familiar with Joelle Milman, our poet-in-residence of 2022. She wrote a weekly poem in response to the weekly haftarah (prophetic) portion as an ongoing epic. In these poems, she transports us to a surreal world where the character she creates struggles with, for, and against God in direct thematic conversation with the language and story of the weeks' reading. Joelle reads selections of her work, explains her writing process, and explores her inspirations for it with Rabbi Zach Golden, followed by a Q and A. Joelle is from LA and lives in Tel Aviv, where she is writing her MA thesis on the mystic element in Mina Loy's poetry at Hebrew University in Jerusalem. She is joining the team at Breaking the Silence, an Israeli peace advocacy organization.

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem.

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

When T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said: How 'The Waste Land' Made Poetry Modern (Princeton UP, 2022), Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music. From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914." Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

"My lady's corselet" was developed by a pioneer of free verse on the frontlines of feminism, the poet Mina Loy. Celebrated in the 1910s as the quintessential New Woman, her love of freedom was shadowed by a darker quest to perfect the female body, as her unusual designs for a figure-correcting corset show. Sophie Oliver asks how she fits into a history of body-correcting garments and cosmetic surgery, feminism and fashion. Working on both sides of the Atlantic writing poetry and designing bonkers body-altering garments: like a bracelet for office workers with a built-in ink blotter, or her ‘corselet' to correct curvature of the spine in women - in the end Mina Loy couldn't stop time, and her late-life poetry is full of old clothes and outcast people from the Bowery, as she reckons with – and celebrates – the fact that she has become unfashionable. Producer: Torquil MacLeod Sophie Oliver teaches English Literature at the University of Liverpool and is a New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council which turns academic research into radio programmes. You can find a collection of essays, discussions and features with New Generation Thinkers on the Free Thinking programme website under the playlist Ten Years of New Generation Thinkers https://www.bbc.co.uk/programmes/p08zhs35

"My lady's corselet" was developed by a pioneer of free verse on the frontlines of feminism, the poet Mina Loy. Celebrated in the 1910s as the quintessential New Woman, her love of freedom was shadowed by a darker quest to perfect the female body, as her unusual designs for a figure-correcting corset show. Sophie Oliver asks how she fits into a history of body-correcting garments and cosmetic surgery, feminism and fashion. Working on both sides of the Atlantic writing poetry and designing bonkers body-altering garments: like a bracelet for office workers with a built-in ink blotter, or her ‘corselet' to correct curvature of the spine in women - in the end Mina Loy couldn't stop time, and her late-life poetry is full of old clothes and outcast people from the Bowery, as she reckons with – and celebrates – the fact that she has become unfashionable. Producer: Torquil MacLeod Image: Mina Loy, Designs for a ‘corselet', or ‘armour for the body', c.1941. Mina Loy papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. Courtesy of Roger L. Conover, Mina Loy's editor and executor. Sophie Oliver teaches English Literature at the University of Liverpool and is a New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council which turns academic research into radio programmes. You can find a collection of essays, discussions and features with New Generation Thinkers on the Free Thinking programme website under the playlist Ten Years of New Generation Thinkers https://www.bbc.co.uk/programmes/p08zhs35

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on January 9, 2022. www.poets.org

An immersive reading of Mina Loy's poem ‘Parturition' about childbirth with an exploration of the themes of pain, motherhood and abstract language. 

Stéphane Bern et Matthieu Noël, entourés de leurs chroniqueurs historiquement drôles et parfaitement informés, s'amusent avec l'Histoire – la grande, la petite, la moyenne… - et retracent les destins extraordinaires de personnalités qui n'auraient jamais pu se croiser, pour deux heures où le savoir et l'humour avancent main dans la main. Aujourd'hui, Mina Loy.

Historiquement Vôtre réunit 3 badass du féminisme qui ont, chacune à leur époque, écrit un manifeste : la peintre et poétesse anglaise Mina Loy qui signe en 1914 son Manifeste féministe et ses écrits modernistes à contre-courant du mouvement des Suffragettes, Valérie Solanas, féministe radicale connue pour avoir tenté d'assassiner Andy Warhol, qui édite son Scum Manifesto dans lequel elle appelle, entre autre, à éradiquer l'homme. Et une figure contemporaine du féminisme : Virginie Despentes et son King Kong Théorie...

