Podcasts about Personal

Today we are talking with a psych resident who has maxed out his personal and spousal IRAs for two years in a row. He found a lucrative moonlighting gig that has helped increase his income. His secret to success is getting educated early so you can get off on the right foot. He shows that you can start building your wealth long before you have reached your max income. After the interview we talking about boosting your income for Finance 101. As a white coat, you have valuable knowledge. Various companies want that knowledge. And they're willing to pay you for it! That's why we've put together a list of recommendations for companies that pay you to take surveys. If you're looking for a profitable side gig for not too much effort, getting paid for surveys could be the perfect solution for you. You can make extra money, start a solo 401(k), and use your medical knowledge to impact new products. One of the WCI columnists makes an extra $30,000 a year just doing these surveys. Sign up today and use a fraction of your downtime to make extra cash! Go to whitecoatinvestor.com/MDSurveys The White Coat Investor has been helping doctors, dentists, and other high-income professionals with their money since 2011. Our free personal finance resource covers an array of topics including how to use your retirement accounts, getting a doctor mortgage loan, how to manage your student loans, buying physician disability and malpractice insurance, asset allocation & asset location, how to invest in real estate, and so much more. We will help you learn how to manage your finances like a pro so you can stop worrying about money and start living your best life. If you're a high-income professional and ready to get a "fair shake" on Wall Street, The White Coat Investor is for you! Have you achieved a Milestone? You can be on the Milestones to Millionaire Podcast too! Apply here: https://whitecoatinvestor.com/milestones  Find 1000's of written articles on the blog: https://www.whitecoatinvestor.com  Our YouTube channel if you prefer watching videos to learn: https://www.whitecoatinvestor.com/youtube  Student Loan Advice for all your student loan needs: https://studentloanadvice.com  Join the community on Facebook: https://www.facebook.com/thewhitecoatinvestor  Join the community on Twitter: https://twitter.com/WCInvestor  Join the community on Instagram: https://www.instagram.com/thewhitecoatinvestor  Join the community on Reddit: https://www.reddit.com/r/whitecoatinvestor  Learn faster with our Online Courses: https://whitecoatinvestor.teachable.com  Sign up for our Newsletter here: https://www.whitecoatinvestor.com/free-monthly-newsletter  00:00 MtoM Podcast #252 03:05 Psych Resident Maxes Out Spousal and Personal IRAs 15:30 Advice For Others 18:20 Boosting Your Income as a Doctor

In this candid and energizing episode, host Patrick Kelly steps away from the fields and into the doctor's office—literally. Fresh from a recent medical checkup, Patrick shares what he learned, what surprised him, and why the conversation around health and wellness is more important than ever.Patrick opens up about how personal health ties directly into the produce industry, our food system, and the choices consumers make every day. From nutrition trends and preventative care to the pressures of modern life and the importance of listening to your body, this episode serves as both a reminder and a wake-up call: your health is your biggest asset.The future of produce, packaging, and innovation is happening at the SWIPE Expo, and you won't want to miss it. This is your chance to connect with industry leaders, explore groundbreaking technology, and discover what's next for the world of fresh produce.SWIPE Expo Registration: https://web.cvent.com/event/0ac4c457-55e5-4cb8-951e-71c1fb8944af/regProcessStep1Link to episode with Michelle Pearlman mentioned in this episode: https://music.amazon.com/podcasts/2db66830-74db-45d8-9f4c-393b131e1f87/episodes/ffc1cd72-5b7f-4efb-afb4-b3c84a966b91/the-produce-industry-podcast-w-patrick-kelly-power-of-food-as-medicine-w-dr-michelle-pearlman---ep381?referrer=https%3A%2F%2Fmusic.amazon.com%2F

If you want to show up meaningfully during the most generous—and most crowded—season of the year, LinkedIn may be your most overlooked year-end fundraising tool. We brought in LinkedIn strategist Tania Bhattacharya of Lumos Marketing to unpack how nonprofits can use the platform to grow visibility, spark connections, and strengthen warm relationships in the final weeks of the year.Top 3 Takeaways:Turn Gratitude Into Visibility — Year-end is the perfect moment to spotlight partners, volunteers, and community moments. Tagging people and companies creates a ripple effect that expands reach, builds trust, and even opens doors to corporate giving.Use Polls to Listen, Not Just Ask — Simple LinkedIn polls help donors and supporters engage without pressure—especially the “lurkers.” Asking what issues matter most gives you insight, follow-up opportunities, and content direction right when you need it.Lead With Humans, Not Just Logos — Personal profiles outperform company pages every time. Activate a visible leader, board member, or champion to share authentically, and use DMs, voice notes, and quick check-ins to nurture relationships before December 31.This episode gives you low-lift, high-impact ways to leverage LinkedIn in the final stretch—without burning out or reinventing your entire strategy. Welcome back to Working Sessions: hands-on, clarity-filled conversations designed to help you move real work forward inside your organization.Let's get to work.Episode Highlights: Harnessing the Ripple Effect with Volunteer Stories (03:01)Engaging with LinkedIn Polls (06:00)Building Connections through Direct Messaging (09:00)Personal vs. Organizational Posting (11:59)Importance of Personal Branding (12:00)Leveraging LinkedIn Direct Messages (14:49)Year-End Strategies on LinkedIn (15:00)Practical Tips for Ongoing Connection (16:00)Episode Shownotes: www.weareforgood.com/episode/662//Join the We Are For Good Community—completely free.Join fellow changemakers, share takeaways from this working session, and keep collaborating in a space built for connection, inspiration, and real impact: www.weareforgoodcommunity.com Say hi

In Today's Episode: Host: Brandon Elliott,  https://zez.am/brandonelliottinvestments Guest: with Ron Faraci  ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ Resourceful Links:  How To Get Up To $500,000 Every 6 Months At 0%: https://www.creditcounselelite.com/ Get Your Most Accurate Credit Report:https://myfreescorenow.com/enroll/?AID=COUNSELELITELLC&PID=18983 Best Credit Cards: https://milevalue.com/best-credit-cards/?aff=cce Free Credit Education Resources: https://creditcounselelite.com/articles Guide to Taking Massive Action: https://amzn.to/2IZMN8Z LEARN MORE CLICK HERE: https://www.creditcounselelite.com/fb-start-here ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ Meet Your Host, Brandon:  Brandon Elliott went from being off track finding himself on house arrest and burning 40% of his body to getting on track reaching $8.5 million in Assets and being acknowledged part of the "Top 100 Yahoo Finance" by using Credit Cards to buy small multi-family and scaling his businesses using the exact strategies taught in Credit Counsel Elite (CCE). CCE teaches business owners how to get up to $500,000 every 6 months at 0%. By being a member with CCE, you get to learn how to Travel Hack, get access to the 800 FICO Score Club in 30 days or less, fix credit quickly, receive $5K-15K+ of free sign up bonuses, buy Real Estate with Credit Cards, deep dive into Business Credit and Personal credit. To learn more visit: https://www.creditcounselelite.com/ ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ Connect with Brandon Elliott:  Facebook: https://www.facebook.com/brandonelliottinvestor YouTube: https://www.youtube.com/@BrandonElliottInvestments Instagram: https://www.instagram.com/brandonelliottinvestments LinkedIn: https://www.linkedin.com/in/brandon-elliott-6b1643148

Download your copy of Hello Goodbye 2025-2026 at LeadStoriesMedia.com/hellogoodbye River Retreat Experience - Personal or Group Hello Goodbye Retreats SAVE THE DATE: Ezer 2026 // Minneapolis // Nov 12-14, 2026 Connect with Lead Stories and Jo and Steph:  Instagram: @LeadStoriesPodcast Connect with Jo at www.josaxton.com @josaxton Connect with Steph at @pastorsteph

In this special episode, host Shai Davidai sits down with his nine-year-old son, O. Davidai, for a heartfelt and insightful conversation. Together, they explore what it's like to be a kid during challenging times, discussing topics such as identity, family, activism, and the impact of the Israel-Hamas war from a child's perspective. O. shares his feelings about participating in protests, the importance of being an “upstander,” and how kids experience and process world events differently from adults. The episode also touches on Jewish identity, the meaning of being Israeli-American, and the value of treating children with respect and honesty. This candid dialogue offers a unique, honest look at big issues through the eyes of a child, making it a must-watch for viewers of all ages. Guest: O. Davidai Consider DONATING to help us continue and expand our media efforts. If you cannot at this time, please share this video with someone who might benefit from it. We thank you for your support!https://gofund.me/30c00151c COMING SOON BUY MERCH! SUPPORT SHAI ON PATREON!https://www.patreon.com/shaidavidai/about?utm_source=campaign-search-results

Is it contradictory to be pro-life and support the death penalty? Pastor Heath Lambert addresses this controversial question by examining what the Bible teaches about protecting innocent life, God's justice, and the role of government in punishing murder.Timestamps0:00 - Introduction and the question1:10 - Who Tyler Robinson is1:55 - The question: Is supporting death penalty pro-life?2:04 - The answer: Yes, if found guilty2:23 - Addressing the apparent contradiction3:02 - Exodus 20:13: You shall not murder3:25 - Death penalty based on the sixth commandment3:43 - Genesis 9:6: Shedding blood for shedding blood4:17 - Both positions hate murder4:31 - Erica Kirk's remarkable forgiveness5:54 - Personal vs. governmental forgiveness6:16 - Sin against the individual and the state6:41 - Romans 13:3-4: The state as God's servant7:19 - The government's role in divine justice8:04 - Final answer: Yes, it is pro-lifeKey Topics CoveredThe Pro-Life Foundation - Understanding the biblical command against murdering innocent lifeMurder vs. Capital Punishment - Why the sixth commandment informs both positionsGenesis 9:6 Principle - Life is so precious that taking it forfeits your ownThe Image of God - Why human life has such sacred valueInnocent vs. Guilty Life - The crucial distinction in pro-life ethicsErica Kirk's Forgiveness - A remarkable demonstration of grace and mercyPersonal vs. State Forgiveness - Why individual forgiveness doesn't eliminate state responsibilityRomans 13 Teaching - The God-ordained role of government in justiceThe Sword of Justice - Understanding the state as God's avenger against wrongdoingProtecting Society - Why enforcing consequences for murder defends all lifeScripture ReferencesExodus 20:13 - The sixth commandment against murderGenesis 9:6 - Whoever sheds man's blood, by man shall his blood be shedRomans 13:3-4 - The state as God's servant bearing the swordAbout The Ten Commandments BookHeath Lambert's new book "The Ten Commandments: A Short Book for Normal People" is now available. This accessible guide explains how God's commands apply to modern life without requiring theological education. Perfect for personal study, evangelism, or gifts to friends, neighbors, and family.Order now and download a free chapter at fbcjax.com/tencommandments Have a question you'd like answered? Send it to markedbygrace@fbcjax.com

Yes… it's that special time of year in Las Vegas. It's when rednecks, from all over the country, invade Vegas for 2-weeks for an event called “NFR”or as Chunga and Chandler call it…HELL!!!Hey!!! Chris is back!!!!  He doing the show from the U.K.!!!  How's your mom and dad doing mate!?!Radio Ronin would like to remind everyone… If you know someone who is a BYU football fan, be kind.  Just—be kind…F1 fans rejoice!!!!!!! We have a new world champion!! What do you think!? Are you happy about this!?!What do you want for Christmas!? We'll find out in the Chunga Poll Shout Outs!!!!Gregg has a review of perhaps the greatest Christmas “chick-flick” of all time, AND!!!! It's time for Your Really Stupid News!!!!!!Listen NOW!!! It's on www.radioronin.com and everywhere you get your podcasts!!!!

