Podcasts about dj

Release Yourself Radio Show #1264Roger Sanchez In The Mix from Future, Toronto, CanadaTracklist currently unavailable*Please note this show may contain curse words and offensive language* Release Yourself with world renowned DJ, Producer, Radio and Podcast host Roger Sanchez. More Roger Sanchez on http://rogersanchez.com Hosted on Acast. See acast.com/privacy for more information.

(화) 컬투쇼 - 컬투오락관 + 억지 백일장 (DJ 양세찬) - 2026.1.6

(화) 컬투쇼 - 특선 라이브 (DJ 양세찬, 선우정아, 이무진) - 2026.1.6

Recorded 2026-01-06 06:59:14

Recorded 2026-01-06 23:41:08

Recorded 2026-01-06 14:57:45

As we turn the page on a new year, we begin 2026 with a fresh batch of SUNANDBASS Podcasts. First up this month is Bristol-based producer and DJ, Ephyra ✨ A special mix exploring her deep love for soulful, raw, and emotionally captivating sounds, perfect for getting you through the winter months as we reflect on the year just passed and look ahead to what's to come

A CMO Confidential Interview with DJ Patil, Great Point Ventures investor and former U.S. Chief Data Scientist in the Obama Administration. DJ discusses why AI adoption is "lumpy" like unbaked cake mix, the difference between large models and focused applications, and why consultants are probably not the best way to make progress. Key topics include: Maslow's Hierarchy of AI with power, data and water as the foundation; a timeline juxtaposition of AI evolution versus culture and policy change; and his belief that marketers have a unique position to add "human connectivity" in to the mix. Tune in to hear a view on AI and health care as well as how Waymo almost ruined a date night. What does AI adoption *really* look like inside large organizations—and why does it feel so uneven?In this episode of **CMO Confidential**, host **Mike Linton** sits down with **DJ Patil**—former U.S. Chief Data Scientist, AI leader at eBay and LinkedIn, and longtime advisor and investor—for a clear-eyed update from the front lines of AI.DJ explains why AI progress feels “lumpy,” why culture—not technology—is the biggest blocker to ROI, and what boards, CEOs, and CMOs must do now to avoid falling behind. From autonomous warfare and small models to Wall Street hype cycles, job displacement, and what AI means for the future of marketing, this is a practical, executive-level conversation about what's real, what's noise, and what comes next.If you lead a company, manage a brand, sit on a board, or are building a career in marketing, this episode will recalibrate how you think about AI adoption, investment, and organizational change.

Day 3 of the run and the groove gets even deeper.

Nick started his career as a nightclub promoter, DJ, and recording artist in Leeds, later moving to his first corporate role at London Records in 1994. He co-founded NorthWestSide Records at BMG, where he signed Jay-Z for the UK market. He served as Managing Director of Epic Records UK and later relaunched London Records for Universal Music. Nick was President of Capitol Records UK from 2013 to 2021, signing and developing Sam Smith, 5 Seconds of Summer, and other major artists. After leaving Capitol, he founded NWS Music Group with Christian Tattersfield, focusing on records, publishing, and sync licensing. Impact and Current Activities - Raphael is recognised for signing and nurturing award-winning artists, with his roster achieving multiple UK No.1 singles and albums - He regularly serves as an executive advisor and mentor, for instance, joining the A&R talent group at Cre8ing Vision where he helps emerging music executives and artists - His entrepreneurial ventures continue to shape the UK and global music scene, with a focus on discovering new talent and maximising artist success Nick Raphael is widely regarded as a dynamic force in the music talent business, blending artist development, strategic vision, and A&R leadership across decades of executive roles Hosted on Acast. See acast.com/privacy for more information.