Stéphane Bern et Matthieu Noël, entourés de leurs chroniqueurs historiquement drôles et parfaitement informés, s'amusent avec l'Histoire – la grande, la petite, la moyenne… - et retracent les destins extraordinaires de personnalités qui n'auraient jamais pu se croiser, pour deux heures où le savoir et l'humour avancent main dans la main. Aujourd'hui, Mina Loy.

Historiquement Vôtre réunit 3 badass du féminisme qui ont, chacune à leur époque, écrit un manifeste : la peintre et poétesse anglaise Mina Loy qui signe en 1914 son Manifeste féministe et ses écrits modernistes à contre-courant du mouvement des Suffragettes, Valérie Solanas, féministe radicale connue pour avoir tenté d'assassiner Andy Warhol, qui édite son Scum Manifesto dans lequel elle appelle, entre autre, à éradiquer l'homme. Et une figure contemporaine du féminisme : Virginie Despentes et son King Kong Théorie...

PROGRAMA núm. 89 • Ens escoltem cada dissabte

Production and Sound Design by Kevin Seaman

¿Conoces el movimiento Dadá de principios del siglo XX? ¿Qué era el Cabaret Voltaire y qué relación tiene con el Dadaísmo? ¿Quién fue Tristan Tzara? ¿Conoces a Emmy Hennings, Mina Loy o Suzanne Duchamp? ¿Quién dibujó un bigote a la Mona Lisa de Da Vinci? Estas y más cuestiones acerca del Dadaísmo las abordamos con la polifacética artista Inés Peláez. ¿Dónde nos puedes encontrar?  Somos iVoox Originals Facebook: Mesokosmos Historia Twitter: @mesokosmos2019  Instagram: Mesokosmos Historia Linkedin: Mesokosmos Historia Correo electrónico: mesokomoshistoria@gmail.com   Patrocina el podcast a través de iVoox, en la pestaña azul de apoyar y tendrás acceso a sorteos, material adicional y podcast exclusivos. Cada jueves tienes una cita con la Historia a partir de las 20:00 hora española. Atribuciones musicales 1 Sonata by Men in Beat -- https://soundcloud.com/meninbeat1 2 Django Love by MagikStudio 3 En el Top 91 by MK Ortiz - https://soundcloud.com/mkortiz 4 Andante Cantabile. B minor by Matti Paalanen EL CABARET VOLTAIRE Y EL DADAÍSMO CON INÉS PELÁEZ Capítulo: 58; Conversaciones: 11; Temporada: 2 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Historiquement Vôtre réunit 3 badass du féminisme qui ont, chacune à leur époque, écrit un manifeste : la peintre et poétesse anglaise Mina Loy qui signe en 1914 son Manifeste féministe et ses écrits modernistes à contre-courant du mouvement des Suffragettes, Valérie Solanas, féministe radicale connue pour avoir tenté d’assassiner Andy Warhol, qui édite son Scum Manifesto dans lequel elle appelle, entre autre, à éradiquer l’homme. Et une figure contemporaine du féminisme : Virginie Despentes et son King Kong Théorie...

Historiquement Vôtre réunit 3 badass du féminisme qui ont, chacune à leur époque, écrit un manifeste : la peintre et poétesse anglaise Mina Loy qui signe en 1914 son Manifeste féministe et ses écrits modernistes à contre-courant du mouvement des Suffragettes, Valérie Solanas, féministe radicale connue pour avoir tenté d’assassiner Andy Warhol, qui édite son Scum Manifesto dans lequel elle appelle, entre autre, à éradiquer l’homme. Et une figure contemporaine du féminisme : Virginie Despentes et son King Kong Théorie...

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on December 5, 2020. www.poets.org

No hay vida ni muerte tan sólo actividad y en el absoluto no hay decrepitud. No hay Amor ni Lujuria sólo proclividad. Quien quiere poseer no es nadie en realidad. No hay Primero ni Último solamente igualdad. Quien quiera gobernar, vaya a la multitud. No hay Espacio ni Tiempo, tan sólo intensidad y a lo domesticado le falta inmensidad.