Are you unknowingly trapped in a fear-based relationship with money?Many of us carry money beliefs passed down from childhood - beliefs rooted in scarcity, control, and unspoken fear. In this episode, Matt Morizio, founder of Reconstructing Wealth, reveals how transforming your mindset around money isn't just about budgeting. It's about confronting the stories you've been telling yourself and stepping into a life of clarity, purpose, and financial freedom.Discover how to identify and rewrite your personal money stories to build a healthier financial future.Learn the subtle but powerful shift from seeing money in terms of price to seeing it as a tool for impact and investment.Understand why surrendering the illusion of control might be the most liberating financial decision you ever make.Press play now to uncover the mindset shift that could finally set you free from money stress and lead you toward a more abundant, purpose-driven life.˚KEY POINTS AND TIMESTAMPS:00:00 - Introduction & Episode Setup01:30 - Guest Introduction: Matt Maurizio03:24 - Childhood Money Stories & Early Mindset07:12 - Fear of the Unknown and Money10:02 - Learning the “Rules of the Game”14:57 - Identifying and Rewriting Money Beliefs19:30 - Scarcity vs Value/Investment Mindset29:30 - Price vs Worth: A Deep Dive34:24 - The Illusion of Control41:02 - Resources, Giving, and Rewiring Money Identity44:20 - Final Message˚MEMORABLE QUOTE:"Give up control and trust the journey, because life turns out far more beautifully when you're not trying to drive it all yourself."˚VALUABLE RESOURCES:Matt's website: https://reconstructingwealth.com˚Coaching with Agi: https://personaldevelopmentmasterypodcast.com/mentor˚

In this episode, the hosts welcome Glenn Papa, a TikTok personality and UPS driver, to discuss his journey from a passionate baseball fan to a dedicated delivery driver. The conversation covers Glenn's experiences during the World Series, his family connections to baseball, and the challenges and rewards of working at UPS. They also delve into Glenn's TikTok journey, sharing cooking tips and engaging with the delivery community. The episode highlights the importance of community, personal experiences, and maintaining a positive work environment. Help support the show Join our Discord! Takeaways The importance of community support in podcasting. Personal experiences shape our views on sports and work. Family connections enhance the joy of sports. The impact of social media on personal branding. Navigating the challenges of working in delivery services. The significance of maintaining a positive work environment. Sharing knowledge and experiences can help others in the industry. The evolution of work culture in delivery services. The balance between work and personal life is crucial. Engaging with followers on social media fosters community. Chapters 00:00 Introduction and Shoutouts 01:15 Welcoming Glenn Papa 03:33 World Series Excitement 07:41 First Game Experiences 20:35 Glenn's Background and Early Life 23:09 Glenn's Journey to UPS 29:12 Climbing the Ranks at UPS 35:00 The Value of Experience and Benefits 40:57 Finding the Perfect Route 43:04 Route Bidding and Seniority Dynamics 50:12 The Journey into TikTok and Content Creation THE OPINIONS EXPRESSED OR VIEWS EXPRESSED ON THIS PODCAST ARE THOSE OF THE HOSTS AND GUESTS AND DO NOT NECESSARILY REFLECT ANY DELIVERY COMPANY

In today's episode of The Practice of Therapy Podcast, I'm excited to introduce you to someone who made a big impact on me at the Wise Practice Conference—Derrick Boger. Derrick is a licensed clinical mental health counselor, military veteran, former firefighter, and the founder of Transformation Christian Counseling in Greensboro, North Carolina. His journey into the therapy world is rooted in a lifelong commitment to serving others, and you'll hear that passion come through in every part of our conversation. In this episode, Derrick and I dive deep into what it really looks like to support men in therapy, why emotional safety is the key to communication, and how vulnerability becomes a powerful tool for healing. We also explore the unique challenges men face when opening up, the importance of trust in relationships, and how faith and emotional intelligence can guide meaningful transformation. Whether you work with men, couples, or faith-based clients—or you simply want to listen in on a heartfelt conversation about connection and healing—I think you'll find Derrick's insights both inspiring and grounding. I'm thrilled to share this conversation with you. Resources Mentioned In This Episode  Read the show notes here Watch on YouTube  Use the promo code "GORDON" to get 2 months of Therapy Notes free Consulting with Gordon The PsychCraft Network Profit First for Therapists Workbook Meet Derrick Boger, LCMHCA, NCC Derrick Boger is an LCMHCA and the founder of Transformation Christian Counseling in Greensboro, NC. Before launching his private practice, he served eight years in the military, ten years as a firefighter, and over twenty years in church leadership. Derrick integrates faith-based and evidence-based approaches to help individuals and couples heal, grow, and thrive. He is passionate about supporting men, women, and marriages in experiencing true transformation from the inside out. Website LinkedIn Facebook

LinkedIn feels noisier than ever. AI posts, surface-level expertise, endless scroll. So is it still worth your time as a founder?James Johnson and Freddie Birley tackle the question: should you still be posting on LinkedIn in 2025, or is there a better way to build your personal brand?The honest answer: It depends on what you're trying to achieve.Are you building for speaking opportunities? Attracting clients? Hiring talent? Or just holding yourself accountable to write? The strategy changes completely based on intention - and most founders skip this step.What you'll learn:Why the more you use LinkedIn, the worse it feelsThe exact question to ask before spending another hour on social mediaHow to know if LinkedIn is right for your goals (or if you're wasting time)The 80/90% delegation model that cuts your time from 10 hours to 1 hour/weekAlternative ways to build personal brand without LinkedInWhy committing to one strategy beats trying 500 things at onceKey insight: Personal brand ≠ LinkedIn. If you've decided it's right, commit fully. But if you're doing it because "everyone says you should" - pause.More from James: Connect with James on LinkedIn or at peer-effect.com

Don't let the holidays — or any season of life — make you feel disconnected from the people you love in the spirit world. In this heartfelt, soul-sparking episode, I'm sharing 14 meaningful, creative, and surprisingly simple ways to feel closer to your loved ones on the other side.And these aren't the usual “light a candle” suggestions you've heard a thousand times.We're going deeper with intuitive practices — easy, medium-effort, and more intentional legacy rituals — that help you honor your loved ones in ways that feel personal, healing, and alive.You'll hear: • Super simple but meaningful rituals you can start right now • Everyday ways to weave their presence into your current life and future • Gentle practices to ease grief during holidays or ordinary days • Medium-effort ideas that support reflection, remembrance, and celebration • A few elevated, next-level “Legacy” rituals for when you want something truly special • Personal stories to inspire your own creative connections and stir up new possibilitiesWhether your grief is fresh or decades old, this episode offers comfort, grounding, and soulful ways to keep your loved ones close — not in a heavy way, but in a heart-lifting, deeply meaningful way.⭐ If this episode supports you, please share it with someone who could use a little comfort today. More episodes at JoyfulMedium.comJoin me Live on Zoom for my Free Monthly Community Healing session! You'll receive a blend of Reiki (Energy Healing), Chakra & Aura Clearing & Balancing, Color Healing, Grounding, Cord Cutting, Trance Medium Healing & more. Get all the details & Sign up now to receive the link and replay for the next session! https://www.joyfulmedium.com/EventsGet Joy's Free "Sign Magnet" 3 Day Mini Course HERE https://www.joyfulmedium.com/sign-magnetJoy's Website: www.joyfulmedium.comInstagram: @JoyfulMediumTikTok: @JoyfulMediumFacebook: @JoyfulMediumFacebook Group: Joy's Soul SpaYouTube: Psychic Medium Joy Giovanni

Send us a textChance McClain is the CEO of Heritage Films and an acclaimed documentary filmmaker committed to capturing individual legacies through film. His career has been inspired by a passion for storytelling and the impact of personal legacy, profoundly influencing his leadership style and philosophy on life and business.Chance McClain emphasizes the importance of authenticity in leadership, stressing that a great leader effectively blends vision, systems, and people. This episode highlights how Chance's work at Heritage Films has not only provided him with a unique vantage point into people's lives but also transformed his understanding of success and influence. Further into the discussion, Chance shares how personal stories, marked by challenges and triumphs, have influenced his leadership philosophy. Grit and discipline, according to Chance, are critical for mastery and success, overshadowing mere talent. He draws lessons from various accounts, urging leaders to embrace their blind spots, welcome constructive criticism, and simplify problems—teaching that personal growth stems from hardship and mistakes. Key Takeaways:*   The role of authenticity in leadership involves maintaining a delicate balance between vision, systems, and people.*   Personal stories hold immense power in shaping leadership philosophies and fostering personal growth.*   Mastery and success are achieved more through grit and discipline rather than mere talent.*   Failure is a crucial stepping stone for learning and development, providing essential life lessons.*   Storytelling can serve as a profound tool for leadership, capable of reframing individual and collective struggles.Notable Quotes:"Failure is the greatest thing in the world. They're lessons. They're stepping stones.""Simplify and solve problems—that is the distillation of what a leader should ask of his or her people." "Effort matters more than talent. The discipline of doing things over and over leads to mastery.""The best stories come from the worst times—they're filled with profound lessons." "Live a life that your kids would want to make a movie about, so they know where they came from."Resources:heritagefilmsgroup.comBook: Rocket FuelBook: How to Win Friends and Influence PeopleAll episodes and guest requests can be found at:www.leadershipmomentspodcast.comFollow Stacey Caster on Instagram @staceycaster_Follow Tracy-Ann Palmer on Instagram @tracy_ann_palmer