References Guerra, DJ. 2026. Unpublished Lectures Opt Express 2025 Aug 25;33(17):36861-36875Plant Cell. 2013 Jul; 25(7): 2661–2678. J Biol Chem. 2018 Sep 21; 293(38):14786–14797. Plant/Paige/Jones. 1980. In the Light LZhttps://open.spotify.com/track/343ctUuXfw3vnE2eN7cURN?si=ad3ef3f1a79f4398Bruce/Brown/Clapton. 1967. Sunshine of Your Love. Cream Live Vol II.https://open.spotify.com/track/4KQilA0T8noRB4uwAQyiXz?si=c4357edac1bf45af

durée : 00:59:19 - Le Wake-up mix - Le Wake-Up Mix, c'est tous les jours dès 07h sur Mouv' !! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Channeling the imposing physicality of brutalist concrete monoliths into that thing we call dystopian techno. The UFO95 flew over Brussels one night, With Absence Has Shape tucked under its light, Through brutalist towers so starkly imposing, Where concrete dreams lay decomposing. “Oh MORD!” cried the vessel, “Oh MORD!” it did say, “I'm bound for the club on the sixth of Febru-ay! With radiophonics both retro and keen, And dystopian grooves never before seen!” The Tresor did rumble, the Berghain did shake, As techno Tardises whirled in its wake, With low-end saturation and thunderous throb, It zipped and it zingled, it wobbled, it bobbed! Brussels-based electronic musician Killian Vaissade – better known as UFO95 – constructs brutalist sonic architecture from the ruins of utopian dreams. On “Absence Has Shape,” the second track from his forthcoming album A Brutalist Dystopian Society Part 2, the Tresor resident channels the imposing physicality of concrete monoliths into that thing we call dystopian techno. Brutalist structures as monuments to failed promises, their stark minimalism now haunting reminders of what never came to pass. Vaissade translates this visual language into dark, dramatic, stripped back essential techno. “Absence Has Shape” throbs with hypnotic tension, interlocking grooves and low-end density. Drawing inspiration from Function, Jeff Mills, Surgeon, and Sandwell District, UFO95' approach is “Moroder-meets-Mills” – melding retro radiophonics that address brutality in its many forms: war, repression, corruption. A Brutalist Dystopian Society Part 2 drops on February 6th via MORD on vinyl, download, and streaming. The album follows acclaimed releases on Tresor, WSNWG, and TSSRCT (which he co-runs with Hadone), cementing Vaissade's reputation as a masterful producer whose tracks cut through the noise. Vaissade doesn't DJ, opting for improvised live sets, a practice that's earned him a residency at Berlin's legendary Tresor and slots at Berghain, Berlin Atonal, and Bassiani. Catch him on tour throughout January and February, including upcoming dates at Berghain (Jan 10), Razzmatazz Barcelona (Jan 17), and Fuse Brussels (Jan 24), with stops across Europe and the Americas.

In this special New Year's episode, I sit down with Jim Rugg and DJ to break down exactly where the VeeFriends comics universe is headed in 2026. I talk about my history as a storyteller — from the games I made up as a kid to how that foundation turned into VeeFriends.We get into a real conversation about the “starving artist” myth and why it's broken. Commercial success doesn't ruin creativity — it protects it. I share why the comic industry needs to stop gatekeeping, start onboarding new fans, and think bigger about long-term relevance. Hope you enjoy!

This episode of Move the Sticks features Daniel Jeremiah’s full slate of analysis from NFL Network’s live Black Monday coverage on NFL Network's "Up to the Minute: Season End Special". DJ reacts in real time as coaching changes roll in across the league and shares his thoughts on the firings of Falcons head coach Raheem Morris, Browns head coach Kevin Stefanski, Raiders head coach Pete Carroll and Cardinals head coach Jonathan Gannon. He also breaks down the top quarterbacks in the 2026 NFL Draft class, and previews every Wild Card matchup: Rams–Panthers, Packers–Bears, Chargers–Patriots, Bills–Jaguars, 49ers–Eagles, and Texans–Steelers.See omnystudio.com/listener for privacy information.

This episode DJ is joined by the co-creator of M.O.D.O.K. and the MINOR THREATS, Jordan Blum, to discuss creating a superhero universe focused on C-List supervillains, what makes for a great comic crossover, the future of the superhero genre, and more!Support!Children in Conflict - https://www.childreninconflict.org/SCOPE - https://scopela.org/ Trans Lifeline - https://translifeline.org/IRC - https://www.rescue.orgFeeding America - https://www.feedingamerica.org/More DJ!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/djtalkstrash⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme Music by: Steven James SchmidtFor exclusive bonus podcasts like What We're Into, Mutant Academy, and more, check out our Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OnlyStupidAnswers

Listen to this exclusive Electronic DJ Mix set by Gazit, Sunny Sun. Download Gazit & Sunny Sun – Live @ The Place 11-12-2025 for free. Subscribe to listen to Techno music DJ Mix, Tech House music, Deep House, Acid Techno, and Minimal Techno.

