Podcast appearances and mentions of James Joyce

We discuss the history of the house at 15 Usher's Island where "The Dead" was set.Listen to the full episode at patreon.com/barnaclecast

The Old Man WAS Still Alive! Film writer and physical media enthusiast Conor Holt returns to Better Than the Movie to discuss a pair of classics: John Huston's film The Dead (1987), adapted from the short story by James Joyce, which first appeared in Dubliners (1914). Spoiler alert: Everyone loved them both. But between the film and the story, which did they think was better? Hosted by Allan Traylor, Justin Remer, and Tyler Austin.  Produced by Justin Remer.  Recorded at the LAPL Octavia Lab.  Opening music: "Optimism (Instrumental)" by Duck the Piano Wire.  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band. 

Une boucle en 1972...Cette année les londoniens URIAH HEEP sortent l'un de leurs meilleurs opus (faut dire que c'est l'age d'or du groupe) : "Demons And Wizards" en extrait dans ce 428ème épisode d'Amarok en direct, tandis que la formation poursuit une longue tournée d'adieu... Découverte d'un artiste bordelais dont on sent bien l'inspiration d' illustres musiciens anglais des 60's mais qui sait faire preuve de créativité et d'originalité : ARTHUR SATAN vient de publier son 2ème album solo : "A Journey That Never Was". Plus d'une heure de bonheur ! Un album  chaleureusement recommandé, comme ce titre diffusé ici pour notre plus grand plaisir !  Retour outre-manche avec l'ombre de SYD BARRETT à travers le groupe SLOWDIVE et une reprise de son "Golden Air" dans le pur style shoegaze des années 90's. Musique composée par le fondateur sacrifié de Pink Floyd mais qui n'en avait pour une fois pas rédigé le texte, préférant mettre en musique les vers du poète irlandais James Joyce. Dites donc ça fait beaucoup de talent en 4 minutes !  Direction l'Italie avec une artiste découverte assez récemment par l'animateur de cette émission que le monde entier nous envie (enfin l'émission !)  grâce à Louis De Ny, LE spécialiste du rock progressif italien. Il s'agit d' ELISA MONTALDO avec ici un extrait du somptueux "Fistful Of Planets Pt II", publié en 2021 dans une édition multisensorielle (parfum, livret, dessins et bien sur la musique d'Elisa). Alors évidemment seul le son est accessible en radio mais quel Son...Unique !  En 1995, KING CRIMSON publie un nouvel opus après la 2ème rupture de sa carrière. Sauf que cette fois-ci la formation de Mr Fripp reste la même que la précédente, mais avec deux musiciens en plus. Ce qui en fait un groupe singulier à double guitare, double basse et double batterie (dont celle de Bill Bruford qu'on retrouvera plus tard...) Inspirés pas des mastodontes tels que Rush ou Pink Floyd, les membres de THE AURORA PROJECT n'ont pas à rougir avec leur nouvel opus qui ne déroge pas à la règle de produire des albums concepts depuis leurs débuts en 1998. Un univers d'anticipation mis en son par ces talentueux musiciens des Pays-bas. Connaissez-vous EDINBURGH OF THE SEVEN SEAS ? Si vous êtes Docteur en Géographie, vous savez déjà qu'il s'agit d'une toute petite et unique localité d'une ile britannique perdue en plein océan atlantique sud...Mais si vous êtes passionnés de musique et nantais, alors vous savez peut-être qu'il s'agit aussi d'une formation issue de la Cité des Ducs, qui vient de sortir un nouvel EP au son des 90's, plutôt introspectif, voire shoegaze à l'instar de Slowdive évoqué plus haut. Un extrait à découvrir dans cette émission, voire à redécouvrir si vous avez eu la sagesse d'écouter ou de regarder le SUN MUSIC ADDICT, numéro du 16 mai où la formation avait défendu avec brio "Childhood Ghost" dans nos studios nantais !  Retour pour un 2ème extrait ici depuis sa sortie du nouvel album de LIA HIDE. L'artiste hellénique revient avec "Aristophobia Nervosa", qui relève du génie !! Audacieux, avant-gardiste,inspirant et courageux car chanté en dans sa langue maternelle, ce disque une une des belles surprises de la saison !  Revoici donc Bill Buford, mais cette fois au sein de YES. Ces dernières années le groupe publie pour la plus grande joie des fans (mais peut-être pas de leurs banquiers) des versions remastérisées, remixées, augmentées, alliant vinyles, CD et Blu-Ray 5.1 des grandes productions de leur age d'or. Ici un extrait remixé par le "saittoutfaire" Steven Wilson de l'album "Fragile" qui a donc bénéficié de cette cure de jouvence l'année dernière. Autre groupe expérimenté : les écossais LONG EARTH avec une quarantaine d'années au compteur mais forcément moins exposé que leurs compatriotes précédemment cités puisqu'ils n'ont sorti leur 3ème album  qu'en 2024 ! Les musiciens jouaient ensemble depuis toutes ses années, mais se sont enfin mis (pour le plus grand bien de nos cages à miel) à publier leur musique sur galettes depuis seulement quelques années. Bouclons la boucle avec l'an 1972, mais cette fois de l'autre côté de l'Europe (géographiquement mais aussi musicalement) avec l'une des figures de prou de ce mouvement allemand appelé Krautrock : AMON DÜÜL II.  Ici pour un extrait de leur album "Wolf City". Vive LES rocks progressifs !  Page Facebook de l'émission : AMAROK44

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce's bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce's work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O'Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O'Brien, Dervla Murphy, Clare Boylan, Nuala O'Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce's bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce's work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O'Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O'Brien, Dervla Murphy, Clare Boylan, Nuala O'Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce's bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce's work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O'Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O'Brien, Dervla Murphy, Clare Boylan, Nuala O'Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Narrating Irish Female Development, 1916-2018 (Edinburgh UP, 2024) studies narratives of Irish female and feminized development, arguing that these postmodern  narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female  coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce's bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story  of the Irish republic itself, which took as its avatar the Irish woman,  whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing  of Irish women as seriously as other critics have taken Joyce's work. Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O'Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O'Brien, Dervla Murphy, Clare Boylan, Nuala O'Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel Examines the form, narration, and content of fictional, non-fictional, and national narratives Develops a feminist psychoanalytic narratology Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Las novelas de Juan Gabriel Vásquez, una de las voces más destacadas de la narrativa latinoamericana actual, dejan entrever la influencia de autores como Joseph Conrad, Gabriel García Márquez y James Joyce en su interés por explorar y reinterpretar el pasado a través de sus libros, profundizando en temas como la relación entre política y sociedad, la percepción de la violencia y el miedo y la vida secreta de figuras clave de la cultura. Sergio Vila-Sanjuán conversa con el autor sobre su trayectoria y visión del mundo, comentando algunas de sus novelas más célebres, como El ruido de las cosas al caer, así como su última publicación, Los nombres de Feliza.Más información de este acto

En esta entrega de #Cartagrafías Laura Piñero nos cuenta la historia de Mary Wortley Montagu y de sus "Cartas desde Estambul" publicadas en España por la editorial "La Línea del Horizonte". Mary fue una viajera, escritora y pionera médica inglesa del siglo XVIII que relató su viaje al Imperio Otomano. Se integró en su cultura sin prejuicios lo que permitió que pudiera avanzar una cura contra la viruela. Además, sumamos la recomendación del segundo volumen de cartas del escritor James Joyce que acaba de publicar "Páginas de Espuma". 