Trusting the process is a really important way to free yourself, and the film, to discover what it is.Viridiana Lieberman is an award-winning documentary filmmaker. She recently edited the Netflix sensation The Perfect Neighbor.In this interview we talk:* Viri's love of the film Contact* Immersion as the core goal in her filmmaking* Her editing tools and workflow* Film school reflections* The philosophy and process behind The Perfect Neighbor — crafting a fully immersive, evidence-only narrative and syncing all audio to its original image.* Her thoughts on notes and collaboration* Techniques for seeing a cut with fresh eyesYou can see all of Viri's credits on her IMD page here.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Viri, thank you so much for joining us today.VIRI: Oh, thank you for having me. I'm excited to be here.BEN: And I always like to start with a fun question. So senior year of high school, what music were you listening to?VIRI: Oh my goodness. Well, I'm class of 2000, so I mean. I don't even know how to answer this question because I listen to everything.I'm like one of those people I was raving, so I had techno in my system. I have a lot of like, um. The, like, everything from Baby Ann to Tsta. Like, there was like, there was a lot, um, Oak and like Paul Oak and Full, there was like techno. Okay. Then there was folk music because I loved, so Ani DeFranco was the soundtrack of my life, you know, and I was listening to Tori Amos and all that.Okay. And then there's like weird things that slip in, like fuel, you know, like whatever. Who was staying? I don't remember when they came out. But the point is there was like all these intersections, whether I was raving or I was at Warp Tour or I was like at Lili Fair, all of those things were happening in my music taste and whenever I get to hear those songs and like that, that back late nineties, um, rolling into the Ox.Yeah.BEN: I love the Venn diagram of techno and folk music.VIRI: Yeah.BEN: Yeah. What, are you a fan of the film inside Lou and Davis?VIRI: Uh, yes. Yes. I need to watch it again. I watched it once and now you're saying it, and I'm like writing it on my to-dos,BEN: but yes, it, it, the first time I saw it. I saw in the East Village, actually in the theater, and I just, I'm a Cohen Brothers fan, but I didn't love it.Mm-hmm. But it, it stayed on my mind and yeah. Now I probably rewatch it once a year. It might, yeah. In my, in my, on my list, it might be their best film. It's so good. Oh,VIRI: now I'm gonna, I'm putting it on my, I'm literally writing it on my, um, post-it to watch it.BEN: I'mVIRI: always looking for things to watch in the evening.BEN: What, what are some of the docs that kind of lit your flame, that really turned you on?VIRI: Uh, this is one of those questions that I, full transparency, get very embarrassed about because I actually did not have a path of documentary set for me from my film Loving Passion. I mean, when I graduated film school, the one thing I knew I didn't wanna do was documentary, which is hilarious now.Hilarious. My parents laugh about it regularly. Um. Because I had not had a good documentary education. I mean, no one had shown me docs that felt immersive and cinematic. I mean, I had seen docs that were smart, you know, that, but, but they felt, for me, they didn't feel as emotional. They felt sterile. Like there were just, I had seen the most cliched, basic, ignorant read of doc.And so I, you know, I dreamed of making space epics and giant studio films. Contact was my favorite movie. I so like there was everything that about, you know, when I was in film school, you know, I was going to see those movies and I was just chasing that high, that sensory high, that cinematic experience.And I didn't realize that documentaries could be. So it's not, you know, ever since then have I seen docs that I think are incredible. Sure. But when I think about my origin tale, I think I was always chasing a pretty. Not classic, but you know, familiar cinematic lens of the time that I was raised in. But it was fiction.It was fiction movies. And I think when I found Docs, you know, when I was, the very long story short of that is I was looking for a job and had a friend who made docs and I was like, put me in coach, you know, as an editor. And she was like, you've never cut a documentary before. I love you. Uh, but not today.But no, she hired me as an archival producer and then I worked my way up and I said, no, okay, blah, blah, blah. So that path showed me, like I started working on documentaries, seeing more documentaries, and then I was always chasing that cinema high, which by the way, documentaries do incredibly, you know, and have for many decades.But I hadn't met them yet. And I think that really informs. What I love to do in Docs, you know, I mean, I think like I, there's a lot that I like to, but one thing that is very important to me is creating that journey, creating this, you know, following the emotion, creating big moments, you know, that can really consume us.And it's not just about, I mean, not that there are films that are important to me, just about arguments and unpacking and education. At the same time, we have the opportunity to do so much more as storytellers and docs and we are doing it anyway. So that's, that's, you know, when, it's funny, when light my fire, I immediately think of all the fiction films I love and not docs, which I feel ashamed about.‘cause now I know, you know, I know so many incredible documentary filmmakers that light my fire. Um, but my, my impulse is still in the fiction world.BEN: Used a word that it's such an important word, which is immersion. And I, I first saw you speak, um, a week or two ago at the doc NYC Pro panel for editors, documentary editors about the perfect neighbor, which I wanna talk about in a bit because talk about a completely immersive experience.But thank you first, uh, contact, what, what is it about contact that you responded to?VIRI: Oh my goodness. I, well, I watched it growing up. I mean, with my dad, we're both sci-fi people. Like he got me into that. I mean, we're both, I mean he, you know, I was raised by him so clearly it stuck around contact for me. I think even to this day is still my favorite movie.And it, even though I'm kind of a style nut now, and it's, and it feels classic in its approach, but. There's something about all the layers at play in that film. Like there is this crazy big journey, but it's also engaging in a really smart conversation, right? Between science and faith and some of the greatest lines from that film.Are lines that you can say to yourself on the daily basis to remind yourself of like, where we are, what we're doing, why we're doing it, even down to the most basic, you know, funny, I thought the world was what we make it, you know, it's like all of these lines from contact that stick with me when he says, you know, um, did you love your father?Prove it. You know, it's like, what? What is proof? You know? So there were so many. Moments in that film. And for me, you know, climbing into that vessel and traveling through space and when she's floating and she sees the galaxy and she says they should have sent a poet, you know, and you're thinking about like the layers of this experience and how the aliens spoilers, um, you know, show up and talk to her in that conversation herself.Anyways, it's one of those. For me, kind of love letters to the human race and earth and what makes us tick and the complexity of identity all in this incredible journey that feels so. Big yet is boiled down to Jody Foster's very personal narrative, right? Like, it's like all, it just checks so many boxes and still feels like a spectacle.And so the balance, uh, you know, I, I do feel my instincts normally are to zoom in and feel incredibly personal. And I love kind of small stories that represent so much and that film in so many ways does that, and all the other things too. So I'm like, how did we get there? But I really, I can't, I don't know what it is.I can't shake that film. It's not, you know, there's a lot of films that have informed, you know, things I love and take me out to the fringe and take me to the mainstream and, you know, on my candy and, you know, all those things. And yet that, that film checks all the boxes for me.BEN: I remember seeing it in the theaters and you know everything you said.Plus you have a master filmmaker at the absolute top Oh god. Of his class. Oh my,VIRI: yes,BEN: yes. I mean, that mirror shot. Know, know, I mean, my jaw was on the ground because this is like, right, right. As CGI is started. Yes. So, I mean, I'm sure you've seen the behind the scenes of how theyVIRI: Yeah.BEN: Incredible.VIRI: Years.Years. We would be sitting around talking about how no one could figure out how he did it for years. Anybody I met who saw contact would be like, but how did they do the mirror shot? Like I nobody had kind of, yeah. Anyways, it was incredible. And you know, it's, and I,BEN: I saw, I saw it just with some civilians, right?Like the mirror shot. They're like, what are you talking about? The what? Huh?VIRI: Oh, it's so funny you bring that up because right now, you know, I went a friend, I have a friend who's a super fan of Wicked. We went for Wicked for Good, and there is a sequence in that film where they do the mirror jot over and over and over.It's like the, it's like the. Special device of that. It feels that way. That it's like the special scene with Glenda and her song. And someone next to me was sitting there and I heard him under his breath go,wow.Like he was really having a cinematic. And I wanted to lean over and be like, watch contact, like, like the first time.I saw it was there and now it's like people have, you know, unlocked it and are utilizing it. But it was, so, I mean, also, let's talk about the opening sequence of contact for a second. Phenomenal. Because I, I don't think I design, I've ever seen anything in cinema in my life like that. I if for anybody who's listening to this, even if you don't wanna watch the entire movie, which of course I'm obviously pitching you to do.Watch the opening. Like it, it's an incredible experience and it holds up and it's like when, yeah. Talk about attention to detail and the love of sound design and the visuals, but the patience. You wanna talk about trusting an audience, sitting in a theater and that silence Ah, yeah. Heaven film heaven.BEN: I mean, that's.That's one of the beautiful things that cinema does in, in the theater. Right. It just, you're in, you're immersed in this case, you know, pulling away from earth through outer space at however many, you know, hundreds of millions of miles an hour. You can't get that anywhere else. Yeah. That feeling,VIRI: that film is like all the greatest hits reel of.Storytelling gems. It's like the adventure, the love, the, you know, the, the complicated kind of smart dialogue that we can all understand what it's saying, but it's, but it's doing it through the experience of the story, you know, and then someone kind of knocks it outta the park without one quote where you gasp and it's really a phenomenal.Thing. Yeah. I, I've never, I haven't talked about contact as much in ages. Thank you for this.BEN: It's a great movie. It's there, and there were, there were two other moments in that movie, again when I saw it, where it's just like, this is a, a master storyteller. One is, yeah. When they're first like trying to decode the image.Mm-hmm. And you see a swastika.VIRI: Yeah. Oh yeah. And you're like,BEN: what the, what the f**k? That was like a total left turn. Right. But it's, it's, and I think it's, it's from the book, but it's like the movie is, it's, it's, you know, it's asking these questions and then you're like totally locked in, not expecting.You know, anything from World War II to be a part of this. And of course in the movie the, go ahead.VIRI: Yeah, no, I was gonna say, but the seed of thatBEN: is in the first shot,VIRI: scientifically educating. Oh yes. Well, the sensory experience, I mean, you're like, your heart stops and you get full Bo chills and then you're scared and you know, you're thinking a lot of things.And then when you realize the science of it, like the first thing that was broadcast, like that type of understanding the stakes of our history in a space narrative. And, you know, it, it just, there's so much. You know, unfurling in your mind. Yeah. In that moment that is both baked in from your lived experiences and what you know about the world, and also unlocking, so what's possible and what stakes have already been outside of this fiction, right?Mm-hmm. Outside of the book, outside of the telling of this, the reality of what has already happened in the facts of it. Yeah. It's really amazing.BEN: And the other moment we're just, and now, you know, being a filmmaker, you look back and I'm sure this is, it falls neatly and at the end of the second act. But when Tom scars, you know, getting ready to go up on the thing and then there's that terrorist incident or whatever, and the whole thing just collapses, the whole, um, sphere collapses and you just like, wait, what?Is that what's gonna happen now?VIRI: Yeah, like a hundred million dollars in it. It does too. It just like clink pun. Yeah. Everything.BEN: Yeah.VIRI: Think they'll never build it again. I mean, you just can't see what's coming after that and how it went down, who it happened to. I mean, that's the magic of that film, like in the best films.Are the ones where every scene, every character, it has so much going into it. Like if somebody paused the film there and said, wait, what's happening? And you had to explain it to them, it would take the entire movie to do it, you know, which you're like, that's, we're in it. Yeah. Anyway, so that's a great moment too, where I didn't, and I remember when they reveal spoilers again, uh, that there's another one, but when he is zooming in, you know, and you're like, oh, you know, it just, it's, yeah.Love it. It's wonderful. Now, I'm gonna watch that tonight too. IBEN: know, I, I haven't probably, I probably haven't watched that movie in 10 years, but now I gotta watch it again.VIRI: Yeah.BEN: Um, okay, so let's talk doc editing. Yes. What, um, I always like to, I heard a quote once that something about when, when critics get together, they talk meaning, and when artists get together, they talk paint.So let's talk paint for a second. What do you edit on?VIRI: I cut mainly on Avid and Premier. I, I do think of myself as more of an avid lady, but there's been a lot of probably the films that have done the most. I cut on Premier, and by that I mean like, it's interesting that I always assume Avid is my standard yet that most of the things that I love most, I cut on Premiere right now.I, I toggle between them both multiple projects on both, on both, um, programs and they're great. I love them equal for different reasons. I'm aBEN: big fan of Avid. I think it gets kind of a, a bad rap. Um, what, what are the benefits of AVID versus pr? I've never used Premier, but I was a big final cut seven person.So everybody has said that. Premier kind of emulates Final cut. Seven.VIRI: I never made a past seven. It's funny, I recently heard people are cutting on Final Cut Pro again, which A adds off. But I really, because I thought that ship had sailed when they went away from seven. So with, I will say like the top line things for me, you know, AVID forces you to control every single thing you're doing, which I actually think it can feel hindering and intimidating to some folks, but actually is highly liberating once you learn how to use it, which is great.It's also wonderful for. Networks. I mean, you can send a bin as a couple kilobyte. Like the idea that the shared workflow, when I've been on series or features with folks, it's unbeatable. Uh, you know, it can be cumbersome in like getting everything in there and stuff like that and all, and, but, but it kind of forces you to set up yourself for success, for online, for getting everything out.So, and there's a lot of good things. So then on conversely Premier. It's amazing ‘cause you can hit the ground running. You just drag everything in and you go. The challenge of course is like getting it out. Sometimes that's when you kind of hit the snaps. But I am impressed when I'm working with multiple frame rates, frame sizes, archival for many decades that I can just bring it into Premier and go and just start cutting.And you know, also it has a lot of intuitive nature with other Adobe Pro, you know, uh, applications and all of this, which is great. There's a lot of shortcuts. I mean, they're getting real. Slick with a lot of their new features, which I have barely met. I'm like an archival, I'm like a ancient picture editor lady from the past, like people always teach me things.They're just like, you know, you could just, and I'm like, what? But I, so I guess I, you know, I don't have all the tech guru inside talk on that, but I think that when I'm doing short form, it does feel like it's always premier long form. Always seems to avid. Team stuff feels avid, you know, feature, low budge features where they're just trying to like make ends meet.Feel Premier, and I think there's an enormous accessibility with Premier in that regard. But I still feel like Avid is a studios, I mean, a, a studio, well, who knows? I'm cut in the studios. But an industry standard in a lot of ways it still feels that way.BEN: Yeah, for sure. How did you get into editing?VIRI: I went to film school and while I was there, I really like, we did everything.You know, we learned how to shoot, we learned everything. Something about editing was really thrilling to me. I, I loved the puzzle of it, you know, I loved putting pieces together. We did these little funny exercises where we would take a movie and cut our own trailer and, you know, or they'd give us all the same footage and we cut our scene from it and.Itwas really incredible to see how different all those scenes were, and I loved finding ways to multipurpose footage, make an entire tone feel differently. You know, like if we're cutting a scene about a bank robbery, like how do you all of a sudden make it feel, you know, like romantic, you know, or whatever.It's like how do we kind of play with genre and tone and how much you can reinvent stuff, but it was really structure and shifting things anyways, it really, I was drawn to it and I had fun editing my things and helping other people edit it. I did always dream of directing, which I am doing now and I'm excited about, but I realized that my way in with editing was like learning how to do a story in that way, and it will always be my language.I think even as I direct or write or anything, I'm really imagining it as if I'm cutting it, and that could change every day, but like when I'm out shooting. I always feel like it's my superpower because when I'm filming it's like I know what I have and how I'll use it and I can change that every hour.But the idea of kind of knowing when you've got it or what it could be and having that reinvented is really incredible. So got into edit. So left film school. And then thought and loved editing, but wasn't like, I'm gonna be an editor. I was still very much on a very over, you know what? I guess I would say like, oh, I was gonna say Overhead, broad bird's eye.I was like, no, I'm gonna go make movies and then I'll direct ‘em and onward, but work, you know, worked in post houses, overnights, all that stuff and PA and try made my own crappy movies and you know, did a lot of that stuff and. It kept coming back to edit. I mean, I kept coming back to like assistant jobs and cutting, cutting, cutting, cutting, and it just felt like something that I had a skill for, but I didn't know what my voice was in that.Like I didn't, it took me a long time to realize I could have a voice as an editor, which was so dumb, and I think I wasted so much time thinking that like I was only search, you know, like that. I didn't have that to bring. That editing was just about. Taking someone else's vision. You know, I'm not a set of hands like I'm an artist as well.I think we all are as editors and I was very grateful that not, not too long into, you know, when I found the doc path and I went, okay, I think this is where I, I can rock this and I'm pretty excited about it. I ended up working with a small collection of directors who all. Respected that collaboration.Like they were excited for what I do and what I bring to it and felt, it made me feel like we were peers working together, which was my fantasy with how film works. And I feel like isn't always the constant, but I've been spoiled and now it's what I expect and what I want to create for others. And you know, I hope there's more of us out there.So it's interesting because my path to editing. Was like such a, a practical one and an emotional one, and an ego one, and a, you know, it's like, it's like all these things that have led me to where I am and the perfect neighbor is such a culmination of all of that. For sure.BEN: Yeah. And, and I want to get into it, uh, first the eternal question.Yeah. Film school worth it or not worth it?VIRI: I mean, listen, I. We'll share this. I think I've shared this before, but relevant to the fact I'll share it because I think we can all learn from each other's stories. I did not want to go to college. Okay? I wanted to go straight to la. I was like, I'm going to Hollywood.I wanted to make movies ever since I was a kid. This is what I'm gonna do, period. I come from a family of teachers. All of my parents are teachers. My parents divorced. I have my stepparent is teacher, like everybody's a teacher. And they were like, no. And not just a teacher. My mom and my dad are college professors, so they were like college, college, college.I sabotaged my SATs. I did not take them. I did not want to go to college. I was like, I am going to Los Angeles. Anyways, uh, my parents applied for me. To an accredited arts college that, and they were like, it's a three year try semester. You'll shoot on film, you can do your, you know, and they submitted my work from high school when I was in TV production or whatever.Anyways, they got me into this little college, and when I look back, I know that that experience was really incredible. I mean, while I was there, I was counting the days to leave, but I know that it gave me not only the foundation of. You know, learning, like, I mean, we were learning film at the time. I don't know what it's like now, but like we, you know, I learned all the different mediums, which was great on a vocational level, you know, but on top of that, they're just throwing cans of film at us and we're making all the mistakes we need to make to get where we need to get.And the other thing that's happening is there's also like the liberal arts, this is really, sounds like a teacher's kid, what I'm about to say. But like, there's also just the level of education To be smarter and learn more about the world, to inform your work doesn't mean that you can't. You can't skip college and just go out there and find your, and learn what you wanna learn in the stories that you journey out to tell.So I feel really torn on this answer because half of me is like. No, you don't need college. Like just go out and make stuff and learn what you wanna learn. And then the other half of me have to acknowledge that, like, I think there was a foundation built in that experience, in that transitional time of like semi-structure, semi independence, you know, like all the things that come with college.It's worth it, but it's expensive as heck. And I certainly, by the time I graduated, film wasn't even a thing and I had to learn digital out in the world. And. I think you can work on a film set and learn a hell of a lot more than you'll ever learn in a classroom. And at the same time, I really love learning.So, you know, my, I think I, my parents were right, they know it ‘cause I went back to grad school, so that was a shock for them. But I think, but yeah, so I, I get, what I would say is, it really is case, this is such a cop out of an answer, case by case basis. Ask yourself, you know, if you need that time and if you, if you aren't gonna go.You need to put in the work. You have to really like go out, go on those sets, work your tail off, seek out the books, read the stuff, you know, and no one's gonna hand you anything. And my stories are a hell of a lot, I think smarter and eloquent because of the education I had. Yeah.BEN: So you shuttle on, what was the school, by the way?VIRI: Well, it was called the, it was called the International Fine Arts College. It no longer exists because Art Institute bought it. It's now called the Miami International University of Art and Design, and they bought it the year I graduated. So I went to this tiny little arts college, uh, but graduated from this AI university, which my parents were like, okay.Um, but we were, it was a tiny little college owned by this man who would invite all of us over to his mansion for brunch every year. I mean, it was very strange, but cool. And it was mainly known for, I think fashion design and interior design. So the film kids, we all kind of had, it was an urban campus in Miami and we were all like kind of in a wado building on the side, and it was just kind of a really funky, misfit feeling thing that I thought was, now when I look back, I think was like super cool.I mean, they threw cans of film at us from the very first semester. There was no like, okay, be here for two years and earn your opportunity. We were making stuff right away and all of our teachers. All of our professors were people who were working in the field, like they were ones who were, you know, writing.They had written films and fun fact of the day, my, my cinematography professor was Sam Beam from Iron and Wine. If anybody knows Iron and Wine, like there's like, there's like we, we had crazy teachers that we now realize were people who were just probably trying to pay their bills while they were on their journey, and then they broke out and did their thing after we were done.BEN: Okay, so shooting on film. Yeah. What, um, was it 16 or 35? 