Full set here: https://podcasts.apple.com/us/podcast/richie-hawtin-dj-mix-set-from-church-rave-in-toronto/id1570311853?i=1000743877181 Subscribe to listen to Techno music DJ Mix, Tech House music, Deep House, Acid Techno, and Minimal Techno.

What's up Bros? Kim and Natalie are still at odds. But the focal point of this episode is Jason and Angelica... After a lovely pool day, Jason canoodled with another woman in front of Angelica. And then blamed her for being too clingy? From what we've gathered, he's a loser. Venus ends his friendship with Marcus after too many missteps by Marcus. Natalie wants to move on with Kim but Kim continues to use the time and place excuse to avoid the conversation. Oh yeah, Marcus wants to be a DJ so... thats a thing. Learn more about your ad choices. Visit megaphone.fm/adchoices

(월) 컬투쇼 - 사연진품명품 (DJ 정상훈, 최재훈, 김승진) - 2026.1.5

(월) 컬투쇼 - 쇼단원 소리질러 + 행번행전 (DJ 정상훈) - 2026.1.5

Recorded 2026-01-05 15:09:29

Recorded 2026-01-05 22:23:12

Recorded 2026-01-05 01:11:22

2026 officially kicks off with a full re-brand of The Platform, including new artwork, merch and new content coming to social media as well. If this is your first time tuning in, make sure you're following us on our socials @theplatformmix and subscribe to Apple Podcasts, SoundCloud, and Mixcloud, where we drop a brand new guest mixes every single Monday. And don't forget—the podcast is back, with new episodes airing every Wednesday starting this week. We're starting the year strong with a 2 hour best of 2025 set by today's guest, one of my best friends, Cazes. He's coming off a huge New Year's Eve set at Zouk Tokyo and has a packed 2026 schedule ahead with upcoming dates in basically every major city in the US where he'll be playing in Austin, Boston, Charlotte, Chicago, Dallas, Miami, Nashville, New York City, Philly, Scottsdale, Tampa, and more. Aside from DJing he's also got one of my favorite mix shows out, Rinse & Repeat Radio that drops new episodes every Wednesday and he's an editor for one of the top DJ record pools, Headliner Music Club. Be sure to follow Cazes on his socials, subscribe to my Patreon to see the full track list from the mixes, take a look at my top tracks of the week and get a look into what I'm playing during my sets. Now turn those speakers up, and let's get into it with Cazes latest right here, on The Platform. Cazes: https://www.instagram.com/cazesthedj/ Podcast: www.youtube.com/@theplatformmix Patreon: www.patreon.com/djdexmke Artwork by Michael Byers-Dent: www.instagram.com/byersdent/

In this episode, we sit down with CEO of Loud City Society, Ayye R. Hailing from Dallas and making a massive impact in San Antonio, Ayye R opens up about her journey from teaching herself how to DJ to becoming one of the most consistent curators in the city. We dive deep into the reality of San Antonio's music "industry," the critical need for a black community radio station, and what it's like being the only woman at the table in a male-dominated rap game. Ayye R also shares her philosophy on leadership—being real over being right—and how she balances motherhood with a high-speed creative career. Whether you're an aspiring artist, promoter, or entrepreneur, this conversation is packed with gems on building a brand, unifying a city, and maintaining your grace under pressure.

