Podcasts about San Francisco Art Institute

Broadcast live from Rice University (yes, in Houston), this episode of Bad at Sports brings together the curator of comics and cartoon art at the Billy Ireland Cartoon Library and Museum, Caitlin McGurk, and the Richmond-based zine publisher and comics obsessive behind Bubbles Fanzine, Brian Baynes. We dive deep into McGurk's new book Tell Me a Story Where the Bad Girl Wins: The Life and Art of Barbara Shermund, a biography and art book reclaiming one of the first women to work for The New Yorker. McGurk details her decade-long research process, Shermund's punk rock lifestyle in the 1920s, and the bittersweet reclamation of her uncredited legacy. In the second half, we sit down with Brian Baynes, who champions comics culture from the DIY trenches. He shares his mission behind Bubbles, how it draws on punk zine culture, why it stays in print forever, and how he's preserving overlooked voices from India to local comic shops. From feminist cartoon history to cassette-label archaeology and typewriter ribbon obsession, this one's a love letter to the weird, wonderful, and un-archived margins of visual culture. Names Dropped: Caitlin McGurk – Curator at Billy Ireland Cartoon Library & Museum, author of Tell Me a Story Where the Bad Girl Wins Brian Baynes – Publisher of Bubbles zine Bubbles Zine – Indie comics fanzine Barbara Shermund – Early New Yorker cartoonist and subject of McGurk's book Spain Rodriguez – Underground cartoonist who created Granny McGurk The New Yorker – Home of Shermund's work in the 1920s–40s Rea Irvin  – The New Yorker's founding art director Harold Ross – Founding editor of The New Yorker Art Students League of New York – Where Shermund studied California School of Fine Arts (now San Francisco Art Institute, recently closed) – Shermund's California alma mater Hearst Newspapers – Syndicated Shermund's comic strip Maximum Rocknroll – Long-running punk zine Punk Planet – Chicago-based punk zine, aesthetic cousin of Bad at Sports Soft Boys / Archer Prewitt – Musician and cartoonist interviewed in Bubbles Ludwig Wittgenstein – Language philosopher referenced by Baynes Cameron Arthur – Cartoonist behind The Hidden Islands Anand Radhakrishnan – Likely creator of Stories from Zoo (not named directly, based on context) Billy Ireland Cartoon Library & Museum – At Ohio State University, world's largest cartoon archive Overlooked No More (Barbara Shermund) – NYT's obituary project

Helen Verhoeven is beeldend kunstenaar. Ze studeerde onder andere aan het San Francisco Art Institute, de New York Academy of Art en de Rijksakademie in Amsterdam. Haar werk werd wereldwijd tentoongesteld en ontving in 2008 de Koninklijke Prijs voor Vrije Schilderkunst en in 2010 de Wolvecampprijs. Verhoevens werk bevindt zich in collecties van het Stedelijk Museum Amsterdam, het Centraal Museum Utrecht en The Museum of Contemporary Art in Miami. In 2019 won ze de ABN AMRO kunstprijs. Verhoevens werk is nu te zien in de tentoonstelling ‘Good Mom/ Bad Mom' in het Centraal Museum in Utrecht. De tentoonstelling houdt zich bezig met de vraag hoe moeders en het moederschap worden gerepresenteerd. Ook presenteert Verhoeven haar nieuwste werk in een solotentoonstelling in Annet Gelink Gallery. De tentoonstelling opent tijdens de Amsterdam Art Week. Atze de Vrieze gaat met Helen Verhoeven in gesprek.

In this episode of Seeing Them Live, host Charles Berman interviews Giuliana Funkhauser, a transdisciplinary artist known for her innovative blend of digital code and synthesized audio to create immersive art installations. Giuliana, based on the U.S. East Coast, completed her graduate studies at the San Francisco Art Institute, concentrating on art and technology, with a particular interest in sound synthesis. Besides her artistic endeavors, she teaches courses on data sonification and video game development. Her collaborative projects include working with musical artist Elizabeth Verosa and visual artist Alison Tannenhaus, performing excerpts from their EP '2021' in events such as the 2022 New England Synthesizer Festival. Additionally, Verosa and Funkhauser's track is featured in the Rewoven Transmissions collection, a remix of Cathode Raytube's works.Giuliana's shares how she got introduced to music and her unique concert experiences, ranging from middle school outings to witnessing legendary bands like Everclear, Judas Priest, and Iggy Pop. She recounts attending the Radio 104 Fest and vividly describes how Everclear was not her favorite but ended up being the main act she saw due to time restrictions. A humorous and memorable moment emerges from a misunderstanding that led to her attending a performance by Mono of Japan instead of the expected European band Mono, a life-changing encounter that profoundly influenced her musical tastesGiuliana also narrates her experiences at the Halloween Industrial Music Fest during Hurricane Sandy, where she saw numerous notable acts like Author & Punisher and Theologian in an incredibly intense, weather-challenged environment. Her story culminates in recounting the remarkable Sunn O show, a visceral and intense performance where the sheer power of the sound and visuals led to a memorable audience connection.Throughout the discussion, Giuliana elaborates on her creative process, revealing how she and her collaborators use data sonification and visual cues to guide their live performances and improvisations. Listeners are invited to explore Giuliana's work further on her website  gfunkhouser.com and through various platforms like Bandcamp that feature her recordings.BANDS: Animals, Author and Punisher, Big Brave, Bohemia, Butthole Surfers, Candlebox, Cathode Ray Tube, Cracker, David Linton, Dead Voices on Air, Dear Woman, Dishwalla, Everclear, Flock of Seagulls, Freeze Pop, Go Go's, Harpy, Iggy pop, Inkanti, Iron Maiden, Judas Priest, King Gizzard, Lady Purge, Local H, Lush, Mogwai, Mono, Otto von Schirach, Police, Semisonic, Snowbeasts, Stabbing Westward, Sunn, The Pretenders, Theologian, Tony the Floyd Dementia, Uriah HeepVENUES: Club X, Radio 104 Fest PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Episode 460 / Greg Ito Greg Ito (b. 1987, Los Angeles, CA) earned his BFA from San Francisco Art Institute. His work has been exhibited widely in solo and group exhibitions including at Institute of Contemporary Art, San Diego, CA; Long Beach Museum of Art, Long Beach, CA; Maki Gallery, Tokyo, Japan; Anat Ebgi, Los Angeles, CA; SPURS Gallery, Beijing, China; Lyles and King, New York, NY; Jeffrey Deitch, New York; NY and Yerba Buena Center for the Arts (YBCA), San Francisco, CA. Ito's work is included in the permanent collections of public institutions including the Hammer Museum, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; Institute of Contemporary Art Miami (ICA Miami); K11 Art Foundation, Hong Kong; and the Los Angeles County Museum of Art (LACMA). Greg lives and works in Los Angeles, CA. his current show  MOTION PICTURES is at the Long Beach Museum of Art.

This is just a teaser from a bonus episode for our subscribers. If you'd like to become a Restaurant Guys' Regular and listen to the entire episode and other commercial-free episodes, subscribe herehttps://www.buzzsprout.com/2401692/subscribeThis is Vintage episode from 2005The BanterThe Guys talk about restaurant reality shows and how they are not grounded in reality.The ConversationThe Restaurant Guys welcome Deborah Koons Garcia, widow of Jerry Garcia and creator of the documentary The Future of Food. This is part two where they discuss more of the concerns of genetically engineered products, herbicide overuse and they wonder if some of the critters its killing is us. The Inside TrackThe Guys had so much to talk with Deborah in the previous show that they spontaneously invited her back to be on again. Their conversation went to food access and what we can do to help provide to those in areas of need. “ They need healthy soils, they need roads, they need infrastructure so they can get their crop out, they need stable markets. There's all kinds of things they need, but the patented seed from a corporation that is to be used with a chemical…how are they going to afford to buy Roundup?” Deborah Koons Garcia on The Restaurant Guys Podcast 2005BioDeborah Koons Garcia has a Master of Fine Arts from The San Francisco Art Institute.  She owns her own production company in the Bay Area of California. Later in her career, she focused primarily on films about agriculture and the food system.Her film The Future of Food won awards from the Women Film Critics Circle and the Ashland Film Festival. In 2011, Symphony of the Soil, was released and was designated a Critics' Pick by the New York Times and was shown at the United Nations on World Soil Day.InfoDeborah's filmhttps://thefutureoffood.com/Center for Food Safetyhttps://www.centerforfoodsafety.org/The Meatrixhttps://www.themeatrix.com/Current info about GMOhttps://www.nongmoproject.org/GMO Labeling Timeline (up to 2020)https://agrisk.umd.edu/post/gmo-labeling-timeline-what-happened-and-why-part-iOur Sponsors The Heldrich Hotel & Conference Centerhttps://www.theheldrich.com/ Magyar Bankhttps://www.magbank.com/ Withum Accountinghttps://www.withum.com/ Our Places Stage Left Steakhttps://www.stageleft.com/ Catherine Lombardi Restauranthttps://www.catherinelombardi.com/ Stage Left Wineshophttps://www.stageleftwineshop.com/ To hear more about food, wine and the finer things in life:https://www.instagram.com/restaurantguyspodcast/https://www.facebook.com/restaurantguysReach Out to The Guys!TheGuys@restaurantguyspodcast.com**Become a Restaurant Guys Regular and get two bonus episodes per month, bonus content and Regulars Only events.**Click Below! https://www.buzzsprout.com/2401692/subscribe

Building visions towards a liberatory future will take creative power, vulnerability, radical imagination, and the capacity to honor difference in all its beauty. Lyo-Demi exemplifies this courage and power in their writing and poetry: “My diagnosis of “bipolar disorder,” in my opinion, is both a sensitivity towards and reaction to traumas (both personal and systemic) that yields strength, creativity, and passion, and my diagnosis of “gender dysphoria”…well that just makes me fabulous.” (From essay: Not Confused, Not Crazy) As we ‘reinvent the world,' many of us have to wade through the nuances of adopting or rejecting labels, and find ways to support ourselves and each other, both within and outside systems. In this episode, Lyo-Demi and I talk about DSM categories, the generative and difficult aspects of mental health concerns, and the gift and power of creativity. In this episode we discuss: the power of mutual aid and peer support reframing and depathologizing mental health diagnoses generative aspects of what gets labeled bipolar and mania honoring difference at the intersection of neurodiversity and gender queerness using creativity, graphic novels and stories to build visions toward liberation Bio Lyo-Demi Green (they/them) is a queer and non-binary writer, graphic novelist and tenured community college professor living in the San Francisco Bay Area on Ohlone Land. They have been published on Salon, The Body is Not an Apology, Foglifter, and elsewhere. They have been featured at dozens of reading series, slams, showcases, and workshops in schools, colleges, and open mics locally and across the country. They co-edited We've Been Too Patient: Voices from Radical Mental Health with Kelechi Ubozoh, published by North Atlantic Books and distributed by Penguin Random House in 2019. They authored Phoenix Song, published by Black Lawrence Press in 2022. They received a BA from Vassar College and have an MFA in Creative Writing from Mills College. LD has attended the Association of Writers and Writing Programs, was a Lambda Emerging Writers Fellow, and was selected for Tin House and Stowe Story Labs. LD's queer and trans rom-com fantasy screenplay Journey to the Enchanted Inkwell was a finalist in several national contests. With the help of the Sequential Artists' Workshop, they adapted this project into a YA graphic novel script. They met their collaborating artist Jamie Kiemle through the online community Kids Comics Unite. LD is a decades-long fan of graphic novels, and they have taught them for over a decade at places like the San Francisco Art Institute and others. They are represented by literary agent Jennifer Newens of Martin Literary and Media Management. Links @leoninetales on IG and Threads www.ldgreen.org http://www.ldgreen.org/graphic-novel.html https://blacklawrencepress.com/books/phoenix-song/ Not Confused, Not Crazy Essay Resources: Find videos and bonus episodes: ⁠DEPTHWORK.SUBSTACK.COM⁠ Get the book: ⁠⁠Mad Studies Reader: Interdisciplinary Innovations in Mental Health⁠ Become a member: ⁠The Institute for the Development of Human Arts⁠ Train with us: ⁠Transformative Mental Health Core Curriculum Sessions & Information about the host: ⁠⁠JazmineRussell.com⁠⁠ Disclaimer: The DEPTH Work Podcast is for educational and entertainment purposes only. Any information on this podcast in no way to be construed or substituted as psychological counseling, psychotherapy, mental health counseling, or any other type of therapy or medical advice.