En  la música repasamos 25 años de la carrera y las canciones de uno de los raperos más importantes de nuestro país: El Chojín. Paco nadal nos lleva a un lugar único, Molina de Aragón que estrena parador nuevo. Terminamos con Cartagrafías de Laura Piñero que nos cuenta la historia de Mary Wortley Montagu y de sus "Cartas desde Estambul" publicadas en España por la editorial "La Línea del Horizonte". Mary fue una viajera, escritora y pionera médica inglesa del siglo XVIII que relató su viaje al Imperio Otomano. Se integró en su cultura sin prejuicios lo que permitió que pudiera avanzar una cura contra la viruela. Además, sumamos la recomendación del segundo volumen de cartas del escritor James Joyce que acaba de publicar "Páginas de Espuma".

You naughtn't to look, missus, so you naughtn't when a lady's ashowing of her elemental.Topics in this episode include Old Ben's critique of Shakespeare, bardolatry, Shakespeare as a symbol of English supremacy, how Plato is like Charybdis, formless spiritual essences, seeing ourselves as others see us, the paintings of Gustave Moreau, and so much theosophy.On the Blog:Decoding Dedalus: Horseness is the whatness of allhorse. Blooms & Barnacles Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube 

Las ingentes cantidades de personas que visitan el Louvre por observar de cerca –todo lo que permite el cristal protector- La Mona Lisa de Da Vinci. Los millones de fieles que han marcado Roma en su próximo destino por el pontificado de León XIV. Los que viajan a Dublín ataviados como los personajes del Ulises de James Joyce durante el Bloomsday que se celebra en la capital irlandesa. También los que rinden oda al turismo de pantalla desplazándose hasta Colombia para moverse en los escenarios de Narcos o a Nueva Zelanda para recorrer la comarca de los hobbits. Incluso aquellos que se enamoraron de la Italia renacentista, el Japón Feudal, los paisajes nórdicos y mares que navegaron los vikingos y tantos otros enclaves y etapas históricas por culpa de la saga Assasin's Creed. Todos los viajeros mencionados anteriormente tienen un denominador y motor turista común: la cultura. En El Enfoque de Ida y Vuelta vamos allí donde nos lleven las bellas artes, las clásicas y las modernas.

Achoo! We're falling in love with the one and only Faith Prince. You Might Know Her From Modern Family, Emily in Paris, Melissa & Joey, Spin City, My Father the Hero, The Last Dragon, and Broadway productions of Guys & Dolls, A Catered Affair, Bells Are Ringing, and BOOP!  Faith talked to us about grounding her character, Valentina, in the cartoonish plot of BOOP!, coping with fame during her star-making turn in Guys & Dolls, and leaning on her co-star Gerard Depardieu in one of her first leading roles on camera in My Father the Hero.  Faith also shared stories from working as a Broadway replacement in the cumbersome costume of Ursula in The Little Mermaid and the notoriously “realistic” production of Anne as Miss Hannigan. All that, plus working with theatre legends like Jerome Robbins, Abe Burrows, Betty Comden & Adolph Green, doing dialect work at Joey Lawrence and Lily Collins, doing her best Cyndi Lauper in cult fave The Last Dragon (and making pals with Berry Gordy, and working with Jean Smart and Mary McDonnell in the short-lived High Society.   This one was a HOOT.  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Evergreen topics for Anne and Damian: Tyne Daly in Gypsy, Grease, Spice Girls track listings, we look like cats in Heathcliff, the cast of Mannequin 2 aka is it Jonathan Silverman, no it's William Ragsdale in Herman's Head, Sex and the City/AJLT Cynthia Nixon's kitchen tour Tom and Lorenzo and their SJP adventure Plays Valentina in Boop on Broadway We love Dancer/Choreographer Rachelle Rak Coughing as Adelaide was tougher than talking and singing in character voice Bob Saget used his stand-up to differentiate himself from Danny Tanner  Nathan & Adelaide are famously the SOUBRETTES in Guys & Dolls so Jerry Zaks put them forward instead of Sky and Sarah (this changed how future productions positioned the 2 couples)  Jerry Mitchell says it's important to pass the baton down to the next generation of musical theatre stars Arthur Laurents aka “the meanest man in show-business”, Jerry Gutierrez, Abe Burrows, Comden & Green, Sondheim, Barishnykov, Howard Ashman, Jack Plotnick, Tina Landau,  My Father the Hero w/ Gerard Depardieu “Dirty Books” from The Last Dragon / Suzanne de Passe and Berry Gordy produced the soundtrack. Berry Gordy took her OUT and called her “baby” “One More Time” in First Wives Club “How do you know if someone has lived through trauma — by the way they get someone who doesn't like them, to like them.” Cole Escola of Oh, Mary! on CBS Sunday Morning Was in first 6 episodes of High Society with Jean Smart and Mary McDonnell (based on AbFab and Faith played the Saffy character) Faith Prince's “Men” from Nick & Nora. The show was a notorious flop. Arthur told Faith she was making a big mistake by leaving show to do Guys & Dolls. Mary Rodgers told her she could find a way into Anna through Gertrude Lawrence, who was a comedienne.  Was offered the role of Audrey in the original Off-Broadway production of Little Shop of Horrors Went to CCM with Jim Walton Had taken the revue, Scrambled Feet and was doing an IBM industrial so couldn't' take LSOH Lance Roberts is currently in Just in Time Ellen Greene did Adelaide at The Hollywood Bowl  Studied Donna Murphy who she replaced in The King & I and then did Wonderful Town (at LA Opera) Katie Finneran talked with us about James Lapine's realistic interpretation of Annie and Miss Hannigan in the 2012 revival. Said it was a challenge in the NYT. Re the 2012 revival of Annie: Andrea McArdle said “I didn't know we were doing Secret Garden” Associate Director Wes Grantham LOVES HUMOR, unlike Lapine Martin Charnin & Charles Strouse KISSED HER FEET when they visited her backstage John Doyle who directed A Catered Affair also backs away from the humor We love Bells are Ringing - Faith starred in the 2001 Broadway revival. Difficult because of Mitchell Maxwell who produced Had to ride an actor in Grey's Anatomy because character's IUD got stuck on her ex-husband's Prince Albert penis piercing Does some great character work in the indie film Our Very Own (got gig from doing reading of The Women with Allison Janney) IMDB lists her on an ep of Mad Men. INCORRECT. Martin Short was in Dennis Quaid movie, Innerspace My Favorite Broadway: The Leading Ladies was an incredible, formative concert Managing Ursula costume in The Little Mermaid was worse than managing the wig in her Lifetime movie with Kathleen Turner, Friends at Last Vicki Lewis told us she held Dixie Carter's spit cup in a production of Mame she was in with Faith Christopher Walken kept pickled things in the pockets of his costume during James Joyce's The Dead (Marni Nixon was also in the show) We interviewed Annaleigh Ashford who is maybe made  in the mold of Faith Prince Damian is seeing an Italian production of Cats / Anne is seeing her nephew do Grease Jr.  in Sicily DUCK ASS HAIR for Danny Zuko

Final de este relato de Joyce.

El maestro irlandés, Joyce.