16. And then how are you doing sound? No, notVIRI: 35, 16. Yeah. I mean, we had sound on Dax, you know, like we were recording all the mm-hmm. Oh, when we did the film. Yeah, yeah. Separate. Yeah, yeah, yeah. We did the Yeah. Syncs soundBEN: into a We did a,VIRI: yeah, we did, we did one.We shot on a Bolex, I think, if I remember it right. It did like a tiny, that probably was eight, you know? But the point is we did that on. The flatbed. After that, we would digitize and we would cut on media 100, which was like this. It was, I think it was called the, I'm pretty sure it was called Media 100.It was like this before avid, you know. A more archaic editing digital program that, so we did the one, the one cut and splice version of our, our tiny little films. And then we weren't on kind of beautiful steam backs or anything. It was like, you know, it was much, yeah, smaller. But we had, but you know, we raced in the changing tents and we did, you know, we did a lot of film, love and fun.And I will tell you for your own amusement that we were on set once with somebody making their short. The girl at the AC just grabbed, grabbed the film, what's, oh my God, I can't even believe I'm forgetting the name of it. But, um, whatever the top of the camera grabbed it and thought she had unlocked it, like unhinged it and just pulled it out after all the film just come spooling out on set.And we were like, everybody just froze and we were just standing there. It was like a bad sketch comedy, like we're all just standing there in silence with like, just like rolling out of the camera. I, I'll never forget it.BEN: Nightmare. Nightmare. I, you know, you said something earlier about when you're shooting your own stuff.Being an editor is a little bit of a superpower because you know, oh, I'm gonna need this, I'm gonna need that. And, and for me it's similar. It's especially similar. Like, oh, we didn't get this. I need to get an insert of this ‘cause I know I'm probably gonna want that. I also feel like, you know, I came up, um, to instill photography, 35 millimeter photography, and then when I got into filmmaking it was, um, digital, uh, mini DV tape.So, but I feel like the, um, the structure of having this, you know, you only have 36 shots in a still camera, so you've gotta be sure that that carried over even to my shooting on digital, of being meticulous about setting up the shot, knowing what I need. Whereas, you know, younger people who have just been shooting digital their whole lives that just shoot everything and we'll figure it out later.Yeah. Do do you, do you feel you had that Advant an advantage? Yes. Or sitting on film gave you some advantages?VIRI: I totally, yes. I also am a firm believer and lover of intention. Like I don't this whole, like we could just snap a shot and then punch in and we'll, whatever. Like it was my worst nightmare when people started talking about.We'll shoot scenes and something, it was like eight K, so we can navigate the frame. And I was like, wait, you're not gonna move the camera again. Like, it just, it was terrifying. So, and we passed that, but now the AI stuff is getting dicey, but the, I think that you. I, I am pretty romantic about the hands-on, I like books with paper, you know, like, I like the can, the cinematographer to capture, even if it's digital.And those benefits of the digital for me is like, yes, letting it roll, but it's not about cheating frames, you know, like it's about, it's about the accessibility of being able to capture things longer, or the technology to move smoother. These are good things. But it's not about, you know, simplifying the frame in something that we need to, that is still an art form.Like that's a craft. That's a craft. And you could argue that what we choose, you know, photographers, the choice they make in Photoshop is the new version of that is very different. Like my friends who are dps, you know, there's always like glasses the game, right? The lenses are the game. It's like, it's not about filters In posts, that was always our nightmare, right?The old fix it and post everybody's got their version of their comic strip that says Fix it and post with everything exploding. It's like, no, that's not what this is about. And so, I mean, I, I think I'll always be. Trying to, in my brain fight the good fight for the craftiness of it all because I'm so in love with everything.I miss film. I'm sad. I miss that time. I mean, I think I, it still exists and hopefully someday I'll have the opportunity that somebody will fund something that I'm a part of that is film. And at the same time there's somewhere in between that still feels like it's honoring that freshness. And, and then now there's like the, yeah, the new generation.It's, you know, my kids don't understand that I have like. Hand them a disposable camera. We'll get them sometimes for fun and they will also like click away. I mean, the good thing you have to wind it so they can't, they can't ruin it right away, but they'll kind of can't fathom that idea. And um, and I love that, where you're like, we only get 24 shots.Yeah, it's veryBEN: cool. So you said you felt the perfect neighbor, kind of, that was the culmination of all your different skills in the craft of editing. Can you talk a little bit about that?VIRI: Yes. I think that I spent, I think all the films, it's like every film that I've had the privilege of being a part of, I have taken something like, there's like some tool that was added to the tool belt.Maybe it had to do with like structure or style or a specific build to a quote or, or a device or a mechanism in the film, whatever it is. It was the why of why that felt right. That would kind of be the tool in the tool belt. It wouldn't just be like, oh, I learned how to use this new toy. It was like, no, no.There's some kind of storytelling, experience, technique, emotion that I felt that Now I'm like, okay, how do I add that in to everything I do? And I want every film to feel specific and serve what it's doing. But I think a lot of that sent me in a direction of really always approaching a project. Trying to meet it for like the, the work that only it can do.You know, it's like, it's not about comps. It's not about saying like, oh, we're making a film that's like, fill in the blank. I'm like, how do we plug and play the elements we have into that? It's like, no, what are the elements we have and how do we work with them? And that's something I fought for a lot on all the films I've been a part of.Um, and by that I mean fight for it. I just mean reminding everybody always in the room that we can trust the audience, you know, that we can. That, that we should follow the materials what, and work with what we have first, and then figure out what could be missing and not kind of IME immediately project what we think it needs to be, or it should be.It's like, no, let's discover what it is and then that way we will we'll appreciate. Not only what we're doing in the process, but ultimately we don't even realize what it can do for what it is if we've never seen it before, which is thrilling. And a lot of those have been a part of, there have been pockets of being able to do that.And then usually near the end there's a little bit of math thing that happens. You know, folks come in the room and they're trying to, you know, but what if, and then, but other people did. Okay, so all you get these notes and you kind of reel it in a little bit and you find a delicate balance with the perfect neighbor.When Gita came to me and we realized, you know, we made that in a vacuum like that was we, we made that film independently. Very little money, like tiny, tiny little family of the crew. It was just me and her, you know, like when we were kind of cutting it together and then, and then there's obviously producers to kind of help and build that platform and, and give great feedback along the way.But it allowed us to take huge creative risks in a really exciting way. And I hate that I even have to use the word risks because it sounds like, but, but I do, because I think that the industry is pushing against, you know, sometimes the spec specificity of things, uh, in fear of. Not knowing how it will be received.And I fantasize about all of us being able to just watch something and seeing how we feel about it and not kind of needing to know what it is before we see it. So, okay, here comes the perfect neighbor. GTA says to me early on, like, I think. I think it can be told through all these materials, and I was like, it will be told through like I was determined and I held us very strict to it.I mean, as we kind of developed the story and hit some challenges, it was like, this is the fun. Let's problem solve this. Let's figure out what it means. But that also came within the container of all this to kind of trust the audience stuff that I've been trying to repeat to myself as a mantra so I don't fall into the trappings that I'm watching so much work do.With this one, we knew it was gonna be this raw approach and by composing it completely of the evidence, it would ideally be this kind of undeniable way to tell the story, which I realized was only possible because of the wealth of material we had for this tracked so much time that, you know, took the journey.It did, but at the same time, honoring that that's all we needed to make it happen. So all those tools, I think it was like. A mixed bag of things that I found that were effective, things that I've been frustrated by in my process. Things that I felt radical about with, you know, that I've been like trying to scream in, into the void and nobody's listening.You know, it's like all of that because I, you know, I think I've said this many times. The perfect neighbor was not my full-time job. I was on another film that couldn't have been more different. So I think in a, in a real deep seated, subconscious way, it was in conversation with that. Me trying to go as far away from that as possible and in understanding what could be possible, um, with this film.So yeah, it's, it's interesting. It's like all the tools from the films, but it was also like where I was in my life, what had happened to me, you know, and all of those. And by that I mean in a process level, you know, working in film, uh, and that and yes, and the values and ethics that I honor and wanna stick to and protect in the.Personal lens and all of that. So I think, I think it, it, it was a culmination of many things, but in that approach that people feel that has resonated that I'm most proud of, you know, and what I brought to the film, I think that that is definitely, like, I don't think I could have cut this film the way I did at any other time before, you know, I think I needed all of those experiences to get here.BEN: Oh, there's so much there and, and there's something kind of the. The first part of what you were saying, I've had this experience, I'm curious if you've had this experience. I sort of try to prepare filmmakers to be open to this, that when you're working with something, especially Doc, I think Yeah. More so Doc, at a certain point the project is gonna start telling you what it wants to be if you, if you're open to it.Yes. Um, but it's such a. Sometimes I call it the spooky process. Like it's such a ephemeral thing to say, right? Like, ‘cause you know, the other half of editing is just very technical. Um, but this is like, there's, there's this thing that's gonna happen where it's gonna start talking to you. Do you have that experience?VIRI: Yes. Oh, yes. I've also been a part of films that, you know, they set it out to make it about one person. And once we watched all the footage, it is about somebody else. I mean, there's, you know, those things where you kind of have to meet the spooky part, you know, in, in kind of honoring that concept that you're bringing up is really that when a film is done, I can't remember cutting it.Like, I don't, I mean, I remember it and I remember if you ask me why I did something, I'll tell you. I mean, I'm very, I am super. Precious to a fault about an obsessive. So like you could pause any film I've been a part of and I'll tell you exactly why I used that shot and what, you know, I can do that. But the instinct to like just grab and go when I'm just cutting and I'm flowing.Yeah, that's from something else. I don't know what that is. I mean, I don't. People tell me that I'm very fast, which is, I don't know if that's a good or a bad thing, but I think it really comes from knowing that the job is to make choices and you can always go back and try different things, but this choose your own adventure novel is like just going, and I kind of always laugh about when I look back and I'm like, whoa, have that happen.Like, you know, like I don't even. And I have my own versions of imposter syndrome where I refill mens and I'm like, oh, got away with that one. Um, or every time a new project begins, I'm like, do I have any magic left in the tank? Um, but, but trusting the process, you know, to what you're socking about is a really important way to free yourself and the film to.Discover what it is. I think nowadays because of the algorithm and the, you know, I mean, it's changing right now, so we'll see where, how it recalibrates. But for a, for a while, over these past years, the expectations have, it's like shifted where they come before the film is like, it's like you create your decks and your sizzles and you write out your movie and you, and there is no time for discovery.And when it happens. It's like undeniable that you needed to break it because it's like you keep hitting the same impasse and you can't solve it and then you're like, oh, that's because we have to step outta the map. But I fear that many works have suffered, you know, that they have like followed the map and missed an opportunity.And so, you know, and for me as an editor, it's always kinda a red flag when someone's like, and here's the written edit. I'm like, what? Now let's watch the footage. I wanna know where There's always intention when you set up, but as people always say, the edit is kind of the last. The last step of the storytelling process.‘cause so much can change there. So there is, you know, there it will reveal itself. I do get nerdy about that. I think a film knows what it is. I remember when I was shooting my first film called Born to Play, that film, we were. At the championship, you know, the team was not, thought that they were gonna win the whole thing.We're at the championship and someone leaned over to me and they said, you know, it's funny when a story knows it's being filmed. And I was like, ah. I think about that all the time because now I think about that in the edit bay. I'm like, okay, you tell me, you know, what do you wanna do? And then you kind of like, you match frame back to something and all of a sudden you've opened a portal and you're in like a whole new theme.It's very cool. You put, you know, you put down a different. A different music temp, music track, and all of a sudden you're making a new movie. I mean, it's incredible. It's like, it really is real world magic. It's so much fun. Yeah,BEN: it is. It's a blast. The, so, uh, I saw you at the panel at Doc NYC and then I went that night or the next night and watched Perfect Neighbor blew me away, and you said something on the panel that then blew me away again when I thought about it, which is.I think, correct me if I'm wrong, all of the audio is syncedVIRI: Yeah. To the footage.BEN: That, to me is the big, huge, courageous decision you made.VIRI: I feel like I haven't said that enough. I don't know if folks understand, and it's mainly for the edit of that night, like the, I mean, it's all, it's, it's all that, but it was important.That the, that the sound would be synced to the shock that you're seeing. So when you're hearing a cop, you know, a police officer say, medics, we need medics. If we're in a dashboard cam, that's when it was, you know, echoing from the dashboard. Like that's what, so anything you're hearing is synced. When you hear something coming off from the per when they're walking by and you hear someone yelling something, you know, it's like all of that.I mean, that was me getting really strict about the idea that we were presenting this footage for what it was, you know, that it was the evidence that you are watching, as you know, for lack of a better term, unbiased, objectively as possible. You know, we're presenting this for what it is. I, of course, I have to cut down these calls.I am making choices like that. That is happening. We are, we are. Composing a narrative, you know, there, uh, that stuff is happening. But to create, but to know that what you're hearing, I'm not applying a different value to the frame on, on a very practical syn sound way. You know, it's like I'm not gonna reappropriate frames.Of course, in the grand scheme of the narrative flow with the emotions, you know, the genre play of this horror type film, and there's a lot happening, but anything you were hearing, you know, came from that frame. Yeah.BEN: That's amazing. How did you organize the footage and the files initially?VIRI: Well, Gita always likes to laugh ‘cause she is, she calls herself my first ae, which is true.I had no a, you know, I had, she was, she had gotten all that material, you know, she didn't get that material to make a film. They had originally, this is a family friend who died and when this all happened, they went down and gathered this material to make a case, to make sure that Susan didn't get out. To make sure this was not forgotten.You know, to be able to utilize. Protect the family. And so there was, at first it was kind of just gathering that. And then once she got it, she realized that it spanned two years, you know, I mean, she, she popped, she was an editor for many, many years, an incredible editor. She popped it into a system, strung it all out, sunk up a lot of it to see what was there, and realized like, there's something here.And that's when she called me. So she had organized it, you know, by date, you know, and that, that originally. Strung out a lot of it. And then, so when I came in, it was just kind of like this giant collection of stuff, like folders with the nine one calls. How long was the strung out? Well, I didn't know this.Well, I mean, we have about 30 hours of content. It wasn't one string out, you know, it was like there were the call, all the calls, and then the 9 1 1 calls, the dash cams. The ring cams. Okay. Excuse me. The canvassing interviews, audio only content. So many, many. Was about 30 hours of content, which honestly, as most of us editors know, is not actually a lot I've cut.You know, it's usually, we have tons more than that. I mean, I, I've cut decades worth of material and thousands of hours, you know, but 30 hours of this type of material is very specific, you know, that's a, that's its own challenge. So, so yeah. So the first, so it was organized. It was just organized by call.Interview, you know, some naming conventions in there. Some things we had to sync up. You know, the 9 1 1 calls would overlap. You could hear it in the nine one one call center. You would hear someone, one person who called in, and then you'd hear in the background, like the conversation of another call. It's in the film.There's one moment where you can hear they're going as fast as they can, like from over, from a different. So there was so much overlap. So there was some syncing that we kind of had to do by ear, by signals, by, you know, and there's some time coding on the, on the cameras, but that would go off, which was strange.They weren't always perfect. So, but that, that challenge unto itself would help us kind of really screen the footage to a finite detail, right. To like, have, to really understand where everybody is and what they're doing when,BEN: yeah. You talked about kind of at the end, you know, different people come in, there's, you know, maybe you need to reach a certain length or so on and so forth.How do you, um, handle notes? What's your advice to young filmmakers as far as navigating that process? Great question.VIRI: I am someone who, when I was a kid, I had trouble with authority. I wasn't like a total rebel. I think I was like a really goody goody too. She was borderline. I mean, I had my moments, but growing up in, in a journey, an artistic journey that requires you to kind of fall in love with getting critiques and honing things and working in teams.And I had some growing pains for a long time with notes. I mean, my impulse was always, no. A note would come and I'd go, no, excuse me. Go to bed, wake up. And then I would find my way in and that would be great. That bed marinating time has now gone away, thank goodness. And I have realized that. Not all notes, but some notes have really changed the trajectory of a project in the most powerful waves.And it doesn't always the, to me, what I always like to tell folks is it's, the notes aren't really the issues. It's what? It's the solutions people offer. You know? It's like you can bring up what you're having an issue with. It's when people kind of are like, you know what I would do? Or you know what you think you should do, or you could do this.You're like, you don't have to listen to that stuff. I mean, you can. You can if you have the power to filter it. Some of us do, some of us don't. I've worked with people who. Take all the notes. Notes and I have to, we have to, I kind of have to help filter and then I've worked with people who can very quickly go need that, don't need that need, that, don't need that.Hear that, don't know how to deal with that yet. You know, like if, like, we can kind of go through it. So one piece of advice I would say is number one, you don't have to take all the notes and that's, that's, that's an honoring my little veary. Wants to stand by the vision, you know, and and fight for instincts.Okay. But the second thing is the old classic. It's the note behind the note. It's really trying to understand where that note's coming from. Who gave it what they're looking for? You know, like is that, is it a preference note or is it a fact? You know, like is it something that's really structurally a problem?Is it something that's really about that moment in the film? Or is it because of all the events that led to that moment that it's not doing the work you think it should? You know, the, the value is a complete piece. So what I really love about notes now is I get excited for the feedback and then I get really excited about trying to decipher.What they mean, not just taking them as like my to-do list. That's not, you know, that's not the best way to approach it. It's really to get excited about getting to actually hear feedback from an audience member. Now, don't get me wrong, an audience member is usually. A producer in the beginning, and they have, they may have their own agenda, and that's something to know too.And maybe their agenda can influence the film in an important direction for the work that they and we all wanted to do. Or it can help at least discern where their notes are coming from. And then we can find our own emotional or higher level way to get into solving that note. But, you know, there's still, I still get notes that make me mad.I still get notes where I get sad that I don't think anybody was really. Watching it or understanding it, you know, there's always a thought, you know, that happens too. And to be able to read those notes and still find that like one kernel in there, or be able to read them and say, no kernels. But, but, but by doing that, you're now creating the conviction of what you're doing, right?Like what to do and what not to do. Carrie, equal value, you know, so you can read all these notes and go, oh, okay, so I am doing this niche thing, but I believe in it and. And I'm gonna stand by it. Or like, this one person got it and these five didn't. And I know that the rules should be like majority rules, but that one person, I wanna figure out why they got it so that I can try to get these, you know, you get what I'm saying?So I, I've grown, it took a long time for me to get where I am and I still have moments where I'm bracing, you know, where I like to scroll to see how many notes there are before I even read them. You know, like dumb things that I feel like such a kid about. But we're human. You know, we're so vulnerable.Doing this work is you're so naked and you're trying and you get so excited. And I fall in love with everything. I edit so furiously and at every stage of the process, like my first cut, I'm like, this is the movie. Like I love this so much. And then, you know, by the 10th root polling experience. I'm like, this is the movie.I love it so much. You know, so it's, it's painful, but at the same time it's like highly liberating and I've gotten a lot more flowy with it, which was needed. I would, I would encourage everybody to learn how to really enjoy being malleable with it, because that's when you find the sweet spot. It's actually not like knowing everything right away, exactly what it's supposed to be.It's like being able to know what the heart of it is. And then get really excited about how collaborative what we do is. And, and then you do things you would've never imagined. You would've never imagined, um, or you couldn't have done alone, you know, which is really cool. ‘cause then you get to learn a lot more about yourself.BEN: Yeah. And I think what you said of sort of being able to separate the idea of, okay, something maybe isn't clicking there, versus whatever solution this person's offering. Nine times outta 10 is not gonna be helpful, but, but the first part is very helpful that maybe I'm missing something or maybe what I want to connect is not connecting.VIRI: And don't take it personally. Yeah. Don't ever take it personally. I, I think that's something that like, we're all here to try to make the best movie we can.BEN: Exactly.VIRI: You know? Yeah. And I'm not gonna pretend there aren't a couple sticklers out there, like there's a couple little wrenches in the engine, but, but we will, we all know who they are when we're on the project, and we will bind together to protect from that.But at the same time, yeah, it's, yeah. You get it, you get it. Yeah. But it's really, it's an important part of our process and I, it took me a while to learn that.BEN: Last question. So you talked about kind of getting to this cut and this cut and this cut. One of the most important parts of editing, I think is especially when, when you've been working on a project for a long time, is being able to try and see it with fresh eyes.And of course the, one of the ways to do that is to just leave it alone for three weeks or a month or however long and then come back to it. But sometimes we don't have that luxury. I remember Walter Merch reading in his book that sometimes he would run the film upside down just to, mm-hmm. You know, re re redo it the way his brain is watching it.Do you have any tips and tricks for seeing a cut with fresh eyes? OhVIRI: yeah. I mean, I mean, other than stepping away from it, of course we all, you know, with this film in particular, I was able to do that because I was doing other films too. But I, one good one I always love is take all the music out. Just watch the film without music.It's really a fascinating thing. I also really like quiet films, so like I tend to all of a sudden realize like, what is absolutely necessary with the music, but, but it, it really, people get reliant on it, um, to do the work. And you'd be pleasantly surprised that it can inform and reinvent a scene to kind of watch it without, and you can, it's not about taking it out forever, it's just the exercise of watching what the film is actually doing in its raw form, which is great.Switching that out. I mean, I can, you know, there's other, washing it upside down, I feel like. Yeah, I mean like there's a lot of tricks we can trick our trick, our brain. You can do, you could also, I. I think, I mean, I've had times where I've watched things out of order, I guess. Like where I kind of like go and I watch the end and then I click to the middle and then I go back to the top, you know?And I'm seeing, like, I'm trying to see if they're all connecting, like, because I'm really obsessed with how things begin and how they end. I think the middle is highly important, but it really, s**t tells you, what are we doing here? Like what are we set up and where are we ending? And then like, what is the most effective.Journey to get there. And so there is a way of also kind of trying to pinpoint the pillars of the film and just watching those moments and not kind, and then kind of reverse engineering the whole piece back out. Yeah, those are a couple of tricks, but more than anything, it's sometimes just to go watch something else.If you can't step away from the project for a couple of weeks, maybe watch something, you could, I mean, you can watch something comparable in a way. That tonally or thematically feels in conversation with it to just kind of then come back and feel like there's a conversation happening between your piece and that piece.The other thing you could do is watch something so. Far different, right? Like, even if you like, don't like, I don't know what I'm suggesting, you'd have to, it would bend on the project, but there's another world where like you're like, all right, I'm gonna go off and watch some kind of crazy thrill ride and then come back to my slow burn portrait, you know, and, and just, just to fresh the pal a little bit, you know?I was like that. It's like fueling the tanks. We should be watching a lot of stuff anyways, but. That can happen too, so you don't, you also get to click off for a second because I think we can get, sometimes it's really good to stay in it at all times, but sometimes you can lose the force for the, you can't see it anymore.You're in the weeds. You're too close to it. So how do we kind of shake it loose? Feedback sessions, by the way, are a part, is a part of that because I think that when you sit in the back of the room and you watch other people watch the film, you're forced to watch it as another person. It's like the whole thing.So, and I, I tend to watch people's body language more than, I'm not watching the film. I'm like watching for when people shift. Yeah, yeah. I'm watching when people are like coughing or, you know, or when they, yeah. Whatever. You get it. Yeah. Yeah. That, that, soBEN: that is the most helpful part for me is at a certain point I'll bring in a couple friends and I'll just say, just want you to watch this, and I'm gonna ask you a couple questions afterwards.But 95% of what I need is just sitting there. Watching them and you said exactly. Watching their body language.VIRI: Yeah. Oh man. I mean, this was shoulder, shoulder shooks. There's, and you can tell the difference, you can tell the difference between someone's in an uncomfortable chair and someone's like, it's like whenever you can sense it if you're ever in a theater and you can start to sense, like when they, when they reset the day, like whenever we can all, we all kind of as a community are like, oh, this is my moment.To like get comfortable and go get a bite of popcorn. It's like there's tells, so some of those are intentional and then some are not. Right? I mean, if this is, it goes deeper than the, will they laugh at this or will they be scared at this moment? It really is about captivating them and feeling like when you've, when you've lost it,BEN: for sure.Yeah. Very. This has been fantastic. Oh my God, how fun.VIRI: I talked about things here with you that I've haven't talked, I mean, contact so deeply, but even film school, I feel like I don't know if that's out there anywhere. So that was fun. Thank you.BEN: Love it. Love it. That, that that's, you know, that's what I hope for these interviews that we get to things that, that haven't been talked about in other places.And I always love to just go in, you know, wherever the trail leads in this case. Yeah. With, uh, with Jody Foster and Math McConaughey and, uh, I mean, go see it. Everybody met this. Yeah. Uh, and for people who are interested in your work, where can they find you?VIRI: I mean, I don't update my website enough. I just go to IMDB.Look me up on IMDB. All my work is there. I think, you know, in a list, I've worked on a lot of films that are on HBO and I've worked on a lot of films and now, you know, obviously the perfect neighbor's on Netflix right now, it's having an incredible moment where I think the world is engaging with it. In powerful ways beyond our dreams.So if you watch it now, I bet everybody can kind of have really fascinating conversations, but my work is all out, you know, the sports stuff born to play. I think it's on peacock right now. I mean, I feel like, yeah, I love the scope that I've had the privilege of working on, and I hope it keeps growing. Who knows.Maybe I'll make my space movie someday. We'll see. But in the meantime, yeah, head over and see this, the list of credits and anything that anybody watches, I love to engage about. So they're all, I feel that they're all doing veryBEN: different work. I love it. Thank you so much.VIRI: Thank you. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