A Vision Beyond the Turntables When Ben Savory, owner of Summit Events, last joined Janet Michael on The Valley Today in March 2024, he had just been named Entrepreneur of the Year by the Top of Virginia Regional Chamber. Fast forward to 2026, and Ben's journey is a testament to what happens when ambition meets community spirit. In their latest conversation, Janet and Ben explore how Summit Events has evolved from a one-man DJ operation into a multifaceted event powerhouse, all while keeping people and purpose at the heart of its mission. Building a Team, Building a Legacy Ben reflects on the early days, when winning an award felt like a pinnacle. However, he quickly realized it was just the beginning. Rather than resting on his laurels, Ben set out to grow Summit Events into something bigger. He shares how the company has expanded to include four full-time and two part-time staff, plus a network of contractors and live musicians. This growth, he explains, has allowed him to balance professional ambitions with family life, and to create a workplace where collaboration and fun go hand in hand. More Than Just Music Transitioning from DJ gigs to full-scale event production, Summit Events now offers a wide array of services. Ben details how the company provides everything from sound support for intimate gatherings to full AV setups for conferences, as well as photo booths, lighting, and even live musicians. He emphasizes that Summit's approach is about elevating every event—no matter the size—by tailoring experiences to each client's vision. The company's "no surprises" philosophy ensures that every detail is planned, leaving nothing to chance on a client's big day. Community at the Core What truly sets Summit Events apart is its commitment to community. Ben describes how the company donates significant services to nonprofits and local organizations, supporting events like the NAACP's Juneteenth celebration and United Way's Day of Caring. This spirit of giving back, he says, is woven into the fabric of Summit's business model. The team's willingness to help—whether or not they're the ones hired—has built lasting relationships and a reputation for reliability. Expanding Horizons Looking ahead, Ben reveals exciting plans for Summit Events. The company is opening a new office in Leesburg and expanding its reach to Charlottesville, Virginia Beach, and beyond. Additionally, Ben is launching the Summit Collective, a curated network of unique event experiences—from fire dancers to live watercolor artists—designed to connect clients with extraordinary talent across the region. A Celebration of Growth As the conversation wraps up, Janet and Ben reflect on the importance of teamwork, adaptability, and staying true to one's values. Ben's story is a powerful reminder that success is not just about business growth, but about making a positive impact on people and communities. With Summit Events, every celebration becomes an opportunity to bring people together, create memories, and give back. For more information about Summit Events and their expanding services, visit @SummitEventsCo on social media or reach out to Ben directly at ben@summiteventsco.com.

One thing I'm aware of in myself and others is a shortening attention span and fierce competition for our attention with the sheer amount of information we have to process. If ever there was “it was never like this in the good old days” moment, here you are. As an aside, I actually heard that screenwriters are being told by production companies, distributors or whatever that they need to write scripts that assume the viewer will also be scrolling on their phone whilst watching their show. And like most things in the world today, it feels like an overwhelming problem to solve – and I think it is a problem – but we can all do our bit to try and reign in the relentless assault on our behaviours and art definitely helps. I even try to do it with the way I write my zine – deliberately scruffy and distressed so readers can't just have a cursory flick through it. I mean it's more layered than that, but you get my point. So…..here's the link – as tenuous as ever! - to my guest, Mélanie Pain, whom you'll of course know through her incredible work with Nouvelle Vague and her equally brilliant solo work.  Mélanie has just released her 4th solo album called How and Why and the final single that she released prior to the album launch is called Dreamloop and the song in its own right is truly beautiful, hypnotic and very unhurried. When you listen to the song with the video, you are transported into a world where the ordinary is anything but ordinary and it acquires implications through the camera loops and repeated scenes.  It demands you take your time and immerse yourself in what feels like a William Eggleston pastiche through a saturated looking glass. Sit back and let your attention span heal. The whole album is wonderful – enigmatic, sometimes optimistic, sometimes forlorn and always giving space for reflection. Look no further than Colours in the Dark – it is just sublime.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Moments That Mattered | Presented by Mitsubishi MotorsJack and Derek break down a huge Round 15 in the first week of New Year, spotlighting standout plays, shifting team momentum, and the impact of key injuries. They unpack DJ’s clutch three against the Kings, riding the Adelaide 36ers’ impressive surge. Plus, they dive into the Perth Wildcats’ unpredictable form at home and the Illawarra Hawks’ rising potential with McGee and Froling both in the lineup.See omnystudio.com/listener for privacy information.