Virginia Woolfs endagsroman Mrs Dalloway är en verklig klassiker. Men vad är det som gör den så bra? Karin Nykvist funderar över sin favorit. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Vad är det med Mrs Dalloway? Hur kommer det sig att jag bara måste återvända till henne gång på gång, år efter år, att jag tvingar alla mina studenter att läsa om henne och aldrig kan hålla litteraturvetarens förväntade distans utan bara måste förklara för alla som vill eller inte kan undgå att lyssna att hon finns i min absoluta favoritroman?Boken om henne handlar ju inte alls om något häpnadsväckande: en dam promenerar runt i London och ordnar en fest, samtidigt som en krigsveteran, skadad av första världskrigets skyttegravshelvete långsamt rör sig mot sitt självmord i samma stad. Och Mrs Dalloway är inte alls som jag – hoppas jag! Hon är snobbig, konservativ, dömande, arrogant – och inte helt lätt att tycka om. Trots att andra möjligheter fanns har hon valt det säkra livet och gift sig med en lagom ointressant man som gett henne en trygg position i samhällets societet. Själv broderar hon, handlar blommor, arrangerar fester och är – som hennes gamla kärlek Peter syrligt säger – en perfekt värdinna. Ytlig och lätt att glömma, med andra ord.Så varför gör jag inte det?Ja, grejen med Clarissa Dalloway är väl just att hon påminner mig om att den sorts människor som jag just beskrev faktiskt inte existerar: de ytliga, ointressanta, de som inte lämnar några spår. Vi bara tror att de finns. Virginia Woolfs mästerskap ligger i hur hon skriver fram den mänskliga erfarenheten, i all dess komplexitet. I Clarissa Dalloway får jag tillgång till en hel människa – på ett sätt som jag faktiskt inte kan få i verkliga livet. För porträttet av Clarissa tecknas inte bara genom hennes eget medvetande utan genom alla dem hon möter, de som känner henne väl och ser henne genom alla hennes tidigare, yngre versioner, och de som flyktigt korsar hennes väg på gatan.Virginia Woolf struntade blankt i sin samtids förväntningar på hur en roman skulle skrivas. I stället gjorde hon som Clarissa själv: kastade sig ut i den vackra Londonmorgonen och lät läsaren följa med i livet som ständigt pågår – överallt. Så byter romanen perspektiv utan förvarningar, från den promenerande Mrs Dalloway till hennes gamla pojkvän Peter Walsh – som just kommit tillbaka till London från att ganska mediokert ha tjänat det brittiska imperiet i Indien – till ungdomskärleken Sally Seton som blivit Lady och fembarnsmor, till butiksinnehavare, gatuförsäljare och nyfikna flanörer. Och så ger den perspektivet till den svårt sjuke Septimus Smith och hans förtvivlade fru Lucrezia, för att låta det gå tillbaka till Clarissa – och vidare igen. Hon tänker på dem alla och på sig själv – medan de i sin tur betraktar henne – och tänker på sig själva.Allt är relativt: tid, plats, minne, identitet – och människans sinnen och psykologi gör en objektiv upplevelse av världen omöjlig. ”Hon ville inte längre säga om någon människa i världen att hon eller han var det eller det [.…] ville inte säga om sig själv: jagär det eller det” tänker Clarissa. För dum är hon inte, hon vet: allt är i flux. Det enda vi verkligen har är ögonblicket, vårt här och nu. Berättelserna, före och efter-tankarna, den skenbara logiken skapar vi själva. Men det är ögonblicken vi minns, synintrycken, dofterna, ljuden, mötet med den andre.Ögonblick. Ordet återkommer genom romanen – i Eva Åsefeldts översättning hela femtiofyra gånger. För Woolf är det nämligen inte ett ord bland andra, inte en neutral beskrivning av en flyktig stund, utan centralt för hela hennes förståelse av livet. Hon kallar dem ”moments of being” – de ögonblick när livet plötsligt fylls av akut härvaro. De kommer sällan och oväntat. För Clarissa sker det till exempel när hon mitt på förmiddagen lägger av sig sin brosch i sitt sovrum. Woolf skriver att Clarissa: ”kastade sig […] ut i ögonblickets själva kärna, naglade fast det, där – ögonblicket denna förmiddag i juni som vilade under trycket av alla de andra förmiddagarna. Hon såg spegeln, toalettbordet och flaskorna som för första gången, samlade hela sitt jag till en enda punkt (med blicken mot spegeln), såg det späda rosa ansiktet hos den kvinna som samma kväll skulle hålla sin fest; Clarissa Dalloway, hon själv.”Ögonblick som dessa kan, som Runeberg skrev, ”bli hos oss evigt”. Som en annan morgon, mer än trettio år tidigare, när Sally plötsligt kysste henne på en terrass: ”det mest fulländade ögonblicket i hennes liv”.Clarissa återkommer ständigt till denna stund och till den hon var då. Då när alla dörrar till livet fortfarande stod öppna. Då, när hon gjorde slut med Peter Walsh – och kysste Sally. Sedan dess har livets dörrar stängts, en efter en. Har hon valt rätt? Var det rätt att tacka nej till allt det osäkra och otippade - och i stället bli fru Dalloway?Virginia Woolf hade hunnit bli fyrtio när hon skapade sin Clarissa. Hon bodde då tillfälligt i Richmond, där hon och hennes man Leonard hade startat Hogarth Press, mycket för att Virginia skulle ha något att göra – hon led sedan barndomen av bräcklig mental hälsa.Många läsare har funderat på hur mycket av författaren som finns i Mrs Dalloway. Det är lite roligt, för Woolf var knappast någon borgerlig societetsdam som gav fester för konservativa premiärministrar och andra noggrant utvalda medlemmar av societeten. Hon var ju bohem, ganska så fattig, gift med en socialist och uppslukad av konst och litteratur. Mrs Dalloway broderar – Virginia Woolf läste James Joyce. Mrs Dalloway planerar menyer – Virginia Woolf satte texten till T.S. Eliots ”Det öde landet” – som gavs ut som bok på paret Woolfs lilla förlag 1923, samtidigt som Virginia skrev på sin roman.Men jag förstår tanken - för visst finns likheterna där. Clarissa ser och noterar det mesta som har med samtidens sociala spel att göra. Men till skillnad från sin skapare Virginia väljer hon bara att spela med. Kanske är Clarissa Dalloway allt det som Woolf själv hade kunnat bli, om hon inte gjort uppror mot det viktorianska samhälle hennes samtid och stränga far uppfostrade henne till.Och det är väl just i det att vara människa i världen, bland andra människor, som jag och Clarissa – och för den delen Virginia Woolf – möts och är lika varandra. Upptagna med vardagens små planer, fasta i oss själva och våra sinnens och tankars begränsningar medan livet pågår och pågår – och plötsligt slår oss med sin storslagenhet, skönhet och korthet – i varats utsträckta ögonblick.Och alla har vi väl våra egna varianter av Sally Seton-kyssar där någonstans längst inne: minnen som vi vårdar och som kommer att försvinna med oss.En av litteraturens främsta egenskaper är att den får oss att känna igen människor vi aldrig mött. Jag känner igen Clarissa Dalloway – trots att hon är hundra år äldre än jag och bara ett stycke text, en uppfinning. För någonstans är det ju ändå så, att Clarissa Dalloway, ja, det är ju jag.Och du.Karin Nykvistlitteraturvetare och kritikerLitteraturVirginia Woolf: Mrs Dalloway. Översättning: Eva Åsefeldt. Albert Bonniers förlag, 2025.

James Joyce, el genio irlandés.

Seguimos con Joyce.

Regresamos a James Joyce.

Matt Crawford speaks with Andrew Holter about his book, Going Around: Selected Journalism Murray Kempton. A courtly man of Southern roots, Murray Kempton worked as a labor reporter for the New York Post, won a Pulitzer Prize while at Newsday, and was arrested at the Democratic National Convention in Chicago along the way. He wore three piece suits and polished oxfords and was known for riding his bicycle around New York City while listening to his CD Walkman and smoking a pipe with wild red hair that later turned white. He developed a taste for baroque prose and became, in the words of Robert Silvers, his editor at The New York Review of Books, ''unmatched in his moral insight into the hypocrisies of politics and their consequences for the poor and powerless.'' He went to court proceedings and traffic accidents and funerals and to speeches by people who either were or wanted to be rich and famous. He wrote about everything and anybody—Tonya Harding and Warren Harding, Fidel Castro and Mussolini, Harry Truman and Sal Maglie, St. Francis of Assisi and James Joyce and J. Edgar Hoover. From dispatches from a hardscrabble coal town in Western Maryland, a bus carrying Freedom Riders through Mississippi, an Iowa cornfield with Nikita Krushchev, an encampment of guerrillas in El Salvador, and Moscow at the end of the Soviet Union (these last two assignments filed by a reporter in his 70s), Kempton's concerns and interests were extraordinarily broad. He wrote about subjects from H.L. Mencken to Tupac Shakur; organized labor and McCarthyism; the Civil Rights and Black Power movements; presidential hopefuls and Mafiosi; frauds and failures of all stripes; the “splendors and miseries” of life in New York City.

