Podcasts about payola scandal

On this week's episode of the Music History in Depth Podcast we deep dive into Mozart's The Marriage of Figaro, we discuss a tale of two men during the Payola scandal, Clapton and Bowie inspire the Rock against Racism Concert, and we celebrate the life of the godfather of soul, Mr. James Brown. ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Send in a voice message: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Would you like to hear the thing that finally broke us? This is the episode for you! The newest James Bond novel features a socially conscious James Bond, who knows the bad guy is bad, because his crew is made up of all white guys that bitch about Wokeness. Yes, that's real and that's not even the worse part of it. There's also Rotten Tomatoes, who has been paying critics for better scores to inflate the box office. Surprised? We're not. We're also joined by Etep from The Place to Be Reviews.  This episode proves why WCBs is the highlight of your Thursday Nights Wokebusters: https://www.wokebusterscomic.com Stealing Solo: https://www.stealingsolo.com Patreon: https://www.patreon.com/worldclassbs Merch: https://www.shopwcbs.com  

The growth of rock and roll has definitely been propelled by radios. I know, that's obvious. But there are some juicy stories that maybe you don't know about all this! Starting from the cat's whisker radio (wink, wink!) to the influence of disc jockeys... until it became a little too risky! If you like good music and a good scandal, press play!

Did you know the phrase "pay to play" originated from a literal terrestrial radio scandal where record labels bribed disc jockeys?! Erin and Nicole discuss the timeline-altering Payola Scandal of 1960, the problematic motivations of said scandal, and close the episode out with some *light and impromptu* Billy Joel slander (apologies to any BJ fans). **This episode is sponsored by MagicMind, the world's first productivity drink! Visit MagicMind.co/DTFU and save 20% off your order with the code "DTFU20" at checkout! SHOW INFORMATION Hosted and produced by Nicole Mackie and Erin Saul Merch: Dude, That's F****d Up Store Patreon: Patreon.com/DTFUPodcast Facebook Page: @DFTUPodcast Facebook Group: Listeners of Dude, That's F****d Up Instagram: @DTFUPodcast Twitter: @DTFUPodcast YouTube: DTFUPodcast Website: DTFUPodcast.com Email: DTFUPodcast@gmail.com Music: The Hands of Stone Artwork: Brad Walters Design Subscribe: Spotify, Apple Podcasts, Stitcher, Google Podcasts --- Support this podcast: https://anchor.fm/dude-thats-fd-up8/support

STAN FREBERG - Old Payola Roll Blues - (Pts. 1 & 2) In 1960, Stan Freberg did a parody on the Payola Scandal, by calling it "Old Payola Roll Blues", a two-sided single, where the promoter gets an ordinary teenager, named Clyde Ankle, to record a song, for Obscurity Records, entitled "High School OO OO", and then tries to offer the song to a jazz radio station with phony deals that the disc jockey just won't buy it. It ends with an anti-rock song, saying hello to jazz and swing, and goodbye to amateur nights, including rock and roll.

While sampling this rockin' drink, Shelley examines the "payola" scandal of the 50's and 60's while Bekah describes the original Woodstock Festival. Drinking: Rock 'n' Rolla 1 ½ oz. high proof bourbon 1 oz. apple juice ¾ oz. lemon juice ½ oz. maple syrup ¼ oz. allspice dram 2 dashes angostura bitters Ground nutmeg Pour all ingredients into a shaker with ice. Shake and strain into a lowball glass with ice. Garnish with ground nutmeg.

Tonight’s rundown:   Donald Trump is being silenced and lawyers are afraid to represent him for fear they will be canceled – all of this along with the trial had led to a major slip in GOP support Leftists’ “Queen” Kamala Harris joked about killing Trump and Pence in 2018, but hypocrisy is the name of the game when it comes to the Democrats! Capitol rioters blame Trump in hopes of getting lighter sentences Now that the election chaos has dwindled, will states actually work on voter reform?  Jeep didn’t do their research and featured Springsteen in their Super Bowl ad months after he was arrested for a DWI The Biden Administration is backing off their “everyone come on in” mentality by telling illegals to wait to cross the border  The heat is on! As protestors interrupt Gov. Newsom’s press conference and chant “recall Newsom” UK hospital replaces the term “breast milk” with “human milk,” to seem more inclusive This Day in History, 1960: The Payola Scandal heats up  Final Thought: Bill predicts what will politically happen to the country over the next 6 months  Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960(Lexington Books, 2018), John C. Hajduk examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk’s focus is on “gatekeepers” such as record executives and musician’s union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another. Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take Music Wars through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and roll on the radio, as a means of self-preservation against increasing state interest in popular music’s potentially “disturbing” influence on the young. Music Wars is an affecting account of a fascinating period—one with which most of us can identify. We live in a culture imbued not just with rock and roll, but with the history of rock and roll, and John Hajduk’s new book gives us a window into that reality. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960(Lexington Books, 2018), John C. Hajduk examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk’s focus is on “gatekeepers” such as record executives and musician’s union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another. Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take Music Wars through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and roll on the radio, as a means of self-preservation against increasing state interest in popular music’s potentially “disturbing” influence on the young. Music Wars is an affecting account of a fascinating period—one with which most of us can identify. We live in a culture imbued not just with rock and roll, but with the history of rock and roll, and John Hajduk’s new book gives us a window into that reality. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960(Lexington Books, 2018), John C. Hajduk examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk’s focus is on “gatekeepers” such as record executives and musician’s union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another. Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take Music Wars through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and roll on the radio, as a means of self-preservation against increasing state interest in popular music’s potentially “disturbing” influence on the young. Music Wars is an affecting account of a fascinating period—one with which most of us can identify. We live in a culture imbued not just with rock and roll, but with the history of rock and roll, and John Hajduk’s new book gives us a window into that reality. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960(Lexington Books, 2018), John C. Hajduk examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk’s focus is on “gatekeepers” such as record executives and musician’s union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another. Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take Music Wars through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and roll on the radio, as a means of self-preservation against increasing state interest in popular music’s potentially “disturbing” influence on the young. Music Wars is an affecting account of a fascinating period—one with which most of us can identify. We live in a culture imbued not just with rock and roll, but with the history of rock and roll, and John Hajduk’s new book gives us a window into that reality. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960(Lexington Books, 2018), John C. Hajduk examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk’s focus is on “gatekeepers” such as record executives and musician’s union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another. Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take Music Wars through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and roll on the radio, as a means of self-preservation against increasing state interest in popular music’s potentially “disturbing” influence on the young. Music Wars is an affecting account of a fascinating period—one with which most of us can identify. We live in a culture imbued not just with rock and roll, but with the history of rock and roll, and John Hajduk’s new book gives us a window into that reality. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960(Lexington Books, 2018), John C. Hajduk examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk's focus is on “gatekeepers” such as record executives and musician's union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another. Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take Music Wars through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and roll on the radio, as a means of self-preservation against increasing state interest in popular music's potentially “disturbing” influence on the young. Music Wars is an affecting account of a fascinating period—one with which most of us can identify. We live in a culture imbued not just with rock and roll, but with the history of rock and roll, and John Hajduk's new book gives us a window into that reality. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

It was on this day in 1991 that pioneering rock and roll DJ, Alan Freed, posthumously received his star on the Hollywood Walk of Fame. Freed has become well-known as a result of his involvement in the Payola Scandal, but on today's "A Day in the Life" we explore the contributions he made to the genre he named.