A fathers day special, the poetry of Mina Loy and quiet stoicism in the face of consumer madness. --- Send in a voice message: https://anchor.fm/adam213/message

Zolang de coronacrisis duurt deelt Daan Doesborgh in een wekelijks Poëziebulletin audioboodschappen van dichters met een wereld die wel wat hoop en poëzie kan gebruiken. Deze week gedichten van en door Bart Moeyaert, Vicky Francken, Chantal Dupuy-Dunier, Jonathan Griffioen, Charles Bukowski, Joost Oomen, Erik Lindner, Elske van Lonkhuyzen, Menno Wigman, Sergio Garau, Nadia de Vries, Galway Kinnell, Maarten van der Graaff, Mina Loy en Francis Ponge. Muziek door Winterjong. Ook een gedicht insturen? Neem je voordracht op en mail 'm naar poeziepodcast@gmail.com.

Ross Sutherland takes us to the birth of modern art as he traces the extraordinary life of Arthur Cravan. Cravan's anarchic art heralded Dada , surrealism, situationism, punk rock and alternative comedy. His whole life was an extravagant show and his influence spreads right across the 20th century. Cravan went through life using multiple mysterious personas. He was the nephew of Oscar Wilde, a boxing champion, a notorious art critic, a scandalous performer, a deserter, the husband of modernist poet Mina Loy, and was pursued by the CIA. This mystery story, led by writer Ross Sutherland, tracks across twenty countries as Cravan's outlandish persona shifts between incarnations. Ross's journey leads him to Cravan's greatest riddle of all - his disappearance in the Gulf of Mexico. In this episode Ross investigates one of Cravan's most outrageous stunts. This programme contains very strong language. Writer and Presenter: Ross Sutherland Produced for the BBC by Melvin Rickarby Music by Jeremy Warmsley Excerpt from Cravan's Weird Seance courtesy of Daniel Oliver

Ross Sutherland takes us to the birth of modern art as he traces the extraordinary life of Arthur Cravan. Cravan's anarchic art heralded Dada , surrealism, situationism, punk rock and alternative comedy. His whole life was an extravagant show and his influence spreads right across the 20th century. Cravan went through life using multiple mysterious personas. He was the nephew of Oscar Wilde, a boxing champion, a notorious art critic, a scandalous performer, a deserter, the husband of modernist poet Mina Loy, and was pursued by the CIA. This mystery story, led by writer Ross Sutherland, tracks across twenty countries as Cravan's outlandish persona shifts between incarnations. Ross's journey leads him to Cravan's greatest riddle of all - his disappearance in the Gulf of Mexico. In this episode, with Ross hitting a series of blank walls in his research, he attempts to find search the elusive Roger Conover, an authority on Arthur Cravan. This programme contains very strong language. Writer and Presenter: Ross Sutherland Produced for the BBC by Melvin Rickarby Music by Jeremy Warmsley Excerpt from Cravan's Weird Seance courtesy of Daniel Oliver

Ross Sutherland takes us to the birth of modern art as he traces the extraordinary life of Arthur Cravan. Cravan's anarchic art heralded Dada , surrealism, situationism, punk rock and alternative comedy. His whole life was an extravagant show and his influence spreads right across the 20th century. Cravan went through life using multiple mysterious personas. He was the nephew of Oscar Wilde, a boxing champion, a notorious art critic, a scandalous performer, a deserter, the husband of modernist poet Mina Loy, and was pursued by the CIA. This mystery story, led by writer Ross Sutherland, tracks across twenty countries as Cravan's outlandish persona shifts between incarnations. Ross's journey leads him to Cravan's greatest riddle of all - his disappearance in the Gulf of Mexico. In this episode Ross investigates the aftermath of Cravan's mysterious vanishing, This programme contains very strong language. Writer and Presenter: Ross Sutherland Produced for the BBC by Melvin Rickarby Music by Jeremy Warmsley

Ross Sutherland takes us to the birth of modern art as he traces the extraordinary life of Arthur Cravan. Cravan's anarchic art heralded Dada , surrealism, situationism, punk rock and alternative comedy. His whole life was an extravagant show and his influence spreads right across the 20th century. Cravan went through life using multiple mysterious personas. He was the nephew of Oscar Wilde, a boxing champion, a notorious art critic, a scandalous performer, a deserter, the husband of modernist poet Mina Loy, and was pursued by the CIA. This mystery story, led by writer Ross Sutherland, tracks across twenty countries as Cravan's outlandish persona shifts between incarnations. Ross's journey leads him to Cravan's greatest riddle of all - his disappearance in the Gulf of Mexico. In this episode Ross investigates Cravan's relationship with modernist poet Mina Loy. This programme contains very strong language. Writer and Presenter: Ross Sutherland Produced for the BBC by Melvin Rickarby Music by Jeremy Warmsley