Satan comes forward a sinkapace.Topics in this episode include Goethe's Wilhelm Meister, Goethe's thoughts on Hamlet translated through Thomas Lyster, Elizabethan dances, Sir Toby Belch, Monsieur de la Palice and a hilarious French pun, John Milton, Paradise Lost, Stephen's six brave medicals, Marie Corelli's The Sorrows of Satan, Cranly, Medical Dick and Medical Davy, betrayal, W.B.'s shining seven, the significance of the number seven, Malacoda's trumpet, Dante, extended Wicklow imagery, Satanic imagery in the works of Joyce, Stephen's Luciferian impulses, Diablous in Musica, and Stephen's ultimate rejection of Satan despite his declaration of “Non serviam.”Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.On the Blog:Decoding Dedalus: Folly. Persist.Blooms & Barnacles Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

Cette semaine, pas de cinéma, nouvelle exploration de l'univers d'un écrivain par son Verbe et la musique, c'est la mixtake numéro 53 de la maison de la rédaction, spéciale William Burroughs.L'écrivain né de la fusion des esprits et de la pensée de la Beat Generation était un poète-machine, le cerveau dérivant dans l'Interzone, narrateur des mondes spéculatifs, explorateur des formes et inventeur d'une nouvelle littérature, qui pense, agit et déchire les univers visibles pour, non révéler, mais faire advenir l'invisible.Il s'appelait William Seward Burroughs, humble praticien du métier de scribe – Sergent Major de l'Escadron Shakespeare pendant la guerre dont personne ne sait rien sauf ceux qui y ont participé, quand toute la cabine à chiottes était sur le point de sauter. (12 avril 1997 – Ultimes Paroles)Cette mixtake a été orchestrée par El Comandante, avec l'indispensable savante contribution de Friedrich Marlenstahl, membre de la branche Service Action du Politburo du Front Gauche de l'Art.01 Prégénérique / William's Welcome (Dead City Radio)02 Extrait / Burroughs: The Movie (Howard Brookner)03 Marianne Faithfull & Master Musicians of Joujouka / My Only Friend04 WSB / Spare Ass Annie05 WSB & Gus Van Sant / Word Is Virus06 Extrait / Drugstore Cowboy07 Brion Gysin, Frederic Cousseau, Yann Le Ker, Ramuntcho Matta / Junk08 BFY / Burroughs Called The Law09 Dave Ball, Genisis P. Orrigde, WSB / Dream10 The Total Taste Is Here / News Cut-Up Choral Section Backwards11 Laurie Anderson / Sharkey's Night12 Maurice Dantec / la place de Burroughs13 WSB - Inching / Is This Machine Recording ( Nothing Here Now But The Recordings)14 Brion Gysin / Kick15 WSB / No More Stalins, No More Hitler16 Beastianity / The Hatred That Pleasure Brings17 Naked Lunch's Trailer18 Howard Shore &  Ornette Coleman / Naked Lunch19 Tom Waits / Tain't No Sin (from the muscial fable The Black Rider - The Casting of the Magic Bullets)20 Bomb The Bass / 5ml Barrel21 Joy Division / Interzone22 WSB / Words of Advice for Young People"Dans ces autres professions, vous pouvez toujours faire semblant. Par contre, si vous écrivez sans y croire, vous ne produirez que de la merde. Le métier a beaucoup d'inconvénients ? Bien sûr, vous pouvez sortir d'une villa aux Bahamas en chevauchant un requin blanc ou vous pouvez passer vingt ans à écrire Le Grand Livre que personne ne pourra lire. James Joyce a écrit quelques unes des meilleures pages de prose en littérature - Les Morts, Les Gens de Dublin - mais pouvait-il en rester là et se cantonner à des histoires délicieuses à propos des Catholiques irlandais malheureux ? Si ça avait été le cas, le monde l'aurait récompensé en lui accordant le prix Nobel. Maintenant personne n'a jamais dit à un docteur : "Ecoute, toubib, tes opérations du cul sont vraiment extra, beaucoup de tantouzes te sont reconnaissantes de pouvoir continuer à se faire enculer mais faudrait qu'tu trouves quelque chose de nouveau" -. Naturellement, il n'a pas à trouver quelque chose. C'est toujours le même bon vieux cul. Mais un écrivain doit produire du neuf, ou il doit standardiser son produit - l'un ou l'autre. Ainsi je pourrais standardiser le produit Peter Pan-Pédé-Garçon Sauvage, et en sortir un tous les ans comme la série des Tarzan ; ou bien je pourrais écrire un Finnegans Wake. Aussi, j'ai cette idée au sujet d'un privé et des Cités de la nuit rouge. Quien sabe ?" (WSB "Le temps des assassins")

Suzanne Vega usually heads straight to the compost heap for song ideas. "I have a compost heap of at least 50 notebooks dating back many years, and I pull from those notebooks when writing a new album," Vega says. She starts the process with a theme in mind then heads straight to that pile of notebooks to look for ideas to fit the theme. Some of her songs take years to emerge: "Lucinda" started as an idea more than 25 years ago. It's a pretty rich compost heap that can produce "Tom's Diner" and "Luka." Vega wrote "Tom's Diner" on a walk after leaving the diner, further proof of how movement improves the creative process. She's also a voracious reader and cites James Joyce as a big influence.Suzanne Vega's latest album is Flying With Angels on Cooking Vinyl Records.