Peter Doyle's life proves that success isn't a straight line and that sometimes, losing everything is the beginning of becoming who you're meant to be.  From the worlds' top DJ booths and global stages to sleeping in the back of a Toyota Yaris in Dubai when things got really tough, Peter opens up about the highs, the lows and the moments that nearly broke him.   With no passport, no money and no one coming to save him, he was forced to dig deeper than ever before. What followed was a complete reinvention; one built on discipline, faith and relentless self-belief.  This is a raw, honest conversation about resilience, reinvention, and why it's never too late to start again.    2:30 - 6:30 The curious kid  6:32 – 14:27 From kid DJ to global opener  14:28 – 20:40 DJ-ing or the family?  20:41 – 29:03 Started a new life at 38  29:04 – 32:35 From DJ to asset management  32:36 – 44:33 Penniless in Dubai  44:34 – 1:04:10 The turning point    Show Sponsors:  AYS Developers: A design-focused company dedicated to crafting exceptional homes, vibrant communities, and inspiring lifestyle experiences.  https://bit.ly/AYS-Developers      Follow Spencer Lodge on Social Media  https://www.instagram.com/madeindubaipodcast/?hl=en  https://www.instagram.com/spencer.lodge/?hl=en   https://www.tiktok.com/@spencer.lodge   https://www.linkedin.com/in/spencerlodge/   https://www.youtube.com/c/SpencerLodgeTV   https://www.facebook.com/spencerlodgeofficial/      Follow Peter Doyle on Social Media  https://www.instagram.com/petedoyle.co.uk  https://www.tiktok.com/@consultgroupworldwide  https://www.linkedin.com/in/peterdoyle-cgw/  https://www.youtube.com/@consultgroupworldwide  https://www.facebook.com/consultgroupworldwide/     

260105 (월) 꼬꼬무 with DJ 유민상

(일) 컬투쇼 - 하드를 털어라 + 고막을 털어라 (DJ 문세윤, 남규리) - 2026.1.4

Recorded 2026-01-04 03:12:32

Recorded 2026-01-04 17:59:08

Recorded 2026-01-04 22:04:00

Recorded 2026-01-04 23:01:15

A dope Hip Hop show with one of the greatest DJ's/Producers in the game.

In this episode Amber covers the murder of Debbie Dorian. Debbie was killed in her Fresno apartment in 1996. It would take 30 years for justice to be served.Then, Naomi tells the winding tale of the life and death of one of America's most iconic radio DJ's. For this episode, Amber was drinking American Vintage Red Blend from CAAmber's Sources:DNA breakthrough solves 1996 murder of California woman, revealing serial predator - ABC NewsHow Debbie Dorian's Killer Escaped Police for Over 20 Years | 20/20: The After ShowDebbie Dorian murder: Nickey Stane sentenced to life | Fresno Bee20/20 S48 E8 “I'm Going To Get You”Naomi's Sources:https://www.youtube.com/watch?v=coz_iNSClCM https://www.cbsnews.com/casey-kasems-wife-children-accused-each-other-of-killing-icon https://www.nbcnews.com/police-open-investigation-casey-kasem-s-death https://en.wikipedia.org/wiki/Casey_Kasem Support the showGo check out our patreon page athttps://www.patreon.com/crimewineandchaosFor more information about Crime, Wine & Chaos, or to simply reach out and say "hi,"https://www.crimewineandchaos.comCrime, Wine & Chaos is produced by 8th Direction Records. Music by Jeremy Williams. Artwork by Joshua M. DavisAmber is the vocalist in the band, Tin Foil Top Hat. You can find more of her work on all of the music streaming platforms or athttps://www.tinfoiltophat.comNaomi has a twenty year career in tech, and a lifetime interest in all things macabre. She walked away from #startuplife to strike a new path rooted in service. You can find out more about the work she's focused on, support those initiatives, and keep up on her socials here: https://linktr.ee/missgnomers

It's time to run it back. I've been quiet for a bit, so I'm kicking off another 7 mixes in 7 days as a thank-you for the continued support

Afro Latino 11 2026 @ DJ Глюк 1. Roberto Tropea - Cult Of Snap (Extended Mix) 2. Shadu - Boom Boom (Extended Mix) 3. Shay dT - Down Wit Da Vibe 4. Illyus Barrientos, Aden Rémai - Deep Down (Extended Mix) 5. Danny Perez, Fran Paricio - La Fiesta (Part 2) (Roger Garcia Latin Tech Remix) 6. Hugel, Ultra Nate - Free (You Got To Live) (Daniel Matheus remix) 7. Jonas Blue, Malive - Edge Of Desire (Daniel Matheus Afro House Remix) 8. Simon Fava, Yvvan Back, Cumbiafrica - A Bailar (Extended Mix) 9. LEVI PETITE - Combi (Original Mix) 10. Mark Knight & Saliva Commandos - Don Dadda (Extended Mix) 11. Victor De Giorgio - Vamos Dançar (Extended Mix) 12. Sean Finn & Play!On - Viva Mexico (Extended Mix) 13. Dave Kurtis, D4NYO - Pesa (Original Mix) 14. Cuovai - Isola (Extended Mix)

Live Recorded Set from VirtualDJ Radio PowerBase

Live Recorded Set from VirtualDJ Radio PowerBase

Live Recorded Set from VirtualDJ Radio PowerBase

Live Recorded Set from VirtualDJ Radio PowerBase

This playlist is 67% vinyl friendly. Poor. ‘In the year 2021, few turntables have captured the essence of that time the way that the Old Future Turntable and Speaker has. The silhouette of the player itself pays homage to ’70s architecture in Seoul. Slanted roofs were common during that era, and when you place the turntable and speaker side-by-side, they look like part of a ’70s city skyline. Some vinyl-lovers may not like this product initially because a flat, horizontal turntable would be preferred for sound quality. For those who care about audio quality over aesthetics, the turntable's legs are adjustable, so you can make the table more even‘. – yankodesign.com Looks like it could more readily blow out hot and cold air than music. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 147 ‘Observational, not sexist‘ noted Jean-Jacques Burnel. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Face Up – Low-life, LP – Factory – 1985 Face Up? More like Jump up, given the NO audience reaction when the chorus kicks in. 05.25 THE YOUNG GODS – Mes Yeux De Tous – Appear Disappear, 2LP – Two Gentlemen Records – 2025 Given that in the mid ’80s they were initially loosely bandied around in the same ‘industrial’ bag as my ‘charges’ Click Click I’ve heard very little of their lengthy and regular catalogue. This though is a mighty tune. 09.19 BLAWAN – Toast – Dismantled Into Juice, 12″ EP – XL Recordings – 2023 Nicely odd, with a ‘chorus’ that makes me smile. 11.56 BASETANK – Got Some Skills – The New Breed, v/artists promo only CD – Detonation – 1999 If it wasn’t for the 35 year age gap I might have said the vocalist on Got Some Skills and the modern day Microwave Man and his electric dirt bike online ‘Let Me Tell You Something, right?‘ words of wisdom sketches were of the same family. 15.44 9 LAZY 9: Turn Me Loose; UP, BUSTLE & OUT: Nightwalk; DJ FOOD: Klutes Groove; DJ TOOLZ: Rusty Goes GaGa; FUNKI PORCINI: It’s A Long Road – The Morning After The Night Before (one half of a CD free with DJ magazine – 1994 Old skool mixing from Cold Cut. ‘It’s (been) a long road… ‘ indeed. 22.00 HERCULES & LOVE AFFAIR (feat HIPS & LIPS) – Someone Else Is Calling, 12″ EP – Stratasonic – 2025 The sort of hypnotic beats that could have fitted in with a Winkles, Bedford set list back in the ’80s… although someone might point a sound or two here didn’t exist back then. 26.12 FUNKY GREEN DOGS – The Way * – 12″ – Twisted – 1997 ‘Anyone who ever liked That Sound from the Murk camp will like this just as much, even if they do whinge that it’s very similar to their previous favourite. The original is the heart-winner with its quivering vocal and acid-meets-funk groove, but the mixes are all attractive in their respective ways – Farley & Heller plod sweetly, Canadian Crash Productions do something along the same lines. Dirty White Boy rock and roll and Club 69 kick up a noisy messy rumpus. The best track of all is possibly the excellent FGD way-out beats. **** Daisy & Havoc, Record Mirror (Music Week), 10.5.97 Tough, liquidy goings on from the Murk camp. I was a fan. 32.51 JOY – Fragile Space – 7″ – DB-Low – 2000 ‘Isaac Hayes meets Led Zeppelin‘ ran the press release for Joy Jones’ one-off (at the time) dip into music, and there’s something sad about a single of substance that didn’t do enough for the artist to build on. 35.52 TALKING HEADS – Listening Wind – Remain In Light, LP – Sire – 1980 Just checked. This is the last in a near complete run of the album’s tracks making it to 41 Rooms. So, that must make Remain In Light a bit of a classic to my ears. 39.36 THE SOULSAVERS – Rumblefish – Beginning To See The Dark 12″ – Ghost Ride Music – 2002 The sort of drifting beats thing that would crop up late night/early morning on KISS FM or maybe Ross Allen radio shows of the time. 43.28 BETHANY & RUFUS – 900 Miles – 900 Miles, CD only – Little Monster Records – 2005 With Bethany being the daughter of ’60s folk group, Peter Paul and Mary’s Pete Yarrow, an ancient tune reworked. And it’s a cello apparently, not a double bass. 46.48 STARGARD – (Theme Song From) Which Way Is Up – 7″ – MCA -1977 As funky now as the day it was delivered. I was 20… and this would have been hitting someone’s decks at Bedford’s Nite Spot, Spectrum, Pilgrims, The Anglers’ Laird bar and elsewhere out of town I went. 51.29 THE STAPLE SINGERS – I’ll Take You There – 7″ – Stax – 1972 They never let on where exactly ‘there’ is but with their gospel background we can maybe guess. Good luck with it. 55.30 CARLA THOMAS – Things Ya Make Me Do (Summer Mix) – 12″ – Ruff Justice – 1994 Not the ’60s Stax label Carla Thomas but it’d be nice to think this CT’s parents had that lady in mind when naming this lady. What might have been tagged ‘street soul’… and possibly out of Manchester, UK. 59.06 THOMAS DYBDAHL – All’s Not Lost – That Great October Sound, CD only – Checkpoint Charlie Audio Productions – 2001 Delicate sounds from Norway. 01.04.06 PURESSENCE – Don’t Know Any Better – 7″ – Reaction Records – 2008 James Mudriczki’s vocal… 01.07.22 DAVID SYLVIAN – Nostalgia – Brilliant Trees, LP – Virgin – 1994 Post Japan, his first solo album making its mark in fine style. It was unlikely to do otherwise. 01.12.57 JOY DIVISION – Insight – The Peel Sessions, 12″EP – Strange Fruit – 1986 Peel sessions sort of mimicked a live gig recording at its crystal clear best… this one included. 01.16.50 SIOUXSIE and THE BANSHEES – Christine (Warner Chappell demo) – Kaleidoscope, CD only – Polydor – 2006 With everyone and everything here ‘battling’ to be the most understated – and with it all quite possibly recorded in a rehearsal room, on the likes of (say) a 4-track Portastudio – this is as demo’ish as a major act’s demo could sound back then. 01.19.32 THE FLAMINGOS – Shone Like The Sun #3 (unreleased demo) – 1984 With Cliff (Peacock) in Scott Walker-mode there were a few versions of this tune and to these ears it sounds even better now than it did back then. In effect the above might have doubled as my 27th birthday party and Shone Like The Sun was very likely on the Flamingos set list. 01.24.12 THE WAKE – Make You Understand – Here Comes Everybody, CD only comp – Factory Benelux – 2015 Recorded for a Feb ’84 BBC Radio 1 session for David/Kid Jensen and played live but the former only ever surfaced on the above. Stephen, Mac, Carolyn and Caesar: Winkles, Bedford, 13.11.83 Photo credit/copyright: Dec Hickey 01.26.33 LITTLE NEMO – Bed In Summer – La Cassette Froide, split cassette (with Rain Culture) – self released – 1986 Not the first European band in the mid to late ’80s to have sounded as if heavily influenced by UK bands of the early ’80s and with a track only to be found on this cassette. I won’t be acquiring one any time soon. 01.30.27 THE STRANGLERS – London Lady – 7″ – United Artists – 1977 Yep, Jean-Jacques Burnel with a lyric or two (well, one in particular) that we youth most probably laughed through back in the day but now would maybe slightly wince at. The times… 01.32.52 ELVIS COSTELLO – (I Don’t Want To Go To) Chelsea – 7″ – Radar – 1978 I had a brief moment with Declan’s singles around this time… and you had to admire the balls of a musician who wanted to strike out as an Elvis. 