Ross Sutherland takes us to the birth of modern art as he traces the extraordinary life of Arthur Cravan. Cravan's anarchic art heralded Dada , surrealism, situationism, punk rock and alternative comedy. His whole life was an extravagant show and his influence spreads right across the 20th century. Cravan went through life using multiple mysterious personas. He was the nephew of Oscar Wilde, a boxing champion, a notorious art critic, a scandalous performer, a deserter, the husband of modernist poet Mina Loy, and was pursued by the CIA. This mystery story, led by writer Ross Sutherland, tracks across twenty countries as Cravan's outlandish persona shifts between incarnations. Ross's journey leads him to Cravan's greatest riddle of all - his disappearance in the Gulf of Mexico. In this episode Ross investigates Cravan's mutiple personas, to find out what lay beneath. This programme contains very strong language. Writer and Presenter: Ross Sutherland Produced for the BBC by Melvin Rickarby Music by Jeremy Warmsley Excerpt from Cravan's Weird Seance courtesy of Daniel Oliver

Ross Sutherland takes us to the birth of modern art as he traces the extraordinary life of Arthur Cravan. Cravan's anarchic art heralded Dada , surrealism, situationism, punk rock and alternative comedy. His whole life was an extravagant show and his influence spreads right across the 20th century. Cravan went through life using multiple mysterious personas. He was the nephew of Oscar Wilde, a boxing champion, a notorious art critic, a scandalous performer, a deserter, the husband of modernist poet Mina Loy, and was pursued by the CIA. This mystery story, led by writer Ross Sutherland, tracks across twenty countries as Cravan's outlandish persona shifts between incarnations. Ross's journey leads him to Cravan's greatest riddle of all - his disappearance in the Gulf of Mexico. In this episode Ross investigates how Cravan's used his art to evade the authorities as the First World War began. Writer and Presenter: Ross Sutherland Produced for the BBC by Melvin Rickarby Music by Jeremy Warmsley Excerpt from Cravan's Weird Seance courtesy of Daniel Oliver

Ross Sutherland takes us to the birth of modern art as he traces the extraordinary life of Arthur Cravan. Cravan's anarchic art heralded Dada , surrealism, situationism, punk rock and alternative comedy. His whole life was an extravagant show and his influence spreads right across the 20th century. Cravan went through life using multiple mysterious personas. He was the nephew of Oscar Wilde, a boxing champion, a notorious art critic, a scandalous performer, a deserter, the husband of modernist poet Mina Loy, and was pursued by the CIA. This mystery story, led by writer Ross Sutherland, tracks across twenty countries as Cravan's outlandish persona shifts between incarnations. Ross's journey leads him to Cravan's greatest riddle of all - his disappearance in the Gulf of Mexico. In this episode Ross investigates why Cravan is known as the father of performance art. Writer and Presenter: Ross Sutherland Produced for the BBC by Melvin Rickarby Music by Jeremy Warmsley Excerpt from Cravan's Weird Seance courtesy of Daniel Oliver

Ross Sutherland takes us to the birth of modern art as he traces the extraordinary life of Arthur Cravan. Cravan's anarchic art heralded Dada , surrealism, situationism, punk rock and alternative comedy. His whole life was an extravagant show and his influence spreads right across the 20th century. Cravan went through life using multiple mysterious personas. He was the nephew of Oscar Wilde, a boxing champion, a notorious art critic, a scandalous performer, a deserter, the husband of modernist poet Mina Loy, and was pursued by the CIA. This mystery story, led by writer Ross Sutherland, tracks across twenty countries as Cravan's outlandish persona shifts between incarnations. Ross's journey leads him to Cravan's greatest riddle of all - his disappearance in the Gulf of Mexico. In this episode Ross investigates Cravan's work as a notorious art critic. This programme contains very strong language. Writer and Presenter: Ross Sutherland Produced for the BBC by Melvin Rickarby Music by Jeremy Warmsley Excerpt from Cravan's Weird Seance courtesy of Daniel Oliver