In this episode, Trevor and Paul are joined by Chris Via of Leaf by Leaf to celebrate the experience of reading big books. From the books that once intimidated us to the ones we now can't imagine our overburdened shelves without, we dive into what makes a book feel "big." Along the way, we share personal stories, favorite strategies for tackling doorstoppers, the books that stretched us as readers, and reflect on why some big books stay with us for life. Whether you're a lifelong lover of big books or someone who's still building up your wrist strength, this is an episode for you.We'd love to hear from you, too—what are your favorite big books? Which ones are still looming on your to-be-read pile, daring you to pick them up? Let us know!Join the Mookse and the Gripes on DiscordAn easy place to respond to our question above is over on Discord!We're creating a welcoming space for thoughtful, engaging discussions about great novellas—and other books things. Whether you want to share insights, ask questions, or simply follow along, we'd love to have you.ShownotesBooks* War and Peace, by Leo Tolstoy, translated by Anthony Briggs* 2666, by Roberto Bolaño, translated by Natasha Wimmer* The Guermantes Way, by Marcel Proust* FEM, by Magda Carneci, translated by Sean Cotter* Blinding, by Mircea Cărtărescu, translated by Sean Cotter* Solenoid, by Mircea Cărtărescu, translated by Sean Cotter* Novel Explosives, by Jim Gauer* Bookwork: Conversations with Michael Silverblatt* The Recognitions, by William Gaddis* The Dying Grass: A Novel of the New Perce War, by William T. Vollmann* Faust, Part One: A New Translation with Illustrations, by Johann Wolfgang van Goethe, translated by Zsuzsanna Ozsváth and Frederick Turner* Invidicum, by Michael Brodsky* The Ice-Shirt, by William T. Vollmann* The Aesthetics of Resistance, by Peter Weiss, translated by Joachim Neugroschel* Middlemarch, by George Eliot* Great Granny Webster, by Caroline Blackwood* Pilgrimage, by Dorothy Richardson* Lonesome Dove, by Larry McMurtry* Moby Dick, by Herman Melville* Train Dreams, by Denis Johnson* Magpie Murders, by Anthony Horowitz* Nausea, by Jean-Paul Sartre, translated by Richard Howard* Schattenfroh, by Micheal Lentz, translated by Max Lawton* The Sword of Shannara, by Terry Brooks* The Brothers Karamazov, by Fyodor Dostoevsky, translated by Andrew R. MacAndrew* It, by Stephen King* The Stand, by Stephen King* Shogun, by James Clavell* Tom's Crossing, by Mark Z. Danielewski* Women and Men, by Joseph McElroy* Swann's Way, by Marcel Proust* Lies and Sorcery, by Elsa Morante, translated by Jenny McPhee* Miss MacIntosh, My Darling, by Marguerite Young* The Blue Room, by Hanne Ørstavik, translated by Deborah Dawkin* Against the Day, by Thomas Pynchon* Ulysses, by James Joyce* 4 3 2 1, by Paul Auster* Invisible Man, by Ralph Ellison* Shadow Ticket, by Thomas Pynchon* The Tunnel, by William H. Gass* A Suitable Boy, by Vikram Seth* The Golden Gate, by Vikram Seth* The Story of a Life, by Konstantin Paustovsky, translated by Doug Smith* The Tale of Genji, by Murasaki Shikibu, translated by Royall Tylor* A Little Life, by Hanya Yanagihara* The People in the Trees, by Hanya Yanagihara* Stone Upon Stone, by Wiesław Myśliwski, translated by Bill Johnston* Needle's Eye, by Wiesław Myśliwski, translated by Bill JohnstonOther* Leaf by Leaf* Episode 1: Bucket List Books* Episode 99: Books We Think About All the Time, with Elisa Gabbert* The Untranslated: Schattenfroh by Michael LentzThe Mookse and the Gripes Podcast is a bookish conversation hosted by Paul and Trevor. Every other week, we explore a bookish topic and celebrate our love of reading. We're glad you're here, and we hope you'll continue to join us on this literary journey!A huge thank you to those who help make this podcast possible! If you'd like to support us, you can do so via Substack or Patreon. Subscribers receive access to periodic bonus episodes and early access to all new episodes. Plus, each supporter gets their own dedicated feed, allowing them to download episodes a few days before they're released to the public. We'd love for you to check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

The Head of English at an Auckland college says he won't teach the proposed new English curriculum and is urging other teachers to boycott it too. The draft curriculum released earlier this month comes with a list of suggested texts including Arthur Miller's the Crucible, Edgar Allan Poe's the raven,1984 by George Orwell and Dubliners by James Joyce. The draft document makes no mention of Te Mataiaho a learning frame work grounded in Te Tiriti o Waitangi. Northcote College head of English David Taylor spoke to Lisa Owen.

"The struggle is the cost of admission. It is the price of doing business." - Stephen MarcheStephen Marche: On Writing, Failure, and the Enduring Struggle of the Creative Life

Eglinton knows Best.Topics in this episode include the real-life versions of John Eglinton and Richard Best, Best's contribution to the study of Irish mythology, how Best supported James Joyce's abandoned music career, what his portrayal in Ulysses gets right and wrong, how the real Best felt about his fictional counterpart in Ulysses, gay-coding and homophobia in the fictional portrayal of Best, Oscar Wilde, the ancient Greeks, Joyce's misguided attempt to re-connect with Best in 1909, William Kirkpatrick Magee (aka John Eglinton) and his contribution to Irish literature, Eglinton as an outsider, stories of Joyce and Gogarty terrorizing Eglinton, a rude limerick, the time Eglinton rejected Joyce's Portrait, and Eglinton's reaction to being portrayed in Ulysses.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast. On the Blog:Who Were the Real Men in the Library from "Scylla and Charybdis"?Blooms & Barnacles Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

In this episode, Mike Gathers chats with Eric Wagner about his new book, Straight Outta Dublin on Robert Anton Wilson and James Joyce and much more • • • Insider's Guide to Robert Anton Wilson https://www.amazon.com/Insiders-Guide-Robert-Anton-Wilson-ebook/dp/B08CVVM6SJ Eric wrote an introduction to RAW's WILHELM REICH IN HELL https://www.hilaritaspress.com/portfolio-item/wilhelm-reich-in-hell/ Eric Wagner on Ezra Pound: Hilaritas Press Podcast https://www.hilaritaspress.com/podcasts/eric-wagner-on-ezra-pound-episode-19/ Erick Wagner on Beethoven & RAW https://www.hilaritaspress.com/podcasts/eric-wagner-on-beethoven-raw-hilaritas-press-podcast-episode-12/ • • • Host Mike Gathers: https://linktr.ee/mgathers23 Producer/Engineer Richard Rasa: http://www.pelorian.com/rasa.html

In this episode of Spirit Box, I sit down with Gabriel Kennedy to discuss his new book, Chapel Perilous: The Life and Thought Crimes of Robert Anton Wilson. We explore Wilson's life, influences, and enduring ideas, with a particular focus on his concept of Chapel Perilous—an initiatory state of uncertainty, where perception is destabilized, and transformation is possible.Our conversation takes us through Wilson's time in Ireland, his engagement with esoteric and mystical traditions, and the deep imprint of Irish history and culture on his work. We also examine the broader themes of language loss, intergenerational trauma, and how these forces shape identity and collective memory. Gabriel shares the extensive research that went into writing his book, including interviews with nearly 75 people, and how Wilson's ideas remain relevant in today's world of uncertainty and paradigm shifts.In the Plus show, we go deeper into Robert Anton Wilson's time in Ireland and the profound themes he explored in The Widow's Son. Gabriel and I discuss how Wilson's time in Ireland, following personal tragedies, shaped his later works and connected him to the country's cultural and historical complexities. Through the novel's protagonist, Wilson examines intergenerational trauma, Irish identity, and the lingering scars of colonial history—ideas that remain deeply relevant today.We also explore the lasting impact of language loss in Ireland, tracing its roots to the famine and the cultural suppression that followed. Drawing on Translations by Brian Friel, we discuss how language shapes perception and identity, and how its revival is an act of cultural reclamation. This ties into a broader conversation on intergenerational trauma, the epigenetic effects of famine and stress, and the ongoing resurgence of ancestral practices like stone lifting and the Irish language.The conversation weaves together mysticism, history, and deep cultural memory—tracing how the echoes of the past still shape the present.Show Notes:Book website Robert Anton Wilson Biography - Explore the Life of a Visionary AuthorProp's Substack | Gabriel Kennedy aka Prop Anon | SubstackAbout – Gabriel Kennedy – MediumChapel Perilous: The Life and Thought Crimes of Robert Anton Wilson – Gabriel Kennedy's biography of RAW.Cosmic Trigger: Volume One – Wilson's exploration of Chapel Perilous and his experiences with synchronicity, psychedelics, and the occult.The Widow's Son – A novel exploring Irish history, identity, and intergenerational trauma.Prometheus Rising – A deep dive into consciousness, psychology, and personal reality tunnels.The Illuminatus! Trilogy (co-written with Robert Shea) – A countercultural classic blending conspiracy, satire, and esotericism.Translations – Brian Friel's play about language loss and cultural identity in Ireland.The Graves Are Walking: The Great Famine and the Saga of the Irish People – John Kelly's historical account of the Irish Famine.The Atlantean Irish – Bob Quinn's exploration of Ireland's connections to North Africa and ancient maritime cultures.Grant Morrison Disinfo 2000 speech - Just epic.The White Boys - 18th century Irish direct action society.Coffin ships - a popular idiom used to describe the ships that carried Irish migrants escaping the Great Famine.Bloomsday - annual celebration of the life of James Joyce observed in Dublin on June 16th.Keep in touch?https://linktr.ee/darraghmasonMusic by Obliqka https://soundcloud.com/obliqka

durée : 00:28:10 - Les Nuits de France Culture, archives d'exception - par : Mathias Le Gargasson - L'écrivaine Nathalie Sarraute a été fortement influencée par James Joyce, Virginia Woolf et Marcel Proust. Dans "Les chemins de la connaissance", en 1974, elle explique en quoi son travail participe lui aussi de cette écriture de l'intériorité développée tout au long du 20e siècle. - réalisation : Thomas Jost - invités : Nathalie Sarraute Écrivaine (1900 - 1999)