Quinn Antonio Briceño, a Nicaraguan-American artist in St. Louis, earned his bachelor's degree in fine art from the San Francisco Art Institute (2017) and a master's degree from the Sam Fox School of Design and Visual Art (2022). Notable achievements include winning the Ann Metzger National Biennial in 2019 and being a finalist for the AXA Art Prize in 2021. Featured in publications such as All the Art, Friend of the Artist (Issue 10), St. Louis Magazine, Design St. Louis, and New American Paintings (No. 155, 165, 167), Briceño's works grace private collections nationwide. ------ Briceño's art, a reflection of dualities shaped by two countries, languages, and cultures, explores the perpetual pressure to choose between them. Consciously integrating Americana with Latinx influences, Briceño constructs a visual language bridging cultural gaps. His creations carve a unique space, offering solace to those burdened by societal expectations, and through painting and collage, he weaves a tapestry celebrating identity. Briceño's work is a dual exploration, sharing his personal struggle and narrating a journey towards acceptance, inclusion, and empowerment for the marginalized and forgotten. -----

Episode 450 / Bob Linder Bob Linder received his MFA from Stanford University, his BFA from the San Francisco Art Institute and attended the Skowhegan School of Painting & Sculpture. He lives and works in Los Angeles, California.  Bob is currently the Program Director for gallery Michael Benevento, Los Angeles. Consistent among exhibiting artists is a willingness to take risks, a total commitment to unique practices, and the precise and thoughtful execution of ideas. He is also a co-founder of the art-damaged, post punk, noise project, Total Shutdown.  Bob previously served as Head Curator at The David Ireland House at 500 Capp Street, where he curated challenging, relevant, and forward-thinking exhibitions and public programs. Prior to joining 500 Capp Street, Linder co-owned and directed CAPITAL, a contemporary art gallery located in the Mission District of San Francisco, where he programed more than thirty exhibitions with a focus on emerging and mid-career artists.  Sound and Vision is supported by the New York Studio School. For 60 years students have come to study drawing, painting, and sculpture in the historic building on 8th Street in New York City. The school's full-time programs: a two-year MFA and a three-year in-person or virtual Certificate program, prioritizes learning through creating with a dedicated faculty of active artists. The programs cultivate studio skills, materials knowledge, and self-development methods. Whether you are an aspiring artist or an experienced artist, the rigor, community, and intense art practice taught at the New York Studio School will prepare you for a lifetime of artmaking. The priority application deadline for programs starting fall 2025 is January 15, 2025 - apply today at nyss.org.  

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Troy Lamarr Chew II, a talented painter with an ongoing exhibition at San Francisco's Altman Siegel gallery. Troy pursued his passion for art, eventually studying at the California College of the Arts and receiving a prestigious residency at the Headlands Center for the Arts. His recent work explores invisibility,  inspired by his time as an Uber driver. His work can be seen in notable museums and galleries. Troy  discusses his artistic journey, influences, and unique approach to language and representation in his art.About Artist Troy Lamarr Chew II :Troy Lamarr Chew II explores the legacy of the African Diaspora and its reverberations throughout American culture. His work looks methodically at systems of coded communication and how this is translated and mistranslated both within the Diaspora and the mainstream.Chew's rich artistic visual language draws inspiration largely from Black culture and its history. A highly skilled realist, inspired by European painting techniques, Chew uses these art historical traditions to reframe their exclusion of Blackness. In his Out the Mud series, hand dyed and sewn cloths from West Africa are replicated in a trompe l'oeil fashion, their patterns “torn” away to reveal portrayals of contemporary Black culture and resistance. In another series, Slanguage, the artist paints Flemish style vanitas picturing everyday objects, coded in hip-hop lexicon. His Three Crowns series explores the social history of cosmetic dentistry and the use of grills in hip-hop culture. The artist's lush and luminous oil paintings embody the energy of this infinitely re-mixed yet deeply rooted genre.In 2020, Chew was awarded the prestigious Tournesol Residency at Headlands Center for the Arts after becoming a Graduate Fellow from California College of the Arts, San Francisco in 2018. Solo exhibitions include The Roof is on Fire, Altman Siegel, San Francisco, CA (2022), Yadadamean, CULT Aimee Friberg Exhibitions, San Francisco, CA (2020); Fuck the King's Horses and all the King's Men, Parker Gallery, Los Angeles, CA (2020); WWJZD, Cushion Works, San Francisco, CA (2019) and Stunt 101, Guerrero Gallery, San Francisco, CA (2019). Recent group exhibitions include Walk Against the Wind, Micki Meng and Parker Gallery, New York, NY (2023); The Culture: Hip Hop and Contemporary Art in the 21st Century, The Baltimore Museum of Art, Baltimore, MD (2023); Imperfect Paradise, Barbati Gallery, Venice, Italy (2023); Continuum, presented by the Kinsey African American Art & History Collection and Residency Art Gallery at Sofi Stadium, Inglewood, CA (2022-2023); I Yield My Time. Fuck You!, Altman Siegel, San Francisco (2020); California Winter, organized in collaboration with Hannah Hoffman at Kristina Kite Gallery, Los Angeles, CA (2019), Vanguard Revisited, San Francisco Art Institute, San Francisco, CA (2019), Graduation, Good Mother Gallery, Oakland, CA (2019) and Black Now(here), Museum of the African Diaspora, San Francisco, CA (2018). His work is included in the collections of the Kadist Foundation and the San Francisco Museum of Modern Art.See more of Troy's work at the Altman Siegel Gallery HERE.  Follow Troy on Instagram:  @troylamarrchewthesecondTroy at the Parker Gallery CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Ep.220 Jake Troyli (b.1990, Boston, MA) received his BFA from Lincoln Memorial University, Harrogate, TN (2013), where he played Division 1 basketball, his MFA from the University of South Florida, Tampa(2019), and attended the Skowhegan School of Painting and Sculpture, ME (2019).Solo exhibitions include moniquemeloche. Chicago, IL (2024/2022); Tempus Projects, Tampa, FL (2018); and ArtsXchange, St. Petersburg, FL. (2018). Troyli's work has been featured in group exhibitions at Perrotin Gallery, New York, NY (2024); Galerie Droste, Düsseldorf, DE (2024);Milwaukee Art Museum, Milwaukee, WI (2023-24); Everson Museum, Syracuse, NY(2023); Galerie Droste, Paris, FR (2021); The Ringling Museum, Sarasota, FL(2021); Contemporary Art Museum, Tampa, FL (2019); San Francisco Art Institute, CA (2018). Troyli's work will be included in the group exhibition Get in the Game: Sports, Art, Culture, curated by Jennifer Dunlop Fletcher, Seph Rodney, and Katy Siegel, at SF MoMA, which travels to the Crystal Bridges Museum of American Art and the Pérez Art Museum Miami and will be accompanied by a scholarly publication. He will have his first solo museum exhibition at the Museum of Fine Arts, St. Petersburg, FL, in 2026. His work is in the permanent collections of the Tampa Art Museum, Tampa, FL; the Ringling Museum, Sarasota, FL; the Nerman Museum of Contemporary Art, Overland Park, KS; and Pierce and Hill Harper Arts Foundation, Detroit, MI. He is the recipient of the Provincetown Fine Arts Fellowship (2019 2020) and the Creative Pinellas Emerging Artist Grant, Largo, FL (2017). Troyli was a 2023 Visual Artist recipient of the Academy of Fine Arts x International City of Arts program in Paris, France. He is resident at Project for Empty Space in Newark, NJ. Photo courtesy of the artist and Monique Meloche Gallery. Photographer Raphael Lugassy Artist - https://www.jaketroyli.com/ moniquemeloche - https://www.moniquemeloche.com/artists/48-jake-troyli/biography/ Perrotin https://leaflet.perrotin.com/view/898/light-of-winter Galerie Droste https://www.galeriedroste.com/exhibitions/92-reading-the-language-of-images-jammie-holmes-andrew-schoultz-jake-troyli/overview/ Newcity https://art.newcity.com/2024/10/15/a-bloodline-through-the-histories-a-review-of-peter-and-jake-fagundo-at-m-leblanc/ NYTimes https://www.nytimes.com/2024/10/18/arts/sfmoma-exhibit-sports-art.html ARTnews https://www.artnews.com/art-news/news/for-freedoms-activates-art-installations-democratic-national-convention-chicago-1234714497/ WBEZ | NPR https://www.wbez.org/arts/2024/07/22/jake-troyli-artist-chicago-mural-dnc-democratic-national-convention-art Cité internationale des arts https://www.citedesartsparis.net/en/jake-troyli Chicago Sun Times https://chicago.suntimes.com/murals-mosaics/2024/07/26/chicago-murals-jake-troyli-dnc-democratic-national-convention-skyart-east-garfield-park Chicago Gallery News https://www.chicagogallerynews.com/news/2024/8/anticipating-a-season-of-art-five-to-talk-to-jake-troyli White House Magazine https://whitehotmagazine.com/articles/slow-clap-at-monique-meloche/5358It's Nice That https://www.itsnicethat.com/articles/jake-troyli-art-170222 Chicago Reader https://chicagoreader.com/arts-culture/jake-troyli-contains-multitudes/ Mana Contemporary https://www.manacontemporary.com/jake-troyli/ Kavi Gupta https://kavigupta.com/artworks/10328-jake-troyli-portrait-of-the-artist-with-hors-doeuvre-2020/ The Province Town Independenthttps://provincetownindependent.org/arts-minds/2020/03/12/show-and-tell-with-jake-troyli/ The TRiiBE https://thetriibe.com/2022/04/painter-jake-troyli-invites-us-into-the-spectacle-of-black-skin-at-expo-chicago/

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features photographer Chloe Sherman, who shares her journey from Portland to San Francisco and her role in capturing the queer community of the 90s. Chloe's work, which portrays a time when the city's rents were affordable and its social spots thriving, has been exhibited internationally and highlighted in a well-received book. The episode also details how Chloe's daughter's social media efforts during the pandemic brought greater visibility to her art. The conversation delves into Chloe's inspirations, daily routines, and creative influences, with a mention of her show 'Renegades' at the Leica store in San Francisco. About Artist Chloe Sherman:Chloe Sherman (b. 1969, New York) is a San Francisco-based fine art photographer known for her vibrant portraits of queer life in San Francisco during the 1990s. As a vehement visual chronicler, Sherman captures an intimacy and vibrancy that brings a unique subculture to life, even decades later. Sherman received her degree in fine art photography from the San Francisco Art Institute in 1999, during which time she began documenting a generation of young self-identified Queers. The community became family, and she reveled in their collective creativity, support, pride, and their strident defiance of cultural norms. This was the catalyst for an entire body of work that would go on to be recognized and shown internationally. Sherman's photographs, all shot on 35mm film, offer a window into an era of defiance, freedom, resilience, and tenderness, shedding light on the energy of San Francisco at a time when it was brimming with possibility. Her images are a throughline, anchoring viewers to a moment in Queer history and immortalizing moments of gender experimentation and joy.Her work has been exhibited internationally, including at F³ Freiraum für Fotografie (Berlin), Schlomer Haus Gallery (San Francisco), Kunsthalle Nürnberg (Nuremberg), Leica San Francisco, and The Diego Rivera Gallery (San Francisco). She has been published extensively in Nothing But the Girl (ed. Susie Bright and Jill Posner; 1996), RESEARCH: Angry Women in Rock (Juno Books; 1996), Out In America (Viking Press; 1994), Rolling Stone Magazine, Interview Magazine, Deneuve, the Advocate, and the New Yorker. Sherman's work is a part of the permanent collections at The National Gallery of Art, SF MOMA, and those of private collectors. In 2023, Hatje Cantz Verlag published a monograph of her work, Renegades: San Francisco – 1990s. Visit  Chloe's Website:  ChloeShermanStudio.comFollow Chloe on Instagram:  @ChloeDShermanLearn more about her Renegades exhibit at Leica Store San Francisco, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com 

Babeth Mondini-VanLoo  is an artist, filmmaker, and cultural ambassador. She studied art under Joseph Beuys in Germany and earned a Master's in Film & Fine Arts from the San Francisco Art Institute in 1977. Babeth is the programming director and founder of the first Buddhist television station in the West. Her art, often described as Social Sculpture, emphasizes spiritual activism. She has created over 60 documentaries on topics such as the science of the mind, Buddhism, punk music, and poetry. Her subjects have included the Dalai Lama, Joseph Beuys, Meredith Monk, the Sex Pistols, and Arnold Schwarzenegger.  Babeth directed the 1990 film Kiss Napoleon Goodbye which starred Lydia and Henry Rollins. Her work has been exhibited and is held in collections worldwide.