In today's episode, we're joined by Alastair Goodship, COO of Mila Resources, a mining company that targets stranded assets with robust geological potential, by leveraging existing infrastructure and geological data, and then applying their team's multi-disciplinary experience, they are able to identify key value opportunities where they can advance to tangible production-stage studies. We discuss Mila's strategy and portfolio, then zero in on the Yarrol project in Queensland and what exploration has shown so far, what the next phase is targeting, and the key milestones on the horizon. We'll finish with the outlook for the wider Queensland portfolio and what shareholders should watch next. KEY TAKEAWAYS Mila Resources' strategy is to find de-risked assets that are stranded due to lack of funding or being lost in a larger portfolio, but which possess clear potential for scalability. Personal career development should include gaining broad experience across various disciplines and dedicated time to up-skill in areas like data set management and remote sensing to improve exploration efficiency. The Yarrol project is compelling because it has a historical resource, significant drill intercepts to depth, and satellite targets that all indicate gold mineralisation but has been largely overlooked for 20-30 years. The near-term focus is on aggressively drilling to expand the mineralised footprint, with a key milestone being the announcement of a new, updated resource for Yarrol to drive future development strategy. BEST MOMENTS "Mila's aim is to find assets that have already been de-risked and progressed along the development curve, but are stranded due to lack of funds or being stuck in a larger portfolio of projects." "I had the space then to actually spend some kind of dedicated time actually getting understanding how the data works, how these processes work... and build my own skill set at the same time." "The first thing for us was to get some validation drilling in there... Every hole we put in hit, which gave us confidence to really move forward and be a bit more aggressive with Yarrol." "We've got a really prospective ground and we feel we're on to something, as do most juniors obviously, but we think we're backing it up with the data we have." GUEST RESOURCES Website - https://milaresources.com/ LinkedIn - https://www.linkedin.com/company/mila-resources/ X - https://x.com/MilaResources VALUABLE RESOURCES Mail:        ⁠rob@mining-international.org⁠ LinkedIn: ⁠https://www.linkedin.com/in/rob-tyson-3a26a68/⁠ X:              ⁠https://twitter.com/MiningRobTyson⁠  YouTube: ⁠https://www.youtube.com/c/DigDeepTheMiningPodcast⁠  Web:        ⁠http://www.mining-international.org⁠ CONTACT METHOD ⁠rob@mining-international.org⁠ ⁠https://www.linkedin.com/in/rob-tyson-3a26a68/⁠ Podcast Description Rob Tyson is an established recruiter in the mining and quarrying sector and decided to produce the “Dig Deep” The Mining Podcast to provide valuable and informative content around the mining industry. He has a passion and desire to promote the industry and the podcast aims to offer the mining community an insight into people's experiences and careers covering any mining discipline, giving the listeners helpful advice and guidance on industry topics.  This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Send us a textRetired at 49, Nick Shelton achieved the freedom many people dream of — but without structure, status, or purpose, that freedom felt unexpectedly empty. In this episode of the Starter Girlz podcast, Nick shares his Reinvention Formula for rebuilding identity, finding purpose, and creating a meaningful next chapter after retirement, career change, or major life transitions.We dive deep into what comes next when success is no longer your identity and how to design Version 2.0 of yourself with intention, creativity, and purpose.