Katharina Hagena schrieb zwei Bücher über James Joyce, bevor sie den Roman „Der Geschmack von Apfelkernen“ veröffentlichte, der sich mittlerweile 1,5 Millionen Mal verkauft hat und verfilmt wurde. Ihr vierter Roman „Flusslinien“ handelt von der 102-jährigen Margret, die sich von ihrer Enkelin Luzie tätowieren lässt. Katharina ist im Gespräch genauso originell, amüsant und wortgewandt wie in ihren Büchern – was dieses Interview zu einem großen Vergnügen macht. Wir sprechen über James Joyce, über Tattoos und darüber, warum deutsche Literatur bloß nicht zu unterhaltsam sein darf. Und weil Kristian unbedingt wissen wollte, wie Apfelkerne schmecken, gibt es eine Live-Verkostung.

Bob Dobbs was Marshall McLuhan's archivist, and is a renegade McLuhan scholar. In this episode we discuss the work of James Joyce, Marshall McLuhan, and Joyce's Finnegans Wake.Dobb's site: https://ionandbob.com/---Become part of the Hermitix community:Hermitix Twitter - / hermitixpodcast Hermitix Discord - / discord Support Hermitix:Hermitix Subscription - https://hermitix.net/subscribe/ Patreon - / hermitix Donations: - https://www.paypal.me/hermitixpodHermitix Merchandise - http://teespring.com/stores/hermitix-2Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

Here be monsters.We crack into Ulysses' ninth episode: "Scylla and Charybdis." Topics in this episode include: a great philosopher's thoughts on Shakespeare, Dermot, another great philosopher's, thoughts on Shakespeare, Odysseus' encounter with Scylla and Charybdis, the geography and currents of the Strait of Messina that likely inspired the story of Scylla and Charybdis, the triumphant return of Stephen Dedalus, Aristotle and Plato, George Æ Russell the engulfer of souls, why the brain is man's cruelest weapon, intellectual dialectic contrasted with empty rhetoric, the National Library of Ireland and why it's great, "The Holy Office", well-timed lunch, Stephen Dedalus' three forms of literature, Henrik Ibsen and the primacy of drama in Stephen's literary schema, and how to navigate between two sea monsters.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.Blooms & Barnacles Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube 

Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button.   You can find Ben Shattuck at his website https://www.benshattuck.com/ or on IG @Benshattuck_   This week we chat with Ben Shattuck, author of Six Walks: In the Footsteps of Henry David Thoreau published by Tin House Books in 2022.  Amy knew this book would appeal to Carrie because she is nothing if not a literary weirdo, and she has been since high school when she quoted from Thoreau in her senior yearbook. Despite her hopes that Ben would, like her, have a high school infatuation with Thoreau, he explains that his interest began much later. Even if you don't know anything about Thoreau, if you're a walker or a hiker, you have experienced the unique meditative impact of this activity and can appreciate Ben's insights on it. Ben also has a book of fiction out titled The History of Sound that is a finalist for the Pen/Faulkner prize so we are just really thrilled to have him with us today.  And this week, for our recommendations section, we didn't just pick a random topic like asparagus or comas to share books about—we actually continue with the theme of walking. We each share at least 3 books that feature walking, hiking, or being in nature in some meditative way. We have literary fiction, memoirs, essays, and even a romance.   Books mentioned-- 1- Six Walks: In the Footsteps of Henry David Thoreau by Ben Shattuck   2- The History of Sound by Ben Shattuck   3- Better Living Through Birding: Notes from a Black Man in the Natural World by Christian Cooper   4- A Paris Year: My Day to Day Adventures in the Most Romantic City in the World by Janice Macleod   5- Dear Paris by Janice Macleod   6- The French Ingredient: A Memoir by Jane Bertch (La Cuisine French Cooking School)   7- Teaching a Stone to Talk by Annie Dillard   8- Pilgrim at Tinker Creek by Annie Dillard   9- The Journals of Henry David Thoreau by Henry David Thoreau    10 - Matrix by Lauren Groff   11- Year of Wonder by Geraldine Brooks   12- Remarkably Bright Creatures by Shelby Van Pelt   13- Dancing Woman by Elaine Neil Orr   14- A 5 Star Read Recommended by Fellow Book Lover Simone Praylow @fullof_lit - Twenty Years Later by Charlie Donlea   15- Summit Lake by Charlie Donlea   16- Don't Believe It by Charlie Donlea   17- In My Boots: A Memoir of 5 Million Steps Along the Appalachian Trail by Amanda K. Jaros 18- Going to Maine: All the Ways to Fall on the Appalachian Trail by Sally Chaffin Brooks 19- The Unforeseen Wilderness: Kentucky's Red River Gorge by Wendell Berry 20- Windswept: Walking the Paths of Trailblazing Women by Annabelle Abbs 21- Ulysses by James Joyce  22- The Paris Bookseller by Kerri Maher 23- The Guide to James Joyce's Ulysses by Patrick Hastings 24- The Unlikely Pilgrimage of Harold Fry by Rachel Joyce 25- You Are Here by David Nichols   Media mentioned-- The Residence (Netflix, 2024)  