This week Sarah sits down with Bay Area artist, owner of Pinckney Clay and karaoke aficionado, Holly Coley. About Holly Coley Holly Coley lives and works in San Francisco, CA. Born in LA county and raised in the desert of Southern California. Coley comes from a family of artists and craftspeople. An artist and educator, she is the owner of Pinckney Clay Studio in San Francisco. Coley studied drawing, painting, and sculpture at The San Francisco Art Institute, San Francisco State, and SFCC. As an artist working in education, she has worked with many art education nonprofits in the Bay Area. Such as The San Francisco Art Education Project, Streetside Stories, Root Division, and The Crucible. Show notes: Holly Coley Website https://www.hollycoley.com/about Pinckney Clay https://www.pinckneyclay.com/ Holly Coley Instagram https://www.instagram.com/hollycoley

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ceramic Sculptor Wanxin Zhang...Wanxin discusses his journey from studying art in China, his move to America, and the influence of prominent Bay Area artists on his work. He shares how artists like Robert Arneson and Viola Frey helped shift his perception of ceramics from craft to fine art. Wanxin's sculptures, which blend historical references with contemporary culture, are showcased in several prestigious museums and galleries. He recounts his early inspiration from his mother and the pivotal moment he decided to move to the U.S. Wanxin also talks about how changing his medium from metal to clay allowed him to express his identity and cultural heritage more profoundly.About Artist Wanxin Zhang:Wanxin Zhang was born and educated in China. He graduated from the prestigious LuXun Academy of Fine Art in Sculpture in 1985. In 1992, after Zhang established his art career as a sculptor in China, he relocated to San Francisco with his family and received his Master in Fine Arts from the Academy of Art University. Zhang had been on the faculty of the Academy of Art University, Department of Art Practice at University of California, Berkeley and California College of The Art in Oakland, and the San Francisco Art Institute. Zhang's sculptures represent a marriage between historical references and a contemporary cultural context; they carry messages of social and political commentary. His work is deeply influenced by the Bay Area figurative movement and artists such at Peter Voulkos and Stephen De Staebler. As a studio sculptor and educator, Zhang was the first place recipient of the Virginia A. Groot Foundation Grant in 2006 and the Joan Mitchell Grant in 2004. His sculptures have been shown in San Francisco,  Santa Fe, Miami, Seattle, Palm Desert and New York City. In 2007, his pieces were part of the 22nd UBE Sculpture Biennial in Japan; in 2008, his sculpture was selected by the Taipei Ceramics Biennial in Taiwan; and in 2013, he was part of the Da Tong's 2nd International Sculpture Biennial in China. Zhang had his first solo art museum show at the University of Wyoming Art Museum in 2006, with solo museum exhibitions following at the Arizona State University Art Museum, Boise Art Museum in Idaho, Fresno Art Museum in California, The Alden B. Dow Museum of Science & Art in Michigan, Bellevue Arts Museum in Washington, and Holter Museum of Art in Montana. His works have been selected to be included in Confrontational Ceramics by Judith Schwartz, and can be found in major art magazines such as "Art News," "Art in America," "Sculpture," and "American Ceramics." Zhang has many public collections, and his private collectors are located both nationally and internationally. In 2012, the San Francisco Chronicle picked Zhang's exhibition at the Richmond Art Center to be one of the Top 10 Exhibitions in the San Francisco Bay Area.Visit Wanxin's Website:  WanxinZhang.comFollow Wanxin on Instagram:  @WxZhang25For more about M is for Water at the di Rosa Center for Contemporary Art in Napa, CLICK HERE. For more about the Spirit House exhibition at Stanford University, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

IMA is the electro-percussion project of electronic sound artist Amma Ateria and percussionist Nava Dunkelman. The duo has been presented in residency at The Stone, San Francisco Electronic Music Festival, San Francisco Art Institute, and Stanford University and collaborated with Ikue Mori, Fred Frith, John Zorn, Matmos, and many others. IMA will perform The Flowers Die in Burning Fire on the final night of this year's Other Minds Festival on September 28, 2024. In the interview, we talk about the duo's early collaborations, perception of time in music, and the influence of Japanese poetry. Music: “Meshes of the Afternoon” from The Flowers Die in Burning Fire by IMA (Buh Records); “Notion of Time” from The Flowers Die in Burning Fire by IMA (Buh Records); “Ende” from The Flowers Die in Burning Fire by IMA (Buh Records) Follow IMA on Facebook and Instagram. imanoise.me Follow us on Facebook, Instagram, and Twitter. otherminds.org Contact us at otherminds@otherminds.org. The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

I visited Mark Alice Durant at his home in Maryland to talk about his book, Summer of the White Fox, and After, published by Saint Lucy Books. We talk about how Mark came to photography and why he started his own publishing imprint. Summer of the White Fox, and After is a memoir and a monograph, with a touch of history and philosophy weaved into the essay. It is a recounting of grief and loss that enveloped Mark and his family through distinct events and all during the pandemic. It is also a story about experiencing love and care in ways that were, perhaps, unforseeable before all of the tragedies struck Mark's family. https://www.saintlucybooks.com/shop/p/summer-of-the-white-fox-and-after | https://www.instagram.com/saint_lucy_books/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Mark Alice Durant is a photographer whose photographs, installations, and performances have been presented internationally including the Los Angeles County Museum of Art, the Museum of Contemporary Art in Chicago and Artist's Space in New York. In 1991, he co-founded the performance duo ‘men of the world' that for 10 years performed on the streets of Chicago, Toronto, Seattle, New York, Houston, San Francisco, and other cities. He has written extensively on the nexus of photography, performance and cultural phenomena with essays appearing in such journals as Art in America, Art on Paper, ArtUS, Art Journal, Afterimage, Dear Dave, Exposure, New Art Examiner, and PLUK. Durant is the editor of the online journal Saint Lucy which is devoted to writing about photography, contemporary art and the lovely people of Baltimore. He has contributed to numerous catalogs, monographs and anthologies including The Passionate Camera: Photography and Bodies of Desire, The Gothic, Jimmie Durham and Marco Breuer: Early Recordings. He is author of McDermott and McGough: A History of Photography, Robert Heinecken: A Material History and co-author of Vik Muniz: Seeing is Believing and Dressed for Thrills: 100 Years of Halloween Costume and Masquerade. In 2005, Durant co-curated and co-authored Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal. Durant was co-curator of Some Assembly Required: Collage Culture in Post-War America in 2002 and in 2008, he curated Notes on Monumentality at the Baltimore Museum of Art. He has served on the faculties of the School of the Art Institute of Chicago, UCLA, the University of New Mexico, Syracuse University, and the Milton Avery Graduate School for the Arts at Bard College. He has received grants and fellowships from the National Endowment for the Arts, the Fleishhacker Foundation, the Center for Creative Photography, the Illinois Arts Council, and the MacDowell Colony. Professor Durant received his B.F.A. from Massachusetts College of Art and M.F.A. from the San Francisco Art Institute. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

David Allan Peters in his studio, 2022. David Allan Peters (b. 1969 in Cupertino, CA) received his Bachelor of Fine Arts degree from the San Francisco Art Institute in San Francisco, CA, and his Master of Fine Arts degree from Claremont Graduate University in Claremont, CA. Peters has been the subject of recent solo exhibitions at Miles McEnery Gallery, New York, NY; Royale Projects, Los Angeles, CA; Museum of Art and History, Lancaster, CA; Weber Fine Art, Greenwich, CT; Ameringer | McEnery | Yohe, New York, NY; Royale Projects, Palm Desert, CA; and AKA PDX, Portland, OR. Recent group exhibitions include “Hybrid Spaces” (curated by Dr. Necmi Sönmez), Borusan Contemporary Art Collection, Istanbul, Turkey; “LA Painting,” Museum of Art and History, Lancaster, CA; Laguna Art Museum, Laguna Beach, CA; “Belief in Giants,” Miles McEnery Gallery, New York, NY; and “Hello My Name Is...Los Angeles,” Royale Projects, Los Angeles, CA. He is a recipient of the Nora Bartine Memorial Award from De Anza College, Cupertino, CA and his work may be found in the collections of Borusan Contemporary Art Collection, Istanbul, Turkey and the Laguna Art Museum, Laguna Beach, CA. The artist lives and works in Los Angeles, CA. DAVID ALLAN PETERS Untitled #3, 2024 Acrylic on panel 40 x 30 inches 101.6 x 76.2 cm. Courtesy of the artist and Miles McEnery Gallery. DAVID ALLAN PETERS Untitled #10, 2024 Acrylic on panel 72 x 60 inches 182.9 x 152.4 cm. Courtesy of the artist and Miles McEnery Gallery. DAVID ALLAN PETERS Untitled #16, 2023 Acrylic on panel 40 x 60 inches 101.6 x 152.4 cm. Courtesy of the artist and Miles McEnery Gallery.

This episode features Shauna Rosenblum who joined Ridge Vineyards in 2022 as their Lytton Springs Winemaker. She oversees all winemaking at the Lytton Springs facility in Healdsburg, CA, and she brings a lifetime of winemaking experience with her to Ridge. Her father, Kent Rosenblum, of Rosenblum Cellars, introduced his winemaking passion to Shauna at an early age. Kent taught her to read brix on a refractometer at the age of three, she started working on the bottling line at the age of twelve, and by the age of sixteen, she attended blending sessions with the winemaking team. Always enamored with fine art, Shauna received a scholarship to California College of Arts and Crafts, then pursued her Master's Degree at San Francisco Art Institute. During her ceramics studies, she took chemistry classes where she noticed that the process for creating glaze compositions was the exact same process as blending wine. This led her to the epiphany that winemaking was art. She completed the UC Davis Master's Wine Executive Program and in 2008, Rosenblum joined Rock Wall Wine Company as Winemaker. Her lifelong wine training coupled with her philosophy of winemaking as fine art led her to seek out treasured old-vine field blend sites and esoteric varieties like tannat, teroldego and ciliegiolo. She directed a portfolio of over fifty grape contracts around California and oversaw all aspects of production on every lot of wine from crush to bottling. During her 14-year tenure at Rock Wall Wine Company, she rose to the rank of President and Chairperson of the Board of Directors. We talk about what it's been like to like to step into her role as part of the Ridge legacy since 2022, and we open a very special bottle on air together that she sent to Atlanta that hadn't been released yet representing her first vintage in this lead role. You can visit www.ridgewine.com to leard more about Ridge and Shauna's work, and you can follow @ridgevineyards on Instagram. Recorded July 22, 2024 --- Support this podcast: https://podcasters.spotify.com/pod/show/acorkintheroad/support