We Are a Community of Refuge and Hope For ALL People. That will always and forever include YOU. Join us in person on a Sunday morning at any one of our campuses! Bowling Green (8AM | 9:30AM | 11AM), Glasgow (9:30AM | 11AM), or Morgantown (9:30AM | 11AM)! SERMON RESOURCEShttps://www.crossland.tv/resources

This week, a busy 2025, a lack of sleep, and possible procrastination result in Preston having to do a solo episode. He provides updates on his career journey since he was last on the show as a guest in late 2023. He then opens up about some of the personal challenges going on at home and he wraps up by giving out some of his top book recommendations in several science-y categories.    Main point: "Never hesitate to reach out for help." Preston's Instagram: @hokie_fish_biologist   Get in touch with us! The Fisheries Podcast is on Facebook, Twitter, Instagram, Threads, and Bluesky: @FisheriesPod  Become a Patron of the show: https://www.patreon.com/FisheriesPodcast Buy podcast shirts, hoodies, stickers, and more: https://teespring.com/stores/the-fisheries-podcast-fan-shop Thanks as always to Andrew Gialanella for the fantastic intro/outro music. The Fisheries Podcast is a completely independent podcast, not affiliated with a larger organization or entity. Reference to any specific product or entity does not constitute an endorsement or recommendation by the podcast. The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. Views and opinions expressed by the hosts are those of that individual and do not necessarily reflect the view of any entity with those individuals are affiliated in other capacities (such as employers).

Episode 366 of RevolutionZ starts by considering a phrase frequently borrowed, nowadays, the phrase "like never before," and then moves on to a word nowadays being used more frequently and positively than in quite some time, the word "socialism." Regarding the former, why are we mimicking the verbal priorities of the Orange Monster? Can we avoid that? Regarding the latter, are people using the word "socialism" to talk about outcomes or to talk about institutions? Can we do the latter? After exploring those questions a bit, we move on to the main focus of this episode, another chapter, chapter thirteen, of the forthcoming book The Wind Cries Freedom.This time Miguel Guevara elicits from the doctor, Barbara Bethune, and the nurse, Emiliano Farmer, both of whom we met last episode, more about their experiences and the lessons they take from their health work and organizing. They consider the hospital as a living case study. They describe the pipeline of suffering—pollution, price-gouged meds, avoidable illness and more—and also the subtler currents of class status that dictate tone, attention, influence, time and income. They examine the role of the  “coordinator class” of hospital managers, doctors, lawyers, and other coordinator class members who don't own capital but oversee labor and monopolize empowering circumstances. For many working-class people, these are the faces of power they see every day. That's why polished condescension can push workers toward leaders who “feel real,” even when those leaders actually harm workers, Trump being a prime example. The interviewees explain how the left stumbles when its language and posture mirror coordinator class norms and when it sidesteps a hard truth: removing owners without changing the structure of empowering tasks just juggles bosses.A candid conversation with a doctor and nurse becomes a turning point. The doctor admits to class bias toward those below, then embraces balanced job complexes so no group monopolizes empowering tasks, self-management so decision-making matches those affected, and remuneration for effort and sacrifice to attain equity. The nurse arrives at the same aims but after admitting class hatred for those above. Alongside all this, a personal story from the doctor about her "aphantasia"—living without a mind's eye—shows how unseen differences among people distort what we treat as normal. Her honesty presents a lesson in humility: people edit their self-understanding to belong, and professionals do the same to protect hierarchy. Real organizing requires honesty about the impulses and structures that make empathy sustainable.The interviewees connect these and related ideas to action: confronting big pharma, building rural and school-based care, reforming medical education, and ending toxic internship culture. The National Nurses March in their time stands out as a catalyst, proving to many that mass participation can thaw numbness and turn moral clarity into practical wins. If participatory society means anything, it must show up at the bedside and in the break room as shared power, dignified work, and decisions made by those who live their consequences. There is actually much more as well...Support the show

Episode 148 of the Taproom Podcast features the Inland Empire Brew Witches — Tiffany, Alexis, Loretta and Sandra — as they share how the group started, grew and built a fiercely supportive community. Host Mike also mixes in travel notes from Chicago and Milwaukee, with brewery highlights from Lakefront, Central Waters and a Miller tour. The conversation covers the Brew Witches' origins and membership, collab brews (Feathered Serpent, Stout House and upcoming Metabolic), charity beers (breast cancer benefit projects like “Save the Pear” and “Hefty Breasty”), brew days, bottle shares and what it means to bring more women into beer. Personal stories touch on community support through loss, homebrewing and industry paths, plus light-hearted riffs on beer styles, food pairings, video games and hangover remedies.

Youtube video linked below!https://www.youtube.com/watch?v=CHLgSgSMMd0Links & Socials here:https://linktr.ee/haleygutz

Season 5, Episode 7 of the To Health With That! podcast. Betsy and I recorded this video several years ago (hence the hair!) and she was kind enough to consent to share it in this format as well. Betsy's history as a nurse gives her a wonderful, insightful perspective on healthcare and her journey with autoimmune disease and having to take an antifolate will help so many other individuals who are struggling with this issue.00:00 - Intro00:36 - Betsy's Story with Autoimmune disease03:20 - Flexibility is Betsy's most important thing04:51 - Highly Sensitive People05:36 - MTHFR and perfectionism06:53 - Personal responsibility in MTHFR07:21 - Taking methotrexate with MTHFR (an anti-folate medication)09:11 - Symptom tracking10:53 - Knowledge about your own health is power.Thanks so much for watching! I have so many other resources for you. Here is the full version of this interview: If you would like to tell your own MTHFR story, you can schedule with Dr. Amy here: ⁠https://calendly.com/amy-tohealthwiththat/new-meeting⁠Check out the website first for lots of FREE stuff:WEBSITE: https://tohealthwiththat.com/ Order Dr. Amy's book MTHFR Easy: Get Healthy For Life: https://amzn.to/47tT31YPaperback and audiobook versions are coming soon.This story was shared graciously and generously with permission to post on the podcast, Youtube, and in print if that happens in the future.

The Christmas season is a time that is full of joy and life… but it also reveals where the source of our joy truly is. The question is, is your joy personal or seasonal?In this message, Pastor Mark Cummins unpacks the Christmas story in a new light, equipping us to root our joy not in changing circumstances or seasons, but in faith in Jesus Christ.

Personal Tragedy and the Dacha Library: Colleague Geoffrey Roberts recounts that following the suicide of his wife Nadia in 1932, Stalin became more isolated, moving his routine to the Blizhnyaya dacha, which became the "center of gravity" for his books eventually numbering around 25,000, suggesting that like Machiavelli, Stalin felt most among friends when surrounded by his library. 1934