In the grand tradition of Finnegans Wake, WAKE has looped back around on itself to become a self-generating machine, as we welcome back musical innovator and the most reckless of stramashers, Tommy Mackay, to talk about WAKE: the Album! Yes, this very podcast is honoured to be the inspiration for at least half the tracks on Tommy's new (stra)mash-up album of music, smashing WAKE readings into the music of Taylor Swift, Wham!, Devo, and more, with more groan-worthy dad-joke pun titles than you could possibly handle. There's a sailor on a horse! There's an invitation to suck a sugarstick! There's Gráinne O'Malley's girl power! Join us for a track-by-track odyssey through WAKE: the Album, in the hope that no takedown notices emerge to ruin anyone's fun.This week's chatters: Tommy Mackay, Toby Malone, TJ YoungReferencesWAKE: the Album on Bandcamp WAKE: the Album on the Daily Reckless Album details:A collection of stramash-ups by Tommy Mackay drawn from readings of James Joyce's 'Finnegans Wake'Main sources:WAKE podcast - www.youtube.com/@WAKEpod One Little Goat Theatre Company - www.onelittlegoat.org/finneganswake Released April 4, 2025Clips used by permission from the WAKE podcast by Toby Malone and TJ Young and also the audio-visual book by One Little Goat Theatre Company read by Richard Harte, directed by Adam Seelig.Individual credits in song info.all rights reservedFinnegan's Wake 03:38. trad. Played and sung by Kevin Kennedy from the One Little Goat theatre company production, directed by Adam Seelig. www.onelittlegoat.org/finneganswakeWake Me Up Before You Goan 03:13. performed by Richard Harte from the One Little Goat theatre company production. Music - Maucoli the pianoman's version of Wham's 'Wake Me Up Before You Go Go.''The Ballad Of Persse O'Reilly 06:31. performed by Meg Logue from the Wake podcast.Thunderwords 01:58. read by Adam Harvey, Joyce Geek - joycegeek.com/thundervideos/ Music - Thunderbirds theme tuneTip It! 04:37. performed by Richard Harte from the One Little Goat theatre company production. Backing track - 'Whip It!' by Devo.Denti Alligator 02:43. From the Wake podcast, read by Toby Malone, TJ Young, Tommy Mackay.  Music - 'See You Later Alligator' Bill Haley and The CometsThunderslog 04:06. from the Wake podcast -Toby Malone, TJ Young. Music Steve 'n' Seagulls live cover of AC/DC's 'Thunderstruck.' Lady Macbeth - Kate Fleetwood from the 2010 Rupert Goold production.Cunstuntonoplies 02:48. read by Patrick Horgan, 1985.  Music - 'Istanbul Not Constantinople' by They Might Be Giants.Wake It Off 03:45. performed by Richard Harte from the One Little Goat theatre company production.  Backing track 'Shake It Off ' by Taylor Swift.Respectable 03:20. Seth Austin from the Wake podcast.  Music - 'Respectable' by Mel and Kim.Suck It Yourself, Sugarstick! 03:48. Toby Malone, Sarah Kane from the Wake podcast. Music - 'Suck It And See' by Arctic Monkeys.Wake That 06:20. performed by Richard Harte from the One Little Goat theatre company production. Music - 'Never Forget instrumental' by Take That.Bonus Tracks:Hi Ho Silver Sailor https://www.dailyreckless.com/2025/04/06/hi-ho-silver-sailor/ Fanfare for ALPOlwen Fouéré's riverrun: ⁠https://www.theguardian.com/stage/2014/feb/14/riverrun-joyce-finnegans-wake-olwen-fouere-national-theatre⁠ Other references:Allaster Mckallester: https://www.instagram.com/mckallaster/ ReWiggled: https://open.spotify.com/album/7pMmcRjBt41hvqnFQHqYb2 Finnegans Dreams: https://www.dailyreckless.com/2024/08/15/finnegans-dreams/ McCourt, John. ‘Denti Alligator' or ‘Airtight Alligator': Reading Dante with Joyce and Beckett. For early drops, community and show notes, join us at our free Patreon, at⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

We discuss Oscar Wilde's novel, The Picture of Dorian Gray. To listen to the full episode, visit patreon.com/barnaclecast 

We learn: This man LOVED farts I had to filter out the really bad ones His girlfriend was wild Go on, read it for yourself: https://youtu.be/4BdV07aPE_8?si=4Wra-LIdX3IL5Mkm Listen anywhere: nuzzlehouse.com Your bedtime story read aloud for grown ups. Support Nuzzle House by contributing to their tip jar: https://tips.pinecast.com/jar/nuzzle-house Send us your feedback online: https://pinecast.com/feedback/nuzzle-house/3367d3a2-b9e4-40ba-ae80-d0d0eac5c945

Join us as Larry Kirwan spins us back to the vibrant, violent New York City of the 1980s and the lives of the mostly undocumented Irish who called a patch of turf there home, in his novel Rockin' The Bronx. Best known as the frontman for the legendary Irish-inflected rock & roll band Black 47, Larry delves into themes of immigration, Irish and Hispanic cultural intersections, the shifting fortunes of the navvies and the nannies, the unnamed scourge of AIDS, Reagan-era politics, and his creative process in writing plays, novels, and music. “I could tell you how to write a novel, and how to write a play, basically in five minutes each,” he says. “With songwriting, I still don't understand it. It's that moment when the hammer hits the anvil, and sparks fly.” Now the Wexford native is combining his songwriter and playwright skills in a new musical on labor organizer Elizabeth Gurley Flynn. And stick around for Martin's reading of a Rockin' The Bronx passage reminiscent of the closing section of James Joyce's “The Dead.” LinksBook Orders:Fordham University Press: Rockin' The BronxLarry KirwanWikipediaBlack 47Celtic Crush with Larry KirwanCeltic Crush FacebookPrior Irish Stew EpisodeEpisode Details: Season 7, Episode 9; Total Episode Count: 112

Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women's Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland. Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century. Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women's Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland. Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century. Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women's Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland. Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century. Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women's Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland. Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century. Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Merriam-Webster's Word of the Day for March 11, 2025 is: quark • KWORK • noun Quark is a word used in physics to refer to any one of several types of very small particles that make up matter. // Quarks, which combine together to form protons and neutrons, come in six types, or flavors: up, down, charm, strange, top, and bottom. See the entry > Examples: “One quantum field is special because its default value can change. Called the Higgs field, it controls the mass of many fundamental particles, like electrons and quarks. Unlike every other quantum field physicists have discovered, the Higgs field has a default value above zero. Dialing the Higgs field value up or down would increase or decrease the mass of electrons and other particles. If the setting of the Higgs field were zero, those particles would be massless.” — Matt Von Hippel, Wired, 19 Aug. 2024 Did you know? If you were a physics major, chances are that James Joyce didn't make it onto your syllabus. While literature majors are likely more familiar with his work, Joyce has a surprising tie to physics. In the early 1960s, American physicist Murray Gell-Man came up with the word quork, which he used to refer to his concept of an elementary particle smaller than a proton or neutron (by his own account he was in the habit of using names like “squeak” and “squork” for peculiar objects). He later settled on the spelling quark after reading a line from James Joyce's Finnegans Wake: “Three quarks for Muster Mark! / Sure he has not got much of a bark / And sure any he has it's all beside the mark.” The name stuck and has been used by physicists ever since.

Caleb starts today's episode with some trouble he's having reading Ulysses by James Joyce. After that, we sit back, relax, and discuss the numerous obstacles we've encountered from editors when reviewing the edits for our works set for publication.  You can follow us on Instagram, Facebook, and Twitter @dpwpodcast You can check out Caleb's work at www.calebjamesk.com. 

We discuss the 1949 film, The Third Man because James Joyce is briefly mentioned in it. Also, it's a really good movie.Listen to or watch the full episode at patreon.com/barnaclecast

On the latest episode of ‘New Classical Tracks,' with host Julie Amacher, Desmond Earley and the Choral Scholars of University College Dublin honor James Joyce on a new album featuring his poem collection ‘Chamber Music.' Listen now!

A wild Blazes Boylan appears.Topics in this episode include the incredible story of Reverend Thomas Connellan, the Bible Wars, Soupers, the Bird's Nest orphanage, apostasy and conversion, a typographical error heroically corrected, the blind stripling, whether or not the blind stripling actually wants help from Leopold Bloom, Bloom's savior complex, Bloom's empathy, the history of blind piano tuners, whether or not blind people's other senses are stronger than those of sighted people, whether or not wine loses its flavor based on appearance, parallels between the blind stripling and Stephen Dedalus, how Joyce's eye trouble influenced the development of the blind stripling, how Joyce used the blind stripling to work out his personal stuggles on the page, the dreams of blind people, the General Slocum disaster, Sir Frederick Falkiner, the Mirus Bazaar, Handel's Messiah, and escaping Blazes Boylan.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.Blooms & Barnacles Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

Elizabeth previews a selection of stories from Dubliners by James Joyce published in 1914.This season is a premium exclusive. To enjoy it and our entire catalog of sleepy books try The Sleepy Bookshelf Premium free for 7 days: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sleepybookshelf.supercast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Are you loving The Sleepy Bookshelf? Show your support by giving us a review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow the show on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Vote on upcoming books via the Survey on our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sleepybookshelf.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to the music from The Sleepy Bookshelf in a relaxing soundscape on Deep Sleep Sounds:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=zxRt2AI7f80⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Having an issue with The Sleepy Bookshelf or have a question for us? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our FAQs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Connect: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you so much for joining us here at The Sleepy Bookshelf. Now, let's open our book for this evening. Sweet dreams