Ross Sutherland takes us to the birth of modern art as he traces the extraordinary life of Arthur Cravan. Cravan's anarchic art heralded Dada , surrealism, situationism, punk rock and alternative comedy. His whole life was an extravagant show and his influence spreads right across the 20th century. Cravan went through life using multiple mysterious personas. He was the nephew of Oscar Wilde, a boxing champion, a notorious art critic, a scandalous performer, a deserter, the husband of modernist poet Mina Loy, and was pursued by the CIA. This mystery story, led by writer Ross Sutherland, tracks across twenty countries as Cravan's outlandish persona shifts between incarnations. Ross's journey leads him to Cravan's greatest riddle of all - his disappearance in the Gulf of Mexico. In this episode Ross investigates how Cravan's career as a boxer influenced his art. This programme contains very strong language. Writer and Presenter: Ross Sutherland Produced for the BBC by Melvin Rickarby Music by Jeremy Warmsley Excerpt from Cravan's Weird Seance courtesy of Daniel Oliver

Ross Sutherland takes us to the birth of modern art as he traces the extraordinary life of Arthur Cravan. Cravan's anarchic art heralded Dada, surrealism, situationism, punk rock and alternative comedy. His whole life was an extravagant show and his influence spreads right across the 20th century. Cravan went through life using multiple mysterious personas. He was the nephew of Oscar Wilde, a boxing champion, a notorious art critic, a scandalous performer, a deserter, the husband of modernist poet Mina Loy, and was pursued by the CIA. This mystery story, led by writer Ross Sutherland, tracks across twenty countries as Cravan's outlandish persona shifts between incarnations. Ross's journey leads him to Cravan's greatest riddle of all - his disappearance in the Gulf of Mexico. In this episode Ross comes to terms with Cravan's brazenly offensive poetry. This programme contains very strong language. Writer and Presenter: Ross Sutherland Produced for the BBC by Melvin Rickarby Music by Jeremy Warmsley

No episódio Nº 013 a artista Gabi Bresola que lê Parto de Mina Loy. -- Gabi Bresola é uma mulher meio bruta que pensa que é artista. -- VER.SAR é um podcast com artistas convidadas a compartilhar leituras de textos sobre práticas artísticas, maternidades e feminismos. Este Podcast é uma plataforma de comunicação colaborativa que reúne mulheres artistas e seus referenciais textuais, a partir do exercício da leitura e busca criar um arquivo de consulta e compartilhamento gratuito de conteúdo relacionado às questões estruturais e conceituais implicadas em ser mulher na contemporaneidade. As artistas convidadas são mulheres que investigam e discutem os conflitos políticos da vida doméstica e pública produzindo pensamento crítico em nosso contexto e propondo mudanças significativas no mundo da arte. É preciso Ouvir as mulheres! --- Send in a voice message: https://anchor.fm/podcastversar/message

Too-often overlooked Modernist poet Mina Loy's 1922 ode to abstract sculpture, now performed with a rock band. For more about this and other combinations of various words with original music, visit frankhudson.org

Produced by: Catherine Charlwood (@DrCharlwood) and Laura Ludtke (@lady_electric) Music composed and performed by: Gareth Jones About this episode: In this episode, Laura and Cathy dive into the STEM vs. the humanities debate, discussing how funding in post-secondary institutions widens the divide between the humanities and STEm subjects. This week's interview features Alex Goody, Professor of Twentieth-Century Literature in the Department of English Literature at Oxford Brookes University. After the interview, you can hear Alex read Mina Loy’s poem, ‘Human Cylinders.’ Bio for Alex Goody: After completing her PhD on 'Mina Loy’s Modernist Aesthetic’ at the University of Leeds, Dr Goody taught at Falmouth University before joining Oxford Brookes. Her research interests and teaching spans the field of modernist studies, encompasses technology and literature, considers the work of the modernist poets and novelists Mina Loy, Djuna Barnes, and Gertrude Stein, as well as New York Dada, jewish writing, modernist drama, and radio. We highly recommend you read Technology, Literature and Culture, (Polity Press, 2011). Episode resources: If you want to become more familiar with the Humanities vs STEM debate, here are some of the articles and books Laura and Catherine mention in the episode: Schmidt, ‘The Humanities are in Crisis’. Rustin, ‘Why study English? We’re poorer in every sense without it’. ‘Patterns and trends in UK Higher Education’. Olejarz, ‘Liberal Arts in the Data Age'. Wadhwa, 'Why liberal arts and the humanities are as important as engineering’. Anders, ‘That 'Useless' Liberal Arts Degree Has Become Tech's Hottest Ticket’. Bate, The Public Value of the Humanities (Bloomsbury, 2011) Collini, What Are Universities For? (Penguin 2012) Small, The Value of the Humanities (Oxford University Press 2013) Klein, The Shock Doctrine: The Rise of Disaster Capitalism (Random House Canada, 2007 'Universities likely to cut number of staff due to Brexit uncertainty'. Resources mentioned in the interview with Alex Goody: Hales: Unthought: The Power Of The Cognitive Nonconscious; Kittler, Gramophone, Film, Typewriter; Elkin, Flâneuse: Women Walk the City; Ahmed, Living a Feminist Life Mina Loy: Navigating the Avant-Garde. Loy materials on the Beinecke Rare Books Library website. You can read Mina Loy, ‘Human Cylinders’ here and Seamus Heaney’s ‘The Railway Children’’ here.