Secession Podcast: Artists Simone Fattal in conversation with Jeanette Pacher Secession Podcast: Artists features artists exhibiting at the Secession. This episode is a conversation between Simone Fattal and Jeanette Pacher, the curator of the exhibition. It was recorded on June 19, 2024 in the context of the exhibition: Simone Fattal metaphorS 21.6. – 8.9.2024 In her exhibition metaphorS, Simone Fattal presents bodies of work from different periods in her career and in a variety of media, including fired clay and ceramic sculptures, paintings, and collages. With her works, she tells stories of humanity, culture, history, and the present. Conflict, consensus, nature, faith, and trust are central concerns. Despite (or precisely because of) the artist's nomadic life, her oeuvre is deeply rooted in the millennia-old culture and history of the Middle East—she was raised in Damascus and Beirut—and the epic literature, poetry, archaeology, and landscapes of this region are both vital sources of inspiration and central themes. More Simone Fattal (*1942) was raised in Damascus and Beirut, studied archaeology and philosophy in France and began painting in Beirut in the early 1970s. After years of civil war, she left Lebanon in 1980 and settled in California, where she founded the Post-Apollo Press; for the next thirty years, she dedicated herself to publishing literature and poetry, including many books by her partner Etel Adnan. In the late 1980s, she studied sculpture at the San Francisco Art Institute and fell in love with working with clay. Meanwhile, she also started making collages that combine pictures of archaeological sites and relics with contemporary photographs. Today, Simone Fattal lives and works in Paris. Jeanette Pacher is a curator for contemporary visual arts and has been working at the Secession since 2007. She is a regular lecturer in the Department of Site-Specific Art at the University of Applied Arts Vienna, and since 2023, a jury member of KÖR – Art in Public Space Vienna. She was part of the editorial team of Ö1 Kunstradio and began working in the curatorial field at Kunsthalle Wien in the mid 1990s.   The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Editing Director: Jeanette Pacher Editor: Paul Macheck Produced by Jeanette Pacher  

Gail Spaien lives in South Portland, Maine. She earned her B.F.A. from the University of Southern Maine and her M.F.A. from the San Francisco Art Institute. Spaien has received numerous fellowships including the Ucross Foundation; Varda Artist Residency Program; Millay Colony for the Arts; the Djerassi Foundation Resident Artists Program; and the Skowhegan School of Painting and Sculpture. Over four decades, Spaien's work has been exhibited nationwide and abroad, including Taymour Grahne Projects (London); Vardan Gallery (Los Angeles, CA); the DeCordova Sculpture Park and Museum (Lincoln, MA); Provincetown Art Association and Museum (Provincetown, MA); Crocker Art Museum (Sacramento, CA); the Portland Museum of Art (Portland, ME); Ogunquit Museum of American Art (Ogunquit, ME); and Colby College Museum of Art (Waterville, Maine). After thirty years as faculty at the Maine College of Art and Design she is now full-time in the studio. Turquoise Window, 2024, acrylic on linen, 48 x 45 inches Pearl with Boots and Pheasants, 2024, acrylic on linen, 34 x 36 inches The Season Called Locking, 2024, acrylic on linen, 48 x 48 inches

Photo: Elon Schoenholz, courtesy of David Kordansky Gallery For over four decades, Raúl Guerrero (b. 1945, Brawley, California) has made work informed by his experiences navigating cultures as an American of Mexican ancestry in Southern California. In his paintings, photographs, video, and performance works, Guerrero utilizes language and cultural signifiers to examine notions of place as a way to understand personal concepts of self. An aspect of his work depicts—and critiques—colonial narratives in the Americas such as the settlement of the Great Plains, the history of Latin America, and imposed notions of the American “West.” With compositions fusing Mexican, American, and European visual traditions, he incorporates influences ranging from the readymades of Marcel Duchamp to conceptually-oriented practices associated with a preceding generation of California artists (including John Baldessari and Ed Ruscha) who emerged from Guerrero's alma mater, the Chouinard Art Institute. A long-time exhibiting artist on the West Coast, Guerrero reflects an intellectually rigorous approach suffused with humor and a deep engagement with legacies of visual art from Southern California and the Southwest. Raúl Guerrero has been the subject of solo exhibitions at David Kordansky Gallery, Los Angeles (2021); Ortuzar Projects, New York (2018); Air de Paris (project space), Romainville, France (2014); Athenaeum Music and Arts Library, San Diego, California (2001, 2007, and 2013); CUE Art Foundation, New York (2010); Long Beach Museum of Art, California (1977); Museum of Contemporary Art San Diego (1989); and San Francisco Art Institute, California (1977). Guerrero was included in the California Biennial 2022: Pacific Gold at the Orange County Museum of Art, Costa Mesa, California (2022–2023), and was the recipient of an NEA Photography Fellowship (1979) and the San Diego Art Prize (2006). Guerrero lives and works in San Diego. Raul Guerrero, Fernando y Isabela: 1494, 2023 oil on linen 56 1/8 x 76 1/8 x 1 5/8 inches (142.6 x 193.4 x 4.1 cm) Photo: Jeff McLane, courtesy of David Kordansky Gallery Raul Guerrero, Del Taco, 2023 oil on linen 56 x 76 1/4 x 1 1/2 inches (142.2 x 193.7 x 3.8 cm) Photo: Jeff McLane, courtesy of David Kordansky Gallery Raul Guerrero, The Alhambra: 1492, 2024 oil on linen 96 x 76 x 1 1/2 inches (243.8 x 193 x 3.8 cm) Photo: Jeff McLane, courtesy of David Kordansky Gallery

Today on The Neil Haley Show, Neil "The Media Giant" Haley and Greg Hanna of Celebrity Interviews Live interview Peter Macon. Peter Macon is best known for his role as Lt. Commander Bortus in the Fox/Hulu television series The Orville (2017-present). Macon was raised in Minneapolis and attended North Community High School, where he acted in school plays. His mother was a teacher, and his father was a truck driver. Macon later attended the San Francisco Art Institute and the Yale School of Drama, where he earned a master's degree in acting. Macon married Lucia Brawley, an actress who also attended Yale, in 2005. Former New York City Mayor David Dinkins officiated. He divorced Lucia several years later and in 2018 married Jacquelyn Woods.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with filipina-american interdisciplinary artist Charlene Tan.In this Episode, Charlene shares her background, inspiration, and creative process behind her exhibition, Warp/Weft which pays homage to her Filipino heritage. It discusses her use of traditional Filipino materials like mung beans and ube, the personal connections embedded in her artwork, and the viewers' responses. Charlene's journey as an artist, from childhood to her current exhibitions, is also highlighted, along with insights into the labor-intensive nature of her work, family influences, and the supportive community that has shaped her artistic path.About Artist  Charlene Tan:Charlene Tan is an interdisciplinary artist, whose work is thematically focused on the immigrant diaspora and its repercussions, post-assimilation identity, and anthropological investigations of nationalism and cultural heritage. Her work is inspired by her Filipina-Chinese-American identity, reconnecting her artistic cultural heritage of tribal weaving patterns of the Philippines. Using found images by means of digital scanning, these images are edited to pair down to the essence of the pattern.Once free of scale and color, Tan retraces the patterns to attempt to create a muscle memory of a cultural expression that was once commonplace with her ancestors. Her work has been included in solo and group exhibitions in the US, and is part of several private collections. She holds a BA History and Theory of Contemporary Art with a focus on New Genres from the San Francisco Art Institute. Born in Houston, TX, she lived in the Philippines before moving to San Francisco for her education and work, and is currently a visiting artist at Minnesota Street Project studios.Follow Charlene on Instagram:  @Char.Art.TanLearn more about Charlene's art at the Warp/Weft exhibit at re.riddle by CLICKING HERE.--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

HERE TO SERVE. Joel Mesler is an artist whose career in the art world started as an art dealer and gallerist.  A Master of Fine Arts graduate of the San Francisco Art Institute, Mesler worked for almost two decades as an art dealer in Los Angeles and New York City, painting on and off while promoting artists Henry Taylor and Rashid Johnson early in their careers. In 2017, Mesler moved to Sag Harbor, where he owns Rental Gallery. He continues to paint, influenced by pop culture and nature as well as his own history of addiction and his Jewish heritage. "Survival is our badge of honour" "I'll never stop painting rabbis" "There's nothing to hide"

Janis Provisor is a New Yorker, residing between Connecticut and New York City. Janis is an accomplished artist with a vast career in the arts, showing in galleries all over the world as well as having her work in many museum collections. Janis will be having a solo-presentation of her work with Halsey McKay at the Independent 2024. Now in her seventies Janis gathered a lot of experience in art and life and shares her wisdom in our talk. Being very young she was taken to Museums by Family members. She already felt then she wanted to be an artist, not knowing at all what that was about. She studied at the San Francisco Art Institute, right after the Summer of Love, receiving her MFA in 1971. Although the 70s were a great time for experimenting and going new ways in the arts and society, it was not a great time for women resp. women artists. Janis reflects on how the status of women has changed in the past decades and how much there is still to do. In 1989, along with her husband and son, she left New York for an adventure in China and Hong Kong, they ended up staying for nine years, running their own company Fort Street Studios in China in the 1990s, designing, manufacturing, and selling hand-knotted silk carpets. Through all these years she constantly developed and experimented, which helped her finding her individual voice as artist and woman. Janis often starts her paintings with writing and putting her thoughts, her feelings out on the canvas. In the process of painting those words often get obscured and a physical and emotional process starts, in which Janis let's loose and allows her body to paint the way it needs to. Being jewish, she now processes and expresses her torn feelings about the war and the humanitarian crisis in the near east. For the presentation at the Independent she is now creating a new body of work, which will be as free and open as possible, while still being very concentrated and essential to fit the format of a fair presentation. 41 min., recorded February 21, 2024, language english https://www.independenthq.com/ artist website: https://www.janisprovisorstudio.com/ artist history: https://fortstreetstudio.com/founders/ https://www.rizzoliusa.com/book/9788891829627/ Gallery: https://www.halseymckay.com/artists/janis-provisor Your host: https://van-horn.net Instagram: @independent_hq @janisprovisor @halseymckaygallery @voicesonart @van_horn_duesseldorf #VoicesOnArt #IndependentSpecial #IndependentHQ #Podcast #Talk #storytelling #DanielaSteinfeld #VoicesOnArt #JanisProvisor #Artist #HalseyMacKayGallery

In Part 2, we hear about Chloe's first photo show, which took place at The Bearded Lady. Chloe describes The Bearded Lady as a hub, a place to do and get everything you could possibly need. It and the Kiki Gallery next door were both on 14th Street near Guerrero.   Another queer artist, Cathy, liked Chloe's show and suggested that she go to art school. And so Chloe got into San Francisco Art Institute. She had a darkroom at her home and sometimes printed at Harvey Milk Photo Center in Duboce Park. But she was able to do so much at her school.   At this point in the podcast, Chloe and I talk about photo editing and what that process was like in the analog film days. I name-drop Photoworks and Chloe mentions the photo labs at Macy's, then we end with Chloe's acknowledgement that people are embracing film again.   I ask Chloe about the 2000s. Her daughter was born and they left The City, finding a new home in the East Bay to raise her kid. With the shift from film to digital, Chloe struggled to keep up and her life priorities changed.   We talk about so many places that were important to the queer, dyke, and lesbian scenes closing in the Millennium. People from that scene started having kids and some pursued careers in other cities. Many wanted more space and couldn't get it in The City. The Dotcom boom happened, and folks were bought out or got priced out.   That leads to a sidebar on the recent resurgence we're seeing here in San Francisco. There's Mother Bar of course, where we recorded, and Chloe mentions other new queer art spaces like Schlomer Haus Gallery. We wonder whether the pandemic was a correction event.   The conversation shifts to how Chloe's photo book, Renegades, came about. Early in the pandemic, when everyone stayed home, her daughter came back from college to live with her. Her daughter saw Chloe's photos and told her to start an Instagram account. She did, but of course her daughter set it all up.   They scanned many, many photos and started to post. The reaction was endearing and intense and overwhelming, she says. Chloe says it was like a high school reunion, with so many of her friends from the Nineties reemerging in her life on social media.   The aforementioned Schlomer Haus Gallery saw what was happening and reached out looking for queer artists to show in their new space on Market. And so Chloe got a solo show in 2022. That show, Renegades San Francisco: The 1990s, set the stage for her book of the same name.   That 2022 experience was still so new to her. But at the show's opening, people reconnected with one another and the work took on a life of its own. Chloe says people were in tears. They took photos of their photos that were in the show. 300+ people attended the opening that night and many of those went to the after party at Mothership Bar on Mission.   "We all just showed up like nothing ever happened," Chloe says. Younger people at the opening told her, "This is why I moved to San Francisco," speaking to the scenes depicted in Chloe's photos.   Renegades San Francisco: The 1990s the book is available at local bookstores like City Lights, Fabulosa Books, SFMOMA, and Green Apple. It's also available online. Go to Chloe's website for more info.   We end Part 2 with Chloe's interpretation of our theme this season: "We're all in it." There's a special shout-out to photobooths.   Follow Chloe on Instagram to stay up to date on shows and book signings.   Photography by Jeff Hunt

A workforce shortage in the nonprofit industry is forcing many organizations to do more with less, resulting in stress and burnout that only worsens staff turnover. How can we expect nonprofits to go out and make the world a better place if the organizations themselves are not well? In today's episode, we take a deep dive into the topic of organizational wellness to help nonprofits improve their internal health and increase their impact. Free 30-minute fundraising consultation for NPFX listeners: http://www.ipmadvancement.com/free Want to suggest a topic, guest, or nonprofit organization for an upcoming episode? Send an email with the subject "NPFX suggestion" to contact@ipmadvancement.com. Additional Resources IPM's free Nonprofit Resource Library: https://www.ipmadvancement.com/resources [NPFX] How to Prevent Nonprofit Staff Burnout and Create a Culture of Wellness https://www.ipmadvancement.com/blog/how-to-prevent-nonprofit-staff-burnout-and-create-a-culture-of-wellness Best Wellness Practices for Nonprofit Fundraisers (#4 Might Surprise You) https://www.ipmadvancement.com/blog/best-wellness-practices-for-nonprofit-fundraisers-4-might-surprise-you [NPFX] Self-Care for Nonprofit Fundraisers: How to Avoid Burnout https://www.ipmadvancement.com/blog/self-care-for-nonprofit-fundraisers-how-to-avoid-burnout 5 Ways to Improve Your Fundraising Team's Morale https://www.ipmadvancement.com/blog/5-ways-to-improve-your-fundraising-team-s-morale Shaun Leonardo, a Brooklyn-based artist and Co-Director of the arts nonprofit Recess, specializes in multidisciplinary work that negotiates societal expectations of manhood, namely definitions surrounding black and brown masculinities, along with its notions of achievement, collective identity, and experience of failure. His performance practice, anchored by his work in Assembly — a diversion program for system-impacted youth at Recess — is participatory and invested in a process of embodiment. Shaun received his MFA from the San Francisco Art Institute and is a recipient of support from Creative Capital, Guggenheim Social Practice, Art for Justice and A Blade of Grass. His work has been featured at The Guggenheim Museum, the High Line, and New Museum, and profiled in the New York Times and CNN. His solo exhibition, The Breath of Empty Space, was presented at MICA, MASS MoCA and The Bronx Museum. And his first major public art commission, Between Four Freedoms, premiered at Four Freedoms Park Conservancy, in the fall of 2021. https://shaunleonardo.com/ Melissa Cowley Wolf has 20 years of experience in philanthropy, strategic planning, and programming for art museums and higher education institutions across the United States. A philanthropy consultant for nonprofit organizations, an advisor to next generation philanthropists, and arts advocate working across industries, she was named to the Artnet 2020 Innovators List as one of 51 global innovators transforming the art industry. Melissa founded advising firm MCW Projects LLC in 2017 to expand the next generation of cultural philanthropists, advocates, and audiences. She is also the founding director of the Arts Funders Forum (AFF) an advocacy, media, convening, and research platform designed to develop new models of impact-driven financial support for the cultural sector. https://www.linkedin.com/in/melissa-cowley-wolf-6440a79/ Russ Phaneuf, a co-founder of IPM Advancement, has a background in higher education development, with positions at the University of Hartford, Northern Arizona University, and Thunderbird School of Global Management. As IPM's managing director & chief strategist, Russ serves as lead fundraising strategist, award-winning content creator, and program analyst specializing in applied system dynamics. https://www.linkedin.com/in/russphaneuf/ Rich Frazier has worked in the nonprofit sector for over 30 years. In his role as senior consultant with IPM Advancement, Rich offers extensive understanding and knowledge in major gifts program management, fund development, strategic planning, and board of directors development. https://www.linkedin.com/in/richfrazier/

In this episode, Jaime sits down with Rachel Reuben Senor, a 25-year veteran of higher education marketing now serving as the VP of Account Strategy for OHO Interactive. The conversation centers around a shared frustration: the challenges posed by silos in higher education – and offers insight into the ways marketing and communications offices can bust those silos.Takeaways include:Insight into organizational models, such as centralized, center-led, and decentralized structures, dissecting why each model may or may not work in certain contexts. Practical advice on how to determine the best organizational model for a specific institution and strategies to break down silos beyond just structural changes.Ideas around how schools can effectively leverage storytelling to create impactful narratives.Insight into the key roles that higher ed CMOs should focus on developing over the next 2-5 years.Tips for fostering a culture of teamwork and collaboration. Guest Name: Rachel Reuben Senor, Vice President of Account Strategy, OHO InteractiveGuest Social: https://www.linkedin.com/in/rachelreuben/Guest Bio:  Rachel Reuben Senor is a seasoned veteran in marketing and communications in the higher education industry. She has worked on staff in leadership positions in both public and private institutions. She fuses her experience into a comprehensive, strategic approach to marketing that identifies challenges and develops creative solutions to improve marketing processes. As VP of Account Strategy at OHO Interactive, Rachel brings new perspectives to clients on long-term strategy, organizational design, and enrollment marketing. She leads and hosts monthly OHO U webinars, the annual OHO U Online Conference and Senior Marketing Leadership Summit, and monthly Brain Trusts with current clients.Prior to joining OHO, Rachel ran her own senior marketing leadership consultancy for higher education for nearly five years. Before consulting she was the vice president of communication at Colgate University, associate vice president for marketing communications at Ithaca College, and the director of web communication and strategic projects at the State University of New York at New Paltz. During her consultancy, she served as interim vice president for marketing and communications at California College of the Arts, as well as interim executive director of marketing for the San Francisco Art Institute.Rachel has been a speaker at a variety of higher education events over the past couple of decades, among them the American Marketing Association's Symposium for the Marketing of Higher Education, the Council for the Advancement and Support of Education (CASE), the Public Relations Society of America (PRSA), eduWeb, HighEdWeb, the University and College Designers Association (UCDA), the Association to Advance Collegiate Schools of Business (AACSB), and the State University of New York Council for University Advancement (SUNY CUAD).Rachel's insights have been featured in The Chronicle of Higher Education, Inside Higher Ed, University Business, CASE Currents, Campus Technology, and on many blogs. She was an early adopter of social media, and pioneered its use in marketing higher education. - - - -Connect With Our Host:Jaime Hunthttps://www.linkedin.com/in/jaimehunt/https://twitter.com/JaimeHuntIMCAbout The Enrollify Podcast Network:Confessions of a Higher Ed CMO is a part of the Enrollify Podcast Network. If you like this podcast, chances are you'll like other Enrollify shows too! Some of our favorites include Talking Tactics and Higher Ed Pulse. Enrollify is made possible by Element451 — the next-generation AI student engagement platform helping institutions create meaningful and personalized interactions with students. Learn more at element451.com. Connect with Us at the Engage Summit:Exciting news — Jaime will be at the 2024 Engage Summit in Raleigh, NC, on June 25 and 26, and we'd love to meet you there! Sessions will focus on cutting-edge AI applications that are reshaping student outreach, enhancing staff productivity, and offering deep insights into ROI. Use the discount code Enrollify50 at checkout, and you can register for just $99! This early bird pricing lasts until March 31. Learn more and register at engage.element451.com — we can't wait to see you there!

Jeffery is copying his art to photographs and Bill has found a new online color editor which he's playing with while learning to accept and grow from critique. Todd Schick is our Photographer of the Week. San Francisco Art Institute bought by Laurene Powell Jobs Color.io Jacob Collier interview Chris Ashworth new book "The Unseen Saul Leiter" on Amazon Todd Schick on Instagram

M. Lamar is a composer whose work spans the genres of opera, metal, performance, and visual arts, crafts narratives of radical transformation. Holding a BFA from The San Francisco Art Institute and starting at Yale School of Art before dropping out and shifting to music, M's work has been presented globally, including The Rewire Festival in The Hague, Trauma Bar Berlin, and MoMa PS1's Greater New York. M's diverse artistic expressions pushes the boundaries of convention and contribute to sparking conversations on identity and societal change.

This week I talk with Ben Venom, textile artist and studio manager at The Space Program. We recorded our conversation in July 2023 at The Space Program's recording studio. About Ben Venom Ben Venom graduated from the San Francisco Art Institute in 2007 with a Master of Fine Arts degree. His work has been shown both nationally and internationally including the Levi Strauss Museum (Germany), National Folk Museum of Korea, HPGRP Gallery (Tokyo), Fort Wayne Museum, Charlotte Fogh Gallery (Denmark), Taubman Museum of Art, Gregg Museum of Art and Design, and the Craft and Folk Art Museum in Los Angeles. He has been interviewed by NPR: All Things Considered, Playboy, Juxtapoz Magazine, KQED, Maxim, and CBS Sunday Morning. Venom has lectured at the California College of Arts, the Frist Center for the Visual Arts, Midlands Art Centre, Humboldt State University, Oregon College of Art and Craft, and Adidas. Recently, he was the artist in residence at MASS MoCA and the de Young Museum. Ben Venom is currently Visiting Faculty at the San Francisco Art Institute. Show Notes https://www.benvenom.com/bio https://www.instagram.com/benvenom Problematic review of problematic Jason Rhoades' show in 2017 at Hauser & Wirth http://artobserved.com/2017/05/los-angeles-jason-rhoades-installations-1994-2006-at-hauser-wirth-los-angeles-through-may-21st-2017/ Art Date Substack: https://artdate.substack.com/ Art Date Social Club - Eventbrite page https://www.eventbrite.com/o/sarah-thibault-18411193477 --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Columbia-born & Bay Area photographer and installation artist, Marcel Pardo Ariza.About Artist Marcel Pardo Ariza:Marcel Pardo Ariza (they/them) is a trans visual artist, educator and curator who explores the relationship between queer and trans kinship through constructed photographs, site-specific installations and public programming. Their work is rooted in close dialogue and collaboration with trans, non-binary and queer friends and peers, most of whom are performers, artists, educators, policymakers, and community organizers. Their practice celebrates collective care and intergenerational connection. Their work is invested in creating long term interdisciplinary collaborations and opportunities that are non-hierarchical and equitable. Their work has recently been exhibited at the McEvoy Foundation for the Arts; Crystal Bridges Museum of American Art; Palo Alto Art Center; San Francisco Arts Commission Galleries; Yerba Buena Center for the Arts; Palm Springs Art Museum; and the Institute of Contemporary Art San José. Ariza is the recipient of the 2022 SFMOMA SECA Award, the 2021 CAC Established Artists Award; the 2020 San Francisco Artadia Award; 2018-19 Alternative Exposure Grant; 2017 Tosa Studio Award; and a 2015 Murphy & Cadogan Contemporary Art Award. Ariza is a studio member at Minnesota Street Project, and the co-founder of Art Handlxrs*, an organization supporting queer, BIPOC, women, trans and non-binary folks in professional arts industry support roles. They are currently a lecturer at California College of the Arts and San Francisco State University, and based in Oakland, CA.Follow Marcel on Instagram: @MarcelPardoAMarcel's 500 Capp Street Exhibit, Orquídeas is on view now through February 17. CLICK HERE for more info. Visit Marcel's Website: MarcelaPardo.com--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Join us for a powerful & insightful discussion with visual artist Ingrid V. Wells about paving your path while finding moments of delight along the way. Here's what we discuss:1. How a guided meditation led Ingrid to completely shift paths and pursue a career as an artist.2. Thoughtful strategies for moving forward in the direction of your dreams and living with intention.3. The importance of our daily habits and approaching life one day at a time. Ask yourself - what can I do today to feel good?4. The power of practicing generosity and sharing knowledge with each other as we further our own careers.About Ingrid:Ingrid V. Wells earned her MFA from San Francisco Art Institute and her BFA from Arizona State University. Her artwork has been shown in New York at the Untitled Space, PULSE Miami with Treat Gallery, internationally in South Korea at the CICA Museum and online with PxP Contemporary. She enjoys using playful subject matter to address complex topics including women's issues, mental health, joy and being.Her work has been featured by The Jealous Curator, The Huffington Post, Daily Mail, BUST Magazine, Create! Magazine and Teen Vogue, among others. Her oil painting was invited to be featured on the front page (print) of El País representing the international women's movement in 2019. Wells is a multiple-time grant recipient from the Center for Cultural Innovation.She runs San Francisco Artists Studios, a multidisciplinary artist studio space in the Dogpatch district of San Francisco. There she facilitates programming including ongoing artist professional development series with Sample-Studios (Cork, Ireland) that began during the pandemic with grant funding from the Cork City Council Twinning Cities.Wells directs TWIRL: A Decade of Artists Interviews, a 10 year annual interview project that began with 40 artists. The project focuses on studying artist resilience and the survival of artist communities despite unforeseen difficult circumstances. The project launched in February 2020.She was awarded a Certificate of Honor from the City and County of San Francisco Board of Supervisors in October 2020 for painting uplifting murals in the city's COVID overflow hospital space in the Presidio.In May of 2022, Create! Magazine named Wells #7 on the list of Top 15 Emerging Artists to Follow on Social Media. You are welcome to visit her on social at @ingridvwells. Her recent solo exhibition Glimmers with Voss Gallery in San Francisco, received press coverage from The Jealous Curator, DIVIDE Magazine, Thought Art Magazine, All She Makes Magazine, Juniper Rag, Arts to Hearts Project, Friend of the Artist and Visionary Art Collective. Her work is also currently on display in southern California at Brea Gallery with the Pure, Unadulterated Joy exhibition, which was extended for three additional months due to popularity.Wells currently lives and works in San Francisco.Website: ingridvwells.comInstagram: @ingridvwellsVisit our website: visionaryartcollective.comFollow us on Instagram: @visionaryartcollective + @newvisionarymagJoin our newsletter: visionaryartcollective.com/newsletter 

Find the transcript and episode notes here: https://designbetterpodcast.com/p/gil-gershoni#details October is dyslexia awareness month, and we were recently introduced to Gil Gershoni, who is on a mission to help us all recognize dyslexia as a creative superpower. Gershoni runs an influential agency that's been reshaping brands with the power of dyslexic design thinking for decades. One in five people have dyslexia, and there are many other kinds of neurodivergent thinkers out there. We hope this bonus episode opens your eyes to other modes of creative thinking. Thanks for listening. Books & Links The Dyslexic Advantage The Bigger Picture Book of Dyslexics and the Things They Do Dyslexic Design Thinking Podcast Bio Gil Gershoni is the founder and creative director of Gershoni Creative in San Francisco and Dallas. For more than 25 years, Gil has worked with clients like Google, Apple, Spotify, Deloitte, Patrón, San Francisco Art Institute, BBC and Nike, and he has presented at the Whitney Biennial, Sundance Film Festival, South by Southwest, Vancouver Institute of Media Arts, Contemporary Jewish Museum and San Francisco Design Week. Gil is an advocate for the reframing of dyslexia as a hyper-ability and regularly speaks on neurodiversity's influence on design thinking. *** Last week we launched DB+, our new premium service that gives you access to ad-free versions of the show released a week early. Subscribers will be invited to AMA (Ask Me Anything) conversations with big names in design and tech from companies like Nike, Netflix, and The New York Times who will field your questions about compelling topics.  Early bird subscribers get 50% off for the first three months. Visit designbetter.plus to learn more and subscribe. *** isiting the links below is one of the best ways to support our show: American Giant: Makers of the best hoodie on the planet, their clothing is American-made, ethically produced, and built to last. What more could you ask for? Save 20% off your first order with American Giant using our promo code DESIGNBETTER at checkout. dbtr.co/americangiant Heath Ceramics: We love Heath Ceramics. They're the types of objects you pass on from generation to generation, the kind of gift you bring to a wedding, or the dishes that you'd want to put on a beautiful Thanksgiving table: dbtr.co/heathceramics Methodical Coffee: Roasted, blended, brewed, served and perfected by verified coffee nerds

This week we share a conversation with Sarah and Bay Area artist Jamil Hellu. They talked during a shared artist residency at the Space Program in August 2023. About Jamil Hellu Jamil Hellu is a visual artist whose work focuses on the fluidity of identity, cultural heritage, and queer representation, often pointing to the tensions found in the evolving discourses about sexuality. He is a Photography Lecturer in the Department of Art & Art History at Stanford University and is represented by Rebecca Camacho Presents in San Francisco.Through a multidisciplinary practice rooted in photography and that includes video, sculpture, and installation, Hellu's projects interrogate the dominant patriarchal ideology of masculinity while challenging preconceived notions about gender expression. Navigating from a personal lens, he frequently incorporates his own history as an immigrant to the United States, exploring the impact of cultural hybridity. His art fosters empathy and dialogue, ultimately promoting a more inclusive and equitable world.Hellu holds a Masters in Fine Arts in Art Practice from Stanford University and a Bachelors of Fine Arts in Photography from the San Francisco Art Institute. His work has been discussed in publications such as The New York Times, The Guardian, Artforum, and VICE. He has held multiple art residencies including at the Headlands Center for the Arts and the Cité Internationale des Arts in Paris. Public collections holding his work include the San Francisco Museum of Modern Art; Cantor Arts Center; and the Blanton Museum of Art. Show Notes: https://jamilhellu.net/about Jamil's solo show at Rebecca Camacho, "Odyssey" https://rebeccacamacho.com/exhibitions Folsom Street Fair https://www.folsomstreet.org Pop Out https://www.dukeupress.edu/pop-out About The Side Woo Host & Creator: Sarah Thibault Sound & Content Editing: Sarah Thibault Intro and outro music: LewisP-Audio found on Audio Jungle Recording Studio: The Space Program The Side Woo is a podcast created through The Side Woo Collective. To learn more go to thesidewoo.com For questions, comments, press, or sponsorships you can email thesidewoo@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message

In this episode of "How You Create," I am joined by documentary photographer Wesaam Al-Badry, 2023 Google Pixel & Aperture Creator Labs Photo Fund grant recipient. Wesaam, born in Nasiriyah, Iraq, fled to Saudi Arabia and lived in refugee camps for 4 and half years at the outset of what became known as the Gulf War. In late 1994, Wesaam and his family were relocated to Lincoln, Nebraska. Both his time in refugee camps, his working class upbringing in Nebraska, and late his attainment of master's in New Media journalism at the University of California, Berkeley, and his BFA from the San Francisco Art Institute culminate in his work which depicts honest moments of the lives of those often absent from art institutes, and a deep belief in the integrity and responsibility of his work. Wesaam urges any listeners who have questions or needs advice about work and grants to reach out to him directly at wesaamalbadry@gmail.com. We talked deeply about the responsibility photographers has to the people in the communities photographers use in their art, why more more negatives makes more sense to him than more posting on Instagram, and how relationship and community is the most essential skill for photographers Wesaam has worked for global media outlets, including CNN and Al-Jazeera America. His photographs have been featured in the New York Times, Rolling Stone Magazine, The Atlantic, NPR, Fortune, The Nation, and Mother Jones. Al-Badry has received The John Collier Jr. Award for Still Photography, Dorothea Lange Fellowship, the Jim Marshall Fellowship for Photography, The National Geographic Society fellowship, Magnum Foundation, and The Emerson Collective, and is currently a fellow at The Center for Visual Documentation.

Catherine Opie's 1993 photograph Self-Portrait/Cutting serves as the starting point to the Dreaming of Home exhibition. From this seminal work, the show highlights the dissonances experienced by queer people in their desires to live and thrive, alongside the routine restrictions imposed by wider society.This year marks the 30th anniversary of Opie's seminal work. Gemma Rolls-Bentley joins Opie in discussing the queer body in history, the importance of poking at the "why?", what she loves about being an artist, and how home has evolved for her from the little house she carved three decades ago.Catherine Opie (b. 1961, Sandusky, OH), is an artist working with photography, film, collage, and ceramics. She was a 2019 Guggenheim Fellow recipient and the Robert Mapplethorpe Resident in Photography at the American Academy in Rome for 2021. Opie's work has been exhibited extensively throughout the United States and abroad and is held in over 50 major collections throughout the world. Her first monograph, “Catherine Opie,” was published by Phaidon in 2021. Opie received a B.F.A. from the San Francisco Art Institute, and an M.F.A. from the California Institute of the Arts in 1988, and lives and works in Los Angeles.A full transcript of the episode is available here.Christina Quarles' Tilt shift, referenced at 14:37: https://www.pilarcorrias.com/artists/26-christina-quarles/works/8918/Catherine Opie's Walls, windows, blood, referenced at 18:35: https://www.thomasdanegallery.com/news/626This podcast series is produced by the Leslie-Lohman Museum of Art. Dreaming of Home is on view September 7–January 7, 2024. Learn more about the show at leslielohman.org/exhibitions/dreaming-of-homeShow music: Fantasy Island Obsession by Tom Rasmussen ft. Kai-Isaiah Jamal, with thanks to Globe Town Records. Hosted on Acast. See acast.com/privacy for more information.

Devendra Banhart, Phil Elverum, Jenny Hval and Bedouine discuss eating on tour, how art is intimacy exposed, and what can be learned from terrible shows. Devendra Banhart, was born in Texas and raised between Venezuela and California, where he attended the San Francisco Art Institute. After dropping out in 2000, he started moving around different cities, experimenting with songwriting and busking as he went. When he released his second album, Oh Me Oh My, in 2002 ,he signed to XL Recordings, and has since released nine albums and collaborated with artists like Anohni, Beck and The Strokes' Fabrizio Moretti. His new album Flying Wig has just come out and was recorded in a Topanga cabin once owned by Neil Young. He's also a visual artist, and has had pieces featured in galleries including San Francisco's Museum of Modern Art, MOCA and Brussels' Centre for Fine Arts. Phil Elverum is a singer-songwriter, producer and visual artist from Washington state. Best known for his musical projects The Microphones and Mount Eerie, he almost exclusively uses analogue recording equipment to make music and tends to compose as he records. His output spans more than 40 albums. Norwegian singer-songwriter, producer and novelist Jenny Hval's avant-garde music has a heavy focus on sexuality and politics. Her debut EP Cigars was released in 2006 and was nominated for a Spellemannprisen (the Nowegian Grammys). Since then, she has released music under her own name, Rocket to the Sky and collaboratively with Laura Jean as Lost Girls. Bedouine is a Syrian-American folk musician whose sound is beautifully reminiscent of 1960s North America. Born in Aleppo, Syria, she grew up between Saudi Arabia and Texas before settling in Savannah to study sound design. Since then, she's released three studio albums and toured with the likes of Fleet Foxes, Michael Kiwanuka and Jose Gonzalez.