In this episode of the Man Therapy podcast, Dan and Kyle discuss various themes surrounding fantasy football, holiday family dynamics, and the challenges of maintaining relationships amidst the busyness of life. They reflect on the importance of communication, personal growth, and the value of couples counseling in navigating relationship struggles. The conversation also touches on the pressures of holiday traditions and the significance of prioritizing the couple's relationship while managing parenting responsibilities. Takeaways: Fantasy football can be frustrating and full of unwritten rules. Family gatherings during the holidays can highlight the importance of good relationships. Christmas presents can create unnecessary stress and pressure. The busyness of parenting can lead to neglecting the couple's relationship. It's important to prioritize the relationship between parents amidst family activities. Couples counseling can provide valuable insights for improving relationships. Personal growth is essential for maintaining healthy relationships. Communication is key in addressing relationship challenges. Recognizing and supporting each other's struggles can strengthen bonds. Commitment to the relationship is crucial, even during tough times. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we explore the importance of timing, simplicity, and passion in crossing the chasm from early adopters to mass market adoption for any company or product. We also talk about personal branding and storytelling in business success.TakeawaysThe importance of timing in market adoption is crucial for success.Simplicity in product and message helps in crossing the chasm.Passion of the founder is key to engaging customers and building trust.Personal branding and owning your domain are essential in today's digital age.Podcasts are a powerful medium for entrepreneurs to share their stories.Taking photos with others can help expand your network and reach.The cascade theory emphasizes the need for a product to be easily shareable.Entrepreneurs should focus on grassroots marketing strategies.Building a business with passion can lead to success without large budgets.About Jim JamesJim has spent over 25 years running his own PR and Marketing Firm, EastWest Public Relations. He sold his firm and now helps Founders/Entrepreneurs get noticed in the noisy world we live in.You can find him and his podcast, the Unnoticed Entrepreneur at: https://www.jimajames.com CONNECT WITH USGet Your Weekly EDGE Newsletter. It's FREE.Bottom Line Up Front (BLUF)Brandon writes a weekly email newsletter called EDGE that over 22,000 people rely on for an edge to achieve their best selves in business and life.ContentBrandon writes about what he knows...lessons from 2x exits, 20+ strike outs Venture Capital, Marketing at AOL, writing a #1 Amazon Best Seller, Podcasting, Angel Investing, Philanthropy, Public service, Fitness and peak performance.Who it's forPeople that want to achieve their full potential.Claim your edge with others who have been getting a step ahead. Link to sign up: https://edge.ck.page/bea5b3fda6 A Podcast for entrepreneurs and peak performersPart of the Best Podcast Network: Productivity Podcast, Marketing Podcast, Business Plan Podcast, 401k Podcast, Car Accident Lawyer Podcast,

n this thought-provoking episode of "Faith with Friends," host Lisa Lorenzo guides listeners through the sixth chapter of the Book of Luke. As part of a December series, the podcast explores each chapter of Luke in the lead-up to Christmas, offering insights into the life and teachings of Jesus Christ. With a focus on the spiritual journey and personal transformation, Lisa encourages listeners to delve deeper into the scripture and reflect on its contemporary significance.This episode emphasizes Jesus's teachings from Luke 6, highlighting the conflict with the Pharisees and the revolutionary principles he espouses. Lisa examines key moments, including the healing on the Sabbath and the selection of his disciples, as windows into understanding Jesus's challenges to societal norms and religious traditionalism. Engaging with SEO keywords like “spiritual growth,” “faith journey,” and “Jesus's teachings,” the episode invites listeners to consider themselves as part of a divine narrative centered on mercy, forgiveness, and unyielding faith in turbulent times.Key Takeaways:Jesus challenges societal and religious norms by prioritizing human need over traditional rituals.The teachings of Jesus in Luke 6 call for a transformation of the heart, advocating love for enemies and mercy over judgment.Personal discipleship is highlighted as a foundation built on faith, understanding, and action rather than mere knowledge.The importance of self-reflection is stressed through metaphors about good and bad fruit, encouraging personal spiritual assessment.The episode invites listeners to actively integrate faith into their lives, promising a deeper encounter with Jesus by Christmas.Notable Quotes:"A human need is more important than rituals and rules.""The Son of Man is the Lord of the Sabbath.""Life with me is going to flip everything that you've known.""Jesus isn't asking for a Sunday religion or passive faith.""Know me, and then build your life on me."Resources:Follow Lisa Lorenzo and the "Faith with Friends" podcast on Instagram: faithwithfriendsImmerse yourself in the full episode to explore how the teachings of Luke 6 can anchor your spiritual journey today. Stay tuned for more enlightening discussions as the podcast unfolds the profound narrative of Jesus's life through December's introspective series.

The Secret & CNN ~ Dr John Demartini is a human behavioral specialist, educator and international authority on maximizing human awareness and potential.Creator of "The Breakthrough Experience®" & The Demartini Method®", his studies have spanned numerous disciplines and his teachings provide answers and solutions to many of life's questions and challenges. He has written over 40 published books and 170 manuscripts and has produced over 60 CD and DVD educational products. In mediaHe has appeared on CNN, Larry King Live,in the movies 'Oh My God' produced by Peter Rodger featuring Hugh Jackman, Sir Bob Geldoff, Dr Demartini, Seal, Ringo Starr & The Opus. As an educator, he constantly travels the globe teaching students from all backgrounds and disciplines the workings of human behavior, how to understand and transform social dynamics and how to activate potential by understanding human nature. To date he has taught his principles and methodologies in 60 countries and has millions of corresponding students in most countries across the world. Dr. Demartini is founder of the Demartini Institute, originator of the Demartini Method® and resides in the United States, Australia and on The World of ResidenSea.~DrDemartini.com© 2025 All Rights Reserved© 2025 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Episode: 184 Financial Resiliency: Preparing for the Next Disruption   In this episode of Restaurantopia, Brian and Dave break down what restaurant owners should be doing right now to strengthen their financial position before the next economic downturn hits. From interpreting economic indicators to tightening your operational systems, this episode is packed with timely, practical insights that independent operators can take action on today. Whether the slowdown arrives in six months or a year, the restaurants that prepare will be positioned not only to survive — but to grow.   Key Topics Covered • Why financial resiliency matters now more than ever Consumer stress, defaults, industry bankruptcies, and the real signs behind a softening restaurant market. • Inverted Yield Curve 101 — and why it predicts downturns Brian breaks down (Top Gun style) what an inverted yield curve means and why it has preceded multiple recessions. A graph will be included for reference. • Market changes operators should watch Second-generation spaces returning, closures from national chains, shifts in discretionary spending, and how these create opportunity for strong operators. • Building financial resiliency inside your restaurant Practical steps you can implement this week: – Build a cash buffer – Run worst-case financial scenarios – Streamline your supply chain – Consolidate vendors to strengthen relationships – Audit & renegotiate fixed costs every 6 months – Create and maintain a contract calendar – Trim menu bloat and focus on high-performing items – Strengthen community loyalty and local partnerships • The role of digital organization Why every operator should maintain an internal vendor binder, digital logins, contract info, POS access, and more. Avoid the "who knows the password?" disaster. • Personal finance matters too Why your home budget affects your restaurant's ability to weather downturns — from subscriptions to Costco impulse buys (yes, survival buckets included). • Never waste a crisis Economic tightening is when the strongest operators scale. Brian shares real examples of second-generation spaces going for a fraction of past prices.   Practical Takeaways Tighten spending at home and in the business Audit all subscriptions Review every contract (internet, waste removal, grease trap, pest control, etc.) Build financial dry powder Be ready for opportunity: inexpensive expansions, acquisitions, and second-generation spaces Always know where your digital info lives   Tools & Tips Mentioned ChatGPT for contract organization Upload contracts to generate a contract calendar automatically. Vendor consolidation for efficiency & environmental impact Community engagement as stabilizing revenue

Episode Title: Personal Attention ASMR Mixed with Light Rainfall Creating a Serene WorkspaceDescription:In this episode, immerse yourself in the soothing combination of personal attention ASMR sounds blended with gentle rainfall. Perfect for creating a peaceful and focused workspace ambiance, these calming sounds help reduce stress and improve concentration. Whether you're working, studying, or simply need a moment to unwind, let this serene soundscape guide you to tranquility and productivity.Take a moment today to breathe deeply and embrace the calm — your mind will thank you.Stay tuned for more relaxing moments on our next episode.DISCLAIMER

Episode Title: Personal Attention ASMR Wrapped in Light Rainfall to Soothe Mind and BodyDescription:In this episode, we invite you to experience the calming blend of personal attention ASMR combined with the gentle sound of light rainfall. This soothing mix is designed to relax your mind and ease tension in your body, helping you unwind after a busy day. Whether you're looking to reduce stress, improve sleep, or simply find a moment of peace, these soft whispers paired with rain sounds create a comforting atmosphere for deep relaxation.Take a moment just for yourself—let the gentle rain and attentive whispers carry you to a place of calm and restfulness.Join us next time as we continue to explore more ways to nurture your peace and well-being.DISCLAIMER

Summary:The episode "The Quiet Yearning: Helping Men Heal, Grow, and Come Home to Themselves" features a deep conversation between Tonya Harris Cornileus, Ph.D., and Sean Harvey, Founder of the Warrior Compassion Institute and a leading voice on men, masculinity, and extremism. The episode explores the challenges and transformations men face in today's society, focusing on the need for deeper connections, authenticity, and personal growth. Sean Harvey shares his journey from high-pressure environments to founding the Warrior Compassion Institute, emphasizing the importance of creating spaces for men to express vulnerability and engage in meaningful dialogue.Keywords:men's healing, masculinity, personal growth, Warrior Compassion Institute, vulnerability, societal pressures, Sean Harvey, Tonya Harris CornileusTakeawaysMen yearn for deeper connections and authenticity.Vulnerability is a strength, not a weakness.Creating safe spaces for men to express themselves is crucial.Societal pressures often hinder men's personal growth.Sean Harvey's journey highlights the importance of compassion in leadership.The Warrior Compassion Institute focuses on healing and growth for men.Men's circles provide a supportive environment for personal exploration.Understanding 'dude psychology' is key to engaging men effectively.Personal growth should be integrated into professional development.Men are not broken; systems are often the issue.Systems are broken and broken systems wound men (people).Sound bites: "Men yearn for deeper connections." "Vulnerability is a strength." "Safe spaces are crucial for men." "Societal pressures hinder growth." "Compassion in leadership matters." "Men's circles support exploration." "Dude psychology is key." "Growth in professional development." "Men are not broken." "Healing men heals society."Chapters: 00:00:00 Introduction and Guest Welcome00:03:00 Sean Harvey's Journey00:09:00 The Importance of Vulnerability00:15:00 Creating Safe Spaces for Men00:21:00 Understanding Societal Pressures00:27:00 Warrior Compassion Institute00:33:00 Men's Circles and Support00:39:00 Integrating Personal Growth00:45:00 Conclusion and Final ThoughtsTo learn more about Sean Harvey and the work he's doing to support men, go to www.warriorcompassion.com, get his book, Warrior Compassion: Unleashing the Healing Power of Men (you can find it on Amazon or ask for it at your indie bookstore), and follow him on his new substack: Dude Psychology. Thank you for listening and following Your Aha! Life - The Podcast. Please share this podcast, leave a review, and hit follow to help this podcast reach other listeners like you. To learn more about Your Aha! Life, go to my website at https://www.yourahalife.comXOXO, Tonya

Cada vez más personas, sin importar cuánto ganen, viven con estrés financiero. El costo de vida, la inflación y los gastos crecientes hacen que incluso quienes ganan más de 200 mil dólares al año no puedan ahorrar. Esto demuestra que el problema no es solo cuánto ganas, sino cómo manejas el dinero y cómo los gastos se comen los ingresos. #sonomacounty #podcast #familia #migrantes #finanzas #inmigrantes #lakecounty #daca #dacamented #undocuprofessionals #mexico #mexicanos #mexicanas #estudiantes #padres

Summary In this episode of Armed American Radio, host Mark Walters navigates through various topics including technical challenges in live streaming, the current political landscape in Virginia regarding gun rights, and the implications of global politics on American freedoms. The conversation also touches on cultural reflections about the UK, the threats of gun violence on college campuses, and the dangers posed by social media challenges to youth behavior. Throughout the episode, Walters emphasizes the importance of community support for gun rights and the need for vigilance in protecting freedoms. Takeaways Technical difficulties can be part of live streaming. Silver prices have significantly increased over the years. Support for the NRA is crucial in current political climates. Personal connections and values are important during the holidays. Virginia’s political landscape poses threats to gun rights. The Supreme Court’s decisions could impact gun laws significantly. Youth behavior influenced by social media can lead to dangerous situations. Cultural changes in the UK reflect broader societal issues. Gun violence on campuses is a growing concern. Community engagement is essential for protecting freedoms. Keywords live streaming, gun rights, Virginia politics, global politics, UK culture, campus security, youth behavior, social media challenges, Armed American Radio, conservative voice

December 5, 2025#WhatILearnedTodayDownload The Daily MoJo App: HERE"Ep 120525: Freedom Friday: He's Black? | The Daily MoJo"The content covers significant events and themes, including the investigation of Brian Cole related to the January 6th bombing, the fallout from a Jaguar ad campaign, and the emotional impact of cemetery practices. It also discusses the Challenger disaster, financial initiatives for children, and the role of social media in fundraising. Personal anecdotes highlight societal norms regarding appearance and the importance of accountability in decision-making.Phil Bell - TDM's DC Correspondent  - Is LIVE once again for Freedom Friday to discuss the mortgage dilemma. All American Talk ShowAllThingsTrainsPhil on X: HERETom Speciale - National Security Consultant - Joins the program to discuss just about everything that's wrong in DC and that infamous finger stabbing from John Brennan!Tom on X:  @Speciale4VAWebsite: https://thomasspeciale.com/Our affiliate partners:Be prepared! Not scared. Need some Ivermection? Some Hydroxychloroquine? Don't have a doctor who fancies your crazy ideas? We have good news - Dr. Stella Immanuel has teamed up with The Daily MoJo to keep you healthy and happy all year long! Not only can she provide you with those necessary prophylactics, but StellasMoJo.com has plenty of other things to keep you and your body in tip-top shape. Use Promo Code: DailyMoJo to save $$Take care of your body - it's the only one you'll get and it's your temple! We've partnered with Sugar Creek Goods to help you care for yourself in an all-natural way. And in this case, "all natural" doesn't mean it doesn't work! Save 15% on your order with promo code "DailyMojo" at SmellMyMoJo.comCBD is almost everywhere you look these days, so the answer isn't so much where can you get it, it's more about - where can you get the CBD products that actually work!? Certainly, NOT at the gas station! Patriots Relief says it all in the name, and you can save an incredible 40% with the promo code "DailyMojo" at GetMoJoCBD.com!Romika Designs is an awesome American small business that specializes in creating laser-engraved gifts and awards for you, your family, and your employees. Want something special for someone special? Find exactly what you want at MoJoLaserPros.com  There have been a lot of imitators, but there's only OG – American Pride Roasters Coffee. It was first and remains the best roaster of fine coffee beans from around the world. You like coffee? You'll love American Pride – from the heart of the heartland – Des Moines, Iowa. AmericanPrideRoasters.com   Find great deals on American-made products at MoJoMyPillow.com. Mike Lindell – a true patriot in our eyes – puts his money where his mouth (and products) is/are. Find tremendous deals at MoJoMyPillow.com – Promo Code: MoJo50  Life gets messy – sometimes really messy. Be ready for the next mess with survival food and tools from My Patriot Supply. A 25 year shelf life and fantastic variety are just the beginning of the long list of reasons to get your emergency rations at PrepareWithMoJo50.comStay ConnectedWATCH The Daily Mojo LIVE 7-9a CT: www.TheDailyMojo.com Rumble: HEREOr just LISTEN:The Daily MoJo ChannelBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-daily-mojo-with-brad-staggs--3085897/support.