Celtic music and culture will live on and on with a new Kickstarter. It's Celtic Forever on the Irish & Celtic Music Podcast #695 . Subscribe now! Sorcha, Matt & Shannon Heaton, Fialla, Arise & Go, Marc Gunn, Vicki Swan & Jonny Dyer, The Byrne Brothers, Cherish The Ladies, Poitín, Ian Fontova, The Gothard Sisters, Dancing With Hobbits,, Mànran, Screaming Orphans GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on Spotify to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:06 - Sorcha "Stomp the Floor / Slide from Grace / The Mouse in the Kitchen" from Stomp the Floor 4:07 - WELCOME 7:24 - Matt & Shannon Heaton "Limerick Liftoff/Little - Leaf Linden (slip jigs)" from Whirring Wings 10:15 - Fialla "Little Drummer" from Home & Away 14:00 - Arise & Go "The Dirty Bee: La Grondeuse / Mutt's Favourite / Break Yer Bass Drone / The Dirty Bee" from Meeting Place 19:11 - Marc Gunn "Selkie's Life" from Come Adventure With Me 22:48 - FEEDBACK 25:57 - Vicki Swan & Jonny Dyer "John Lover" from Twelve Months & A Day 30:24 - The Byrne Brothers "Trip to Herve's" from single 32:42 - Cherish The Ladies "Broken Wings" from One And All, The Best of Cherish the Ladies 37:56 - Poitín "The Maid Of Amsterdam" from One For The Road 40:50 - THANKS 44:34 - Ian Fontova "The Giants Path" from Tales of Olden, Vol. 2 46:55 - The Gothard Sisters "Wise One" from Dragonfly 51:08 - Marc Gunn and Dancing With Hobbits "Prancing Pony" from Don't Go Drinking With Hobbits 53:40 - Mànran "Foghar" from Ùrar 58:04 - CLOSING 1:01:00 - Screaming Orphans "This Is the Life" from Paper Daisies 1:03:36 - CREDITS The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Reduce, reuse, recycle, and talk with others about climate change. What are you doing to combat climate change?  Let me know what you're doing.      Start a discussion with someone today. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and host of Folk Songs & Stories. This podcast is for fans of Celtic music. It is here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and get a free music - only episode. It's the same email address if you're a musician who wants their music played on the show. Just email. Just email follow@bestcelticmusic If you are a Celtic musician and want your music featured on the show, I would love to play your music. Please submit your band to be played on the podcast. You don't have to send in music or an EPK. You will get a free eBook called Celtic Musicians Guide to Digital Music and learn how to follow the podcast. It's 100% free. It was a bit of a challenge, but I launched the 2024 Kickstarter for the podcast. It was a challenge because I'm just over two weeks out from having hip replacement surgery. It's incredible that they can do this major surgery and just two weeks later I am walking. I mean, I am still working hard every day to strengthen my leg, but just wow. Nevertheless, I only had two episodes in the can. And I'm struggling to stay on top of the podcast, let alone launch a Kickstarter. But the Kickstarter is designed to promote the podcast, so it makes sense to launch it as soon as possible. Anyway, if you love the podcast, hearing all of this great music each and every week, even when I'm kinda down for the count. If you want to preserve your love of the best Celtic songs and tunes of 2024. If you want to celebrate Celtic culture through music, please consider supporting the Kickstarter for the Irish & Celtic Music Podcast. THANK YOU PATRONS OF THE PODCAST! You are why I keep sharing new episodes four times per month. Your kindness pays for our engineer, graphic designer, Celtic Music Magazine editor, and promotion of the podcast. Your kindness allows me to buy the music I play here. It also pays for my time creating the show each and every week. As a patron, you get ad - free and music - only episodes before regular listeners. You get to vote in the Celtic Top 20. You get free music downloads and sheet music. And you get a private feed to listen to the show or you can listen through the Patreon app.  All that for as little as $3 per month. A special thanks to our new and continued Patrons of the Podcast: Rebecca Ashworth, Seamus, William Brian Sachs, Michael, Mike Degan, Oscar García Muñoz, Matt Bergen HERE IS YOUR THREE STEP PLAN TO SUPPORT THE PODCAST Go to our Patreon page. Decide how much you want to pledge every month, $3, $12, $25. Keep listening to the Irish & Celtic Music Podcast to celebrate Celtic culture through music. You can become a generous Patron of the Podcast on Patreon at SongHenge.com. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. In June 2025, we are going on a Celtic Invasion of Wexford, Ireland as we explore Ireland's southeast corner. We'll visit a whiskey distillery. We'll see castles and a windmill. We'll see ocean life on a ferry, visit a heritage center and see the beauty of the Wicklow mountains. This is a trip you will remember. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticmusicpodcast I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? I'd love to see a  picture of what you're doing while listening. Is there a new Celtic CD or Celtic band that you heard of or saw? Send a picture. Email me at follow@bestcelticmusic. Christopher Patrick emailed: “Hello, Marc! I was just listening to the most recent 'cast, and enjoyed it as always. I was also happy to hear you mention my artwork for the upcoming kickstarter album pin. However, I need to say, my name is Toler. I know my email is MrChristopherPatrick, but my full name is Christopher Patrick Toler. Having a couple of cousins who are ALSO named Chris Toler, (and wanting the signature 'Chris P.' for a comic strip I also do, prompted the use of my middle name. I now find myself attempting to start a brand, 'Tolergraphics,' and believe having my correct name mentioned along with talk of my designs would be helpful. Thank you in advance for addressing this, Christopher (Patrick) Toler P.S. Still love listening to the podcast. I'm happy to be a small part of it!” Cheryl Arvio emailed: "Dear Marc, Loved the interview with Shannon Heaton, especially hearing about her time in Chicago and playing in sessions. My partner has known John Williams for years, and we are actually going to Brendan and Siobhan McKinney's restaurant tonight!  They host sessions there on Sundays. Great coincidence to hear them mentioned on your show just as we were planning to go to their place for dinner and a James Joyce program! If we run into them, I'll mention having heard the shout out on Irish & Celtic Music Podcast! Best, Cheryl"  

Founded in Chicago in 1914, the avant-garde journal the Little Review became a giant in the cause of modernism, publishing literature and art by luminaries such as T.S. Eliot, Djuna Barnes, William Butler Yeats, James Joyce, Ezra Pound, Pablo Picasso, Max Ernst, Gertrude Stein, Jean Toomer, William Carlos Williams, H.D., Amy Lowell, Marcel Duchamp, Joseph Stella, Hans Arp, Mina Loy, Emma Goldman, Wyndham Lewis, Hart Crane, Sherwood Anderson, and more. Perhaps most famously, the magazine published Joyce's Ulysses in serial form, causing a scandal and leading to a censorship trial that changed the course of literature. In this episode, Jacke talks to scholar Holly A. Baggett about her book Making No Compromise: Margaret Anderson, Jane Heap, and the Little Review, which tells the story of the two Midwestern women behind the Little Review, who were themselves iconoclastic rebels, living openly as lesbians and advocating for causes like anarchy, feminism, free love, and of course, groundbreaking literature and art. PLUS Phil Jones (Reading Samuel Johnson: Reception and Representation, 1750-1970) stops by to discuss his choice for the last book he will ever read. Additional listening: 600 Doctor Johnson! (with Phil Jones) 564 H.D. (with Lara Vetter) 165 Ezra Pound The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices