Podcasts about grunwald gallery

A couple months ago, I got invited to help put on an experiment in collective art-making. I was working with two smart, creative thinkers here on the IU campus. Carmel Curtis is the interim director of the IU Moving Image Archive – she initiated the project. And Linda Tien is the director of the Grunwald Gallery at the Eskenazi School of Art, Architecture, and Design. We invited people to the Grunwald to make film strips without cameras—which is to say, we had strips of blank film that they could draw on. While they were making their art, I interviewed three people—Amy Oelsner, Stephanie Littell, and Ileana Haberman—about times in their lives when they resisted the status quo. These weren't big, public shows of resistance, but changes in their own lives. After the conversations and the film-drawing, Carmel and her team of film archivists spliced the film together and we all watched the abstract film everyone had made. In today's episode, I'm sharing the interviews. If you want to see the film, you can watch it here.And I have an announcement: Here at WFIU, we are hard at work on a new project that will keep up the longform conversations with artists and thinkers that you love on Inner States. But will also do more reporting on what's going on in the arts here in Southern Indiana. That means this podcast feed's going to go quiet for a while. But don't unsubscribe! We'll announce the new project here in a few months. And I'm hoping to get at least one more Inner States episode out to you in the meantime.

This post was edited on October 17, 2020 for accuracy. Some facts/pronunciations in the original recording may be incorrect and differ from the text. State of Nature: Picturing Indiana Biodiversity, was created and put together by the Director of Grunwald Gallery, Elizabeth “Betsy” Stirratt, along with the help of fellow professors, local artists, and the Indiana …

Tuesday, October 2, 2018, Art Practical hosted an evening of conversation between Ana Teresa Fernández and Julio César Morales, who spoke about how their respective practices are influenced by each other’s work and processes. This conversation was recorded live at the San Francisco Art Institute. Between You & Me is a series of dialogic exchanges between artists and their collaborators and peers to materialize the countless conversations, musings, and debates that are often invisible yet play a significant role in the generative space of artmaking. This program is organized as part of an editorial column published online by Art Practical with support from the Kenneth Rainin Foundation, a private family foundation dedicated to enhancing quality of life by championing and sustaining the arts, promoting early childhood literacy, and supporting research to cure chronic disease. Ana Teresa Fernández, born in 1981 in Tampico, Mexico, lives and works in San Francisco. Her work explores the politics of intersectionality through time-based actions and social gestures, translated into masterful oil paintings, installations and videos. Within her work, performance becomes a tool for investigation as strong feminist undercurrents flow together with post-colonial rhetoric. Through her work, the artist illuminates the psychological and physical barriers that define gender, race, and class in Western society and the global south. Fernández has exhibited at the Denver Art Museum, Denver, CO, the Nevada Museum of Art, Reno, NV, Arizona State University Art Museum, Phoenix, AZ, the Grunwald Gallery at Indiana University, Bloomington, IN, Humboldt State University, Eureka, CA; the Tijuana Biennial, Tijuana, Mexico; Snite Museum at Notre Dame University, Notre Dame, IN; Yerba Buena Center for the Arts, San Francisco, CA and The Oakland Art Museum, Oakland, CA. Her work has been collected by institutions such the Denver Art Museum, the Nevada Museum of Art, and Kadist Art Foundation. Julio César Morales By deploying a range of media and visual strategies, Julio César Morales investigates issues of migration, underground economies, and labor on the personal and global scales. Morales’ practice employs multifarious mediums specific to each project or body of work. He has painted watercolor illustrations that diagram human trafficking methods, employed the DJ turntable, produced video and time-based pieces, reenacted a famous meal, all to elucidate social interactions and political perspectives. -- Subscribe to Art Practical on iTunes to catch more episodes! Check us out on Instagram at @artpracticalsf. #APaudio

The Grunwald Gallery presents Messengers, an exhibition of paintings, sculpture and works on paper by internationally known artist Bharti Kher

An exhibit at the Grunwald Gallery of Art explores the power of tattoos to delight, rebel and heal.

Personal effects mingle alongside safari souvenirs in an exhibition at the Grunwald Gallery representing the more curious contents of IU's collections.

Personal effects mingle alongside safari souvenirs in an exhibition at the Grunwald Gallery representing the more curious contents of IU's collections.

Patrick O’Meara interviews Yuri Dojc and Katya Krausova, who created the photography exhibition Last Folio at IU’s Grunwald Gallery of Art.