No episódio #013 a artista Gabi Bresola lê Parto de Mina Loy. -- Gabi Bresola é uma mulher meio bruta que pensa que é artista. -- VER.SAR é um podcast com artistas convidadas a compartilhar leituras de textos sobre práticas artísticas, maternidades e feminismos. Este Podcast é uma plataforma de comunicação colaborativa que reúne mulheres artistas e seus referenciais textuais, a partir do exercício da leitura e busca criar um arquivo de consulta e compartilhamento gratuito de conteúdo relacionado às questões estruturais e conceituais implicadas em ser mulher na contemporaneidade. As artistas convidadas são mulheres que investigam e discutem os conflitos políticos da vida doméstica e pública produzindo pensamento crítico em nosso contexto e propondo mudanças significativas no mundo da arte. É preciso Ouvir as mulheres!

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 16/5/2017, vigésimoquinta de la 2.ª temporada, segunda de las dedicadas a Mina Loy, la polifacética artista que participó en los principales vanguardias del primer tercio del siglo XX, y que convirtió su vida en su mejor obra de arte..

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 16/5/2017, vigésimoquinta de la 2.ª temporada, segunda de las dedicadas a Mina Loy, la polifacética artista que participó en los principales vanguardias del primer tercio del siglo XX, y que convirtió su vida en su mejor obra de arte..

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 2/5/2017, vigésimocuarta de la 2.ª temporada, primera de las dedicadas a Mina Loy, la polifacética artista que participó en los principales vanguardias del primer tercio del siglo XX.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 2/5/2017, vigésimocuarta de la 2.ª temporada, primera de las dedicadas a Mina Loy, la polifacética artista que participó en los principales vanguardias del primer tercio del siglo XX.

Panel: Rio Matchett, Katie Dyson, Fran Bigman, Sophie Oliver, Jade French Rio is a first year Doctoral candidate at the University of Liverpool, and a freelance theatre director. Her research focuses on women in the world of modernist little magazines, and her theatre work strives to give platform to voices that aren’t always lifted up, to tell their own stories in a beautiful and brave way. Katie Dyson is a PhD candidate at Loyola University Chicago. Her dissertation explores the relationship between narrative form and ethics in modernist works from Virginia Woolf to Nathanael West. In her spare time as a freelance writer, she writes about television and pop culture. Fran Bigman is a visiting researcher at Keio University. In 2015, Fran received her PhD from the Faculty of English at the University of Cambridge for a thesis that explores abortion in British literature and film from 1907 to 1967, a topic she has discussed in the TLS and on BBC Women’s Hour. From September 2015 to March 2016, she was a Wellcome Trust Research Fellow in Medical Humanities at the University of Leeds. She holds a BA in History from Brown University and a MPhil in English from the University of Cambridge. She is now working on infertility narratives as well as a documentary about abortion on screen, so if you have suggestions for either, send them her way! Sophie Oliver is in the final months of a PhD at Royal Holloway, University of London, where she also teaches. Her thesis looks at female modernists and fashion – their writing about fashion and the ways in which their writing was subject to fashions. Her work on the subject has been published in a Literature Compass and Modernist Cultures, and she recently curated a small exhibition about Jean Rhys at the British Library. Jade is a first-year PhD candidate at Queen Mary, University of London. Her research explores the female ageing process in modernist texts, with a specific focus on the late works of H.D, Mina Loy, Djuna Barnes and Jean Rhys. She edited the book Let’s Start a Pussy Riot (2013) and is also a freelance writer and founder of the London-based arts collective Not So Popular.