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What do you do when all of your stories fall through the day before you go to air? A. Run repeats B. Make a whole new show in 24 hours... In today's special episode we're taking you back to the wonderfully chaotic early days of All The Best, to reflect on the legacy of Jesse Cox, a visionary audio storyteller and the co-founder of All the Best, who passed away in 2017. Through a combination of personal stories, archived audio, and reflections of friends and past colleagues, this episode celebrates Jesse's groundbreaking contributions to Australian radio, as we pay tribute to his fearless creativity. This episode also marks the re-launch of Jesse Cox Audio Fellowship. Established in 2020 in his honour (briefly paused in 2022), the fellowship was designed to support aspiring audio storytellers, inheriting Jesse's mission to “strengthen the Australian audio community, push storytelling boundaries, and amplify underrepresented voices.” From 2025, each recipient of the fellowship will receive $1000 to create an ambitious audio feature story, supported by an individualised learning program and national broadcast outcome. Apply to the Jesse Cox Audio Fellowship 2025 Applications are now open for the 2025 Jesse Cox Audio Fellowship. Click here to apply. Applications close at 5 pm on Wednesday November 20th 2024. We are indebted to Eliza Sarlos, Belinda Lopez,, Miles Martignoni, Zacha Rosen, Louise Cox and Jesse's family for their contributions and help telling this story. Special thanks also go to the JCAF and FBi Radio teams for helping to make All The Best the new home of the Jesse Cox Audio Fellowship. All The Best Credits Executive Producer: Phoebe Adler-Ryan Editorial Producer: Melanie Bakewell Host: Madhuraa Prakash Compiled and Mixed by Emma HigginsSee omnystudio.com/listener for privacy information.
This episode is a part of the first annual Climate Podcast Showcase, for more information on this visit www.climactic.fm/climatepodcase, and for more information on this show please visit ArtBreaker. The Black Finch Project, or #1000finches, swept through the Australian art and environmental world in mid 2019. People of all walks of life were creating art featuring this endangered finch, usually dead, and posting them to politicians and community figures across Australia. That same bird is now Australia's Bird of the Year, while it's habitat is being destroyed to clear the way for the development of the Galilee Basin as the world's newest and largest coal exporter. How can art help us engage and cope with this tension? The grief of extinction? Thank you for listening to Art Breaker. We're the newest show from the Climactic Collective, a podcast network by and for the Australasian climate community. If you liked the program, please tell a friend, and leave a rating and review in your podcast app or Apple Podcasts if so moved. Thanks to Charlotte Watson for her time and generousity. Since that tumultuous time in mid 2019, her life has somewhat returned to normal, and she's moving to a plant-based diet. Chris Turnbull is still campaigning against Adani, and raising his son. If you wanted advice on how to run a bird of the year campaign, he'd be a good man to ask. Margaret Ingles is still prolifically working on the intersection of the climate emergency and our understanding, and her work has moved your host to tears on multiple occasions. Our thanks to Miles Martignoni and Laura Murphy-Oates from the Guardian, and Sean Dooley from Bird Life Australia for the use of a section of the Full Story podcast from the Guardian Australia. Thank you for listening, and if you know of an artist or a project, in any artistic medium, engaging with the climate emergency that's a good story waiting to be told, please get in touch at hello@climactic.fm. Support Climactic See /privacy for privacy and opt-out information.
This episode is a part of the first annual Climate Podcast Showcase, for more information on this visit www.climactic.fm/climatepodcase, and for more information on this show please visit ArtBreaker. The Black Finch Project, or #1000finches, swept through the Australian art and environmental world in mid 2019. People of all walks of life were creating art featuring this endangered finch, usually dead, and posting them to politicians and community figures across Australia. That same bird is now Australia's Bird of the Year, while it's habitat is being destroyed to clear the way for the development of the Galilee Basin as the world's newest and largest coal exporter. How can art help us engage and cope with this tension? The grief of extinction? Thank you for listening to Art Breaker. We're the newest show from the Climactic Collective, a podcast network by and for the Australasian climate community. If you liked the program, please tell a friend, and leave a rating and review in your podcast app or Apple Podcasts if so moved. Thanks to Charlotte Watson for her time and generousity. Since that tumultuous time in mid 2019, her life has somewhat returned to normal, and she's moving to a plant-based diet. Chris Turnbull is still campaigning against Adani, and raising his son. If you wanted advice on how to run a bird of the year campaign, he'd be a good man to ask. Margaret Ingles is still prolifically working on the intersection of the climate emergency and our understanding, and her work has moved your host to tears on multiple occasions. Our thanks to Miles Martignoni and Laura Murphy-Oates from the Guardian, and Sean Dooley from Bird Life Australia for the use of a section of the Full Story podcast from the Guardian Australia. Thank you for listening, and if you know of an artist or a project, in any artistic medium, engaging with the climate emergency that's a good story waiting to be told, please get in touch at hello@climactic.fm. Support Climactic Support the show: https://www.climactic.fm/p/support-the-collective/