This week the painter and curator Kristin Calabrese. Kristin was born in 1968 in Mountain View, a suburb of San Jose, CA and spent her childhood moving back and forth between Massachusetts and Arizona. Her father, Bill, was an engineer and her mother, Karen, a housewife. Kristin has a younger brother Greg and they grew up in the 70s in a middle-class white American suburb with an abundance of children in the neighborhood. However, Kristin's childhood was not easy; her father was an authoritarian and she was bullied by children in school. She says her family environment was very sexist and she vowed to live a very different life to her mother's. In 1995, Kristin graduated with a Bachelor in Fine Arts from the San Francisco Art Institute and Master of Fine Arts from the University of California, Los Angeles in 1998. She found her way as an artist after exploring a variety of mediums in college, venturing into graphic design and creating websites before eventually concentrating on oils. She says: “My paintings speak plainly, make jokes, and are irreverent. I paint to make my thoughts, feelings, and experience into monuments that mark my small and large, personal existence.” The focus of Kristin's work includes psychology, humor, politics and formal issues of composition and representation, primarily through painting. Since the mid 90's, Kristin has held numerous shows in the US and Europe. Solo exhibitions include Gagosian Gallery in Los Angeles, Brennan & Griffin in New York, and Michael Jansen in Cologne. She has also curated many group exhibitions, including at the Los Angeles Contemporary Exhibitions and Honor Fraser Gallery. Her work is featured in numerous collections, including Saatchi and The Armand Hammer Museum. Together with her husband, artist Joshua Aster, they have a small business for art supplies, such as canvases and framing, and then they spend the evenings painting. Kristin says that she is now in a happy place as an artist and curator at home in Los Angeles.Women artists whose work Kristin admires:Mary WeatherfordSusanna CoffeyMichelle GrabnerAnne HarrisDeb SokoloLucy BullLauren QuinKristin's Playlist“I don't listen to music in the studio. I listen to podcasts and books on tape. Once I recognize a song, I find it annoying and distracting, so I listen to podcasts and books on tape. I'm pretty interested in history right now, stuff I never learned in school like the 30 Years War, The Reformation, even more current American history, like J. Edgar Hoover and the FBI. I play podcasts all day long, need it to sort of distract myself from being antsy, they help me focus on the painting.Kristin's Podcasts:American PrestigeBackground BriefingKnow Your EnemyThe MajorityReport ChapoTrap HouseThe Tom Hartman ShowLeft ReckoningLetters and PoliticsAndI've adopted a couple astrology podcasts:Chani Nicholas Astrology of the Week AheadAnne Ortelee weekly weatherAlso some comedy podcasts, here's one: Thought Spiral".Kristin's website: https://kristincalabrese.com/Instagram: @only_future_thingHost: Chris StaffordFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4769409/advertisement

Guy Sengstock (Founder & Co-Owner) is the founder and creator of the Original Circling® Method. He has been facilitating transformation for individuals, groups and corporations internationally for more than 20 years. He has a BFA from the San Francisco Art Institute and is the co-founder of The Arête Center for Excellence and the Bay Area Men's Circle, which is still thriving today.  He is an artist, philosopher, poet, body-worker, and visionary. Many refer to Guy as a genius in both his depth of thinking and in his way of working with clients. His humor, depth and quality of attention allows people to see and hear those things which have always been present yet have never occurred for them. He wakes up every day with an insatiable craving to discover the source of life's novelty and can't help himself but to attempt to awaken this thirst in everyone he encounters. Through our conversation, as usual we get a little of Guy's genesis and what brought him to his current understanding of communication and the healing that this modality can bring. We go through a bit of my personal experiences of working with Guy through Fit For Service and the intentions and ideas behind the specific strategies put forth in Circling. Shoot Guy an email, go to their website, dive in and enjoy yall!   ORGANIFI GIVEAWAY Keep those reviews coming in! Please drop a dope review and include your IG/Twitter handle and we'll get together for some Organifi even faster moving forward.   Connect with Guy: Website: circlinginstitute.com  Email: GuySengstock@gmail.com Show Notes: John Vervaeke YouTube    Sponsors: Organifi Go to organifi.com/kkp to get my favorite way to easily get the most potent blend of high vibration fruits, veggies and other goodies into your diet! Click that link and use code “KKP” at checkout for 20% off your order! Manna Vitality To get the absolute number one mineral replenishment in my arsenal head over to mannavitality.com and punch in “KKP” at checkout for 12% off! Cured Nutrition has a wide variety of stellar, naturally sourced, products. They're chock full of adaptogens and cannabinoids to optimize your meatsuit. You can get 20% off by heading over to www.curednutrition.com/KKP  using code “KKP” Mark Bell's Mind Bullet This Kratom Extract supplement supports your cognition like no other and that's not just because Mark's a homie. Get some over at mindbullet.com and use “KKP” at checkout for 20% off! To Work With Kyle Kingsbury Podcast   Connect with Kyle: Fit For Service Academy App: Fit For Service App  Instagram: @livingwiththekingsburys - @gardenersofeden.earth  Odysee: odysee.com/@KyleKingsburypod  Youtube: Kyle Kingbury Podcast  Kyles website: www.kingsbu.com - Gardeners of Eden site    Like and subscribe to the podcast anywhere you can find podcasts. Leave a 5-star review and let me know what resonates or doesn't.

This week the painter and curator Kristin Calabrese. Kristin was born in 1968 in Mountain View, a suburb of San Jose, CA and spent her childhood moving back and forth between Massachusetts and Arizona. Her father, Bill, was an engineer and her mother, Karen, a housewife. Kristin has a younger brother Greg and they grew up in the 70s in a middle-class white American suburb with an abundance of children in the neighborhood. However, Kristin's childhood was not easy; her father was an authoritarian and she was bullied by children in school. She says her family environment was very sexist and she vowed to live a very different life to her mother's. In 1995, Kristin graduated with a Bachelor in Fine Arts from the San Francisco Art Institute and Master of Fine Arts from the University of California, Los Angeles in 1998. She found her way as an artist after exploring a variety of mediums in college, venturing into graphic design and creating websites before eventually concentrating on oils. She says: “My paintings speak plainly, make jokes, and are irreverent. I paint to make my thoughts, feelings, and experience into monuments that mark my small and large, personal existence.” The focus of Kristin's work includes psychology, humor, politics and formal issues of composition and representation, primarily through painting. Since the mid 90's, Kristin has held numerous shows in the US and Europe. Solo exhibitions include Gagosian Gallery in Los Angeles, Brennan & Griffin in New York, and Michael Jansen in Cologne. She has also curated many group exhibitions, including at the Los Angeles Contemporary Exhibitions and Honor Fraser Gallery. Her work is featured in numerous collections, including Saatchi and The Armand Hammer Museum. Together with her husband, artist Joshua Aster, they have a small business for art supplies, such as canvases and framing, and then they spend the evenings painting. Kristin says that she is now in a happy place as an artist and curator at home in Los Angeles. Women artists whose work Kristin admires: Mary WeatherfordSusanna CoffeyMichelle GrabnerAnne HarrisDeb SokoloLucy BullLauren Quin Kristin's Playlist “I don't listen to music in the studio. I listen to podcasts and books on tape. Once I recognize a song, I find it annoying and distracting, so I listen to podcasts and books on tape. I'm pretty interested in history right now, stuff I never learned in school like the 30 Years War, The Reformation, even more current American history, like J. Edgar Hoover and the FBI. I play podcasts all day long, need it to sort of distract myself from being antsy, they help me focus on the painting.Here are some or my current podcast faves: American PrestigeBackground BriefingKnow Your EnemyThe MajorityReport ChapoTrap HouseThe Tom Hartman ShowLeft ReckoningLetters and Politics AndI've adopted a couple astrology podcasts:Chani Nicholas Astrology of the Week AheadAnne Ortelee weekly weather Also some comedy podcasts, here's one: Thought Spiral".Kristin's website: https://kristincalabrese.com/ Instagram: @only_future_thingHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.com

Oran Canfield's upbringing took him across various locations, including Massachusetts, Philadelphia, Central America, New Mexico, Arizona, and the San Francisco Bay area. While attending the San Francisco Art Institute, Oran began his career as a drummer and became heavily involved in San Francisco's underground music and art communities. Along with his involvement as a drummer for numerous bands, including Child Abuse and Chaser, he also owned and operated a recording studio and cooperated a music venue featuring experimental and creative jazz music. He has also been a bike messenger, piano restorer, housecleaner, limo driver, and sex-toy maker. Early in 2001, after seven separate stints in rehab, he got clean after attending an experimental treatment center in the Caribbean islands. He lives in Brooklyn, New York, and works as a musician and freelance art handler. Oran's memoir, Long Past Stopping, chronicles his personal journey, including his upbringing, involvement in the underground music scene, battles with addiction, and eventual path to recovery. On another note, today(June 2nd) is Lydia's Birthday. Happy Birthday Lydia!    

Girl. This simple four letter word has been the impetus behind many of the greatest songs of all time, and the O3L era was no exception. Whether it's a male sung ode to love, longing, success and frustration with the opposite sex, or a female sung declaration of solidarity and empowerment, this week we celebrate songs with the word "girl" in the title (well, most of them). One of those wonderful songs is the 1984 Top 40 smash by Romeo Void, "A Girl In Trouble (Is A Temporary Thing)." So what an incredible thrill it is for us to welcome as our special guest...DEBORA IYALL from ROMEO VOID! Romeo Void was formed in 1979. Drawing inspiration from the local underground music scene, the band's founding members were San Francisco Art Institute students Debora Iyall (lead vocalist, lyricist) and Frank Zincavage (bass guitar), alongside local musicians Peter Woods (guitar) and Jay Derrah (drums). They soon added saxophonist Benjamin Bossi. According to Iyall, the name Romeo Void referred to “a lack of romance.”  Romeo Void's first official live album, Live From Mabuhay Gardens: November 14, 1980, was recently released on special galaxy blue vinyl for Record Store Day, as well as on CD and digital, by the Liberation Hall label. Recorded at the famed San Francisco punk club by deejay Terry Hammer, the album was captured during the same period that Romeo Void was recording its critically acclaimed debut album for 415 Records, It's a Condition. Derrah was still drumming with the band at this live show, but was replaced by John “Stench” Haines by the time the sessions for It's a Condition were underway. Eight of the eleven songs on Live from Mabuhay Gardens: November 14, 1980, would eventually appear on It's a Condition. The opening track, “Guards,” would surface in 1981 as the B-side of the band's national breakout single, “Never Say Never.” “Fine Line” is an original that has never been released in any format. The album's closing number, “Double Shot of My Baby's Love,” is a cover of the Swingin' Medallions' 1966 hit, which was the first 45 single which Iyall owned.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Girl. This simple four letter word has been the impetus behind many of the greatest songs of all time, and the O3L era was no exception. Whether it's a male sung ode to love, longing, success and frustration with the opposite sex, or a female sung declaration of solidarity and empowerment, this week we celebrate songs with the word "girl" in the title (well, most of them). One of those wonderful songs is the 1984 Top 40 smash by Romeo Void, "A Girl In Trouble (Is A Temporary Thing)." So what an incredible thrill it is for us to welcome as our special guest...DEBORA IYALL from ROMEO VOID! Romeo Void was formed in 1979. Drawing inspiration from the local underground music scene, the band's founding members were San Francisco Art Institute students Debora Iyall (lead vocalist, lyricist) and Frank Zincavage (bass guitar), alongside local musicians Peter Woods (guitar) and Jay Derrah (drums). They soon added saxophonist Benjamin Bossi. According to Iyall, the name Romeo Void referred to “a lack of romance.”  Romeo Void's first official live album, Live From Mabuhay Gardens: November 14, 1980, was recently released on special galaxy blue vinyl for Record Store Day, as well as on CD and digital, by the Liberation Hall label. Recorded at the famed San Francisco punk club by deejay Terry Hammer, the album was captured during the same period that Romeo Void was recording its critically acclaimed debut album for 415 Records, It's a Condition. Derrah was still drumming with the band at this live show, but was replaced by John “Stench” Haines by the time the sessions for It's a Condition were underway. Eight of the eleven songs on Live from Mabuhay Gardens: November 14, 1980, would eventually appear on It's a Condition. The opening track, “Guards,” would surface in 1981 as the B-side of the band's national breakout single, “Never Say Never.” “Fine Line” is an original that has never been released in any format. The album's closing number, “Double Shot of My Baby's Love,” is a cover of the Swingin' Medallions' 1966 hit, which was the first 45 single which Iyall owned.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Holly Wong lives and works in San Francisco, California. She was educated at the San Francisco Art Institute where she graduated with a Master of Fine Arts with a concentration in New Genres. Holly creates installations and assemblages, integrating non-traditional approaches with more traditional sewing techniques associated with the history of women. She has been awarded visual arts grants from the Integrity: Arts and Culture Association, Barbara Deming Memorial fund, the George Sugarman Foundation, the Puffin Foundation, and a Gerbode Foundation purchase award. She has had over 70 group exhibitions and 10 solo exhibitions. She is represented by SLATE Contemporary Gallery in Oakland, California, ELLIO Fine Art Gallery in Houston, TX, and is a member of A.I.R. Gallery in Brooklyn, New York. "My work reclaims the female body and bears witness to the spirit. I create fiber and drawing based installations, assemblages and works on paper to remember my mother whom I lost to alcoholism and domestic violence. These works range in size from intimate pieces to larger immersive works. I use a variety of fabric and flexible drawing surfaces as my medium, applying the skills passed down to me from my mother who was a talented seamstress. The sexual violence we both experienced in our lives led to a self-loathing of my body, cultivating the anorexia and mental illness I struggled with as a young woman. Now, I stitch and draw as a journey towards wholeness, both for myself and for my mother's memory. I started to work with fiber installation in 2017. I became attracted to working with light, reflective, transparent fabrics because it reminds me of the permeable separation between the living and the dead. In my recent series “quilt suspensions,” I use a flat felled seam technique with transparent fabric. I combine these ephemeral materials with LED strip lighting and diffusion film as a proxy for my mother's spirit. The layers of pieced fabric are suspended over this light-spirit as a shroud or mourning cloth. Inspired by Chinese funeral customs, the quilt layers become burial blankets that are offered by the children of the deceased and layered upon their loved ones. A major throughline in my work is the wound or scar and the power of taking back the night by healing the scar. Creating works of beauty in brokenness is my highest act of resistance."   Links: https://hollywongart.com/   Instagram: @hollywongart     Artist Shoutout:   Ed Love @edloveart Al Wong @alwongart. Christina Massey @cmasseyart. Laura Sallade @laura.sallade. Bonny Leibowitz. @bonnyleibowitz. Etty Yaniv @etty.yaniv. William Powhida @williampowhida. Will Hutnick @willhutnick. Mia Pearlman @mia_pearlman. Kira Dominguez Hultgren. @kiradominguezhultgren. Jutta Haeckel @juttahaeckel. Natalie Ball @natalie_m_ball. Rachel Hayes @rachelbhayes. Stephanie Syjuco @ssyjuco   I Like Your Work Links: Radiate and Repeat Exhibition  Join The Works Membership! https://theworksmembership.com/ Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