Many believers are praying silently and wondering why healing, deliverance, and breakthrough haven't manifested. In this message, Kathy DeGraw teaches you how to pray out loud, war violently in the Spirit, and release faith-filled declarations that shift your health, mind, and atmosphere. Purchase Kathy's book Healed at Last – Overcome Sickness to Receive your Physical Healing on Amazon https://a.co/d/6a6mt8w or at: https://www.kathydegrawministries.org/healed-at-last/ Purchase Anointing Oil with a prayer cloth that Kathy has personally mixed and prayed over on Kathy's Website or Amazon. Order anointing oil by Kathy on Amazon look for her brand here https://amzn.to/3PC6l3R or Kathy DeGraw Ministries https://www.kathydegrawministries.org/product-category/oils/ Training, Mentorship and Deliverance! Personal coaching, deliverance, ecourses, training for ministry, and mentorships! https://www.kathydegrawministries.org/training/# So many Christians are praying, but few are seeing the manifestation of healing, deliverance, and answered prayer. In this Prophetic Spiritual Warfare teaching, Kathy DeGraw exposes why "mousy prayers" don't move mountains and shows you how to partner with the Holy Spirit through bold, audible prayer. You'll learn why praying out loud activates your faith, how to release violent prayer rooted in love—not fleshly volume—and how to decree the Word of God until your situation aligns with heaven. Kathy shares real-life testimonies of being healed multiple times, contending for a medically verified miracle, and even arguing with a dentist and standing on faith until the report changed. You'll discover the difference between constantly binding the devil and positively declaring, "I am healed, I am strong, I walk in divine health." This message will challenge your prayer life, confront unbelief, and call you into spiritual warfare that actually produces results. If you're hungry to see your body healed, your mind free, and your prayers carry authority, this episode will equip you to pray violently, trust God deeply, and manifest the breakthrough Jesus already paid for. #propheticspiritualwarfare, #healingprayer, #deliverance, #kathydegraw, #faithdeclarations **Connect with Us** - Website: https://www.kathydegrawministries.org/ - Facebook: https://www.facebook.com/kathydegraw/ - Instagram: https://www.instagram.com/kathydegraw/ Podcast - Subscribe to our YouTube channel and listen to Kathy's Podcast called Prophetic Spiritual Warfare, or on Spotify at https://open.spotify.com/show/3mYPPkP28xqcTzdeoucJZu or Apple podcasts at https://podcasts.apple.com/us/podcast/prophetic-spiritual-warfare/id1474710499   **Recommended Resources:** - Receive a free prayer pdf on Warfare Prayer Declarations at https://kathydegrawministries.org/declarations-download - Kathy's training, mentoring and ecourses on Spiritual Warfare, Deliverance and the Prophetic: https://training.kathydegrawministries.org/ - Healed At Last ~ Overcome Sickness and Receive your Physical Healing: https://www.kathydegrawministries.org/healed-at-last/ - Mind Battles – Root Out Mental Triggers to Release Peace!: https://www.kathydegrawministries.org/product/mind-battles-pre-order-available-january-2023/ -Kathy has several books available on Amazon or kathydegrawministries.org   **Support Kathy DeGraw Ministries:** - Give a one-time love offering or consider partnering with us for $15, $35, $75 or any amount! Every dollar helps us help others!  - Website: https://www.kathydegrawministries.org/donate/  - CashApp $KDMGLORY - Venmo @KD-Ministries - Paypal.me/KDeGrawMinistries or donate to email admin@degrawministries.org - Mail a check to: Kathy DeGraw Ministries ~ PO Box 65 ~ Grandville MI 49468  

Jim Cregan built Jimmy's Iced Coffee from a simple idea into a national brand. This episode captures how he pushed through debt, setbacks and doubt to create real momentum.Speaking with Jim Cregan reminded me how often founders underestimate the grind behind a brand that looks simple from the outside. Jim described the early days of Jimmy's Iced Coffee when he was £50,000 in debt, unsure of the next step and carrying the pressure of keeping the business alive. What shifted things was not luck. It was action. Handwritten letters, direct outreach, relentless product sampling and a refusal to step back when the numbers looked bleak. This Bite sized episode is a sharp reminder that momentum usually starts at the point where most people quit.Guest: Jim Cregan, Co founder of Jimmy's Iced CoffeeKey Takeaways:Momentum often begins when financial pressure is highest.Personal outreach can open doors large campaigns cannot.Simplicity and product quality build trust faster than branding claims.Resilience matters more than perfect planning in the early stages. 

In this episode of Coaching In Session, Michael Rearden sits down with Lynn M. Bunch, intuitive educator and creator of the ID Blueprint™ curriculum, to discuss the role of intuition in personal development and modern education.Lynn shares how judgment blocks growth, why education must evolve to meet today's learners, and the importance of tailoring learning to individual needs. She also explains how energy and emotional patterns influence learning and personal accountability. With over 25 years of experience, Lynn provides insights into how intuitive education helps individuals connect with their inner wisdom, navigate challenges, and foster meaningful transformation.This conversation is a roadmap for those seeking to harness intuition, honor diverse perspectives, and build a more empowered approach to learning and personal growth.

Nach dem erneuten Einzug ins Weiße Haus im Jänner 2025 hatte Donald Trump einen Plan: In seiner zweiten Amtszeit würde er nur auf die treuesten Anhänger in seinem Umfeld setzen. Jene Kräfte, die ihn zwischen 2016 und 2020 behindert hatten, sollten keine Rolle mehr spielen. Jetzt, rund 11 Monate später, zeigt sich, dass auch Trump keine vollständige Kontrolle über das Personal hat. In der Ukraine-Frage ziehen Außenminister Rubio und Sonderberater Witkoff nicht am gleichen Strang, Trumps Vorgehen in Venezuela sorgt für Kritik in den eigenen Reihen und die Causa Epstein führt zum Verlust einer der treuesten Anhängerinnen des Präsidenten. Ob der Machtstreit in Trumps Reihen jetzt eskaliert und wie sehr diese Entwicklung die Pläne Trumps behindert, erklärt Reinhard Heinisch, Politikwissenschafter an der Universität Salzburg.

Episode Title: Whispered Personal Attention Blended with Calming Thunderstorm SoundsDescription:In this episode, we invite you to experience a soothing blend of whispered personal attention combined with the gentle sounds of a calming thunderstorm. This unique mix is designed to help you unwind, reduce stress, and find moments of peace amidst the noise of daily life. Whether you're using it as a relaxation aid before sleep or a mindful break during your day, the comforting whispers paired with nature's rhythm offer a peaceful escape.Take a few minutes to immerse yourself in this calming atmosphere — your mind and body will thank you for it.Stay tuned for more episodes crafted to help you feel calm and relaxed.DISCLAIMER

Episode Title: ASMR Personal Attention with Soft Rain Gently Easing Nighttime Worries AwayDescription:In this episode, we invite you to unwind with a calming ASMR experience featuring personal attention combined with the soothing sounds of soft rain. Let the gentle rain wash away your nighttime worries and create a peaceful atmosphere for rest and relaxation. Whether you're looking to reduce stress or prepare for a restful sleep, this episode offers a serene escape from the day's tensions.Take a moment for yourself tonight—listen, relax, and breathe deeply as the calming rain and comforting whispers guide you toward tranquility.Join us next time as we continue to explore ways to bring calm and relaxation into your daily life.DISCLAIMER

Episode Title: Whispered Personal Attention Wrapped in Calming Rainfall SoundsDescription:In this episode, we invite you to unwind with the soothing blend of gentle whispered personal attention paired with the peaceful sounds of rainfall. Experience a unique form of relaxation that combines soft-spoken care with nature's calming rhythm, designed to melt away stress and bring a sense of calm. Whether you need a moment to reset or a peaceful backdrop for your day, let these comforting sounds guide you to tranquility.Take a few minutes to yourself, breathe deeply, and let the gentle rain and tender whispers ease your mind. Remember, small moments like these can help restore balance in our busy lives.Join us next time as we continue exploring simple ways to nurture your peace and relaxation.DISCLAIMER

Episode Title: Gentle Rain and Personal Attention Easing Anxiety Before SleepDescription:In this episode, we dive into the soothing effects of gentle rain sounds combined with personal attention techniques to help ease anxiety before bedtime. Discover how these calming elements can create a peaceful environment that supports restful sleep and mental relaxation. We also share practical tips on using soundscapes and mindful self-care to quiet your mind and prepare for a night of deep, restorative rest.Take a moment each evening to embrace these calming practices—it's a simple way to nurture your well-being and unwind from the day's stresses.Join us next time as we continue exploring ways to bring calm and relaxation into your daily life.DISCLAIMER

Episode Title: Gentle Rainfall Combined with Quiet Personal Attention for RelaxationDescription:In this episode, we invite you to unwind with the soothing sounds of gentle rainfall paired with moments of quiet, personal attention designed to help you relax deeply. Discover how this calming combination can ease your mind, reduce stress, and create a peaceful space within your day. Whether you need a break from the noise of everyday life or a gentle way to prepare for rest, this episode offers a mindful experience to support your well-being.Take a few moments for yourself today — let the soft rain and calm presence guide you toward tranquility.Join us next time as we continue exploring simple ways to bring calm and balance into your life.DISCLAIMER

Episode Title: Personal Attention with Steady Rain: Calming a Busy BrainDescription:In this episode, we focus on the soothing power of steady rain sounds to help quiet a busy mind and bring personal calm. Discover how the gentle rhythm of rain can serve as a natural aid for relaxation, concentration, and stress relief. We also share simple ways to incorporate rain sounds into your daily routine, creating a peaceful space wherever you are.Take a moment today to breathe deeply and let the steady rain wash away the noise of a hectic day. These small pauses can greatly improve your mental clarity and emotional balance.Join us next time as we continue exploring easy techniques to nurture calm and relaxation in everyday life.DISCLAIMER

Episode Title: Personal Attention ASMR with Rainfall: Calm Anxiety Swiftly Before BedDescription:In this episode, we invite you to experience a soothing blend of personal attention ASMR paired with gentle rainfall sounds designed to calm anxiety and help you unwind quickly before bedtime. Let the soft whispers and rhythmic rain wash away the stress of your day, guiding you into a peaceful, restful night. Whether you're new to ASMR or a longtime fan, this calming session is perfect for those seeking fast relief from anxious thoughts and a smoother path to sleep.Take a moment to prioritize your well-being tonight—listen, relax, and let calmness take over.Join us next time as we continue to explore simple ways to bring tranquility into your daily life.DISCLAIMER

From getting your taco licked to c*mming EVERY time, this week's episode is SO good, I'm giving you TWO parts.Welcome to part 1 besties :)I have Renowned sex therapist Emily Morse join us to teach you how to cum over and over again, so take out your notepad and get ready to take some notes. We discuss how to, love your body and vageen, get your man to go down on you, tips for giving a wifey blowie, facts vs myths about intercourse, the #1 ORAL METHOD THAT WILL MAKE YOUR GIRL C*M EVERY TIME, and more!!!TUNE IN NEXT WEEK FOR PT. 2!!! And don't forget to leave a 5 star review on the apple podcast app!Connect with me on:InstagramYouTubeConnect with Dr. Emily Morse:WebsiteInstagramSex with Emily PodcastToday's episode is brought to you by:Bellesa: EVERYONE who signs up wins a FREE WhisperVibeTM OR a FREE Rose toy with any WhisperTM order! CLAIM YOUR FREE GIFT HERE.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this engaging conversation, Dan Johnson and Aron Snyder reconnect after five years, reflecting on their personal growth, nostalgic childhood memories, and the impact of injuries on their lives. They discuss the challenges of substance use, the role of social media, and the importance of spirituality in finding true happiness. The dialogue emphasizes the significance of setting future goals and the journey towards a fulfilling life, all while sharing humorous anecdotes and life lessons learned along the way. Takeaways: The importance of reconnecting with old friends. Nostalgic food can evoke strong childhood memories. Growing up in small towns shapes unique life experiences. Personal growth often comes from reflecting on past choices. Injuries can significantly impact one's lifestyle and choices. Substance use can be a coping mechanism for pain and stress. Social media can be both a tool for growth and a source of stress. Exploring spirituality can lead to personal peace and understanding. True happiness often comes from within and is not tied to material wealth. Setting future goals is essential for personal fulfillment. Learn more about your ad choices. Visit megaphone.fm/adchoices