This episode is a part of the first annual Climate Podcast Showcase, for more information on this visit www.climactic.fm/climatepodcase, and for more information on this show please visit ArtBreaker.The Black Finch Project, or #1000finches, swept through the Australian art and environmental world in mid 2019. People of all walks of life were creating art featuring this endangered finch, usually dead, and posting them to politicians and community figures across Australia. That same bird is now Australia's Bird of the Year, while it's habitat is being destroyed to clear the way for the development of the Galilee Basin as the world's newest and largest coal exporter. How can art help us engage and cope with this tension? The grief of extinction?Thank you for listening to Art Breaker. We're the newest show from the Climactic Collective, a podcast network by and for the Australasian climate community. If you liked the program, please tell a friend, and leave a rating and review in your podcast app or Apple Podcasts if so moved.Thanks to Charlotte Watson for her time and generousity. Since that tumultuous time in mid 2019, her life has somewhat returned to normal, and she's moving to a plant-based diet.Chris Turnbull is still campaigning against Adani, and raising his son. If you wanted advice on how to run a bird of the year campaign, he'd be a good man to ask.Margaret Ingles is still prolifically working on the intersection of the climate emergency and our understanding, and her work has moved your host to tears on multiple occasions.Our thanks to Miles Martignoni and Laura Murphy-Oates from the Guardian, and Sean Dooley from Bird Life Australia for the use of a section of the Full Story podcast from the Guardian Australia.Thank you for listening, and if you know of an artist or a project, in any artistic medium, engaging with the climate emergency that's a good story waiting to be told, please get in touch at hello@climactic.fm.Support Climactic See /privacy for privacy and opt-out information.
A week of civil unrest for the Liberal party has brought Australia a new prime minister: Scott Morrison. Guardian Australia political editor Katharine Murphy talks to producer Miles Martignoni about the questions we all have: what was it all for? Will this leadership team change things drastically? And how will Bill Shorten fare when campaigning against Morrison?
More than ever, traditional media organisations are experimenting with podcasting and achieving significant results.In this episode, we go behind the scenes with The Guardian Australia’s podcast producer Miles Martignoni, gaining insight on crafting award-winning audio as an extension of article-led journalism, with a focus on The Guardian’s most downloaded series ever, made in Australia.Acast’s Adam Martin shares how short-form journalism in podcasts is increasingly attracting a younger audience and why this audience are consuming the medium en masse. See acast.com/privacy for privacy and opt-out information.
Honor Eastly, Miles Martignoni, Hannah Reich and Megan Tan answer all our nosy questions about how they pay the bills. This survival guide to freelancing was recorded at the 2017 Audiocraft Conference. See acast.com/privacy for privacy and opt-out information.
He’s still going to be prime minister, but Malcolm Turnbull did not get the election result he wanted. So how can he recapture political momentum? Kristina Keneally joins Bridie Jabour and Miles Martignoni and suggests at least one way the PM can stamp his authority on the Coalition again. Plus why we should keep a very close eye on the monthly poll ratings for ‘preferred prime minister’ to find out Turnbull’s fate.
Kristina Keneally joins Gabrielle Jackson and Miles Martignoni to discuss election ads and slogans, what you should be doing in the last week of the campaign, the best and worst performers so far, and why Scott Morrison could be Australia’s next PM
Van Badham joins Gabrielle Jackson and Miles Martignoni to discuss inequality in Australia and what the economic policies being presented this election cycle might mean for everyday Australians • Is Australia egalitarian? Ask the worker sacked for using a Post-it note • It’s time Australians looked more closely at our privileged ruling class
Kristina Keneally joins Gabrielle Jackson and Miles Martignoni to discuss the election campaign at the halfway stage, including the claim that Labor once supported corporate tax cuts, Scott Morrison’s aggressive language in a press conference, why Malcolm Turnbull’s father is the focus of a new campaign ad and why a double dissolution may work well for independents
At Guardian Australia’s Why Knot? event, campaigners told how the battle for marriage equality can be won if gay and straight supporters alike go out and spread the word about their own experience. Bridie Jabour and Miles Martignoni look back at some of the most moving speeches from Benjamin Law, Ally Hocking Howe, Kristina Keneally and Rodney Croome, and ask what role religious faith will play in the debate
‘You're damn right Hollywood's racist,' said Chris Rock as he opened the Oscars. He went on to describe an exclusive club of very nice people who just don't hire many African Americans ... So will things change now? Today's hosts – Monica Tan and Miles Martignoni – are joined by Lanre Bakare from the Guardian's New York office. Plus: special mentions for all the people of colour you may have missed in those Oscar-winning movies ...
Live special edition of Diffusion! Julie-Anne Popple reports on DNA half-life with expert comments from Dr Simon Ho from the University of Sydney, and on singing mice. Arwen Cross, Oliver Featherstone, Therese Chen and Julie-Anne Popple discuss the Ignobel awards for 2012. We re-play our favourite "In the name of science" interview for 2012, with Dave McElroy talking about seastar sex and global warming. Ian Woolf interviews Mark Pesce about devices that talk with you. Presented and produced by Julie-Anne Popple with technical assistance from Miles Martignoni.