Albert Flynn DeSilver is an American poet, memoirist, novelist, speaker, and workshop leader. He is the author of several books of poems, the memoir “Beamish Boy,” and “Writing as a Path to Awakening" (Sounds True, 2017). Albert received an MFA in Photography/New Genres from the San Francisco Art Institute. He worked as a California Poet in the Schools for many years and served as poet laureate of Marin County, California from 2008-2010. He has shared the stage and presented with U. S Poet Laureate Kay Ryan, bestselling authors' Maxine Hong Kingston, Cheryl Strayed, Elizabeth Gilbert, and many others. Albert is also a meditation teacher at Spirit Rock and speaks at writing conferences nationally.How Do You Write Podcast: Explore the processes of How Do You Write Podcast: Explore the processes of working writers with bestselling author Rachael Herron. Want tips on how to write the book you long to finish? Here you'll gain insight from other writers on how to get in the chair, tricks to stay in it, and inspiration to get your own words flowing. Join Rachael's Slack channel, Onward Writers: https://join.slack.com/t/onwardwriters/shared_invite/zt-7a3gorfm-C15cTKh_47CEdWIBW~RKwgRachael can be YOUR mini-coach, and she'll answer all your questions on the show! http://patreon.com/rachael Join my scribe of writers for LOTS more tips and get access to my 7-minute video that will tell you if you're writing the right book! Only for my writing community! CLICK HERE:➡️ How to Know If You're Writing the Right Book - https://rachaelherron.com/therightbook Hosted on Acast. See acast.com/privacy for more information.

Interdisciplinary artist Brett Cook's current exhibit, at The Yerba Buena Center for the Arts in San Francisco, is profound. In this episode, we talk about the history of some of the installations, including the stunning self-portrait that greets visitors as they enter. Brett explains in detail why and how the show, a collaboration with choreographer Liz Lerman, came to be what it is—the relationships built through interviews with family members of portrait subjects, the deliberate audience engagement. To be an artist in the world, he says, means creating time and space for contemplation and opening oneself to others' experiences. Join us.Cook has received numerous awards, including the Lehman Brady Visiting Professorship at Duke University and the University of North Carolina at Chapel Hill, and the Richard C. Diebenkorn Fellowship at the San Francisco Art Institute. Recognized for a history of socially relevant, community engaged projects, he was selected as a cultural ambassador to Nigeria as part of the U.S. Department of State's 2012 smARTpower Initiative and an inaugural A Blade of Grass Fellow for Socially Engaged Art in 2014. Cook's work has been featured in private and public collections including the Smithsonian/National Portrait Gallery, the Walker Art Center, and Harvard University.About the exhibit-At first glance, visual artist Brett Cook and choreographer Liz Lerman are an unlikely match. Although divergent in presentation and aesthetic, both have spent their careers guided by an intuitive desire to forge new paths, reshape their respective fields, and encourage the exploration of artistry as a catalyst for enacting change. This exhibition is the culmination of Cook and Lerman's three-year residency as senior fellows at YBCA, focusing on centering artists as leaders inside the organization and in the communities they serve. Their pairing asks the public to consider the role of an artist within an institution—and in the public sphere—as urgent and responsive.https://www.brett-cook.comhttps://ybca.org

Tino Rodriguez and Virgo Paraiso are metaphysical painters who create solo work and collaborative work.Tino Rodriguez expertly weaves together elements from Catholic idolatry, European Fairy Tales, Celtic fables, Mexican myths, and Native American legends as he explores the complexity of spirituality, sexuality, and transformation. The duality found in Western religions- good and evil, heaven and hell, spirit and body- intermingle in a vision that makes such distinctions irrelevant. Tino was born and raised in Guadalajara, Mexico. A graduate of the San Francisco Art Institute, he holds an MFA from the University of Albuquerque. His work has been shown in Los Angeles, New York, San Francisco, San Jose, Boston, Washington DC, and Berlin, and resides in permanent collections at the San Jose Museum of Art (San Jose, CA, The Crocker Art Museum (Sacramento, CA), and the Nevada Museum of Art (Reno, Nevada).Virgo Paraiso describes his work thusly: “Through your divine light, the universe awakens and consciousness blooms…The visions in my paintings are of deep, lush paradise worlds that depict the profound connection between all sentient beings, the oneness of all things. These mindscapes are portals that can open up our sense of perception and remind us of what we truly are in essence, which is infinite love and beauty. We are true divine wisdom. We are the source of existence. We are life itself.” Virgo was born in Chihuahua, Mexico. He grew up between Okinawa, Japan, Hawaii, and San Francisco, and he has studied art, and exhibited in all of these places, as well as New York, Boston, and Berlin. Both Tino and Virgo have done work for The Wachowskis including their Netflix series Sense8, a music video for Antony and the Johnsons, and films including Jupiter Ascending and The Matrix Resurrections.On this Valentine's Day episode, Tino and Virgo discuss creative collaboration as an act of love, the power of mystical art, and the inspiration they get from their community of radical magic-makers.Pam also talks about the concept of the Third Mind, and answers listener questions about bringing some witchcraft to their weddings.Our sponsors for this episode are Juanita Benedicto, Rosarium Blends, BetterHelp, Black Phoenix Alchemy Lab, and The Pendulum Swings TarotWe also have brand new print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here.And if you want more Witch Wave, please consider supporting us on Patreon to get access to bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

Nick Doyle is an artist who lives and works in Brooklyn, New York. He holds an MFA in sculpture from Hunter College and a BFA from the San Francisco Art Institute. Doyle attended the Skowhegan school of painting and sculpture in 2014. From 2014­–2017 Doyle was a resident of the Lower Manhattan Cultural Council's workspace program. Solo exhibitions include his current exhibition at Perrotin Gallery NY called Yes Daddy, and recent ones including Nowhere at Stems Gallery, Brussels, Belgium, Paved Paradise at Reyes|Finn, Detroit, MI, No Vacancy  at 56 Henry, New York, NY,  The Great Escape at Steve Turner Gallery, Los Angeles, CA,  Soft Arrest at Mrs. Gallery, Queens, NY, and Steven, at INVISIBLE-EXPORTS, New York, NY. Group exhibitions include The Kentucky Museum of Art and Craft, Pioneer Works, Abrons Art Center, Perrotin Gallery, Nathalie Karg Gallery, and Columbia University.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, David Benjamin Sherry have a deeply personal and moving conversation about the decisions and influences that lead David to pursue photography and to work in the uniquely exuberant and process forward manner that he does. https://davidbenjaminsherry.com David Benjamin Sherry (Santa Fe, NM) is an artist whose work is both challenging and reinvigorating the American Western landscape tradition. His work revolves around interests in environmentalism, queer identity and alternative analog film processes. He's best known for his colorful landscape work, brought upon by the desire to explore the last remaining wilderness in America. Through numerous projects, Sherry's work expresses deep concern for the rapidly changing environment, while continuing to sustain a queer sensibility in the hetero-male dominated canon of landscape photography. Sherry has referred to himself as a “nostalgic futurist” and currently uses a large format 8x10 film camera in order to reflect and understand our connection within the contemporary American landscape. Sherry was born in 1981 in Stony Brook, NY and lives and works in Santa Fe, New Mexico. He received his BFA in Photography from Rhode Island School of Design in 2003 and his MFA in Photography from Yale University in 2007 where he was awarded the Richard Dixon Welling Prize. In 2010 he received the Rema Hort Mann Foundation Visual Arts Grant. Sherry taught Western Landscape and Large Format photography as a distinguished faculty member at the San Francisco Art Institute in 2018. In the fall of 2020, joined the Yale MFA Photography program as a Visiting Critic. A multi-part installation of his work was exhibited in Greater New York 2010 at MoMA PS1, New York, a survey show organized by Klaus Biesenbach Connie Butler, and Neville Wakefield. His work has been exhibited in numerous solo presentations and also included in many group presentations including: The Anxiety of Photography, Aspen Art Museum (2011), New York Minute at Garage Museum of Contemporary Art, Moscow (2011), Out of Focus at Saatchi Gallery, London (2012), Lost Line, LACMA Los Angeles County Museum of Art (2013), What is a Photograph? at ICP International Center for Photography, New York (2014), Fotofocus Biennial, Cincinnati, Ohio (2014) Color Fields at MassArt Museum (2015) and Ansel Adams In Our Time, Museum of Fine Arts, Boston (2018). His work is in permanent collections at The Whitney Museum of American Art, NY, The Nasher Museum of Art, Durham, NC, Walker Art Center, Minneapolis, MN, Wexner Center of the Arts, Columbus, OH, Los Angeles County Museum of Art, Los Angeles, CA, The Saatchi Collection, London, UK, The Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, FL, and The Marciano Foundation, Los Angeles, CA Sherry's work has been featured in many prominent international publications, including Artforum, Aperture Magazine, Architectural Digest, Art in America, Interview Magazine, The New Yorker, New York Magazine, and The New York Times, among many others. In September 2014, his work was featured on the cover of The New York Times Magazine. In the spring of 2019, his work was featured on the cover of Aperture Magazine for the Earth issue. There are four monographs of his work: It's Time (Damiani, 2010); Quantum Light (Damiani, 2013); Earth Changes (Mörel Books, 2015) and his most recent monograph, “American Monuments” (Radius, 2019) features essays by top environmentalists and activists Terry Tempest Williams and Bill McKibben. David Benjamin Sherry is represented by Salon 94 Gallery, New York and Morán Morán Gallery, Los Angeles. Find out more at https://photowork.pinecast.co