01.35.53 THE SUB ENSEMBLE – Faster Than The Sun (Domu Remix) – Download only – 2008 Very short-lived crew aided and abetted here by acclaimed Bedford-based (then, anyway) DJ, producer, remixer, Domu. 01.41.01 JAZZ THE GLASS – 16 Seconds – Download only, Soundcloud – 2019 A 41 Rooms regular, with another winner. Dave reminded me it uses a sample from a US boy band. I think it was a white label 12″ with anonymous writing (just initials?), that I took a punt on at no more than 20p. 01.44.47 FPI PROJECT – Come On (And Do It) (TC Funky Mix) – 12″ – Synthetic Records – 1993 ‘Tremendous funky Italian offering as ever from those talented members of Ital’s most consistent band. Chocca full of good alternative mixes, including a wicked guitar ladened TC Funky mix… ‘ – Kenny Grogan, Mixmag Update, 28.4.93 ‘Everything you love/hate about Italian records in double helpings. Very FPI Project but bang on time with its riffing flamenco-style guitar and a bundle of irresistibly funked up mixes firm Mother-man Lee Fisher, which include a wonderful reinvention of the bouncy original into a big booming beast of a track‘. Matthew Cole, Record Mirror (Music Week), 10.7.93 ‘Girl chanted powerful Hamilton Bohannon-ish happy party pounder’s original Gypsy Kings-like guitars strummed 125bpm Official, 125.2bpm Gipsy, TC 1993 wukka-wukked 125.2bpm TC Funky Mixes, new sax squawked jerkily percussive building 124.9bpm Mothers At Work Remix and Dub‘. – James Hamilton, Record Mirror (Music Week), 7.8.93 As mentioned on the show, a one and a bit trick pony but sometimes a funky break and some vocal snippets is all you need for some head nodding bizniz. 01.49.36 CHEZ DAMIER & CO-INSIDE – Give A Little Love (Made In Detroit Mix) – The United States EP, 12″ – t:ime – 1993 ‘Nottingham’s Sine boys have always (worn) worthier US influences on their sleeves. This time they make a more permanent connection with two excellent transatlantic collaborations. Their Made In Detroit Mix of Give A Little Love by Chez Damier & Co-Inside is a supremely cool organ-washed garage groove with the repeated title line drifting in and out of the mix. It becomes less mellow and more dubby as it progresses…‘ – Andy Beevers, Record Mirror (Music Week), 4.9.93 And yet another tune with a minimal use of different lyrics… and here you’re not getting the full nine minutes they’re spread over on the 12″. Still, jaunty US house with a bit of a UK ’90s garage’y feel… and I think I edited out some frogs sounds. 01.53.15 THE REESE PROJECT – The Colour of Love (Groove Corporation Trance Mix) * – 12″ – Network – 1992 ‘Even by his own standards, Kevin Saunderson is having a good year. With Inner City firmly re-established as one of the world’s leading dance acts, he now takes the limelight under his alter-ego for what will be one of the biggest tunes of the year. The Deep Reese mix (featured on the Network ‘Elixir Vitae’ double pack extravaganza that some might say is their apology for KWS) is still the one for me. The coffee table intro soaring into a menacing groove with the hookiest of vocal samples… bliss. But wait, let us not forget Groove (aka Electribe 101) Corporation’s four mixes full of true British grit and trance appeal… ‘ – Dave Seaman ****1/2 Mixmag Update, July 9, ’92. ‘Kevin ‘Master Reese’ Saunderson’s powerful Rachel Kapp wailed Club Chart topper is now out on one single in brilliant swimming bass pulsed wriggly warbling 121.6bpm Magic Juan Atkins Mix, gospelishly started hypnotically chugging (0-)123.4bpm Deep Reese Mix, piano plonked 121.6-121.5bpm Underground Resistance Mix, repetitively stuttered Kym Sims-ish 122-122.1bpm MK Deep Dub, good insistently rolling 114.7-114.8bpm Groove Corporation Trance Mix and bass bubbled blippy 114.9-114.8bpm Groove Corporation Wobble Dub, while the first of the separate promos had its throbbing somehow then steady 115bpm Vocal (Trance Mix) and 115-114.9bpm Acid Revival (Wobble Dub), plus alternative swirlingly chugging 115bpm Plae Blue Mix and Instrumental Groove Corporation 021 Remixes‘. – James Hamilton, Record Mirror (Music Week), 1.8.92 Slinky Saunderson… and albeit it the same theme, a thousand miles from Terry Callier’s What Colour Is Love in every other way. Show 148 should surface here Feb 1. Dec x The post Post Punk Plus Podcast Playlist 147 – Original upload 4.1.26 appeared first on 41Rooms.

Live Recorded Set from VirtualDJ Radio ClubZone

Live Recorded Set from VirtualDJ Radio ClubZone

Live Recorded Set from VirtualDJ Radio ClubZone

Live Recorded Set from VirtualDJ Radio ClubZone

Live Recorded Set from VirtualDJ Radio ClubZone